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Music Interviews

Music InterviewsMusic News

RIP Youth

by the partae June 22, 2022
written by the partae

Where are you currently based?

West Hollywood, California

How did you first start playing music?

When I was about 9 I wrote some really bad songs and made people watch as a friend and I performed them. REALLY bad! Good beats no structure and crap lyrics

What’s been happening recently?

Working on my EP and launching an NFT community

You’ve partnered with Peloton and R3hab, please tell us how this came about and what you’ve done together?

I was flown by Playboy Down to a party in Miami to launch Centerfold and the party was fun, Charlie XCX was dj’ing but nobody was dancing except this one really cool lady. So I went up and started dancing with her and exchanged numbers. Turns out she was the SVP of music and content partnerships for peloton, (Gwen Riley) I asked if they’d be interested to place product in my next video and she said let’s go bigger and do a Peloton edit of one of your songs and launch it for gay pride. I was thrilled obviously, we had spoken about who we’d get to do it and I had previously worked on a song with R3HAb and JOJO that wasn’t released but I loved what we did. By chance R3HAB’s manager had reached out in January to Gwen to find something to do with Peloton so it was meant to be.

At first Peloton’s DJ John Michael and I spoke about what would work in his room’s . He knows the Peloton following and what they needed to work best with the ride’s so that was interesting to hear how dynamic and functional the song needed to be. We tossed around reference’s and let R3HAB work his magic as he does. Was cool to see the song take on a new life in such a different way.

Please tell us about your other song writing placements with both international and local artists:

I got lucky , The first real producers I worked with were the Aussie DNA boys. Before they were multi platinum hit makers they are now. We were working on some songs for me and at the time, I was always like “how am I working with you guys …and you’re making music for h2o tv show about mermaids was there biggest ticket item at the time. They were so talented and still are ! … anyway,  I used to go to this bar in woolomolloo where I met UK singer Brian McFadden after a recording session one day. We became friends and one day I asked his opinion on one of my songs. One in particular he liked was a song called “Chemical Rush” said he liked it and the next day I get a call out of the blue saying he had shown his A&R manager at Universal and wanted to release the song for himself , so I went back to DNA and told the boys , they were thrilled obviously and that went on to become my first commercial release and aof my first gold record that hit #2 and got nominated for APRA dance work of the year.

Later I went on to work with Delta Goodrem and working with international; artist JoJo was a career highlight. Her voice is on Mariah Carey’s level and she takes her craft so seriously. A perfectionist at its best. So cool to witness that angel sing and ask my take on how and where she should take the song vocally was insane.

Aussie artist Nat Dunn is another Highlight, similar stance on her. I always tell her it’s your duty to over-sing everything because you have a voice that only few people on the planet possess.. “so sing into the shell little mermaid “ !!! I always joke that’s how I’ll steal her voice.

How did your creative partnership with Playboy and Cardi B come about?

As it always seems to happen with random LA moments… I literally moved into a building and started hanging out with the marketing director, Holly Ruprecht and she had instagramed me on her story, her boss Reena had seen me and asked her if I’d be into becoming a founding creator of Centerfold. Just like that!

What did you create?

I was shot by photographer Maddie Cordoba who has shot for Selena Gomez, Kris Jenner, Jessica Alba etc so that was cool, paid a fair bit of cashola and started creating and planning out events to promote being content creators who could connect with fans and monetise their videos, photos, host podcasts, live stream and all that good stuff. I was flying blind as I suck at all that but I’m learning and thank god they’re teaching me as we go and are planning more partnerships as part of an ongoing relationship. Love my playboy peeps.

Who are you listening to the moment?

Earth wind and fire . Going old school.

What do you like to do away from music?

Working on a radio show at the moment here in LA that will be a weekly gig chatting starting in July.

What’s planned for the remainder  of 2022 going into 2023?

Working on my EP and radio show. RIPYouth tour would be cool and I am hoping to get back to Australia.

Favourite food and place to hangout in LA?

Pace Restaurant in Laurel Canyon. Always a vibe, cool not pretentious place that you’d find the likes of Johnny Depp in a corner reading a book or someone smoking a Joint and drinking a glass of red whilst drawing on the walls or tables – that’s allowed, it’s a very creative space!

@weareripyouth @james_maas

June 22, 2022 0 comments
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Music InterviewsMusic News

Kieran Christopherson gears up for release of debut record Grand Mote

by the partae June 20, 2022
written by the partae
Where are you currently based?

I live in Lancefield in Central Victoria, which is on the lands of the Wurundjeri and Dja Dja Wurrung peoples.

How did you first start playing music?

I’m self taught, and cut my teeth in lots of shabby punk and emo bands while at high school in Frankston.

What’s been happening recently?

Doing too many things at once and stressing about all of it. Finalising the release of my record Grand Mote. Releasing season 1 of my podcast Grand Mote Radio, scoping out pre-production for season 2 of that. Working as a horticulture teacher part-time. Trying to be a good husband and a good father to our one year old daughter.

You’ve just released your new album ‘Grand Mote’ what the hell does Grand Mote mean?

There’s a great War on Drugs line about ‘the grand parade’, which I’ve always loved. That inspired me, but a parade felt too lavish. I searched for a term to juxtapose grandness and found ‘mote’, which means a spec of dust or single particle. I produced the record myself in the first instance, so it was about allowing the relative insignificance of my life experience to express itself as fully as I could.

What influenced the sound and songwriting?

Guy Faletolu, who I have worked with a lot in live music with Cousin Tony’s Brand New Firebird, co-produced and mixed the record with me. His love of RnB and the 80s is all over it, but in rather inconspicuous ways. He helped me find the palette. The sound is built on my love of folk rock, americana, and classic guitar music, but I try to add a little more ambience to it all. Not quite shoegaze, but I’m a heavy pedal user so headed in that direction.

How did you go about writing the album?
I took a fairly mean hiatus away from writing songs through the middle of my 20s. I was lost, depressed, and trying to decide who I wanted to be. When I left Cousin Tony, I found space that enabled me to slowly crank the wheels into motion again. I write simple songs, lyrically driven, but try to turn them around in interesting ways. I keep it earnest, and try to find the universal in that. Most of it was written in my living room at the piano my mother in law gave to us.
 
Where and when did you record/produce/master and who with?
I did the bulk of my recording on it at home in Lancefield, often at night after my wife was in bed. We had a child on the way, so time was of the essence. I then started collaborating with Guy and we did some work at Sunset Pig Studios in Collingwood. There is fairly big cast of characters that contributed in their own home environments too, Nick Reid played drums, Matt Hayes and Tyler Millott played bass, Lachy Rose played some keys, Peter Corrigan played a gorgeous piano part on ‘Get That Money’, Chris O’Neill composed some string parts on ‘I don’t know why I’m angry all the time’ that made me cry when I first heard them, Victor St Clair played some bonkers sax on half of it, and Guy put some perfect touches on a few songs and mastered it.

How did you approach the recording process?
I was rediscovering who I was an artist. I used to do some home recording when I was younger, so I’d had some experience, but nothing I would call capital ‘p’ production. I wasn’t even setting out to make a record at first, which was kind of liberating but also meant I had to re-track stuff that wasn’t up to scratch. It was an experiment that turned out way better and way more serious than I ever could’ve dreamed. My second full-length Tangerine is going to be a much sharper product. Grand Mote is scrappy, and sometimes unsure of itself, and I’m proud of that vulnerability.
 
What was it like self producing during lockdown?
I could’ve definitely done with some help. It was a long process, but I was heartened when I emerged from it that the people I showed the music to were fully blown away by how it had come together. Unless something significant changes in my financial situation, I’ll be self-producing forever, I’d love to set up for a month in a nice studio, but there’s no way I could manage it. I want to develop a permanent space up here instead of recording guitars in my living room.
 
Please tell us about your latest single ‘Get That Money’:
I wanted to find a way to reflect on the universally oppressive nature of our economic systems, while being conscious of the reality that I’m a white male from the middle class that owns property because people helped us. It started as a sweet ditty on an acoustic guitar, and became this big guitar jam. It’s a cool driving song, and hopefully one that people can relate to when they’re stuck on a train going to work for the man.
 
You’ve released the record with an accompanying podcast, Grand Mote Radio, please tell us about this and plans for the future: 
I had always wanted to try podcasting, I felt it would bring together much of my professional experience. In season 1 I interviewed the people that played on my record about their work, their life experience, and the modern music industry. It’s a long form interview, and I play a track from the record at the end of the episode. It was stressful to do both at once, I don’t know that I’d do it that way again. But the podcast has become quite a thing, so I’m now working on season 2. GMR will now explore the records of other musicians, and who they become through the process. I’m planning to expand the format, maybe do some live recording in front of an actual audience, and maybe get into a bit of Web 3 music territory. Nura sponsored season 1, which I was very grateful for.

How’s it been returning to solo work after 6 or 7 years co-founding Cousin Tony’s Brand New Firebird?
Leaving Cousin Tony was one of the hardest decisions I’ve had to make. Lachy and I co-founded that band, and it was our dream to play in it forever. But life changes, and now that I’ve adjusted to it continuing without me, I realise that it was never going to be forever. I needed space to do my own thing, and Cousin Tony was in many ways an apprenticeship in the music industry. I feel hyped and focussed on what I want my career to look like, and I’m loving watching it slowly reveal itself.
 
Who are you listening to at the moment?
The new Kevin Morby record is one of the coolest things I’ve heard in forever. I also loved the new Kurt Vile record. One of my best friends Nick Reid released his debut Kitsch Kitchen record last week, and it’s honestly some of the most amazing music I’ve heard come out of Melbourne this year. He is an incredible producer and multi-instrumentalist, and ‘Technicolour’ kicks in the door to what could possibly come out of his gorgeous mind. Also the new Moderat record was something I’ve been hanging out for. I saw them in Paris, sober, and it was still utterly mind blowing.
 
What do you like to do away from music?
I’m a gardener. I teach horticulture in a high school so I spend lots of time thinking about plants, and working in our garden at home. I’m also a new father, so I spend as much time as I can with our daughter, that’s been a trip.
 
What’s planned for the remainder of 2022?
I’m launching the record at the Brunswick Ballroom in Melbourne in July so prepping for that. Otherwise, teaching kids about plants, dad life, and working on the podcast. I’ll keep writing tunes for the next record, and maybe do some work on an EP in the near future. I’d like to make something ambient, lots of guitars, minimal time signatures.
 
Favourite food and place to hangout?
I fricken love this pizza joint in Lancefield called Slice of Perfection. The dude is a freak and I can’t believe we can get pizza this good in a town this small. There’s a brewery getting built here as well, so that’ll be cool when the weather warms up a little.
instagram.com/kieran.christopherson
twitter.com/krnchrstphrsn
www.grandmote.com
June 20, 2022 0 comments
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Music InterviewsMusic News

Planisphere

by the partae June 20, 2022
written by the partae
Where are you currently based?
 
We’re currently based in the thriving scene of Brisbane/Meanjin.
 
How did Planisphere come about?
 
The band started out originally under the name ‘Canondrome’ as a two piece, chasing that more rawer fuzzy rock garage sound. Then unfortunately Sam [drummer] had to relocate to Melb, and with the addition of Jai [synth] and Kane [drums] we are where we are today going for that electronic influenced heavy rock.
What’s been happening recently?
 
Heaps! The new EP came out last week so we’re still stoked about that, and we’re tuning up the live show for the joint release event on 22/07 with our mates Dad Fight at Black Bear Lodge.
 
What’s the title of your new EP?
 
The new EP is called ‘Fame or Tragedy’.
 
Please tell us about what influenced the sound and songwriting?
 
The sound and songwriting is a bit of a melting pot of modern rock/metal, electronic and punk music we’re listening to and each track was sort of influenced by a different aesthetic/sound. Commander is very 80’s synthwave ft a guitar solo.  Underneath came from a punkier Death From Above/drum & bass place, and Fury was more inspired by recent danceable rock by bands such as Royal Blood.
 
How did you go about writing the music?
 
For these tracks and most others the process generally starts with a jam and a single theme/idea/beat that we latch onto, and build the song around that! Underneath and I’m Not Trying to Be Mean were quite older ideas that we picked up from the archives and dusted off, so it’s great to see them come to fruition.
 
Where and when did you record/produce/master and who with?
 
The EP was recorded and mixed by Brock Weston [Bugs], and mastered by Joe Carra at Crystal Mastering in Melbourne.
 
How did you approach the recording process?
 
The recording process itself was pretty simple once we got to it.  Over 2 days we tracked all drums and 90% of guitars.  Then Lorcan & Jai went away and recorded the vocals, synths, remainder of the guitars and any other overdubs separately at home and sent them in to be mixed with the rest of it.
 
What does this EP mean to you?
 
For us this EP represents the transformation of our sound from the rawer rock sound into something more refined with the incorporation of electronic elements to broaden the sound.  It’s the first step in that journey and although we’ve already written more material with what we see as constant improvement, we’re still very proud of the body of work.
 
What’s your favourite track on the EP, where do the ideas come from for that track?
 
One of our favourites is Red Eye.  We feel it’s a great change of pace on the EP, and features Morgan Francis singing the 2nd verse from the band Lost Goat Found.  It started out as a simple idea on acoustic guitar, inspired by early Methyl Ethyl with their ethereal plucked guitars drenched in reverb creating such a haunting atmosphere.  There was also a fair amount of influence from electronic acts like Rufus, within the synth pads that swell around through the whole track, helping lift and lower the energy with the vocal while the drums just keep the groove going.
 
What do you like to do away from music?
 
Vinos & fine dining, plunge ourselves in the ocean and cut aggressive shapes on the d-floor.
 
Who are you listening to at the moment?
 
Lorcan is listening to alot of Australian metal at the moment, such as Thornhill, Northlane etc. Apart from that we’re also loving new albums from Florence + The Machine, Foals, Jack White, Slumberjack, Kendrick & Flume.
 
What’s planned for the remainder of 2022 going into 2023?
 
Play lots of shows, record some more music and write more dance punk heaters!
 
Favourite food and place to hangout?
Tomcat (best local band venue in The Valley) or our rehearsal space. Food has gotta be GYG.

https://linktr.ee/PLANISPHERE.BAND
June 20, 2022 0 comments
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Music InterviewsMusic News

Tommy Charles

by the partae June 18, 2022
written by the partae

Where are you currently based?

I just recently moved to South Langley, BC. I wish to give myself the freedom to move this year and to be wherever the music takes me.

How did you first start playing music?

My mom, I have to admit, is often the starting point of anything great in my life. She was the one who detected I had the itch for it and the passion. When I was a teenager, I started singing with a local big band (ballroom music), and then I got a band of my own with some friends. Around the same time, my father bought himself a blues electric guitar, which he barely ever played with! I ended up picking it up and taught myself the songs I was listening to.

What’s been happening recently?

As I am doing this interview, I am about to be done with my second teaching contract. It has been a great journey with some amazing teenagers. Now, I am planning my trip to BC, where I’m moving to very soon. It’s going to be my first drive through Canada, coast to coast. I’m excited!

Your debut single “Lookin’ Like That” is out now! How did this song come about and what do you hope new fans take away from it?

The song is written by Drake Milligan, Jim Beavers and Deric Ruttan. When I first heard it, it was an instant favorite. There is something so easy going and funny about the lyrics and the mood of it seems to be taken straight out of a Brooks and Dunn album from the 90s. Really, I think it’s about not taking ourselves too seriously when it comes to our relationships, and to be grateful that we get to spend time with amazing, funny, and, in this case, VERY good looking people. It’s about the magic you feel and the butterflies you get in your stomach when you spend a night dancing and partying with someone you really like. Mitch Merrett was the one who recommended the song to me, and I’m sure glad he did.

Where and when did you record/produce/master and who did you work with?

The song was recorded at Armoury studios with session players: Flavio Cirillo, Jay Beuttner, John Ellis, Rob Becker, Simon Kendall, Gord Maxwell and David Dorn. Mitch Merrett is the producer and the brain behind it all. Finally, the song was mastered at Barrytones studios by Jason Barry. It was a blast working with all of them. It’s amazing how such talented people are so down to earth. They’re a class act, really. 

How did you approach the recording process?

I just wanted to have fun, really! On the other hand, I felt the need to show my label I was 100% dedicated and committed to this first record, and I was anxious to perform well. All the while, I wanted the song to be true to what I am, and to the music I love. The question ‘’Would you listen to it in your car, on your own? ‘’ really stuck with me all along. 

What does this single mean to you?

When Mitch proposed it to me, I fell in love with it instantly, and so did the guys at the label. It makes you smile, and it has that Brooks and Dunn rock n’ roll shuffle feel we are all craving now. It makes us want to be together and enjoy life while we’re here. In this sense, it is very true to country music: it is simple and it brings people together to enjoy simple things.

“Lookin’ Like That” draws on classic country with an old-fashioned charm. What about this sound do you find most appealing?

Well, it’s the real deal! I’m reminiscent of a time when people knew how to have fun with simple things, like dancing on a Friday night. There is something so classy and authentic about the 60s-90s, that really inspires me as an artist. I feel like if I had been a young adult in the 60s, I would have been in honky tonks all the time !

Who are you listening to at the moment?

I recently dusted off an old Junior Brown album called Semi Crazy, which I think is pure songwriting genius. I’ve been listening to Spirits Having Flown by the Bee Gees quite a bit these previous weeks, as well as The Other Side by Cam, which is one of my favourite modern female artists. Boy can that girl sing !

What do you like to do away from music?

I love to be around horses, to be in the great outdoors and to learn new languages. I’m a language nerd, and I am currently working on my Persian. Hopefully I will make some new Iranian friends in Vancouver to practice with!

What’s planned for the remainder of 2022?

Some touring here and there is on the menu to start meeting the fans across North America for sure. I also wish to step up my songwriting game and make new collaborations with some fellow songsters. Also, new music will be out soon. Don’t miss it!

Favourite food and place to hangout?

Tough question! Indian food is usually my go-to-treat, and anywhere out in the bush is where you’ll find the happiest Tommy.

Facebook: /tommycharlesqc

Twitter: @TommyCharles_

Instagram: @tommycharlesmusic

June 18, 2022 0 comments
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Felix Raphael

by the partae June 18, 2022
written by the partae

Hey Felix Raphael, thanks for joining us! How’s things with you?

Hey guys thank you for the invitation and have a little chat. Having live back to normal again and some sunny festivals, feels pretty good at the moment after having such long time in the studio. Bringing the music on stage.

You were thrown into the music world at an early age, how did this benefit you when starting your career?

In general I think you’re never too old to start and there is always room for improvement but of course starting early is not a bad thing.

You don’t limit yourself to just DJ/Producing, by using your own vocals and live performances, how important has this been for you?

As my musical background depends a lot on playing instruments and singing it has always been a matter of time to stop dj and start playing live and involve my musical roots.

How do you feel your sound has progressed over the years?

Coming from the singer songwriter genre to electronic music obviously progressed or changed a lot but to be honest I stopped dedicating my music to one specific genre. I like to call it electronic crossover. Technically of course I think a made some steps to have more and more quality outcome with every session I have.

You began your label YION with friends, what inspired the idea and how has the journey been so far?

We decided to start our new label to be more independent and able to have the full control of the whole process: Artworks, graphics, bios and of course music. All in all creating something new and on your own was always interesting for us doing that with other talented artist who are also friends can sometimes be challenging but in the end you have a nice way to work and be together and creating something even more personal. We are all very happy with the development of the label having some of the most influential artists releasing on YION and getting that much early support from the platforms in less then a year is really satisfying.

What future plans do you have for the label?

First and foremost keeping the quality of the art is the most important thing for us. Managing the label is kind of a weird thing because before I was always on the artist side of releasing music since having YION I got to know the other side of the business and of course it is a lot of stuff to explore and especially learn. I think it is very important to get a more detailed perspective of the whole business. My personal plan for YION is to release the most of my own music on the label to have my fingerprint on it even more. And of course influence the sound of the label with that.

You collaborated with Peer Kusiv on ‘Hold You’ which is now being remixed by Yubik. Talk to us about the original and how the remix came about for this?

I was in contact with Peer Kusiv through our publisher and as we both tend to make melancholic and melodic music we decided to try something out and this is how Hold You was born. We both have been huge supporters of Yubik’s music over the years and thought he could bring the track even more on the dance floors then the original. And as tunic and myself have been in contact before I have requested him to do a remix for it.

What are the differences between collaborations and producing tracks on your own?

For me producing tracks on my own is more stable and faster because obviously I don’t have to talk things through within the process. Collaborations on the other hand can be super powerful when sharing different talents and skills but can also be very demanding when you are not on the same vibe and then you try and try and try but it doesn’t work out.

With the label and your own music, do you have much down time to reflect?

The issue with having a job that you used to have as a hobby makes it hard to take regular breaks even more if you work with friends and you want to support everyone. It is really important to be structured, which is not the easiest for me to be honest.

What else is coming up for you & the label in 2022?

I don’t want to reveal too much on the music side but we extended our team and will also focus on higher quality videos and also start on event in the near future.

 

 

Buy link for Yubik remix: https://yion.lnk.to/hold

June 18, 2022 0 comments
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Kassandra Clack

by the partae June 18, 2022
written by the partae

Where are you currently based?

I’m based just outside of Vancouver BC and collaborate with writers and producers near and far in search of the next top tier sound in music!

How did you first start playing music?

I’ve always had a song in my heart. Being on stage from an early age in my life with singing competitions, lessons, concerts and dancing I quickly recognized that connecting with people during these moments through music, was what I am all about!

What’s been happening recently?

With the shift of the industry following the pandemic, I went to school and got myself a music business degree. Recently, I’ve been really immersing myself in the adaptation of the new age market. After just landing a FACTOR JSR Grant for a debut album I am currently hard at work in the studio to bring you the best music supported by an International Tour in 2023. 

Your latest single ‘Airplane Champagne’ is out now, what influenced the sound and songwriting?

This all season-getaway anthem was written by incredible Sony Writers Karen Kosowski, Emma-Lee and Femke Weidema. This song’s influence is a pop groove with southern instrumentation that will facilitate the vibrant feeling of being on vacation harnessing a loving escape any day of the week. 

What do you hope listeners take away from the new song?

Post-pandemic we are all craving that getaway and very few of us can afford it. However, this song brings vibrancy, joy and uplifting energy to make you feel light as a feather anywhere you are with your significant other. The person who makes you feel as high as ‘Airplane Champagne’.

Where and when did you record/produce/master and who did you work with?

This song was produced by Grady Saxman in Nashville, TN in April. The amazing session musicians in the studio worked tirelessly to really build the heir of being high up in the clouds in love.

How did you approach the recording process?

The recording process was approached remotely at BCCMA Award Winning studio ManicDown Music (Dan.Swinimer) for vocals and then fully-produced by the brilliant Grady Saxman in Nashville, TN.

Who are you listening to at the moment?

At this moment I am really loving Alicia Keys, Morgan Evans and Keith Urban!

What do you like to do away from music?

I love traveling! It feeds my soul! I also love to bake, scrapbook and garden. With life being so hectic these days I get those bubble baths whenever I can get them in!

What’s planned for the remainder of 2022?

For the remainder of 2022 we will be in the production of my debut album, tour planning and filming music videos for the album.

Favourite food and place to hangout?

Anything chocolate and pasta! Place to hangout? Our couch.

Facebook: /KassClack

Instagram: @kassandraclack

Twitter: @KassandraClack

Website: www.kassandraclack.com

June 18, 2022 0 comments
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Down and Out

by the partae June 17, 2022
written by the partae

Where are you currently based?

 

Down And Out are based in Adelaide, Australia although we have one member that will soon be living in Tasmania.

 

How did Down And Out form?

 

Down And Out formed in 2018 when lead vocalist, Luke Ganeo, released a series of demo songs with a former member. The current members of the band, upon hearing said songs asked to join the project making it a fully rostered band.

 

What’s been happening recently?

 

We went to Sydney in December of 2021 to record some songs with Stevie Knight (Stand Atlantic, Yours Truly) and have been to Melbourne earlier this year to shoot the Sidelines music video. Other than that, we’re mostly focusing on writing the next set of songs as well as rehearsing to ensure we put on great live shows.

 

Your latest single ‘Sidelines’ is out now, what influenced the sound and songwriting?

 

Musically it is difficult to say. The song was a sort of Frankenstein of a very old song written by Henry, our drummer, some new material written by lead vocalist and rhythm guitarist/backup vocalist brothers, Luke and Alec respectively, as well as whatever was added by Stevie in the studio and production process.

 

How did you go about writing Sidelines?

 

Our songwriting process usually follows the formula of: somebody has an idea and either records a voice memo or quick demo and sends it to the band, if it sounds like something with potential, we all go away with it and see what we can do to build upon it, usually Luke and Alec will flesh the song out in a Pro Tools session and then we workshop the fine details with the rest of the band. Sidelines wasn’t too different except the initial idea just happened to be a very old song Henry had been sitting on.

 

What does this single mean to you?

 

It means so much to us, personally. This single feels to us like a first single again, as we went all out with it. We want it to feel like an event. We want it to feel professional and polished and we want people to love it as much as we do.

 

Where and when did you record/produce/master and who did you work with?

 

Sidelines was produced by Stevie Knight, mixed by James Wisner and mastered by Grant Berry from Fader Mastering.

 

What’s the Adelaide music scene like at the moment?

 

It’s going off! There are so many local bands that are putting out great music, putting on amazing live shows and generally just doing new and unique things! It really forces us to step up our game if we want to be noticed and make an impact.

 

Who are you listening to?

 

As individual band members we have incredibly eclectic tastes from pop/punk (of course) to metalcore to K-pop, to latin and jazz, to blues rock, even regular old radio pop and most things in between. We find that having a wide range of influences between us helps us to make unique music that speaks to those wide range of influences.

 

What do you like to do away from music?

 

Again, we all have different hobbies outside of music but some overlapping ones include health and fitness, gaming, psychology and culinary pursuits.

 

What’s planned for the remainder of 2022?

 

Well let’s just say Down And Out are just getting started! We’ve got a couple more songs up our sleeves and we’re not planning on stopping there!

 

Favourite food and place to hangout?

 

Probably gotta be Vili’s in Mile End. We usually hang out there after a local show and a few of us often find ourselves there once every week or two outside of shows. Can’t beat a 24 hour café!

 

https://www.facebook.com/downandoutaus

June 17, 2022 0 comments
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Strawberry Swing

by the partae June 16, 2022
written by the partae
Where are you currently based?
Wollongong, NSW.

 

How did Strawberry Swing form?
We met at a party but didn’t really start playing together until Nima bought a cheap electric drum kit. He couldn’t play it, so he dropped it over to my house. We started jamming, and then song writing and then decided to start a band.— Mark.

 

What’s been happening recently?

We’ve been working pretty closely with Cara Walkam aka meadowhip. She’s been singing for us at live shows and that’s been great. We’ve played a few cool shows lately around Wollongong and up in Sydney as well. Looking to get back in the studio in the next couple of weeks.— Mark

Your new single Bennie (Won’t Dance) ft. meadowhip is out now, what influenced the sound and songwriting?
Bennie accidentally became our most straightforward pop song. It started with this little stabby piano groove Nima had and then I started riffing lyrics on it. We kind of went down a classic rock road/80s pop thing with it. Sort of that throwback 50s vibe that was big in the 80s (think Phil Collins or Billy Joel) but still very 2022, particularly with the vocals. Eventually the point of the song became to hit the audience fast and groovy and get them dancing. — Mark

 

How did this single come about?

So Nima came around before Strawberry Swing was even a thing yet in like early 2019 and he had the piano stabs and this little piano groove. When he played the first chord, I think I’d just gotten Goodbye Yellow Brick Road on vinyl, and I just shouted Bennie. The rest of the song didn’t really sound like Bennie and the Jets but I just started singing about this girl called Bennie who hangs out with Mick Jagger and Billy Joel but won’t dance with us.

We thought it would be cool to swing the chorus, and in like half an hour from Nima showing me that little bit of piano we had a song. And it ended up being short because I ran out of classic rock references. — Mark

 

Where and when did you record/produce/master and who with?
We recorded it late last year in Wollongong and had it mixed/mastered by our friend Ben Cauduro aka Benjamino. He did an amazing job on it.

 

How did you approach the recording process?

We wanted it to match how we play live, so it was all about minimising any digital trickery (their all live takes, no looping or quantising) and keeping the energy really high. I think Nima got the keys down in one take and I got the drums down in two.

So Nima won that round.

We then had our live guitarist, Nate put the rhythm guitars down and wail out that solo, and Ben ended up throwing bass on it during mixing which was great.

And most importantly meadowhip, who is the featured artist, just absolutely nailed the vocals and Ben gave them a real ‘wall-of-sound’ vibe which was cool. — Mark

 

Please tell us about any upcoming shows?
We’re at The Alley at the Agincourt Hotel in Sydney on July 2nd. We’re headlining that one and we have a killer line up.

And then we’re at North Gong Hotel in Wollongong for a Sunday Sesh on July 10.

What do you most enjoy about playing live?

For me it’s the feeling of locking in with a band and then feeling the audience lock in with that, there’s nothing like it on earth. — Mark

I like seeing the audiences reaction to the songs. I guess the goal is to convey the emotions of the song (which we wrote it to have) to the audience. So when we’re playing live I want to see how successful we were in doing that. — Nima

 

Who are you listening to at the moment?
So in rotation with the band at the moment we have Yeah Yeah Yeahs, Blondie, Harry Styles, Billie Eilish, someone was suggesting a Lizzo cover the other day and Nima and I can’t get enough of Gang of Youths.

 

What’s planned for the remainder of 2022?
We’ve got another single or two planned and just a bunch of gigs, hoping to get further and further afield so maybe Melbourne or Brisbane if the stars align.

 

Favourite food and place to hangout?
My favourite food is ghorme sabzi (it’s a Persian thing) and my favourite place to hang out is nature. Specially mountains and woods. But in general I like going to  new places so anywhere I’ve never been to before.— Nima

My favourite food is, and I know this sounds lame, but my mother’s cooking. I do most of the cooking at home, so it’s nice to go to my parents house and not have to do anything. And my favourite place to hang out is wherever there’s people, I just like being with people.— Mark.

Socials

https://linktr.ee/strawberryswingband
June 16, 2022 0 comments
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Michaela Slinger

by the partae June 16, 2022
written by the partae

Where are you currently based?

I’m based in Vancouver, BC. I grew up just outside of the city in a small suburb called Port Moody. It’s a pretty beautiful place to be.

How did you first start playing music?

My parents tell me that I’ve been singing since I could talk. Music and singing and performance have honestly felt innate since I can remember. I was constantly performing as a kid, and started doing musical theatre, voice, dance, and piano lessons around age five, and I started writing songs in elementary school in a sparkly pink notebook (which I recently found, and was incredible). 

What’s been happening recently?

I’ve been busy! I’ve gone on four writing trips to Nashville and LA in the past eight months for writing and networking. I played my first acoustic shows in LA, Boston, and Philadelphia, and with a full band in Toronto. I wrote my forthcoming EP between those trips and writing sessions at home in Vancouver.

Your new single “Just This Once” is out now! How did this song come about and what do you hope new fans take away from it?

This is the first single off my sophomore EP. I think the song captures a desire for freedom that I couldn’t indulge during the pandemic, and the lyrics tell that story of frustration around wanting someone I love to be straight up, rather than trying to tiptoe around underlying issues. At that point in COVID, I think everyone was kind-of exploding and re-evaluating their life, and I totally had that hunger for complete honesty. I thought, “If we actually don’t know how tomorrow will look, you might as well get everything out of the shadows and into the light.” I hope it makes listeners want to run or dance or fly or speed in a boat across a wide open body of water. To me, it gives a feeling of catharsis. 

Where and when did you record/produce/master and who did you work with?

‘Just This Once’ was the first song I wrote with Ryan Stewart on the first day we met, and he’s now producing my whole EP. It came fairly quickly, and I was obsessed with it from the first demo. We worked out of his home studio in North Vancouver. 

How did you approach the recording process?

This time around, I’m working on being less fixated on “perfection” or “sounding great” as the primary motivation when I’m in the vocal booth. It’s a very fun but vulnerable place. I’m learning how to just be present and feel the music and emotion and lyrics on the mic. 

What does this single mean to you?

It definitely sets the stage for my next era of music, and I think it captures the spirit of this next project, which is at the intersection of pop, indie and singer-songwriter. 

Who are you listening to at the moment?

Harry’s House is on repeat. 

What do you like to do away from music?

I love getting active—I bike, lift weights, swim, hike in the summer, and get out for walks as much as I can. I have an incredible group of friends and my whole family at home, too, so usually weekends have some kind of wonderful shared meal with great conversation. And I read lots! 

What’s planned for the remainder of 2022?

I have a bunch of summer shows coming up at home in Canada, and I’m working on tour plans for the fall and spring before my EP is out. 

Favourite food and place to hangout?

No joke, I love all food, but a few standouts are sushi (a must if you’re from Vancouver), authentic Italian pasta, and Greek food (I love olives and moussaka and roasted potatoes). I love being outside whenever possible—to me, a favourite place to hang out includes good people by my side! 

Facebook: /michaelaslingermusic

Instagram: @michaelaslinger

Twitter: @michaelaslinger

Tik Tok: @michaelaslinger

Website: www.michaelaslinger.com

June 16, 2022 0 comments
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Brendan Maclean

by the partae June 16, 2022
written by the partae

Where are you currently based?

 Sydney, in the inner west.

What’s been happening recently?

 I just got back from playing Alone At Last in New York. I got to perform at Club Cumming, it’s an east village cabaret bar owned by Alan Cumming who I met at last year’s Adelaide Cabaret Festival when he was Artistic Director. I also just landed the lead role in Jekyll and Hyde: The Musical, so I’ve had my head in that script daily.

You’re playing for the first time solo at the upcoming Adelaide Cabaret Festival, how did this show come about for you?

 I put it together for the Adelaide Fringe Festival after receiving their artist grant. I wanted to make something that took from the big glamorous ensemble shows people would recognise and intertwine them with a concert of original music. What was a surprise for me was realising so many big moments in my life on stage started with shows in Adelaide – I feel incredibly at home on stage with this concert, so many people in Adelaide, maybe without even knowing my name, have watched me on stage over the past decade – it feels a little like a thank you letter and a reintroduction.

What do you have in store for us?

Me and grand piano.

How will you prepare for this show considering it’s your first solo show?

 I will practice the aforementioned piano.

Who are you looking forward to seeing perform at the festival?

 It’s all about Imogen Kelly for me. Queen of burlesque, queen of everything quite frankly.

Who are you listening to at the moment?

Honestly? Anthony Warlow but that’s for the musical and has ruined my Spotify algorithm which would otherwise be playing Jesse Ware and Roisin Murphy exclusively.

Favourite food and place to hangout?

 Medium Quarter Pounder Meal with a coke and also a Mcflurry with hot fudge. And at home.

 

Show details:

BRENDAN MACLEAN

ALONE AT LAST

AT ADELAIDE CABARET FESTIVAL

BANQUET ROOM, ADELAIDE FESTIVAL CENTRE  

THURSDAY JUNE 16 AT 7:30PM

TICKETS: ADELAIDECABARETFESTIVAL.COM.AU

 

Adelaide Cabaret Festival socials: Facebook @adelaidecabaretfestival / Instagram @adelaidecabaret / Twitter @AdelaideCabaret #AdCabFest

Brendan Maclean socials Instagram: @macleanbrendan

June 16, 2022 0 comments
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Rai Thistlethwayte

by the partae June 16, 2022
written by the partae

Where are you currently based?

Sydney/Los Angeles.

What’s been happening recently?

World’s coming out of a pandemic and the future’s looking bright!

Please tell us about any projects that you’re working on at the moment:

Going on tour with Louis Cole and Joe Satriani playing keys for them in June and September respectively, Thirsty Merc national Australian tour in July/Aug!

You’re playing for the first time at the upcoming Adelaide Cabaret Festival, how did this show come about for you?

Adelaide Cabaret Festival Executive Producer Alex Sinclair reached out and we talked about it on the phone and then it all came together from there!

How do you prepare for live shows and what do you have planned for the festival show?

Every show is different planning wise. This one I’ve just sent a bit of music out to the guys but we’ll interpret it differently every gig as we are all into improvising. I’m stoked with this festival because I get to work with two of my favourite musicians: Ben Vanderwal and James Muller.

Who are you looking forward to seeing perform at the festival?

I’m a huge Tina Arena fan (Artistic Director of this year’s Adelaide Cabaret Festival), so if I get a chance to hear her I will jump at the opportunity!

Who are you listening to at the moment?

I saw Scott Kinsey play in LA recently and he reminded me a lot of Joe Zawinul, wow. Loved hearing that sort of music again!

What do you have planned for the remainder of 2022 going into 2023?

Apart from some O/S and Oz touring, might be relocating city wise but that’s to be confirmed!!!

Favourite food and place to hangout?

I love Mexican food and Thai food. Place to hang out – hmmm wherever the music is good!

Show Details

THE QUIET SIDE OF RAI THISTLETHWAYTE

AT ADELAIDE CABARET FESTIVAL

DUNSTAN PLAYHOUSE, ADELAIDE FESTIVAL CENTRE

ON THURSDAY 16 JUNE AT 7PM

TICKETS: WWW.ADELAIDECABARETFESTIVAL.COM.AU

Socials:
Adelaide Cabaret Festival socials: Facebook @adelaidecabaretfestival / Instagram @adelaidecabaret / Twitter @AdelaideCabaret #AdCabFest

June 16, 2022 0 comments
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Lachie Gill

by the partae June 16, 2022
written by the partae

Where are you currently based?

Im currently based on the Mornington peninsula in Victoria.

How did you first start singing?

I was always singing from a young age as my grandpa was a great musician and he was a big influence on me musically, buying me my first musical instrument the ukulele. However, I didn’t start talking it seriously until I was around 17 when I joined the music class at school and realised how much I loved performing. When I turned 18 I had my first paid gig at a pub in Mornington and from then on I took every gig that came my way.

You’ve just won Australia’s ‘The Voice’, how does it feel to win after such a journey?

Its a very surreal feeling that I honestly don’t think will properly sit in for a while to come.

Ive put in a lot of hard work to get to this position and obviously the show only showed part of what my journey has been. I’ve wanted this for a while now and to have an opportunity to work with Universal Music Australia and forge my own music career is super special.

Congratulations on your Complete Collection album debuting at number 3 on iTunes on Monday the 30th of May, what do you have planned for the promotion of this amazing debut?

Yeah its been crazy to see the album do so well. It hit number 1 along side my winners single ‘Wasted Time’ which hit number 1 also. I plan to get out and play my music as much as possible and continue to find new ears to listen to my music and follow my journey.

How do you approach songwriting and what or who influences your writing?

My songwriting process starts with my guitar. I play and play and play until I find something I like. I then get my voice memo app and start recording me singing random words and melodies until something sticks. Some songs are super quick and easy for me to write and others are a nightmare but I absolutely love that creative process and can’t wait to continue to build my songwriting ability and work with new writers and producers to make some really cool stuff. My songwriting influencers change a lot as there are so many amazing writers but people like Dermot Kennedy, Dean Lewis, Finneas, Julia Michael, Lewis Capaldi, Clinton Kane & Blake Rose are just some of my favourite and inspiring writers.

Please tell us about how your original single ‘Wasted Time’ came about and what this track means to you?

Wasted Time was written by Ned Houston & Robby DeSa two talented Sydney musicians. This song was a perfect fit for me. It had the acoustic emotive elements I love while also lending itself to that pop feel. This song while taking me to a super romantic place now holds a special place in my heart representing this whole voice journey and the experiences I had and people I met. I may be biased but this song is a special one and deserves to be heard.

How was your experience on The Voice working with Rita Ora?

Working with Rita Ora was an amazing experience. She is a star but so quickly made me feel comfortable and as if we were just friends working on music together. She was down to earth, fun and super talented. Can’t thank Rita enough for the belief she instilled in me and all that I learn along the journey.

Who are you listening to at the moment?

Along with the writers I mentioned above I listen to the likes of Kid Laroi, Holly Humberstone, Ruel, Tate McRae, Sam Thompkins & other more local artists like Raria, San Joseph & Cotta.

What do you like to do away from music?

Away from music I love the beach! Playing sport and keeping fit & maybe the occasional drink at a local bar/pub down on the Mornington peninsula.

What’s planned for the future?

There is still lots of discussions to be had about my future and the plan of what my next 1-2 years looks like but it will be filled with lots of writing recording and releasing as well as plenty of live shows. I can’t wait to get to work!

Favourite food and place to hangout?

I will eat anything!!

In saying this I do have my favourites… Parcha, my partners mums Turkish restaurant is unbelievable (no bias) & take me to any Japanese restaurant and I’m in heaven.

Places to hangout… hmmm I love St Kilda area in Melbourne which has so many nice places to go to to eat and drink. In the opposite direction there is not many places like the Mornington peninsula and the beach line it has, simply beautiful.

@lachiegillmusic

June 16, 2022 0 comments
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GEORGIA ASHLEIGH

by the partae June 10, 2022
written by the partae
Where are you currently based?
I’m based in Naarm/Melbourne. 
 
How did you first start playing music?
I first started singing back in prep, when the school music teacher decided to give me a small solo in the choir. Since then I became insufferable – treating my parents to many living room performances. 
I later started piano lessons, but never really had the discipline to practice between them. 
It wasn’t until I picked up the guitar in my mid 20’s that I started playing and writing music. 
 
What’s been happening recently?
Lots! Releasing my first two singles has been a terrifying but exciting experience. The reception has been overwhelmingly lovely. Both songs are deeply personal, and it’s felt a little bit like publishing my personal diary. 
Outside of that I’ve been photographing weddings and teaching, so it’s safe to say it’s been a busy time. 
 
Your latest single ‘Doing Fine’ is out now, what influenced the sound and songwriting?
The lyrics and writing were heavily influenced by Angie McMahon, and Pheobe Bridgers. The sound was inspired by Alex the Astronaut’s up beat and cheerful tunes. I wanted to play with the juxtaposition of the light fun melody with the dark sarcastic lyrical content. 
 
How did you go about writing Doing Fine?
This was the second song I’ve ever written. I remember sitting on my bed with my guitar playing the few chords I knew at the time and looking through a few of the notes I’d written on my phone. I’d written most of the song within 1 hour. It wasn’t until one day after a few beers I played it for a few talented friends of mine, who then jammed with me and turned it into a fully formed song. We created and sent recordings to each other over lockdown and before we knew it we had bass, drums and guitar all sorted out.  
 
Where and when did you record/produce/master and who did you work with?
Recording and producing was done up in Castlemaine with Jono Steer, in this tiny idyllic studio out the back of his house called the Perch between lockdowns. It was a beautiful and warm environment. 
Mastering was done by Joe Carra at Crystal Mastering. 
 
How did you approach the recording process?
I was absolutely terrified, I had never done anything like that before. I remember bringing copious amounts of tea (and even some whiskey). My bandmates (Jordan Whittmore, Harry Pratt and Lachlan Cooper) were absolute pros and fantastic friends throughout the entire process. Jono made the entire experience so enjoyable and easy. He’s the master at creating a safe and quiet space to create in – adding so many beautiful touches that truly finished the songs. 
It was an incredible experience that I feel really fortunate to have had. 
 
Who are you listening to at the moment?
Merpire; Yusiimi has been on heavy rotation at the moment. Masterful songwriting and just an all-round stunning track. 
Wildfire by SAULT is an incredibly powerful track that was introduced to me at a music festival. 
 
What do you like to do away from music?
I’m a professional photographer, who mainly photographs weddings at the moment. Outside of that, I enjoy scuba diving, hiking and sewing. 
 
What’s planned for the remainder of 2022?
I’m hoping to get stuck into writing a few more songs and release my debut EP as well as organising some gigs and support act spots. 
 
Favourite food and place to hangout?
Food; Very Good Falafel in Brunswick, late-night hangout spot Rainbow House in Fitzroy. 
 
 
 

FACEBOOK: https://www.facebook.com/GeorgiaAsh1eigh

INSTAGRAM : https://www.instagram.com/georgia_ash1eigh/

SPOTIFY: https://open.spotify.com/artist/0FEbUw52mXXTRUpj6hROzb?si=dsTWaqr_QGa2jfbY_WPaoA&nd=1

June 10, 2022 0 comments
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Shangrila

by the partae June 10, 2022
written by the partae

Where are you currently based?

Perth, Western Australia.

How did the band form? 

We formed our if our old hardcore band “Common Bond” in 2017. We made the choice to move from hardcore which was a genre that we felt comfortable in and had grown up listening to into alt rock/ heavy rock so that we could really challenge ourselves and expand our creativity. 

Your latest single ‘Sunlight’ is out now, what influenced the sound and songwriting?

Sunlight is a song that we have been playing around with for a few years now. We had always loved the song but just couldn’t really find a release that it would fit into as it was a much different vibe from our other songs. We decided that now was as good of a time ever to release a track we thought to have a big “optimistic” and positive feeling about it. The song for us just is a nice track to put on and day dream. 

How did you go about writing Sunlight?

We just told ourselves that we wanted to write a song that was fun to play and reminded ourselves to keep it light, keep it simple and see what we can come up with. 

Where and when did you record/produce/master and who did you work with?

Cody Brooks – Engineering

Shane Edwards – Mix/Mastering

How did you approach the recording process?

We had a fantastic time tracking our last release with Cody Brooks and Shane Edwards so we decided that they would be the perfect combo to help us turn this track into something special. This was definitely one of the most stress free recording process we have ever had by far which was a real treat for us and made the process even more enjoyable. 

You have a headline launch show coming up in July, where are you playing and what do you have in store for us?

July 2nd at Amplifier in Perth.

July 14th at The Zoo in Brisbane.

Who are you listening to at the moment?

Jackson – I’ve been really enjoying the new Thornhil album and also a really big fan of “Hello Yello” right now. 

Gabbi – I haven’t shut up about the new Windwaker album since it came out and have been pestering everyone I know to listen to it.

Dan – Counterparts, Circa Survive, Holding Absence and Royal Coda!

Chad – I’ve been listening to a lot of Holding Absence since finally seeing them live

What do you like to do away from music?

Jackson – eat food and drink beers 🙂 

Gabbi – I’m super into film photography and crochet.

Dan – Movies and going for a swim!

Chad – I like to drink whiskey and get Ws in Fortnite

What’s planned for the remainder of 2022?

We wanna get out of Perth and play as many shows around aus as we can before we are back in the studio towards the end of the year. 

Favourite food and place to hangout?

Jackson – favourite food is anything Asian and spicy and favourite place to hang is either the gym or the pub… yeah I know ?

Gabbi – I can’t go past a good burger! I love just having adventures with mates – hanging at their place, going on drives, and being spontaneous.

Dan – Zamberos!

Chad – Guzman y Gomez and anywhere involving my homies!

Facebook: https://www.facebook.com/shangrila.aus
Instagram: https://www.instagram.com/shangrila_aus/ 

June 10, 2022 0 comments
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TINA ARENA’S SPECTACULAR ADELAIDE CABARET FESTIVAL KICKS OFF TONIGHT!

by the partae June 10, 2022
written by the partae

Get ready to kick up your heels and warm up this winter with a sparkling program of the best and boldest  performers at the 22nd Adelaide Cabaret Festival, starting tonight at Adelaide Festival Centre.  

International star and Australian icon Tina Arena AM proudly presents her curated program with this year’s star studded line-up, featuring 377 artists and musicians across 97 performances over 12 decadent days and nights. 

The world’s largest cabaret festival features 14 world premieres and 15 Adelaide premieres by a large contingent  of Australian artists and performers from the USA, Germany, Rwanda, and New Zealand at Adelaide Festival  Centre and Her Majesty’s Theatre. 

Audiences will be delighted, entertained, and teased by alluring performances and sultry disco evenings – from  headline artist Marcia Hines singing gospel tunes to Australia’s queen of burlesque Imogen Kelly, cabaret  chanteuse and festival favourite Meow Meow, and bespoke French circus act Cirque Bon Bon.  

The hottest late-night club, The Pina Colada Room, will bring a touch of 70s disco to The Famous Spiegeltent – this year located on the new Festival Plaza and featuring DJs, off the cuff cabaret performances, and  appearances by Artistic Director and ARIA Hall of Fame inductee Tina Arena.  

In her debut as Artistic Director, Tina Arena is ready to start the festival fun and frivolity: 

“I am thrilled to be in Adelaide for this much-loved winter festival and can’t wait to see the fusion of stories,  song, dance, and all things theatrical come to life on stage. I hope this year’s program reconnects audiences and  artists in the most intimate and life-affirming way, offering some much-needed connection and joy.  

“I’ve always loved cabaret – long before my role as Sally Bowles, it’s a beautifully eclectic art form and escapism  of the most fabulous kind. This program brings together artists with diverse voices and cultures, representing the  best cabaret has to offer in Australia and abroad. From my own show and the personal stories of Songs My  Mother Taught Me to the decadence of The Piña Colada Room – leave your worries behind and let’s have some  fun!” 

Bringing her Italian heritage to the program, audiences will get a rare chance to connect with Tina Arena on a  personal level, as she headlines and hosts the world premiere show, Songs My Mother Taught Me. Featuring  Tina, and special guests Lior, The Voice 2022 finalist Thando, Jess Hitchcock, Wendy Matthews and Sophie Koh,  the show celebrates culture, legacy and love and is inspired by storytelling and family. Two shows only at Her  Majesty’s Theatre on June 24 and 25.  

Opening weekend highlights include:  

  • Cabaret favourite Reuben Kaye hosting this weekend’s The Pina Colada Room and brings his new show  Live & Intimate to The Banquet Room in the second weekend.  
  • South Australian cabaret favourites Amelia Ryan, Michaela Burger and Michael Griffiths celebrate the  golden age of rock ‘n’ roll, sexual revolution and the leaps and bounds of women’s liberation in Simply  Brill – The Women Who Defined Rock ‘n’ Roll. Limited tickets available. 
  • Audiences will travel back in time with vocal powerhouse Catherine Alcorn and Phil Scott in 30  Something, an immersive show set in Sydney’s Bohemia Kings Cross on New Year’s Eve 1939.
  • Swing band Davina & The Vagabonds in an Australian premiere where they draw from the past 100  years of American music, from Fats Domino to Aretha Franklin and Tom Waits in a show led with New  Orleans charm and Memphis soul in The Famous Spiegeltent this weekend.  
  • New Zealand company, A Slightly Isolated Dog bring Don Juan to the Space Theatre, bringing together  physical comedy and twisted pop songs in a hilarious and irreverent show directed by award-winning  Leo Gene Peters.  
  • In its cabaret debut, State Opera South Australia performs How To Kill Your Husband (and other handy  household hints) at Dunstan Playhouse. Based on Kathy Lette’s hit novel, this show guarantees a night  of high drama and cheeky intimacy.  
  • Cabaret Life Drawing – be guided through creating charcoal drawings of a live model while sipping  on a glass of wine and being entertained with live music in The Famous Spiegeltent.  

Headline shows proving popular:  

  • The Gospel According to Marcia sees the extraordinary Marcia Hines celebrate memories from her childhood in Boston and her early experiences with Gospel music in a one night only unmissable concert at Her Majesty’s Theatre on June 17. Accompanied by Adelaide’s own Charmaine Jones & The Gospo  Collective, audiences will rejoice with hit gospel songs including ‘Oh Happy Day’, ‘I Don’t Know How to  Love Him’, and ‘Lean On Me’. 
  • Comedian Paul McDermott presents his nightly show on the last two weekends of the festival with The  Funhouse – a dark carnival of minstrels and misfits, comedy and music and featuring Claire Hooper and  Dilruk Jayasinha plus an array of special guests each weekend.  
  • Comedian and performer Oliver Twist reflects on his time as a refugee from Rwanda, in a delicately told  and unforgettable one-person show, Jali, that proves exceptional storytelling and belly-aching laughter  are powerful antidotes to trauma – three shows from June 23-25 at Space Theatre. 
  • In his cabaret debut, multi-platinum Australian R&B artist Gary Pinto (member of former hit Australian  band CDB) will bring his soulful voice to Dunstan Playhouse in Sam Cooke: The Music. Celebrating the  legacy of “The Godfather of Soul” Sam Cooke, Gary will belt out classics including ‘A Change is Going to  Come’ and ‘You Send Me’ in an evening of storytelling and musical melodies to warm the soul.  

South Australian performers include:  

  • Kuko, Katie Aspel and Rob Edwards in a special Adelaide Premiere where First Nations regional  musicians and performers present a mix of blues, jazz soul and folk in a night of remarkable sound and  story telling in T.R.A.I.L on June 19.  
  • Victoria Falconer makes her festival debut in And Then You Go – The Vali Myers Project, harnessing the  flame haired-bohemian figure and visionary artist. The show is this year’s Frank Ford Commissioning  Award recipient – the award by Adelaide Cabaret Festival’s late founding father provides $20,000 a year  towards the creation of new works by South Australian artists.  
  • Musical Theatre fans will not be disappointed with Moments in the Woods – Songs & Stories of  Sondheim paying tribute to the genius and legacy of musical theatre’s most ground-breaking composer,  Stephen Sondheim, featuring Philip Quast, Geraldine Turner, Queenie van de Zandt, Josie Lane and  Adelaide’s own Mitchell Butel for one night only at Her Majesty’s Theatre.

Adelaide Festival Centre CEO & Artistic Director Douglas Gautier AM: 

“South Australia’s favourite winter festival is back and looking better than ever with the new Festival Plaza open  and ready to welcome audiences to some new spaces and familiar ones at Adelaide Festival Centre. As a winter  festival, Adelaide Cabaret Festival is a seat at the fireside, warming our collective spirits and we know how  important that is for our community. 

“Tina Arena has brought her creativity, talent and arts expertise to this wonderful program, contributing to the  festival’s position as the country’s premier cabaret festival in Australia’s premier festival city. We look forward to  warmly welcoming audiences back.” 

Adelaide Cabaret Festival Executive Producer Alex Sinclair: “We can’t wait to see cabaret fans and new  audiences alike joining in the festivities of our favourite winter festival. Come share a dance under the mirror ball,  enjoy the sparkle, glamour and revel in the live and intimate performances that make Adelaide Cabaret Festival  the place to be this June.” 

Free events include the popular LGBTIQ+ Elders Dance Club by All The Queens Men, the fabulous afternoon tea  dance party for lesbian, gay, bisexual, trans, gender diverse and intersex elders and all allies will be held at The  Famous Spiegeltent on Sunday, June 19.  

The inspiring Class of Cabaret program returns to shine a light on the cabaret stars of tomorrow, proudly  supported by Adelaide Festival Centre Foundation through the Nathaniel O’Brien Scholarship which allows one  student from regional South Australia to participate in the program. 

Festival favourite Trevor Jones – The Piano Man is back at the Festival Theatre foyer Quartet Bar nightly and the  Corryton Burge Bar and Cabaret Lounge return as the perfect places for patrons to settle into a quiet corner or  keep the party going between shows.  

Produced and presented by Adelaide Festival Centre, Adelaide Cabaret Festival has grown from modest  beginnings in 2001 to become Australia’s major winter festival and the largest cabaret festival in the world.  Previous Artistic Directors of the festival include Julia Holt, David Campbell, Kate Ceberano, Barry Humphries,  Eddie Perfect, Ali McGregor, Julia Zemiro and most recently, Alan Cumming.  

The festival has been a platform for shows and performers who have achieved critical acclaim and featured  world-renowned artists including Ms Lisa Fischer, Kristen Chenoweth, Idina Menzel, Dita Von Teese and Patti  Lupone to name a few.  

Adelaide Cabaret Festival 2022 opens on June 10 and runs until June 25. 

Tickets on sale March 25 from 11am at adelaidecabaretfestival.com.au 

Get Social: Facebook @adelaidecabaretfestival / Instagram @adelaidecabaret / Twitter @AdelaideCabaret  #AdCabFest 

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