+ Release parties down the East Coast this weekend including instores, a Thrift Store party pop up with Clutch Glue & Vinnies and a hometown headline show +
+ Playing Laneway Festival 2026 and touring nationally in May +
Stream focus track ‘WONDERFUL’ | Watch the video
Stream / order GLORY
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The acclaimed Modern Wisdom host delivers an evening of sharp insights, raw honesty, and unexpected lessons, challenging audiences to get curious, think deeper, and discover new perspectives.
Following the success of his sold-out North American live tour, British podcaster, writer, and host of Modern Wisdom – one of the world’s biggest podcasts – CHRIS WILLIAMSON brings his signature blend of storytelling, philosophy, and insight to Australia, New Zealand, and Bali in 2026 with the MOSTLY WISE live tour, hitting theatres across each territory in March and April.
Through a dynamic mix of storytelling, sharp insights, and practical takeaways, Williamson explores the tension between what we think we know and what we’re still figuring out. From the traps of hustle culture to the truths uncovered in silence, Mostly Wise offers an evening of insights, face-palm clarity, and unexpected discoveries. Audiences can expect a show that is deeply reflective, gut-punchingly honest, and unapologetically points the finger at the lessons you need to hear but have been ignoring. Whether you’re a long-time listener or just stepping into the world of personal growth, this tour invites you to get curious, challenge your assumptions, and walk away with a fresh perspective.
“After thousands of hours speaking with some of the world’s sharpest minds, the biggest lesson I’ve learned is that no one really has it all figured out, least of all me,” said Williamson. “Mostly Wise is about embracing that reality, exploring the questions that actually matter, and laughing at the ways we get it wrong. It’s not self-help, it’s self-honesty. I can’t wait to bring that to life with everyone across Australia, New Zealand, and Bali. This stuff absolutely rules. Hopefully, everyone leaves feeling called out, seen, reassured, and a bit more wise.”
With over 1 billion streams, Williamson’s Modern Wisdom has become one of today’s most influential self-development platforms, helping millions live better, think deeper, and perform at their best. Covering topics from modern masculinity and relationships to philosophy and mental wellness, Williamson distills complex ideas into practical, relatable takeaways for his global audience of more than 7 million followers.
On Modern Wisdom, Williamson sits down with some of the world’s most influential thinkers and cultural icons, from David Goggins and Andrew Huberman to Senator Bernie Sanders, Scott Galloway, and Matthew McConaughey.
The Mostly Wise live tour builds on that legacy, bringing Williamson’s most thought-provoking conversations to the stage. Audiences can expect an evening that’s as entertaining as it is enlightening — blending humor, honesty, and reflection into a transformative live experience.
CHRIS WILLIAMSON MOSTLY WISE LIVE TOUR DATES
Pre-sale Tuesday 18th Nov 9am Local
GP on sale Thursday 20th Nov 9am Local
Tickets HERE
Thursday 19th March Darling Harbour Theatre, Sydney
Friday 20th March Palais Theatre, Melbourne
Sunday 22nd March AEC Theatre, Adelaide
Monday 23rd March Astor Theatre, Perth
Wednesday 25th March Fortitude Music Hall, Brisbane
Saturday 28th March Isaac Theatre Royal, Christchurch
Sunday 29th March Bruce Mason Centre, Auckland
Wednesday 1st April Atlas Super Club, Bali
About Chris Williamson:
Chris Williamson is a British podcaster and writer based in Austin, TX, best known as the host of Modern Wisdom, where he dives into everything from self-improvement and philosophy to human behavior and the weird corners of the internet. Since 2018, he’s sat down with world-leading psychologists, neuroscientists, comedians, and cultural commentators, distilling complex ideas into accessible insights. Modern Wisdom has surpassed 1 billion downloads across more than 1,000 episodes.
PRAISE
“Chris Williamson is now a podcast star”
BBC
“Chris Williamson is a modern-day polymath with a fitting podcast”
Practical Ecommerce
“You’re a very good listener, you are one of the best listeners – really good at knowing when to talk and when not to talk”
Joe Rogan
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Sydney’s most iconic shoreline will take centre stage next year with the arrival of GOLDEN HOUR, a new live music series produced by Fuzzy. Launching in February 2026, the event will turn Bondi Beach into a sunset celebration of live music. Headlining the inaugural edition are Crowded House, supported by acclaimed singer-songwriter Thelma Plum, for a landmark evening honouring Australian music in a setting unlike any other.
GOLDEN HOUR is designed as a new end-of-summer ritual and marks the first major concert on Bondi Beach in more than a decade. The main stage sits directly on the sand, while guests are encouraged to bring picnic rugs and settle on the hill above the foreshore for sunset views.
“Golden Hour was created to celebrate the magic of outdoor live music in a way that feels grounded in place and community,” said Adelle Robinson, Managing Director of Fuzzy. “It’s about uplifting the voices that define who we are, including First Nations artists whose stories and creativity continue to shape Australia’s cultural landscape.”
Crowded House are among Australia and New Zealand’s most acclaimed and enduring bands, with more than 15 million albums sold worldwide and a legacy defined by eight APRA Awards, 13 ARIA Awards, a BRIT Award and induction into the ARIA Hall of Fame. Their 2024 album Gravity Stairs marked a bold new chapter for the group, reaffirming their creative evolution and leading into an extensive global tour that has continued through 2025. Their headline performance at GOLDEN HOUR will give fans the rare chance to experience the band as the sun sets over Bondi, with a setlist spanning decades of songs that have shaped the soundtrack of Australian life.
Award-winning Gamilaraay artist Thelma Plum will also take the stage. Known for her honest lyricism and unmistakable voice, Thelma has become one of Australia’s most compelling storytellers. Her 2023 album I’m Sorry, Now Say It Back reaffirmed her standing as a singular talent in Australian music, weaving personal reflection with emotional depth. The record built on the success of her acclaimed debut and years of touring across the country, marking Thelma as a vital, enduring voice in the nation’s contemporary soundscape.
Waverley Mayor Will Nemesh welcomed the announcement, saying the event would add a new cultural dimension to the area. “An iconic band deserves an iconic location, and what better combination than Crowded House and Bondi Beach,” he said. “I’m proud that another major event is making its home in Waverley, strengthening Council’s commitment to the cultural life of this special part of Sydney. Golden Hour not only brings a world-class concert to our doorstep but also creates opportunities for local creatives, businesses and service providers, delivering lasting benefits for the community.”
At its core, GOLDEN HOUR is a community-first music experience that celebrates local talent and creative collaboration. From the lineup to its visual identity, created by Warumungu/Wombaya artist Jessica Johnson of Nungala Creative, every element of the event reflects a commitment to Australian art and storytelling, especially highlighting the contribution of First Nations creatives. The 2026 edition runs from 5 pm to 10 pm, marking the beginning of an annual series that will return each summer with new artists and experiences still to be announced.
GOLDEN HOUR LIVE ON BONDI BEACH
Friday 20 February 2026
Presale: Wednesday 12 November, 12pm AEDT (Bondi Locals will have early access from 10am AEDT)
Artist Pre Sale: Wednesday 12 November, 12pm AEDT
General On Sale: Thursday 13 November, 12pm AEDT
CROWDED HOUSE
THELMA PLUM
& MORE TO BE ANNOUNCED
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American post hardcore / emo outfit Rain City Drive are set to make their headline debut in Australia next year, with a run of shows in March 2026. Proudly presented by TEG MJR, the band will bring their formidable live show to audiences in Melbourne, Sydney, Brisbane, Adelaide, and Perth.
Rain City Drive will be joined on all dates by viral alternative act TX2, as well as rising Sydney metalcore band Melrose Avenue. Kicking off at Melbourne’s 170 Russell on Friday 6th March, the tour continues at Sydney’s Metro Theatre on Saturday 7th March and Brisbane’s Triffid on Sunday 8th March, before the final leg at The Gov in Adelaide on Wednesday 11th March and Perth’s Magnet House on Friday 13th March. Tickets are on sale next Wednesday 12th November at 12.00pm local time via www.teglive.com.au
Rain City Drive makes vibrant and dynamic alternative rock n’ roll, with strong roots in the post-hardcore subculture and unapologetically ambitious swings into contemporary pop. Their music is streamed by over 1,000,000 fans on Spotify each month, with their hit songs ‘Talk to a Friend’ and ‘Heavier’ from their 2020 album To Better Days accounting for 100 million streams between them alone. In 2024, the band released acclaimed album Things Are Different Now – a record that catapulted the band to new heights with full-throttle singles like ‘Medicate Me’ and ‘Frozen’.
Armed with arena-ready anthems ready-made for long drives, workouts, intimate clubs, and massive festivals alike, the Florida-based group have built a reputation as a powerhouse live act – don’t miss their explosive performances as they head to Australian venues for the very first time.

TEG MJR presents
RAIN CITY DRIVE
with special guests TX2 & Melrose Avenue
Friday 6th March – 170 Russell – Melbourne
Saturday 7th March – Metro Theatre – Sydney
Sunday 8th March – Triffid – Brisbane
Wednesday 11th March – The Gov – Adelaide
Friday 13th March – Magnet House – Perth
Local Presales: Tuesday 11th November 11:00am local time
General On Sale: Wednesday 12th November 12:00pm local time
Presale Sign Up HERE
Tickets On Sale HERE
CONNECT WITH RAIN CITY DRIVE
OFFICIAL WEBSITE | INSTAGRAM | FACEBOOK | TIKTOK | YOUTUBE | SPOTIFY | APPLE MUSIC
Photography: Jake Harm Nam

Oasis made their monumental return to Australia, delivering an explosive first Aussie show of their history-making and universally celebrated global tour, OASIS LIVE ’25 at Melbourne’s Marvel Stadium.
Playing to a capacity crowd of 58,000 fans, the band showed Melbourne exactly why this tour has become the most defining live music moment of the year, as they gave fans a taste of what’s to come on their five-date, sold-out stadium run of Australia.
Liam and Noel strode onto the stage with their customary swagger, hands clasped and raised high, as Liam fired up the crowd with a question: “G’day Australia. Did you miss us? Because we missed you.” The packed stadium roared its answer, a thunderous yes.
Just before launching into the emotive “Live Forever” the third single from Oasis’ 1994 debut album Definitely Maybe, he announced, “This next song’s dedicated to all the people who can’t be here. You know who they are, we know who they are. Live forever!” prompting a huge, heartfelt singalong.
OASIS LIVE ’25 has ignited a worldwide frenzy, with anticipation for the shows spanning countries and generations. Demand for the tour has been staggering with 18 million people applying for tickets when dates were first announced and 2.6 million fans securing their spot to witness what has become one of the biggest and most in-demand tours in history.
The Australian leg of the OASIS LIVE ’25 tour kicks off as Oasis celebrates 30 years since the release of “Wonderwall” on 30 October 1995. Three decades on, it’s still one of the most enduring songs in modern music. Before they played the track Liam asked the crowd to “Wish this baby happy birthday, 30 years Wonderwall.” For many in the crowd, it was a full-circle moment. Fans who grew up with Oasis now singing alongside their kids as “Wonderwall” rang out across the packed stadium, showing just how deeply the music continues to resonate.
The biggest reunion in rock has become a unifying celebration of a band whose influence has never faded. Oasis continue their Australian run this week with two more sold-out nights in Melbourne, before heading to Sydney for back-to-back shows on Friday 7 and Saturday 8 November.
Alongside the tour, and to celebrate the 30th anniversary of “Wonderwall”, Oasis have announced a limited edition (What’s The Story) Morning Glory? 7” Singles Box Set – a replica of the highly collectible 1996 CD cigarette-style box. The Box Set includes four 7” singles, featuring the 2014 remastered versions of “Wonderwall”, “Some Might Say”, “Roll With It”, and “Don’t Look Back In Anger”, along with their original B-sides. Released 12th December, it’s available for pre-order HERE.
Content Credit: Big Brother Recordings

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With just one month to go until the gates of Queenscliff Music Festival are flung open across the weekend of 28–30 November on Wadawurrung Country in the historic seaside town of Queenscliff, Victoria, the festival continues to grow bigger and better as it today releases festival set times and adds special event ferry sessions..
The festival has unveiled two brand-new Special Event Ferry Sessions aboard the Peninsula Princess, with intimate live performances that take audiences on a 40-minute cruise across Port Phillip Bay, pairing live music with coastal views and a complimentary beverage.
While the already announced six regular ferry sessions are open to all festival ticketholders, those wanting to secure this unique experience can do so through these two new special sessions as they are separately ticketed.
On Saturday 29 November at 1:30pm, the Peninsula Princess will set sail with Skyscraper Stan, one of Australia’s most captivating lyricists and performers, known for his razor-sharp storytelling and magnetic live energy.
On Sunday 30 November at 1:30pm, audiences will be treated to Minor Gold, the award-winning folk-rock duo of Dan Parsons and Tracy McNeil, whose effortless harmonies and heartfelt songs have won fans across Australia and the world.
Tickets to both Special Event Sessions are $25 bf and include a complimentary beverage on board.
And if that isn’t enough to get excited over, the festival set times for the three-day festival are now live so everyone can start planning their Queenscliff Music Festival experience.
Start planning your adventure HERE
Queenscliff Music Festival Director Claire Stickland, said that the new Ferry sessions were added due to overwhelming response for the first, festival-based sessions:
“We’ve been overwhelmed by the response to the Ferry as a floating venue. If you absolutely don’t want to miss out, these special ferry sessions are for you and guarantee you a spot on this unique experience.”
All ferry sessions run throughout the weekend, offering an unforgettable perspective of Queenscliff, from the water, with live music, salty air and spectacular bay views.
Throughout the weekend you’ll also be able to experience the beautiful Bellarine right within the festival – with craft beers, boutique wines, cocktails, gourmet produce, including pastries from Ket Baker and oysters and cheese platters from TARRA Queenscliff. Or take the time to stroll the historic streetscape or sparkling harbour of Queenscliff and drop into one of the local cafes for your morning fix.
The region’s creative community will bring interactive and engaging experiences to the Festival, with a pub choir experience from Chorus Club, cool projections of local flora & fauna from Cosmic Wilderness or a mass jam session from Imaginary Millions.
The Belair Lip Bombs today share their new record Again, the first Australian album release on Jack White’s Third Man Records. Tickets are on sale now for their Australian headline tour in Feb – Mar 2026. LISTEN ON SPOTIFY + APPLE MUSIC + AMAZON MUSIC + YOUTUBE MUSIC + MORE HERE + BUY TICKETS HERE.
Again is an undeniably polished effort from The Belair Lip Bombs, who boldly present an elevation of their humble beginnings, to a band on a trajectory long beyond the DIY venue foundations. The group’s upcoming Australian tour sees the group performing across revered rooms as the Corner Hotel, Oxford Art Factory, Crowbar, Freo.Social, Lion Arts Factory and Altar. See all tour routing dates BELOW.
Backed by a gut-instinct approach, each track across Again has its own mood, built on a bed of each Lip Bombs’ members individuality – an amalgam of influence that makes the group sonically diverse in practice. Their taste as a collective is guided by the pursuit of sinking their teeth into a project unlike before. Whether you have the words, or it’s a song lyric that does for you – reflective of the group’s own reserved personalities, at odds with their power-pop range – they continue “This is an album for real lovers and feelers around the world.”
Motivated by the pursuit of sharpening their pen and cultivating sonic diversity, Again is the reward of getting deep in the weeds. The longest time the group have spent in the studio in their tenure to date also marked the first time The Belair Lip Bombs collaborated with producers Nao Anzai (The Teskey Brothers, Missy Higgins, Mildlife), and Joe White (Rolling Blackouts Coastal Fever) who together have delivered a timeless, holistic album.
“With Again, we wanted to create a body of work that reflected our maturity as people and as songwriters,” The Belair Lip Bombs explain. “I think an album is the most significant demonstration of all of our hard work as a band. Touring the world and playing iconic venues or supporting big bands is all incredible but at the end of the day none of that would be happening if it wasn’t for making a record.”
Maisie‘s staunch leadership backed by the powerhouse combination of Mike, Jimmy and Dev, paint a surface happy-go-lucky, limerence rock sound. A combination of quick-footed rhythms, warm and fuzzy guitar melodies with catharsis at its core. The Belair Lip Bombs are always listening, studying and tinkering away at their form, piecing Again together along the road, between soundchecks and meagre time back home.
Springboarding Kings Of Leon to Yeah Yeah Yeahs with a hint of influence pulled from their local surroundings like jangle heroes Cool Sounds and Way Dynamic, theirs is an earnestness with ultra sticky power-pop song structures that crash through – no skips. From the fiddle that features on opener ‘Again and Again’ or the angsty ‘Another World’, to the shared vocals by Maisie and Mike on ‘If You’ve Got The Time’.
Elsewhere ‘Smiling’ captures the intoxicating, new relationship jitters while ‘Burning Up’ is the group’s clearest throughline to the undeniable hits of New Radicals, Sugar Ray or Matchbox Twenty – and the credibly they give those influences – indelibly felt on the groove laden ‘Cinema’s addictive funk piano chords. ‘Price Of A Man’, is most indicative of the power of the Lip Bombs bond, born from an accidental strum in soundcheck that spawned a story of two fellas and toxic behaviours.
A performance with pummelling instrumentation bound for endless toe-tapping, with biting words to unabashed joy. The band’s unshakable connection as four close friends shines throughout Again.
Again LP is out now via Third Man Records, buy/stream it here.
TRACKLIST
Again and Again
Don’t Let Them Tell You (It’s Fair)
Another World
Cinema
Back Of My Hand
Hey You
If You’ve Got The Time
Smiling
Burning Up
Price Of A Man
AUSTRALIAN ALBUM TOUR
Fri 27 Feb – Corner Hotel – Naarm / Melbourne
Fri 6 Mar – Altar – nipaluna / Hobart
Fri 13 – Lion Arts Factory – tarntanya / Adelaide
Sat 14 Mar – Freo.Social – Boorloo / Perth
Fri 20 Mar – Oxford Art Factory – Eora / Sydney
Sat 21 Mar – Crowbar – Meanjin / Brisbane
2025 TOUR DATES
Sat 1 Nov – Ideal Bar – Copenhagen, DK
Mon 10 Nov – Maschinehaus – Berlin, DE
Tue 11 Nov – Ekko – Utrecht, NL
Wed 12 Nov – Charlatan – Ghent, BE
Thu 13 Nov – Point Ephemere – Paris, FR
Mon 17 Nov – Dabadaba – San Sebastian, ES
Tue 18 Nov – El Sótano – Madrid, ES
Wed 19 Nov – Laut – Barcelona, ES
Fri 21 Nov – Rock School Barbey – Bordeaux, FR
Mon 24 Nov – Volks – Brighton, UK
Tue 25 Nov – Clwb Ifor Bach – Caerdyf / Cardiff, UK
Wed 26 Nov – Exchange – Bristol, UK
Fri 28 Nov – Scala – London, UK
Sat 29 Nov – YES – Manchester, UK
Sun 30 Nov – Stereo – Glaschu / Glasgow, UK
Mon 1 Dec – The Grand Social – Baile Átha Cliath / Dublin, IE
2026 TOUR DATES
Sat 7 Feb – Laneway Festival – Kombumerri Jagun Land / Gold Coast
Sun 8 Feb – Laneway Festival – Gadigal & Bidjigal Land / Sydney
Fri 13 Feb – Laneway Festival – Wurundjeri Biik Land / Melbourne
Tue 24 Mar – Brick & Mortar – Ohlone Land / San Francisco, CA*
Thu 26 Mar – Polaris Hall – Chinookan Land / Portland, OR*
Fri 27 Mar – Baba Yaga – Si’ahl / Seattle, WA*
Sun 29 Mar – Treefort Music Festival – Shoshone Land / Boise, ID
Mon 30 Mar – Kilby Court – Pi’a-pa / Salt Lake City, UT*
Tue 31 Mar – Hi-Dive – Apache Land / Denver, CO*
Thu 2 Apr – White School House – Kansa Land / Lawrence, KS / Kansas City, MO*
Fri 3 Apr – Turf Club – Dakhóta Land / Minneapolis, MN*
Sat 4 Apr – Empty Bottle – shikaakwa / Chicago, IL*
Mon 6 Apr – The Garrison – Tkaronto / Toronto, ON*
Thu 9 Apr – Night Club 101 – Lenape Land / New York, NY*
Fri 10 Apr – Baby’s All Right – Lenape Land / New York, NY*
Sat 11 Apr – PhilaMOCA – Coaquannock / Philadelphia, PA*
Sun 12 Apr – Songbyrd – Nacotchtank Land / Washington, DC*
Mon 13 Apr – Kings – Algonquian Land / Raleigh, NC*
Wed 15 Apr – Blue Room @ Third Man Records – Cherokee, Chickasaw Land / Nashville, TN*
Thu 16 Apr – The Earl – Muscogee, Cherokee Land / Atlanta, GA*
Sat 18 Apr – Sons of Hermann Hall – Nermernuh Land / Dallas, TX*
Sun 19 Apr – 29th Street Ballroom – Tonkawa Land / Austin, TX*
Wed 22 Apr – Rebel Lounge – Hohokam Land / Phoenix, AZ*
Thu 23 Apr – The Casbah – Kumeyaay / San Diego, CA*
Fri 24 Apr – Zebulon – Tongva Land / Los Angeles, CA*
*co-headline with dust
Tickets available HERE.
Stay connected with The Belair Lip Bombs:
23 Profile | Website | Instagram | YouTube
As Oasis return to Australia for their long-awaited stadium tour, fans will be able to step inside the band’s story like never before. Behind The Gallery is proud to announce an exclusive exhibition of Oasis photography by three of the UK’s most celebrated music photographers: Chris Floyd, Kevin Cummins, and Scarlet Page.
“Oasis aren’t just a band – they’re a cultural phenomenon. Through the eyes of Chris Floyd, Kevin Cummins and Scarlet Page, fans can experience the attitude, chaos and brilliance that defined an era of British music,” said Stephen Dallimore – Behind the Gallery.
Running in both Melbourne and Sydney, the exhibition is timed to coincide with the tour, offering fans a rare chance to revisit Oasis’ meteoric rise, unforgettable live shows, and candid behind-the-scenes moments through striking imagery.
The exhibition brings together more than two decades of imagery, spanning gritty early gigs, iconic stage moments, backstage portraits, and rare personal insights into the Gallagher brothers and the band’s inner circle.
- Chris Floyd – Known for his evocative portraits and collaborations with leading cultural figures, Floyd captured Oasis in their prime, offering photographs that reflect both their swagger and their vulnerability.
- Kevin Cummins – Legendary Manchester photographer whose lens defined the visual identity of the city’s music scene, from Joy Division to The Stone Roses. His work with Oasis charts their journey from hometown heroes to global superstars.
- Scarlet Page – Acclaimed rock photographer, Scarlet brings a uniquely intimate perspective. Her portraits of Oasis are celebrated for their warmth, honesty, and insider’s eye on the band’s world.

“When you start out as a photographer one of the things that you secretly hope for is that one day your work will have some resonance or interest for future generations. It’s over 30 years since the first of these pictures were taken and it gives me a lot of satisfaction to see that the love and passion for Oasis is as strong, if not stronger, as it ever was,” said Chris Floyd.
Scarlet Page reflects “These photographs capture Oasis right at the height of their raw, unstoppable energy. It was an incredible moment in British music, and I feel lucky to have been there to document a part of it.”
Together, their work creates a powerful narrative that reflects Oasis’ music, attitude, and enduring cultural influence. Each print in this series is an artist’s print, available exclusively through Behind the Gallery for this exhibition in Australia.
Melbourne Exhibition
Venue: 14 Langridge Street, Collingwood, VIC 3066
Pre-Concert Meet Ups:
Friday 31 October, 11:00am – 5:00pm
Saturday 1 November, 11:00am – 5:00pm
Closing Date: Sunday 2 November 11:00am – 4:00pm
Sydney Exhibition
Venue: 17 Oxford Street, Paddington, NSW 2021
Pre-Concert Meet Ups:
Friday 7 November, 11:00am – 5:00pm
Saturday 8 November, 11:00am – 5:00pm
Closing Date: Sunday 9 November – 11:00am – 4:00pm
For further information head to https://www.behindthegallery.com.au/pages/oasis-exhibitions
Photography: Jake Harm Nam

Photography and Review: Darren Chan
On a cool spring evening, Rod Laver Arena was set ablaze — literally and figuratively — as Tennessee powerhouse Jelly Roll brought his blend of country soul, hip-hop grit, and gospel heart to a sold-out Melbourne crowd. It was part rock show, part revival, and all heart.
The night opened with Drew Baldridge, the Illinois-born country artist known for his big-hearted lyrics. Backed by a dynamic live band, Baldridge wasted no time winning over the crowd with crowd-pleasers like “She’s Somebody’s Daughter” before throwing in a few Aussie-flavoured surprises — a roaring cover of AC/DC’s “Highway to Hell” and a gritty take on Cold Chisel’s “Working Class Man”, which drew a deafening singalong from the crowd.
Between acts, DJ Chill turned the arena into an impromptu block party, spinning everything from Snoop Dogg to Lynyrd Skynyrd and keeping the crowd buzzing.
Next up was Shaboozey, the Virginia-born trailblazer currently redefining modern country with hip-hop swagger and crossover hits like “A Bar Song (Tipsy)”. His set was tight, confident, and effortlessly cool. With a full band behind him, Shaboozey moved between smooth R&B flow and Southern grit, earning cheers and appreciation from new fans.
On the rear stage, rising Nashville star Julia Cole made a surprise cameo — her strong vocals and relaxed stage presence delivered her music in pure Nashville country style.
When the lights dropped and the flaming house frame ignited at the back of the stage, Jelly Roll appeared like a man stepping out of his own story. Opening with “I Am Not Okay,” the raw honesty in his voice hit hard — and the crowd was his from that moment on.
From there, the set moved through an emotional delivery of “Heart of Stone,” “Get By,” “Liar,” and a mashup of “Take Me Home, Country Roads / Lonely Road.” Each song was a confession — gritty, grateful, and honest.
Midway through, Jelly welcomed Shaboozey onstage for a powerful rendition of “Amen,” the two artists trading verses like old friends. Later, Drew Baldridge returned for a massive, beer-raising cover of “Friends in Low Places” that turned Rod Laver Arena into one big honky-tonk choir.
Between hits like “Hard Fought Hallelujah,” “Halfway to Hell,” “Bottle and Mary Jane,” and “Son of a Sinner,”Jelly balanced pain and praise, struggle and salvation. The fire and pyro might have been spectacular, but it was his authenticity that burned brightest.
A covers medley — “Sweet Home Alabama,” “How You Remind Me,” “Party Up,” “Flowers,” and “Young, Wild & Free” — A Night to Remember started to show Jelly’s energy waning.
Jelly Roll took to the rear stage alone for the finale “Save Me.” As rain began to pour down over him creating an unfiltered cinematic moment — he sang like a man laying everything bare – the crowd fixated on every word. It was Jelly’s symbol of redemption and why his story resonates so deeply with so many people.
It was powerful, emotive, and honest show that blurred genres and boundaries — proof that Jelly Roll is on the journey to redefining himself and his music.

“Majestically maneuvering between indie rock, trip-hop, psychedelia, dream-pop, darkwave, shoegaze, and garage punk, among many other sounds and textures, THE HORRORS enraptured the spectators at Dark Mofo in a sonically wondrous journey. The five-piece undeniably bring ‘all wonders to light’ with their scintillating soundscapes and lustral gothic poetry, which coalesce entrancingly in magnificence.”
– William Oakeshott (Wall Of Sound)
Earlier this year, The Horrors made a captivating exclusive appearance at Dark Mofo in Hobart and treated Melbourne fans to an intimate Live at 3RRR set ahead of the festival. The visit marked the group’s first Australian shows since 2012, when they appeared at Laneway Festival alongside a run of headline shows in support of their third studio album Skying.
In April 2026, The Horrors are set to return to Australia for a headline national tour, today announcing dates in Brisbane, Sydney, Melbourne, Adelaide, and Perth.
After nearly 20 years making music, few bands have created a canon as determinedly innovative and consistently acclaimed as The Horrors. Emerging as zeitgeist-shaking garage-goths on their 2007 debut Strange House, before taking a sharp left turn for their Mercury-nominated follow-up Primary Colours, The Horrors have continually evolved — roaming freely between genres.
Their 2011 album Skying won the NME Award for Best Album, while V (2017) was hailed as “a triumph” by The Guardian in a five-star review. Their 2021 EPs Lout and Against The Blade ushered in a new era with their most industrial and uncompromising sound yet.
Now, with their brand new album Night Life, The Horrors return with a record of weight and space; of melancholy and euphoria. It’s a work that entwines the visceral and the sublime — the thoughts that bloom under cover of darkness, when the rest of the world sleeps. Night Life rekindles the raw, instinctive spirit of their early years while expanding their sonic reach into thrilling new territory.
Tour Dates — The Horrors “Night Life” Australia 2026
Friday 10th April – Princess Theatre – Brisbane
Saturday 11th April – Manning Bar – Sydney
Sunday 12th April – Northcote Theatre – Melbourne
Tuesday 14th April – Lion Arts Factory – Adelaide
Wednesday 15th April – Rosemount – Perth
Presale: Friday 31st October, 9:00am local time
General On Sale: Monday 3rd November, 9:00am local time
Presented by Premier Artists, ThePhoenix.au & 3RRR (Melbourne only)
For tickets and more information, visit thephoenix.au
Newcastle and Brisbane sold out!
Final tickets on sale now for Sydney this weekend + Melbourne
Sydney, it’s finally happening: Daniel Johns is back on stage for the first time in over five years with In Conversation: What If The Future Never Happened? kicking off this Saturday 1 November at Sydney’s State Theatre. The tour then hits Newcastle, Brisbane and Melbourne this November – and trust us, you won’t want to miss it.
With Newcastle and Brisbane shows already sold out, final tickets remain for Sydney’s opening night this weekend, as well as Melbourne’s Palais Theatre on Thursday 13 November. Grab them now via frontiertouring.com/
These are one-of-a-kind nights of storytelling, film, and music with one of Australia’s most iconic and enigmatic artists. Each evening celebrates the worldwide premiere of Johns’ highly anticipated short film, What If The Future Never Happened?, and features an intimate, hour-plus conversation where Daniel shares his creative secrets, never-before-seen photos and footage, unreleased demos, and music spanning his Silverchair days to his acclaimed solo work.
Joining Daniel onstage to guide the chaos is beloved broadcaster, musician and unicorn, Double J’s Dylan Lewis (aka D Lord The Prophet), alongside Luke Eblen (Creative Director). Lewis will take the mic as MC, alongside Ebflow and Dr Dream. Known for his infectious energy, quick wit and deep love of music, Dylan first burst into living rooms as the host of ABC’s cult ’90s music show Recovery, redefining how a generation connected with live music.
Since then, Dylan’s carved out a celebrated career across radio and television, from winning hearts (and trophies) on Celebrity Big Brother and I’m A Celebrity Get Me Out Of Here, to soundtracking lives on Double J, triple j, Nova and beyond. Whether on stage with one of his funk bands or choirs, or behind the mic on the radio or in front of the camera on telly, Dylan brings a rare mix of warmth, chaos and rizz – the perfect guide for an unforgettable night of conversation, storytelling and sonic exploration with Daniel. He loves you. Boom.
This is your chance to be part of something truly unrepeatable – an evening of deep dives, stories, music, and surprises with Daniel Johns as he celebrates What If The Future Never Happened? and the 30th anniversary of Frogstomp. Don’t wait. Tickets are nearly gone!
About Daniel Johns
With six #1 albums and a career marked by reinvention, Daniel Johns stands as the most decorated Australian songwriter of his generation. As the frontman of Silverchair, he led the band to an unprecedented run: five studio albums between 1995 and 2007, each debuting at #1 on the ARIA Albums Chart and collectively selling more than 10 million copies worldwide. Along the way, Johns became the first artist in history to claim APRA’s Songwriter of the Year award three times, cementing his reputation as one our most innovative musicians.
DANIEL JOHNS IN CONVERSATION: WHAT IF THE FUTURE NEVER HAPPENED?
+ special guest host Dylan Lewis
AUSTRALIA
NOVEMBER 2025
Presented by Frontier Touring
TICKETS ON SALE NOW
via frontiertouring.com/
ALL SHOWS LICENSED ALL AGES
Saturday 1 November
State Theatre | Sydney, NSW
ticketmaster.com.au
FINAL TICKETS
Friday 7 November
Newcastle Civic Theatre | Newcastle, NSW
SOLD OUT!
Sunday 9 November
Fortitude Music Hall | Brisbane, QLD
SOLD OUT!
Thursday 13 November
Palais Theatre | Melbourne, VIC
ticketmaster.com.au
FINAL TICKETS
Patrons are advised to purchase tickets only through authorised ticket sellers.
We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.
FOLLOW DANIEL JOHNS:
Website | Facebook | Instagram | X | YouTube | Spotify | Apple Music







