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BUY/STREAM: MONOLINK – UNDER DARKENING SKIES LP
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An African-Canadian rapper and producer with an undeniably compelling sound, Noble’s music takes the listener on his life journey with percussive beats and thought-provoking wordplay. In 1997, Noble connected with a group of talented emcees in Texas, who helped cultivate his ability on the mic and gave him the confidence to become a genuine artist in his own right.
In 2001, Noble began working as a pastor with inner-city youth. Doing life with people at a street level transformed the way Noble saw himself as a person and as an artist. He took to heart the lessons learned from these experiences and channeled them into his rhymes. Creating music with depth became Noble’s top priority from there. “Music is me telling my story. I’m not just writing rhetoric. It’s my life story in the form of a song that anyone with a pulse can relate to.”
PLAY/LISTEN
Title: Loving You Kills Me
Label: Dim Mak Records
Following her stunning 2020’s debut on Dim Mak with “Nervous Habits,” featuring Joey Fleming, GG Magree returns to Steve Aoki‘s label with her new single “Loving You Kills Me,” an emotive gem that fuses rock and trap influences. Opening with moody guitar chords, Magree‘s heartfelt vocals immediately shine through as she belts out lyrics that paint a picture of loving someone so much that it hurts. The track’s bass-heavy, electric drop adds a dark and gritty edge to the otherwise romantic context, letting the world know that GG Magree is much more than just another pretty voice. The Australian powerhouse formerly made a name for herself through the raucous “Frontlines” with Zeds Dead & NGHTMRE, “Ghost” with Jauz or “Save My Grave” with Zeds Dead & DNMO. Read more about GG‘s inspiration behind “Loving You Kills Me” below:
“I’m such an intense lover. I think I buried myself somewhere when I wrote ‘Loving You Kills Me.’ You know that feeling ‘I want to be with you till I die’ or ‘I love you so much I want to eat you alive.’ That’s how I love and why I gave birth to ‘Loving You Kills Me.’” – GG Magree
GG Magree‘s indisputable talent as a DJ, producer, and singer/songwriter has made her a triple threat in the electronic music industry. She first made waves in 2016 with her vocal debut “Frontlines,” in collaboration with Zeds Dead & NGHTMRE, which has amassed over 31M streams on Spotify alone. GG is also well known for her replay-worthy remix of Billie Eilish‘s “Wish You Were Gay,” in addition to releases such as “Flatline” alongside Sullivan King, “You Don’t Know Me,” and “Bodies.” In her native Australia and beyond, Magree has become a highly sought after artist known for bringing electric energy to audiences worldwide; by far the best way to experience GG Magree is at a live show. She has graced the stage with the likes of Pharrell, DJ Snake, Wu-Tang Clan, Zeds Dead, Virtual Self, Iggy Azalea, NGHTMRE, and many more.
Hey Felipe, thanks for taking the time to speak with us! How are you?
I’m fine, even with this pandemic I try to remain calm, positive and focus on my productions, it’s a pleasure to talk to you.
Where are you in the world right now?
I’m in Presidente Venceslau, the city where I was born in the countryside of São Paulo, Brazil
How has the last year been for you in lockdown? Have you been able to take any positives from it?
It’s been a time full of ups and downs, in many moments it’s very difficult because I’m not sure when or how the return will be, but whenever is possible I always try to keep positive thinking, and like it or not, I ended up having more time to spend with my family and myself, I have used this creative leisure to inspire me even more in the productions that are going full steam.
You’re one half of the acclaimed duo Dashdot. What was your journey like to become a successful producer and DJ?
It’s been an amazing journey, where I collect memories and beats from the most different places and tracks. I’ve made countless friends, met wonderful people and had the pleasure of producing some of the soundtracks that are part of many people’s lives.
What is your favorite memory as Dashdot?
It’s hard to choose a particular memory, but I’ve always enjoyed the international tours, we’ve had the chance to play around Europe, Asia, Australia, North and South America
What made you want to start your solo project FFLORA?
I was at a time in my life looking for more independence and a slightly more specific sound line, I already had the idea of creating a parallel project, and this whole pandemic ended up accelerating this idea.
What was the inspiration behind the new track on Ame Records?
There were some incredible inspirational vibes that kicked in from time to time during these lockdown moments, and Colors is definitely one of my favorite quarantine productions. I hope that I can sign other tracks on Ame, a brand that I identify a lot with.
How was it making with no chance to play it out or have any crowd interaction?
This is one of the biggest differences on my production process, I’d always tested my songs countless times before releasing the final version. However, I had to adapt and somehow teleport myself into the minds of different people in the crowd pretending to be listening to the track.
What would be your dream first gig back?
To tell you the through, I just want to be able to play again. Of course there are some special places and festivals, Like Ame Club itself, Warung, Green Valley, Lollapalooza, Rock In Rio and etc… But what I really want at this moment is to be able to play, doesn’t matter where.
What’s the thing your most excited about when we can return to live shows?
I’m looking forward to testing my quarantine productions, there’s a lot of music that I really believe in!
I’ve probably made more that 50 tracks these last months.
Have you discovered any records in lockdown that you’re dying to play out?
I don’t think there’s a specific track, but there’s a lot of good stuff that was produced in quarantine, whether from Brazil or abroad.
What else have you got coming up?
I have a lot of news ahead of me, from new releases and lives sets and the development of an own label.
https://www.beatport.com/release/colors-feat-dcw-extended/3396530
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Based on Gadigal Land/Sydney’s Inner West, Behind You began as a duo in 2017 with a slew of singles and EPs, performing to small crowds in dark venues around the city. Things changed in 2020 with the entrance of their live percussionist and ‘More Like Flesh’ turned heads. With ‘Burning‘ the band secured rotation from FBi Radio and triple j Unearthed, with acclaim from Rolling Stone, Pilerats and more.
Now with their latest offering ‘Extremely‘ and forthcoming EP Absolute Forgiveness, Behind You continue to affirm their position as one of the country’s most exciting experimental bands. Featuring a collaboration with Newcastle alt-rap duo Craterface, Absolute Forgiveness is a thunderous collection of tracks that examine indulgence, narcissism and the microcosm of life with the treble, bass and volume on full. The result is a compelling local answer to free-genre connoisseurs black midi, Show Me The Body and more. With the clutch on full throttle, stay tuned as Behind You prepare to go airborne.
ABSOLUTE FORGIVENESS
The new EP from Behind You
Out July 9
‘Extremely‘ is out now, buy/stream it here.
Stay connected with Behind You:
Instagram | Facebook | Bandcamp | Unearthed
DAYDREAMS/HEARTBREAKS
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Mirror II by The Goon Sax
out July 9 via Chapter Music
Pre-order: https://thegoonsax.
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PLAY/LISTEN
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Where are you currently based?
I’m currently based on the Central Coast NSW Australia.
How did you first start playing music?
I first started singing lessons when I was 8 years old and then I started learning the guitar and piano when I was around 10.
What’s been happening recently?
I have recently won the Teen Category in the International Songwriting Competition for 2020 for my latest single ‘Back Up’. It has been the coolest experience winning this category because it has really boosted my confidence as an artist.
You’ve just released your new single ‘Back Up’ via Double Drummer, what influenced the sound and songwriting?
When I wrote this song I was influenced by artists like Taylor Swift and Julia Michaels. But I also took in influences from the song ‘Every Rose Has It’s Thorn’ by Poison because I love that songs production and it’s songwriting style.
How did you go about writing Back Up?
I wrote Back Up pretty quickly because it is about a personal experience I went through so the song was always all about the lyrics so when I was writing it I really focused on what I wanted to say and interesting ways to communicate what I was going through.
Where and when did you record/produce/maser and who with?
I recorded Back Up with the best producer in the world Michael Carpenter and I recorded it at Love Hz Studios.
How did you approach the recording process?
Michael and I always approach recording with a scale. On one end of the scale is organic/ country and on the other end is electronic/ pop. I always wanted this song to be a little rocky but still organic and so I gave him some reference tracks and we went from there.
You’ve recently won the ISC TEEN Competition, how has this experience been and how have things change since?
Winning the ISC really pushed us to release Back Up which has been the coolest experience. It has also given me so much added confidence as a songwriter and artist which I treasure because sometimes being an artist can get overwhelming.
How do you juggle music with school?
I don’t! Haha just kidding. I definitely put music first because it’s what I want to do with my life so I think I balance it by trying to schedule when I’m going to get school work done so I don’t fall behind and I work on music the rest of the time.
Who are you listening to at the moment and who influences your sound?
I am currently listening to Julia Michaels’ most recent album as well as Delta Goodrem’s new album. I also love Emily Weisband, Harry Styles and Taylor Swift.
What do you like to do away from music?
Most people who know me will know that when I’m not working on music I’m with my fur babies. I love my cats and my puppy and spending time with them is one of my favourite things in the world.
Does songwriting come easy?
For me, music tends to come in ebbs and flows. I often write a bunch for songs in the space of 2 months and then after that I won’t be able to write anything I like for the next 2 months. The trick is to not put pressure on yourself because that causes blocks. I’ve learnt that I can’t force myself to write and that when I’m in the right head space I am able to write so many songs that I really like.
Do you have to find a quiet space and make an appointment with yourself to write or does inspiration come any time /anywhere?
I will often get inspiration from something someone has said or in dreams and other experiences and I will just write the idea in my notes on my phone. But to actually write a song I definitely need a quiet space to go. For me, I write at my piano in my bedroom because that’s what inspires me.
What’s planned for the remainder of 2021?
For the rest of 2021 I plan on continuing to release singles in the lead up to my debut album!
Favourite food and place to hangout?
Mexican… love it! Also Grill’d. My favourite place to hangout would have to be either at home or somewhere I feel like I can be myself.
Follow Lucy Parle
Sydney duo Winterbourne are erupting into 2021 with their first venture into the world of cinema, ‘Revolutionary, Film’. The movie, which derives its name from the opening track of the band’s debut album, was uniquely screened this March at three renewed vintage cinemas all along the East Coast of Australia – The Ritz in Sydney, The Lido in Melbourne and The Elizabeth Picture Theatre in Brisbane – and officially premiered and released worldwide on YouTube on April 28th.
Written, directed, edited and produced by the band themselves, ‘Revolutionary, Film’ is a 90 minute manifestation of band-mates James Draper and Jordan Brady’s collective state of mind leading up to, during, and resulting from their debut album ‘Echo Of Youth’ release and subsequent sold out show at Sydney’s Metro Theatre in November 2019. Sections of the show are interwoven with a running fictional commentary as the pair make their way from a live performance in Pitt St Mall to The Metro Theatre, grappling with questions of ambition, nostalgia, reflection and of course, revolution, along the way.
‘Revolutionary, Film’ is a welcome and immersive journey into the world of an Australian band on the rise, and it also heralds the arrival of Winterbourne’s first live album, ‘A Brand New November’ which was recorded during the sold out Echo Of Youth national tour and soundtracks the film. The album is out now on all platforms.
Official Movie Trailer HERE
Watch ‘Revolutionary, Film’ in full HERE
Excerpts from the movie HERE
Listen to the ‘A Brand New November’ HERE
All Winterbourne Socials HERE
Credit: Kane Hibberd
It is with great excitement that Ivy League Records announce Bakers Eddy’s debut album, Love Boredom Bicycles, will be released on Friday 15 October! A fun and shambolic celebration of the chaos of youth, Love Boredom Bicycles marks the start of an exciting new era for the Melbourne-via-Wellington four-piece. The band have celebrated the occasion by releasing an incendiary new single ‘Concertina’ – a steamroller of hooks and frantic energy, that proves there is a lot more depth than meets the eye with these pop punks. Complementing the track is an equally exciting clip directed by up-and-coming Melbourne director Triana Hernandez, that sees the band on a lost-boys-meets-mad-max treasure hunting road trip.
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The Australian Independent Labels Association (AIR) is thrilled to announce that applications open today for its next intake of mentees for its Women in Music Mentor program thanks to support from the Australian Government.
The Women in Music Mentor program is a four-year nation-wide mentoring and training program aimed at empowering women in the Australian music industry. The program is open to all female, female-identifying and non-binary participants working in or aspiring to work in creative (solo artists, band members, songwriters), technical (engineers, producers, etc.) and/or business roles (managers, promoters, record labels, etc.) within the Australian music industry.
Feedback from the program’s inaugural round last year was extremely positive, with 95% rating the professional development offered as excellent, 92% of surveyed respondents saying their career in the music industry had benefited from their participation, and 80% saying the program had created new opportunities for them. (Roy Morgan)
“Loved it. Thank you to Maria and the team at AIR for creating a terrific program. Was thrilled to be part of it and was impressed at the diversity and volume of offerings. WIM is setting a new benchmark for mentoring programs!” – Chelsea, 2020 mentee
“The best part for me wasn’t specific opportunities but was the growth and reshaping of my attitude and outlook. My mentor was incredible and helped me to think differently about my career and what is possible. That new attitude and way of thinking can be carried forward and used to secure future goals and opportunities.” – Victoria, 2020 mentee
The Women in Music Mentor program is an Australian Government initiative delivered by AIR from 2020 to 2023. It is designed to assist with career and leadership progression pathways, strategic decision making, corporate governance, and focus on developing skills in contract negotiation, financial literacy, marketing and leadership.
Mentees will be paired with mentors over a 5-month period and the program will also provide professional development training opportunities, for mentors and mentees. This will include workshops with industry professionals and leaders.
With a focus on developing skills in contract negotiation, financial literacy, marketing and leadership – applications for mentorships for the 2021/2022 financial year are open from June 8, 2021.
More information about the program, eligibility and how to apply can be found here: wim.air.org.au
We invite those of any stage in their career to apply. Whether you are just starting out or looking to take your career to the next level, all applications will be considered.
First Nations people, people with disabilities, those who identify as culturally diverse and those who reside in regional Australia are strongly encouraged to apply.
Minister for Communications, Urban Infrastructure, Cities and the Arts, the Hon Paul Fletcher MP, welcomed the launch of the second year of the Women in Music Mentor Program.
“This important program is part of the Morrison Government’s commitment to supporting the ongoing sustainability of our music industry, and is delivering important opportunities for women in the industry to develop and advance their careers.”
“We look forward to announcing the mentees for round 2 of this nationwide program and to delivering professional development to help assist with career progression”
Maria Amato, AIR CEO
Applications close at 5pm on July 16, 2021