Festival News

Indie rock favourites Ball Park Music are set to join the Oasis Live ‘25 Australian Tour, supporting the UK legends on the most anticipated tour of the year.
The Oasis Live ’25 world tour will arrive in Australia on Friday 31 October, following 31 sold-out shows across the UK, Canada, the USA, Mexico, South Korea and Japan. In response to phenomenal demand, Oasis will play three massive nights at Melbourne’s Marvel Stadium, followed by two unmissable shows at Sydney’s Accor Stadium while down under.
Over 15 years into their brilliant career, Ball Park Music are no strangers to commanding arenas – and now, they’ll bring their signature mix of euphoric anthems, emotional depth, and electric live energy to Melbourne’s Marvel Stadium and Accor Stadium in Sydney, when Oasis Live ’25 hits Australia this October/November.

FINAL TICKETS: NOV 4, MELBOURNE – ON SALE NOW

With eight studio albums, platinum-selling singles, ARIA top five debuts, and over a dozen triple j Hottest 100 placements to their name, Ball Park Music have long cemented their place as one of Australia’s most revered and beloved bands. Their brand-new album Like Love (last week’s triple j Feature Album) just debuted at #1 on the ARIA Albums Chart, marking both their first ever #1 album and the first Australian act to top the ARIA Albums Chart in 2025, a testament to the group’s enduring appeal and ever-growing fanbase. From their breakout debut Happiness and Surrounding Suburbs in 2011 to the fan-favourite Puddinghead, and the critically acclaimed Every Night The Same Dream, the Brisbane five-piece have built a legacy on heartfelt songwriting, fearless experimentation, and a fiercely independent spirit. Their self-titled sixth album saw them dominate the ARIA Charts while massive hits like ‘Cherub’, ‘Stars In My Eyes’ and ‘Sunscreen’ solidified their place in the hearts of music lovers nationwide. OASIS LIVE ’25: AUSTRALIAN DATES With special guests Ball Park Music Fri 31 Oct – Marvel Stadium, Melbourne (SOLD OUT) Sat 1 Nov – Marvel Stadium, Melbourne (SOLD OUT) Tue 4 Nov – Marvel Stadium, Melbourne (FINAL TICKETS ON SALE NOW) Fri 7 Nov – Accor Stadium, Sydney (SOLD OUT) Sat 8 Nov – Accor Stadium, Sydney (SOLD OUT)

Few clubs are able to make a name for themselves on the international stage, but Boothaus is one of them. Ranking in DJ Mag’s Top 10 Worldwide for the second year in a row, this time in 7th place, the Cologne club blends a storied legacy with unrivaled production, prestigious bookings and coveted high-energy crowds.

Born out of an industrial warehouse with a hundred-year history in Germany, Boothaus turned a small underground techno venue into a pioneering club that has evolved year on year since 2004. Having upgraded the Funktion One systems to a custom-built L-Acoustics sound system, the pulse of the beat is felt in every corner of the club, from the intense energy of the main room to the raw intimacy of the Dreheri room.

Production is where Boothaus excels, with five distinct rooms of varying sizes, brought to life by custom lighting design that reflects each space’s unique atmosphere, from indulgent to intimate. Boothaus takes it a step further, creating custom-designed lighting for special events, reinforcing the venue’s reputation as a one-of-a-kind experience.

Boothaus continues to foster a community of music-first clubbers, bringing in world-class DJs with global appeal, including Amelie Lens, DJ Diesel (Shaquille O’Neal), Hardwell, Headhunterz, I Hate Models, James Hype, KSHMR, Oliver Heldens, David Guetta, Steve Aoki, Tiësto, and Vini Vici. The venue’s finger-to-the-pulse attitude towards booking has cemented its status as a key player on the global stage.

As Boothaus continues to push boundaries, it remains a beacon for club culture not just in Germany, but worldwide. With an unwavering commitment to innovation, a fiercely loyal community, and an ever-growing roster of international talent, Boothaus proves that the spirit of the underground can thrive on the global stage — and its reign shows no signs of slowing down.

Upcoming Shows

20.04.25
Bootshaus Sommerfest Opening

25.04.25
Oliver Heldens pres. by Bootshaus

30.04.25
Loonyland pres. Luca-Dante Spadafora, Ely Oaks & many more

09.05.25
Bootshaus pres. Die Gebrüder Brett

16.05.25
Euphoria pres. Miss Bashfull x DBBD, Shoki287

23.05.25
Chrome pres. Jazzy, Omaks, Secret Guest & more

24.05.25
Bootshaus Sommerfest

28.05.25

Frances Mercier & MoBlack

06.06.25
Rheinaudio pres. Zapravka

13.06.25

Will Sparks

21.06.25

Levi

27.06.25

DJ Snake

WEBSITE

Photography & Words: Darren Chan

You can’t help but feel a big dose of nostalgia when experiencing legendary rock bands live—especially when they deliver their iconic hits with the same passion that made them famous decades ago.

Christopher Cross is a good friend of Toto, and having him as the support act with his classic soft rock style was a fitting start to the evening. Cross and his band casually entered the stage to warm applause. Unfortunately, at that point in time, a good portion of the audience was still queuing to get into the venue.

He took a humble bow before launching into “All Right.” His laid-back nature allowed the quality and familiarity of his music to speak for itself.
Cross and the band delivered yacht rock classics like “Sailing” and “Arthur’s Theme” with effortless sophistication. The backing singers provided smooth vocal support, even singing in Swahili on “Light the World.”

Although a very accomplished musician himself, Cross gave plenty of opportunities for other band members to showcase their talents—particularly Andy Suzuki on various wind instruments and Jerry Leonide on piano. He did take some impressive guitar solo moments in “I Really Don’t Know Anymore” and the final song, “Ride Like the Wind,” ending the performance on a high note.

With over 14 studio albums, numerous Grammys, and more than 50 million albums sold worldwide, Toto’s live performance proves they still have that magic that’s kept fans coming back since the late ’70s. While the touring band lineup has changed over the years, the current roster includes core members Steve Lukather (guitar/vocals) and Joseph Williams (vocals), alongside world-class musicians: Greg Phillinganes (keyboards/vocals), Shannon Forrest (drums), John Pierce (bass), Warren Ham (horns/percussion/vocals), and Dennis Atlas (keyboards/vocals).

Toto took to the stage with a confident but relaxed energy. From the opening notes of “Child’s Anthem,” the crowd cheered with enthusiasm. Toto infused each song with energy, allowing moments of improvisation while honoring the arrangements fans know by heart. They struck a masterful balance between nostalgia and musicianship.

The setlist featured a well-rounded mix of their chart-topping hits—like the groove-laden “Rosanna,” the piano-driven soft rock of “Georgy Porgy,” the guitar-heavy classic “Hold the Line,” and the prog ballad “I Will Remember”—as well as deeper cuts for the true fans, including the funky “99” and the ’80s rocker “Angel Don’t Cry.”

The band’s performance was a masterclass in meticulous arrangements and instrumental interplay. Both Williams and Lukather delivered their trademark vocals with distinctive flair. Lukather—one of rock’s most respected guitarists—was in spectacular form. His solos during “Rosanna,” “White Sister,” and “Hold the Line” showcased his chops as one of the greatest session musicians of all time.

The rhythm section of Forrest and Pierce provided a rock-solid backbone, anchoring the performance with precision. Atlas, the youngest member of the band and a prog rock prodigy, shone with a keyboard solo and an impressive vocal range, taking the lead on “Angel Don’t Cry.” Phillinganes, who’s played with a who’s who of music legends, also had his moment in the spotlight with a brilliantly musical keyboard solo.

There was clear camaraderie and chemistry among the band members—some of whom have been friends since they were young. They appeared relaxed and content on stage, sharing casual banter and genuinely appreciating each other’s performances. Williams’ fun interactions with the audience created memorable moments of connection throughout the arena.

The visual production subtly complemented the music without overshadowing it—tasteful lighting shifts enhanced the mood of each song without relying on unnecessary flash. This, combined with exceptionally balanced front-of-house audio, kept the focus squarely on the top-tier musicianship happening on stage.

The show closed with the band’s most well-known anthem, “Africa.” The iconic opening keyboard pattern drew an immediate crowd reaction and kicked off a massive sing-along. Toto delivered classic rock magic to Melbourne, proving that great music—executed with exceptional skill and production—never goes out of style.

The biennial Wanderer Festival set off an avalanche of excitement today as organisers confirmed this year’s dates. Mark your calendars and set your compass for Pambula Beach these spring holidays as your favourite music & arts festival kicks into gear over the October long weekend, 4th-5th October 2025.

Previous Wanderers have sprawled over three days with organisers this year delivering the event over two epic main days. Over 50 stellar acts will grace the stages and the first line-up announcement is set to be released in coming weeks.

A genuine festival of culture, Wanderer is a world-class production of music and art that expertly weaves the unique and creative spirit of the region through the vast and diverse program of national and international artists. As always, the cuisine will be heavenly.

Festival founder, Simon Daly said “events have a tremendous ability to inspire, uplift and connect people in a way that is so vital. I love that anyone can come to Wanderer and feel like it’s for them – no matter how old, young or where you’re from – the atmosphere and experience transcends everything.”

So unique and so wonderful is Wanderer that it draws audiences from all over Australia. One quarter of Wanderers come from interstate and sixty percent visit from outside the local region. The onsite campgrounds will open on Friday 3rd October, ensuring visitors journeying to the Sapphire Coast can settle in early and not miss a beat.

Minister for Jobs and Tourism Steve Kamper said:

“We are thrilled to back Wanderer Festival on its return to the NSW major events calendar. It proved an enormous hit with festivalgoers and will again draw thousands of people to one of Australia’s most pristine locations, supporting local businesses and jobs.

“Delivering major events like Wanderer Festival in the South Coast of NSW will help us to drive visitation across the state, and ensure people visit the wonderful offerings of our regional communities.”

It’s been a long wait for devotees of this spectacular biennial event. The time has come to start planning.

Line-up announcement and tickets on sale in May.

October 4th-5th Wanderer Festival Pambula Beach, NSW
3rd-5th Oct Onsite Campground

Tickets from www.wanderer.com.au and will be kept at 2023 prices.

Payment plans available.

Subscribe to www.wanderer.com.au and follow us on socials to stay up to date.

Wanderer Festival is proudly supported by the NSW Government through its tourism and major events agency, Destination NSW.

Reconnect. Explore. Discover. Be a Wanderer.

Wanderer: Official Website | Facebook | Instagram

French electronic Grammy winners, Justice, is bringing its acclaimed live show with full production to Australia for three special east coast shows this December, presented by TEG Live.

The Australian leg of the JUSTICE tour kicks off in Sydney at Qudos Bank Arena on Wednesday 3 December, then heads to Melbourne’s John Cain Arena on Friday 5 December, before winding up in Brisbane at the Entertainment Centre on Sunday 7 December.

A Justice fan presale starts Monday 7 April, 1pm local time and runs until Tuesday 8 April, 12pm local time (sign up). A TEG Live presale starts Tuesday 8 April, 1pm local time and runs until Wednesday 9 April, 12pm local time (sign up). Tickets go on sale to the general public Wednesday 9 April at 1pm local time. Visit www.teglive.com.au for more information.

Gaspard Augé and Xavier de Rosnay’s ongoing global tour behind last year’s ‘Hyperdrama’ album has been lauded as a “pulverising audio-visual spectacular that deserves to go down in history” (Rolling Stone UK).

The tour announcement comes after a big couple of years for the Parisian pair, who made their comeback at Coachella in April 2024 with a hotly anticipated debut of their new live show. This kicked off a massive US tour leading to a win at the NRJ Awards (French Music Awards Ceremony) for Best International Tour. Meanwhile, Hyperdrama, the first Justice album in eight years, received a nomination in the 2025 GRAMMY Awards. The album featured singles including GRAMMY winning track Neverender and One Night/All Night, both starring one of Australia’s most popular and influential artists, Tame Impala. One Night/All Night landing as triple j’s most played song in February last year. And just last month, Justice featured on The Weeknd’s smash single, Wake Me Up which is already nearing 50 million streams on Spotify.

Tickets to the JUSTICE Australia tour go on sale to the general public Wednesday 9 April at 1pm local time. Visit www.teglive.com.au for more information.

After soaring into the New Year at Beyond The Valley Festival and on a 16 date headline tour across the United States, Naarm trio The Grogans are releasing a new single, ‘Roundabout’ and announcing their fifth and favourite LP, Stagger. Lovers of connecting with their live audience, the genre bending outfit is lining up for a big 2025, already selling out Australian regional shows along the East Coast and Victoria, an appearance at Bangkok Music City, upcoming shows across Western Australia, and more in store for fans as the year unfolds.

Out Thursday 3 April on CW Records, ‘Roundabout’ was written, recorded, and performed by Quin, Jordan, and Angus, and was mastered by Joseph Carra at Crystal Mastering (King Gizzard & The Lizard Wizard, Amyl & The Sniffers, The Teskey Brothers). “Constantly stuck in the same motion over and over again, much like a roundabout. Everyday feels like it’s a mirror of the last, and sometimes those around you are the only thing that keeps our sense of self together.” – The Grogans

After soaring into the New Year at Beyond The Valley Festival and on a 16 date headline tour across the United States, Naarm trio The Grogans are releasing a new single, ‘Roundabout’ and announcing their fifth and favourite LP, Stagger. Lovers of connecting with their live audience, the genre bending outfit is lining up for a big 2025, already selling out Australian regional shows along the East Coast and Victoria, an appearance at Bangkok Music City, upcoming shows across Western Australia, and more in store for fans as the year unfolds.

Out Thursday 3 April on CW Records, ‘Roundabout’ was written, recorded, and performed by Quin, Jordan, and Angus, and was mastered by Joseph Carra at Crystal Mastering (King Gizzard & The Lizard Wizard, Amyl & The Sniffers, The Teskey Brothers). “Constantly stuck in the same motion over and over again, much like a roundabout. Everyday feels like it’s a mirror of the last, and sometimes those around you are the only thing that keeps our sense of self together.” – The Grogans

Upcoming Tour Dates: 
Saturday 12 April – Sound Merch
Record Store Day
With Heavy Moss, Mia June, + Immy Owusu
All Ages, free entry

­	­	­	­	­

AN UNMISSABLE HIGH-TECH INTERACTIVE EXPERIENCE COMES TO AUSTRALIA AS PART OF WORLD TOUR, FEATURING FRANK THE RABBIT HIMSELF, JAMES DUVAL

For one unforgettable night in June, the Melbourne Pavilion will transform into the world of DONNIE DARKO – a fully costumed interactive Halloween rave experience, inspired by the beloved 2001 cult classic film. 

“But this isn’t just a screening…It’s a full-blown, 80s-style interactive house party where fans can live and breathe inside a Donnie Darko spectacle” Director, Cinaesthesia Productions. 

This unique venture into the thematic realm of Donnie Darko has seen a successful debut internationally, with a sold-out London event kicking off a global tour for 2025 – with over thirteen cities set to experience this one-of-a-kind leap into the Tangent Universe.

Donnie Darko’s Halloween House Party features floor-to-ceiling high-tech audiovisuals, as well as a screening of the film itself – though this is not just your regular film celebration and screening. The entire venue is transformed into a multi-sensory playground — with each space designed to draw guests deeper into the surreal world of Donnie Darko. From ambient soundscapes and immersive set design to atmospheric lighting and unexpected narrative touches, every detail works together to blur the line between reality and fiction in this pop culture collision of music, story, and interactivity.

Lose yourself in a multi-room ‘80s style house party on Friday 6 June (King’s Birthday Public Holiday Weekend), with live DJs, immersive visuals, recreated film sets and characters pulled straight from the movie. Attend in Halloween costume, grab yourself a drink at Donnie’s themed bars, all the while enjoying a rare live appearance by Frank The Rabbit himself, actor James Duval.

“After seeing Cinaesthesia Productions’ setup of the Halloween party for Donnie Darko at the sold-out London UK event, I was just blown away! Beyond all expectations!! What’re you doing on June 6, Melbourne? Maybe I’ll see you at the next one…wearing your stupid man suit! JAMES DUVAL

Since its release in 2001, the Richard Kelly-directed Donnie Darko has become one of the most iconic cult films of all time, with a global fan base spanning generations. The film’s themes of time travel, fate, and 80s nostalgia have cemented its place in pop culture, and our immersive adaptation lets fans step inside that world like never before.

With its blend of nostalgia, cinematic spectacle, and interactive storytelling, this Australian debut of the Donnie Darko inspired experience is set to be a must-attend event for film lovers, ravers, and pop culture enthusiasts. Given its history of selling out in record time, fans are encouraged to secure tickets in advance. As the re-ignition of this critically acclaimed film and event take hold, it’s rapidly gaining global traction as one of the must-attend experiences this year.

The event includes VIP packages, featuring a personal meet & greet experience with actor James Duval in an exclusive backstage VIP room. Guests will also enjoy access to a Halloween-themed private bar, receive limited edition signed merchandise, and get a rare opportunity to see one of the original Frank the Rabbit costumes from the film up close.

DONNIE DARKO’S HALLOWEEN HOUSE PARTY

Tickets via donniedarkohalloweenparty.com 

Friday 6 June Melbourne Pavilion Melbourne

CINEAESTHESIA PRODUCTIONS: Official Website | Facebook | Instagram | X | YouTube | TikTok

DONNIE DARKO’S HALLOWEEN HOUSE PARTY: Official Website | Facebook | X | Instagram

Danish electronic music trailblazer Trentemøller is set to return to Australia for the first time in over a decade with a full band in tow, bringing his cinematic live show to the east coast this April.

Performing across four dates in Brisbane, Sydney, Melbourne, and Hobart, these intimate shows promise to be a rare opportunity for Australian fans to witness one of electronic music’s most forward-thinking artists live on stage.

Trentemøller, known for his brooding soundscapes and haunting melodies, will perform with a five-piece band, reimagining tracks from across his celebrated catalogue. These shows follow the release of his most recent album, ‘Memoria’, and coincide with the 10-year anniversary of the critically acclaimed LP ‘Lost’.

Trentemøller’s live performances are immersive audio-visual experiences, combining lush instrumentation with stunning visual design. His Australian tour marks the beginning of a new chapter for the artist, as he explores the interplay between analog warmth and digital precision.

TOUR DATES:

Wednesday, April 3 – Princess Theatre, Brisbane

Friday, April 5 – Metro Theatre, Sydney

Saturday, April 6 – The Forum, Melbourne

Monday, April 8 – Odeon Theatre, Hobart

Tickets on sale now via destroyalllines.com

The electronic duo AIGEL reveals the release of their sixth studio album, Killer Qız,,marking a key milestone in their creative journey. The album’s focus track will be Barsı Da Bezdä.

This is the second album by the group recorded entirely in Tatar, exploring themes of loss and rediscovery, death and rebirth, the complexity of human nature, and trust in faith.

At the heart of Killer Qız is a bold narrative: a DJ killer dances until the death of a high-ranking official, then escapes the country with her boyfriend. Figures from Russian society—ranging from “couch troops” to “Rospotrebnadzor employees”—watch their departure, while the “major, the doorman, and the war correspondent” desperately try to cling to the wing of their departing plane. But, as the lyrics declare, “no matter what they do, no one will take them along.” With the speed increasing, the pilot at the controls “plays hardcore.”

Despite the audacious and vibrant energy of some tracks, the album remains deeply personal and introspective. One particularly haunting moment comes in a track where vocalist Aigel Gaisina’s voice is absent; instead, a child’s voice slowly transitions from speaking Tatar to German in real time, capturing the poignant experience of linguistic assimilation. The album concludes with Aigel herself reciting in German, reflecting on the meaning of home—whether it is where one is born or where one is laid to rest.

A surprise addition to the album is a dance track in English, originally written for a short film by renowned clown Vyacheslav Polunin. This nearly wordless song carries the refrain that “life is a comedy,” offering a moment of lightness amidst the album’s weighty themes.

“Since February 2022, we faced a long creative pause—nothing was written, and all words seemed to lose their meaning,” says Aigel. “For three years, we slowly finished pre-war demos and pieced ourselves back together. Emigration intensified the metaphor of searching for new words. Now, Ilya and I live in different countries—Berlin, with its harsh, stylish, and free atmosphere, and rural Montenegro, with its sunny and gentle calm. This contrast has seeped into our music. After a long stagnation, the first language that emerged for me was Tatar—it was like a system reset, returning to my default language.”

One of the last-minute additions to the album, Assimilation, is a near-documentary-style track in which children gradually shift from resisting emigration to fully integrating into a new culture, replacing their native Tatar words with German. The track opens with sounds from the Berlin subway, and only after completion did Aigel realize that the announcer’s voice declares, “the train is heading towards Ruhleben”—a district in Berlin that translates to “peaceful life.” This unintended coincidence perfectly encapsulates the song’s theme.

Ilya Baramiya shares his perspective on the album’s production: “I liked how Baauer described his album Planet’s Mad—drawing from ’90s dance music, inspired by Fatboy Slim, Daft Punk, and The Chemical Brothers. These artists didn’t stick to strict genres but focused on creating a unique atmosphere. We’ve taken a similar approach here, incorporating a broader range of influences—from K-pop to hard bass. There’s almost no hip-hop in this album.”

AIGEL, the duo of Tatar poetess and vocalist Aigel Gaisina and St. Petersburg electronic musician Ilya Baramiya, is known for their sharp lyrics and innovative sound in Russian, Tatar, and English. Their hit song Tatarin has amassed over 140 million views on YouTube, while their track You Born won a Silver Lion at the Cannes Lions festival. In 2023, their Tatar-language song Pıyala made history by topping the charts in over 10 countries and reaching the Billboard TikTok chart.

Since 2022, AIGEL has openly spoken against Russia’s invasion of Ukraine. Their performances in Russia were banned, leading them to leave the country—Aigel now resides in Berlin, while Ilya lives in Montenegro.

Upcoming Concert Tour

To celebrate the release of “Killer Qız,” AIGEL will embark on a concert tour. Tour dates and ticket information can be found on their official website: aigel.band.

Zurich | KANZLEI CLUB | 28.03.2025

Prague | FUTURUM MUSIC BAR | 09.04.2025

Berlin | BI NUU | 11.04.2025

Belgrade | DOM OMLADINE | 13.04.2025

Vienna | SZENE | 14.04.2025

Köln | YUCA | 16.04.2025

London | EARTH HALL | 22.04.2025

Amsterdam | P60 | 23.04.2025

Barcelona | SALA BIKINI | 24.04.2025

Valencia | MADISSON | 25.04.2025

Lisbon | LISBOA AO VIVO | 27.04.2025

PLAY/LISTEN

Words: Ken Magno

Photography: Aaron Leslie

Kehlani, one of the world’s most well renowned R&B acts, returns to Sydney with an electric ensemble to close out her biggest tour run yet. Gracing the stage of the ICC in Sydney, Kehlani brings the hype with her most recent album “Crash” released back in June 2024. Setting an electrifying tone, the pop singer / dancer was backed by a dynamic ensemble of dancers and backing musicians, bringing her songs to life while also creating one of the most 

The ICC is by no means a small venue, yet Kehlani powered through the set with a hint of intimacy as she shifted the dynamics between her songs. Soaring from her up-tempo Crash hits such as “What I Want” and “8”, before serenading the crowd with hit single “Honey” and even playing covers of other well known songs such as “Marry You” by Bruno Mars, though her track “Nights Like This” takes the cake for the highlight of the night, with Kehlani performing the club anthem to a sea of lights and adoring fans singing as if the singer had come to watch a concert of her own song sang back to her.

Amidst all this, Kehlani’s stage presence is wonderfully backed by her band that mixes hard rock guitar riffs with gospel drums, creating a sound that strays far from her usual electronic R&B sounds yet still sounds familiar – transforming her songs into a dynamic wall of sound that could felt at the very heights of the iconic venue. The instrumentation of each song and the way the band came together felt very natural, working not to overpower Kehlani’s vocals but to help guide the audience along sonic journey through her journey as a musician was a work of art.

Closing out Kehlani’s Crash World Tour, her Sydney show at the ICC was definitely a night to remember. Her ability to create make her shows personal clearly evident, even talking about hoping to see the majority of the crowd at her afterparty (hosted by Sydney’s very own Soulmate), while still proving to be the R&B powerhouse that she is. The show wraps up with a few more regional shows in Australia and before heading to Hawaii for her final solo performance of the tour.

Photography: Charlyn Cameron

TICKETS

WA rock’n’roll saviours The Southern River Band have released their towering new single and rally cry, “F**k You, Pay Me”, out now via Civilians. The band will take the single out on a headline tour around the country in May.

A song of the people from the band who has your back, the single is a middle finger to all the dirtbags who refuse to cough up what’s owed. It’s a tale as old as capitalism – living week to week, watching your hard earned cash flow up into the ivory tower when the rent is due and the bills need to be paid. With its charged-up riff and galvanizing chorus, when the debt starts piling up chuck on the song and shout it with your whole chest.

“This song is for everyone who has ever been stiffed, ripped off, bullshitted or flat out not received what they were promised. To the guilty parties (see; thief) – F**k You, Pay Me.” – Cal Kramer (vocals)

Exploding into the spotlight at the end of 2023 after being featured on every music lover’s favourite YouTube series, Justin Hawkins Rides Again, the rest of the world is starting to see what Australia has known for quite some time – The Southern River Band are the real deal.

Hailing from Thornlie in Western Australia (Where? Exactly), SRB has spent a decade putting in the hard yards and earning their reputation the old-fashioned way: by taking their full-throttle live show anywhere with a stage and a bar. One of those ‘you-just-have-to-see-them-live’ kinda bands, SRB’s relentless touring schedule has seen them sell out multiple national runs, play with Aussie legends Cold Chisel and Rose Tattoo, as well as support modern-day rock icons like The Darkness and Eagles Of Death Metal.

In 2024, SRB kicked it up a gear with the release of their high-octane fourth record, D.I.Y, that not only landed at #6 on the Aus ARIA Chart, but the vinyl needed to be repressed before it was even released. The record’s breakout six-minute epic “Stan Qualen” thrust the band on the global stage, charting in 23 countries and taking them on their first international tour. The demand for SRB was so insatiable their first UK show sold out in just four days, leading to a venue upgrade more than double the size which, you guessed it, sold out – as did most of the tour. The band has also found a home on the European festival stages, leaving thousands gobsmacked at The Great Escape, Vestrock, Sweden Rock Festival, Rock Wrechter and Down The Rabbit Hole, and they will return in 2025 to dominate Download, Hellfest and Resurrection festivals.

Before the band duck off back to Europe, they’ll take their new single out for a spin on an Australian headline tour – hitting capital cities in May. Tickets on sale March 13 via thesouthernriverband.com.

As Justin Hawkins of The Darkness said, “Now this is a proper f***ing rock band”. But hey, don’t take our word for it, find out for yourself.

THE SOUTHERN RIVER BAND AUSTRALIAN TOUR Tickets On sale Thursday March 13 via thesouthernriverband.com Friday May 9 Crowbar, Brisbane Saturday May 10 Crowbar, Sydney Thursday May 15 Altar, Hobart Friday May 16 Max Watts, Melbourne Saturday May 17 Lion Arts Factory, Adelaide Friday May 23 Rosemount, Perth

THE SOUTHERN RIVER BAND – “F**K YOU, PAY ME” Out Now Via Civilians STREAM | SAVE

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