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Music News

Music InterviewsMusic News

miloviti

by the partae September 8, 2021
written by the partae

What is your name and role within the band?
Hey, I’m Luke and I’m the lead singer.

Where are you currently based?
We’re currently based in Sydney.

How did miloviti form?
miloviti actually started as a solo project initially but I found John (drums) and Ben (guitar) and we got along so well we made an official band. We played together for a year and then 2 years ago we found Jianne (bass) and clicked.

What’s been happening recently?
We’ve been in lockdown so we haven’t been able to see each other for a few months now and we’ve just been writing and recording and communicating online.

Your new single ‘allnight’ is out now, what influenced the sound and songwriting?
We take inspiration for different parts of our music and just kinda put it all together. The beat for the verse is inspired by The Weeknd and RnB with some syncopated 80’s pop ballad toms that are also used in a lot of modern RnB. The verse guitar is kind of reminiscent of Creed – Arms Wide Open as well as the big dreamy Rock vocal chorus at the end which is inspired by 80’s/90/s Rock ballads. Then the Chorus guitar is inspired by Coldplay – Up&Up so we’ve got a lot of random influences that create our sound.

How does the current nostalgia and longing for friends under Sydney lockdown resonate with ‘allnight’?
‘allnight’ is about basically about remembering late nights spent with a loved one or friends staying up until dawn. I haven’t been able to see the rest of my band who are also my best friends so it’s been really tough. Makes me think very fondly and nostalgically to the past.

How did you go about writing ‘allnight’?
When I first started writing ‘allnight’ I always knew it was a vibe but it started off with a very different beat behind it and John (drums) just hated it haha so we dropped the song for a while. It wasn’t until I got really inspired by The Weeknd one day and came up with a more syncopated R&B beat for the verses that it really started to take on a life of its own. Ben, our guitarist, then came up with the flourishing explosion of guitar for the chorus and we knew this song was going to be something really special.

Where and when did you record/produce/master and who with?
We’ve been recording the tracks ourselves for about a year now and then we got Jack Nigro to mix it for us and Leon Zervos to master for us.

How did you approach the recording process?
We’ve been recording ourselves for a while now especially due to the original lockdowns so it was important for us to still be able to record on our own.

Who are you listening to at the moment?
I am in looooove with Concrete Jungle Fever by Jerome Farah. I’ve been listening to that on repeat!

What do you like to do away from music?
In lockdown I love getting some sun and going for walks along the coast. I’ve also been writing a lot.

What’s planned for the remainder of 2021 going into 2022?
We’re in the process of finalising our next single so we’ll release that at the end of the year and then move onto another single we have lined up as well for the start of next year.

Favourite food and place to hangout?
We loooove Sun Tat Chinese Restaurant in Strathfield. We’ve been going there as a band for a few years now and the owner Mary is so so lovely so it’s very nostalgic for us.

September 8, 2021 0 comments
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Music InterviewsMusic News

Bridget Allan

by the partae September 8, 2021
written by the partae

What’s been happening since we last caught up?

Been in another stage 4 lockdown, which I didn’t think would happen again, oh well! I’ve also been writing heaps of music and rewatching Breaking Bad.

Your new single ‘Lifeline’ is out now, what influenced the sound and songwriting?

The guitar playing is definitely inspired by the sassy techniques of Nai Palm, and the meandering/wailing vocals are inspired by Jeff Buckley and Florence Welch, as always.

How did you go about writing Lifeline?

I can’t even really remember, it was late at night I sitting in bed with my guitar. And then I posted a snippet of the song to Tiktok that night and I listened back the next day and was like “hey, that’s not half bad.”

Where and when did you record/produce/mix and who with?

I recorded with Chris Zeng at Fresh Entertainment studios, and it was mixed by Calvin Lauber, most known for his work with Julien Baker (who I am a huge fan of). I love all the magic work Calvin does for the songs of mine he mixes, always comes out better than I could’ve ever imagined.

How did you end up choosing this studio to record?

Fresh Entertainment was very gracious in offering us this studio time as a part of their ‘Mixtape’ of local Mornington Peninsula/Frankston Council artists. You should definitely check that out!

How did you approach the recording process?

I went in with my partner/bassist Marlon Cini and we recorded with Chris Zeng who was new to the Fresh program, we all worked together so well and it was a tiring but super fun day. That was also the day I recorded my Mojo Pin (by Jeff Buckley) cover which is out aswell.

What instruments did you use?

We used this super moody “Coral Reef” synth and electronic drum sounds that I found mucking around the days before, and also I play my Gretch hollow-body guitar and Marlon used his Fender precision bass.

What does this single mean to you?

It’s quite a personal one about mental health struggles, but also the light at the end of the tunnel. And also realising human connection is how I get myself out of dark patches.

Who are you listening to at the moment?

I am ADORING Hiatus Kaiyote’s new album ‘Mood Vailant’, I am obsessed with every song, especially ‘Chivalry is Not Dead’.

What’s planned for the rest of 2021 going into 2022?

Working on my Bachelor of Music, and working on a new EP.

What did you want to be as an adult when you were a child?

A “famous singer” of course!

Stream lifeline: https://linktr.ee/bridgetamusic
Instagram: https://www.instagram.com/bridgetamusic
Facebook: https://www.fcebook.com/bridgetamusic
Tik Tok: https://www.tiktok.com/@bridgetamusic
September 8, 2021 0 comments
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Music News

BIG THIEF Present new single ‘Certainty’

by the partae September 8, 2021
written by the partae
Photo Credit: Alexa Viscius
Praise for Big Thief – ‘Little Things’ / ‘Sparrow’
 
“There’s a warm, feral energy to ‘Little Things’… the rest of her band creates a textured, woolly atmosphere that swaddles [Lenker] like a blanket. By the middle of their rootsy jam session, she’s feeling both frustrated and free enough to let loose a cathartic primal scream.”
– 
The New York Times
 
“The best band in the world right now? This is superb even by their high standards, a swinging, restless, high-tempo groove surging with perpetual motion.”
–
 The Guardian, #1 Film&Music Playlist
 
“a testament to the way love can knock us out of orbit, then spin us back toward each other.” – NPR
 
“[‘Little Things’ is] an intoxicating portrait of infatuation.” – Pitchfork, Best New Track
 
“You could imagine ‘Little Things’ crash landing at so many turns. Instead, it glides, it shimmers. It remains in sight for just a few moments, mirage-like, a magic trick only these four can conjure.” – Stereogum
 
“[‘Little Things’ is] a testament to this Grammy-nominated Brooklyn quartet’s musical chemistry that the song – a whirlpool of joyful 12-string acoustic strumming, snake-like electric leads and Krivchenia’s ever-changing but powerful rhythms – not only holds together, but absolutely flies.” – Guitar World

Today, Big Thief present ‘Certainty’, a track that showcases the most innate parts of Big Thief: the human journey, real love and the raw emotions that accompany the two – out now via 4AD / Remote Control Records.

It was written and recorded directly to 4-track during a three-day power outage while recording at Sam Evian’s Flying Cloud Studios and features harmonies from Hannah Cohen. Framed by a lyrical picture only Adrianne Lenker can paint, the band’s folk roots and delicate harmonies are on full display.

“On the third day of the outage, I found Adrianne on the porch writing a new song, so I sat with her and we finished it together, with the rain falling from the gutters splashing over our guitars,” says Buck Meek. “James and Sam saw us writing, and quickly set up a four-track tape machine in the kitchen, powered by the F250 cigarette lighter out in the yard. They set up the drums by the sink, and Max plugged his bass into a Bluetooth speaker set on top of the stove. Take 2 had a great bark from Sam and Hannah’s pup Jan during the solo, but we ended up going with take 3 because it took us about that long to learn the chords. Then we made pancakes and sausages and ate breakfast for dinner.”

Big Thief – Certainty (Official Visualiser)
Stream / Download: 
https://bigthief.ffm.to/certainty

Big Thief
Online | Youtube | Instagram | Facebook | Twitter

September 8, 2021 0 comments
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Music News

MOLLY PAYTON SHARES NEW SINGLE + VIDEO ‘WHEN SKIES WERE ALWAYS BLUE’ MINI ALBUM SLACK DUE FOR RELEASE OCTOBER 1

by the partae September 8, 2021
written by the partae
Photo by Lewis Vorn

PRAISE FOR MOLLY PAYTON

“One of my favourite new artists”
Arlo Parks

“Modern rock anthems…’Porcupine’ is a breakthrough moment”
Pigeons & Planes

“Her songs are rich, accomplished and instantly relatable”
Dork

“deliciously angst-fuelled…with a beast of a chorus”
DIY

Today, Molly Payton releases ‘When Skies Were Always Blue’, the latest single and video from her forthcoming mini-album Slack, out October 1 via The Orchard. LISTEN HERE / WATCH HERE.

The London-based 20-year-old has recently returned from a long stint in her homeland of New Zealand, where she created Slack remotely with her frequent collaborator Oli Barton-Wood (Nilüfer Yanya, Porridge Radio, Sorry), as well as Grammy-award, winning producer Jimmy Hogarth (Amy Winehouse) and British songwriter Benjamin Francis Leftwich. She will also headline DIY magazine’s rescheduled IRL showcase alongside Pixey on September 24 at Signature Brew in London, play Pitchfork Music Festival Paris and Amsterdam’s London Calling, as well as joining Oscar Lang on his UK tour this October.

Starting out with Molly’s stripped-back vocals accompanied only by an electric guitar, the new track erupts into a soaring grunge ballad, mirroring the emotions explored through her candid lyricism. In her words, “‘When Skies Were Always Blue’ is about learning how to live with disappointment, and how experiencing pain makes you appreciate joy that much more. I wrote this song after dealing with some traumatic stuff and losing someone close to me, and I think in a way it was me trying to give myself a bit of hope and reminding myself that things would get better with time.”

The track is accompanied by a video directed by Taylor Mansfield, the latest in a series of music videos the pair have collaborated on in the run-up to the mini-album, following ‘Honey’ (recently BBC Radio 1 Introducing’s track of the week) and ‘You Cut Me So Much Slack’. The video expands on the themes of the song, namely loss and how to move on after tragedy, as Molly explains; “The video shows me coming back out from the inner chaos in Slack into the ‘real world’ after the relationship has ended. When you end things with someone it can often feel like you see them in everything, and in the video you see him popping up in every room of the house – I can’t escape him. From there it slips back and forth between reality and fever-dreamish scenarios like an anxiety dream come to life.”

Molly’s mini-album follows her breakout EP Porcupine, released last Autumn to wide critical acclaim, including Pigeons & Planes, Dork, The Line of Best Fit, Steve Lamacq at 6Music and Jack Saunders at BBC Radio 1. It also caught the ears of fellow artists, including Arlo Parks, who chose Molly to appear alongside her takeover of Spotify’s ‘Our Generation’ playlist, commenting of Molly’s music “there was just this sense of rawness and earnestness that really reminded me of things that I’ve lived myself.” 

The upcoming project’s genesis came from a return to Molly’s birthplace of New Zealand. Originally intended to be a short stay, her time in New Zealand was extended as UK lockdowns prevailed. As well as spending time with the friends and places she left as a teenager, it also fuelled her resolution to reconnect with the memories and tribulations of her past, and process them through her songwriting. Revolving around  the adage of looking back in order to move forward, she describes her coming output as “honest, reflective and hopeful.” Her time back home also allowed her to rediscover the catharsis of playing live, with Molly performing a series of full-capacity headline gigs against the backdrop of New Zealand’s low Covid rates and eased restrictions.

Molly Payton’s first offering came in the form of her debut EP Mess, which was co-produced with Oscar Lang, who she met at her new school soon after relocating to the UK at age 16. This was followed up by 2020s Porcupine, which saw her strike up a new songwriting partnership with producer Oli Barton-Wood, embracing a fuller sound, a direct reflection of her contemporary experiences in London and changing tastes. Praised for her evocative lyricism and evolved songwriting, Slack compromises none of her edge, yet is set to offer a more personal look into the workings of the young songwriter, and forecasts bright things as she returns to London.

‘When Skies Were Always Blue’ is out now, buy/stream it here.

Stay connected with Molly Payton:
Facebook | Instagram | YouTube

September 8, 2021 0 comments
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Music News

Yumi Zouma return with new single ‘Give It Hell’

by the partae September 7, 2021
written by the partae
Photo credit: Nick Grennon
PRAISE FOR 2020 ALBUM TRUTH OR CONSEQUENCES 

“Another fine showing from the New Zealand dream pop wonders.”
Double J (Feature Album)

“Aims high and hits every ambition, all with the kind of sonic elegance we’ve come to expect from our Kiwis across the pond.”
Tone Deaf

“Brings forth the best parts of the band’s sound to create lush, hook-filled soundscapes.”
Under The Radar (8/10)

New Zealand’s beloved alternative pop band Yumi Zouma return with their first release for 2021, new single ‘Give It Hell’, out now on [PIAS] Australia. Since the release of their acclaimed 2020 record, Truth or Consequences and its subsequent Alternate Versions release, Yumi Zouma have been busy creating new music and this new track is the first taste of what’s to come.

Mixed by Ash Workman (Christine & The Queens, Metronomy) and mastered by Grammy Award-winning engineer Antoine “Chab” Chabert (Air, Daft Punk), ‘Give It Hell’ showcases an expanded sonic palette of drums, pianos, and orchestral strings. The fearless new single was inspired by the first and final stop of Yumi Zouma’s sold out Truth or Consequences US tour in March 2020, the day the World Health Organisation declared COVID-19 an official pandemic.

“Before we went on stage for the only show we would play of our sold out 2020 US tour, we held each other tight, and fighting back the tears, someone said ‘let’s give it hell tonight’. The next day, ‘Truth Or Consequences’ was released. We drove to New York, took some photos, and dispersed back to our homes in the US, UK, and New Zealand. We haven’t been in the same room since.”

On ‘Give It Hell’, Yumi Zouma continue, “To ‘give it hell’ is one of the strongest ways to stay present. Throwing yourself entirely into something, knowing it’s all you can give – it can be equal parts rewarding and humbling.

This song encapsulates us digging deep, pushing through self doubt, and being grateful for the purpose and process of making music together. Especially when it’s hard and feels futile. In the spirit of staying present, we wanted to release this song NOW, and not wait for any other moment than this one.”

The theme of isolated togetherness and distant creativity has been a throughline for the band throughout their career. Originally formed in New Zealand, the members of Yumi Zouma now come together from around the globe: New York City (Josh Burgess – guitar, vocals), London (Charlie Ryder – guitar, bass, keys), Christchurch (Christie Simpson – vocals, keys) and Wellington (Olivia Campion – drums).

Truth or Consequences was named as Feature Album at Double J and 2SER, Record of the Week at The Brag Media and further support around Australia from FBi Radio, Purple Sneakers, Pilerats and The Music Network, Spectrum (The Age). Internationally, the album garnered accolades from Consequence of Sound, Gorilla vs Bear, NPR, Earmilk, FADER, MTV, NYLON, Paste Magazine, Stereogum and Under The Radar.

‘Give It Hell’ by Yumi Zouma
out now on [PIAS] Australia
Listen: https://ffm.to/yz_giveithell
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September 7, 2021 0 comments
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Music News

GOOD MORNING PREMIERE ‘COUNTRY’ VIDEO #2 + LIVE YOUTUBE Q&A TODAY WITH LIAM & STEFAN

by the partae September 7, 2021
written by the partae
Photo by Nick Mckk

PRAISE FOR GOOD MORNING

“Everything’s looking good for Good Morning”
Billboard

“The music has the easiness you feel looking out at the ocean”
Broadsheet

“More intricate production and a voice from singer Liam Parsons on ‘Keep It’
that sounds distinctly like Wilco’s Jeff Tweedy”

NME

“Chill and organic indie rock, but there are some slight stylistic differences
due to each member taking lead vocals on some Lennon-McCartney shit…”

Stereogum

“Country feels like the culmination of everything that Good Morning
have spent their almost-decade together working towards”

Rolling Stone

“The Australians are coming out in full force”
Paste Magazine

“These are warm, inviting songs made for long drives on sunny afternoons”
Frankie Magazine

“Gloriously catchy dessert rock”
Pilerats

Today, Good Morning will be taking to Youtube to premiere the second video edition of ‘Country’ and take part in a live chat on the site. The premiere will give the band time to connect with fans live ahead of the release of their next album Barnyard on October 22. Watch the premiere / take part in the chat HERE, today at 10AM AEST.

The video is a continuation of the last, a glimpse into the film being filmed from the first video. With joint direction from Dannika Horvat and Aidan McDonald, Liam and Stefan are joined on the Eltham Scout Hall stage by a swag of friends and peers that bring the two-piece into full band mode; with members of local outfits, Cool Sounds and Skydeck, to arts and culture writers Shaad D’Souza and Greer Clemens trading pens for instruments, and more.

‘Country’ evokes a feeling as universal as it is instantly understood, with lines such as “You know that I’m incapable of changing / Some people just get stuck in their ways / Never thought it’d be me like this / I was meant to be brave,” that see Parsons deliver a vocal performance comparable to Brandon Flowers and Dave Le’aupepe, with lyrics just as authentic and meditative. Visually, ‘Country‘ is brought to life against a recurring backdrop of Liam’s childhood, the 1st Eltham Scouts Hall. “I was always too embarrassed to admit that I was a scout to my school friends, the same way I was too embarrassed to admit that I got piano lessons. Both of those things are ridiculous. Scouts is cool and so are piano lessons” he shares.

Good Morning are rulebreakers. Not in a sexy, flamboyant way – more in a casual, resigned kind of way. Accidental and incidental rulebreakers. The creation and release of their sixth album, Barnyard, is the result of a process of patient refinement and the breaking of a couple of self-imposed rules. Thoughtful, catchy, idiosyncratic, and nearly twice the average length of their back catalogue, it’s all the things one might love about Good Morning, this time around presented with the fat trimmed and the edges sharpened. Recorded at Wilco’s famed studio The Loft, for the first time in a long time the record was made with the help of an outside engineer and will see an international release on a record label not operated by a friend, but instead, Polyvinyl, joining the likes of Alvvays, Julia Jacklin, STRFKR, Kero Kero Bonito and more. A milestone in the history of the band it’s also their most meditative record, thoughtful and careful in its evocations. Not too little and not too much, it’s just right – just Good Morning.

PREMIERE LINK
MONDAY 6 SEPTEMBER
5PM LA
8PM New York
7PM Mexcio City
9PM Rio De Janeiro

TUESDAY 7 SEPTEMBER
10AM Melbourne
1AM London
9AM Tokyo

BARNYARD LP by Good Morning
is out Oct 22, pre-order here

TRACKLIST
To Young To Quit
Depends On What I Know
Wahlberg
Yng_Shldn
Matthew Newton
Tree
I’ve Been Waiting
Burning
Big Wig // Small Dog
Never Enough
Green Skies
Country

Stay connected with Good Morning:
Official Website | Instagram | Twitter | Bandcamp | Facebook

September 7, 2021 0 comments
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Eyedress – “Mulholland Drive”

by the partae September 6, 2021
written by the partae

Mulholland Drive, the fourth studio album from Idris Vicuña’s Eyedress project, showcases the Filipino producer/singer’s latest evolution in his approach to off-kilter electronic pop. The new project features a wide range of collaborators while always staying true to Vicuña’s vision—including King Krule, synth-funk icon DāM-FunK, Vex Ruffin, Dent May and more.

The 15 songs featured on the album are Vicuña’s most realised yet and embrace positivity as well as the wondrousness of life itself.

The new album builds on the sustained excitement surrounding his 2020 album Let’s Skip to the Wedding, which has continued to reach new heights since its release. The album has broken into U.S Billboard’s Heatseeker’s Albums Chart at #17 behind the viral success of hit singles “Jealous“, which has been featured in over 5 million videos on TikTok, and “Romantic Lover” which exploded on TikTok and streaming platforms recently, entering at #22 on Rolling Stone’s Trending 25 chart and peaking at #26 on Spotify’s Viral 50 chart in the US.

To date in Australia, single Jealous is at 8.2M streams / views on Spotify, Apple Music and Youtube combined.

Sydney is No.9 on Eyedress’s Top 20 cities for Spotify streams around the world with 44,276 listeners per month.

Melbourne is No.13 with 36,504 listeners per month.

FB – https://www.facebook.com/eyedress

IG – https://www.instagram.com/eyedress/

September 6, 2021 0 comments
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Reinier Zonnerveld unveils ‘CSE’ EP to mark Filth On Acid’s 100th release

by the partae September 5, 2021
written by the partae
https://snd.click/FOA100 
 
This is FOA100! To celebrate our filthiest release till date, number 100, there is Only One Way for Reinier Zonneveld to serve a solo menu consisting of his signature techno dishes with 3 key ingredients to serve: CSE. Hope you like the birthday dinner boii!

This is Filth on Acid 100 NOW!

CSE is a dark and driving techno monster with scintillating percussion, haunting vocals and trademark drums that never let up. Only One Way is a peak time cut with bright, serrated acid lines flashing about the mix as industrial drums pound away. Chord Rave is a big finale with playful drums, synths that dance about the mix and a lively and energetic feel that will uplift any dance floor.
This is a suitably high-impact EP to mark what is a historic occasion for scene-leading techno label Filth on Acid.
Tracklist:
1) CSE
2) Only One Way
3) Chord Rave
Reinier Zonnerveld
Facebook: https://www.facebook.com/ReinierZonneveld
Instagram: https://www.instagram.com/reinierzonneveld/
Filth On Acid
Facebook: https://www.facebook.com/FilthonAcid
Instagram: https://www.instagram.com/filthonacid/

September 5, 2021 0 comments
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Canadian Country Artist Sarah Wickett Releases Music Video for New Single ‘Momma’s Boy’

by the partae September 4, 2021
written by the partae

Today, Canadian Country Artist Sarah Wickett, released the music video for her new ‘Desi Pop-Country tune “Momma’s Boy”.

“Momma’s Boy” was filmed in Sarah’s hometown, Beaverton, Ontario, and brought to life with the help of Barmilan Films. The music video captures the realities of being in an interracial relationship, and follows the story of two couples struggling to stay together, dealing with cultural differences, family expectations, and interfering mothers!

“The music video showcases interracial couples capturing two completely different relationships, but despite the difference, the couples are facing the same issue – their inteferring mothers. I sing about a very relatable experience which transcends cultural boundaries, in a way that also transcends musical genres,” said Sarah.

After moving from Beaverton to Toronto to enroll in the Journalism program at Humber College, Sarah became immersed in the musical city, fueling her determination to pursue her dream of making it in the music industry. Shortly after, she turned her dream into a reality and released her self-titled EP, launching her into the country music scene, and earning her showcases at Canadian Music Week and the 2017 Canadian Country Music Awards. This led to her sharing the stage with other well known artists such as Bobby Wills and Wes Mack, and performances at incredible venues including The Opera House, Casino Rama, and festivals all across Ontario.

Sarah continued to release more music, including two of her most successful songs to date, ‘What We Do’ and ‘Accent’, which earned over 300,000 streams in 2020. She continued to push the envelope in 2021, releasing the singles; ‘Potential’ and ‘Two Feet’. She was also named the Ontario Artist of the Month by the Country Music Association.

September 4, 2021 0 comments
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Tim Green 15 Year Anniversary LP ‘In New Light’ – First Single Out Now

by the partae September 4, 2021
written by the partae

Tim Green’s special 8-track compilation album ‘In New Light’ on his brand new label ‘For A Memory’, celebrates his 15 years of releases. Nine artist friends and contemporaries remix their favourite tracks from Tim’s back catalogue. The result is a rich and lively diversity, both within the LP and compared to the originals.

Fifteen years of releasing music is a milestone for any artist; but through his career, Tim has established himself as a truly talented and chameleonic producer, creating emotive, genre-spanning cuts on labels like All Day I Dream, Anjunadeep, Cocoon Recordings (his acclaimed debut LP ‘Her Future Ghost’). He’s also remixed Friendly Fires, Paul McCartney, Cassius, Booka Shade, further underlining his abilities as a multi-faceted producer, whilst still amassing millions of streams on Spotify/DSPs, plus securing the top spot in Beatport’s Organic House category; from artists and tastemakers, to the mainstream, Tim’s success continues to grow.

Her Future Ghost (Dave DK Remix): the remix adds a bounding beat and more vocals, half-heard dialogues adding a surreal edge to the dreamy subtle melodies of the original. By contrast, Curious Smile (Alejandro Mosso Remix) eschews the strong vocal and lyrics of the original, substituting pizzicato notes and swoony, zoomy synths with Laurie Anderson feel.

New Life (Lost Desert Remix): Lost Desert, Lee Burridge’s compadre on their shared album, brings an upbeat vibe to Green’s signature interplay of complex synth chords, the hop and skip beat pattern keeping feet moving.  Dodjo (Amonita Remix) has pure pianoesque melody and breathy vocals while chords from what sounds almost like progressive rock guitar sweep in dramatically.

Among Wolves (Volen Sentir Remix), the forthcoming single: RA top rankers, Russian duo Anjei and David inject a jazzier feel to the original’s raindrop piano and more portentous synth chords, with a brisk beat and an ocean-floor-deep bass riff.

Over The Water (Tim Green & Izhevski Remix) goes for sustained vocal notes behind the beat as fanfares of horns raise the temperature, with a tranquil interlude in the breakdown. The Incident (Mathew Jonson & Quenum Remix) is a conversation you can dance to, with plangent notes in call and response mode. In Colliding (Janus Rasmussen Remix), Reykjavik’s Rasmussen also opts for a dreamy breakdown, but swaps the original’s interweaving arpeggios for a fast tap-dance of drums and fuzzy bass. One half of Faroese-Icelandic duo Kiasmos, his remix will be the second single from the LP.

‘It’s 15 years since my first record, ‘Little Flies’ on Four:Twenty music,’ Tim says. ‘I feel the nicest way to celebrate the milestone and highlight my back catalogue is via my new record label ‘For a memory’, as a home for my discography, beginning with friends and artists I love remixing their favourite tracks for this compilation album.’ 

‘In New Light’ drops November 26th on For A Memory, smart link to follow. The first single ‘Tim Green – Among Wolves’ (Volen Sentir Remix) is out September 3rd.

Tracklist:

Her Future Ghost (Dave DK Remix)

New Life (Lost Desert Remix)

Dodjo (Amonita Remix)

Among Wolves (Volen Sentir Remix)

Curious Smile (Alejandro Mosso Remix)

Over The Water (Tim Green & Izhevski Remix)

The Incident (Mathew Jonson & Quenum Remix)

Colliding (Janus Rasmussen Remix)

Connect with Tim on:

Spotify | Instagram | Soundcloud | Facebook

September 4, 2021 0 comments
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Music News

BORED SHORTS RELEASE DEBUT ALBUM WAY OFF! LISTEN + WATCH ‘SUTHERLAND ST’ OUT NOW VIA SPUNK! RECORDS

by the partae September 3, 2021
written by the partae
Photo by Philip Chenard
PRAISE FOR BORED SHORTS

Independent Artist of the Week
FBi Radio

“Bored Shorts have delivered”
Noisey

“Neat guitar-led pop”
Life Without Andy

“Sun-drenched”
Control Zine

Beloved Sydney via Illawarra indie outfit Bored Shorts today share their latest track ‘Sutherland St‘ lifted from their debut LP, Way Off!, out today through Spunk! Records. WATCH ‘SUTHERLAND ST’ HERE, LISTEN TO WAY OFF! HERE.

Born from a core duo of longtime friends Dom Hoban and Will Blackburn, the pair eventually recruited further members Charles Rushforth, Nicholas Griffith and Ash Bundang, metamorphosing Bored Shorts into a veritable supergroup of East Coast indie rock, sharing members with Big White, Flowertruck, The Ocean Party, Sunscreen and more. Since their emergence in 2017, the group have craftily built a cult-like following for their brand of 20-something-dom love, loss and malaise with the infectiously rousing ‘Day & Age’ and the existential anthem ‘Figure 8’. Having released their debut EP, Looking Up, to critical acclaim in 2018, the band has spent the intervening three years prolifically but patiently writing, refining and recording an assortment of tracks that have now culminated in Way Off!.

In that time, Bored Shorts have grown into a regular fixture on the local circuit through their unforgettable live shows: spectacles of hook-laden indie rock catharsis where, eyes to the sky and lungs operating at full capacity, crowds belt choruses back to the band, drowning out their instruments in the process. This live prowess, combined with the passion of their fervent fanbase, has seen the fivesome share stages with the likes of Rolling Blackouts Coastal Fever, Alex Lahey, The Goon Sax, Body Type, Babitha and more. From their beginnings as that original duo to what is now their fourth year together as a complete group, Bored Shorts illustrate their ever-deepening cohesiveness and sense of strength in numbers on their debut full-length record, a well-worn collaborative effort that finds the individuals members of the band entirely in step with one another, each offering lead vocals to different tracks throughout the album.

Rather than looking solely to their own experiences, Hoban and Blackburn find lyrical inspiration in the unfamiliar, their storytelling throughout Way Off! wandering down some lesser trod, more idiosyncratic paths of pop lyricism, whether that’s the impassioned final letters written by kamikaze pilots on ‘Sortie’, channelling the manifesto of an environmental extremist on ‘Oxford Style’ or the satirical internal monologue of a capricious but incompetent boss on lead single ‘As The World Looks Down’. Ripe with playfulness, Way Off! evinces Bored Shorts’ ability to not take themselves or each other overly seriously, a spirit that allows the group to be both shy and direct, polite and cheeky, charming and thought-provoking throughout their debut.

Speaking to the album’s focus track, vocalist Will Blackburn shares “Sutherland St. is about breaking a long-standing promise that you’ve made to yourself, and learning to accept yourself and who you are after that point. Those somewhat misguided, grand scale promises you make to yourself, usually when you’re younger, and the realisation that once you break them it’s probably not as big a deal as you thought. There was a house on Sutherland St. where one of those big life promises was broken. Afterwards, I had to accept that maybe I wasn’t going to end up being the exact pillar of moral strength I told myself I would be when I was 12. All I can do now is learn from the experience and keep moving forward, and that’s kind of just fine. Instead, life just keeps going.”

If Bored Shorts’ storytelling worms its way into your mind space with an alluring peculiarity, so too does their music. With twists and turns abounding at an exhilarating pace, Way Off! offers up a snug-fitting collection of broad-chord jangle-pop, infectious riffs and jubilant, carefree melodies, a cross between the sunnied indie instrumentation of San Cisco, shadings of David Byrne’s oddball sense of musical quirk, the suburbanite tales of The Go-Betweens and Gareth Liddiard’s surreal Australiana. Recorded and produced in a makeshift Stanwell Park basement studio over the course of five intensive, kombucha-fueled days, listening to Bored Shorts’ debut LP is like striking gold at your local op shop, their tracks flowering to life as though they were the soundtrack to each tucked-away, preloved treasure’s life story. With Way Off!, the wallflowers sprout into pillars of their own making.

Way Off! is out now via Spunk! Records, buy/stream it here.

TRACKLIST
As The World Looks Down
Changes Up Ahead
Costly (I Can’t Let You Down)
Growing Out
Sutherland St.
Sortie
Common Connections
Oxford Style
Starving
Hansel & Jasnel

Stay connected with Bored Shorts:
Facebook | Instagram | Youtube | Unearthed | Bandcamp

September 3, 2021 0 comments
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Music News

LITTLE SIMZ UNVEILS NEW LP SOMETIMES I MIGHT BE INTROVERT OUT TODAY VIA AGE 101 WATCH NEW VIDEO FOR ‘POINT AND KILL’ FT. OBONGJAYAR

by the partae September 3, 2021
written by the partae
By Andika Pelumi

PRAISE FOR LITTLE SIMZ

“A show of power in word and sound”
The New York Times

“An epic return”
Guardian Film and Music

“She’s a force the status quo will have to reckon with”
NPR

“One of the best MCs to ever come out of the UK”
Afropunk

“Wherever UK rap goes in the future, it’s safe to say that Little Simz
will be helping propel it forwards”

Complex

“It’s all-killer, no-filler; even the spoken word interludes play
an important part in the overall narrative.”

Best Before

“One of the most unrelenting, rapid-fire rappers and
profound lyricists out of the UK”

Consequence of Sound

“Little Simz remains unstoppable with the cinematic storytelling
of Sometimes I Might Be Introvert”

The Line of Best Fit 

The staggering fourth album from Little Simz, Sometimes I Might Be Introvert is out today, and to say it more than lives up to the unanimous praise heaped upon it thus far would be an understatement. LISTEN HERE.

Already hailed by everyone from Loud and Quiet and Uncut to Vogue and Elle as one of the records of the year, Sometimes I Might Be Introvert arrives every bit as vivid, dense, and striking as its slew of varied singles suggests, from the epic opening missive of ‘Introvert’ followed by the gorgeous swoon of ‘Woman’; the stark, chilly tones of ‘Rollin Stone’ to the orchestral sweep of ‘I Love You, I Hate You’ and now ‘Point And Kill’ featuring Obongjayar.

It comes accompanied by the Ebeneza Blanche-directed video for ‘Point And Kill’, dripping with air thick with menace and encroaching danger. Filmed in Nigeria and featuring a diverse cast of aunties, macho men, dancers, policemen, and of course Obongjayar and Little Simz as a Bonnie & Clyde duo acting out variations of the title against a series of local tableaux, it is a breathtaking visual for the song and a more than a fitting coronation for the arrival of one of the albums of the year.

The ensuing tracks of Sometimes I Might Be Introvert, produced by Inflo in LA and London, run into each other seamlessly and enlist the rapidly emergent likes of Cleo Sol, Obongjayar, and even The Crown actress Emma Corrin, to create a kind of rangy, nimble storytelling which conjures up the febrile, strident world we live in with unflinching energy and vividness. These songs are flash-lit Polaroids, ready framed and developing before our very eyes, and their creator is nowhere and everywhere, documenting a new natural history in which moments of tenderness (“Miss Understood”) coexist with shocking violence (‘Little Q Pt 2’), and unabashed celebrations of femininity sit alongside deeply personal glimpses of introspection (‘I See You’).

LITTLE SIMZ
SOMETIMES I MIGHT BE INTROVERT

Age 101
LISTEN HERE

TRACKLIST
Introvert
Woman ft. Cleo Sol
Two Worlds Apart
I Love You, I Hate You
Little Q Pt 1 (Interlude)
Little Q Pt 2
Gems (Interlude)
Speed
Standing Ovation
I See You
The Rapper That Came to Tea (Interlude)
Rollin Stone
Protect My Energy
Never Make Promises (Interlude)
Point And Kill ft. Obongjayar
Fear No Man
The Garden (Interlude)
How Did You Get Here
Miss Understood

Stay connected with Little Simz:
Website | Facebook | Instagram | Twitter | YouTube

 

September 3, 2021 0 comments
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Music News

All Hope Remains, ‘A Silent War’, Album Out Today

by the partae September 3, 2021
written by the partae

All Hope Remains are a 3-piece Australian skate punk band from Geelong, Victoria. Forming in 2017 influenced by bands such as Strung Out, Raised Fist and fast melodic punk rock they have released a number of EP’s and toured extensively across Australia and Japan.

https://open.spotify.com/album/6OI2SzCqQ8dGbXCqCAkgMp

Over lockdown the band concentrated their energy into recording  a new album. All the parts were recorded isolating from each other with the band not once together in the same room. Just three guys recording their bits at home in isolation.

All Hope Remains have already released various EP’s and singles and completed numerous across Australia and Japan, opening for iconic bands Zebrahead, Death by Stereo and Shames.

With debut EP “Hindsight” receiving great reviews and second EP “Feel the Fire” cementing their place in the fast skate punk scene the new album is sure to open many more doors for the band.

September 3, 2021 0 comments
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Music News

First Nations singer songwriter NIDALA drops ambitious carbon neutral debut EP Colours of My People + shares powerful music video for its title track

by the partae September 2, 2021
written by the partae

THANKS TO THE FOLLOWING MEDIA + RADIO SUPPORT

‘One Of Those Days’ added to Double J, SYN FM, Apple Music ‘FIRST’

‘Said Too Much’ premiered on triple j, reached #1 AMRAP Regional Charts, added to Double J, SYN FM, Energy Groove, Apple Music ‘FIRST’ and Eastside Radio ‘The New Thing’ Independent Track of The Week

‘Colours of My People’ video premiered by Rolling Stone ‘Song You Need To Know’

“A stunning showcase of strength, reconciliation, family, and culture, “Colours of My People” sees Djugun artist NIDALA at the peak of her powers.” – Tyler Jenke,
Rolling Stone Australia

“Lotta heart in your delivery, and the lyrics. Beautiful stuff.” – Zan Rowe, Double J

Charging onto Australia’s indie singer songwriter circuit comes proud Djugun siren NIDALA with her captivating debut EP Colours of My People. Out today via Bundjalung based label LUSTRE, Colours of My People is an enthralling collection of indie-rock, folk, blues roots and soul that sees the destined artist-on-the-rise nestling in comfortably amongst the likes of Alice Skye, Emma Donovan and Thelma Plum as the scene’s latest leader of Indigenous excellence. The EP features NIDALA’s highly successful singles ‘One Of Those Days’ and ‘Said Too Much’ which have each garnered overwhelming support from community radio and media across the country and beyond. To celebrate the release NIDALA is thrilled to also share the dynamic music video for the EP’s title track, directed by Freya Haley.

The ‘Colours Of My People’ video is an instant goosebump-inducer that features the emotive performances of brainchild Nidala Barker and three First Nations movement masters; ​​Bundjalung poet Ella Noah Bancroft, Barkindji dancer Kirilly Lowcock and Pajinka Wik, Meriam Mer man Waangenga Blanco (Bangarra). NIDALA calls her brothers and sisters together in the Djugun language of her Father, crooning words of kindness, power and pride as they move with the land and waters. The result is a flooring showcase of cultural strength and beauty, and a perfect encapsulation of both the song and the EP itself.

“Filming with Nidala for Colours of My People was a powerful and moving experience. I felt goosebumps multiple times throughout the filming days, and whilst editing watching the frames fall into place. To have been able to assist in translating this message into visual form has been an immense privilege and an eye opening experience.” – Creative Director, Freya Haley

STREAM / EMBED COLOURS OF MY PEOPLE EP 
WATCH ‘COLOURS OF MY PEOPLE’ VIDEO

“Filming the video was an incredible process. From sitting down with Freya for the first time to try and tease out ideas, to seeing the end product come together, it felt as though the intention for the track was being solidified. I think my favourite part was watching the process of turning an idea into an art form, something I’m familiar with in music but had never witnessed in visual form.” – NIDALA

Colours of My People is a 100% carbon neutral reconciliation project driven by Barker’s relentless hope in humanity and her staunch activism as a protector and carer of Country. Thanks to the support of local Bundjalung businesses Spell and Ella’s Farm, NIDALA will be dedicating 20% of all the EP’s proceeds to planting trees, hoping to demonstrate that music can be a direct tool for creating tangible positive change in the world. She is also dedicating a further 20% of the proceeds towards funding Indigenous run initiatives, ranging from mental health services to creative mentoring, as a means to amplify the positive work of her people. Arriving at a time that needs it, NIDALA’s EP invites us to connect with each other and do better as citizens of this shared planet.

Colours of My People EP is out now via LUSTRE

Colours of My People EP Tracklisting
1. One Of Those Days
2. Said Too Much
3. Colours Of My People
4. Body Of Mine

‘Colours Of My People’ Video Credits
Custodians and Wisdom Keepers: Aunty Lois Cook & Auntie Delta Kay
Masters of Movement: Ella Noah Bancroft, Kirilly Lowcock, Waangenga Blanco
Production Manager : Chantelle Canellis
Creative Director: Freya H Johnson
Director: Freya Haley

‘Colours Of My People’ Djugun Translation
Babala, Lyan binmal
Walgar, lyan jalnga
Babala, ma medjan nan
Walgar, ma wanden

Brothers, feel from your heart, in kindness
Sister, feel from you heart, and speak proudly
Brothers, stand and see
Sisters, gather

NIDALA Website NIDALA Website
NIDALA Facebook NIDALA Facebook
NIDALA Instagram NIDALA Instagram
NIDALA Bandcamp NIDALA Bandcamp
NIDALA Spotify NIDALA Spotify
NIDALA triple j unearthed NIDALA triple j unearthed

 

September 2, 2021 0 comments
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Music News

THE FINKS Announce new EP The moment the world rushed in Title track & video out today!

by the partae September 2, 2021
written by the partae
Photo Credit: S Farquharson

The Finks play the songs of Oliver Mestitz. They are sincere but flippant, intimate but aloof, subtle but unpolished. Today, they announce The moment the world rushed in releasing on Friday 24th September via Milk! Records / Remote Control Records. Listen to and watch the video for the title track HERE.

The Finks have released a steady stream of quietly uncompromising music via Milk! Records since 2012 – two EPs, two cassettes, three LPs and a handful of singles. Critics have described The Finks as “crushingly beautiful” and “perhaps the most underrated act in Australian music”.

With not a little luck
I’d come unstuck, I’d swim
the moment the world rushed in 

Recorded in a tiny, sun-filled apartment during a pandemic, this “non-album” is an introvert’s consolation–a meticulously arranged collection of digital and analogue sounds, heartbreaking melodies and private enthusiasms. A musical beachcomber, Oliver Mestitz has turned his songwriter’s ear to building textures–synth blips and cassette loops, plucked cello and organ drones, 808s and rattled gum nuts, brushed drumheads and mellotron flute, fiddly guitars and mournful clarinet–that intermingle and unravel like thoughts at the edge of dreaming. The moment the world rushed in is a lullaby for houseplants, a pebble in a pocket, the sound of a curious mind working on a whim.

Five instrumentals envelope the title track, the only song with vocals, to create a cocoon of warm noise for the hushed refrain. As Oliver explains: The hungry ghosts came to me and said: Make MIDI music. Which is how this all started. Some songs took a while to come; I had to sort of coax them into being. I was spending a lot of time trying to learn sad jazz standards and fiddling around with a MIDI keyboard on my laptop. I didn’t get very far with the standards but I did pick up a few woozy modulations that made their way into this song.

The accompanying video was edited by Oliver from footage taken by his mum Anne Mestitz. In 1998, Anne Mestitz and Brigita Ozolins were second-year art students. With an artist-in-residence grant, they set up an exhibition in the middle of Northgate, a shopping centre just off Main Road, Moonah. The exhibition was a grouping of person-sized boxes, each with an opening at head height that encouraged passers-by to peer into a real or virtual interior. One day during the exhibition, Oliver‘s mum took her old Sony camcorder to Northgate and filmed shoppers tentatively looking into the boxes or pushing their trolleys past or reading the newspaper on one of the benches scattered around the plaza. The tape from that day contains fifteen minutes of zoomed-in, partly wobbly and out-of-focus footage of an elderly man sitting on a bench, wringing his hands.Apart from music, Oliver’s creative output as The Finks includes album art, t-shirt and poster design, film clips, photography, poetry booklets and zines. His fiction has been published in Meanjin and The Saturday Paper, and his poetry, drawings and collages can be found on fridges, walls and mantelpieces across the country.

You can now pre-order a digital copy of The moment the world rushed in here. Physical “non-album” purchase includes “Their lives in art”: a zine of bleakly funny vignettes about the lives of artists real and imagined, unstuck in time. Each 44-page zine has been lovingly assembled, stitched and stamped by OM, and comes with full download of the music.

Pre-order / pre-save The Finks – The moment the world rushed in: http://thefinks.lnk.to/tmtwriEP

The Finks – ‘The moment the world rushed in’ (Official Video)
Stream / Download: 
http://thefinks.lnk.to/tmtworldri

The Finks – The moment the world rushed in

1. Night driver
2. Wangling
3. I could have stayed
4. The moment the world rushed in
5. Day dot
6. Remember when

The Finks – The moment the world rushed in is out September 24
via Milk! Records / Remote Control Records.

 

September 2, 2021 0 comments
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