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We are witnessing music history in the making; despite “growing up” in the same scene Social Distortion & Bad Religion have never toured together! Both bands have been excited about the possibility and have worked towards this end for YEARS. Last week the Los Angeles Punk and Orange County Rock n’ Roll legends Bad Religion & Social Distortion announced an Australia & New Zealand co-headlining tour. The tour will kick off on February 15 in Auckland and wrap Wednesday 22 in Perth.
General tickets are on sale now.
“I’ve been a huge Social Distortion fan for over 40 years, and I guarantee you no one is more excited about this tour than I am. Sick Digital Boys 2023!” – Brian Baker, Bad Religion
“We are really looking forward to this incredible tour with our good friends Bad Religion. It’s been years since we’ve played a show together and it’s about time we take it on the road. Not only are we excited for this reunion, but to also return to Australia and finally hit New Zealand!!! See you all soon!” – Mike Ness, Social Distortion
SOCIAL DISTORTION & BAD RELIGION
TOUR DATES:
WEDNESDAY 15 FEBRUARY 2023 – TRUSTS ARENA, AUCKLAND
FRIDAY 17 FEBRUARY 2023 – RIVERSTAGE, BRISBANE
SATURDAY 18 FEBRUARY 2023 – HORDERN PAVILION, SYDNEY
SUNDAY 19 FEBRUARY 2023 – MARGARET COURT ARENA, MELBOURNE
WEDNESDAY 22 FEBRUARY 2023 – RED HILL AUDITORIUM, PERTH
General tickets on sale now from destroyalllines.com.
ABOUT BAD RELIGION
Aside from essentially defining the California half-pipe punk blueprint, Bad Religion has defied the usual trend shifts or values-ditched ubiquities of the typical punk band storyline. The band morphed along with challenging album after album amid astoundingly consistent touring, retaining their core audience while roping in subsequent generations of anxiously energetic kids.
The band has long settled into the current lineup who have arguably enacted to most muscular Bad Religion ever to grace a stage: Greg Graffin (vocals) and Jay Bentley (bass) join Brian Baker (guitarist since ’94), guitarist Mike Dimkich (9 years in), and drummer Jamie Miller, who’s already been with the band for seven years.
Bad Religion is in an almost singular position in the history of punk. Having formed right on the heels of the original explosion, they led the west coast arm of hardcore’s birth, adding their melodic riffs, zooming harmonies, and viciously verbose lyrical punch to the basic bash of hardcore. Then the band continued to expand their template through the ‘80s and into the indebted “neo-punk” sound of the early ‘90s and weathered the questionable dichotomies of the “alternative rock” era by doing what they’ve always done – releasing explosive album after album to consistent acclaim from fans and critics. They’ve continued to throw songwriting and production wrenches into the works so’s not to bore themselves or their never-diminishing following. Their catalog of releases is extensive, including 17 studio albums, eight full decade-specific performances in their bio-documentary series Decades, and releasing a biographical accounting of their history in 2020 Do What You Want: The Story of Bad Religion.
The band’s rep, as socially aware thought-provokers, can’t obscure the fact they’ve remained one of the most viscerally powerful live bands on the planet, remembering the beats and riffs that get your ass off the couch in the first place.
FOLLOW BAD RELIGION:
WEBSITE | FACEBOOK | INSTAGRAM
ABOUT SOCIAL DISTORTION
Mike Ness (Guitar, Vocals) Jonny Wickersham (Guitar) Brent Harding (Bass) Dave Hidalgo Jr. (Drums)
Here’s how you know you’ve made it in the music business: You’ve stayed strong for four decades on your own terms, on your own time, by your own rules, and over that time your influence has only grown. Each of your albums has been stronger than your last. You’ve been brought onstage by Bruce Springsteen, because he wanted to play one of your songs. You’ve seen high times and low ones, good days and tragic days, but every night you give 100%, and every morning you wake up still swinging.
This is the short version of the Social Distortion bio — the long version could be a 10-part mini-series. But over the past 40 years, the punk godfathers in the band have all but trademarked their sound, a brand of hard rockabilly/punk that’s cut with the melodic, road-tested lyrics of frontman Mike Ness. Their searing guitars and a locomotive rhythm section sound as alive today as they did in ’82, as do Ness’ hard-luck tales of love, loss and lessons learned. “The most common thing I hear is, ‘Man, your music got me through some hard times,'” Ness says. “And I just say, ‘Me too.'”
Now in their fourth decade, Ness and Social Distortion have officially done one of the most non-punk things possible: They’ve failed to burn out.
Mixing Springsteen’s factory-overalls ethic with Southern California punk energy and black leather, Social Distortion formed with Ness and high school buddy, the late Dennis Danell, in the late 1970s; the group broke in 1983 with the thrashing plate of punk and displeasure “Mommy’s Little Monster.” Their 1988 follow-up, “Prison Bound,” hinted at a sonic change to come, and by the band’s self-titled 1990 record and 1992’s “Somewhere Between Heaven and Hell,” their sound had solidified into the instantly recognizable brand of rock n’ roll that’s defined them since.
Now, Social Distortion consists of Ness and longtime guitarist Jonny Wickersham, along with bassist Brent Harding and drummer David Hidalgo, Jr.
These days the band is rarely off the road for long, and continues to grip fans who have been around since “Mommy’s Little Monster” while drawing new ones who discover the band through hand-shot YouTube clips. “I see people bringing their kids to shows,” Ness says. “And I see kids bringing their parents.”
Social Distortion is a mix of potent power, appeal across all age brackets and a genuine satisfaction at reaching as many people as they have. “I write songs for myself, and I hope that other people will like them too,” Ness says. “I think every record you make is showing people what you’ve learned over the past few years. It’s showing people, ‘This is what I know.’ “
“Ness is one of the most underrated pure songwriters in rock.” – Los Angeles Times
FOLLOW SOCIAL DISTORTION:
WEBSITE | FACEBOOK | INSTAGRAM
Tetsuians have cemented themselves in the Melbourne/Naarm music landscape with their unique mixture of punchy indie riffs and melodic undertones. A warm indie pop-rock sound that takes influence from bands such as Wilco, Supergrass and Wild Flag.
The bands third album Repairs and Alterations heralds a bigger sound, with thicker licks and refined song writing, set for release tomorrow on the 30th of August 2022.
The band have released a number of singles leading up to the album release, most recently Walk It Off and Shadow In The Sky.
The album launch is scheduled for Saturday September 3rd @Mama Chen’s Footscray, Melbourne
https://www.facebook.com/events/429796589066218
https://www.facebook.com/Tetsuians
https://www.instagram.com/tetsuians/
Spotify
https://open.spotify.com/artist/3asjMtKj3yCeZ3Lg2hVl4m?si=AoNbQV0yTyOm7QlWx0Gang
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Speaking to the making of ‘Situation 99‘, the band reveal “Lu dog had been sitting on these hectic chords for a while and we knew there was a banger in there. Lu and the rest of the band made the most pumping instrumental when we were recording at The Grove and then let Finchy take it home with him to spend a couple of weeks coming up with the lyrics. We took some time to cook up the perfect SPACE ROCK banger.”
Recorded at The Grove alongside Jack Nigro (Skegss, DMA’S, Julia Jacklin, Middle Kids), True Colour is infectious, fun, free-spirited and most significantly, creatively ambitious. Known for their easy-going, take-it-as-it-comes approach to life, The Terrys‘ debut album is a deeply contemplative release encouraging listeners to embrace the highs and lows as they happen, to find their own true colours. This October, The Terrys will perform across the country to celebrate True Colour‘s release – pre-sale tickets are on sale now, pre-save True Colour HERE to get exclusive access. GA tickets are on sale from 9 AM AEST tomorrow, Friday 26 August. For all upcoming tour routing info + tickets see BELOW.
Earlier this week, The Terrys announced their inaugural Battle of the Bands competition, in partnership with Fellr. Paying homage to a scene that has given so much to The Terrys, the band are giving away the chance win the support slot on their debut album national tour plus $3000 in cash, an A&R masterclass with James Tidswell (Violent Soho, Domestic La La), $1000 worth of clothes from Billy Bones Club and more. For information on how to apply and more visit theterrysband.com.
TRUE COLOUR LP
The debut album by The Terrys
October 7 via Domestic La La
GA tickets are on sale HERE from 9 AM AEST on Friday 26 August
‘Situation 99‘ is out now, buy/stream it here.
TOUR DATES
Sat 22 Oct – The Zoo – Meanjin / Brisbane
Fri 28 Oct – Jive Bar – tarntanya / Adelaide
Sat 29 Oct – Milk Bar – Boorloo / Perth
Tue 4 Nov – UC Hub – ngunnawal Land / Canberra
Wed 5 Nov – Oxford Art Factory – Eora / Sydney
Fri 18 Nov – Altar Bar – nipaluna / Hobart
Sat 19 Nov – The Corner Hotel – Naarm / Melbourne
Stay connected with The Terrys:
Website | Facebook | Instagram | Youtube
KALIOPI & THE BLUES MESSENGERS
Host band for DOUBLE TROUBLE BLUES SESSIONS supporting Ian Collard Sunday August 28 at the St Andrews Hotel. Tix available through Eventbrite
Partea caught up with a few members from the band since the inaugural sold-out July show.
Kaliopi & the Blues Messengers officially launched at the Glenmaggie Blues & Roots Festival earlier this year with a vibrant reception from festival goers starting their loyal fan base. Kaliopi & the Blues Messengers are Double Trouble Blues Sessions host band supporting national blues.
Lisette Payet, the band’s pianist explains, “I feel fortunate to have begun experiencing Memphis Minnie since joining Kaliopi & the Blues Messengers. It’s great to hear women singing the blues and get intriguing phrasing for which I’ve become a big fan. Playing piano as part of the host band for Double Trouble Blues Sessions with the Blues Messengers I appreciate how lucky am I to play with all these great musicians”
Les Oldman, drummer in the band expresses a profound respect for Memphis Minnie’s place in blues music history in awe of Mini’s story, “What a Story!”. When asked how he felt about being a part of Kaliopi & the Blues Messengers and playing in the host band for the Double Trouble Blues Sessions? “I’m very grateful to be included in this special project among such fantastic players who want to entertain folk in these current troubled times… times of Blues.. so to speak”.
Kaliopi draws from the great blues tradition and the powerful women who made it their own and has honed in on the works of Memphis Minnie as a mentor. Now in preproduction collaborating with the country’s best specialists for their debut studio album showcasing the works of Mini, the elite ‘Blues Messengers’ plan to followup this production with a tour.
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For the first time in three years, Beyond The Valley is returning. Join us at Australia’s premier New Year’s festival as we make our way back to our true form as an all encompassing combination of Music, Arts and Camping, December 28 – January 1. For our seventh edition, we are excited to welcome you to our new home at Barunah Plains, a lush oasis located on the lands of the Wadawurrung Peoples of the Kulin Nation and the Eastern Maar Peoples of Southwest Victoria, the perfect sanctuary as we step into a new era of BTV. Staying true to tradition, Beyond The Valley will feature a combination of international & homegrown top-tier and break-through bands, electronic & hip hop artists, spread across three distinct purpose-built, custom-designed stages — Main Stage, Dance Tent and the beloved Dr Dan’s stage. We can’t wait to come together and dance with you over four euphoric days as we bring in 2023 in true BTV style. Lineup announced Thursday 25th of August 12:20PM AEST. RSVP via the button below to be the first to know when it drops. |
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Only 1.5 hours out of Melbourne, Barunah Plains is a picturesque oasis featuring a natural amphitheatre, sweeping trees, rolling hills, a Wool Shed, mystic bridges and a winding creek, making it the perfect home for a new era of Beyond The Valley. Our camping area is located on flat land with increased space and accessible facilities, ideal for establishing your temporary home. The beauty of Barunah Plains extends well into the surrounding areas. En route via Geelong, explore Torquay, Ocean Grove and Lorne, renowned for their serene beaches and beautiful restaurants, the perfect pitstop on your way to BTV. |
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Beyond The Valley 2022 will be an oasis of experiences. A playground from your wildest imagination, step away from the music and go for a swim at Beach Club, or uncover Schmall Klüb, a concealed party with spontaneous sets from your favourite DJs only accessible via a secret entrance. For the first time at BTV, experience our Podcast Stage with live and interactive recordings of your favourite podcasts. A place for self discovery, step into The Sanctuary for daily meditation, yoga & workshops. If you’re after a more luxurious experience, our Lux Camp is the largest glamping offering in the southern hemisphere! With delicious options to suit all dietary requirements, our Food Village is the perfect place to refuel for a day of music & movement under the ample shade provided. Featuring a true combination of local art & community, explore our Market Stalls and stumble into your next best find. Find yourself continuously mesmerised by art installations scattered throughout the festival and endlessly entertained by — Poof Doof ‘Pride Patrol’, Drag Bingo, Speed Dating, Open Mic, Fortune Teller, Doof Stick Making, Yoga, Pilates, Meditation & more. |
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As an ARIA awardee with Collard, Greens and Gravy, a role model and a leader in the Australian Blues scene, Ian Collard is looking forward to headlining the newly established Double Trouble Blues Sessions at the St Andrews Hotel “It’s a fantastic Pub and I haven’t been there for many years”.
With a unique vocal timbre and solo guitar style, considered to be one of our country’s best harmonica players, Ian share’s his main influences…
“My main influences on the Harmonica are definitely a Little Walter, Big Walter, Junior Wells, Sonny Boy Williamson. My influences as a guitarist a Muddy Waters, John Lee Hooker, Lightnin’ Hopkins, Lewis Myers, Freddie King, Elmore James, Tampa Read, Robert Nighthawk, Earl Hooker”.
Ian has travelled to Memphis on a number of occasions. We asked Ian what it is that draws him there that he brings back to contribute to the vibe and satisfaction of his audiences at gigs?
“It’s great to go to the place where somebody influences have come from, understanding the geography of the United States and the different regional styles of blues music is very important to people who are presenting this great style of music.”
The front-man for a number of bands including Three Kings and Backsliders, Ian share’s how the COVID period of lockdown affected managing his projects and his outlook for the future?
“During Covid I affectively played no music whatsoever, I wanted to fight or was in flight mode and any ability to be creative was completely stifled. I’ve come back from the whole thing with a whole new perspective on what is important in life and what I enjoy about music. I am currently playing with a great group of human beings who also happened to be fantastic musicians, I am very lucky and feeling grateful for every moment I have on stage.”
Tickets to this Ian Collard this Sunday August 28 are available through Eventbrite
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Follow BeOn1x on socials:
Double Trouble Blues Sessions
Supported by Kaliopi & the Blues
The event is set in the St Andrews hotel in St Andrews, Vic, an historical blues venue, with the sounds of Dutch Tilders, Chain, Chris Wilson echoing from the walls. The venue has installed new production for these Double Trouble Blues
Double Trouble Blues Sessions
Tickets to the event and those following are available through Eventbrite
Each event performance format will start with our feature artist opening with solo set followed by a second set to unearth a new vintage blues support act through to the final collaborative set where our feature guest artist will lead our seasoned session band directing a world-class session jam in the traditional spirit of the blues.
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