Music Interviews
Where are you currently based?
I am based in Boorloo (Perth) Western Australia.
How did you first start playing music?
I made a decision about 5 years ago that if I didn’t pursue my dreams now that they would never happen. I found a DJ and Abelton production course through Lab Six and haven’t looked back since.
What’s been happening recently?
I have been quietly producing music in my little home studio which has been like a cocoon during the pandemic. Being nominated for a WAM SOTY award in 2021 really encouraged me to push myself forward and see how far I can go with my beautiful obsession to produce music. I am looking forward to my first live performance (previously it has always been DJ sets).
Your latest single ‘Threw It All Away’ is out now, what influenced the sound and songwriting?
About a year ago, I really started vibing Trip Hop like Portishead and Massive Attack and decided that genre really suits my songwriting style. I also love Kanye style vocal processing so I decided to give Trip Hop a modern twist by incorporating that into this track.
How did you go about writing Threw It All Away?
I wrote the lyrics first with a melody in mind. Once I had that together, I sat at my piano and worked out some backing chords before picking the perfect synth for the track using Abelton which is the DAW that I use to create music. Once I had a rough draft of the song, I showed my mentor Morgan Then (from Slumberjack) and he had some great suggestions which really brought the track to life and complemented the song so well.
What does this single mean to you?
I feel personally connected to this song. You can hear that this song comes from the heart when listening to my vocals. I am so grateful to have the opportunity to create this song, and it is my intention that it will resonate with a lot of people, and bring them pleasure listening to it.
Where and when did you record/produce/master and who with?
The song was written in my studio at home and the vocals were recorded there also. There was some Mentorship over zoom with Morgan Then, but it was all in my home studio. Even the mastering. Lab Six Records requested some minor changes and I was stoked that they released it under their label.
Who are you listening to at the moment?
I love Portishead, but I am currently listening to Project Bexx, Tina Says, Ekko and Sidetrack, Boston Switch, Oddly Godly and of course Slumberjack.
What do you like to do away from music?
I am trying to grow the world’s largest tomato.
What’s planned for the remainder of 2022 going into 2023?
I am currently involved in a guiness book of world record attempt to beat the record for B2B DJ set and my latest single “Fly Away” is coming out October 13!
I have so much music lined up for release as well as DJ sets and performances scheduled, next up on October 12 at Lyric Underground in Maylands.
Favourite food and place to hangout?
I love Mushroom Burgers and to hang out at Lab Six.
/// Fran Links ///
Congratulations on the release of ‘Bittersweet At Best’! How does it feel to have new music out there? Thank you! It’s so exciting! I have been working on this song for a really long time and to finally be able to share it in all it’s melancholic glory is amazing!
It’s not the first piece of music from you in 2022 – how does the experience of making this track compare to ‘I’m Fine, Thanks’? I actually worked on them one after the other. On fine thanks we had a I think about 30 backing vocal tracks to create that waterfall of ‘fine’ and a lot of overlaying lead parts from me. So when we moved onto Bittersweet it felt like a walk in the park because it was so intentionally stripped back.
Tell us about the team you worked with on ‘Bittersweet At Best’: who were they and what was it like to work with them? The same team who worked on ‘I’m Fine, Thanks’ worked on this one, Cody McWaters, Dan Sugars, Kieran Stevenson, Michael Muchow and of course, me! It’s so wonderful to work with them because they are some of the closet people in my life and know me and understand me so well that it just makes for a really safe space to create.
How do you think your songwriting approach has changed since releasing your album Spectacular Heartbreak (if so, how)? I think the only thing that might’ve changed is I trust myself a bit more. I feel like when I was writing SH I would get halfway through a song and it wouldn’t be quite right and I would immediately go to the idea that I needed a co-writer to finish it. Which worked out pretty well on SH of course! But I think for this record I have put a bit more effort into pushing myself to try to be my own editor.
‘Bittersweet At Best’ feels like such an emotional track: do you pull from real life experiences when writing your material? Definintely! Funnily enough this song just kind of fell out and I didn’t actually think much of it when I first wrote it. It wasn’t until I was tracking some demos with Dan and Kieran and I had jumped on at the last minute to do this one by myself. I looked over at them when I had finished and they were both about to cry. So I figured that maybe the reason it was so easy to write because so much of this song feels like it was just sitting in my subconscious. I always feel like the only way I can write something special is writing what I know.
Do you have any specific reference records or artists you find yourself returning to with each writing session? Not so much when I go into writing sessions but certainly when we are working up a song in the studio. I think my cornerstone for incredible writing and experimenting is and will always be Taylor Swift. Her writing has always told stories no matter what genre she is playing in. And that’s something I always hang onto when I’m creating.
What’s coming up with you as we head into the rest of the year, with your music, that is exciting you? Right now I’m finishing up my second album that I crowdfunded earlier this year with the same team I’ve been working with on these last two songs. I’m also playing some of the new record live at festivals like Deni Ute Muster (September 30) and Groundwater Country Music Festival (October 30), I’ll also be doing my annual christmas show which I’ll be annoucing next month! Then gearing up for a big album release and tour next year!
Can fans expect a new album on the horizon? Yes indeed! Album 2 is on the way in 2023!
Joseph –If we had to pick one food that epitomized our band, it would probably have to be pizza. Mostly because that’s what we tend to eat together before a gig. As for hanging out, the concerts and gigs of other great bands!
We spoke with Brett Hornall of The Vidos..
Where are you currently based?
I’m currently in my broken down 2001 Civic on the side of the highway waiting for a tow somewhere in Surrey, BC. The band, however, just recently moved our HQ to beautiful Mission, BC and I’ve never been happier. I mean… besides that time ten minutes ago when my car was working properly.
How did The Vidos form?
Kirk and Nolan met during their golden years playing for the Langley Eagles hockey team when they were 11 years old. At the start of the season Nolan’s dad had just had his driver’s license confiscated by the RCMP due to a DUI (who knew a bong would look bad in your front cup holder?). This posed a problem from their first tournament trip down to Bremerton, WA as Nolan was their star-studded goaltender. Kirk’s grandpa offered to take both of them down so they convoyed all together; made for a hell of a time at the border I hear… The four of them shared a hotel room together which is where Kirk and Nolan got to know each other while the future Vidads were out facedownin a pile of nachos at the local pub. This gave the boys lots of time to talk about music and share their love for Ronnie James Dio. When they returned, Kirk and Nolan spent years scouring and posting ads on Craigslist which is where they found a ton of weirdos — including the one and only ME, Brett Hornall.
What’s been happening recently?
Kirk (guitar) was living on the band bus for the last four or five months until we sold it, now he’s living in the rehearsal space washroom, Nolan (drums) just bought an apartment with his cats, and I moved back in with my dad when we got back from Toronto (guess which one of us is good at Monopoly). We also just signed a record deal with our longtime friends Danny Craig and Dave Benedict on their new label Rock Is Dead Records here in Vancouver, which is a very exciting thing for all parties involved.
What or who influenced the sound and songwriting for your latest single ‘Boomshackalacka’?
Kirk and I had been listening to a lot of r&b at the time and I was particularly into The Internet, so the main skeleton of the song I think was me trying to do something they might do. Then I got self-conscious about it and was like, “okay this is cool but what if a band like Mother Mother or DFA tried to write the chorus?” In terms of structure we ended up going for that laid back, vibey verse and Impossible Beef chorus thing going on that Tame Impala or like Tegan and Sara do so well.
How did you go about writing ‘Boomshackalacka’?
Like I said about trying to lean into some r&b type stuff, I think at a certain point I got nervous about how different it was and tried to contrast that with a big, sorta riffy chorus that had been somewhat of a hallmark for us in the past. The lyrics of the chorus kinda cop to the fact that I chickened out on going fully outta my comfort zone to instead rest on my laurels, haha. The whole song has this “hey, look at me, I‘ve got no game” quality to it that I think is pretty par for the course if you’ve ever met us.
Where and when did you record/produce/master and who did you work with?
We recorded this entire puppy last July and August with Danny Craig in his garage in Chilliwack, BC. From there the completed record was sent down to Tom Baker in Cali for mastering.
How did you approach the recording process?
This time around was different than any session we’d previously done — we recorded a whole record from front to back in track listing order, one instrument at a time. We decided on the song order during pre-production and stuck with it. It’s pretty neat because you can hear the record really develop as it goes on. That being said, “Boomshackalacka” was the first song we cut so we spent a lot of time on that one! The sounds and lyrical themes we found for “Boom” really shaped the identity of the rest of the record.
What can we expect from the upcoming music video for the track?
It’s a six-minute epic — we’re calling it our “Thriller”. It’s incredibly ridiculous, highly entertaining and is absolutely our magnum opus.
You’ve just signed to a brand new record label ‘Rock is Dead’ how did this come about and how has the experience been so far?
They call it “Rock is Dead”, we call it “Two Dads and a Laptop”. We absolutely adore Danny and Dave, we’ve been friends and collaborators for almost ten years now so it was absolutely a no-brainer to do an entire record with them for imaginary future money. In this economy? Get outta here.
Who are you listening to at the moment?
We’ve been on a big 1975 kick lately; Nolan’s rewatching the OC, so every song from that; the Tarzan soundtrack; Upsahl; Remi Wolf; and I’ve been getting back to my roots with some Fall Out Boy and that first Specials record. There’s also a great, virtually unknown band from New York called The Prigs that I ask anyone who will listen to check out. Specifically their song “Crush”.
What do you like to do away from music?
It’s no secret we all like to enjoy some fine (and not so fine) spirits here in The Vidos camp, which has slowly developed from a problem to a passion. We’ll often get together and crack open my great grandfather’s WW1 cocktail book and see what we can do. Of course, it’s a luxury for us to use a shaker tin instead of gramps’ old lead canteen container and we respect our privilege immensely.
What’s planned for the remainder of 2022 going into 2023?
Finishing our new tour rig has been the big focus for the last 5 months and we’re just about at the finish line. We’re going to be rolling around with the most efficient rig ever conceived by people kind. Once finished we look to take aim at dominating the Christmas scene while dropping another Vidos heartthrob. Santa’s never looked so good. In 2023… it begins.
Favourite food and place to hangout?
We have this joint in BC called Triple-O’s and it is the best fast food burger you’ve ever had in your bloody life. You’d be hard-pressed (much like tha 100% fresh Canadian beef patty) to find us anywhere else on a Tuesday when the burgers are six bucks.
Facebook: /thevidos
Instagram: @thevidosband
TikTok: @thevidos
Twitter: @thevidosband
Website: https://thevidosmusic.com
Where are you currently based?
I’m currently based in Antwerp, Belgium.
How did you first start playing music?
Around age 10 I started playing classical piano. Not for long though. A couple of years later I quit and didn’t play any music for a year until I sat down at the piano again aged 14 and wrote my first song.
What’s been happening recently?
Mostly promo for the new album and I’m currently on tour in North America.
You Don’t Own Me’ is your latest single and is out now, how did this track come about?
When I was still living in Amsterdam I rented a bedroom at a friend’s house which had a piano in it. Every morning and evening before and after my lessons I would play. I always kept the silencing pedal on because our neighbors downstairs hated noise of any kind. Often they complained during the day which I thought was very silly, but sometimes when I played later in the evening I guess they had a point. When the first chords and melody arrived of ‘You Don’t Own Me’ I knew it was past a reasonable time to play but there was a big sense of urgency that made me sit down at the piano anyway. Only years later, funnily enough when I was visiting Amsterdam again (I didn’t live there anymore) I re-listened to the recording on my phone and started humming a melody for the verse and working on the first lyrics sitting in a hotel bar. To me the lyrics aren’t directed towards a specific person, group, or place of power. It’s more of an ode to Freedom and a stance to any form of oppression. I hope oppressed individuals and/or groups can find solace in a song like this.
What does You Don’t Own Me mean to you?
I had just read ‘Man’s Search For Meaning’ by Viktor E. Frankl, which has become one of my favorite books, and of which these quotes came to mind when I was writing ‘You Don’t Own Me’:
“Even the helpless victim of a hopeless situation, facing a fate he cannot change, may rise above himself, may grow beyond himself, and by so doing change himself. He may turn a personal tragedy into a triumph.”
“Is this to say that suffering is indispensable to meaning? In no way. I only insist that meaning is available in spite of – nay, even through – suffering, provided that the suffering is unavoidable. If it is avoidable, the meaningful thing to do is to remove its cause, for unnecessary suffering is masochistic rather than heroic. If, on the other hand, one cannot change a situation that causes his suffering, he can still choose his attitude.”
Your album ‘Sahar’ is out on September 23, what influenced the sound and songwriting?
I played a lot of oud, which is an Arabic lute. I used it both to write songs as well as a prominent color in the arrangements.
Please tell us about the songwriting writing process that you went through for Sahar:
The beauty of songwriting is its mystery.
Where were you whilst writing the album and did the location affect the album in anyway?
I was most often in Antwerp. It was mainly the fact that I was home again after a long tour that gave me space and time to write the album.
Where and when did you record/produce/master and who did you work with?
I started recording at my place, a lot of those early recordings ended up on the album. We then recorded a lot at co-producer PJ Maertens’ studio, ICP and Jet studio’s in Brussels. 6 songs were mixed by Jon Low in Long Pond studio. The 4 other songs were mixed by other co-producer Jo Francken and PJ. The mastering was done by Dave Kutch at the mastering palace.
How did you approach the recording process?
We left a lot of room for experimentation in the studio. I feel like the character of each individual musician shines through really well.
What’s planned for the remainder of 2022 going into 2023?
Planned for the rest of 2022 and 2023 is tour. Finishing up the North American tour end of October. We take the tour further into Europe right after and will announce new dates for 2023 very soon.
Play Sahar
Its been truly amazing for live shows! I have performed in Berlin, London, Amsterdam, Ibiza, Trogir, New Delhi, Mumbai, Frankfurt, Oslo, Zürich , Hasting, Kassel, Manchester, Wismar, Prague, Monchengladbach, Magdeburg and more! Just planning Autumn and winter now!
All of the tracks in this EP are live recordings from Summer Love Festival. Could you tell us a little bit more about this?
All the music I release is chopped directly out my live sets, whilst a lot of artists make tracks then work out how to perform them live I work the other way round with all the music I create being made for the live show! I release a lot of stuff that is recorded at gigs as well! I did a live on tour series on my label Cubism so it made perfect sense to record the tracks I recorded in the Superfreq tent at Summer love on the Superfreq label.
Yes that was actually my second album on the label! The have released over 25 of my tracks so far. We have already spoken about a possible third album coming in the next year or so.
Who was your favourite DJ growing up?
I loved Jeff Mills and Richie Hawtin when he was doing Deck FX 909
Are there any current artists that inspire you?
There are loads I regularly listen to Drumcomplex’s radio show its always great techno on there. But also a lot of DJs I hear out and about when touring hearing them do their thing in a club is always a great source of inspiration.
Outside of electronic music, what other types of music do you listen to?
I love a lot of music from 80’s synth pop to dub to 60’s 70’s rock music 80s & 90’s hiphop, classical and Jazz. I am a massive music lover!
What equipment did you use to record this E.P?
My set up is as follows:Novation Peak, Roland MC707, Pioneer V10, Novation Impusle 25 Korg Kaos, Pad Korg Volca Kick , Macbook Pro, Ableton, Focusrite audio interface REM Midi Clock, Pioneer RMX1000
For me its the perfect combo of a great groove box, a very powerful synth, Ableton & Controller and DJ style FX. It means my set is very hands on but there is no scrolling through menus everything is done by touch. It gives me ultimate control and allows me to improvise, but also arrange everything in real time.
Everything is equally as important as everything else it all works together to make one instrument!
Do you have plans to do any more releases this year?
Yeah a few on the Horizon with singles on R&S and Awesome Soundwave and a 5 Track Vinyl EP on a new label from Warsaw called Acid Works.
Last Question! Have you got any gigs planned that you would like to tell us about? I have quite a few but can’t wait to return to Fabrik Madrid for Carl Cox invites on the 1st of October! Its gonna be rocking 🙂
PLAY/LISTEN
Currently based in Wollongong, Australia (about 1hr south of Sydney). It’s a beautiful coastal city and a great place to write and produce music.
Around the age of 7 I started working out my favourite melodies by ear on the home piano and it all grew from there.
A lot of writing and recording! I work at a studio in Wollongong called DROP where we record other artists and write production music, so that takes up most of my time.
At the end of last year I bought a new digital synth – an ASM Hyrdasynth, and on the first day it arrived at my place I played the opening synth line on one of the presets and the song developed from there.
I had a night recording session cancelled at the last minute in January so decided to use the time to write the majority of this song. That night I wrote all of the sections, most of the lyrics and the big guitar line in the middle of the song, so it was fairly productive!
I feel like it is a step in a new direction for my writing and production style. This year I have focused more on vocal melodies and hooks and this is the first of that bunch that I have released. Lyrically, the song is essentially about a quarter-life crisis so it’s obviously very personal haha
I recorded the drums, synths, bass and guitars with Kieran Parker (another producer at DROP and my live drummer) at DROP, the first time we’d done so and we were very excited to use a lot of very fancy mics. The backing vocals were recorded with Julie Oguey, she came up with most of the arrangement and it added a new dynamic to the track. My ever faithful horn players all recorded their parts at home and sent them to me. The track was mixed by Glenn Lumanta and mastered by Jason Martin.
I tried to lean into my love for synths and indietronica a little more. I also experimented with the structure so that it wasn’t a standard pop song route.
Over the last few months I’ve been obsessed with Victoria Monet’s album JAGUAR as well as Sammy Rae and the Friends new singles. I was lucky enough to record Arlo Park’s live show in Sydney recently for Triple J so I have been listening to her a lot since then.
I’m a sport fanatic, both watching and playing (when I can, gotta be careful of those precious fingers).
I have a lot of songs ready to record, so that will be a goal for the rest of this year. Trying my best to book as many shows as I can too, hopefully will be able to play around more of Australia now.
Where are you currently based?
We’re currently based in Newcastle, Australia.
How did the band form?
The band formed from me (Stove) and Henry being in a previous band together and bonding over a love of pop punk and emo music, and when that band eventually separated they decided to try writing some different stuff together and PSTCRDS was born.
What’s been happening recently?
Recently we just put out a new single ‘What We Dwell On’, accompanied by a music video shot by Crow River Visuals and we’re currently supporting that release through a tour with Synge from Sydney.
Your latest single ‘What We Dwell On’ is out now, what influenced the sound and songwriting?
The idea for WWDO was mostly to try something a little different, almost towards an ‘anthem’ vibe of sorts, and something people could really dance to. The influences came from a range of different stuff we had been listening to, bands like Stand Atlantic, Youth Fountain and some pop artists like Taylor Swift, Peach PRC etc
How did you go about writing What We Dwell On and what does this single mean to you?
We actually had an original version of the song that sounded completely different, but in the studio we decided to go in a different direction and try something new that we hadn’t done before.
The single is based around the loss of a relationship, be that a friendship or a romantic one, and the single being so different from what we’ve done in the past feels like a good way to emphasise moving forward from where you were to where you want to be.
Where and when did you record/produce/master and who did you work with?
We recorded the single in late July, and we worked with Chris Lalic (Windwaker), who we’ve worked with for every release we’ve done so far.
How did you approach the recording process?
We always try to approach the recording process with an open mind to trying new things and changing as much as we feel we need to. There’s always a 90% finished demo from the start, but several times now we’ve completely scrapped songs and rewritten them, so we always try to stay open to any and all ideas as we go.
Who are you listening to at the moment?
I can’t speak for the other boys, but I’ve been listening to a lot of heavier stuff lately, which is interesting considering the sound of WWDO, but I’ve been loving Knocked Loose’s A Tear in the Fabric of Life, the new singles from The Gloom in the Corner and also Eat Your Heart Out’s new album!
What’s planned for the remainder of 2022 going into 2023?
Mostly we’re just aiming to play as many shows as we can and hopefully write some more music to put something out next year.
Favourite food and place to hangout?
I’m obsessed with Mexican food, so my favourite place to eat is always Mad Mex, but in terms of places to hangout I tend to spend a lot of time at home with my roommates and just kicking around Newcastle really.
Where are you currently based?
I’m in Montréal, Canada!
How did you first start playing music?
I started playing the piano in high school. I was taught the four basic pop chords by one of my high school friends, continued to teach myself and the rest was history.
I’ve been singing since I was in diapers, singing the Caillou theme song on repeat.
What’s been happening recently?
I’ve been working on my debut EP, in and out of the studio with my producer Johan
Maestro. I’ve also been getting some shows ready. I cannot wait to show you all what I’ve been working on.
Your latest single is out now, what influenced the sound and songwriting?
One of my siblings inspired the song actually. They had been going through some hard times and I wanted to help. The song talks about being there for someone you love so much and the extent of how far that love can take you. For the sound I wanted something big, I wanted an anthem-like feel to really rally the fact that this song can take you out of any “Hurricane”.
How did you go about writing Hurricane?
I actually wrote it on zoom during the pandemic, with three collaborators. QSTNMRKS (producer duo) who were in Holland working on the music, while I came up with Melodies and wrote the lyrics with my friend Begonia (artist). The song wrote itself, in under an hour.
Where and when did you record/produce/master and who did you work with?
We recorded, produced and mastered the song in July of 2022. Johan Maestro produced and mixed “Hurricane”. He is also working on my EP that will be released before the end of the year.
How did you approach the recording process?
I approached the recording by getting in my zone and really connecting to the song. I had the person the song was dedicated to in my mind, the whole time.
What does this single mean to you?
It means the most. I honestly feel like this song sums up the person I am and the distances I’ll go for the ones I love. I really feel like this song sets the tone for the rest to come. I’m really proud of this single.
Who are you listening to at the moment?
I’d have to say Lisa LeBlanc and Coldplay!
What do you like to do away from music?
Away from music you can either catch me cooking up a storm in the kitchen or going out to dance with some friends. If not, weekend breakfast out at restaurants is one of my favourite things to do.
What’s planned for the remainder of 2022 going into 2023?
The release of my first EP and some new shows are set for 2022! I can’t wait!
Favourite food and place to hangout?
Poutine Déjeuner from Cochon Dingue, and I love to hangout by the water.
Facebook: /Joshalexanderofficial
Instagram: @joshalexanderofficial
TikTok: @joshalexandermusic
Where are you currently based?
London
How did you first start playing music?
I was lucky enough to grow up in a very musical family, with my Grandmother being an incredible singer and pianist and my mum also being very talented at the piano. I always felt so free and joyful singing and my mum was the one to really build my confidence. Writing was an instinctual part of me, where I really got a lot of joy from writing poems and stories so the two naturally intertwined as I got into my teens.
What’s been happening recently?
2020 and 2021 saw me back home in Nelson with my mum and sister Clare. It was there, I really found myself in a new way which started to really show itself in the music I was writing. Then as New Zealand opened up, I found my now manager Jeffrey Figueroa and we’ve been working very hard bringing this vision to life. Lots of writing sessions and living life!
Your latest single ‘Teenage Renegade’ is out now, what influenced the sound and songwriting?
I have always deeply connected to the likes of Kate Bush, Stevie Nicks, Tears For Fears etc, music that really moves you and takes you to another world where you feel free. Lyrically, I really get inspired by words that connect to a deeper part of myself. I often go through times of feeling pretty anxious and overwhelmed so I wanted to write an ode to that inner wild child inside all of us, and that really came out when we were writing Teenage Renegade.
You’re in Australia to support Teenage Renegade, how does it feel to be back?
YES! It feels INCREDIBLE to be back. I feel so much support and love here and the whole atmosphere is incredibly welcoming.
Who did you work with during the creation of Teenage Renegade?
I worked with the incredible Tyler Spry and Areli Castro.
Where and when did you record/produce/master?
I wrote ‘Teenage Renegade’ over zoom in January of 2022 from my house in London!
How did you approach the recording process?
I actually got the train down to a beautiful seaside village in Deal, UK and recorded vocals in my air bnb. It was an incredibly peaceful and calm way to approach this and really allowed me to capture the right emotion I was after for Teenage Renegade.
What do you have planned for the remainder of 2022 going into 2023?
We’ve got the next single all lined up and ready to go and I’m so incredibly excited. The EP is just about ready and I couldn’t be more excited to start getting the live shows ready for you!
Do you have an EP in the pipeline?
Definitely! It’s nearly finished!
What inspires you and what is it like being an independent artist coming off the success from your last album?
Life inspires me! Truly living and riding the waves of life. The highs and lows can be scary and hard to accept but Teenage Renegade is my reminder that I can survive it all.
The most important thing, independent or signed is that you’re able to really write the music that you want to write. I’ve found being independent has allowed Jeff, my manager and I to really hone in on the vision. Everything you’re seeing is all us.
Your hit single Nothing to Regret was certified double-platinum in Australia and has reached over 120M streams, what do you attribute to this massive achievement?
AHhhh that still blows my mind! Thankyou listeners hehe. I think people really connected to the message.
Sometimes we are made to feel like we need so much to be happy when really all we need are our friends, family and to feel free from pressure for a moment. Nothing To Regret is the ode for letting go of the worry and fear.
Who are you listening to at the moment?
I’m loving a lot of Wolf Alice, The Cure, Miley Cyrus, Kate Bush, Stevie Nicks and Tears For Fears.
What do you like to do away from music?
That is a great question! I’ve taken a strong liking to cooking recently which is surprising to even me. I think there’s a real therapy to creating your own version of flavours. I also love being amongst of nature and the comforts of my own home hahaha, and then the other side of me loves a good time out dancing the night away.
Favourite food and place to hang out when you are in Australia?
Ohhhh! Australia has so many incredible places to go and see. I really love Icebergs in Bondi, I think the view of the ocean is so stunning.
SOCIALS
@robinsonxmusic – Instagram
RobinsonMusic – Facebook
Where are you currently based?
We both live in LA. But seems like we haven’t spent much time here recently.
How did you first start playing music?
I sort of played random instruments here and there growing up. When I was super young the first thing I started was piano with my grandpa.
Then I randomly took a few drum lessons a couple years after that. Then there was moments of guitar, but that would come and go for a few more years.
I never really stuck with one instrument and I think that’s why I like producing.
What’s been happening recently?
I’ve been spending some time in the studio while we’re on a little break from touring. I just bought some new headphones for the flights 🙂 Been taking care of my dragon Spark too.
Your latest single ‘Malibu’ is out now, what influenced the sound and songwriting?
When we showed up to the studio that day everyone had just come from Malibu the day before so it seemed like a good start to a song.
What does Malibu mean to you?
Beach, Rum, Water, Sun
Pretty good version of paradise to me.
You have a new album, please tell us how this came about and what were the influences:
We’re constantly making music so this is just a taste of what’s on our hard drive.
On this Mixtape there’s Dance influence, R&B, Pop, 80s, Funk, and ross likes to say Bedroom Thrash.
Where and when did you record/produce/master and who did you work with?
Most of the album was recorded in our studio in LA.
Most tracks are written, produced and mixed by Ross and I.
Malibu we did with a friend named Griff.
And Keep Moving Forward Nikka add some nice melodies to 🙂
What do you have planned for this latest album, I see you are currently touring globally…
Yea we got a good amount of touring going on for the next couple months.
We just got the first cut of the video for a song called Fantasy.
Maybe 1 more video for another song soon too.
What can we expect from your upcoming Australian shows?
Good vibes, some cool lights, and us 🙂
Who are you listening to at the moment?
JMSN is cool.
Demons Massane Remix
Speaking Sonar by Summer Salt is a good one
Peach Fuzz by Tyler the creator
I’ve been liking a lot of what blood orange has been doing lately.
What do you like to do away from music?
I like to play hockey
I spend a lot of time doing music. So I am kinda curious what else I could enjoy in this world.
What’s planned for the remainder of 2022 going into 2023?
We got some shows in Japan, AUS, New Zealand, Europe and UK to finish off the year. Then I’ll probably move houses after that.
Favourite food and place to hangout in LA?
There’s this new restaurant called Taisho that’s pretty good. Got nice sake and Sea Bass. Good hang at the bar too.
Socials:
@thedriverera – Instagram
@TheDriverEra – Facebook
Where are you currently based?
I am currently based in Melbourne, Australia.
How did you first start playing music?
I was extremely young when I first gained an interest in music. From dancing to any song my parents put on to picking up the piano and vocal lessons in primary school, I knew music would be something I would be involved in at some point later in life.
What’s been happening recently?
I have been in the studio a lot. Writing, recording and lining up my upcoming releases. I’m super excited to show everyone what I’ve been creating.
Your latest single ‘Good Intent’, is out on the 16th of September, what influenced the sound and songwriting?
The main influences for this song came from artists such as Gracie Abrams and Olivia Rodrigo, mainly drawing reference to the gang vocals in Drivers License, especially when building the depth I was going for.
How did you go about writing Good Intent?
Good Intent was a fascinating one to write, constructed over four months with my co-writer Jessie. We started the song with one perspective, and by the last writing session, the journey of the song and my feelings had changed drastically. Most of my sessions start with a brain dump of ideas and motifs that eventually weave themselves into the tracks I release.
What does this single mean to you?
When writing this single, I was in a battle with my mind. I felt helpless and as if I couldn’t control the narrative people were creating about me. There’s nothing I wanted more than to tell their friends that everything I did was ‘Good Intent’, which became the song’s foundation.
Where and when did you record/produce/master, and who did you work with?
Good Intent was produced and recorded in Melbourne with Hayden Lauersen in March 2022. Then it was passed over to Andrew Edgson at Studios 301 for mastering.
How did you approach the recording process?
The demo had a distinct guitar line, so the first thing we wanted to get right was the guitar. From there, we went straight into recording vocals. Looking back, I am so glad we did this before adding the additional production, as they have this raw nature. The emotion feels real.
Who are you listening to at the moment?
I am currently listening to a lot of Sabrina Carpenter and Fletcher, and I am obsessed with the songwriting on the new ‘Emails I can’t send’ album.
What do you like to do away from music?
Away from music, I work for a preventive health charity called Pink Hope. We help empower Australians to understand their risk of hereditary cancer. As a keen health advocate myself, it is the perfect way to work with, support and educate community members to take control of their health outcomes.
What’s planned for the remainder of 2022 going into 2023?
I’ve got a few more tracks coming for the rest of 2022, and I’m excited to play a few gigs in the run-up to 2023.
Favourite food and place to hangout?
Currently, my local cafe, ‘The Foreigner’. It is conveniently right around the corner from my Pilates classes!
Instagram https://www.
Facebook https://www.facebook.
Twitter https://twitter.com/
Spotify https://open.spotify.
Tiktok https://www.tiktok.com/
Website: https://www.nikkiwishart.com/
Hey Emuh, It’s great to meet you ! How have you been lately?
I’ve been great, thank you. It’s very exciting to see this album come out and the reception so far has been amazing. Glad to finally put this release out into the world!
Congrats on your new release Dysmorphia on Feral One Records. What was your inspiration behind this LP?
I was inspired by The Gorillaz, Still Woozy, Ariana Grande, Charlie Puth, LCD Soundsystem, Radiohead, Walker & Royce, Claude VonStroke and Feral One label boss Longstocking. I wanted to create an album that combined the sounds of pop, house, techno, trap and experimental music – while incorporating my voice, musical sensibilities and aesthetic.
Dysmorphia is eclectic and covers a lot of ground, what are some of the influences that have shaped your musical taste and influenced you as a music producer?
Lately I’ve been listening to a lot of dancey pop and vocal music which greatly informed my album. There are so many songs lately that are devoid of originality and emotion – I wanted to make sure those boxes were checked off while still creating a piece that can still inspire and elevate those with less musical experience or specific musical taste.
How important is storytelling for you, and what were you aiming to communicate with this LP?
Each song tells its own story, from a day at Waterworld to a meditative stranding out at sea. I want to give the listener a window into my mind while allowing them the agency to relate and experience it in their own unique way.
What does your setup look like?
I use all digital instruments and Ableton 11 besides a couple hardware Pocket Operators (digital synths as well) and I record my voice with a Shure SM57 paired with a Grace Design 101 preamp. I also use an AKAI MPKmini to program all of my MIDI and do automation. My audio interface is an RME ADI-2 Pro and I use Neumann studio monitors.
What studio gear and/or instruments do you believe define your sound?
My voice and my meticulously crafted library of samples and instruments I’ve used throughout my career as EMUH.
Digital or Analog?
Whichever one helps you get the sound you’re after!
What has been your highlight gig this year?
Definitely my recent performance at Kremwerk in Seattle for the My Techno Weighs A Ton label showcase, I debuted several tracks from my album as well as performed the vocals live which was exhilarating and honestly a bit frightening.
DJ’ing or Music Production?
Music Production
Thanks a lot for taking the time to answer our questions, is there anything else you would like to mention before we go?
Thanks again for reaching out. Dysmorphia comes out this Saturday September 2nd and you should help support the release by purchasing a copy of the album on Beatport, listening on Spotify and reposting the tracks on SoundCloud.