WE CAME AS ROMANS
SUPPORTED BY SPECIAL GUESTS CASKETS (UK)
+ HEADWRECK | FEBRUARY 2026
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The Australian Open and Untitled Group have officially unveiled the biggest artist lineup for the highly anticipated return of AO LIVE.
As the only music series held at a Grand Slam, AO LIVE will expand to five massive nights this year, bringing an electrifying blend of sport and music to Melbourne Park with two additional evenings of music. 2026 promises an unforgettable experience, headlined by some of the biggest globally renowned artists ever to hit the AO LIVE stage at John Cain Arena, including The Kid LAROI, Peggy Gou, Spacey Jane, The Veronicas, and Sofi Tukker with more exciting artists to be announced.
Back for a fourth year, Untitled Group, Australia’s largest independent music and events promoter, once again curates the AO LIVE experience. Untitled Group is known for producing some of the country’s most beloved festivals, including Beyond The Valley, Wildlands, and Pitch Music & Arts, Untitled Group once again brings its signature style and energy to the heart of Melbourne Park.
Kicking off the Australian Open 2026’s huge AO LIVE lineup on Wednesday, 28 January, chart-topping artist The Kid LAROI will take to the stage for an unforgettable night of raw emotion and exciting music. With his unique blend of hip-hop, melodic rap, and pop, LAROI has quickly become one of the most influential young voices in modern music. Known for his breakout hits like “Go!” (featuring Juice WRLD) and “Without You” the Australian artist is ready to bring his high-energy performance to Melbourne Park, for a night not to be missed.
Joining AO LIVE’s lineup on Thursday, 29 January is Fremantle WA indie rock band Spacey Jane. Their breakout hit Booster Seat won ARIA Song of the Year and reached #2 in triple j’s Hottest 100, while their 2022 follow-up album Here Comes Everybody debuted at No.1 on the ARIA Charts. With three acclaimed albums under their belt, and a reputation for electric live shows, Spacey Jane is set to deliver a performance fans won’t want to miss.
The Veronicas and Sofi Tukker will enthral AO LIVE crowds on Friday, 30 January.
Get ready for a huge set from the iconic pop-rock duo The Veronicas, who’ve dominated charts since their debut. With a career spanning over two decades, Lisa and Jessica Origliasso have delivered platinum-selling albums and global hits like Untouched and 4ever. Following the release of their sixth studio album Gothic Summer, The Veronicas continue to evolve while staying true to their rebellious spirit. Most recently, Untouched landed at number three as the duo made their debut on triple j’s Hottest 100 of Australian Songs.
Sofi Tukker is a Grammy-nominated electronic music powerhouse. With hits like Drinkee, Best Friend, and Purple Hat, Sophie Hawley-Weld and Tucker Halpern blend Portuguese vocals, pulsating beats, and influences from West African drumming, tropical house, and electro-funk. Since their breakout hit Drinkee in 2015, they’ve become festival favorites with their high-energy live shows that effortlessly cross genres and continents.
Concluding an incredible five nights of entertainment, Peggy Gou will take to the stage on Sunday, 1 February. A global dance music icon, Peggy Gou is known for her infectious blend of house and techno. With hits like Gou Talk, It Makes You Forget (Itgehane), and Starry Night, she has captured audiences worldwide. Her single, (It Goes Like) Nanana, has topped charts internationally, and she continues to define the future of electronic music with her bold vision and unstoppable energy.
Wednesday 28 January 2026 – 5-9 pm AEDT
The Kid LAROI
+ Special guests
Thursday 29 January 2026 – 5-9 pm AEDT
Spacey Jane
+ Special guests
Friday 30 January 2026 -5-9 pm AEDT
The Veronicas + Sofi Tukker
+ Special guests
Saturday 31 January 2026 – 2-7 pm AEDT
To Be Announced
AO Women’s Final – 7.30pm
Sunday 1 February 2026 – 2-7 pm AEDT
Peggy Gou
+ Special guests
AO Men’s Final – 7.30pm
AO LIVE will feature music and entertainment across the precinct in 2026, including laidback acoustic acts in Garden Square and some of Melbourne’s most in-demand DJs on Grand Slam Oval each day.
Every AO LIVE ticket unlocks more than just epic music, it’s your all-access pass to the unforgettable atmosphere of the Australian Open 2026. Along with world-class live performances, fans can experience the thrill of Grand Slam tennis, indulge in top-tier food and drinks, and soak up the electric summer vibe that makes the AO one of the most iconic sporting events in the world.
Tickets start from just $99, delivering unbeatable value for a full day and night of world-class entertainment. Tickets for AO LIVE go on sale on Tuesday, 7 October. Visit Ticketmaster to be the first to access tickets and exclusive updates.
Tickets: [LINK]
Website: http://djawards.com
Date: Thursday 9th October
Venue: ROTO Club, Ibiza Town
The DJ Awards will return to Ibiza on Thursday 9th October for a truly independent celebration of electronic music culture
The influential DJ Awards is back for the 24th edition with another iconic, and more importantly independent and authentic, celebration of electronic music culture at the end of a superb summer season. On Thursday 9th October 2025, the spotlight returns to the White Isle for a night of deserved recognition and unforgettable music and dining at ROTO Club in Ibiza Town, a cool, urban hotspot with stunning views of the sea and Dalt Vila. Ahead of the ceremony, the Industry Awards Winners, as voted for by a Grand Jury, are now revealed.
Now in its second consecutive year since relaunching, the DJ Awards continues to loudly and proudly champion integrity and independence. The Industry Awards spotlight behind-the-scenes excellence, visionary leadership and the vital elements that power the dance music ecosystem. It has a global outlook and celebrates both red-hot new musical trends, enduring scene legends and more.
Due to recent and unfortunate developments regarding the devastating floods in Ibiza, the DJ Awards will be donating funds from the ceremony towards the Spanish Red Cross (Creu Rojo) to assist those affected by the flash floods.
Unlike commercial awards and pay-to-play platforms, the refined DJ Awards ceremony, in partnership with YouTube, Suntory and Skiddle this year, stands apart by celebrating talent on merit alone. New for this year, every nominee is selected by a fully independent Grand Jury made up of respected insiders, creatives, industry and market leaders and experts from over 50 leading music brands and institutions worldwide. This unique move guarantees a diverse, authentic, and genre-spanning representation of today’s dynamic DJ culture that also connects back to the integral and honest roots of the DJ Awards. It’s real recognition for top level talent, innovation and excellence by those with huge experience and who are perfectly placed to judge.
The ceremony itself will see nominees and music professionals gather, spanning across a wide-ranging selection of categories, genres, geographies and industry influence, awaiting the reveal of DJ Awards winners. This year’s categories include the newly launched Balearic and Hard Dance/Bounce categories, plus returning favourites Afro, Breakthrough, Drum & Bass, Garage/Bassline, Hard Techno, House, International DJ, Latin/Reggaeton, Live Act, Newcomer, Prog/Melodic, Tech House, Techno and Trance.
The DJ Awards yet again promises to be one of the standout nights of the Ibiza season, on October 9th a celebration of music industry excellence will commence in a venue at the heart of Ibiza’s underground scene.
Grand Jury Industry Awards Winners
Industry Executive of the Year:
Yann Pissenem
DJ Livestream of the Year:
Yousuke Yukimatsu – Boiler Room
Global Festival Award:
UNUM Festival, Albania
Eye On: [Region] — 2025 Spotlight: MENA:
Soundstorm Festival
Lifetime Achievement Award:
Simon Dunmore
Play It Back – Social Impact Award:
Ibiza Preservation Fund
What’s Hot Global:
[UNVRS]
Ibiza Icon:
Alfredo (Posthumously awarded)
Ibiza Party of the Summer:
Solid Grooves
Ibiza Track of the Summer:
Toman – Verano En NY
About the DJ Awards
Website | Youtube | Images (
Renowned for his dark and atmospheric soundscapes that make way for enthralling rap performances, Canadian songwriter and producer NIGHT LOVELL is finally bringing his 8 LEGS UNDER tour through to Australia and New Zealand this November, with very special guest HAARPER.
For Night Lovell, his trajectory towards global fame has been a rapid one since his first taste of viral success in 2014, with the release of his track ‘Dark Light’. Since then, the 27 year old from Ontario has evolved into an artist whose intricacies have been fascinating waves of hip hop fans and producers worldwide. The Canadian artist has also recently announced that he will be joining $UICIDEBOY$ on tour this August and September for their GREY DAY North American Tour!
With four albums to his name including latest release, 2023’s I Hope You’re Happy, Night Lovell has become a charged up force within this modern musical space – his music has been streamed over 1.1 billion times on Spotify alone.
Joining him on this tour will be Los Angeles’ HAARPER – a star of the underground who has been generating waves of his own in the mainstream, thanks to an infectious sonic style – for his debut Australian & New Zealand visit. HAARPER’s catalogue has accrued over 500 million streams, with a three album-strong body of work demonstrating a varied set of influences that span hip hop, garage and punk music. Latest track ‘Born From The Dirt’ is a prime example of HAARPER’s expansive sonic view; translated live, this stands to be a fitting addition to an already insane performance reputation.
The 8 Legs Under Tour’s Destroy All Lines pre-sale will go live on Wednesday May 21st @ 5 PM AEST. To follow, the tour’s general on-sale will be available from Friday May 23rd @ 11AM Local Time.
NIGHT LOVELL and HAARPER AUSTRALIAN/NZ TOUR DATES
General on-sale tickets available from Friday May 23rd @ 11AM Local Time
Tuesday 11 November Magnet House PERTH 18+ TICKETS
Thursday 13 November Northcote Theatre MELBOURNE 18+ TICKETS
Saturday 15 November The Tivoli BRISBANE 18+ TICKETS
Sunday 16 November Liberty Hall SYDNEY Lic AAA TICKETS
Wednesday 19 November Powerstation AUCKLAND 18+ TICKETS
NIGHT LOVELL: Official Website | Facebook | Instagram | YouTube | TikTok
HAARPER: Facebook | Instagram | YouTube | TikTok
Tickets are on sale at 9am, Thursday 9 October 2025 at Mega Tix
Sign up for early access HERE
The globally acclaimed water-soaked phenomenon S2O Songkran Music Festival—renowned for mixing EDM, explosive visuals, and massive splash-movements—is coming to Australia for the very first time. Hosted by established promoters TANG Events and Collective Minds, the festival has confirmed it will land in Brisbane on Saturday 28 February 2026, bringing its signature blend of music, water, pyrotechnics and immersive production to the riverside festival site, The Royal Queensland Golf Club just outside of Fortitude Valley.
S2O Australia will debut with an electrifying lineup headlined by UK house sensation James Hype, the UK DJ/producer behind the global smash Ferrari, brings his high-octane, mash-up driven sets that have lit up clubs and festivals worldwide. Alongside him, Alok, ranked among the world’s top DJs, brings his signature Brazilian bass and crossover anthems like Hear Me Now, ensuring a heavyweight showcase of global dance music.
Adding even more fire to the line-up, Becky Hill will bring her powerhouse vocals and pop-electronic anthems to S2O Australia 2026. With chart-topping hits and a reputation as one of the UK’s most dynamic live performers, Hill is set to deliver a high-energy set built for the main stage. Her signature blend of soaring pop hooks and festival-ready dance beats makes her the perfect addition to the line-up.
Representing Australia with his trademark Melbourne Bounce chaos is Will Sparks. Sparks doesn’t just play festivals — he detonates them, his return on home turf guarantees S2O won’t just be wet, it’ll be wild.
Backing them up is a stacked roster of heavy-hitters: Marie Vaunt, the dark techno queen behind the “Shadow Sorceress” sound; Lance Savali, the New Zealand DJ known for tearing up global stages with beats built for movement; and Tita Lau, the UK powerhouse serving up driving, bass-led house that’s been storming charts and clubs alike. Together, they deliver every corner of dance music under one drenched, explosive banner.
Since its inaugural debut in Bangkok in 2015, S2O has become a global phenomenon, celebrating the Thai tradition of Songkran by mixing water-splashing with music and performance. It has expanded Asia, North America, and around the world with sold-out shows.
S2O Australia will feature explosive water-cannon moments, splash zones, and a wet-and-wild party atmosphere along with world-class production & visuals: From pyrotechnics to state-of-the-art stage design, expect immersive, festival-scale production paired with the natural backdrop of a riverside, open-air setting.
There will be on-site change room facilities, along with designated wet and dry zones to cater for those who want to dive into the action or stay comfortably dry. Festivalgoers can also relax in a dedicated chill-out zone, complete with vibrant market stalls, diverse food vendors, and an array of bar options.
“Australia has been waiting for something bold, fresh, and truly world-class. With S2O, we’re not just staging a festival — we’re setting a new benchmark for live experiences in this country,” said Kenneth Ngov – Partner – S20 Australia
“We wanted to bring to Australia something that’s more than just another festival—it’s an experience. It’s water, music, community, energy and production all wrapped into one,” Added Simon Coyle, partner of S2O Australia. “Brisbane is the perfect backdrop for what we have in store—expect the wettest, wildest party you’ve seen.”
S2O arriving on Australian shores is more than just a new festival date—it’s a symbol of how experiential, immersive EDM festivals are evolving. Water as performance, combined with high-production audio-visual elements, elevates the live music experience.
Tickets are on sale at 9am, Thursday 9 October 2025 at Mega Tix
S2O Brisbane
Royal Queensland Golf Club
431 Curtin Ave W, Eagle Farm QLD 4009
Sat 28 February 2026
2-10PM
Strictly 18+
With the Swan River as its backdrop and the skyline in view, the one-day festival unites the most cutting-edge names in drum & bass, UK rap, and underground club culture.
The line-up spans global heavyweights and rising stars including Aitch, K Motionz, Kanine, Emily Makis, Mozey, Simula & Kings of the Rollers delivering a snapshot of the sounds shaping dancefloors worldwide.
For the very first time, the Palm Gardens Stage will host a strictly B2B arena, featuring Kings of the Rollers + Inja, Amplify b2b Disrupta b2b Turno, Crossy b2b Gray and an exclusive ÆON:MODE b2b special guest still to be announced.
Boasting huge production and a city-front location, NO ONE BUT US brings together a community of artists and fans to mark the first day of 2026 in pure celebration.
This New Years Day it’s NO ONE BUT US!
NO ONE BUT US – NYD ‘26
THURSDAY 1ST JANUARY / NYD 2026
LANGLEY PARK, PERTH
TIERED A-Z
AITCH
K MOTIONZ
KANINE
KINGS OF THE ROLLERS + INJA
MOZEY
ÆON:MODE B2B ########
AMPLIFY B2B DISRUPTA B2B TURNO
CATCHING CAIRO
CHARLIE TEE
CROSSY B2B GRAY
EMILY MAKIS
GENTLEMENS CLUB
KILLOWEN
SICARIA
SIMULA
SKEPSIS
ZERO
+ More to be announced
TICKET INFORMATION
GENERAL ON-SALE: THURS 9TH OCTOBER – 9:00 AM AWST
Register now → www.no-one-but-us.com.au
For presale access sign up now via www.no-one-but-us.com.au
The Wanderer arts program has become a defining feature of the festival. What was your vision when curating this year’s program, and how does it build on past editions?
We really go out of our way to create a unique experience at the festival. The arts is not an “add-on” or a side dish. This year there is a concentration on physical performance and LOTS of interaction and participation. So we have Circus Trick Tease coming, who were such a crowd favourite in the first iteration, doing a brand new show. But each of the members of that troupe are also incredible solo performers in their own rights, so we’ll see them doing “street” style shows in the Lost area. Lost is where to go to get your surprises! The hobby horse gymkhana, lots of dancing, tug of war, plus our various workshop things including the I Wear Wanderer fashion experience. Legendary local venue Sam’s Caravan is there too. Oh and FLING doing flashmobs. It’s going to be great at Lost.
This year’s lineup features everything from circus to physical theatre and interactive installations. How do you strike the balance between spectacle and intimacy in the program?
The way we do it is pretty simple. We put together a weekend that WE would like to go to! Big things, smaller things, things to do, things to see. Things that you know about, and things you’ve never dreamed of. Plus a bunch of things that we don’t tell anyone about, that just unfold.
Wanderer is known for being as much about community and connection as it is about entertainment. How does the arts program foster that sense of shared experience?
The Big Lost Band I think really exemplifies how we celebrate community and connection. 140 community musicians meet on the four Sundays before the event and rehearse four bangers. The gig (on Sunday at 2.30 at Sam’s Caravan) will be really something. Maximum rock and roll. But simply working with that group of people has been bliss in itself, show or no show. I’m also really thrilled that we have the exceptional local choir Riverbend singing three songs with Missy Higgins. Good on Missy for saying yes to that! That’s going to be pretty special. Both these projects are incredible acts of creativity, but are also good community process . It helps that the community here on the coast is so strong and creative and up for making things happen.
The inclusion of acts like Circus Trick Tease, Hannah Cryle’s Giant Wheel, and Josh Phillips’ Giant Ladder suggests a strong focus on physical performance. What excites you about showcasing these kinds of works?
Physical magnificence, great wit, cheekiness, gobsmaking ability. These folks are the best in the country. It’s a privilege to present them.
Interactive pieces such as Wheel of Fortune Karaoke and Hair by Mouse blur the line between performer and audience. How important is interactivity to the Wanderer experience?
I am a huge believer in breaking those two categories down. I like to say that some folks will leave the festival saying that their favourite part was something they did themselves. It may have been line dancing with May, walking the catwalk in the fashion show, coming third in an event at the Hobby Horse Gymkhana or, indeed, singing with the live band at Wheel Of Fortune Karaoke.
The festival is held on the Sapphire Coast, a region known for its natural beauty. How does the setting influence the arts programming you design?
Well we can’t compete with that beauty. But we DO love the work of our amazing decor team, who seek inspiration in the colours and shapes of the beach. What we can showcase, of course, are the wondrous locals artists and volunteers. They really make a difference to the vibe. If you come along you’ll feel it. I promise!
Wanderer celebrates both established artists and emerging talent. What opportunities does the festival provide for up-and-coming performers to showcase their work?
We have local physical youth theatre FLING back with us, at Sam’s Caravan we are featuring multiple youth bands and musicians (watch out for the pretty fabulous Banana Sliders – average age 8!), The Big Lost Band has a strong though representation. We’re always looking out for the up and comers.
The arts program also includes cultural experiences such as the Welcome to Country and Smoking Ceremony with the Duurunu Miru Dancers. How do you ensure the festival respectfully integrates First Nations voices and traditions?
We have spent a lot of time listening and talking with the local mob. We take our lead from them. Especially in regard to ceremony and protocol. We’re very lucky to be able to create this festival on this beautiful Country – Yuin Country. Also over the course of the festival we have featured lots of local indigenous voices. Also this year, for the first time, we have a group of indigenous young people being mentored by our mainstage production crew.
What’s one moment, performance, or surprise in this year’s arts program that you personally can’t wait for audiences to experience?
One??! I’m going to say The Big Lost Band’s version of Creep. But honourable mention to the moment when the local choir sings “Everyone’s Waiting” with Missy. And the second runner up in the Hobby Horse Finals receiving their ribbon. Not a dry eye!
Tickets are selling fast, get yours now from www.wanderer.com.au
Wanderer is biennial so it would just be too long of a wait until the next one in 2027 if you miss out!
October 4th-5th Wanderer Festival Pambula Beach, NSW
3rd-5th Oct Onsite Campground
Subscribe to www.wanderer.com.au and follow us on socials to stay up to date.
Wanderer Festival is supported proudly by the NSW Government through its tourism and major events agency, Destination NSW
Reconnect. Explore. Discover. Be a Wanderer.
Wanderer: Official Website | Facebook | Instagram
Sweat It Out are gearing up to pioneer the first of its kind, Amsterdam Writing Camp. Taking place from October 20th to the 22nd 2025 and curated by KLP (Kristy Lee Peters), head of Publishing/A&R at Sweat It Out; the camp will spotlight Australian talent on the international stage, fostering worldwide creative exchange.
Over 47+ artists will be collaborating over eight studios at one of the world’s leading electronic music conferences. Australian producers Crooked Colours, Juno Mamba, Soul Wun, ASTA and Sippy will be joining forces with international writers Chaney, Deeper Purpose, TCTS, Stevie Appleton, VNSSA, Quarterhead plus many more.
“We’re creating a space that connects Australian creators with the global music community in a meaningful, high-level way,” says director, KLP. “It’s more than a writing camp, it’s a platform for future-shaping collaborations and real industry access.”
Joining the initiative will be Sweat It Out competition winner, Airwolf Paradise. The prolific producer has released on global labels, Higher Ground, Trick, Diynamic and Three Six Zero Recordings; alongside remixes for heavyweights, Calvin Harris and Dom Dolla. Performances at festivals Lollapalooza (Chicago) and Elements (Pennsylvania) plus Hi Ibiza and London’s Drumsheds, of note.
Partners for the Amsterdam Writing Camp include independent music publishers Kobalt Music Group, Payday and Gallery Recordings. Plus Telepathic Instruments, the brand founded by Tame Impala’s Kevin Parker focusing on an innovative chord-generating synthesizer. As well as software company and leading distributor, Plugin Boutique, the go-to destination music producers.
As part of a collaboration with Telepathic Instruments, artists will also have access to Orchid over the three day writing camp. Known internally as an ideas-machine and selling out in minutes internationally in its first two drops, Orchid is designed to help songwriters, producers and artists find what’s on their mind. With its intuitive chord-generating interface, three-synth-engines and a wide array of patterns, patches and FX; Orchid takes care of complex chord maths so artists can feel out a song, and wherever it may take them.
Leading Australian independent dance label Sweat It Out have launched the careers of artists including RÜFÜS DU SOL, Dom Dolla, What So Not and Purple Disco Machine. They recently partnered up with Spotify to launch the EQUAL Writing Camp aimed at platforming under-represented voices in the music industry. The first of its kind in the Australian dance space, bringing together 20+ female and gender expansive talent. Previously two more writing camps under the Sweat It Out banner took place featuring Ninajirachi, Big Wett, Thandi Phoenix and PARIS.
Owner and CEO of Sweat It Out Jamie Raeburn adds, “Very excited to host our first Amsterdam songwriters camp. Bringing so many talented Australian writers to work with some of our favourite international artists has been long on the to-do list. Our ADE parties have hosted some of the biggest names in the dance scene in their early stages; hopefully we replicate that in the studio.”
To wrap the first official Amsterdam Writing Camp – an industry mixer bringing together all those who took part, encompassing the ethos and drive that is Sweat It Out. To showcase, celebrate and platform the artists involved.
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Rising indie artist THUNDER JACKSON makes his bold return on September 5 with an exuberant new single ‘HEART ATTACK’ (VERO Music), written and produced with Taylor Johnson (Flaming Lips, Samantha Crain) and mixed by Grammy Award-winner Cian Riordan (Lana Del Rey, St. Vincent).
Born out of the natural chemistry he shares with frequent collaborator Johnson, Jackson says of the track: “When it was time to get back in the studio after HELLO STRANGER, we struck gold with ‘Heart Attack.’ A rough demo I had sitting on my hard drive opened up into the world you hear now. It was the perfect push-and-pull to find the sound.”
The propulsive and addictive ‘Heart Attack’ arrives hot on the heels of Jackson’s 2024 sophomore album HELLO STRANGER, a gritty, genre-blurring triumph featuring standout singles ‘The Fever & The Dream’ and ‘Steady Freddy.’ With millions of streams since its October 2024 release, the album, mixed by Eric J Dubowsky (Flume, Chet Faker), has grown Jackson’s profile and more than doubled his fanbase. HELLO STRANGER follows Jackson’s 2022 Take Me Back EP, produced by Ryland Blackinton (U.S. Girls, Cobra Starship) and named after its title track, a collaboration with Australian artist and producer Chet Faker. Jackson also opened for Chet at various shows across the U.S that year. The project was #1 NACC Most Added the week of release.
Jackson’s first ever tour of the UK and Europe kicks off on September 12 at Colours Hoxton (London, UK) and includes a sold-out headline performance at the highly influential SWR3 NEW POP FESTIVAL in Baden-Baden, Germany on September 20th. Jackson and his band then head back to the USA for a string of West Coast dates including stops at El Cid in Los Angeles and Barboza in Seattle. (Full tour itinerary listed below).
Named one of the “Best 15 Acts” at SXSW 2024 by CLASH Magazine, who praised Jackson for having the “showmanship of Sly Stone with the songcraft of Elton John,” the HELLO STRANGER TOUR has thrilled packed audiences from Brooklyn’s Baby’s All Right to Brighton’s The Great Escape Festival.
“Every show is an extraordinary and exciting opportunity to connect with people,” Jackson says. “There is no greater or more satisfying energy in the world.”
THUNDER JACKSON’S HELLO STRANGER TOUR
For more information, go to:
FEATURING UNDERWORLD, I HATE MODELS, BEN BÖHMER (LIVE), MARK REBILLET, CHRIS STUSSY, CAMELPHAT, VTSS, ROSS FROM FRIENDS (PRES. BUBBLE LOVE), PRETTY GIRL (LIVE), A-TRAK & MANY MORE
ACROSS SIX NIGHTS AT CARRIAGEWORKS, EVELEIGH NSW
THIS DECEMBER & JANUARY
Renowned live music curators Finely Tuned today unveil a forward-thinking new music program THE WORKS, taking over Gadigal Land/Sydney’s iconic Carriageworks this 2025/26 Summer. Steaming up the season’s cultural calendar, the series will see world-class electronic music artists including Underworld, Ben Böhmer, Chris Stussy, CamelPhat, I Hate Models, Mark Rebillet, Ross From Friends (pres. Bubble Love), Pretty Girl (live) and many more convene in one of the country’s most significant creative hubs across six cutting edge warehouse events.
Invoking the spirit of global hallowed halls like London’s Printworks and Drumsheds, THE WORKS puts ambitious production, world-leading artists and state of the art creative direction at the forefront of these innovative, high-impact and sonically versatile experiences. From pioneering rave icons to mainstream festival heavyweights, club circuit heroes to trailblazing innovators – THE WORKS will host more than 20 local and international acts across four carefully curated, unmissable weeks. Channeling large-scale warehouse energy while honouring the underground, these are Sydney’s hottest Summer tickets.
British electronic icons Underworld will headline the opening event on 29 December, showcasing the daringly blurred boundaries, top of the class live show and generation-defining anthems that have labelled them one of dance music’s most influential acts. Accompanying them, cult favourite Ross From Friends will present his high energy club-pop project Bubble Love, alongside a local lineup of Australia’s own globe-trotting producer Roza Terenzi and one of the Sydney circuit’s favourite DJs, Reenie.
In a mammoth New Year’s weekend offering something for everyone, French industrial artist I Hate Models’ raw, frenetic energy and unhinged selections will come alive within the industrial surrounds of Carriageworks on 2 January, alongside Polish techno maximalist VTSS, rising Scottish DJ Sim0ne and local label head MASSI. in a night of non-confirmist attitudes and thunderous sets. German melodic house heavyweight Ben Böhmer will inject the space with his euphoric audiovisual show on 3 January, joined by Australia’s own electronic powerhouse Pretty Girl and a special local b2b set from PARIS and Juno Mamba. Meanwhile 4 January will see a takeover by irreverent American provocateur Marc Rebillet, with his Coachella and Glastonbury-approved improvised funk and hip-hop tinged cuts, outrageous beats and free flowing humour, joined by storied NYC party starter A-Trak, one of Australia’s most legendary contemporaries Young Franco and local gem Madame Reve.
10 January will host an essential figure propelling modern house music – Dutch DJ, producer and label head Chris Stussy, as well as a b2b from the UK’s next big breakouts Josh Baker and Prospa that promises plenty of fist-pumping frenzies. Then, the 2025/26 season will round out on 16 January with a visit from Grammy-nominated global house icons CamelPhat, widely declared one of dance music’s most innovative forces backed by billions of streams and an era-defining anthem under their belt, “Cola”. They’ll be joined by Samantha Loveridge, known for her technical flair blending melodic house with Middle-Eastern and Afro sounds, plus deep and dreamy house with Sydney-based selector OLIIV. See below for the full list of dates and lineups.
Led by creative, music, events and touring agency Finely Tuned (Lost Paradise, Lost Sundays, ABOVE), this fresh, forward-thinking series expands the team’s dedication to delivering memorable live moments inspired by global music and cultural sensibilities, injected with a local spirit.
“We’re very excited to bring this new curated event series to one of Eora’s most exciting creative venues. THE WORKS takes inspiration from the globe’s best electronic music spaces, combining a world-class lineup with an exceptional level of production to create a series of warehouse events unlike anything previously seen in Sydney. Something big is in THE WORKS.” – Simon Beckingham, Finely Tuned
Signups for THE WORKS presale are now open HERE, with presale ticket access opening from 10am AEST on Tuesday 30 September. Tickets go on sale to the general public from 10am AEST on Wednesday 1 October.
Sydney Summer just got a whole lot juicier – snatch up your ticket to one of THE WORKS’ unique offerings before they fly out the door.
THE WORKS
29 Dec 2025- 16 Jan 2026 (Carriageworks, Gadigal Land/Sydney)
INSTAGRAM | TIKTOK | WEBSITE
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Hip hop icons BONE THUGS-N-HARMONY have shifted their anticipated Australia and New Zealand run to May 2026 due to extended studio commitments, giving fans a new set of dates to mark on the calendar as the legendary crew prepares to touch down.
A Statement from the band: Australia & New Zealand, we’re still in the studio putting the finishing touches on the album so we’re pushing back our dates to May 2026. Hang on to your tickets, we can’t wait to party with you next year!
Ticket holders are encouraged to hang onto their tickets which will remain valid for the new shows. Anyone that can’t make the new dates, are entitled to a full refund and should get in direct contact with their ticket provider.
Still riding high on the release of their newest single ‘AWW SHIT’ (out now via Greenback Records), the Grammy-winning collective—Bizzy Bone, Wish Bone, Layzie Bone, Krayzie Bone and Flesh-n-Bone—remain laser-focused on delivering an unforgettable show celebrating more than three decades of groundbreaking music. Their influence is unmatched: over 60 million records sold, multiple Platinum albums, and a catalogue that forever changed the sound of rap.
Across four shows, Bone Thugs-N-Harmony will honour their timeless catalogue of music, all the while reconnecting with Australian audiences and showing them the potential that is still to be tapped into.
Joining Bone Thugs-N-Harmony in Australia two fellow game-changing hip hop legends, XZIBIT and TOO $HORT.
West Coast legend XZIBIT has long held a strong following in Australia, and will be bringing his first studio album in over a decade KINGMAKER – featuring collaborations with heavyweights such as Dr. Dre, Ty Dolla $ign, Ice Cube and more – to audiences for the first time. Bay Area legend TOO $HORT is a West Coast hip hop pioneer, an impactful figure whose music shaped an entire wave of the West’s movement and popularity in the ‘90s and ‘00s. Maintaining his relevance via classic hits and his recent album, SIR TOO $HORT, VOL. 1 (FREAKY TALES), Too $hort’s sound is never far from a club beat or being sampled on a modern day hit.
Regarded as “the world’s most influential rap group”, Bone Thugs-N-Harmony’s impact on the culture and the mainstream is undeniable. Multi-Platinum selling records, chart-topping projects and genre defining songs in the bank, this is a group that has over 60 million records sold to their name, remaining to this day the best selling rap group of all time. Thirty years on, Bone Thugs-N-Harmony have created a legacy not many can match and in 2025, the original lineup comes back together, hungrier than before.
BONE THUGS-N-HARMONY AUSTRALIAN TOUR DATES
With XZIBIT and TOO $HORT
Tickets
Fri 8 May Spark Arena, Auckland
Sun 10 May Riverstage, Brisbane
Tue 12 May – Hordern Pavilion, Sydney
Wed 13 May – PICA, Melbourne
SYDNEY, BRISBANE, NEWCASTLE & MELBOURNE – NOVEMBER 2025. TICKETS ON SALE THURSDAY 25 SEPTEMBER
BODY AND SOUL, THE BOY’S A FREAK
Frontier Touring is thrilled to announce Daniel Johns In Conversation: What If The Future Never Happened? – four nights of storytelling, film and music with one of the most decorated Australian artists and songwriters of his generation, live in Sydney, Brisbane, Melbourne and Newcastle this November.
Johns is taking to the stage in celebration of the worldwide premiere of his highly anticipated short film, What If The Future Never Happened? – with each screening framed by an hour-long onstage conversation. In these rare live talk appearances, Daniel will discuss his early life and creative process, sharing never-before-seen photos, moving archival footage, and unreleased recordings straight from his personal collection. He’ll reveal previously unheard demos – from 4 track embryonic Neon Ballroom bedroom demos to the original songwriting session of ‘Straight Lines’ from Silverchair’s final album Young Modern, to ideas for songs he had written that would never make it onto a sixth Silverchair album – Johns will also play new music from his solo career and collaborative projects, each evening promising a distinct experience shaped by the moment, no two nights the same.
In these four shows – his first time appearing on stage in over five years – Johns will get up close and personal with fans, who’ll also be invited to submit questions pre-event in each city.
“What If The FutureNever Happened? is equal parts reality and fantasy and I’m as proud of it as anything I’ve ever done in my career. The orchestration took time, and the final result was worth it.
“To celebrate the release of the Featurette, I’ll be sitting on stage, telling stories, taking the aux chord and sharing tunes that nobody has heard and sharing random ideas that couldn’t be realised or released. Basically, turning theatres into giant living rooms… it would be great if some people showed up but I’m doing it anyway – you’re all invited!” – Daniel Johns
Directed by James Medlam, What If The Future Never Happened? is a genre-bending, semi autobiographical featurette that puts reality and fantasy in a hyper-speed spin cycle. Shot in 2022, Johns made the executive decision to hold it back while he completed it and to mark the 30th anniversary of frogstomp.
Fans first caught wind of the trailer back in 2022 with the release of Johns’ chart-topping second solo album, the #1 FutureNever – an album that broke ARIA records by reaching #1 twice and spending a record seven weeks in the Top Ten, a feat that is yet to be matched in the three years that have passed. Produced by Clockwork Films in association with Daniel Johns, BMG and Winarch, the sci-fi inspired film is a cinematic portal back to the ‘90s, a postcard from the past written to the future. The Featurette features a stunning orchestral soundtrack intertwining modern interpretations of Daniel’s Silverchair classics with sound design by Adam Alexander from Bamm Bamm Wolfgang.
It’s 1994, mere months before a teenage rockstar called Daniel (actor Rasmus King) would conquer the global music world in ways never-before-seen. On this ordinary day in regional Australia, while escaping the routine torment of three local bullies (led by newcomer Lockie Ranson), a chance interaction with a mysterious figure from the future will change Daniel’s Tomorrow forever…
Tickets for Daniel Johns In Conversation: What If The Future Never Happened? go on sale Thursday 25 September (1pm local) via frontiertouring.com/danieljohns. Sign up to become a Frontier Member and get early access to the Presale, starting Wednesday 24 September (11am local) – see website for further details.
These are the nights fans have been waiting for. Don’t miss Daniel Johns In Conversation: What If The Future Never Happened?
About Daniel Johns
With six #1 albums and a career marked by reinvention, Daniel Johns stands as the most decorated Australian songwriter of his generation. As the frontman of Silverchair, he led the band to an unprecedented run: five studio albums between 1995 and 2007, each debuting at #1 on the ARIA Albums Chart and collectively selling more than 10 million copies worldwide. Along the way, Johns became the first artist in history to claim APRA’s Songwriter of the Year award three times, cementing his reputation as one our most innovative musicians.
Johns’ career has been defined by constant reinvention. In 2003 he joined forces with Paul Mac to create The Dissociatives, a Gold-certified project that picked up ARIA and MTV Awards. His debut solo album Talk (2015) reached #2 on the ARIA Albums Chart, while his collaboration with Empire of the Sun’s Luke Steele, DREAMS, launched in 2018 and took them from Vivid Sydney to the stage at Coachella. Johns’ songwriting has also reached far beyond his own projects: he co-wrote Flume’s Grammy-winning ‘Say It’ featuring Tove Lo, and has worked with Zhu, What So Not, and Slumberjack. As Musical Director for the Emmy-winning series Beat Bugs (2017), he reimagined Beatles songs for a new generation.
In 2021, Johns turned the lens inward with the Spotify Original podcast Who Is Daniel Johns?. Narrated by actor Guy Pearce, the series charted at #1 in Australia for five consecutive weeks and peaking at #3 in Canada, #11 in the UK, #23 in US, #47 in Ireland and #58 in Brazil. Featuring contributions from figures as diverse as Billy Corgan, Tom DeLonge, Kevin Parker, Van Dyke Parks, and Natalie Imbruglia, the podcast mapped the personal and creative forces that shaped one of Australia’s most enigmatic artists.
FutureNever – Johns’ 2022 second album – continued his singular path, breaking ARIA chart history by going to #1 twice before becoming the longest reigning Australian top 10 album of the year, and the highest selling new Australian album of 2022. Released without singles, it was one of Johns’ most arresting full-length statements to date. The same year, Johns staged ground-breaking exhibition ‘Past, Present & FutureNever’, which showcased personal memorabilia from the artist and experimental exhibits, across four months at Rialto Melbourne. $5 from every ticket sold went towards the FutureNeverFund – a charitable fund Johns created to raise money to create better futures for people and animals in need across the globe.
What If The Future Never Happened? was shot proudly in Newcastle on Awabakal Land with a local cast and crew, the Featurette is a love letter to the creative evolution of Silverchair’s hometown of Newcastle. The film was partially funded by the generosity of Winarch Experience – a Newcastle owned and operated entertainment company built around the human experience. Winarch Founder and one of the film’s executive producers, Paul Lambess, is a proud supporter of local stories including Daniel’s and is committed to taking these Newcastle stories to the world.
DANIEL JOHNS IN CONVERSATION: WHAT IF THE FUTURE NEVER HAPPENED?
AUSTRALIA
NOVEMBER 2025
Presented by Frontier Touring
FRONTIER MEMBER PRESALE
via frontiertouring.com/
Runs 24 hours from: Wednesday 24 September (11am local)
or until presale allocation exhausted
TICKETS ON SALE
Begins: Thursday 25 September (1pm local)
ALL SHOWS LICENSED ALL AGES
Saturday 1 November
State Theatre | Sydney, NSW
ticketmaster.com.au
Friday 7 November
Newcastle Civic Theatre | Newcastle, NSW
civictheatrenewcastle.com.au
Sunday 9 November
Fortitude Music Hall | Brisbane, QLD
ticketmaster.com.au
Thursday 13 November
Palais Theatre | Melbourne, VIC
ticketmaster.com.au
FOLLOW DANIEL JOHNS:
Website | Facebook | Instagram | X | YouTube | Spotify | Apple Music
frontiertouring.com/
FUTURENEVERMOVIE.COM
Patrons are advised to purchase tickets only through authorised ticket sellers.
We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.
FOLLOWING BREAK OUT SHOWCASES AT BIGSOUND
TOURING AUSTRALIA OCTOBER – DECEMBER
Photo Credit: Tiarna Stahmer
Fresh off the back of a successful BIGSOUND debut, Wollongong indie four-piece CHEEKY LEASH have continued to build on the momentum their music has generated across the last year.
Returning with a brand new track titled ‘CHANGE’, Cheeky Leash demonstrates how their collective energy as songwriters and performers has fueled – a vibrant and exciting effort from the band as they head into the home stretch of 2025, ready to welcome a Spring/Summer season of shows around the country.
‘Change’ is a song that had Cheeky Leash focusing on human connection and growth – things that are easy to lose sight of when we’re caught up in trying to stay afloat in today’s social and financial environment. Musically, the track is sharp and engaging from the jump. Cheeky Leash’s combination of melody, riffs and emotion-building within their indie arrangements have made them fresh favourites on the East Coast. The arrival of ‘Change’ further cements their place as one of the best new groups to watch.
“The song ‘Change’ is rooted in the cost of living crisis and reflects how society has become so focused on getting ahead that we’ve lost a sense of connection with each other. It’s a metaphor for transformation whether that’s personal growth, the evolving world, or even the band’s own musical development. There’s a nostalgic, coming-of-age film feel to the track and lyrically, it’s open to interpretation. Lines like “Still searching for change…” play on the dual meanings of spare money and a deeper desire for societal change, making it resonate differently depending on the listener’s own experiences.” CHEEKY LEASH
Recorded at Sonora Studios with Jack Nigro (The Terrys, Rum Jungle, Pacific Avenue, Lazy Ghost) in the Central Coast ‘Change’ lands as the band’s second release for the year, following on from July’s drop, ‘The Weekend’, and the impactful Cheeky Leash debut EP, The Burrow, which arrived in March and firmly put the band on the map.
Filmed amongst the picturesque Gerroa coastline, Cheeky Leash today also unveil their accompanying official film clip. Written and directed by Brendan Palmer and filmed by Film for Frank.
“Change was a change of pace for us, handing over the reins to Brendan as director and Mitch as videographer to get their perspective on what the song means to them as well as to us. It’s different from us running around and having a laugh. It’s more serious and we really wanted to get the best representation of the song as possible. The song has a deeper meaning and a different pace for the video compared to what we’ve done before, so there’s more to explore and interpret in this one. We always seem to pick the wildest and coldest days for filming music videos, which presents its own challenges, but it’s a whole lot of fun getting to create something with your friends. Making music videos is always difficult with limited time and resources, but it was really cool to see the passion from other collaborators who have now become an integral part of the project. We’ll remember this one as our first time having an actor and handing over creative control, just trusting the process.”
Their music has caught the attention of Australian industry, with heavy triple j and triple j unearthed support for their music putting Cheeky Leash in front of a hungry national audience, while as a live unit, the band has been constantly dominating on stages as headliners, enjoying sold out shows across the East Coast for their EP tour for The Burrow – the EP quickly amounting 1 million streams.
Cheeky Leash have shared stages with artists including The Kooks and Fontaines D.C. (at Yours & Owls Festival 2025), as well as Boy And Bear, South Summit, The Terrys, Death By Denim and more. Before 2025 is out, fans will be able to see Cheeky Leash touring around the country from October through into December – charting headline dates, festival appearances and support slots for fellow Australian favourites.
PRAISE
“This upload absolutely leaps out of the speakers – perfect way to cap off the Aussie summer – what sunshine <3” TRIPLE J, ANIKA LUNA (‘Red’, 2025)
“Had me shouting along at the chorus immediately! Great song you guys, my fav from you yet!”
TRIPLE J UNEARTHED, CLAIRE MOONEY (‘Red’, 2025)
“High energy, fun loving…”
GOOD CALL LIVE
“…Explosive live shows and indie rock anthems full of playful charm.”
HAPPY MAG
“…their latest single ‘Lock My Stare’ elevating Australian indie rock to new heights.”
PLEASER MAGAZINE
CHEEKY LEASH AUSTRALIAN SHOWS
Tickets and info via cheekyleash.com
On sale 10am AEST Thursday 18th September
Saturday 4 October Pambula Beach Sapphire Coast
WANDERER FESTIVAL
Sunday 5 October Finnian’s Tavern Port Macquarie
FINNIAN’S SPRING FESTIVAL
Thursday 6 November The Northern Byron Bay
Friday 7 November Elsewhere ‘Bespoke’ Gold Coast
Saturday 8 November Solbar Sunshine Coast
Friday 14 November 170 Russell Melbourne
Supporting South Summit
Saturday 15 November Factory Theatre Sydney
Supporting South Summit
Sunday 16 November Stag & Hunter Newcastle
Thursday 22 November Felons Barrel Hall Brisbane
Friday 28 November Dissent Cafe & Bar Canberra
Saturday 29 November Marlin Hotel Ulladulla
Friday 5 December Lalala’s Wollongong
Friday 12 December Gage Roads Fremantle
CHANGE is out now!
CHEEKY LEASH: Official Website | Facebook | Instagram | YouTube | Triple J Unearthed | TikTok
Saturday 3 January 2026 – PICA, Melbourne
Following unprecedented demand since his last sold-out visit, global techno heavyweight, I Hate Models returns to PICA Melbourne on Saturday 3rd January 2026 presented by XE54 and Untitled Group.
Joining him for this occasion are Patrick Mason and Pegassi ensuring this will be one of the most highly anticipated electronic events to kick start 2026.
Fresh off the back of announcing his slot at Beyond The Valley, Australia’s largest camping festival which is already sold out, I Hate Models now delivers Melbourne fans another chance to experience his commanding and uncompromising performances.
A true force on the global circuit, I Hate Models has released music on his own label Disco Inferno, delivered remixes for Depeche Mode, and created international anthems such as his edit of Toro. His latest EP, Forever Melancholia, continues to showcase his uncompromising sound. The DJ and producer has also headlined Ultra Music Festival, EDC, Awakenings, Tomorrowland and more, cementing his reputation as one of techno’s most in-demand artists.
Famed for sets that traverse trance, and techno with emotional intensity, his sound rejects formula and embraces raw catharsis. On his last visit to Melbourne in October 2024, I Hate Models sold out two shows at PICA Melbourne, proving the sheer demand for his return and reaffirming his cult-like following within Australia.
Berlin’s Patrick Mason brings his boundary-pushing hybrid of music, fashion, and art. Known for his powerful stage presence and “techno extravaganza” style, Mason has played at Awakenings, Time Warp, Printworks, Tomorrowland, and DC-10. His creative influence also spans into fashion, including collaborations with Maison Margiela and Trippen, and as Ray-Ban’s first external creative director — where his designs sold out globally within days
Belgium’s Pegassi has rapidly risen as one of the most exciting voices in electronic music. Breaking through with his remix of No Type, which hit #1 on Soundcloud’s global charts, and his club anthem Yoyoyo, Pegassi has since gained support from tastemakers including Marlon Hoffstadt, Anetha, Trym, and Solomun. With performances at Tomorrowland, Intercell, and more, he is now driving forward with his own imprint and event series, Sweet Nothing, cementing his global trajectory.
Also joining the event will be homegrown talent Mikalah Watego b2b Hannah D, rounding out the incredible lineup of artists taking to the stage this January.
Untitled Group, Australia’s largest independent music promoter, is celebrating 10 years of redefining the live music scene with flagship events including Beyond The Valley, Pitch Music & Arts, Wildlands and Ability Fest.
Sign up for presale access HERE
Presale begins Thursday 18th September 11:00 AM AEST
General on sale begins Friday 19th September 11:00 AM AEST
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