Where are you currently based?
At the moment, myself and Kurt are based in Pottsville, NSW and Ruby and Tex live in Brisbane, QLD. We’re about 2 hours drive away from eachother.
How did you first start playing music?
For me personally, I always wanted to be a singer. When I was a kid my sisters and I were obsessed with playing Sing Star, every weekend we would be doing it. When I was probably 10 or 11, I started to be more interested in bands (rather than just listening to Avril Lavigne on repeat), and the first band I fell in love with was Coldplay. I got tickets to their concert for my 12th birthday and it was the most inspiring core memory for me and still one of my favourite concerts to date. Ever since then, I knew exactly what I wanted to do – be in a band like Coldplay, tour the world and write songs. I remember learning singing and bass guitar in school, and then eventually teaching myself to play guitar so I could write songs.
What’s been happening recently?
We’ve just released our new single ‘Give You Everything’ plus a Y2K inspired music video to go with it. We’ve also announced our debut album ‘Now And Then’ which is coming out May 20th. We’re super excited to finally be able to talk about it, we’ve been working on it for so long now!
You’ve just released your single ‘Give You Everything’ what influenced the sound and songwriting?
This song came to life in early 2020 whilst we were in LA having a writing session with Sarah Aarons and John Hill. The ideas behind the song were inspired by both Sarah and us (Kurt and I) having similar experiences at the start of our career in the industry, which was essentially having people walk over you and take advantage of you because you’re young, naïve and still figuring things out. I think the core message of the song is that you can’t always give someone everything – you have to keep something for yourself. Sonically we straight away knew this one was going to have our 90’s/Y2K influences shine through, which our producer Kon Kersting was able to bring out whilst we were recording the song. We didn’t know it at the time we were writing it, but ‘Give You Everything’ was really the pinnacle of our debut album – thematically, lyrically and how we imagined it sonically. It was kinda the start of the new E&TD era.
How did you go about writing this track?
We had a writing session planned as I mentioned before with Sarah Aarons and John Hill at John’s studio in Los Angeles. Kurt had come up with these really interesting chords on the tour bus before we had arrived in LA, and he thought it would be a cool idea to bring them up in the session. Writing with Sarah and John was incredible, they had so many amazing ideas for the chords and after a few hours we had written and demoed an acoustic-style demo of the song. We were so stoked with it already, even though it was just the bones. When we were forced to come home in 2020, Kurt and I decided to turn our two-room tiny house into a studio where we could fully immerse in writing songs. We knew we wanted to keep working on ‘Give You Everything’, with some more guitar parts and a bridge and things like that. We had put together a more fleshed out demo, and sat with it for a year before we headed into the studio to record it for the album.
Where and when did you record/produce/master and who with?
The album was produced and recorded by Konstantin Kersting, who is a friend of ours and we’ve worked with him for the majority of our releases. It felt really good to be able to do our debut album with him. We did the drums and some of the bass tracking at Airlock Studios and the rest of it at Kon’s studio, both in Brisbane. Some extra parts were also put in at our home studio in Pottsville. The album was also mastered by Leon Zervos at Studios 301 in Sydney.
How does this single relate to the rest of the album?
‘Give You Everything’ was definitely a pinnacle point of the album thematically, lyrically and how we imagined it sonically. We really loved the nostalgic vibe to it, and we wanted to explore that concept more – which we ended up doing for the entire album. It was really difficult when we came home from the US due to COVID – there were a lot of mental health barriers we had to overcome, and using nostalgia in our songwriting was almost a form of escapism for us at that time. I think that’s why a lot of people can relate to it, because I think we were all wishing to be in a different time at that stage of life. The single really did trigger a lot of the common themes, and eventually the album title ‘Now And Then’.
How did the concept for the music video come about?
I remember listening to the demo of the song with Kurt shortly after it was written, and it’s a common thing for us to talk about initial thoughts on visuals and colours and things like that pretty early on in the piece. Kurt was talking about the idea of a high school day dream scene, which we both agreed would go along so well with the song. Once the song was recorded and it came time to actually start planning the music video, Kurt had created an entire vision board of scenes like playing in a high school hallway, going to a party in a limo, and having animated versions of us inspired by Lizzie McGuire which was a show all of us watched all the time as kids. We asked director Nick Maguire to work on the project with us, and it was amazing to see how he was able to turn all of Kurt’s ideas and concepts into reality – including shooting the entire thing on film!
Where and when did you film?
We filmed the video at the start of the year at a few different locations. The bedroom scene was at our stylist Zoë’s place, she had just moved in so we were lucky enough to be able to re decorate her room for the scene. The school scene was actually my old high school, my old art/photography teacher was nice enough to help us get in on a weekend and shoot for a few hours. It was kinda weird to be back there but cool we got to do the video there. It definitely had the Y2K high school corridor style we were looking for!
Who did you work with during the creation of the film clip?
We worked with Nick Maguire for the video. He directed it, and really helped bring the entire vision into reality. We’ve worked with him for previous videos like ‘YOU’, and thought he would be the perfect person to understand the vision and bring out the ideas that we had in our brains.
What did you find most challenging and rewarding during the process?
I think the hardest thing in general putting the song together was finding motivation when our mental health wasn’t at it’s best. It was super tough. It felt like there was nothing going on but also an overwhelming amount of things happening, which is really a strange feeling. Once we had recorded the album, we were all in a not perfect but much better headspace, and COVID was still making it difficult to organise things – especially since Kurt and I were living in a state that was closed off to QLD where Ruby and Tex live. That was so hard to navigate, but we always found a way to make it work.
Who are you listening to at the moment?
At the moment Kurt and I have been listening to the new War On Drugs album. It’s so amazing and we always have it on in the car, it’s super inspiring for us as songwriters. We’ve also being loving the new Pinegrove record and Holly Humberstone’s new EP.
What do you like to do away from music?
Personally, I’m really into art. I love doing it in my free time, and I’m always trying to think of new things I can create with it. I’m trying to practice stick-and-poke tattooing at the moment, which is fun. I also love playing my Nintendo Switch, it’s honestly my favourite down-time thing to do where I don’t have to think about anything!
What’s planned for 2022?
We’ve got our debut album ‘Now And Then’ coming out May 20th this year, which is super exciting and we’ve had it in the works for a little while now! We’re also finally going on tour with our friends The Vanns, then heading out for our headline shows across Australia before heading over to the US for Bottlerock and more. We’re just excited to be able to play new music to everyone, and also leave our bedrooms to be honest haha.
Favourite food and place to hangout?
As a band, we actually always go to Guzman Y Gomez after rehearsals every week. It’s just a thing that we always do, because it’s so good. If we aren’t hanging out at a food place, we’re always at Pedal Empire in Brisbane!
Music Interviews
Hey I’m CJ, frontman of Tied Down
Man, things have been crazy lately with non stop gigging for TD along with recording two new songs (still unreleased) and really just making the most of the time together and enjoying the ride!
I would say as a collective, we keep finding more and more definition in our sound with every track we release. In line with a stance of refusal to put out mediocre, run of the mill tracks, we’ve really taken our time to hone in on our style and put some deeper meaning into each track with ‘Slow’ being a standout in that category. We all seem to bring our influences to the table and really dive head first into creating a unique sound for Tied Down that resonates with our listeners.
Our new track ‘Slow’ was recorded late last year. We went about it a different way with Matt Templeman taking the reins as executive producer. I think we felt the need for change and to work with someone who really engaged with us and Matt brought a lot to the table in terms of energy, music theory and constant ideas of how to get the most out of the track. Also a massive shoutout to Fraser Cringle for being the most badass drum tech there is and Simon Struthers at Forensic Audio for mastering the track beautifully!
Lately I’ve been going through a bit of a soul search back to my influences of writing creatively so for me it’s Meg Mac, Miles Away, Slowly Slowly, Rufus and OG Silverchair. For current tunes in the car though, I’ve had South Summit, Dice and Joan & the Giants on repeat!
Outside of that, heading down to the beach or park with my partner and doggo is always super relaxing and gives a bit of clarity.
The list of WA bands crushing it at the moment is through the roof which is super dope after what feels like years of being on the backfoot.
Currently we have a few support gigs coming up at The Indian Ocean Hotel on the 25/2/22 and at Lynotts Lounge on the 11/3/22 before we have a bit of a breather. The next big one for us is a headliner at The Rosemount Hotel on June 11 for a not yet released single launch yewwww!
We’re always looking ahead for bigger and better. We’ve got way more tunes set for release in ’22 and hoping to put another EP out by the end of the year. It would be fucking incredible to back that up with a national tour towards the end of the year but we’ll play that one by ear!
In terms of hanging out, I seem to be drawn to any pub that the boys are at for a frostie ahhhhhh!
Where are you currently based?
Where are you currently based?
I live in Burlington, Ontario Canada.
How did you first start playing music?
I started playing the saxophone in elementary school and my journey really began at twelve years old when I taught myself how to play guitar on an old Spanish guitar I found in my grandpa’s basement. From then on I started to write my own music!
What’s been happening recently?
Life has definitely slowed down a bit these days with everything going on in the world but I’ve been focusing on creating more and getting ready to release more new music!
Your latest single ‘People Like You’ will be released on February 18, what influenced the sound and songwriting?
I had been listening to Patty Griffin’s “Living With Ghosts” album and found her songwriting style and vocal delivery really inspiring. I wrote “People Like You” during the summer of 2020 and it started out with just a melody I came up with. Almost all my songs start that way and then I’ll try and find a chord progression I like. It was really raw and I brought the idea to my co-writers Chrystal Leigh and Emma-Lee. Emma-Lee heard it like a classic country song and we continued with that vibe in mind.
How did ‘People Like You’ come about?
When I was in Nashville on my first writing trip a few years ago, I had a session with Chrystal Leigh and she had this line idea, “the world could use more people like you” and I remember I really liked it but we ended up writing something completely different that day. That line stuck with me and when I found out my friend had suddenly passed, I came up with a melody and reached out to Chrystal again to write it in his honour.
Where and when did you record/produce/master and who with?
The song was recorded at Coalition Music, Toronto in the summer of 2021, produced by Colin Cripps, engineered by Adam Royce, Mixed by Chris Stringer and Mastered by Peter Letros at Wreckhouse studio.
How did you approach the recording process?
We recorded it all in one take, recording the vocals and guitar together like a live performance. We wanted it to be as real and authentic as possible.
What’s planned to support the single?
I’m doing as much as I can online with interviews and campaigns while restrictions are still in place due to the pandemic but I really hope I’ll be able to meet the people who are listening very soon and play the song live for them.
Who are you listening to at the moment?
I’ve been listening to The Lumineers new album, “Brightside” and Adele!
What do you like to do away from music?
I like to go for bike rides, do anything creative like painting and I love to garden.
What’s planned for 2022?
Releasing my debut EP and playing as many shows as possible!
Favourite food and place to hangout?
I love to hang out at my grandparent’s place! I love being in their company and eating real authentic Greek food.
Fun fact!!!! My guitar is from Melbourne!!! (Cole Clark Guitars)
Website: www.thisischarissa.com
Twitter: @thisischarissa
Facebook: /thisischarissa
Instagram: @thisischarissa
Where are you currently based?
I’m currently based in Keswick, ON. Keswick is part of the Town of Georgina on Lake Simcoe, about an hour north from Toronto.
How did you first start playing music?
I’ve always loved music, but I think the very first hands-on musical experience for me was when I was around 8 or 9 years old. My friend convinced me to go with her to a choir class in town. I didn’t really want to go at first, but it ended up being a lot of fun and that’s when I realised how much I really love to sing! Not long after that I discovered Taylor Swift, and she inspired me to learn guitar so that I can write and play my own songs.
What’s been happening recently?
Recently I’ve been keeping busy with the making of the “No Complaints” music video! It’s been a lot of work, but also a lot of fun, and I can’t wait for you to see it!
Your latest single ‘No Complaints’ will be out on Feb. 18, what influenced the sound and songwriting?
There was a girl in high school who bullied me. I was always making a point to be nice to her (you know – kill ‘em with kindness sorta thing) but I feel like doing so only made her more mean to me somehow. I didn’t really know what else to do, so after school one day I just started writing how I felt about this difficult situation. It was a cheeky way for me to both rise above the situation, but also fight back a little. I wrote one verse at that time, which is now the bridge of the song. I wrote the rest of it with Al Rowe and Mark Rynkun, and the three of us turned it into the silly, high-spirited song it is now.
How did the single come about?
I’ve been singing this song at gigs for years, and it seemed to always be people’s favourite one. It was only a matter of time before I recorded it, and I’m so excited it’s finally getting out there!
Where and when did you record/produce/master and who with?
I recorded this song in the summer of 2021 at Newcomb Studios, with producer Adam Newcomb (who also mixed and mastered the track) in Northumberland County, ON.
How did you approach the recording process?
My super talented producer, Adam, also played all the instruments on this track, so once those were all done I went in to record my vocals. We made tweaks and enhancements as we went along, thanks to help from another super-talent, Roberta Michele (who is also my voice coach). Also, for some reason I started thinking about Dolly Parton at some point along the way and I feel like you can sort of hear that in parts of the song, which I’m low-key obsessed with!
Who are you listening to at the moment?
Recently I’ve been listening to some Dolly Parton, Lady Laga, Dan + Shay, and (as always) Taylor Swift. Plus a lot more, but those are the ones that stick out right now!
What do you like to do away from music?
I honestly love so many things! Firstly, spending quality time with my family, friends, and boyfriend. I also enjoy working out, rollin’ around on my Heelys, and the classic girly-girl things like shopping, makeup, getting my nails done, and dressing up. Also in my opinion, at the end of a long day, there’s nothing better than watching a movie in comfy clothes with a glass of wine and popcorn!
What’s planned for the rest of 2022?
A LOT! More singles, music videos, recording, live shows (*if COVID lets me), and my debut EP is set to be released near the end of the year!
Favourite food and place to hangout?
My favourite food is popcorn, hands down! In summer, my favourite place to hangout is the beach or a nice restaurant patio for drinks! If it’s a cold Canadian winter day, my favourite place to hangout is in my bed with 10 blankets!
Website: http://jaymelynne.com
Twitter: @jaymelynnemusic
Facebook: /JaymeLynneMusic
Instagram: @JaymeLynneMusic
Where are you currently based?
Airdrie, Alberta, Canada! We were born and raised here in fact. We’re about 20 minutes away from Calgary and only 2 minutes away from gravel roads, which is perfect for songwriting inspiration.
How did you first start playing music?
We’ve really always loved music. As two brothers, I guess you could say it all started when we were two kids singing in the back seat of dad’s old work truck. We fell in love with those old classic rock and 90’s country songs, and that’s really what drove us to play our first show in 2008. We had a crowd of about 30 strong, and we were absolutely fired up about performing live by the end of our set. We made a promise to ourselves that night to take it as far as we possibly could.
What’s been happening recently?
We’ve been spending the last few months getting ready for the release of new music, new merchandise and grinding away in Alberta’s Project Wild program. We also recently held our inaugural ‘One More Light’ fundraiser, raising almost $4000 for suicide prevention initiatives. The momentum is very exciting!
Your latest single ‘Wild One’ is out now. What do you love most about this new track?
“Wild One,” has an undeniable energy and a melody you just can’t help but sing along to. It’s a feel-good song about the kind of girl you know you can’t hold onto for long yet can’t help but try. We love how relatable this song is – either you’ve been the wild one in a relationship or you know what it’s like to chase a wild one.
Where and when did you record/produce/master and who did you work with?
Dan Swinimer produced this one. Dan’s worked with some amazing artists such as Billy Currington, Tenille Townes, and Madeline Merlo, to name a few. We recorded at his studio in Surrey, BC back in October and we had an absolute blast with it! Such a fun process. After it was all tracked and Dan worked his magic, it was sent off to Jay Dufour for mixing and then mastered with João Carvalho Mastering in Toronto.
Please tell us about your participation in the Project Wild competition!
Project Wild. What a crazy, fun, challenging experience. This is one of the most prestigious competitions in the Canadian music scene with $225,000 being paid to the top 3 artists. We’re in the top 12. We’ll find out in March how it all plays out!
Who are you listening to at the moment?
Growing up we listened to a lot of Bob Seger, Bruce Springsteen, as well as Tim McGraw. We really fell in love with honest storytelling. We actually still listen to these artists all the time. Recently we’ve also really drawn inspiration from artists such as Dierks Bentley and Thomas Rhett.
What do you like to do away from music?
We’re both pretty big fans of getting outside. We live close to the Canadian Rocky Mountains so we like to get out for hiking/snowboarding when we can! We can also often be found on our motorbikes when the snow melts!
What’s planned for 2022?
Once Project Wild wraps up, our first step is to hit the studio again. We’ve written a lot of songs over the past couple of years that we can’t wait to share! A variety from rowdy country songs, to duets. We’ve got our sights set on an EP by the end of the year so it’s going to be a busy 2022! Stay tuned!
Favourite food and place to hangout?
Love Banff Ave Brewing! It’s a bit of a hidden gem we like to visit out in the mountains. In our hometown of Airdrie we like to hang out with friends and family at a local spot called Paul’s Pizza.
Facebook: /flayshermusic
Instagram: @flayshermusic
Twitter: @flayshermusic
Website: www.flaysher.ca
Where are you currently based?
I’m in Camperdown, Sydney.
How did you first start playing music?
I started playing music by singing in choirs from a young age, and also by singing at my local Catholic church. From there I was lucky to always stumble across mates (in my teenage years) who needed someone to sing with them for different rock & metal bands, and I always loved how versatile the voice can be across genres.
What’s been happening recently?
Launching Colletto Bianco has been one of the most exciting and nervous times of my life. To keep my head straight I’ve been walking (and annoying) my greyhound, training Jiu Jitsu & MMA (at a beginner level), and working/scheming away at a few other creative projects that I am also hoping to launch this year.
Please tell us about your change in music direction from Endless Heights:
I think Endless Heights taught me (a very long time ago) that there really are no rules in terms of sound or music direction. I really love powerful, gripping and even ‘unforgiving’ (little or no comic relief) films, and love the soundscape or soundtracks that go hand-in-hand with these projects. I knew that for my solo project I wanted to try and step in to this realm and explore a more ‘cinematic’ sound. This direction felt most foreign to me in every way, and for me personally I always crave that ‘fresh fear’ when hoping to push myself or create something that feels new.
What is the inspiration behind this new project?
This project is inspired by my attempts to creatively re-define myself, and is a very fun way to explore some of the uncomfortable nuance of my own sense of identity. I am heavily inspired by classic films & musicals, and love how powerful the various creative arts can be when pulled together in a clever way (e.g. music, dance, theatre and film). What I love about this project is that it is so over the top and dramatic, and I can fully indulge the more eccentric sides to my creative vision or personality.
As I age, I continue to value my Italian heritage more and more, and this project is also a fun way to explore elements of my own identity as a by-product of trying to create a fictional character and world. Colletto Bianco in a way, is a film character that I’ve tried to build – and to give him as much depth as possible I have drawn on (and completely exaggerated) aspects of my own life. I have always juggled a busy creative life with full time work in the IT industry, and at times it can feel very frustrating or feel like a very split lifestyle, and Colletto Bianco is a great outlet (and a bit of a piss take) on how I identify myself as a creative (but in reality just work full time in an office!).
How did the concept originate and how has it come together?
The character project concept originated from my love of film noir style cinema & my Nonno’s (Italian grandfather’s) love of Mafia or crime films. As I continued to brainstorm and write or experiment with the sound (with producer & co-writer Elliott Gallart) it became clear (very quickly), that a sound was evolving that didn’t really meet a standard mould (for a typical rock/hardcore singer’s solo project). From the beginning I could imagine and dream of syncing some of the demo’s to movie or TV intro sequences – and felt from a very early stage that the project’s branding and packaging should look, feel, and come across as a movie (or larger-than-life) character.
From there every single element of the project was workshopped and re-worked alongside Candace Krieger (co-writer, co-manager & best friend) with additional creative input from Thomas Elliott & Nick Buscholtz. Everyone I gave sneak previews too seemed to ‘get it’ instantly, and it was a very fun time in my life to sink my teeth in to a project/vision with so much potential scope. Fortunately for me, as the music and recording process continue to unfold, other creatives (that I wholeheartedly respect) continued to step in and add such insane value to the vision – a huge turning point for the visual element of the project was when Jack Shepherd (DoP) and Mikey Hamer (director) stepped in to the mix and reworked my video brief. From there it was clear that we could seriously pioneer something special, and that also meant the visual side would match & rival the sound that Elliott & I (and Candace) were creating in the studio.
Your single ‘Choke’ is out now, what influenced the sound and songwriting?
Choke was born out of my creative frustration and confusion in trying do something sonically new for me. I knew I wanted to push my voice in a more dark & sensitive or dramatic direction, but had no real idea of how to get there on my own. I imagined from the start, that it should be big and ‘cinematic’, and was influenced by big movie soundtracks that had really catchy brass hooks and melodies.
How did you go about writing Choke?
Choke was the second song Elliott and I ever wrote together for the project. I showed him a handful of tracks/beats as references and he (within the hour) created a loop for me to improvise to. I think he let me sing on loop for 5-7mins straight (which included lots of moments of me ad-libbing in gibberish and laughing), and then he ‘zombied’ together the verse and chorus, and a loose structure. After 2hrs it was clear this was a strong song, and I still can’t believe how easily the first version came together.
What I didn’t understand was how long the process would then take to then flesh out the song structure, soundscape and even lyrics properly. Luckily our best friend Candace was always around to help guide the project and she really helped and contributed to the final lyrics. I was lucky to co-write with both of these weapons (and friends), and I think I must have aged them significantly due to my impatience and excitement. Luckily, I did end up listening to them – in taking more time to refine the song and all its components – and can now confidently admit that its at a level beyond what I thought possible.
Where and when did you record/produce/master and who with?
Choke was recorded at the infamous Chameleon Studios in Camperdown, Sydney. Recorded, produced, co-written & mixed by the insanely talented Elliott Gallart, and mastered by John Greenham (Billie Eilish, girlinred, Ashnikko, Death Grips). Additional co-writing by Candace Krieger.
What influenced the concept behind the music video?
The main influence behind the music video was my desire to give the audience an entry point in to the day-to-day chaos of Colletto Bianco’s world. The original vision was to create teasers or snippets from his routine (that eventually build in to an overarching narrative) where we see the character struggle but eventually grow. The vision was that the character was essentially a ‘loveable’ villain – the audience can get a sense of relief or joy when they see moments that he ‘wins’ or gives in to his rage, as well as sensitive moments (e.g. dancing with Nonna) where the complexity, vulnerability and brokenness of the character can connect with people.
Mikey Hamer (director) then repackaged this narrative and approach (with input from Jack Shepherd – DoP) in such a clever & professional way. Once the broader video team then started to form with the likes of Michael Santos & Chris Elder (Haus Party), it was clear that this rag-tag crew of ex-hardcore kids were going to really bring something fresh to the music video landscape. I remember walking them all through (individually) my initial vision, and then instantly hearing all their ideas on how to build on the character and narrative in a better way. This video is probably the most exciting and successful collaboration of my life to date, and I genuinely consider it a masterpiece to the credit of the team’s talent and effort.
Where and when did you film and who was involved in the making of the video?
We filmed the music video over 2 main shoot days (which was insane), as well as an additional evening shoot for car scenes, and also one final quick church scene (on the morning of the gear return day). The core team was Mikey Hamer (Director), Jack Shepherd (DoP), Michael Santos (First Assistant Director), Chris Elder & myself (Producers). The overall crew was an army of 15-20, when including my actual cousins, Nonna & Nonno (who stole the show!), my brother and father and even my dog Alphonse. Every week or so of planning with this power-house crew meant bringing in another talented individual to the project, and I am grateful to the core team for pushing the project in such a way where additional talent continued to jump on board. There are too many others to thank here, but please look at the credits in the video description and scan through the insane portfolios of all the cast and crew – their input was critical and I am endlessly grateful.
What do you like to do away from music?
Away from music I love walking my dog, training Jiu Jitsu and dabbling with new technology. I think I have an entrepreneurial spirit at heart and am constantly inspired by the talented people around me and the diversity of their interests. I love to encourage those around me, and hope (or am constantly scheming) to co-create big or small projects or businesses with friends and family.
Who are you listening to at the moment?
Lately I have been pumping SPEED, Psalm, Born Free, AWOL, Pat Carroll & Whatever, Forever.
What’s planned for the remainder of 2022?
My goals for 2022 are to launch an array of (new) projects that I’ve been dreaming up and working on for years now.
It should be a very exciting and busy year for me, and in particular looking forward to performing Colletto Bianco live..!
Favourite food and place to hangout?
Loving smashing Pizza in Camperdown park from Westwood (or nearby at the Denison House).
https://linktr.ee/CollettoBianco
Instagram – @ilcollettobianco
Where are you currently based?
Hi!! Thanks for having me on your platform. My name’s Jesse Maxwell and I’m based in Toronto, Canada.
How did you first start playing music?
When I was six years old, all I wanted to do was learn to play classical piano. My parents found this flyer in our front yard of someone advertising piano lessons, his name was Roussi Tarmakov and he taught me piano and music theory for the next ten years. I fell in love with music and it became one of the most important parts of my life ever since.
What’s been happening recently?
Recently I’ve been doing a lot of writing, we’re almost halfway through another album which is so exciting. I’ve also been producing music for other artists, which has been an incredible experience, getting the chance to work with so many talented people, with different styles and different approaches to creation.
Your latest single ‘nosedive’ will be out on February 11, what influenced the sound and songwriting?
nosedive was influenced by personal experience. The song for me is catching the feeling of a high before the comedown. We wanted the song to sound chill, sexy and definitely cruise-y. Influenced by certain artists like D’angelo, Erykah Badu, also specifically Nightrider by Tom Misch was a big inspiration to the overall feel of the song.
How did you go about writing nosedive?
The songwriting was approached in a very freeform manner. I rarely plan what I’m going to write about, it just seems to come out, and I start understanding as I am writing. What I love about my approach is I start all over the place and bring out different imagery and then I can tie it all together with a certain direction.
Where and when did you record/produce/master and who with?
This song is the leading single off my upcoming album, LP2. All these songs were written and recorded over a year ago. As much as I release lots of music, it’s very calculated and I take my time figuring out when and how to release everything. I wrote the lyrics alone, the instrumental was produced by Andrés Alzate and I, mixed by Josh Bowman, and mastered by Phil Demetro.
You have also been busy creating a music video for nosedive, please tell us about it!
Yes! There is a music video, and I’m so looking forward to having that out there for people to experience and connect with. This is my first music video, I had initially come up with the concept for it and I worked closely with directors, Eric Kingsbury & Adrian Altobelli, to bring it to life. Planning a video takes a lot of work, and all of that was done by us three. For the actual filming they brought on an incredible crew of talented people, and being on set was one of the most exciting things I’ve experienced. Everyone’s exhausted and moving all the time, but there is this strong collected energy that’s focused on bringing it to life and that’s a beautiful thing.
Who are you listening to at the moment?
This week I’ve been listening to a lot of Hiatus Kaiyote and Nai Palm. Some of my favourite artists that are usually on rotation are Nick Hakim, Willow, Frank Ocean, Sevdaliza, FKA Twigs, James Blake, and Daniel Caesar.
What do you like to do away from music?
On my time off, which I don’t get a lot from music, I like to go to restaurants, I’m very active and go to the gym many times a week, I also do gymnastics, love to travel, but haven’t done much of that in the past couple years, I go snowboarding, I went rock climbing last week. I’m also somewhat of a film buff so I love watching films, mostly indie films, some arthouse, anything weird.
What’s planned for 2022?
For 2022, I’m releasing my album, pressing vinyl, more music videos will be released, more concerts will be played, and whatever else happens, happens. I hope this year and these releases will connect with people on a deeper level.
Favourite food and place to hangout?
My favourite food is probably sushi or mexican food. Toronto has such a great food scene. For anyone ever in Toronto, check out Playa Cabana for your Mexican food fix, the braised beef Tacos are to die for. For sushi, nothing beats Toro Toro, the sushi is so fresh, I’m a spicy tuna kinda guy.
Facebook: @jessemvxwell
Instagram: @jessemvxwell
Website: www.jessemaxwellmusic.com
Where are you currently based?
Montréal, Canada.
How did you first start making music?
I started writing music when a friend introduced me to my producer and now friend Bynon. We pretty much write all of my songs together and really make a great team.
What’s been happening recently?
So much has been happening recently! I feel like the last year and a half has been all about preparation and 2022 is my release year. All the projects we’ve been working on are finally seeing the light of day and it’s so exciting seeing people loving everything!
Your single ‘Lullaby’ will be out very soon, what influenced the sound and songwriting? How did you go about writing ‘Lullaby’?
I am always inspired by the present moment when I write my songs. This one was written in April 2021 and it was at a time where I was pretty frustrated with many things in my life. My producer and I just started jamming in the studio and I told him about what was going on in my life and I just started humming random melodies saying “fuck you and you and you” and “Lullaby” was born! For the sound, I wanted it to feel light and fun because the lyrics were so harsh. I want people to feel empowered by the song where they hear it, rather than feel even more frustrated.
Where and when did you record/produce/master and who with?
I recorded/produced everything with my producer Bynon in his studio in Morin Heights which is about an hour north of Montreal.
How did you approach the recording process?
When we recorded the final vocals, I had been listening to the songs for months so it was just super natural for me to sing and was a fun and light process.
What’s planned in support of ‘Lullaby’?
We have a big marketing strategy. We have invested in ads and the best teams across Canada to support the release of Lullaby (PR, radio tracking, etc.). I’m also running a campaign on TikTok and we have contacted several influencers to join the movement on the platform.
Who are you listening to at the moment?
I’ve recently been obsessed with Labrinth (like every single person in the WORLD), because I’m totally hooked on Euphoria! So I’ve been going back and listening to every Labrinth song possible, I’m in loveeeee with his voice.
What do you like to do away from music?
I’m such a people person so whenever I can just be around my friends and family that’s when I feel the most happy. I just love being with my people, going out for dinner, having long conversations, etc.
What’s planned for 2022?
Lots of new music, shows, lots of musical content that I can’t wait to share. We’ve been working hard for several months/years to reach a new peak in my career and it’s super exciting to see all the projects that will start to come out very quickly in the course of the year.
Favourite food and place to hangout?
I really enjoy going out to dinner with friends in good restaurants where there is also good wine (specifically orange wine). I love the ”Boating club” and the”Boucherie Lorrain”, two small restaurants near my home where the atmosphere is really good.
Website: https://aliciamoffet.ca/en
Twitter: @aliciamoffet
Facebook: /aliciamoffetofficial
Instagram: @aliciamoffet
What is your name and role within NFT Melbourne:
Theo Kanellopoulos, Co-Founder
For those that are new to this concept, please tell us what NFT is all about:
NFT STANDS FOR NON-FUNGIBLE-TOKEN, AND IN ITS MOST BASIC FORM IS DIGITAL PROOF OF OWNERSHIP THAT IS IRREFUTABLE. THE PROOF OF OWNERSHIP AND ITS HISTORY LIVE ON A PUBLIC LEDGER CALLED A BLOCKCHAIN, WHERE IT CANNOT BE ALTERED, AND ANYONE CAN VIEW IT.
NFT Melbourne will be launching on February 23 at 170 Russell in Melbourne CBD, what can people expect from the event?
We have created NFT MELBOURNE as a way for our city to make its mark as a serious player in the global NFT space and provide a place for everyone to learn, network and lift each other up. The event will be a safe space for people to come and learn about NFTs if they are starting on their journey or come and listen to thought leadership if they are further advanced. We will have many activations that will exhibit digital and physical art as well as areas for people to network with others who are like minded and eager to learn more plus a very special guest live performance too.
Please tell us about the collaboration with Tennis Australia which included Steve Aoki, Masked Wolf and Tigerlily:
We had been in discussion with Ridley Plummer at Tennis Australia about presenting at NFT Melbourne and he invited some of the Lucky Ent. artists to perform in the metaverse for the closing party. We loved the idea as a way to collaborate with those in the space and the artists jumped right on it too. We were lucky enough to secure international DJ Steve Aoki as well as Masked Wolf and Tigerlily.
Who will be guest speaking and what topics will be covered?
We have about a dozen speakers covering topics such as:
Fireside chat – How Web3 is impacting events and experiences. AO Art Ball use case – Matty AKA DCLBlogger, Ridley Plummer, Louie (Run it wild)
Panel – Marketing in Web3 – Geoff Measey and Greg Oakford
Panel – Aussie project spotlight
Panel – Navigating NFTs as a creative – Danielle Weber who is an exceptional artist
What do you think the future of NFT is and how will it be of a benefit to artists, brands and the public as a whole
Most of what is possible has not yet been thought of but NFTs are already helping artists, bands and the general public by creating a greater connection through a number of ways such as ownership, access, experiences and community while ensuring artists are getting a fair source of revenue directly from their fans and community.
What else does Lucky NFT have planned for 2022 and beyond?
We are speaking to many brands, artists and celebrities about how we can help them enter Web 3 and are planning to scale NFT events across Australia and NZ in the next 12 months.
Website info – www.luckynft.co
Twitter @LuckyNFT
Facebook – @Lucky Ent.
Instagram – @nft.melbourne
I’m in LA!
How did you first start playing music?
I started playing piano when I was a kid which eventually led me to songwriting and performing. I’ve always been a fan of music and I love being able to be an artist and make my own music now.
What’s been happening recently?
A lot! I have been busy recording and planning my song releases.
Your latest single ‘Shut Up!’ came out on Feb 4; what influenced the sound and songwriting?
I wanted to create a song that had attitude and spunk. The lyrics reference themes of royalty and taking back your power through your individuality. I wanted the production to be simple, but powerful because the lyrics are the focal point of the track.
How did you go about writing ‘Shut Up!’?
I wrote “Shut Up!” as a sequel to my song “Too Hot.” Both songs celebrate individuality and being authentic to yourself no matter how much others want to dim your light. It’s about blocking the haters and being confident in your identity.
Where and when did you record/produce/master?
The overall process for “Shut Up!” was very quick. I finished the writing, recording, and mastering in about 3 weeks. I made the song in December 2021 and I’m releasing it now!
How has the pandemic affected your process?
The pandemic has allowed me to focus on music and find my voice. I’ve been writing every day and formulating a pop sound that beat represents me as an artist.
What does your other current single ‘Too Hot’ mean to you?
“Too Hot” is special to me because it’s the song that inspired me to write more unapologetic pop songs like “Shut Up!” I want to bring that fierce pop energy back to the music industry like how it was in the late 2000s early 2010s.
Who are you listening to at the moment?
I’ve been listening to a lot of Noga Erez.
What do you like to do away from music?
I love being active whether that’s playing tennis, hiking, or rock climbing.
What’s planned for 2022?
The plan is to continue to release music and hopefully play some live shows!
Favourite food and place to hang out?
I really like sushi and Mexican food. If I’m not making music, I am usually hanging out outside like at the beach or in the hills on a hike.
Where are you currently based?
Favourite food and place to hang out?
Where are you currently based?
I’m currently based in Naarm (Melbourne).
How did you first start playing music?
I learnt the piano when I was really young and picked up the guitar in my teens after watching videos of Led Zeppelin. I also vividly remember my Dad playing Elvis and Roy Orbison covers with his friend; I was always surrounded by music growing up.
What’s been happening recently?
Aside from releasing new music for the first time in over two years, I’ve been celebrating the Lunar New Year with friends and family which has been nice! I’ve also been working on more new music so I think I’ll release it soon.
Your latest single ‘Running Through The Dark’ is out now, what influenced the sound and songwriting?
The song encapsulates the chaotic mood I was in at the time. I had a lot on my mind and I was quite stressed, a lot of which I had internalised. It was at the start of the pandemic when we were in lockdown, and I wanted to write a song which felt like I was escaping the thoughts in my head. As we were stuck at home all the time, I wanted the song to have a “tunnel vision” feeling, and I wanted to feel like I was running through the streets at night. The sound of the song is influenced by abrasive guitar solos of the 80s, like the spacey, “chorusey” sounding ones that Metallica, Van Halen, and The Cure were creating. The sound of the song is also influenced by the repetitive drum machine beats you hear in Kraftwerk songs, and the manic, neon-lit atmosphere in Wong Kar-wai movies.
How did you go about writing Running Through The Dark?
Running Through The Dark was actually written unintentionally. During lockdown, I was bored and decided to do a Vapour Trail (by RIDE) cover, so I was playing around with some synth sounds and drum machine beats. I got sidetracked after finding some sounds I liked and I ended up going with it and writing Running Through The Dark. The Vapour Trail cover never happened.
Please tell us about the recording/production process:
After experimenting with the synth and drum machine sounds, I recorded them onto my computer and created some loops. I would then play the loops repeatedly whilst playing around with my guitar to find something that worked. I would do this with each instrument, layering each one until the loops started to feel cohesive and take the form of a song. I would then bounce some of the audio track loops out to my phone, which I would then play through my mic’d up guitar amplifier. This process makes the audio tracks sound more “present” and “real”. My friend taught me that trick! I then mixed the song myself and sent it off to Will Yip for mastering.
Who are you listening to at the moment?
My two most recently played artists on Spotify are Mazzy Star and Turnstile (their new record is so good).
What do you like to do away from music?
I like to think a lot, and I also like to watch films.
What do you have planned for 2022?
Although it’s difficult making plans at the moment, I want to release more music and hopefully play some shows. I’m also playing live guitar in my friends’ band so that should be fun as well. I also want to collaborate with some friends, something I haven’t really done in years.
Favourite food and place to hangout?
Hmmm my favourite food is probably roti canai. I used to eat it with my parents whenever I went to Malaysia to visit my grandparents. It’s hard to find an authentic roti canai in Melbourne, so my favourite place to hangout would be wherever I can find some.
Running Through The Dark is out now.
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We sat down with Tom…
Where are you currently based?
In Rye, on the Mornington Peninsula. Along with half of Victoria right now!!!
What’s been happening recently?
Busy working my day job as a locksmith! Our new album “New Rituals” is due out early Feb with a new single too, so, planning a new video for that, as well as some sort of live filmy kinda thing. Rehearsing for some shows which we are really hoping will go ahead and not get canceled or postponed again!!!
Your 7th album ‘New Rituals’ will be released on Feb 4, what influenced the sound and songwriting?
I was listening to Against Me ‘White crosses’ a lot, The Bronx IV, Bad religion ‘Age of Unreason’ and Off With Their Heads ‘Home’ when I was writing tunes for this record.
Sound wise I tried to clean up the guitar tones a little bit, to get some more clarity and punch in the songs, But mixing wise I was happy to leave it to Steve Evetts to just work his magic. I guess choosing him to mix was the biggest influence on the sound of the record!
How did you go about writing the album?
Most of the songs i wrote at home and then showed them to the band, we worked on the arrangements together in a jam room. We did a little bit of co-writing, but not as much as in the past. Families, jobs and covid got in the way of that a bit, but i don’t think the record has suffered from that, we just kept writing until we had enough good songs to get it done.
Where and when did you record/produce/master and who with?
We recorded the album with Sam Johnson at his studio ‘Holes and corners’ in South Melbourne. That was great for me, coming to the city, getting uber eats and going to the South Melbourne market! Sammy is super cool to work with, we’ve known him from bands and touring and what not for decades so it was very easy to just plug into the sessions and get to work. Lockdowns were a real pain, but we got it done eventually.
Steve Evetts mixed the record in America, this worked really well for me too!!! Not being there for mixing, he would just interpret things the way he does, and then presented a mix to us. It was good because some of the songs were getting quite old for us, so his fresh ideas were appreciated a lot. Funnily enough, he had never heard ‘rain’ by Dragon before, so the mix of that was exciting to hear!!
How did you approach the recording process?
We recorded in 3 or 4 song blocks. We did 4 of those sessions over what felt like years!! Sometimes we played around with arrangements and stuff in the studio, which is rare for us, but mostly the songs were ready to track so it was a pretty quick process once we got in there. Drums first, layout the bed, then vocals after.
Jon Toogood sings the verses and pre chorus’ on Be The One which is awesome, i just went to his house and we tracked that upstairs in his spare room. That was so great, watching the greatest frontman in rock tracking one of your songs!!!
What programs/equipment did you use?
Guitar wise I used a lot of single coil telecasters, into an old Hiwatt turned up to 10 and a Marshall JMP. Cam had his SG into a Fender supersonic and a JCM 800 mostly.
Sammy has a custom Neve style thing he has running into protools. We used a Kemper for some overdubs, it’s so easy to dial up a sound with that thing, with a bunch of guitars like les pauls, telecasters with P90’s more SG’s, firebird, rickenbacker and Colesy’s (luthier Adam Cole) famous nashville tuned old guitary thing!!!
How will you be supporting the release of New Rituals?
PLEASE LET US PLAY……..we just wanna play. I fixed a lock at the local church last week, so i’m hoping they put in a word with hillsong or something.
The only way we know how, to release an album, is to play it live. So hopefully we will be doing that.
What motivates you to keep writing and playing music?
Writing wise, I just want to get better at it, it’s a really fun journey. I can lose hours at night in my little room caught up in a song. It’s like every song you write is the best one you’ve ever made, until your manager hears it and says ‘ it didn’t really grab me’ or ‘i’ve heard better’ which really is motivation in itself!!!
Who are you listening to at the moment?
Face To Face’s latest album ‘No way out but through’
Weezer ‘Van Weezer’
The Daniel Johns podcast
Turnstyle ‘Glow On’
Gyroscopes entire back catalogue!
What do you like to do away from music?
Hanging with the kids, as much surfing as my old bones can take, avoiding work, a couple of beers with mates whilst our kids run wild!
How’s the punk scene changed since the band first started?
Wow, it’s hard to remember the smell of the old Arthouse or the Punters club, the Annandale in Sydney, it’s mainly the venues for me, i still see a lot of the old faces, but the places have changed so much.
And bloody facedagram, all the things we did in those days, I’m pretty happy there were no mobile phone cameras documenting that!!
What’s planned for 2022?
GIGS!!!!
I’ve got some new tunes, a plan for a different kind of release that I think we could get off the ground quite quickly.
A holiday up North????
Favourite food and place to hangout?
I love Pho. breakfast, lunch or dinner. I’ll take it.
Hanging in my yard listening to the waves, in between screaming boys and the terrible music they listen to. Oh wow. I’ve turned into my mother……. I’m going to have a valium and a glass of brandy….