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‘Run River’ is out now.
Official Website | Facebook | Instagram | YouTube | Triple J Unearthed
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‘Run River’ is out now.
Official Website | Facebook | Instagram | YouTube | Triple J Unearthed
Photo credit: Jared Harder
SAMETIME are multi-instrumentalists Sunshine Coast brothers Tim and Sam Aitken. Today they release their dance floor-ready new tune ‘Moving On’ and unveil details about their forthcoming EP ‘Maybe We Can Get High?’. Packed full of flavour and energy, their infectious new single is the follow up to their 2020 singles, ‘Get To Know Ya’ and ‘Til Yr Not Ok’.
“Moving On’ is about reminiscing on the good times we had with friends growing up and how getting older got in the way. The decisions a person made on a night out that resulted in something worse than a hangover the next morning. The sweet sound of this song counteracts the lyrics and the bitterness of coming to terms with the fact people change and it sucks.”
SAMETIME
For fans of lo-fi, alt-pop acts like The 1975, Last Dinosaurs and Parcels, SAMETIME’S forthcoming EP ‘Maybe WeCan Get High?’ features a collection of tracks which tells of the ecstatic uppers and brutal downers of youthful hedonism.
“We’re young male adults going through that phase of life where going out and getting “sloshed” every weekend is compulsory. ‘Get To Know Ya’ is a bright, upbeat song about just going out and meeting someone that makes you feel good temporarily. ‘Something To Feel’ explores the darker side of nightlife and being consumed by the search for a bigger, better high. The EP is a self reflection of us but also our generation as we navigate our way through young adulthood but making sure we have a good time doing it.” SAMETIME
Despite their years (Tim, 22 and Sam, 19) they have spent the last 10 years developing a reputation as one of the Sunny Coast`s hardest working acts busking every weekend, and fine tuning their songwriting craft. In 2017 Sametime signed a long term publishing deal with Sony Music Publishing.
For fans of lo-fi, alt-pop acts like The 1975, Last Dinosaurs and Parcels, SAMETIME’S forthcoming EP ‘Maybe We Can Get High?’ features a collection of tracks which tells of the ecstatic uppers and brutal downers of youthful hedonism.
“We’re young male adults going through that phase of life where going out and getting “sloshed” every weekend is compulsory. ‘Get To Know Ya’ is a bright, upbeat song about just going out and meeting someone that makes you feel good temporarily. ‘Something To Feel’ explores the darker side of nightlife and being consumed by the search for a bigger, better high. The EP is a self reflection of us but also our generation as we navigate our way through young adulthood but making sure we have a good time doing it.” SAMETIME
Despite their years (Tim, 22 and Sam, 19) they have spent the last 10 years developing a reputation as one of the Sunny Coast`s hardest working acts busking every weekend, and fine tuning their songwriting craft. In 2017 Sametime signed a long term publishing deal with Sony Music Publishing.
SAMETIME will be playing shows in support of their EP throughout October.
SAMETIME TOUR DATES
Saturday August 21, Kings Beach Tavern, Sunshine Coast, QLD Tickets
Thursday October 14, The Zoo, Brisbane, QLD Free entry
Friday, October 15, Solbar, Sunshine Coast, QLD Tickets
Sunday, October 17, Mo’s Desert Clubhouse, Gold Coast, QLD Tickets
PRAISE FOR SAMETIME
“Moving On is a bright-eyed indie-dance banger, digging into the same infectious hooks as you’d expect from bands like The Jungle Giants but with a slightly distinct twist”
PILERATS
Moving On: “Rated this one 4 stars to begin with but had to bump it up another notch cos it really is the best I’ve heard from SAMETIME and represents an exciting new chapter for the band. Slick as per usual but they’ve unlocked a dizzy indie-disco touch that takes the track to another level. 4.5 stars”
Dave Ruby Howe, Triple j Unearthed
Get To Know Ya: “this one will lift you higher! it’s got a big pop disco sheen to it with drips of empire of the sun in that chorus.4 stars”
Declan Byrne, Triple J
Til Yr Not Ok: “Nothing but good, infectious vibes in this summer jam! Love this guys! 4 stars”
Claire Mooney, Triple j
Til Yr Not Ok: “Why do I feel like I’ve just won 10,000 tickets at the Timezone and I feel invincible like not even the claw machine can win against me?? THIS SONG HITS!! 4 stars”
Pip Massussen, Triple j
Single: Moving On is out now.
EP: Maybe We Can Get High? is out Thursday, September 2
Official website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed
What’s been happening recently?
So much! We’ve been working on the release of our fourth single “Teenage Dream”, including a music video which will be out soon! We’ve also written, produced and filmed our very own YouTube series called “Almost Like Angels”. The first few episodes are already out, and we have so many more on the way!
Your latest single ‘Teenage Dream’ will be released on the 13th of August, what influenced the sound and songwriting?
“Teenage Dream” is an anthem to encourage people to keep working hard and not to let the negativity or doubts of others stop you from pursuing your dreams. People can be very dismissive and often treat your dreams or aspirations as childlike or something you’ll eventually “grow out of”. We’ve experienced this a lot personally and know so many others have too, so we decided to write a song about it!
When creating the track, we wanted it to have a very triumphant and encouraging sound, so the production is built around a marching band beat, creating that imagery of a group of people (all the dreamers out there!) marching towards turning their dreams into a reality. We wanted the song to sound very vibrant and fun, reflecting that “carefree teenage spirit”, but also to create something that people of all ages could listen to and enjoy because no matter what age you are, it’s never too late to dream or pursue your passions!
How did Teenage Dream come about and what does this single mean to you?
“Teenage Dream” was inspired by personal experience. Whilst we are blessed to have some really amazing supportive people in our lives, during our Like Angels journey, we have also experienced people expressing unsolicited negativity and doubt over our decision to pursue music. This song was really important to us because it was a response to all of the doubters, haters and discouragers in one song! We were able to write honest lyrics without a filter and say what we needed to say – it was quite therapeutic to be honest! More than that, it was also super important to us that “Teenage Dream” was relatable to other people. We want all of our fellow dreamers out there to feel encouraged on their own personal journey, to feel empowered and to know that they are not alone!
Where and when did you record/produce/master and who with?
We recorded this song back in 2019 with Philippe-Marc Anquetil. Phil has produced, mixed and mastered all of our songs so far. He’s incredibly talented and such a genuine human being. We’re so grateful to have had the opportunity to work with him and learn so much in the process too!
How did you approach the recording process?
We showed Phil a voice memo recording on our phone, which had vocals and some simple piano chords. When it was time to actually start the recording process at the studio, we started by building the track around the original piano chords from that voice memo. Once we added the piano, we built up a marching band beat, including drums and brass band elements. We added vocals, harmonies and then some intentional sound samples that contributed to the storyline of the lyrics. For example we added the sound of a school bell ringing in Verse 1 when we mention the word “school” and in the Chorus, we added the sound of a gun being loaded and fired while we’re singing “If you don’t think I can make it, load your gun cause I can take it”. We were very open during the recording process – open to experimenting & to where the song could go. It could’ve had so many different sounds or styles, but whatever choices we made had to complement and emphasise the meaning of the lyrics.
What programs/instruments did you use?
One of our favourite parts of the recording process is being as hands on and creative as possible! Phil recorded the song using logic Pro and we played piano for the track. We used and combined a lot of different sound samples to construct and build the track, including some that we made ourselves in the studio, for example the “heys” you can hear in the background. You can also hear a massive crowd shouting the lyrics. Phil recorded multiple takes of us shouting lyrics into the microphone and then layered them to make it sound like a huge crowd had gathered and was singing along with us.
Please tell us about your new YouTube series ‘Almost Like Angels’:
“Almost Like Angels” is a self-taped docuseries that follows our journey as sisters trying to build a successful music career and reach international fame, in a mockumentary style (think “Flight of the Conchords” or “The Office”). Whilst it’s mainly built on satire and comedy, the series also explores some of the very real experiences we’ve had as independent artists. It will make you laugh, cringe and maybe even cry! We’ve written, produced, filmed and edited the entire series, so it’s been a pretty cool experience and we hope you like it!
Who are you listening to at the moment?
It changes daily, but at the moment we’ve been loving Blackbear’s new EP “misery lake” and two artists we always come back to are Taylor Swift and NF! We’ve also been listening to a lot of Aussie made music at the moment too – we’re living in such crazy and uncertain times and streaming Australian music is one simple and easy way to help support our peers at the moment! A couple of our fave 100% Aussie playlists are “New Australian Music” by The Underground Stage and “auspOp now!” by AuspOp now (both on Spotify). We’ve also made quite a few playlists of our own on our Spotify artist profile which we update regularly, to share our current and ever changing favourite tracks.
What’s planned for the remainder of 2021?
We’re currently collaborating with a Melbourne artist on our music video for “Teenage Dream” – we can’t wait to share it with everyone! We’ve also got more episodes of “Almost Like Angels” coming out weekly and of course, more new music on the way too!
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Stay connected with SASSY 009:
Website | Twitter | Instagram | Facebook
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Penelope Isles
Which Way To Happy
1. Terrified
2. Rocking At The Bottom
3. Play It Cool
4. Iced Gems
5. Sailing Still
6. Miss Moon
7. Sudoku
8. Have You Heard
9. Pink Lemonade
10. 11 11
11. In A Cage
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Today, multi-platinum producer DJ Snake unveils his latest release with new track ‘Run It‘ featuring Rick Ross and Rich Brian. LISTEN HERE.
The record, which follows recent boundary-pushing tracks ‘You Are My High‘ and ‘Ring The Alarm’ with Malaa, is from the forthcoming Marvel Studios’ film Shang-Chi and The Legend of The Ten Rings. The record will also serve as the anthem for ESPN‘s coverage of this year’s College Football season, which kicks off on August 28th.
The recent string of anthemic records arrive while DJ Snake is in the middle of his Europe and North American tour, which has already included stops at major cities and festivals. The remainder of his 2021 run will also include a stop at North America’s legendary electronic music festival EDC Las Vegas in October. For Rich Brian, the release arrives hot off the heels of his collaboration with NIKI and Warren Hue on ‘California‘, from 88rising‘s forthcoming Head In The Clouds 3 compilation.
‘Run It ft. Rick Ross, Rich Brian‘ is out now, buy/stream it here.
Stay connected with
DJ Snake: Website | Instagram | Twitter | Facebook | YouTube
Rick Ross: Instagram | Twitter | Facebook | YouTube
Rich Brian: Instagram | Twitter | F
88rising: Website | Facebook |
On Friday 17th September, The Lofts are proud to present one of the hottest DJs on the scene right now, the high-rising dance star that is SKREAM.
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Stay connected with Haviah Mighty:
Website | Facebook | Instagram
Ahead of the release of Tiny Little Houses’ upcoming album Misericorde (out Nov 19), the band have shared their latest song ‘I’m Doing Just The Best That I Can’. It’s a relatable message for the current times and a fitting theme for their postponed tour dates, which now include a new Brisbane show at Brightside on October 16.
Frontman Caleb Karvountzis explains: “The song itself is explanatory, I wasn’t exactly deeply depressed when I wrote it but I wasn’t where I wanted to be. This was obviously far before months of forced COVID isolation, postponed shows, and a life caught in a continuous holding pattern. Now it seems this song becomes more relevant for us as each day passes. Life hopefully will go back to normal soon, but for the moment we are doing just the best that we can.”
Tiny Little Houses – Misericorde
Out Friday 19 November
through Ivy League Records
Pre-order here
Misericorde tracklisting:
1. Cold Showers
2. Car Crash
3. Golden Boy
4. Smartest Guy
5. Emperor
6. Richard Cory
7. Misery
8. I’m Doing Just The Best That I Can
9. Take a Swing
10. Happy Piece of Gum
11. Some Aliens
12. Heavy Heavy
13. Holy Water
TINY LITTLE HOUSES
Jam packed with impassioned lyricism and arrangements, delivered with punch and heart – Sydney’s SoSo present their first EP release, I Wouldn’t Call This Success…But It’s Close Enough.
Having introduced themselves to fans last year with single releases in ‘The Henry Lawson Jive’, ‘Skywriter’, ‘(Shit) Love Story’ and ‘(Shit) Love Story – Unplugged’, the pop punk group were quick off the mark in doling out music that was equal parts intensely personal, but also a lot of fun.
The EP shows the brightness and spirit of the band – there’s something instantly familiar about SoSo, yet very fresh as well. It makes for the perfect first listen.
Featuring their first four singles, as well as their most recent releases ‘Yeah Nah’ and ‘The Great Escape’ in 2021, I Wouldn’t Call This Success… comes as a bundled up presentation of chaotic energy and chest-pounding singalongs, akin to bands like Trophy Eyes, Violent Soho and Luca Brasi.
“We called the EP I Wouldn’t Call This Success…But It’s Close Enough because we’re all in our mid 20’s and ya know what, when you’re younger, I think you really have a warped perception of where you’ll be by your mid 20’s. You think you’ll probably have things way more figured out, more money in the bank, less emotional baggage…you name it.”
“It’s easy to think you haven’t found success as you’re getting older, because you’re not meeting whatever your (or other people’s) standards of ‘success’. It’s easy for us as musicians to fall into that trap too, especially when we’ve each been in failed bands (except Tahlia, who’s not been subjected to that – and hopefully won’t.) But realistically, we still have the opportunity to make great music, to get involved in some seriously sick creative projects thanks to our friends and ultimately, that might not be deemed success…but it’s close enough, right? “
SoSo
Recorded at Sydney’s Electric Sun Studios, SoSo worked with producer Stevie Knight (Stand Atlantic, Yours Truly) as well as James Paul Wisner (Stand Atlantic, Saosin) and Grant Berry to bring I Wouldn’t Call This Success… to life.
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Don’t Kiss Ur Friends EP is out now, buy/stream it here
TRACKLIST
Amiinmyhead?
Swing Of Things
Central Station
Daffodils
Time I Love To Waste
Apricots
Swing Of Things ft. Powfu
Stay connected with MAY-A:
Facebook | Instagram | Youtube | TikTok
After gaining noticeable recognition from their previous three releases, Like Angels return with another fun, hard hitting but relatable track. Their new single “Teenage Dream” is live now to accompany their upcoming self-taped docuseries “Almost Like Angels”, premiering on their YouTube channel late July.
Multi-instrumentalist Rod Moore shines in his singer / songwriter persona, delivering a collection of catchy, cleverly written tracks layered in synth tones and drum loops as an intentional nod to the ‘80s. Having developed his stage and studio chops playing instrumental surf guitar music, Rod Moore had long pondered the idea of stepping out front. “You Never Know If You Never Try”, released in 2018, marked Rod’s vocal debut and the inception of THE ROD MOORE BAND.
Seeped in ‘50s and ‘60s influence, the four all-original numbers were recorded with the accompaniment of some recently graduated music college alumni. 2020 provided Rod with the opportunity to revisit a batch of songs he had shelved eight years prior, culminating in the album “7635 South West Boulevard”. These well crafted and eclectic modern pop songs represent a stylistic shift inspired by acts as diverse as ELO, Moby, and Ray Charles. THE ROD MOORE BAND’s third release was clearly influenced by the state of the world at it’s time of inception. “Lockdown EP” delves deeper into the musical themes introduced on its predecessor, while focusing on tighter arrangements and big budget production – “Lockdown EP” was recorded at Vancouver’s HippoSonic Recording Studio, the former home of the Legendary Little Mountain Studios.
“You Won’t Bring Me Down” was conceived while in Toronto during one of the deepest parts of COVID-19, and was definitely written out of frustration. It means exactly what it suggests – you won’t bring me down! I am a big John Carpenter fan, and the music he writes for his movies is always very unique, quirky and memorable. This song definitely carried some of that inspiration, which shows strongest in the opening, single tone riff. I recorded many of the core elements at home in my office, including the noisy guitar solo in the bridge.”
Where are you currently based?
I’m currently based in the inner west. Gadigal land.
We had a piano at my childhood home that I’d just baby hammer fist on some random notes and laugh at. I remember one evening my father played the Beatles song “Let it Be” when I was four and I was incredibly fascinated. He taught me for the first couple of weeks after that and then he decided to put me into piano lessons, the rest is history.
Lockdown . Gigs and sessions have cancelled so I’ve just been getting into a nice routine for my wellbeing . A fair bit of meditation , working out, creative writing, drinking and playing video games with my roommates.
The sound is pretty much a culmination of what I was listening to at the time which was a lot of Blood Orange, Frank Ocean, Mac Ayres and Bryson Tiller. The songwriting was influenced by one of my past relationships, it all just poured out one evening.
I love trying to make something different each time, whether it’s through different instrumentation or weird effects. I collated some songs I had a vibe on and they all sound different yet they are all embedded in the same DNA and have a cohesive theme
It’s never the same. Sometimes I recycle old songs and make a Frankenstein version, which could be quick or extremely crafted and slow. Other times I just catch a vibe, hear something and finish it quickly on the piano or guitar.
A whole bunch of trial and error.
Currently I’m bumping lot of Jai Paul, Steve Spacek, Milan Ring, Flwr Chyld and anything from My Analog Journal.
I love working out, FaceTiming my friends chilling with my dog, reading and listening to audiobooks. I’m into to this audiobook called PIMP: The Story of My Life by Iceberg Slim. It’s ice cold.
Plans seem to change radically, so I guess I’m just going to stick to my health routine and release some more tracks.