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Festival NewsMusic News

The Grogans release new single ‘Roundabout’ taken from upcoming Stagger LP + Headline tour across North America

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written by the partae

After soaring into the New Year at Beyond The Valley Festival and on a 16 date headline tour across the United States, Naarm trio The Grogans are releasing a new single, ‘Roundabout’ and announcing their fifth and favourite LP, Stagger. Lovers of connecting with their live audience, the genre bending outfit is lining up for a big 2025, already selling out Australian regional shows along the East Coast and Victoria, an appearance at Bangkok Music City, upcoming shows across Western Australia, and more in store for fans as the year unfolds.

Out Thursday 3 April on CW Records, ‘Roundabout’ was written, recorded, and performed by Quin, Jordan, and Angus, and was mastered by Joseph Carra at Crystal Mastering (King Gizzard & The Lizard Wizard, Amyl & The Sniffers, The Teskey Brothers). “Constantly stuck in the same motion over and over again, much like a roundabout. Everyday feels like it’s a mirror of the last, and sometimes those around you are the only thing that keeps our sense of self together.” – The Grogans

After soaring into the New Year at Beyond The Valley Festival and on a 16 date headline tour across the United States, Naarm trio The Grogans are releasing a new single, ‘Roundabout’ and announcing their fifth and favourite LP, Stagger. Lovers of connecting with their live audience, the genre bending outfit is lining up for a big 2025, already selling out Australian regional shows along the East Coast and Victoria, an appearance at Bangkok Music City, upcoming shows across Western Australia, and more in store for fans as the year unfolds.

Out Thursday 3 April on CW Records, ‘Roundabout’ was written, recorded, and performed by Quin, Jordan, and Angus, and was mastered by Joseph Carra at Crystal Mastering (King Gizzard & The Lizard Wizard, Amyl & The Sniffers, The Teskey Brothers). “Constantly stuck in the same motion over and over again, much like a roundabout. Everyday feels like it’s a mirror of the last, and sometimes those around you are the only thing that keeps our sense of self together.” – The Grogans

Upcoming Tour Dates: 
Saturday 12 April – Sound Merch
Record Store Day
With Heavy Moss, Mia June, + Immy Owusu
All Ages, free entry
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DONNIE DARKO’S HALLOWEEN HOUSE PARTY TAKES OVER MELBOURNE PAVILION

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AN UNMISSABLE HIGH-TECH INTERACTIVE EXPERIENCE COMES TO AUSTRALIA AS PART OF WORLD TOUR, FEATURING FRANK THE RABBIT HIMSELF, JAMES DUVAL

For one unforgettable night in June, the Melbourne Pavilion will transform into the world of DONNIE DARKO – a fully costumed interactive Halloween rave experience, inspired by the beloved 2001 cult classic film. 

“But this isn’t just a screening…It’s a full-blown, 80s-style interactive house party where fans can live and breathe inside a Donnie Darko spectacle” Director, Cinaesthesia Productions. 

This unique venture into the thematic realm of Donnie Darko has seen a successful debut internationally, with a sold-out London event kicking off a global tour for 2025 – with over thirteen cities set to experience this one-of-a-kind leap into the Tangent Universe.

Donnie Darko’s Halloween House Party features floor-to-ceiling high-tech audiovisuals, as well as a screening of the film itself – though this is not just your regular film celebration and screening. The entire venue is transformed into a multi-sensory playground — with each space designed to draw guests deeper into the surreal world of Donnie Darko. From ambient soundscapes and immersive set design to atmospheric lighting and unexpected narrative touches, every detail works together to blur the line between reality and fiction in this pop culture collision of music, story, and interactivity.

Lose yourself in a multi-room ‘80s style house party on Friday 6 June (King’s Birthday Public Holiday Weekend), with live DJs, immersive visuals, recreated film sets and characters pulled straight from the movie. Attend in Halloween costume, grab yourself a drink at Donnie’s themed bars, all the while enjoying a rare live appearance by Frank The Rabbit himself, actor James Duval.

“After seeing Cinaesthesia Productions’ setup of the Halloween party for Donnie Darko at the sold-out London UK event, I was just blown away! Beyond all expectations!! What’re you doing on June 6, Melbourne? Maybe I’ll see you at the next one…wearing your stupid man suit! JAMES DUVAL

Since its release in 2001, the Richard Kelly-directed Donnie Darko has become one of the most iconic cult films of all time, with a global fan base spanning generations. The film’s themes of time travel, fate, and 80s nostalgia have cemented its place in pop culture, and our immersive adaptation lets fans step inside that world like never before.

With its blend of nostalgia, cinematic spectacle, and interactive storytelling, this Australian debut of the Donnie Darko inspired experience is set to be a must-attend event for film lovers, ravers, and pop culture enthusiasts. Given its history of selling out in record time, fans are encouraged to secure tickets in advance. As the re-ignition of this critically acclaimed film and event take hold, it’s rapidly gaining global traction as one of the must-attend experiences this year.

The event includes VIP packages, featuring a personal meet & greet experience with actor James Duval in an exclusive backstage VIP room. Guests will also enjoy access to a Halloween-themed private bar, receive limited edition signed merchandise, and get a rare opportunity to see one of the original Frank the Rabbit costumes from the film up close.

DONNIE DARKO’S HALLOWEEN HOUSE PARTY

Tickets via donniedarkohalloweenparty.com 

Friday 6 June Melbourne Pavilion Melbourne

CINEAESTHESIA PRODUCTIONS: Official Website | Facebook | Instagram | X | YouTube | TikTok

DONNIE DARKO’S HALLOWEEN HOUSE PARTY: Official Website | Facebook | X | Instagram

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TRENTEMØLLER ANNOUNCES AUSTRALIAN TOUR DATES WITH FIVE-PIECE BAND

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Danish electronic music trailblazer Trentemøller is set to return to Australia for the first time in over a decade with a full band in tow, bringing his cinematic live show to the east coast this April.

Performing across four dates in Brisbane, Sydney, Melbourne, and Hobart, these intimate shows promise to be a rare opportunity for Australian fans to witness one of electronic music’s most forward-thinking artists live on stage.

Trentemøller, known for his brooding soundscapes and haunting melodies, will perform with a five-piece band, reimagining tracks from across his celebrated catalogue. These shows follow the release of his most recent album, ‘Memoria’, and coincide with the 10-year anniversary of the critically acclaimed LP ‘Lost’.

Trentemøller’s live performances are immersive audio-visual experiences, combining lush instrumentation with stunning visual design. His Australian tour marks the beginning of a new chapter for the artist, as he explores the interplay between analog warmth and digital precision.

TOUR DATES:

Wednesday, April 3 – Princess Theatre, Brisbane

Friday, April 5 – Metro Theatre, Sydney

Saturday, April 6 – The Forum, Melbourne

Monday, April 8 – Odeon Theatre, Hobart

Tickets on sale now via destroyalllines.com
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Interview: Graeme Park on Clubbing, Classics, and the Spirit of Dance Music

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Graeme, you’ve been a pioneer in the dance music scene for decades. How do you think the landscape of clubbing has changed since you first started DJing?

The biggest change is definitely social media and smartphones—they’ve really impacted the vibe and atmosphere in clubs. DJs have become more egotistical because they’re often the main focus now, rather than the music itself. I’ve always believed the music is more important than the DJ. I miss those dark, dingy DJ booths hidden away in the corner where you could just get on with it, without all the unnecessary attention DJs seem to crave today.

That said, sound systems are so much better now, and the technology has transformed how we DJ—which is fantastic. No more lugging around heavy boxes of vinyl! Clubs and festivals are also more inclusive and safer now, which is a great thing. But at the end of the day, as long as you’ve got a great DJ, an open-minded crowd, a banging sound system, and a cool venue, things haven’t changed all that much since I started in 1984.

2. Your sets are known for blending house, acid house, and rave. How do you approach curating a set that maintains that signature Graeme Park vibe while staying fresh and exciting?

I do what I’ve always done—play to the crowd in front of me. I play music I like to like-minded people, and I just make it up as I go along. I never fully plan what I’ll play, because until you get to the venue, you don’t know the vibe, the age range of the crowd, or what the other DJs have played. I always have a rough idea, but adaptability is key—and that’s what I enjoy most.

I also try to avoid playing the same obvious classics that a lot of my peers rely on. I dig out older tracks that don’t get aired as much—many of which are even better—and those always put smiles on people’s faces. After 40 years, I need to keep things fresh, exciting, and take risks. Younger crowds actually give me more freedom to experiment with newer tracks and obscure gems, as they’re not weighed down by the nostalgia that older clubbers often bring. My favorite gigs these days are the ones with mixed-age crowds, where I can play a proper blend of old and new.

3. Ministry of Sound’s Testament tour is all about celebrating the golden era of clubbing. What was your experience like during that time, and what does the term ‘proper clubbing’ mean to you?

Honestly, I can’t remember much of it! But when I talk to others who were there, the memories flood back. The 80s and 90s were wild—anything went. Most of the legendary stories you hear are probably true. Back then, people really didn’t care what others thought of them, which isn’t always the case now.

“Proper clubbing” means different things to different generations. For me, it’s simple: a great DJ, an open-minded crowd, a banging sound system, and a cool venue. That’s all you need.

4. You’ve had the opportunity to play at some of the most iconic venues in the world. Do you have a favorite venue, and what makes it special for you as a DJ?

Without a doubt, The Haçienda in Manchester. It was a club run by hedonists, for hedonists—which meant it was often chaotic, but that’s exactly why it worked. It all felt so organic. Nobody really knew what they were doing, but we were riding the crest of a wave together. It was incredible to be part of something that influential. Its legacy lives on, and I’m proud to be part of that story.

5. The 90s and 00s were formative years for the dance music community. Can you share a memorable moment from your career during that period that still stands out to you?

There are so many! Playing in Australia twice a year throughout the 90s was always a highlight. Punte del Este in Uruguay and Buenos Aires were unforgettable too. And DJing in New York during that era—just incredible vibes.

6. With Testament bringing together legends from the era, how does it feel to share the stage with such an incredible lineup, including Paul Oakenfold and Roger Sanchez?

We’ve all known each other for years and genuinely get on well. It’s going to be great to actually spend some quality time together instead of the quick catch-ups we usually have in clubs.

7. In your view, what makes a dance track timeless? Are there any tracks from your early career that you still play regularly?

Simplicity. The simpler the better. That’s why early Chicago house and Detroit techno are still so powerful. And yes, there are a few tracks from my early days that I still sneak into sets now and then—they still work a treat.

8. You’ve seen dance music evolve from underground to mainstream. How do you think the scene has maintained its authenticity amidst all this change?

It really depends on how you define “authenticity.” For some, it’s rooted in a certain era or sound. For others, it’s about staying true to the underground spirit. I think it’s all subjective and shaped by your own history and experience of clubbing. Age plays a big role in how you see it.

9. As a DJ and producer, you’ve worked with so many talented artists. How do collaborations influence your creative process, and is there anyone you’d still love to work with?

I wish more of today’s so-called DJ/producers would collaborate. You learn so much from sharing ideas. I much prefer working with others—it often takes you somewhere unexpected. That said, egos can get in the way.

As for who I’d like to work with—my son Ben makes some incredible music, and I’d love to collaborate with him. His ideas are wild, and it’d be great to combine our sounds.

10. Looking ahead, what are your goals or aspirations for the future of your music and career? What’s next for Graeme Park after Testament?

Funny thing is, I never planned to be a DJ. Yet here I am, still going. I’d love to keep doing this for as long as I enjoy it and as long as people still want to hear me. That definitely includes returning to Australia in the future.

After Testament, I’ve got a packed Easter weekend in the UK with several gigs lined up, followed by a busy summer. And then it’s the return of Haçienda Classical for its ninth year, which I’m very excited about. I still can’t believe I get to do what I love after all these years.

 

Presented by TMRW Music

– TESTAMENT –

The warehouse experience Ministry of Sound Testament 2025.

Australia, New Zealand & Bali Tour.

8 cities. 12 shows. 3 weekends.

 

TICKETING INFO:

tmrw.to/testament25

GENERAL ADMISSION TICKETS ON SALE

Thursday 7 Nov @ 10am AEST

Excluding Canggu, Bali

 

TESTAMENT 2025 AUS/NZ TOUR DATES:

Friday 4th April – 00s – Super Ordinary, Brisbane

Friday 4th April – 90s – White Bay Power Station, Sydney

Saturday 5th April – 90s – The Timberyard, Melbourne

Saturday 5th April – 00s – White Bay Power Station, Sydney

Sunday 6th April – 90s – Miami Marketta, Gold Coast

Sunday 6th April – 00s – The Court, Perth

Friday 11th April – 00s – Studio The Venue & Galatos, Auckland NZ

Friday 11th April – 90s – Super Ordinary, Brisbane

Saturday 12th April – 00s – The Timber Yard, Melbourne

Sunday 13th April – 00s – The Station, Sunshine Coast

Sunday 13th April – 90s – The Court, Perth

Saturday 19th April – 90s – Morabito Art Villa, Canggu Bali

 

 

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AIGEL Releases New Tatar Album “Killer Qız”

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The electronic duo AIGEL reveals the release of their sixth studio album, Killer Qız,,marking a key milestone in their creative journey. The album’s focus track will be Barsı Da Bezdä.

This is the second album by the group recorded entirely in Tatar, exploring themes of loss and rediscovery, death and rebirth, the complexity of human nature, and trust in faith.

At the heart of Killer Qız is a bold narrative: a DJ killer dances until the death of a high-ranking official, then escapes the country with her boyfriend. Figures from Russian society—ranging from “couch troops” to “Rospotrebnadzor employees”—watch their departure, while the “major, the doorman, and the war correspondent” desperately try to cling to the wing of their departing plane. But, as the lyrics declare, “no matter what they do, no one will take them along.” With the speed increasing, the pilot at the controls “plays hardcore.”

Despite the audacious and vibrant energy of some tracks, the album remains deeply personal and introspective. One particularly haunting moment comes in a track where vocalist Aigel Gaisina’s voice is absent; instead, a child’s voice slowly transitions from speaking Tatar to German in real time, capturing the poignant experience of linguistic assimilation. The album concludes with Aigel herself reciting in German, reflecting on the meaning of home—whether it is where one is born or where one is laid to rest.

A surprise addition to the album is a dance track in English, originally written for a short film by renowned clown Vyacheslav Polunin. This nearly wordless song carries the refrain that “life is a comedy,” offering a moment of lightness amidst the album’s weighty themes.

“Since February 2022, we faced a long creative pause—nothing was written, and all words seemed to lose their meaning,” says Aigel. “For three years, we slowly finished pre-war demos and pieced ourselves back together. Emigration intensified the metaphor of searching for new words. Now, Ilya and I live in different countries—Berlin, with its harsh, stylish, and free atmosphere, and rural Montenegro, with its sunny and gentle calm. This contrast has seeped into our music. After a long stagnation, the first language that emerged for me was Tatar—it was like a system reset, returning to my default language.”

One of the last-minute additions to the album, Assimilation, is a near-documentary-style track in which children gradually shift from resisting emigration to fully integrating into a new culture, replacing their native Tatar words with German. The track opens with sounds from the Berlin subway, and only after completion did Aigel realize that the announcer’s voice declares, “the train is heading towards Ruhleben”—a district in Berlin that translates to “peaceful life.” This unintended coincidence perfectly encapsulates the song’s theme.

Ilya Baramiya shares his perspective on the album’s production: “I liked how Baauer described his album Planet’s Mad—drawing from ’90s dance music, inspired by Fatboy Slim, Daft Punk, and The Chemical Brothers. These artists didn’t stick to strict genres but focused on creating a unique atmosphere. We’ve taken a similar approach here, incorporating a broader range of influences—from K-pop to hard bass. There’s almost no hip-hop in this album.”

AIGEL, the duo of Tatar poetess and vocalist Aigel Gaisina and St. Petersburg electronic musician Ilya Baramiya, is known for their sharp lyrics and innovative sound in Russian, Tatar, and English. Their hit song Tatarin has amassed over 140 million views on YouTube, while their track You Born won a Silver Lion at the Cannes Lions festival. In 2023, their Tatar-language song Pıyala made history by topping the charts in over 10 countries and reaching the Billboard TikTok chart.

Since 2022, AIGEL has openly spoken against Russia’s invasion of Ukraine. Their performances in Russia were banned, leading them to leave the country—Aigel now resides in Berlin, while Ilya lives in Montenegro.

Upcoming Concert Tour

To celebrate the release of “Killer Qız,” AIGEL will embark on a concert tour. Tour dates and ticket information can be found on their official website: aigel.band.

Zurich | KANZLEI CLUB | 28.03.2025

Prague | FUTURUM MUSIC BAR | 09.04.2025

Berlin | BI NUU | 11.04.2025

Belgrade | DOM OMLADINE | 13.04.2025

Vienna | SZENE | 14.04.2025

Köln | YUCA | 16.04.2025

London | EARTH HALL | 22.04.2025

Amsterdam | P60 | 23.04.2025

Barcelona | SALA BIKINI | 24.04.2025

Valencia | MADISSON | 25.04.2025

Lisbon | LISBOA AO VIVO | 27.04.2025

PLAY/LISTEN

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KEHLANI at ICC Sydney Theatre -19 March, 2025

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Words: Ken Magno

Photography: Aaron Leslie

Kehlani, one of the world’s most well renowned R&B acts, returns to Sydney with an electric ensemble to close out her biggest tour run yet. Gracing the stage of the ICC in Sydney, Kehlani brings the hype with her most recent album “Crash” released back in June 2024. Setting an electrifying tone, the pop singer / dancer was backed by a dynamic ensemble of dancers and backing musicians, bringing her songs to life while also creating one of the most 

The ICC is by no means a small venue, yet Kehlani powered through the set with a hint of intimacy as she shifted the dynamics between her songs. Soaring from her up-tempo Crash hits such as “What I Want” and “8”, before serenading the crowd with hit single “Honey” and even playing covers of other well known songs such as “Marry You” by Bruno Mars, though her track “Nights Like This” takes the cake for the highlight of the night, with Kehlani performing the club anthem to a sea of lights and adoring fans singing as if the singer had come to watch a concert of her own song sang back to her.

Amidst all this, Kehlani’s stage presence is wonderfully backed by her band that mixes hard rock guitar riffs with gospel drums, creating a sound that strays far from her usual electronic R&B sounds yet still sounds familiar – transforming her songs into a dynamic wall of sound that could felt at the very heights of the iconic venue. The instrumentation of each song and the way the band came together felt very natural, working not to overpower Kehlani’s vocals but to help guide the audience along sonic journey through her journey as a musician was a work of art.

Closing out Kehlani’s Crash World Tour, her Sydney show at the ICC was definitely a night to remember. Her ability to create make her shows personal clearly evident, even talking about hoping to see the majority of the crowd at her afterparty (hosted by Sydney’s very own Soulmate), while still proving to be the R&B powerhouse that she is. The show wraps up with a few more regional shows in Australia and before heading to Hawaii for her final solo performance of the tour.

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Falling In Reverse’s Popular MonsTOUR – Rod Laver, Melbourne – Friday, March 14, 2025

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Words and Photography: Louie Mosscrop

The night had finally arrived – Falling In Reverse’s Popular MonsTOUR in Melbourne. With a sold-out show at Rod Laver Arena, right in the middle of the F1 weekend and competing with a multitude of other artists performing across the city, selling out an arena was no small feat. It was a true testament to the dedication of Melbourne’s music fans.

Upon arrival, the lines surrounding Rod Laver Arena were unlike anything I had witnessed in a long time. There was no option for a fashionably late entrance if you wanted to get through the doors in time to catch the unique musical stylings and high-energy live performance of Hollywood Undead.

Hollywood Undead kicked off the night with their signature blend of hip-hop and rock, immediately energizing the crowd and setting the tone for the evening. Their stage presence added a theatrical element, making their performance as visually captivating as it was sonically dynamic. Their setlist, packed with fan favorites, showcased their ability to merge party anthems with heavier rock elements—a perfect way to start the show.

This was my second time seeing them live outside of a festival setting, my first being at The Rosemount Hotel in Perth around 2013 (if I remember correctly). The transition from an intimate venue to the grand Rod Laver stage was a significant leap, and they made sure to use every inch to their advantage. Their setlist featured hits from across their discography, including California Dreaming, Comin’ In Hot, Hollywood Forever, Bullet, and Undead. Whether it was your first time seeing them or you were a long-time fan, their performance was the perfect way to kickstart the night.

Next up, Black Veil Brides transformed the arena into a gothic spectacle, complete with dramatic lighting and their signature dark aesthetic. Andy Biersack’s commanding vocals, combined with the band’s intricate musicianship, demonstrated both technical skill and artistic vision. His ability to seamlessly switch between clean vocals and powerful screams is a testament to his two decades of experience on stage.

With their last visit to Melbourne being in 2020, it was clear fans had been eagerly awaiting their return. In the general admission section, nearly everyone was dancing or singing along to fan-favorite tracks. Their setlist spanned from their latest release Bleeders to older classics like Devil, Knives and Pens, Perfect Weapon, and In The End, to name a few. The band’s stage presence, combined with an impressive light show, provided not just a treat for the ears but a visual spectacle as well.

As the support acts wrapped up and anticipation for the headliner reached its peak, I want to take a moment to acknowledge the often-overlooked touring crews, venue staff, and behind-the-scenes teams. Seeing the seamless stage transformation between Black Veil Brides and Falling In Reverse, the well-managed GA sections, and the overall smooth execution of the night was a testament to the dedication and hard work of those in the live music and entertainment industries.

Then, it was time for Falling In Reverse. With their popularity only growing year after year—and Ronnie Radke ensuring everyone knows it—they were always going to deliver a visually intense performance.

As Highway to Hell played through the speakers, the lights dimmed, and the band made their way to the stage, led by Ronnie walking through the underground halls of Rod Laver Arena, playing up to the camera and exciting the crowd before finally emerging.

Known for their elaborate productions, Falling In Reverse incorporated striking visuals, pyrotechnics, and dynamic lighting to enhance Ronnie’s commanding performance. Their video clips played in sync with the music on the screens behind them, adding another layer to the experience and creating a multi-sensory spectacle that heightened the emotional impact of each song.

Ronnie wasted no time engaging with the audience, pacing across the front of the stage while pyrotechnics exploded not just behind the band, but in front, between, and even above them—yes, if you looked up, flames were shooting from the roof.

Never one to shy away from controversy, Ronnie introduced the infamous “Asshole Cam,” openly embracing the label and humorously extending it to the crowd. In true Radke fashion, he abruptly left the stage, declaring, “Let’s go to F1,” implying that, as fellow “assholes,” we would follow suit.

The band returned after a backstage skit featuring Steve Irwin, though Ronnie remained offstage for a while. This seemed to be an intentional move, allowing their live video feed to add another dynamic element to the performance—possibly also giving him a moment to cool down.

Despite his self-proclaimed “asshole” persona, Ronnie appeared genuinely appreciative and in awe of the massive turnout Melbourne had given him.

The setlist was stacked, featuring Zombified, I’m Not A Vampire, The Drug In Me Is You, All My Life, Popular Monster, and their collaborations with Tech N9NE and Alex Terrible of Slaughter To Prevail—Ronald and Watch The World Burn. No one in attendance could have left disappointed.

Beyond the technical aspects, the emotional connection between the bands and the audience was electric. The crowd—a diverse mix of ages and backgrounds—shared a collective passion for the music. The energy remained high throughout the night, with fans singing every word, raising their fists in unison, and moving as one across the arena floor, thanks to Ronnie’s direction.

The sheer diversity of the lineup—from the rap-rock fusion of Hollywood Undead to the theatrical metal of Black Veil Brides and the genre-bending style of Falling In Reverse—made for an unforgettable night that catered to a broad spectrum of Melbourne’s music lovers.

TICKETS

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Line-up revealed for Vivid LIVE at Sydney Opera House, 23 May – 14 June 2025

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Vivid Sydney Lighting of the Sails
Kiss of Light by David McDiarmid

ANOHNI and the Johnsons (Aus excl) • Beth Gibbons • Sigur Rós with the Sydney Symphony Orchestra • Japanese Breakfast • Marlon Williams • Pat Metheny • Ezra Collective

 

The Sabres of Paradise (Aus excl) • WavyLand 7th Anniversary feat. BKTHERULA, Thaiboy Digital, Babyxsosa, Wiki, Slauson Malone 1, Posseshot, Oli XL (Aus excl) • Pale Jay • Ravyn Lenae • Mount Kimbie • Jessica Pratt • Ichiko Aoba

 

Miss Kaninna • Surprise Chef • Phoebe Go • SAHXL • 3% • G2g • Velvet Trip • Emily Wurramara • Station Model Violence • Yasmina Sadiki • Trackwork 5th Birthday feat. Brodinski, Vv Pete, Utility • Studio Parties: by Barney Kato feat. Sex Tags – DJ Sotofett & DJ Fett Burger • by dstreet feat. DJ MARIA., Sunju Hargun, Tangela • by House of Mince feat. Boris with The Mince Angels • by DUNJ feat. Shackelton (live), Azu Tiwaline (live), DUNJ Crew • by Mad Racket feat. Red Rack’em, Cousin (live), with Mad Racket DJs Ken Cloud, Jimmi James, Simon Caldwell, Zootie
Tickets on sale to the general public: Monday 17 March, 10am AEDT

Sydney – 11am (AEDT), Wednesday 12 March 2025. An unmissable line-up of more than 50 cutting-edge and legendary international and Australian artists has been announced for Vivid LIVE at Sydney Opera House, part of the Vivid Music program of Vivid Sydney. Australia’s biggest festival of light will fuse art, innovation and technology in collaboration with some of the most boundary-pushing artists, musicians, thinkers and culinary experts of our time from Friday 23 May to Saturday 14 June.

Transforming the World Heritage-listed building with live contemporary music and art, Vivid LIVE at Sydney Opera House 2025 as part of Vivid Sydney will feature international cult favourites, local trailblazers and influential culture-shapers in Australian exclusives, premieres, an epic orchestral collaboration, one-off projects, anniversaries, Studio Parties and the captivating Lighting of the Sails.

Vivid LIVE at Sydney Opera House is curated for the tenth time by Sydney Opera House’s Head of Contemporary Music, Ben Marshall, who says: “There’s nothing quite like Vivid LIVE at Sydney Opera House. As well as gathering many of the world’s greatest musical talents here, we’re welcoming the vibrant communities that infuse our music scene with the sounds of Sydney itself. This is what makes Vivid LIVE stand apart – experiencing this great range of incredible international and local artists inside a living work of art.

“From the dazzling display of David McDiarmid’s work on the sails to the subterranean thrum of the Studio Parties by local collectives like dstreet and Mad Racket, from our city’s future music exploding in the Utzon Room with artists like Western Sydney’s SAHXL and neo-soul singer Yasmina Sadiki to the intake of breath before the first notes pierce the air inside the Concert Hall when titans like ANOHNI, Portishead’s Beth Gibbons and Sigur Rós take to the stage – it’s the combination of these magnetic moments that make Vivid LIVE such an unforgettable, singular experience as part of Vivid Sydney.”

Vivid Sydney Festival Director, Gill Minervini, said: “Dream is the theme for Vivid Sydney 2025  and we’re encouraging everyone to dream big. Our ongoing partnership with Sydney Opera House further reflects that theme with a stellar lineup of world-class artists, Australian exclusives and, of course, a showstopping projection for Lighting of the Sails featuring David McDiarmid’s bold and unapologetic vision. Having worked with David and been a witness to his incredible artistry firsthand, this year’s Lighting of the Sails is extra special. We can’t wait to showcase his beautiful work to the millions set to visit Vivid Sydney this winter.”

The Vivid LIVE at Sydney Opera House line-up includes:

LIGHTING OF THE SAILS

LIGHTING OF THE SAILS: KISS OF LIGHT BY DAVID MCDIARMID – A celebration of visionary Australian artist and activist David McDiarmid will illuminate the sails during Vivid Sydney. Marking the 30th anniversary of McDiarmid’s death, Kiss of Light showcases his kaleidoscopic queer aesthetic — technicolour markings, swirling hand-painted fabric and prismatic mylar forms — broadcasting an enduring, rallying cry for equality, joy and freedom. Pulsing with the energy and spirit of the counterculture, the seven-minute projection animated by creative technologists VANDAL will honour McDiarmid’s fearless use of colour, humour and fierce intimacy to celebrate diverse identities and creative rebellion.

CONCERT HALL

ANOHNI AND THE JOHNSONS: Mourning the Great Barrier Reef (Aus excl) – After nearly a decade away, the interdisciplinary artist ANOHNI returns for two exclusive nights as part of her world tour. ANOHNI culminates a month of field research and filming with a program of her currently touring music from My Back Was A Bridge For You To Cross (2023) and other classic work from her impressive recorded oeuvre accompanied by the Johnsons, set to cinematic portraits of the Great Barrier Reef today and Australian scientists who have studied and witnessed the reef across decades. My Back Was A Bridge For You To Cross was named Album of the Year by The New Yorker.

BETH GIBBONS – The searing, haunting voice of Portishead, Beth Gibbons presents the Australian premiere of her solo work, performing tracks from her critically acclaimed and most personal album to date, Lives Outgrown (2024), alongside career classics. The legendary British singer’s post-modern sound blends folk, modern classical and jazz textures with her elegant yet gritty, swooping vocals, with highlights including the best-selling recording of Górecki’s canonical Symphony of Sorrowful Songs (2014).

SIGUR RÓS with the SYDNEY SYMPHONY ORCHESTRA – Icelandic trio Sigur Rós, known for their pioneering post-rock sound, join forces with the might of the Sydney Symphony Orchestra and UK conductor Robert Ames over three nights, performing epic tracks from their latest album ÁTTA alongside beloved favourites drawn from their extensive back catalogue.

JAPANESE BREAKFAST – After an eight-year wait, the Grammy-nominated indie-pop group return for their biggest Sydney show yet, celebrating their highly anticipated, poetic and moody new album, For Melancholy Brunettes (& Sad Women). Fronted by Michelle Zauner, a singer, songwriter, guitarist and bestselling author, Japanese Breakfast continue to captivate fans and critics alike with their singular dreamy rock sound.

MARLON WILLIAMS – Aotearoa’s soulful indie-folk crooner presents his groundbreaking fourth solo album, Te Whare Tīwekaweka, recorded entirely in the Māori language. Joined by a local Kapa Haka group for its national premiere, the five-time Aotearoa Music Award winner delivers heart-stopping vocals and an effortless blend of country, bluegrass, folk and synth-pop.

PAT METHENY – The 20-time Grammy Award-winning iconic jazz guitarist and composer returns to the Concert Hall for the first time in more than a decade. Playing more than a dozen guitars, Metheny offers songs from his illustrious 50-year career and recent albums, MoonDial (2024) and Dream Box (2023), alongside his rare storytelling.

EZRA COLLECTIVE – The BRIT Award and Mercury Prize-winning jazz outfit is celebrated as one of the UK’s most exhilarating live acts, with their effervescent, eclectic sound blending Afro-Cuban rhythms with grime, reggae, Latin, hip-hop and soul. After a sell-out world tour and a 5-star set at Royal Albert Hall, the five-piece return to Australia with their joyous new album Dance, No One’s Watching (2024).

JOAN SUTHERLAND THEATRE

THE SABRES OF PARADISE (Aus excl) – After a 30-year hiatus, seminal British electronic group The Sabres of Paradise reunite for the first time in their Australian debut. Fusing iconic classics and hidden gems, the Australian exclusive show will channel the energy of their legendary Sabresonic warehouse raves and honour the groundbreaking legacy of co-founder and DJ, the late Andrew Weatherall, all accompanied by a spectacular visual display.

WAVYLAND 7TH ANNIVERSARY feat. BKTHERULA, Thaiboy Digital, Babyxsosa + more (Aus excl) – Trailblazers of Australia’s underground scene, WavyLand present two explosive nights of genre-defying soundscapes, left-field beats, cutting-edge audio visuals and electronica. Featuring transcendent Thai-Swedish rap force Thaiboy Digital, boundary-pushing American hip-hop innovators BKTHERULA and Babyxsosa, Brooklyn multihyphenate producer Slauson Malone 1, Stockholm sonic mastermind Oli XL, NYC’s ever-evolving icon Wiki, and groundbreaking Melbourne collective Posseshot.

PALE JAY – Mysterious soul singer, jazz pianist and producer Pale Jay, who has kept his identity hidden behind a mask since his 2021 debut EP, comes to Australia for his global live debut and delivers a one-of-a-kind show orchestrated exclusively for Vivid LIVE featuring a string quartet. The craftsman of soul-infused heartbreak will showcase his signature sound on Bewilderment (2023), a seductive blend of slow disco, lovelorn soul and Afrobeats.

RAVYN LENAE – Redefining the sound of R&B, critically acclaimed neo-soul artist Ravyn Lenae returns to Australia with her honey-sweet vocals and synth-funk. The Chicago-native boasts collaborations with Childish Gambino and Doechii, and her genre-defying sophomore record Birds Eye (2024) was named by SZA as one her favourite albums of the year.

MOUNT KIMBIE – Early stars of London’s electronic scene, Mount Kimbie, have evolved from a hot young club duo into a four-piece indie-rock group, exploring avant-garde post-rock, shoegaze and electronica on their latest album, The Sunset Violent (2024). Known for their post-punk rhythms, the forward-thinking alt-rockers bring their expansive new sound to the Joan Sutherland Theatre.

JESSICA PRATT – With her bewitching voice and acoustic guitar, Los Angeles-based singer-songwriter Jessica Pratt returns to Australia for the first time in 10 years. The revered folk-pop star’s latest record, Here In the Pitch — which dominated 2024’s year-end lists — blends her signature mellow folk with mystical percussion and chamber pop, evoking the shadows and sunshine of the Californian dream.

DRAMA THEATRE

ICHIKO AOBA – With just her voice and nylon-strong guitar, Japanese folk singer-songwriter Ichiko Aoba has attracted a global cult following with her enchanting mix of cinematic dream pop and meditative, atmospheric folk. Enamoured by the music of Disney and Studio Ghibli films, Aoba has collaborated with the likes of Ryuichi Sakamoto and just released her ninth studio album, Luminescent Creatures (2025).

MISS KANINNA – A fearless storyteller, gifted vocalist and explosive live performer, ARIA-nominated rapper/singer Miss Kaninna has taken the Australian music scene by storm with her arresting mix of hip-hop, neo-soul and R&B. The proud Yorta Yorta, Dja Dja Wurrung, Kalkadoon and Yirendali woman first made waves in 2023, speaking truth to power with her debut single and anti-establishment anthem, Blak Britney.

SURPRISE CHEF – Renowned for their slinky soul and groove-infused jazz mastery, Melbourne quintet Surprise Chef will celebrate the release of their hotly awaited new album Superb. With a cult-like following and praise from the likes of Questlove and Jurassic 5’s DJ Nu-Mark, the band continues to make waves internationally.

PHOEBE GO – Previously fronting much-loved acts Snakadaktal and Two People, Phoebe Go is the solo project of Australian alt-pop artist Phoebe Lou. Full of hope and lyrically heavy at its crux, Go’s critically acclaimed debut solo album Marmalade (2024) catapulted her to new sonic heights through its introspective exploration of growing up, staying young, losing your feet and finding them again.

UTZON ROOM

SAHXL – Homegrown vocal prince SAHXL blends R&B and Trapsoul with honest storytelling and powerful melodies. The 21-year-old became the first local artist to sign directly with legendary US label Def Jam, releasing two breakthrough EPs and earning praise from American tastemaker Ebro Darden.

3% – ARIA award-winning First Nations hip-hop collective 3% bring their uncompromising sonic power to deliver a showcase of Blak excellence. Exploding onto the scene with their scorching 2023 anthem OUR PEOPLE, the supergroup comprises Yuin and Thungutti rapper Nooky, Noongar rapper/songwriter and actor Dallas Woods, and soulful Gumbaynggirr singer Angus Field.

G2G – Commanders of Sydney’s DIY punk scene, G2g fuse post-punk riffage with playful vocals. Unleashing pep-charged tunes on their long-awaited debut album The Gherkin (2024), the punk rockers’ live shows are known for their infectiously ragged, fun-filled fury.

VELVET TRIP – A kaleidoscopic fusion of psych-pop and rock, Velvet Trip will celebrate the release of their forthcoming EP, Glimmers. Fresh from captivating audiences while supporting Djo and performing at Australia’s most renowned festivals, the Gadigal outfit delivers a euphoric performance that pulses with colour, movement and boundless energy.

EMILY WURRAMARA – ARIA award-winning artist and Warnindhilyagwa woman, Emily Wurramara returns with her soul-stirring voice and captivating blend of folk, country, blues and R&B. Building on the success of her latest album NARA, Emily continues to explore themes of self-acceptance, connection to country and ancestral storytelling in her music.

STATION MODEL VIOLENCE – Sydney post-punk outfit Station Model Violence is the new project formed by DX, best known for Total Control, and Buz from RMFC with members of cult Sydney band Den. After only a handful of live shows and a single demo, the psychedelic rockers have already generated buzz in the lead-up to recording their debut LP this year.

YASMINA SADIKI – A seasoned veteran of Sydney’s live music scene, rising neo-soul extraordinaire Yasmina Sadiki brings her shimmering vocals and seductive melodies to the Utzon Room. With cinematic grooves and a love for vocal improvisation, the young singer-songwriter has become one of the city’s most in-demand musicians.

STUDIO

TRACKWORK 5TH BIRTHDAY feat. Brodinski, Vv Pete & Utility – Sydney label Trackwork will celebrate their fifth birthday with the explosive French producer Brodinksi, the SZA-co-signed Sydney-based rap trailblazer Vv Pete and Trackwork fearless founder and scene-smashing producer Utility.

Studio Party by BARNEY KATO feat. Sex Tags – DJ Fett Burger and DJ Sotofett – Beloved anti-hero, Sydney party raconteur and self-proclaimed music snob Barney Kato returns with two of his all-time favourite DJs, Norway’s legendary Sex Tags crew – Fett Burger and Sotofett  – known for their unpredictable, mind-blowing long-form psychedelic forays into jungle, techno, dub, disco, house, punk, ambient, breakbeat and outer limits.

Studio Party by DSTREET feat. DJ MARIA., Sunju Hargun & Tangela – Back after their wildly popular 2024 Vivid LIVE set, Sydney’s hottest covert party collective dstreet returns to the Studio for a night of deep, psychedelic and immersive sounds featuring Japan’s techno “trance but not trance” queen DJ MARIA., Thailand-based underground tastemaker Sunju Hargun and dstreet founder and homegrown talent Tangela.

Studio Party by HOUSE OF MINCE feat. Boris & The Mince Angels – Sydney’s beloved queer dance collective returns for one of Vivid LIVE’s most euphoric offerings with The Mince Angels and legendary Berghain resident Boris, one of the most dedicated protagonists of Berlin’s vibrant queer electronic scene.

Studio Party by DUNJ feat. Shackelton, Azu Tiwaline & DUNJ Crew – Known for their bass-heavy and storied DIY parties held around the harbour, the collective of DJs and producers will be joined by world-renowned underground artists, English maestro of psychedelic trance Shackelton and acclaimed Tunisian producer Azu Tiwaline, along with their original DUNJ Crew for a hypnotic, percussive night.

Studio Party by MAD RACKET feat. Red Rack’em, Cousin (live) with Mad Racket DJs – The inner west’s longest-running dance party institution, Mad Racket return with its core crew – Sydney DJs Ken Cloud, Simon Caldwell, Zootie and Jimmi James – this time joined by Bristol-based underground mainstay Red Rack’em and Sydney’s Cousin, whose deep and understated, yet powerful take on house, dub and techno continues to soar.

KEY INFORMATION

WHAT: Vivid LIVE at Sydney Opera House
WHEN: Friday 23 May – Saturday 14 June 2025

WHERE: Sydney Opera House, various venues
Insiders pre-sale commences: Wednesday 12 March, 11am AEDT

What’s On pre-sale: Thursday 13 March, 10am AEDT
Vivid Sydney pre-sale: Friday 14 March, 10am AEDT
Tickets on sale to the general public: Monday 17 March, 10am AEDT

Vivid Sydney is owned, managed and produced by Destination NSW.
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SOUTHERN RIVER BAND RELEASE “F**K YOU, PAY ME” + AUS TOUR MAY 2025

by the partae
written by the partae

WA rock’n’roll saviours The Southern River Band have released their towering new single and rally cry, “F**k You, Pay Me”, out now via Civilians. The band will take the single out on a headline tour around the country in May.

A song of the people from the band who has your back, the single is a middle finger to all the dirtbags who refuse to cough up what’s owed. It’s a tale as old as capitalism – living week to week, watching your hard earned cash flow up into the ivory tower when the rent is due and the bills need to be paid. With its charged-up riff and galvanizing chorus, when the debt starts piling up chuck on the song and shout it with your whole chest.

“This song is for everyone who has ever been stiffed, ripped off, bullshitted or flat out not received what they were promised. To the guilty parties (see; thief) – F**k You, Pay Me.” – Cal Kramer (vocals)

Exploding into the spotlight at the end of 2023 after being featured on every music lover’s favourite YouTube series, Justin Hawkins Rides Again, the rest of the world is starting to see what Australia has known for quite some time – The Southern River Band are the real deal.

Hailing from Thornlie in Western Australia (Where? Exactly), SRB has spent a decade putting in the hard yards and earning their reputation the old-fashioned way: by taking their full-throttle live show anywhere with a stage and a bar. One of those ‘you-just-have-to-see-them-live’ kinda bands, SRB’s relentless touring schedule has seen them sell out multiple national runs, play with Aussie legends Cold Chisel and Rose Tattoo, as well as support modern-day rock icons like The Darkness and Eagles Of Death Metal.

In 2024, SRB kicked it up a gear with the release of their high-octane fourth record, D.I.Y, that not only landed at #6 on the Aus ARIA Chart, but the vinyl needed to be repressed before it was even released. The record’s breakout six-minute epic “Stan Qualen” thrust the band on the global stage, charting in 23 countries and taking them on their first international tour. The demand for SRB was so insatiable their first UK show sold out in just four days, leading to a venue upgrade more than double the size which, you guessed it, sold out – as did most of the tour. The band has also found a home on the European festival stages, leaving thousands gobsmacked at The Great Escape, Vestrock, Sweden Rock Festival, Rock Wrechter and Down The Rabbit Hole, and they will return in 2025 to dominate Download, Hellfest and Resurrection festivals.

Before the band duck off back to Europe, they’ll take their new single out for a spin on an Australian headline tour – hitting capital cities in May. Tickets on sale March 13 via thesouthernriverband.com.

As Justin Hawkins of The Darkness said, “Now this is a proper f***ing rock band”. But hey, don’t take our word for it, find out for yourself.

THE SOUTHERN RIVER BAND
AUSTRALIAN TOUR

Tickets On sale Thursday March 13 via thesouthernriverband.com

Friday May 9
Crowbar, Brisbane

Saturday May 10
Crowbar, Sydney

Thursday May 15
Altar, Hobart

Friday May 16
Max Watts, Melbourne

Saturday May 17
Lion Arts Factory, Adelaide

Friday May 23
Rosemount, Perth

THE SOUTHERN RIVER BAND – “F**K YOU, PAY ME”

Out Now Via Civilians
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Blok Party Star Street to Host Vibrant Event in the Wan Chai – Hong Kong

by the partae
written by the partae

Neighbourhood: A Celebration of Community, Culture, and Local Business

Date: April 12th (Sat)
Timer: 12:00-21:00
Location: Star Street, Wan Chai

Wan Chai’s iconic Star Street Precinct will come alive with the sights, sounds, and flavors of a community-focused block party. Designed to celebrate the neighborhood and bring together residents, visitors, and local businesses, the event will transform Star Street into a vibrant hub of activity, creativity, and entertainment.

Following two successful Blok Party events at Shing Hing Steps and the Tai Hang Chinese New Year Blok Party, the event’s next edition shines its spotlight on Star Street. With its focus on local businesses and local talent, Star Street Blok Party promises to be the biggest yet.

The Star Street Blok Party will feature a dynamic lineup of activities, including a buzzing street market showcasing artisanal goods from local vendors and fun and engaging workshops and experiences for all ages. Local shops and restaurants will participate by offering special promotions, exclusive deals, and pop-up experiences, creating a unique opportunity to support the neighborhood’s thriving business community.

Adding to the lively atmosphere, outdoor live music performances will take center stage, with a curated program of artists entertaining guests from daytime into the evening.

The event aims to foster neighbourhood engagement, drive foot traffic to local businesses, celebrate the unique character of Wan Chai’s Star Street Precinct, and ignite a sense of fun and community to all who attend.

Ticketing

Star Street Blok Party is free entry, catering to all ages. For those looking to elevate their experience, limited Early Bird discount tickets are available now on Ticketflap for just HKD180. Ticket holders can enjoy 1 drink, 1 bite , and access to some exclusive activities as well as entry to a raffle with great prizes.

https://www.ticketflap.com/blokparty2025

About Y2K

Established in 2020, Y2K is a Hong Kong-based creative agency that has made its mark on the city’s entertainment scene. Offering artist management, event production, branding, and marketing, the multifaceted agency collaborates with a diverse array of talents, providing a platform for emerging local artists as well as established international mainstays. With a diverse portfolio comprising festivals, club nights, block parties, and creative markets, Y2K builds on Hong Kong’s cutting-edge electronic and live music scenes and continues to reimagine the live experience by curating immersive productions that showcase innovative artists and unconventional spaces.

About Clockenflap

Clockenflap is a trailblazer in Hong Kong’s festival and live music scene. As a cornerstone of Hong Kong’s cultural identity, Clockenflap has established itself as a catalyst for creativity, innovation, and global artistic exchange.

Its flagship event, Clockenflap Music & Arts Festival, is Asia’s premier urban, outdoor festival. Renowned for its world-class programming, the festival brings together an extraordinary lineup of local, regional and international talent across multiple stages. The festival also features a spectacular outdoor environment, a mouthwatering selection of top-quality F&B outlets, an eye-popping array of artistic installations and a carefully curated collection of family-friendly attractions.

Complementing the festival, Clockenflap Presents delivers world-class concerts year-round, hosting iconic acts like YOASOBI, Daniel Caesar, Laufey, milet, The Strokes and many more.

Through its own events and by partnering with exciting new event opportunities like Blok Party, Clockenflap is committed to elevating the industry, fostering creativity, inspiring audiences, and positioning Hong Kong as a global hub for arts and culture. Clockenflap will continue to develop, promote, and progress the live events and cultural landscape in Hong Kong.

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YOURS AND OWLS FESTIVAL 2025 REVIEW

by the partae
written by the partae

Words: Charlotte Najjar – Photography: Ian Laidlaw

Despite the blistering heat of the first day, Sunday’s run of the Yours & Owls festival (or “Gong Christmas”) brought howling winds and dropped temperatures to the stunning beach side venue. Yet patrons refused to let the sudden change spoil the day. Afterall, it only takes jumping in the pit to get warmed up. 

San Cisco was the first stop of the day, their defining indie sound able to be heard from the gates, so of course, I made a beeline for the Harbour stage. Fan favourites like “About You” and “Too Much Time Together” had the crowds up and about throughout the entirety of their very windy 40 minute set.

Then it was time to head off to catch MAY-A’s anticipated return to the stage, which left even those who didn’t know her music rocking out by the time she played her final song of the afternoon. Also debuting a new unreleased track, her catchy tune had all of the crowd chanting lyrics previously unknown to them. With no release date revealed, this will be one to look out for when it drops.

Of course The Veronicas were not to be missed, their set bringing forth a mixed crowd all united by what could be described as the sound of the 2010s. Their newer songs were not to be discounted, “Detox” and “Here to Dance” from their 2024 album “Gothic Summer” cemented themselves as certified dance hits. Much to the screaming fans delight, they wrapped up with everyone’s favourites “4ever” and “Untouched”, leaving the crowd exhausted and out of breath from such an energetic performance by the iconic Aussie sisters.

After some refuelling thanks to the many wonderful food truck options on sight, it was a non-negotiable to catch some of CYRIL’s DJ set. Crowds were thrilled by his well known mix of “Stumblin’ In”, and were absolutely blown away by the mashup of two classic rock songs, “Thunderstruck” and “Black Betty”. With incredible mixes blaring out to the dancing audience, it was almost impossible to drag yourself away, but alas The Kooks are too much of a household name to miss.

Of course, there was nothing more iconic than seeing the English band perform their song “Seaside” on the breathtaking seaside festival site of Flagstaff Hill. It would seem I was not the only one who was enamoured by the views and accompanying soundtrack, multiple crowd members commenting on the perfect choice of song to watch the sun begin to set to. Before I knew it, it was suddenly time to dash across the grounds to catch Slowly Slowly’s performance, but that wasn’t before leaving with a new favourite Kooks song. “Bad Habit” had everyone jumping around to the catchy tune, and it’s safe to say it has found a comfortable place in my daily song rotation.

Never one to miss the chance to mosh, Slowly Slowly’s turn on the Mountain stage was exactly where I needed to be. The Melbourne band brought even more energy than usual, the centre of the crowd not staying still for a single minute, taking every chance to collide into each other. After everyone got in the day’s cardio dancing along to multiple hits from the bands newest album “Forgiving Spree”, we all made a run for the Harbour stage, determined to not miss our favourite Irish band taking the stage.

Fontaines D.C. have been making waves recently with the release of their album “Romance”, however I’ve been sour ever since I missed them at Laneway 2023, so this was not one I was going to miss. Sure enough, they did not disappoint. I know I myself was thrilled to hear my favourite (pun most certainly intended) song off the new album “Favourite”. However, they couldn’t have ended with a better song than “Starburster”, the whole crowd searching to get up onto the shoulders of friends in order to fully immerse themselves in the experience.

As the night came to a close, Honey Dijon and Hockey Dads were the final stop of the evening. It comes as no surprise that Dijon rocked the crowds, even people such as myself who listened from afar, enjoying the electronic hits whilst resting up for the closing act. Her high energy tracks would’ve been a great end to the day, the only thing which could’ve topped it being Hockey Dad closing up the Mountain stage right after, which lucky for all us festival goers, is exactly what happened.

The indie rock group, who funnily enough hail from just a few suburbs over from the festival site, ended the night with everyone’s favourites, “I Wanna Be Everybody”, “Homely Feeling” (a personal favourite) as well as “Join The Club” and of course “Seaweed”. A perfect song to end a perfect festival weekend along the beautiful beach front. The only regret we all have is that we’ll have to wait another year for it to come around again. 

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ERRA ANNOUNCE CURE 2025 AUSTRALIAN TOUR WITH SPECIAL GUESTS SILENT PLANET (USA) & RESOLVE (FRA)

by the partae
written by the partae

Fresh off the release of their sixth studio album CURE, prolific metalcore progressives ERRA are set to bring all of their blistering light and shade to Australian stages again next March for their first ever national Australian headline tour, taking their massive CURE run across the country joined by special guests SILENT PLANET (USA) and RESOLVE (FRA).

Opening on Thursday 6 March in Perth, the CURE Australian Tour will journey to Adelaide, Melbourne, Hobart, Wollongong, Central Coast and Sydney, before closing out on Sunday 16 March in Brisbane

Hailing from Alabama and forming back in 2009, ERRA have continuously enamoured with titanic riffs, enchanting melodics and immersive soundscapes, storming their way to #1 on the Billboard Heatseekers Albums chart via their 2014 EP Moments of Clarity, and also taking out the honour once again in 2016 courtesy of their third full-length album Drift. Crystallising their now-trademark sonic complexity and punchy delivery alongside the addition of vocalist J.T. Cavey on Drift, ERRA have unleashed six full length albums to date, including their most recent opus: 2024’s CURE.

Celebrated for its immersive lyricism, cohesion, moody grooves, atmospherics and driving dynamics, CURE also saw ERRA boldly step beyond their own creative confines into a brand new era, expanding on their earlier releases without sacrificing their signature traits. And whether they’re wowing crowds on a festival stage, touring alongside Bad Omens, TesseracT, Ice Nine Kills and Dance Gavin Dance, or headlining their own shows, an ERRA live experience is like no other; and one as explosive and enigmatic as their own mesmerising musical creations.

Renowned heavy luminaries, California’s SILENT PLANET have transfixed a diehard global fanbase via their blend of hypnotic hooks, lush yet raw soundscapes and an irresistible mingling of hardcore, post rock, metal and ambient textures. Taking home Best Underground Band at the 2017 Alternative Press Music Awards, SILENT PLANET have also toured the globe with the likes of Dayseeker, Fit For A King and The Plot In You, generated tens of millions of streams and released five acclaimed full length albums, including 2023’s SUPERBLOOM which was conjured against the odds amid band’s harrowing snowstorm crash in late 2022, and garnered praise for its balanced beauty and brutality.

French metalcore quartet RESOLVE have staunchly embodied the firm determination of their namesake since announcing themselves to the world back in 2017 with their debut single Exposed. Going on to release their debut EP, 2017’s Rêverie, RESOLVE ultimately solidified their sonic direction with 2019’s Pendulum; a collection of three songs that perfectly balanced bludgeoning with alluring and expansive soundscapes. Having gone on to surpass over 3.3. million streams and release two full length albums, 2021’s Between Me and The Machine and 2023’s Human, RESOLVE have also previously shared stages with Architects, Every Time I Die, Underoath and many more.


Tickets from destroyalllines.com

Destroy All Lines & UNFD Present

ERRA
CURE 2025 AUSTRALIAN TOUR

WITH SPECIAL GUESTS
SILENT PLANET (USA) + RESOLVE (FRA)

TOUR DATES:

THURSDAY 6 MARCH 2025 – ASTOR THEATRE, PERTH (LIC AA)
SATURDAY 8 MARCH 2025 – LION ARTS FACTORY, ADELAIDE (LIC AA)
SUNDAY 9 MARCH 2025 – FORUM, MELBOURNE (18+)
TUESDAY 11 MARCH 2025 – ALTAR, HOBART (18+)
THURSDAY 13 MARCH 2025 – UNI BAR, WOLLONGONG (18+)
FRIDAY 14 MARCH 2025 – DRIFTERS WHARF, CENTRAL COAST (18+)
SATURDAY 15 MARCH 2025 – METRO THEATRE, SYDNEY (LIC AA)
SUNDAY 16 MARCH 2025 – THE TIVOLI, BRISBANE (18+)

Tickets from destroyalllines.com

 

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ESOTERIC FESTIVAL APPROVED TO GO AHEAD THIS WEEKEND

by the partae
written by the partae

Following overwhelming community support, the Esoteric Music Festival is excited to announce that the local Buloke Shire Council has tonight voted in favour of holding this year’s event as scheduled this long weekend in Donald from Thursday 7 March to Monday 11 March.

After submitting the Planning Permit in September, festival organiser Sam Goldsmith commended the Council for approving the Planning Permit days out from the event and thanked the local community for throwing their support behind the event.

“This year will be the 8th year that the Esoteric Music Festival will be held in this small Victorian town, and we are so grateful for the local groundswell, the Buloke Shire Council and our beloved Esoteric community for their support in making it happen,” he said.

“Ensuring festival goers are safe is our number one priority and we have demonstrated for the better part of a decade our competency as a safe, compliant, and well-run festival. Now that we have Council planning approval, the festival build can progress, and the site will be ready for festival goers on Thursday when gates open and the party begins.

“Tickets are nearly sold-out and the local community who faced a nervous wait on this can get now go about their plans to prepare for the influx of tourists from all over the world.”

Since 2017 Esoteric Music Festival has been an important feature on the Victorian music festival calendar and injects more than $15 million into regional tourism in the state, the local community of Donald and surrounds.  It is the single largest event in the Wimmera Mallee tourism region, which comprises 14 per cent of the state of Victoria.

More than 7,000 festival goers will descend on Donald this weekend and the festival continues to provide thousands of jobs to industry personnel and local contractors.

We continue to work closely with Buloke Shire Council and the relevant authorities on making this a sustainable event for future years. Subject to a further Place of Public Entertainment Permit being approved by the Municipal Building Surveyor in the coming days, the festival will proceed as planned.

Members of the public are encouraged to purchase a ticket to support the event sell-out. Tickets on sale here:  https://esotericfestival.com.au/tickets/

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ILL NIÑO Announce First Australian Tour In 8 Years With Special Guests ADEMA

by the partae
written by the partae

After an 8-year hiatus from Australian stages, ILL NIÑO, the trailblazing Latin-influenced metal band that redefined heavy music, is set to return for a blistering  run of shows across Australia. This long-awaited tour will feature special guests ADEMA.

ILL NIÑO, known for their explosive live performances and genre-defining fusion of heavy metal and Latin influences, will bring their unique sound to Australian venues in September 2025. The band’s return is highly anticipated, as they prepare to deliver a high-octane setlist filled with fan-favourite hits and new tracks. ILL NIÑO released their ground-breaking debut album Revolution Revolución in 2001. Whilst their  sophomore album Confession boasting the U.S. smash hit single ‘How Can I Live’, hit the Billboard Top 40 and has gone on to sell over 600,000 copies.

Joining ILL NIÑO on their Australian journey,  for the first time ever are U.S. Post-Grunge, Alternate Metal band Adema, who will bring their signature sound of hard-hitting electronic rock and nu-metal to the stage.

The two bands are set to deliver an evening of hyped-up intensity, bringing a mix of heavy riffs, Latin infused percussion, emotionally engaging lyrics, and powerful performances that will make this an unmissable experience.

ILL NIÑO and ADEMA September 2025 Australian Tour Dates

Friday 12th September SYDNEY, Liberty Hall

Saturday 13th September MELBOURNE, Max Watts

Sunday 14th September BRISBANE, The Trifid

  

General Public on sale: Monday 3rd March 9:00am AEDT: https://www.octoberpresents.com/illnino2025

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