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Interview: Eyes of Bel on Melt, Love and Learning to Let Go

August 7, 2026

Sounds Like Community Radio Returns for 2026, Celebrating the Stations Championing Australia’s...

August 6, 2026

Queenscliff Music Festival Adds Babe Rainbow, The Pretty Littles, Merpire & More...

August 6, 2026

This Is Lorelei Turns the Chaos of the Road Into a Strange,...

August 6, 2026

Interview: Alex Lahey Reflects on 10 Years of B-Grade University “I’m So...

August 6, 2026

Jordan Rakei Is Bringing His Most Fearless Album Yet to Australia This...

August 5, 2026

@ Find Beauty in the Breakdown on Haunting New Single ‘Punish My...

August 5, 2026

Public Works Bottles the Chaos of a Summer Breakup on Explosive New...

August 5, 2026

#1 Dads Announces First Australian Tour in Six Years Alongside New Album...

August 5, 2026

DOMi & JD BECK Bring Their Boundary – Pushing WHO ASKED? Tour...

August 5, 2026
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Music News

Festival NewsMusic News

ANUV JAIN AUSTRALIAN DASTAKHAT WORLD TOUR + LOCAL SUPPORTS ANNOUNCED + SHOWS SELLING FAST!

by the partae August 2, 2026
written by the partae

UNIFIED Music Group & blaide.live Present:

One of India’s most celebrated singer-songwriters, Anuv Jain, has returned to Australia in with his Dastakhat World Tour, his first-ever world tour and most ambitious live production to date.

Following the overwhelming success of his previous Australian tour in 2024, Anuv returned to Australia last night with a sold-out performance in Perth (Boorloo), supported by Reuben De Melo, kicking off a highly anticipated run of shows across the country. The tour now heads to Sydney (Eora), Melbourne (Naarm), Adelaide (Tarntanya) and Brisbane (Meeanjin), giving audiences another chance to experience the intimate storytelling and heartfelt performances that have established Anuv as one of the defining voices of a new generation of independent artists.

Joining him across the tour are a carefully curated lineup of local support acts, including Into The Unknown, ZAV-E, Jessie Hill, Sarhad Project and Hazel Mei. Jessie Hill will open both the Sydney and Melbourne dates, with Sarhad Project also joining in Melbourne. Adelaide’s sold-out show will feature Into The Unknown and ZAV-E, while Hazel Mei will support in Brisbane. With Sydney, Melbourne and Brisbane all selling fast and Adelaide already sold out, the tour continues to build on the incredible momentum of Anuv’s return to Australia.

From the reflective beauty of Baarishein, which first introduced his music to millions, to global favourites including Husn, Afsos and Jo Tum Mere Ho, Anuv has built a catalogue that transcends language and borders, with his music having amassed more than 4 billion global streams, cementing his place as one of India’s most influential independent artists. Singing primarily in Hindi and Punjabi, he explores themes of love, heartbreak, nostalgia, and hope in his deeply personal songwriting, connecting with listeners around the world through emotional honesty.

The Dastakhat World Tour represents the final chapter in Anuv’s acclaimed trilogy of live tours, following Dastakein (2021) and Guldasta (2023). Each title reflects a stage of his artistic journey from his first “knock” on listeners’ hearts to a bouquet of songs that blossomed into his signature sound, culminating now in Dastakhat, his personal signature. More than a concert series, the tour marks both the culmination of Anuv’s journey so far and the beginning of an exciting new era, with new music expected later this year or in early 2027.

Known for transforming intimate acoustic songs into unforgettable live experiences, Anuv’s concerts are celebrated for their warmth, authenticity and emotional connection. With atmospheric lighting, immersive production and an effortless stage presence, every performance feels less like a traditional concert and more like a shared conversation between artist and audience.

Having sold out shows across India, the United Kingdom, the Middle East, New Zealand, and Canada, and performed at renowned venues including Mumbai’s NSCI Dome and Dubai’s Coca-Cola Arena, Anuv is excited to be returning to Australia.

Beyond his music, Anuv has been recognised among Forbes Asia’s 30 Under 30 and GQ India’s 35 Most Influential Young Indians. His collaborations with Coke Studio Bharat, UN LIVE’s Sounds Right, AP Dhillon and Lost Stories have further established him as an artist helping redefine India’s contemporary independent music movement on the global stage.

With a growing international audience and a catalogue of songs that continue to resonate across cultures, the Dastakhat World Tour 2026 promises an unforgettable evening of music, emotion and connection.

UNIFIED Music Group & blaide.live Present: 
ANUV JAIN DASTAKHAT WORLD TOUR 2026 

Friday, 31 July 2026
Magnet House – Perth, Boorloo WA – SOLD-OUT
Support:  Reuben De Melo

Sunday, 2 August 2026
Enmore Theatre, Sydney, Eora NSW – SELLING FAST
Support: Jessie Hill and Sarhad Project

Thursday, 6 August 2026
The Forum, Melbourne, Naarm VIC – SELLING FAST
Support: Jessie Hill, Sagar Tiwari, Into The Unknown

Saturday, 8 August 2026 
Lion Arts Factory, Adelaide, Tarntanya SA – SOLD OUT
Support: Into The Unknown and ZAV-E

Sunday, 9 August 2026
The Triffid, Brisbane, Meeanjin QLD – SELLING FAST
Support: Hazel Mei

TICKETS ON SALE NOW

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August 2, 2026 0 comments
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Music News

Angus & Julia Stone release new single ‘Celestial Bodies’ ahead of forthcoming album Karaoke Bar

by the partae August 2, 2026
written by the partae

As anticipation builds for their forthcoming album Karaoke Bar, Angus & Julia Stone share ‘Celestial Bodies’, the third single from their seventh studio album, arriving September 4 via Virgin Music.

Following the release of ‘Karaoke Bar’ and ‘Monroe’, ‘Celestial Bodies’ ventures into more expansive territory, pairing hypnotic rhythms with dreamlike lyricism as Angus & Julia Stone contemplate life’s unknowable questions. Built around a pulsing groove and their unmistakable vocal interplay, the track explores the search for meaning amid the beauty and chaos of existence.

‘Celestial Bodies’ also traces one of the longest creative journeys of any song on Karaoke Bar. It first took shape on the Greek island of Hydra, during an evening when Saharan sands drifted across the Mediterranean and turned the sky a striking shade of red. From there, the song evolved at the legendary Miraval Studios in the south of France before finally finding its home back in Australia at Angus’s Sugarcane Mountain Studio in the hinterland of New South Wales. There, alongside close collaborators, the duo completed a song driven by an underlying pulse beneath lyrical reflections on “what the hell this life is all about.”

Angus speaks of the song, “lyrically it’s an amalgamation, a bit of melting pot for everything we’re going through in life as a collective. Celestial Bodies itself, the words, that’s what we are in essence, we’re all stardust. We’re all atoms bouncing around trying to figure who we belong with, the meaning of it all.”

Written and recorded across Greece, France and Australia, Karaoke Bar captures a collection of songs shaped by movement, instinct and place. Each environment left its own imprint on the record, resulting in an album that feels both deeply personal and quietly expansive – balancing moments of intimacy with broader reflections on connection, memory and the passage of time.

Since emerging with A Book Like This in 2007, Angus & Julia Stone have established themselves as one of Australia’s most internationally beloved musical exports. Their 2010 breakthrough Down the Way debuted at number one in Australia and introduced the timeless ‘Big Jet Plane’, while subsequent releases – including collaborations with Rick Rubin and their ARIA Award-winning soundtrack work on Life Is Strange – have continued to showcase their evolving artistry and enduring creative partnership.

Their most recent album Cape Forestier (2024) marked a return to recording on home soil, before taking the duo across Europe, the UK and North America on a sold-out world tour that included London’s Royal Albert Hall, Paris’ L’Olympia and New York’s Town Hall.

With ‘Celestial Bodies’, Angus & Julia Stone continue to reveal the emotional and sonic landscape of Karaoke Bar – an album that embraces life’s unanswered questions as much as its moments of quiet certainty. Karaoke Bar arrives September 4.

BUY/STREAM

For more info on Angus & Julia Stone, visit:
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X

August 2, 2026 0 comments
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Festival NewsMusic News

ONES TO WATCH BACKED BY AMERICAN APPAREL® MUSIC DISCOVERY SERIES HITS MELBOURNE’S NEWLY LAUNCHED SMITH ST. HOTEL IN AUGUST FEATURING MILES NAUTU, GAZAL AND LARA BUCHANAN

by the partae August 2, 2026
written by the partae

Live Nation’s ONES TO WATCH returns to champion the next wave of Australian music, where emerging talent, culture and craft collide. Rooted in the creative community, the program celebrates the connection between artists and audiences while continuing to support developing talent both on and off the stage.

Returning to Melbourne on Wednesday 5 August, the globally renowned music discovery event is set to hit the inner north’s latest music hotspot, the newly launched Smith St. Hotel. Positioned in the heart of a Melbourne corner synonymous with live music and nightlife, the venue will welcome punters back through its doors at the end of July, just days before hosting the showcase.

Showcasing their talents at this edition of ONES TO WATCH are three incredible artists whose foundations of influence are diverse as they are captivating.

Fusing a love for hip hop, jazz, soul and alternative together with an innately personal brand of storytelling, the now Melbourne-based artist MILES NAUTU has been enjoying a prolific rise within the Australian space across the last year. HIs debut EP the front introduced audiences to a vital young songwriter and performer. Inspired by the likes of Kendrick Lamar, Yasiin Bey and Joey Bada$$, Nautu’s output has seen the Indigenous Australian/Fijian artist perform at the Sydney Opera House for VIVID Live this year, as well as the upcoming Move My Way Festival in October, alongside genre trailblazers including Ezra Collective and Freddie Gibbs.

Sydney alt-pop artist GAZAL has emerged as one of the East Coast’s most commanding new voices, with a presence on record and stage reminiscent of fka Twigs, Doechii and Lykke Li. The Lebanese/Australian performer has become known for her music, emotionally charged and fearless, as well as her songwriting pen. Collaborations with the likes of Dan Gleyzer (SZA, Sabrina Carpenter), Aidan Hogg (G Flip), George Alice, Vera Blue and more have only sharpened GAZAL’s songwriting perspective and artistry. With over 15 million TikTok views and global support for her latest EP Gods Into Frauds, GAZAL is stretching her wings further into 2026.

Melbourne’s LARA BUCHANAN has drawn sonic comparisons to artists including Ethel Cain, Wolf Alice and Lorde, yet as her sound has continued to evolve in recent years, it’s evident that this young artist is pushing herself into new territory with each release. Her lyrics are deeply personal, observations on the world and life experiences as a young adult navigating the world and change. Projects like the Sugar Coated Fantasy EP introduced audiences to Buchanan’s commanding sound and as 2026 continues, the excitement surrounding this artists continues to build.

“American Apparel® has long been the unofficial uniform of the local music scene, making it a natural fit for ONES TO WATCH and its mission to spotlight artists who are redefining the status quo”
David Hillen – Director, Gildan Brands APAC.

Paul Lynch & Emily Taylor, Promoters, ONES TO WATCH, Live Nation APAC said: “ONES TO WATCH exists to champion developing artists at pivotal moments in their careers. It’s been great to see our partnership with American Apparel® come to life, and we’re excited to build on that momentum in Melbourne—giving more emerging talent a platform to be seen, heard and discovered.”

ONES TO WATCH BACKED BY AMERICAN APPAREL®

Wednesday 5 August Smith St. Hotel MELBOURNE

MILES NAUTU
GAZAL
LARA BUCHANAN

ABOUT ONES TO WATCH:

The ONES TO WATCH series has made a solid impact within the Australian music community. In Australia since 2021, the series has been serving industry and fans exclusive opportunities to see some of the country’s best new talent perform in intimate environments across Melbourne, Sydney, Darwin, Brisbane and Byron Bay, highlighting the current wave of artists primed to make their impact in other markets.

Since its establishment in North America, the ONES TO WATCH series has been able to support and promote artists such as Dua Lipa, Olivia Rodrigo and Halsey early in their careers. So far in Australia, ONES TO WATCH has platformed artists including Erica Padilla, DEVAURA, DRIZZ, Salty, Lotte Gallagher, Fletcher Kent, Chanel Loren, J-MILLA, Georgia Lines, Ishan, Adrian Dzvuke, Phebe Starr, J.Tajor, Yung Milla, Juran, Blake Rose, Sophisticated Dingo, STUMPS, Forest Claudette, Teenage Joans, Carla Wehbe, ZPLUTO, WIIGZ, Hoodzy, East AV3, Colourblind, Saint Lane, Say Sue Me, Cifika, Sion, Wah Wah Wah, Ullah, Ghost Care, Mariae Cassandra, Loren Ryan, Dem Mob, Rox Lavi, Dobby, and Lewis Love at events around the country.

INSTAGRAM

WEBSITE

 

August 2, 2026 0 comments
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Music News

Eyes of Bel Embraces Vulnerability and Love on Captivating New Single ‘Melt’

by the partae July 31, 2026
written by the partae

Australian alternative pop artist Eyes of Bel opens an intimate new chapter with the release of her heartfelt single ‘Melt’, accompanied by a beautifully crafted official music video that explores love, vulnerability and emotional surrender.

Written during a period of profound personal growth, Melt is a deeply reflective piece that celebrates the courage it takes to let someone into your world completely. Balancing delicate piano melodies with emotionally rich songwriting, Eyes of Bel creates a song that feels both fragile and empowering, reminding listeners that true strength often comes through openness.

Self produced alongside Cheekbone, Melt unfolds as a gentle declaration of devotion. Rather than presenting love as something dramatic or idealised, the track focuses on quiet acts of care and sacrifice. Its central lyric, “I’ll walk behind you, just because I care,” captures the song’s essence, revealing a relationship built on trust, compassion and mutual support.

Speaking about the single, Eyes of Bel explains:

“Melt is about the tender surrender of putting your loved one first. ‘I’ll walk behind you, just because I care.'”

The accompanying music video adds another deeply personal layer to the release. Directed by Eyes of Bel alongside Diego Campomar, the visual stars Bel and her fiancée, creating an authentic portrayal of intimacy that never feels performative. Instead, it quietly documents genuine connection through subtle moments, allowing emotion to speak louder than spectacle.

The result is a visual companion that perfectly complements the song’s understated beauty, reinforcing the message that vulnerability can be one of life’s greatest strengths.

Throughout Melt, Eyes of Bel demonstrates a remarkable ability to transform deeply personal experiences into universally relatable music. Her vocals effortlessly move between delicate tenderness and soaring emotional intensity, carrying every lyric with sincerity and conviction. The production remains intentionally restrained, giving the storytelling room to breathe while allowing every note to resonate.

With each release, Eyes of Bel continues to establish herself as one of Australia’s most compelling emerging alternative pop voices. Her music refuses to chase trends, instead embracing authenticity, emotional honesty and thoughtful songwriting that lingers long after the final note.

Melt feels less like a conventional love song and more like an invitation to embrace every imperfect, beautiful part of ourselves and the people we love. It marks an exciting evolution in Eyes of Bel’s artistry and hints at an even more fearless creative future.

‘Melt’ is available now on all major streaming platforms.

 

‘Melt’ Credits

Written by: Eyes of Bel

Produced by: Cheekbone & Eyes of Bel

Mixed by: Cam Parkin

Mastered by: Andrei Eremin

Official Video Credits

Directors: Eyes of Bel & Diego Campomar

Cinematography: Nathan Guy

Styling: Eyes of Bel

Hair & Makeup: Meg McConville (Moochi)

Editing: Sabine Battel, Eyes of Bel & Diego Campomar

Featuring: Carlotta

Follow Eyes of Bel
Tiktok: @eyesofbel
Instagram: @eyesofbel
Facebook: eyesofbel
Spotify
Apple Music

July 31, 2026 0 comments
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Music News

Ella Minnow Finds Beauty in Letting Go on Heartfelt New Single ‘Homebound’

by the partae July 31, 2026
written by the partae

Sydney indie artist Ella Minnow returns with Homebound, a deeply personal new single, blending emotionally rich storytelling with an irresistible indie rock sound that lingers long after the final note.

Drawing inspiration from the raw energy of grunge-infused indie rock while maintaining an intimate, singer-songwriter approach, Homebound explores the challenge of moving forward when the past continues to pull you back. Layered with soaring guitars, heartfelt lyrics and a memorable hook, the track showcases Ella Minnow’s gift for turning deeply personal experiences into universally relatable songs.

At the heart of Homebound is a story of returning to places that once held hope. Ella reflects on repeatedly visiting a park where she and someone she cared about would unexpectedly meet after deciding to stop communicating, clinging to the possibility that fate might bring them together once again. Even after the relationship had ended, she found herself making the same journey, unable to break the emotional cycle.

That experience became intertwined with a remarkable story about Monarch butterflies. Scientists discovered the butterflies continued flying around a mountain that no longer existed because generations of migration had embedded the route into their instincts. For Ella, the metaphor became impossible to ignore.

“I’m not a butterfly, but I keep making this detour to a past that no longer exists, and I tell myself it’s because of my nature. But, it’s not, I’m just stuck in the past.”

The result is one of Ella Minnow’s most honest and vulnerable releases to date. Lyrics such as “Habits are hard to break when you’re addicted to how they ache” perfectly capture the emotional conflict between wanting to move on and finding comfort in familiar pain. Combined with shimmering guitars and an infectious chorus, Homebound balances melancholy with uplifting indie rock energy.

Adding another layer to the release is the fact that Homebound is entirely self-made. Recorded, mixed and mastered in her bedroom, the single highlights Ella’s dedication as an independent artist and forms the opening chapter of a butterfly-inspired trilogy. Follow-up singles The Atrium and Decay are scheduled for release in August and September, with each song exploring different butterfly-inspired metaphors that reflect her personal experiences and emotional growth.

Fans won’t have to wait long to hear the new music live. Ella Minnow will celebrate the release with her Homebound Single Launch at Palomino Lounge on 30 July, before returning for a headline performance at Lord Gladstone on 3 September. Having previously shared stages with Romanie, Velvet Bloom, Ivoris and Peak Park, she continues to establish herself as one of Australia’s emerging indie artists worth watching.

With Homebound, Ella Minnow delivers a song that speaks to anyone who has struggled to let go of the past. Honest, beautifully crafted and emotionally resonant, it’s a reminder that while moving forward isn’t always easy, recognising the detours we keep taking is often the first step towards finding our way home.

INSTAGRAM

 

July 31, 2026 0 comments
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Festival NewsMusic News

King Gizzard & The Lizard Wizard share album title track ‘Alien Metal’ + Australian dates announced for October.

by the partae July 31, 2026
written by the partae

King Gizzard & The Lizard Wizard unveil the title track from their forthcoming 28th album, Alien Metal, which will be released later this year via p(doom) Records. This week they announced a short run of Australian dates in October, which includes a takeover of the Croxton Block Party, as well as three NSW shows.

Joining them across the weekend at the Croxton Block Party in Melbourne/Naarm are Japanese pop-punk band Shonen Knife, Northern Beaches rock & roll band C.O.F.F.I.N, Heavy Moss, the psych-pop quartet led by King Gizzard’s bassist Lucas Harwood, Byron Bay psych-rock band Babe Rainbow, alongside local favourites Public Figures, Gut Health and ORB, plus sets from Moktar and Stu Mackenzie on the Eurorack. Each night will be capped with mammoth 2.5-hour King Gizzard sets.

NSW fans will be treated to shows at Anita’s in Thirroul and Hordern Pavilion with support from Xiao Xiao, in addition to a late RAVE show at Liberty Hall.

Arguably one of the most exciting live bands on the planet right now, August will see them return to the US for their SOLD OUT Field Of Vision Festival, a run of three headline shows at New York’s Forest Hills Stadium and a ‘rave show’ in Brooklyn at Under the K Bridge Park.

Written and recorded on the modular synthesiser set-up which they took out on the road last year for their ‘rave shows’, and named ‘Nathan’ by the band, Alien Metal sees the ever shape-shifting Melbourne six-piece set the controls for the dark heart of electronic dance music. The track listing of the album is as follows:

Sapience
Alien Metal
Superheavy, Supercritical
Kill For The Steel
Level 5
Rapid Alpha Decay
Uqt
Atomic Collapse

The title track, ‘Alien Metal‘, follows the first introduction to the album, with single ‘Level 5‘, and its incredible accompanying video, which was directed by Hayden Somerville and features a cameo by Vince Colosimo.

Never ones to musically stand still and following explorations of everything from prog-fringed thrash metal, primitive synth-rock, down-home jam-rock hoedowns and feelgood symphonic rock on recent albums, Alien Metal grew out of last year’s ‘rave shows’ where traditional instruments were abandoned as the band gathered around an expansive modular synthesiser setup each making their own manipulations to create a mind-altering whole. And what began as an experiment soon became an obsession, inspiring one of the band’s most ambitious records to date.

“It completely rewired my brain,” said Stu Mackenzie, having discovered the possibilities of the Eurorack synthesiser format on the recommendation of fellow band member and self-confessed ’techno head of the group’ Joey Walker. “I was like, ‘I’m going to forget everything I know about music and relearn it all from scratch’.”

The album was far from straightforward to make. Over the course of several years, the band scrapped countless recordings and abandoned entire creative directions while searching for the project’s identity. “We’ve never scrapped so much material as we have for this album,” Mackenzie says. “Entire albums, entire universes that were formulated, created, recorded, deleted and started again.”

The breakthrough finally arrived during a late-night improvisation session that stretched for more than an hour. That spontaneous jam became the foundation for the entire record, with every track on Alien Metal evolving from the same source performance.

The result is a seamless, ever-shifting journey through techno, hardcore, house and jungle influences, filtered through King Gizzard’s unmistakable psychedelic lens. Pulsing rhythms, distorted textures and unexpected twists collide across a record that feels both futuristic and uniquely their own.

“It sounds so crunchy, but also beautiful,” says Mackenzie. “Alien Metal goes really hard, but it also goes to really interesting places,” adds Joey Walker. “And it feels unique – it feels like us, still.”

KING GIZZARD & THE LIZARD WIZARD AUSTRALIAN TOUR DATES 
Oct 13 Thirroul / Dharawal @ Anita’s Theatre w/ Xiao Xiao
Oct 14th Sydney/ Gadigal @ Hordern Pavilion w/ Xiao Xiao
Oct 14th Sydney/ Gadigal @ Liberty Hall  (Late RAVE Show)
Oct 17th Melbourne / Naarm @ The Croxton Block Party *
Oct 18th Melbourne / Naarm @ The Croxton Block Party#* B3lly, Babe Rainbow, Heavy Moss, Moktar, Shonen Knife, Stu Mackenzie, Techno666
# C.O.F.F.I.N, Glyconic, Gut Health, Moktar, ORB, Public Figures

TICKETS HERE
Presale: now until Thursday, July 30,12pm
GP on sale: Friday, July 31, 12 pm

WATCH THE VISUALISER FOR ‘ALIEN METAL’
Cat. Number: PDOOM-022
Formats: LP, CD, Cassette & DL.
King Gizzard & The Lizard Wizard are:
Stu Mackenzie (vocals/guitar), Ambrose Kenny-Smith (harmonica/vocals/keyboards), Cook Craig (guitar/vocals), Joey Walker (guitar/vocals), Lucas Harwood (bass) and Michael Cavanagh (drums).Album discography:
12 Bar Bruise (2012), Eyes Like the Sky (2013), Float Along – Fill Your Lungs (2013), Oddments (2014), I’m In Your Mind Fuzz (2014), Quarters! (2015), Paper Mache Dream Balloon (2015), Nonagon Infinity (2016), Flying Microtonal Banana (2017), Murder of the Universe (2017), Sketches of Brunswick East (2017), Polygondwanaland (2017), Gumboot Soup (2017), Fishing for Fishies (2019), Infest The Rats’ Nest (2019), Chunky Shrapnel (live album) (2020), K.G. (2020), L.W. (2021), Made in Timeland (2022), Omnium Gatherum (2022), Ice, Death, Planets, Lungs Mushrooms And Lava (2022), Laminated Denim (2022), Changes (2022), PetroDragonic Apocalypse (2023), The Silver Cord (2023), Flight b741 (2024), Phantom Island (2025), Alien Metal (2026).

CONNECT WITH KING GIZZARD & THE LIZARD WIZARD 
WEB | INSTAGRAM | BANDCAMP | YOUTUBE
July 31, 2026 0 comments
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Festival NewsMusic News

LOST PARADISE ANNOUNCES 2026 LINEUP JOHN SUMMIT, SKEPTA, KI/KI, OVERMONO ARMAND VAN HELDEN, NIA ARCHIVES EWAN MCVICAR, SAM ALFRED, ROSSI., PARTIBOI69

by the partae July 31, 2026
written by the partae

A-Z:
BENWAL, CALEB JACKSON, CHAOS IN THE CBD, DAMEEEELA, DART, DEAN TURNLEY, DJ SEINFELD (LIVE), DRIFTING CLOUDS, FLAVA D, HAMDI, HARRY HAYES, HELENA LAUWAERT, HOT DUB TIME MACHINE, JAMBACK, JAMES PEPPER B2B BARON VON TRAX, JAYDA G, JOB JOBSE, THE JUNGLE GIANTS, KIROLLUS, KYLE STARKEY, LOODS, LUUK VAN DIJK, 
MELLA DEE, MEMPHIS LK, NED BENNETT, NOT WITHOUT FRIENDS (EXT. SET), OSMOSIS JONES, PRETTY GIRL (LIVE), RIORDAN, SAINT LUDO, SALUTE, SOUL MASS TRANSIT SYSTEM, STACIE FIELDS, SUPERGLOSS, TOMMY HOLOHAN, TWOFACED, WILLO
+ MORE

28 DECEMBER 2026 – 1 JANUARY 2027
GLENWORTH VALLEY (DARKINJUNG COUNTRY), NSW

TICKET RESERVATIONS NOW OPEN
PRESALE AVAILABLE FROM: 10AM TUES 4 AUG
GA TICKETS AVAILABLE FROM: 10AM WED 5 AUG
TICKET INFO HERE | FESTIVAL INFO HERE

Twelve years, four straight sell-outs, one slice of paradise. New Year’s Eve institution Lost Paradise today unveils its 2026 lineup, taking over Glenworth Valley (Darkinjung Country) from 28 December until 1 January. Led by John Summit, Skepta, KI/KI, Overmono, Armand Van Helden, Nia Archives, Ewan McVicar, Sam Alfred, Rossi. and Partiboi69. this year’s pilgrimage spans five days of world-class music, art and culture, with a roster that continues championing the festival’s electronic DNA while never losing its underground edge.

Just an hour’s drive from Eora/Sydney, Lost Paradise exists on a simple set of principles: eco-conscious, music-centred, community-built and wellness-first. It’s a NYE ritual grown from the ground up and one of New South Wales last-remaining camping festivals – and the crowd shapes the weekend as much as the lineup does!

Chicago’s accountant-turned-tech-house titan John Summit arrives on top of the bill riding the wave of his sophomore album CTRL ESCAPE, stacked with features from The Chainsmokers, Feid, Julia Wolf and CLOVES. Lead single “LIGHTS GO OUT” swings from house groove to full drum & bass – the latest from the man behind the melodic house anthems like “Where You Are”, “Shiver” and “Go Back” that made him a main stage certainty. After a huge US stadium tour later in the year, he’ll venture into the valley for an unforgettable close to 2026.

There’s UK rap before Skepta and UK rap after him. The Boy Better Know figurehead turned 140 BPM grime into a global export with cuts like “Shutdown”, “Man” and “It Ain’t Safe”. He then kept moving through Afrobeats, drill and now house, linking with A$AP Rocky on “Praise The Lord (Da Shine)”, Wizkid on “Energy (Stay Far Away)” and Fred again.. on “Victory Lap” along the way, before launching house label Más Tiempo with Jammer. His forthcoming sixth album FORK & KNIFE arrives next; set to fuse global club rhythms with the raw reality of the immigrant journey.

KI/KI doesn’t do restraint. The Dutch producer and slash founder built her name on 303 acid lines, hard trance and a tempo that never drops on tracks like “5 Mins of Acid”, “Leave It to the Vibe” and Armin van Buuren team-up “Put Your Bassline”. Fresh off a five-hour headline show at Amsterdam’s Ziggo Dome, she brings the Valley something built for the hours that matter.

Welsh brothers Tom and Ed Russell make club music that hurts in a good way. Overmono built “stayinit”, “Good Lies” and “So U Kno” out of 90s rave nostalgia, chopped vocals and basslines that are to be felt, not heard. August sees their second album Pure Devotion arrive – eleven tracks made from tape, damaged speakers and re-amped drums.

A legend of house music culture for over three decades, Armand Van Helden remains one of the finest party starters of all times. Responsible for iconic chart-toppers like “You Don’t Know Me”, “My My My”, and Duck Sauce’s “Barbra Streisand”, the speed-garage pioneer enters the valley this NYE armed with a deep catalogue of dancefloor defining tracks.

Redefining modern jungle and drum & bass, Mercury Prize nominee Nia Archives blends classic 90s breakbeats with heavy sub-bass and candid indie-pop hooks. Renowned for explosive live sets and hits like “Forbidden Feelingz” and “Baianá”, the powerhouse producer and vocalist lands in the valley with breaks built to shake the treeline.

Scotland’s Ewan McVicar is all vibes and goes straight for rave intensity, from his 90 million+ streamed debut “Tell Me Something Good” right through to his latest steamer “Share The House”, while modern Australian icon Sam Alfred returns home from the world’s top stages to sling his euphoric set in the valley. Rossi. delivers minimal house and deep tech fresh off a Boiler Room debut, and Partiboi69 will serve up his ghetto house, Miami bass and trademark green-screen absurdity.

Auckland brothers Chaos In The CBD deal in jazz-infused deep house; Yuggera and Kulkalgal woman dameeeela refuses to sit in one lane, running hip-hop into club into UK garage. Malmö’s DJ Seinfeld takes the live route, all lo-fi warmth and euphoric build; Arnhem Land band Drifting Clouds fuse ancestral Songlines through modern synth and funk. Flava D channels decades of bass culture into a high-octane blend of garage soul and rolling drum & bass; Hot Dub Time Machine runs the party chronologically, taking us from the 50s smash hits to now.

Grammy-nominated Canadian Jayda G delivers soulful house with the warmth to match, while Amsterdam favourite Job Jobse drives the dancefloor with soaring house, trance and rave classics. Australian electro-pop heavyweights, The Jungle Giants serve up house-infused grooves, pulsing synths and indie-dance anthems “Heavy Hearted” and “Feel The Way I Do”. Newcastle-born, London-based Loods unleashes his signature piano house and disco. Melbourne’s Memphis LK follows with self-produced, pop-edged garage and drum & bass; Pretty Girl performs live, weaving ethereal vocals and hardware synths over warm, introspective house grooves. Lockdown bedroom producer turned Beatport chart-topper Riordan plants garage-leaning tech house back to Australia after his debut run in 2025. Leeds duo Soul Mass Transit System slam speed garage, 2-step and bassline; Tommy Holohan brings breakbeat rave heat and European techno from Dublin.

And it doesn’t stop there… with more selectors, producers and local heroes to be uncovered across the festival weekend. Find the full music lineup here.

Flagship stages Arcadia, Lost Disco and Paradise Club anchor the music, but the valley rewards anyone who wanders. Shambhala Fields returns as the festival’s hub for side-quests, facilitating a series of talks, workshops and programs that nurture movement, innovation, creativity and curiosity – stay tuned for the full program to come.

If the last four years are anything to go by, the festival’s community of like-minded dancers, diggers, dreamers, seekers, artists and creators are urged to once again snap up their tickets quickly. Reservations for all tickets are open now and moving fast, so reserving is the only way to secure your spot at Lost Paradise 2026. Add your payment details today and your ticket is secured automatically at the lowest available price before tickets for presale and the general public go on sale – see all the details, including the reservation window times here.

GA camping access is automatically included with all tickets purchased, while optional glamping accommodation upgrades will be announced soon for those seeking a little added luxury for their NYE.

Reserve your ticket or sign up for presale access here – the countdown starts now! Paradise is waiting.

LOST PARADISE
WEBSITE | INSTAGRAM | FACEBOOK | TIKTOK
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Introducing Coco Elise: New single ‘Rest My Tyres’ out today

by the partae July 31, 2026
written by the partae
Photo by Stevie Morley-Wong

Today, Coco Elise, the solo project of Boorloo/ Perth songwriter and producer Josh Ellis, releases his new single, ‘Rest My Tyres‘. LISTEN HERE.

On ‘Rest My Tyres,’ Coco Elise embraces an indie folk manner with a charming sense of comfort and willingness to play; disoriented, warping guitars and bright pokes of percussion warble around until they find their footing where the verse meets the chorus. Ellis shares, “One of the darker songs I’ve written. It sits right in a familiar fear: ending up alone in an apartment, no partner, feeling like life has sort of passed you by.” The lyrics may speak to spiralling in an empty apartment, but the sonic world of the track picks you up like a toy in a claw machine and sets you down on a coastal boardwalk.

‘Rest My Tyres‘ follows ‘Porcelain Tiles‘ and ‘Avoid Your Stare‘ as the third in a run of releases charting Ellis’s recently burgeoning discography — a bottled-up representation of the cherished originality of the project’s sound, born from the last 6-8 months of Ellis’s creative world.

Listeners get a full spectrum of his artistry across the three tracks: the upbeat, organically produced ‘Porcelain Tiles‘; the wistful indie-folk twang of ‘Avoid Your Stare‘; and the more experimental atmosphere of ‘Rest My Tyres.’ Together, the songs showcase his far-reaching range as a songwriter and producer — distinct in mood, yet caught in the same net of life. Cushioned by soft-rock warmth and a propulsive pop-folk sensibility, they form the softest, kindest soundtrack imaginable for bartering with time and consequence.

“They all fit together in some way,” he says, “and they were all made in the same period of time.“

With European shows in Paris and London this August, and a September homecoming slot at Wave Rock Festival, WA, Coco Elise is eager to share the fruits of his heartbreak in a live show thats rumoured to be magnetic and set to be remembered.

In the project’s short time, Coco Elise has made fans across press and industry alike, from triple j, Beat magazine, Rolling Stone Australia, VICE Australia, EARMILK, and Line Of Best. He’s also earned recognition from Triple J Unearthed as a feature artist, and has secured consistent editorial playlisting across Spotify AU/NZ and Apple Music. His song ‘Colour The Stencil‘ won the Western Australian Music Awards’ overall grand prize for ‘Song of the Year’. Following a national tour in 2025, Coco Elise has shared stages with artists including Maribou State (UK), Donny Benet, Sycco, Playlunch, Sex on Toast, and Jazz Emu (UK) — building a reputation for unique live performances and carving out a home for the endearing, playful charm that makes the project impossible to ignore.

‘Rest My Tyres‘ is out now, buy/stream it HERE.

COCO ELISE TOUR DATES
August 5 – Supersonic – Paris, France (TIX)
August 13 – Signature Brew – London, UK (TIX)
September 25-28 – Wave Rock Festival – Njakinjaki Land / Hyden, WA

Stay connected with Coco Elise:
23 Profile | triple j Unearthed | Instagram | YouTube | TikTok

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Chiodos ‘All’s Well That Ends Well’ 20th Anniversary Australian Tour With Special Guests Rain City Drive + The Beautiful Monument

by the partae July 31, 2026
written by the partae
Photo Credit: Alicia Hauff

All Nereids (and Australians) Beware, this November Michigan post-hardcore icons CHIODOS are set to return to Australian stages for the first time in over a decade, bringing their All’s Well That Ends Well 20th Anniversary Tour down under, joined by special guests RAIN CITY DRIVE (USA) and THE BEAUTIFUL MONUMENT.

Commencing on Saturday 21 November in Brisbane, CHIODOS will celebrate their seminal debut album All’s Well That Ends Well, playing the album in full with audiences in Sydney, Melbourne and Adelaide, before closing out on Saturday 28 November in Perth.

Forming in 2001, CHIODOS has remained more than a single moment or scene for decades. Co-founded by frontman Craig Owens, with his raw vocals and confessional fire turning chaos into catharsis, CHIODOS would ultimately become a movement buoyed by an adventurous and rule-breaking spirit; a spirit that instantly put them on the map via their 2005 debut album All’s Well That Ends Well.

Layered with moments of intensity and vulnerability, 2005’s All’s Well That Ends Well established both the disparate and formidable vocal range of Owens while showcasing a mix of frenetic breakdowns, madcap synths, soaring melodies, caustic shrieks and haunting pianos. Introducing enduring fan favourite CHIODOS tracks like Baby You Wouldn’t Last a Minute on the Creek and The Words “Best Friend” Become Redefined, with the latter receiving RIAA Gold certification, All’s Well That Ends Well was genre-defiance at its finest, while also emerging as a landmark record in the scene in the mid 2000s. In 2025, Owens also re-recorded the album in full for its 20th anniversary.

Now with four studio albums under their belts, including 2007’s Bone Palace Ballet, which debuted at #1 on the Billboard Rock Chart and #5 on the Billboard 200, 2010’s Illuminaudio, and 2014’s Devil, CHIODOS emerged from a hiatus in 2024 when they were invited to play When We Were Young. From there, the band amassed sold out tours, including a packed Hollywood Palladium crowd, continuing to grow intergenerational fans singing every word to this very day. Most recently commencing a brand new chapter with the release of their explosive new single TAPDAT, CHIODOS continue their legacy bigger and better than ever before in 2026, and Australians will be able to witness this first hand this November when the band return down under for the first time since 2015.

A band who could readily soundtrack anything and everything from long drives through to workouts, small club shows and sprawling festival crowds, Florida’s own RAIN CITY DRIVE have been crafting their immersive trademark sound since releasing their 2020 debut full-length To Better Days, which accounts for 40 million streams alone against their eye-watering streaming stats. In a short space of time, the group have toured with Dance Gavin Dance, Our Last Night, Set It Off, From Ashes To New and Memphis May Fire, bridging between heavy riffs and soaring, intimate pop with each new release and captivating live performance. With over one million monthly listeners on Spotify, a collab under their belt with Rory Rodriguez of Dayseeker, Billboard chart rankings and climbing SiriusXM Octane’s rotation charts along the way, RAIN CITY DRIVE blur boundaries between post hardcore and aggressive melody, primed to enamour Australian once again this year after their debut down under headline tour earlier this year.

Melbourne’s THE BEAUTIFUL MONUMENT have remained fluent in fusing emotion alongside high-energy and hard-hitting riffs, spanning their 2017 debut album I’m The Sin through to the hotly-anticipated upcoming release of their third studio album Euphoric Thriller due out August 7. Boasting a live presence that is equal parts magnetic, raw, vulnerable and powerful, THE BEAUTIFUL MONUMENT have shared stages with the likes of Evanescence, Escape The Fate, Short Stack and many more, and continuously share their central message that “it’s okay not to be okay”, threaded through each album and live performance. In a world that feels heavier than ever, THE BEAUTIFUL MONUMENT offer a port in the storm, unifying with catharsis and unforgettable music.

After over a decade, don’t miss your chance to catch CHIODOS celebrating the album that started it all with Aussie crowds this November, it’s gonna be a champagne jam!

Early bird pre-sale tickets on sale: Monday 3 August @ 12:00pm local time
To Gain Early Ticket Access Register Here -> https://daltours.cc/Chiodos

General tickets on sale: Tuesday 4 August @ 12:00pm local time
Tickets from destroyalllines.com

Destroy All Lines Presents

CHIODOS
ALL’S WELL THAT ENDS WELL 20TH ANNIVERSARY
AUSTRALIAN TOUR 2026
WITH SPECIAL GUESTS
RAIN CITY DRIVE (USA)
THE BEAUTIFUL MONUMENT

TOUR DATES:
Saturday 21 November – THE TIVOLI, BRISBANE 18+
SUNDAY 22 NOVEMBER – METRO THEATRE, SYDNEY LIC AA
WEDNESDAY 25 NOVEMBER – 170 RUSSELL, MELBOURNE 18+
THURSDAY 26 NOVEMBER – THE GOV, ADELAIDE LIC AA
Saturday 28 November – MAGNET HOUSE, PERTH 18+ 

General tickets on sale: Tuesday 4 August @ 12:00pm local time
Tickets from destroyalllines.com

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WILDLANDS FESTIVAL ANNOUNCES LINEUP FEATURING JOHN SUMMIT, SKEPTA, WORSHIP, KI/KI, DISCO LINES & MORE

by the partae July 31, 2026
written by the partae

Brisbane – Thursday 31 December (New Year’s Eve), 2026 – Brisbane Showgrounds

Perth – Saturday 2 January, 2027 – Arena Joondalup

Wildlands Festival, presented by Untitled Group, Beyond The Valley and triple j, has revealed the full lineup for its 2026/27 edition.

The iconic single-day festival is bringing a truly special lineup of world-class acts to Brisbane on New Year’s Eve (31 December) and Perth on Saturday 2 January. This year’s edition delivers some of the most exciting names in electronic music from across the globe.

Leading the lineup is global dance music powerhouse John Summit, British grime pioneer Skepta, drum and bass heavyweights WORSHIP making their exclusive Australian debut, Dutch rave force KI/KI, and genre-blending DJ and producer Disco Lines.

Also joining the lineup are Overmono, Nia Archives, Hannah Laing, Funk Tribu, Ewan McVicar, Benwal B2B Kyle Starkey, Dean Turnley, Frost Children, Anetha B2B SPFDJ, Lens, Saint Ludo and more.

Both Wildlands events will feature reimagined stage designs and updated site layouts. The Sahara Stage returns as an open-air experience with production and a DJ setup built for the summer sky, while the Summit Stage returns as a tented experience with live elements woven throughout. New for this year, The Wilds Stage gives fans on-stage access alongside the DJs for an intimate, up-close experience.

One of the most in-demand names in global dance music, John Summit has had another landmark year. Fresh off the release of his latest album CTRL ESCAPE and a headline set at Tomorrowland 2026, the DJ, producer and label owner has amassed over a billion global streams, scored two No. 1 US dance radio hits and landed eight Top 10 tracks on Billboard’s Hot Dance/Electronic Songs chart. With three sold-out headline shows at LA’s Kia Forum, a headline debut at London’s O2 Arena, the return of his Experts Only Festival and his debut Ibiza residency at [UNVRS], Summit continues to cement his place among the world’s leading electronic artists.

WORSHIP will make their exclusive Australian debut, marking one of the biggest electronic music announcements the country has seen. Bringing together Sub Focus, Dimension, Culture Shock, and 1991, four artists who boast catalogues spanning multiple gold and platinum records, alongside sold-out shows at Red Rocks and Alexandra Palace, plus performances at Ultra Miami and Coachella’s Main Stage. Their arrival gives Australian fans a rare chance to witness one of electronic music’s most celebrated acts.

A pioneer of UK grime, Skepta remains one of British music’s most influential figures. The Tottenham-born MC, rapper, producer and fashion designer helped define a generation of UK rap and remains among its most celebrated figures. In 2025 he delivered a standout Glastonbury set after stepping in at short notice, and joined forces with Fred again.. on singles “Victory Lap” and “Back 2 Back”. Known for era-defining tracks including “Shutdown” and “That’s Not Me”, Skepta brings his signature catalogue to Wildlands for performances in Brisbane and Perth.

Dutch DJ and producer KI/KI has become one of the most compelling names in electronic music, reshaping the global rave scene on her own terms. In 2025 she became the first woman to win the Dance category at the Netherlands’ Edison Pop Awards, while her extended, 5-hour sets have become legendary. Her collaboration with electronic pioneers Underworld, “Arp12”, marked another standout moment in a run of acclaimed releases. Her forthcoming track “Getting Ready For The Party” soundtracked Wildlands’ official campaign launch video, setting the tone for her hugely anticipated return to Australia.

American DJ and producer Disco Lines returns to Australia off the back of his Billboard Dance No. 1 remix of Tinashe’s “No Broke Boys”. Since his breakout 2022 single “Baby Girl”, the Colorado-raised artist has built serious global momentum, most recently making his Tomorrowland Mainstage debut. Known for an infectious blend of house, tech house and pop, Disco Lines brings one of dance music’s most high-energy live shows to Wildlands.

Welsh brothers Overmono arrive following a landmark run of headline UK performances including Glastonbury, All Points East and Alexandra Palace. British jungle trailblazer Nia Archives has redefined the genre, bringing her new live show to Australia for the first time following the release of her critically acclaimed new album Emotional Junglist. Scotland’s Hannah Laing brings the euphoric hard house and trance sound behind her meteoric rise.

Colombian-born, Berlin-based producer Funk Tribu stands at the forefront of the new wave of trance-inspired electronic music, alongside Scottish house favourite Ewan McVicar. Melbourne’s Dean Turnley builds on the breakout success of his Beatport No. 1 track “Actin’ Tough”, while St. Louis siblings Frost Children bring their boundary-pushing fusion of hyperpop and dance music. Bass innovator Hamdi, UK garage talents Oppidan and MPH, and hard techno heavyweights Anetha B2B SPFDJ further strengthen the electronic offering.

Also joining the lineup are hard house pairing Benwal B2B Kyle Starkey and New York techno heavyweight Layton Giordani. Brighton drum and bass favourite Lens, rising artist and producer Robert Baxter, London’s Saint Ludo and Boorloo-based Wongi artist Yikes.The lineup is rounded out by city-exclusive artists, nikitasilly and MYASWRLD in Brisbane and KT and Groove Junction in Perth.

Attendees can elevate their day with the Casamigos Tequila ‘House of Friends’ VIP Pass, offering complimentary drinks on arrival, dedicated express entry, exclusive viewing areas, private amenities, phone charging, a photo booth and FastPass lanes. Flexible payment plans via Afterpay are also available, allowing fans to lock in their tickets now and pay later.

Once again, Wildlands delivers a stacked lineup of global icons and rising talent that will define the sonic year ahead.  Previous editions have featured the likes of Tyler, The Creator, RÜFÜS DU SOL, Peggy Gou, Central Cee, Kid Cudi, Dom Dolla, FISHER, Addison Rae, Diplo, BICEP, A$AP Ferg, G Flip, Becky Hill, Chase & Status, Lola Young and more.

Wildlands is supported by an Australian Government initiative, Revive Live.

Register for presale HERE

The Daily Aus presale begins Monday 3 August 12PM LOCAL TIME

Official presale goes on sale Wednesday 5 August 6PM LOCAL TIME

General on sale begins Thursday 6 August 6PM LOCAL TIME

FULL LINEUP A- Z

Anetha B2B SPFDJ

 Benwal B2B Kyle Starkey

 Dean Turnley

 Disco Lines

Ewan McVicar

 Frost Children

 Funk Tribu

Groove Junction (Perth)

 Hamdi

 Hannah Laing

 John Summit

 KI/KI

KT (Perth)

 Layton Giordani

 Lens

 MPH

MYASWRLD (Brisbane)

 Nia Archives

nikitasilly (Brisbane)

 Oppidan

 Overmono

 Robert Baxter

 Saint Ludo

 Skepta

 WORSHIP (Australian Exclusive)

Yikes

WILDLANDS

BRISBANE/MEANJIN – NEW YEAR’S EVE, 31 DECEMBER 2026 – BRISBANE SHOWGROUNDS

PERTH/BOORLOO – SATURDAY 2 JANUARY 2027 – ARENA JOONDALUP

Get Connected:

Facebook  /  Instagram  /  TikTok  /  Website

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2026 AIR AWARDS WINNERS!

by the partae July 31, 2026
written by the partae

The 20th AIR Awards were held tonight in Adelaide, Australia’s first and only UNESCO designated City of Music, thanks to continued support from the South Australian Government through the Music Development Office.

 The Awards celebrated the success of Australia’s Independent music sector at the Adelaide Town Hall, with hosts Dylan Lewis and Jessica Braithwaite, and performances from The Tullamarines, Cooking on 3 Burners, Georgia Knight, and Elsy Wameyo.

Ninajirachi received a whopping 5 awards for Independent Album of the Year, Independent Producer of the Year and Best Independent Electronic Album or EP for I Love My Computer; and Best Independent Electronic Single and Independent Song of the Year for iPod Touch. Thanks to Amazon Music, Ninajirachi will receive marketing and global pitching support valued at $ 30,000 AUD to assist with her next release.

I Love My Computer continued to dominate with the Independent Mix, Studio or Mastering Engineer of the Year that went to Thomas Purcell PKA Wave Racer, Independent Publicity Team of the Year that went to Twnty Three, and the award for Independent Marketing Team of the Year.

Folk Bitch Trio took out 3 awards for Best Independent Blues and Roots Album or EP,  Breakthrough Artist of the Year – Presented by PPCA and Independent Music Video of the Year. Thanks to YouTube, Folk Bitch Trio received a cash prize of $5000 to help fund their next Music Video release.

The 2026 Outstanding Achievement Award sponsored by Merlin went to Sebastian Chase, nominated by AIR members in recognition of his significant contribution to the industry over the last 30+ years. Thanks to global independent rights agency Merlin, Sebastian will receive a $5,000 cash prize to be used for professional development.

The highly coveted award for Best Independent Label recognised the efforts of NLV Records, who will receive a digital marketing campaign valued at $3,000, thanks to supporting partner Moshtix.

Twenty-four awards were handed out on the night, shining the spotlight on the talented array of artists and labels in the Australian Independent recorded music sector.

South Australian Deputy Premier and Minister for Arts, Kyam Maher, said, “The South Australian Government is proud to support the AIR Awards through the Music Development Office and to welcome artists, industry leaders and music professionals to Adelaide for this celebration of Australia’s independent music sector. For 20 years, the AIR Awards have recognised the outstanding achievements of independent artists, labels and industry professionals, highlighting the strength, creativity and success of the sector. Congratulations to all nominees and award recipients announced tonight, and to AIR for delivering another successful event that showcases the depth of talent across Australia’s independent music community.

The South Australian Government is also pleased to confirm its continued support for AIR, and has committed to fund Indie-Con Australia and the AIR Awards for a further two years. This ongoing investment will ensure even more opportunities for South Australian musicians, strengthen industry pathways, and reinforce Adelaide’s status as Australia’s UNESCO City of Music.’

AIR CEO, Maria Amato commented – “Congratulations to all the nominees and award recipients announced tonight at our 20th AIR Awards! We thank all our sponsors and are especially grateful to the South Australian Government, through the Music Development Office, for their continued support. This partnership enables us to keep holding our national events in Adelaide—Australia’s only UNESCO-designated City of Music.” 

THE 2026 AWARDS RECIPIENTS ARE…

 INDEPENDENT LABEL OF THE YEAR

NLV RECORDS

Thanks to Moshtix – Australia’s favourite indie music ticketing provider and supporting partner of the 2026 AIR Awards, the recipient will receive a digital marketing campaign valued at $3,000, providing access to Moshtix’s vast audience reach.

INDEPENDENT MUSIC VIDEO OF THE YEAR 

BRIDGETTE WINTEN, FOLK BITCH TRIO – FOLK BITCH TRIO, CATHODE RAY

Thanks to YouTube, Folk Bitch Trio will receive $5000 AUD cash to assist with their next music video release.

INDEPENDENT ALBUM OF THE YEAR

NINAJIRACHI – I LOVE MY COMPUTER

BEST INDEPENDENT SOUL/RNB ALBUM OR EP

WILSN – BLOOM

BEST INDEPENDENT COUNTRY ALBUM OR EP

RUBY GILL – SOME KIND OF CONTROL

BEST INDEPENDENT BLUES AND ROOTS ALBUM OR EP

FOLK BITCH TRIO – NOW WOULD BE A GOOD TIME

BEST INDEPENDENT POP ALBUM OR EP

WAY DYNAMIC – MASSIVE SHOE

BEST INDEPENDENT ROCK ALBUM OR EP

PLAYLUNCH – SEX ED

BEST INDEPENDENT CLASSICAL ALBUM OR EP

WILLIAM BARTON, OMEGA ENSEMBLE  –  GIFT – OUR BREATH OF LIFE

BEST INDEPENDENT CHILDREN’S ALBUM OR EP

TEENY TINY STEVIES  – BRAIN FART

INDEPENDENT MIX, STUDIO AND MASTERING ENGINEER OF THE YEAR 

THOMAS PURCELL PKA WAVE RACER – NINAJIRACHI, I LOVE MY COMPUTER

INDEPENDENT PRODUCER OF THE YEAR

NINA WILSON – NINAJIRACHI, I LOVE MY COMPUTER

­

2026 OUTSTANDING ACHIEVEMENT AWARD – SPONSORED BY MERLIN

SEBASTIAN CHASE

Thanks to global independent rights agency Merlin, this year’s winner will receive a $5,000 cash prize to be used for business/professional development.

INDEPENDENT SONG OF THE YEAR

NINAJIRACHI – IPOD TOUCH

Thanks to Amazon, Ninajirachi will receive marketing and global pitching support valued at $ 30,000 AUD to assist with her next release.

BREAKTHROUGH INDEPENDENT ARTIST OF THE YEAR – PRESENTED BY PPCA

FOLK BITCH TRIO

BEST INDEPENDENT HIP HOP ALBUM OR EP

DEVAURA – VOL. 1 LEARNING IN PUBLIC

BEST INDEPENDENT ELECTRONIC ALBUM OR EP

NINAJIRACHI – I LOVE MY COMPUTER

BEST INDEPENDENT DANCE/CLUB SINGLE

VV PETE – WASSA FEAT. UTILITY AND FORMATION BOYZ

BEST INDEPENDENT ELECTRONIC SINGLE

NINAJIRACHI – IPOD TOUCH

BEST INDEPENDENT JAZZ ALBUM OR EP

TEMPORARY BLESSINGS – SUMBISORI

BEST INDEPENDENT PUNK ALBUM OR EP

THESE NEW SOUTH WHALES – GODSPEED

BEST INDEPENDENT HEAVY ALBUM OR EP

THORNHILL – BODIES

INDEPENDENT PUBLICITY TEAM OF THE YEAR

TWNTY THREE – NINAJIRACHI, I LOVE MY COMPUTER

INDEPENDENT MARKETING TEAM OF THE YEAR

NLV RECORDS, THE ORCHARD – NINAJIRACHI, I LOVE MY COMPUTER

­

Watch the 20 YEAR HISTORY of the AIR AWARDS video!

Follow AIR and join the conversation: 

air.org.au | twitter.com/ausindies | facebook.com/australianindies | instagram.com/ausindies

­

­

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COURTNEY BARNETT: Announces Drifting Clouds will open on Creature of Habit Tour this November

by the partae July 31, 2026
written by the partae

Following an epic set at Newport Folk Festival on the weekend – which saw Hayley Williams jump onstage for ‘Pedestrian At Best’ – Courtney Barnett will bring her Creature of Habit Tour home to Australia’s East Coast this November.

Breakthrough Arnhem Land artist Drifting Clouds will join Courtney for her Brisbane and Melbourne dates. With a distinctive sound blending synth-driven pop with Yolngu Songlines, Drifting Clouds is the unique musical project of singer, songwriter and keyboardist Terry Guyula.

Recently joining Emma Donovan for a stunning rendition of Billie Eilish’s ‘Birds Of A Feather’ for triple j’s NAIDOC Week Like A Version, Drifting Clouds is an exciting new voice in modern Australian pop.

Since the release of their captivating debut single ‘Bawuypawuy’ and its memorable music video, the band has steadily built their live reputation, with sold-out shows around the country in support of latest single ‘Rarrandharr’. Their performances are uplifting and unforgettable.

More than four years since her last Australian tour, Courtney Barnett returns home following an extensive run of international shows, bringing one of the world’s most compelling live shows back to Australian audiences. Renowned for her razor-sharp songwriting, commanding stage presence and electrifying guitar skills, Barnett’s live show moves seamlessly between intimate reflection and full-throttle rock.

Barnett will perform songs from her fifth studio album, Creature of Habit, on Australian stages for the first time, alongside fan favourites spanning her acclaimed catalogue. Following the overwhelming response to her surprise hometown performance at Melbourne’s Punters Club in October 2025, which saw hundreds of fans queue for the chance to see her live, Courtney Barnett’s homecoming promises an unforgettable experience – equal parts cathartic, captivating and fiercely authentic.

Courtney Barnett’s Creature of Habit is out now (Fiction Records) – Get it HERE!


COURTNEY BARNETT
​AUSTRALIAN TOUR
​NOVEMBER 2026
​WITH DRIFTING CLOUDS*
​
Presented by Frontier Touring, Penny Drop and Triple R**

TICKETS ON SALE NOW!
​
Via frontiertouring.com/courtneybarnett

​
​WEDNESDAY 4 NOVEMBER
​The Tivoli | Brisbane QLD (18+)
​
Part of Melt Festival
​
ticketmaster.com.au
​​
​FRIDAY 6 NOVEMBER
​Sydney Opera House Concert Hall | Sydney NSW (Lic. All Ages)
​
sydneyoperahouse.com ​
​​
​SATURDAY 7 NOVEMBER
​Palais Theatre | Melbourne VIC (Lic. All Ages) ​
​
ticketmaster.com.au
​

*Brisbane & Melbourne shows only ​
​**Triple R presenting Melbourne show only

Patrons are advised to purchase tickets only through authorised ticket sellers.

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.


FOLLOW COURTNEY BARNETT:

Website | Facebook | Instagram | YouTube | Spotify

frontiertouring.com/courtneybarnett

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Music News

Chasen Wayne Unveils Single “En Laredo” Ahead of The Diamond Saloon Album Release

by the partae July 29, 2026
written by the partae

Austin country artist Chasen Wayne has shared his latest single, “En Laredo,” offering another captivating preview of his forthcoming fourth studio album, The Diamond Saloon, set for release on 28 August.

Built on vivid storytelling and a timeless country foundation, “En Laredo” showcases the sound Wayne has carefully crafted throughout his career. Blending traditional honky tonk and outlaw country with subtle psychedelic influences, the track captures the authenticity and grit that have become his trademark.

“En Laredo” introduces many of the themes explored across The Diamond Saloon, including hard choices, second chances, and the people and places that shape a person’s journey. While paying homage to country music’s rich traditions, the song also reflects Wayne’s willingness to push creative boundaries, hinting at an album that feels both classic and refreshingly original.

Wayne’s songwriting is deeply rooted in his own life experiences. Raised on a ranch before spending much of his childhood in a trailer park, he left his small Texas hometown as a teenager in search of new opportunities. After relocating to Austin, he navigated a challenging path that included working as an underage nightclub bouncer, becoming involved in drug trafficking, and later digging trenches for a plumbing company. It was ultimately his journey to sobriety that transformed his life, giving him renewed purpose and leading him to pursue music full-time.

Those experiences now provide the foundation for songs that explore addiction, recovery, fatherhood, love, and redemption with remarkable honesty. Backed by his band, The Honky Tonk Machine, Wayne has established himself as one of Austin’s most respected independent country artists, earning a reputation for heartfelt songwriting and powerful live performances.

On The Diamond Saloon, Wayne broadens his musical horizons even further, weaving together classic country, psychedelic rock, surf guitar, and touches of jazz into a distinctive sound that honours tradition while confidently forging its own path.

With “En Laredo” now available, Chasen Wayne continues to cement his place as one of the most exciting voices emerging from the modern Texas country scene, building anticipation for what promises to be his most ambitious and fully realised album to date.

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July 29, 2026 0 comments
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Festival NewsMusic News

Anjunadeep announce lineup for 2026 australian events

by the partae July 28, 2026
written by the partae

FINELY TUNED CELEBRATES 20 YEARS AND PRESENTS…

ANJUNADEEP
ANNOUNCE LINEUP FOR 2026 AUSTRALIAN EVENTS

SATURDAY 28 NOVEMBER – TUMBALONG PARK, SYDNEY/GADIGAL LAND
ELI & FUR | JODY WISTERNOFF | DOSEM | HANA | REZIDENT
CATCHING FLIES | PLANET OF SOULS

SATURDAY 5 DECEMBER – PICA, MELBOURNE/NAARM
ELI & FUR | JODY WISTERNOFF | DOSEM | HANA | REZIDENT
CATCHING FLIES | MIKE RISH

SYDNEY & MELBOURNE TICKETS ARE ON SALE NOW!

Independent London-based record label Anjunadeep announce their 2026 lineup for a pair of world-class electronic music festivals in Sydney/Gadigal Land and Melbourne/Naarm this summer. Two distinct experiences with venues that feel custom-built for the occasion, the lineups feature forward-thinking electronic artists such as Eli & Fur, Jody Wisternoff, Dosem and more.

Presented by prolific curators Finely Tuned, who celebrate two decades of bringing groundbreaking acts to our shores, the series first arrives at Tumbalong Park on SATURDAY 28 NOVEMBER. With Sydney set to host the most expansive Australian version of Anjunadeep Open Air to date, as part of Finely Tuned’s stacked FORMA program. Transforming one of the city’s most iconic waterfront locations into a sprawling open-air playground, it sets the scene for a day of cutting-edge music from golden hour into the night, featuring:

Eli & Fur | Jody Wisternoff | Dosem | HANA | Rezident | Catching Flies | Planet of Souls
They’ll then head to PICA, Melbourne/Naarm on SATURDAY 5 DECEMBER, for their first-ever Australian warehouse event. It will draw inspiration from their annual ADE showcases and warehouse events across the UK, Europe and the US, featuring:
Eli & Fur | Jody Wisternoff | Dosem | HANA | Rezident | Catching Flies | Mike Rish
Since its founding in 2005 by internationally revered dance act Above & Beyond, along with their manager James Grant, Anjunadeep has grown to be one of dance music’s most respected imprints today. Across over 600 releases, the label has developed a loyal global following for the diverse integrity of the label’s sound, spanning melodic house, electronic, ambient and techno.

Equally renowned are Anjunadeep’s showcases all over the globe, crafting immersive, welcoming music experiences with some of the world’s most innovative deep producers and selectors. The label has hosted events in over 15 countries across 5 continents, including sold-out legendary venues like London’s Printworks and New York’s Brooklyn Mirage, plus its own destination festival in Albania.

From Sydney’s waterfront to Melbourne’s warehouse. Your summer sorted. Sydney and Melbourne tickets are on sale now!

DATES & LINEUP
SATURDAY 28 NOVEMBER – FORMA Open-Air at Tumbalong Park, Sydney/Gadigal Land
Eli & Fur | Jody Wisternoff | Dosem | HANA | Rezident | Catching Flies | Planet of SoulsSATURDAY 5 DECEMBER – PICA, Melbourne/Naarm
Eli & Fur | Jody Wisternoff | Dosem | HANA | Rezident | Catching Flies | Mike Rish

TICKETS
Sydney & Melbourne tickets are on sale now!

ANJUNADEEP
WEBSITE | INSTAGRAM | FACEBOOKFINELY TUNED
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE

 

July 28, 2026 0 comments
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Festival NewsMusic News

Spilt Milk announces massive 2026 tour & lineup!!

by the partae July 28, 2026
written by the partae
AUSTRALIA’S BIGGEST SINGLE DAY MUSIC FESTIVAL

SPILT MILK ANNOUNCES MASSIVE 2026 TOUR & LINEUP
LEWIS CAPALDI, RAYE
(ONLY PERFORMING AT SPILT MILK)KETTAMA, BABY KEEM
MAISIE PETERS, REMI WOLF, DMA’S
STÜM, TOBIAHS
(A-Z)
ALEKSIAH, BECCA HATCH, BORDERLINE
F3MIII, FAT PAPI, HARRY HAYES, JIGITZ
LEYLA EBRAHIMI, MISS KANINNA, PASH
SAMARA CYN, THE MOVING STILLS
THE TERRYS, YES BOONECANBERRA – SAT 12 DEC
GOLD COAST – SUN 13 DEC
GEELONG – SAT 19 DEC
PERTH – SUN 20 DECMOSHTIX TICKET REQUEST OPEN NOW
PRESALE: THU 30 JULY
GENERAL ON SALE: FRI 31 JULY
SIGN UP FOR PRESALE ACCESS AT SPILT-MILK.COM.AUPRESENTED BY KICKS ENTERTAINMENT

After weeks of speculation, Australia’s biggest single-day music festival Spilt Milk unveils its 2026 dates and lineup. And the wait was Worth It. With international superstars Lewis Capaldi and RAYE headlining two huge weekends in December, playing exclusively for Spilt Milk.

After last year’s sell-out run, Spilt Milk 2026 kicks off where it all began – in its spiritual home of Canberra/Ngunnawal on Saturday 12 December at Exhibition Park, then heading to the Sunshine State on Sunday 13 December in Gold Coast/Kombumerri at Gold Coast Sports Precinct. Weekend two welcomes a new Victorian home in Geelong/Wadawurrung on Saturday 19 December at Kardinia Park Precinct,before wrapping in Perth/Whadjuk on Sunday 20 December at Claremont Showground.

Scottish chart-dominator Lewis Capaldi leads the Spilt Milk bill – his first Australian festival run since that iconic 2025 Glastonbury performance. His phenomenal return to live touring saw more than a million tickets sold worldwide and a record-shattering, sold-out multi-arena tour across Australian capital cities in December 2025. He lands with sixth UK #1 “Survive” behind him, the latest from the voice behind culture-defining ballad “Someone You Loved”, the UK’s most-streamed song of all time.

South London’s four-time GRAMMY-nominated sensation RAYE shares top billing, bringing her sophomore album THIS MUSIC MAY CONTAIN HOPE. in tow. Led by UK #1 smash hit “WHERE IS MY HUSBAND!” and its 800 million streams, RAYE’s catalogue moves between jazz-inflected pop and rave cuts – a range that has carried her from 20 Top 40 UK singles to 10 billion cumulative streams and a 2024 BRIT Awards sweep, taking home the most ever titles in a single year, including Album of the Year.

Galway’s KETTAMA rewrites the rules of electronic music – crushing bass, relentless drums and euphoric release, a blueprint that has taken him from laptop producer to international cult figure. Following his 2025 album Archangel and recent Underworld and Dom Dolla collabs, catch him at peak power. Baby Keem touches down hot off the release of Ca$ino, his long-awaited second album featuring Kendrick Lamar, Too $hort and Denzel Curry. Expect a set stacked with cuts from a record that’s powered him through a sold-out 36-date North American run and into Governors Ball and Summer Smash.

Rising UK songwriter Maisie Peters will blend chart-topping hooks with confessional vulnerability in her four exclusive Spilt Milk appearances. Her ARIA and UK #1 charting album Florescence finds her stripped back and introspective, a storytelling masterclass that features Julia Michaels and Marcus Mumford. Renowned for her electric stage presence and boundary-pushing pop sound, Remi Wolf brings a set stacked with fan-favourite anthems like the Gold-certified “Photo ID” and chart-climbing hits “Cinderella” and “Toro”. Sydney trio DMA’S return with their self-titled fifth album in August, backing up 500+ million streams, multi-Platinum singles and triumphant festival slots from Glastonbury to Coachella. Now they return to Spilt Milk for the first time since performing at its very first edition in 2016.

SA’s Aleksiah will bring her catchy, tongue-in-cheek indie-pop and main-character swagger; Kamilaroi/Samoan artist Becca Hatch fuses R&B and a club-ready sound. New Zealand’s Borderline deliver infectious, hook-heavy indie rock and arrive off a sold-out 14-date North American tour. Dublin’s F3miii moves between alternative R&B and electronic, and will have the crowd singing along to viral Billboard Hot 100 single “NOBLE” (with the re-release version featuring The Kid LAROI); Kurdish-Kiwi synthclub-hip-hop artist Fat Papi went from freestyling with friends over Skype to a global moment, in less than 7 weeks, his track “FREAKED OUT” has amassed 35M streams and he currently holds the top spots across the Shazam charts: #3 Global, #3 Viral, #1 and #5 Hip-Hop, and #1 Australia. The meteoric rise of Sydney producer Harry Hayes, whose genre-blurring electronic sound has earned major praise from Caribou and Fred again, now lands him on the Spilt Milk stage. Brooklyn’s jigitz sends dancefloors into overdrive with “tell you straight”, the 71-million-stream hit, channelling frantic UK garage. Persian-American artist Leyla Ebrahimi lays out intimate, devastating alt-pop confessionals from her debut EP Planet You Forgot Me; and it’s not a party without the fierce Miss Kaninna – Yorta Yorta, Dja Dja Wurrung, Kalkadoon and Yirendali sovereign woman, and “blak Britney Spears”.

Adelaide four-piece Pash have skyrocketed with their nostalgic 90s/00s indie-pop; American rapper and singer/songwriter Samara Cyn is a must-see for fans of Tyler, The Creator and Spilt Milk alum Doechii. Melbourne-born and London-based producer STÜM ups the club energy as one of the most exciting names in global electronic music right now; Central Coast favourites The Moving Stills whip up breezy, surf-infused indie-pop hits. Aussie fan-favourites The Terrys join the bill hot off their laid-back collab “All Gucci”; Lebanese-Australian producer Tobiahs bridges early-2000s UK garage and future-bass bounce with Platinum single “Lifetime”; and Sydney’s Yes Boone closes out the class of 2026 with his dance music mastery. Still to be announced, local triple j Unearthed winners will open each show, while an American Apparel StAArt Up Fund winner is set to perform on the Gold Coast.

 

The festival’s art exhibitions are curated in collaboration with socially conscious art studios, featuring artists from their long-standing partnership with Victoria Park Centre for the Arts’ Create Connect Art initiative, which holds structured workshops that allow artists with disabilities to explore different visual art mediums and projects.

If last year’s sold-out run was anything to go by, tickets will get snapped up quick. Sign up at spilt-milk.com.au for presale access and the chance at lowest-priced tickets. Payment plans will be available through Afterpay and PayPal.

If you don’t want to run the risk of missing out, you can lock in your ticket now via Moshtix Ticket Request. You can secure them early at a fixed price before tickets go on sale by submitting a request during the reservation window from 24-28 July. Find out more here.

Light up the group chat, Spilt Milk 2026 is on.

SPILT MILK
WEBSITE | FACEBOOK | INSTAGRAM | TIKTOK

SPILT MILK
Presented by Kicks Entertainment

Saturday 12 December 2026 – Exhibition Park, Canberra | Ngunnawal
Sunday 13 December 2026 – Gold Coast Sports Precinct, Gold Coast | Kombumerri
Saturday 19 December 2026 – Kardinia Park Precinct, Geelong | Wadawurrung
Sunday 20 December 2026 – Claremont Showground, Perth | Whadjuk

LINEUP
LEWIS CAPALDI, RAYE
(ONLY PERFORMING AT SPILT MILK)

KETTAMA, BABY KEEM
MAISIE PETERS, REMI WOLF, DMA’S
STÜM, TOBIAHS
(A-Z)
ALEKSIAH, BECCA HATCH, BORDERLINE
F3MIII, FAT PAPI, HARRY HAYES, JIGITZ
LEYLA EBRAHIMI, MISS KANINNA, PASH
SAMARA CYN, THE MOVING STILLS
THE TERRYS, YES BOONE

TICKETS
Ticket Request open now until 4pm AEST Monday 27 July

Presale available from Thursday 30 July at:

Canberra – 8am AEST
Gold Coast – 11am AEST
Geelong – 9am AEST
Perth – 8am AWST

Tickets on sale to the general public from 10am AEST Friday 31 July (all cities)

Sign up for lineup info and presale at spilt-milk.com.au

July 28, 2026 0 comments
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