Festival News

Tickets On Sale Now For The Global Cinematic Event

In Cinemas Worldwide January 22 For A Limited Time Only

Film Will Be Showing On More Than 1,000 Screens Worldwide

Legendary metal titans MEGADETH and Trafalgar Releasing have revealed the trailer for MEGADETH: BEHIND THE MASK, a cinematic legacy event that will debut on screens worldwide Thursday, January 22.

Tickets are now on sale for the film that will screen in over 1,000 cinemas across 35+ countries on the eve of the release of the band’s final studio album out January 23. To get tickets, and for more information and to sign up for updates, fans can visit megadethfilm.com.

In MEGADETH: BEHIND THE MASK, Dave Mustaine pulls back the curtain on 40 years of MEGADETH, sharing untold stories of the band’s past and the creative fire that drives them.  Interwoven throughout, audiences will get to experience the world premiere of MEGADETH’S new self-titled album in full, brought to life with a 40-year retrospective career-spanning interview and Mustaine’s own track-by-track reflections about the band’s final studio album. This one-night-only listening event will provide a first-listen to this landmark project. MEGADETH: BEHIND THE MASK is an immersive celebration of one of the most influential bands in metal history, capturing their legacy while heralding a powerful new chapter.

Leading up to the album and film’s debut, MEGADETH—Dave Mustaine, Teemu Mäntysaari (Lead, Rhythm, and Acoustic Guitars), James LoMenzo (Bass Guitar) and Dirk Verbeuren (Drums)—have released two tracks:  “I Don’t Care” (watch the video HERE and listen to the song HERE) and “Tipping Point,” the album’s first single (watch the video HERE and listen to the song HERE).  MEGADETH have also announced a very special bonus track from the album:  a reimagined version of “Ride The Lightning,” which MUSTAINE co-wrote with Metallica’s James Hetfield, Cliff Burton, and Lars Ulrich and was the title track from the group’s 1984 album.  Pre-order the album, via DAVE MUSTAINE’s Tradecraft imprint in partnership with Frontiers Label Group’s new BLKIIBLK label, HERE.  Read more about the album’s full track listing HERE.

Megadeath: Official Website | Facebook | Instagram | Tik Tok | YouTube

+ THE WORLD EXCLUSIVE DEBUT OF YUNGBLUD: IDOLS PHOTOGRAPHY EXHIBITION

Three-time GRAMMY® nominee YUNGBLUD is psyched to announce that Brisbane punks Dune Rats will join him as special guests on his IDOLS world tour in Australia.

Following the release of One More Time—his collaborative EP with Aerosmith, which debuted at No. 1 on four Billboard album charts and No. 1 in the UK, and features a reimagining of ‘Wild Women’ with country star Lainey Wilson—YUNGBLUD will head to Australia in 2026 for his biggest run of shows to date. With Perth and Brisbane dates already sold out, an additional Brisbane show has been added, and Sydney has been upgraded to Qudos Bank Arena to meet overwhelming demand.  Tickets and tour information via frontiertouring.com/yungblud.

Watch: Aerosmith, YUNGBLUD, Lainey Wilson – Wild Woman

Joining him for all dates is local band Dune Rats. Dune Rats have long embodied the do-it-yourself ethos of punk rock and their self-titled debut album in 2014 introduced the world to their riotous charm. But it was their 2017 album The Kids Will Know It’s Bullshit that exploded them onto the national stage — debuting at #1 on the ARIA Albums Chart, main-stage billing at festivals like Splendour in the Grass, Laneway, and Groovin’ The Moo, and cementing their reputation as one of Australia’s leading punk rock bands.

Building on that momentum, Dune Rats continued to expand their reach with the ARIA-nominated Real Rare Whale in 2022 and extensive international touring across North America, Europe, South Africa, and the UK. While back home their Triple J Like A Version cover of The Angels’ ‘Am I Ever Gonna See Your Face Again’ went viral. In 2024, the band returned with If It Sucks, Turn It Up, a sharper and hookier evolution of their signature sound, supported by a sold-out national co-headline tour with U.S. punk icons FIDLAR.

Watch: Dune Rats – Am I Ever Gonna See Your Face Again (Like A Version)

2025 marks a new chapter for the band — and a celebration of how far they’ve come. With over 15 years together, multiple ARIA nominations, and hundreds of shows around the world, Dune Rats continue to fly the flag for Australian punk rock with the same energy that fuelled their first gig.

The news comes hot off the heels of the announce of the Australian debut of ‘YUNGBLUD: IDOLS’, an exclusive photography exhibition by acclaimed British photographer Tom Pallant, at Behind The Gallery in Newtown from the 7th -11th January 2026.

This world-exclusive exhibition will feature an array of both personal and pivotal moments never before seen, celebrating the evolution of one of the most influential alt-rock figures of a generation. From candid backstage interactions to high-voltage live performances that capture the artist’s raw humanity, the collection offers an intimate look at his journey. Pallant, YUNGBLUD’s long-time trusted photographer and creative collaborator, brings fans closer than ever to the energy, vulnerability, and rebellion that define the star’s artistic identity. For more information visit Yungblud Idols – behindthegallery.

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YUNGBLUD
​IDOLS THE WORLD TOUR
​AUSTRALIAN TOUR
​WITH SPECIAL GUESTS DUNE RATS
​JANUARY 2026
​Presented by Frontier Touring

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TICKETS ON SALE NOW
​via frontiertouring.com/yungblud

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Saturday 10 January
​Qudos Bank Arena | Sydney, NSW
​VENUE UPGRADE
​Lic. All Ages ​
​ticketek.com.au

Tuesday 13 January
​Sidney Myer Music Bowl | Melbourne, VIC
​Lic. All Ages
​ticketek.com.au

Thursday 15 January
​Adelaide Entertainment Centre | Adelaide, SA
​Lic. All Ages
​ticketek.com.au

Saturday 17 January
​Riverstage | Brisbane, QLD 
​SOLD OUT

Sunday 18 January
​Riverstage | Brisbane, QLD 
​NEW SHOW
​Lic. All Ages
​ticketmaster.com.au

Tuesday 20 January
​Ice Cream Factory | Perth, WA
​SOLD OUT

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Patrons are advised to purchase tickets only through authorised ticket sellers. 

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

Sepultura has reached the end of the road and has chosen to depart via a conscious and planned death. The band are marking 40 years together and have been saying goodbye at the same time with a farewell tour spanning the globe, which has included a slew of venue upgrades and sold out shows across Latin America, Europe, and the US. Now it’s Australia’s turn, with a run of capital city shows this March.

After four decades, 14 gold records, journeys through 80 countries and countless cultural exchanges, Sepultura stands as one of the most influential metal bands of their generation. Across 15 studio albums, they have sold more than 20million records worldwide, earning gold and platinum status in Australia and beyond. Their landmark record Roots has surpassed 150 million Spotify streams.

For this final journey, the band is joined by 21-year-old American drummer Greyson Nekrutman as they undertake a worldwide run that spans multiple continents and revisits every era of their catalogue. During the tour, the band will be recording 40 live tracks across 40 cities, forming an epic compilation that captures their strongest moments on stage.

As this chapter unfolds, Sepultura reflects on this milestone with gratitude. Throughout their career, they created acclaimed records, forged enduring friendships, experienced artistic growth, met their heroes and helped place Brazilian metal firmly on the world map. With that legacy secured, the band steps away with a sense of purpose fulfilled.

“We’ve always had the best fans in the world, who supported us with praise and criticism, who were demanding and intelligent, who grew together with the band and have always been loyal,” the band says. “Without you, none of this would have been possible. This album and this tour are for you. Dear SepulNation, we love you and always will.”

This tour is the final opportunity to witness Sepultura live in Australia.

Presale begins Friday 12 December at 9am local time.
Tickets are on sale Monday 15 December at 9am local time.

Sign up and tickets: destroyalllines.com/tours/sepultura

“Euthanasia, the right to a dignified death. The right to choose to live free and to choose when you die.”

DESTROY ALL LINES PRESENTS Sepultura: Celebrating Life Through Death… The Farewell Friday March 20 Metro City, Perth Monday March 23 The Gov, Adelaide Wednesday March 25 Northcote Theatre, Melbourne Friday March 27 Liberty Hall, Sydney Sunday March 29 The Tivoli, Brisbane

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APPLEWOOD, one of Asia’s most trusted global concert promoters, has announced that 안녕, MELBOURNE (“Hello Melbourne”) will take place on March 14 at Flemington Racecourse in Melbourne.

APPLEWOOD, who have worked with global superstars including BLACKPINK, SEVENTEEN, ENHYPEN, BAEKHYUN, LE SSERAFIM, GFRIEND and G-DRAGON, will be partnering with Australia’s leading festival promoter, Untitled Group, to bring this landmark event to life.

Produced by the team behind major Australian festivals such as Beyond The Valley and Wildlands, 안녕, MELBOURNE will showcase APPLEWOOD’s internationally renowned production capabilities to Australian audiences for the first time.

More information, including the full lineup, will be announced on Friday 12 December at 12pm AEDT.

Established in 2013, APPLEWOOD has grown into a globally respected entertainment leader, producing more than 120 shows and attracting over 750,000 attendees across 20+ cities in 18 countries. Their portfolio includes some of the most high-profile achievements in contemporary K-pop and Asian entertainment, such as BLACKPINK’s 2019 World Tour, which achieved record-breaking success in Bangkok with six sold-out arena shows, and the prestigious 37th Golden Disc Awards in Bangkok, a stadium-scale production broadcast to millions worldwide. APPLEWOOD has also delivered major tours for leading artists including SEVENTEEN, ENHYPEN, BAEKHYUN, LE SSERAFIM, GFRIEND and G-DRAGON, reinforcing its reputation as a trusted and influential brand in global live entertainment.

With a strong international footprint spanning Hong Kong, Taiwan, Thailand, Indonesia, Vietnam, the Philippines and now Australia, APPLEWOOD brings deep regional expertise and proven capability in executing complex, large-scale events across diverse markets.

Its partnership with Untitled Group marks a significant step in expanding the presence of world-class Asian touring content in Australia, further diversifying the local music landscape and meeting the growing demand for premium K-pop experiences.

Photo credit: SEVENTEEN PHOTOS – ©️PLEDIS Entertainment / APPLEWOOD
ENHYPEN PHOTOS – ©️BELIFT LAB / APPLEWOOD

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Photography: Josh Ma

Photography & Words: Darren Chan

There was a quiet expectation on Sunday night at The Forum in Melbourne — the kind that only exists when a band’s songs have been a soundtrack to people’s lives. The Fray returned to Australia on their 20-year anniversary tour of “How to Save a Life”, the show felt less like nostalgia and more like a shared experience between the band and audience.

Once Perth, now Melbourne-based Joan and the Giants set the tone as the night’s support act. Opening with “Intro” and “Beg,” lead singer Grace danced with careless abandon across the stage. Tracks like “Sleep Alone,” “How Could You?” and “Still Breathing” eased the crowd with their cinematic brand of indie-pop, while “Born in the Wrong Time” and “Good Time” carried anthemic lift. Closing with “Figure It Out” and  a collaboration on “Cool Kid,” the band left the crowd ready for The Fray.

When The Fray took the stage, the significance of the night became clear. Frontman Joe King spoke about what a privilege it was to be back in Australia after 20 years, a sentiment that resonated with a crowd spanning generations — longtime fans who discovered the band in the 2000s standing alongside younger fans.

The core of the set centred on How to Save a Life, played in its entirety, allowing the album to unfold as a complete emotional narrative rather than a collection of hits. Opening with “She Is” and moving through “All At Once,” “Look After You,” and “Fall Away,” the band honoured the record that defined their global rise. Rather than sticking rigidly to studio versions, the arrangements were often extended and reimagined — most notably during “How to Save a Life,” which evolved into an ambient, almost dance-like reprise before rebuilding, giving the familiar song a fresh take.

Mid-set moments like “Little House,” “Dead Wrong / Trust Me,” and “Heaven Forbid” were embraced by fans, while “Hundred (Interlude)” and “Vienna” created moments of reflection inside The Forum’s historic interior. When “Over My Head (Cable Car)” arrived, the room erupted into an extended “woah” singalong, thousands of voices carrying the chorus until the end of the song.

Beyond the album, the band expanded the set with select songs from across their catalogue, including “My Heart’s a Crowded Room,” “Hurricane,” “Heartbeat,” “You Found Me,” and “Love Don’t Die.” New material was showcased with the recent single “Songs I’d Rather Not Sing,” which sat comfortably among the classics — a sign that The Fray’s story is still unfolding.

The audience remained fully engaged throughout the night, their attention fixed squarely on the band’s performance. Toward the end of the set, Joe King stepped off the stage and walked through the crowd, establishing a connection between band and audience in a moment that felt intimate rather than theatrical.

Closing with “Never Say Never,” The Fray delivered a performance that balanced legacy with relevance. By revisiting How to Save a Life in full while introducing new music, the band proved that twenty years on, their music  continues to evolve.

PHOTOGRAPHY: NATE HILL

Good Things Festival Melbourne 2025 rolled into Flemington Racecourse with the sort of energy that hits you the moment you walk through the gates. From the first crack of guitars to the last sweep of lights, the whole day moved with this steady, confident momentum — big crowds, louder singalongs, and an atmosphere that reminded everyone why this festival has such a devoted heartbeat. Lorna Shore came out firing and absolutely bulldozed their stage, Refused delivered a set loaded with emotion and a sense of finality, and Garbage ended up at the centre of one of the day’s most replayed moments after Shirley Manson’s now-legendary clash with a runaway beach ball. It summed up the tone of the day perfectly: unpredictable, loud, and impossible not to watch.

Across the grounds, everything just clicked. Lines moved quickly, the production kept pace, and there was this easy sense of community running through every set change. Fans drifted between eras and genres without missing a beat, letting nostalgia brush up against new discoveries as younger acts held their own beside the icons. By the time the sun slipped away, it felt like everyone knew they’d been part of something that landed a little differently. Good Things 2025 didn’t just arrive — it left people buzzing, carving itself in as one of the festival’s standout years.

PHOTOGRAPHY: NATE HILL

Good Things Festival Melbourne 2025 roared into Flemington Racecourse with a lineup that felt built for a day of pure release. From the first guitar punch to the last surge of lights, the festival moved with a kind of effortless momentum — big crowds, big singalongs, and the sort of atmosphere that reminds you why this scene has such a loyal heartbeat. Lorna Shore levelled their stage with razor-tight intensity, Refused brought a rush of emotion and finality, and Garbage delivered one of the most talked-about sets of the day, thanks in part to Shirley Manson’s now-legendary showdown with a runaway beach ball. It was a moment that summed up the whole event: unpredictable, loud, and impossible to look away from.

Across the grounds, the festival felt alive — quick lines, smooth production, and a sense of community that threaded through every set change. Fans drifted between eras and genres without missing a beat, weaving nostalgia into the present as newer acts held their own beside icons. By sundown, there was a shared feeling that this edition hit differently. Good Things 2025 didn’t just land; it left people buzzing, marking itself as one of the festival’s most memorable chapters yet.

Since its inception in 2015, the Melbourne Guitar Show has become a mecca for guitar-lovers, a flagship gathering for the industry, and a totally unique event. In 2026 the iconic event will arrive at Sydney Olympic Park for two big days of guitar gear, performances, workshops and experiences for the Sydney Guitar Show on Saturday 7 March and Sunday 8 March. An extensive celebration of the versatility and endless possibility of the world’s most popular instrument, this all ages, all levels event will span two unforgettable days for the first time ever in Sydney next year, guaranteed to ignite axe-slingers from all walks of life. The first program announcement includes Lismore-based Americana duo Hussy Hicks, Australian blues icon Ray Beadle, trailblazing guitarist and producer Godriguez, and 2025 ARIA Award winning bassist Lucy Clifford, YouTubers SuperFunAwesomeHappyTime Pedal Show, and more to be announced.

Tickets for the Sydney Guitar Show are on sale to the general public today from guitarshow.au/tickets/, and just in time for the festive season, Super Early Bird prices are available now until December 25.

“We have been running a successful and popular guitar show in Melbourne for a decade and people always ask us, why not Sydney?” shares Alex Masso, Producer of the Sydney Guitar Show and CEO of the Australian Music Association (AMA). “We’re answering their question with a big debut at Sydney Showground.”

“We’re building on the success of Melbourne, but the Sydney Guitar Show will have a character of its own”, said Masso. “I can’t wait to give Sydney’s guitarists the same kind of experience that people have been enjoying for the past decade in Melbourne. There is really no event like this in Australia.”

The multi-purpose and expansive Sydney Showground Hall 5 at Olympic Park offers easy access to public transport, parking, accessibility from all parts of the city, and the perfect meeting place to check out over 80 brands, multiple stages, interactive displays and other surprises. 

“The Guitar Show is a place for guitar lovers to be completely absorbed in all things ‘guitar’, whether it’s trying new gear, talking to luthiers and pedal makers directly, enjoying performances, discovering new brands and new music, learning something, and surrounding themselves with a community that loves the same instrument that they do,” says Masso. 

Boasting Australia’s largest showcase of guitars and just about anything guitar-related, the Sydney Guitar Show will also feature a vibrant program of ideas, workshops and live performances. Whether you’re a seasoned pro, just starting your guitar journey, even if you don’t play but love the instrument, the Sydney Guitar Show is your one-stop-shop. Iconic brands like Fender, Marshall, Ibanez, ESP, BOSS and PRS will sit alongside many great Australian made guitars from Cilia Custom Guitars (NSW), Ormsby Guitars (WA), Cole Clark Guitars (VIC), Fenech Guitars (QLD) and the launch of Mestric Guitars from Port Macquarie. 

Much more than a guitar products showcase and music festival, the Guitar Show is evolving and introducing new elements including:

• The Make Music Room: a full program of workshops and interactive sessions to inspire and inform music makers about playing styles, songwriting, and more. 
• A dedicated Kids’ Room, in partnership with Big Music, will offer guitars to try and some helpful advice for younger players, including total beginners. 
• Quieter mornings, with no amps in the exhibitor halls until midday. If you’re not ready for the full volume experience or want to bring the family at a quieter time, get along to the show from 10am-12pm on either day. 
• The Studio, a dedicated room showcasing recording / pro audio equipment and software for home recording, content creation and live performance. 
• The popular Pedal Party, curated by Pedal Empire, featuring Australian pedal makers. 

“The goal that ties all this together is to create a place and an experience where people are excited about the guitar,” explains Masso. “Whether you want to check out gear or enjoy some live music, whether you’re one of Australia’s top professional guitarists or a total beginner, whether you’re obsessed with guitars or just curious, whether you’re ready to buy something or just want to hang out with other guitarists, the Sydney Guitar Show has something to offer.”

The Sydney Guitar Show will be held at Sydney Showgrounds, Olympic Park, on Saturday March 7 (10am-5pm) and Sunday March 8 (10am-4pm), 2026. 
Purchase your Sydney Guitar Show tickets online now and save, with Super Early Bird prices available until 25th December. https://guitarshow.au/tickets/ 

Visit the Sydney Guitar Show site at http://guitarshow.au/sydney for the latest show announcements and information.

SYDNEY GUITAR SHOW 2026

Tickets available from http://guitarshow.au/sydney 

SAT 7 MAR | SYDNEY SHOWGROUND, SYDNEY NSW | LIC AA
SUN 8 MAR | SYDNEY SHOWGROUND, SYDNEY NSW | LIC AA

SYDNEY GUITAR SHOW 2026 BRAND / EXHIBITOR LIST:

Abasi  |  ACS Custom  |  Adlib Music  |  Admira Classical Guitars  |  Alvarez  |  Belfield Music |  Black Mountain  |  Blue Murder Pickups  |  Bonham Guitars  |  BOSS  |  Bourgeois  |  Breedlove  |  Cargill Custom Guitars  |  Chase Bliss  |  Cilia Guitars  |  Cioks  |  Cole Clark Guitars  |  Collings  |  Cort  |  D’Addario  |  Dean Guitars  |  Devirra  |  Diezel  |  DK Strings  |  Duesenberg  |  Eastman  |  Elixir Strings  |   EMG  |  Epiphone  | ESP |  Fender  |  Fenech Guitars  |  Fishman  |  Fractal Audio Systems  |  Friedman  |  G7th  |  Gibson  |  Gladesville Guitar Factory  |  Gretsch  |  Headfirst Amplification  |  Headrush  |  Hercules Stands  |  Hotone  |  Ibanez  |  Jackson  |  Jack Spira Guitars  |  Katoh |  Kemper  |  Kepler Guitars  |  K&M  |  Koala Audio  |  Loog  |  Lowden  |  Manuel Rodriguez |  Marshall  |  Matchless Amplifiers  |  Mestric Guitars  |  Mission Engineering  |  Mountain Art Guitars  |  Old Blood Noise  |  Orange  |  Ormsby Guitars  |  Ovation  |  Parekh Exports  |  Pedal Empire  |  Peterson Tuners  |  Port Mac Guitars  |  Pratley Guitars  |  Presonus  |  PRS |  QSC  |  Radial Redsound  |  Roland  |  RockBoard  |  Sadowsky  |  Santa Cruz |  Schecter  |  SKB  |  Soldano  |  Southern Tonewood  |  Stringjoy  |  Strandberg  |  Strymon  |  Sustainiac  |  Tanglewood Guitars  |  TC Helicon  |  Tone King  |  Two Notes  |  VASE Amplifiers  |  Walden  |  Walrus Audio  |  Wampler  |  Warwick  |  Wildwood Instruments  |  xenonOz  |  Zoom  | + more to be announced

Australia’s biggest celebration of basketball culture, Summer Jam, is set to return for its 14th edition with a major national expansion that will see the streetball phenomenon travel to four major cities before culminating in Melbourne in February 2026.

What began as a grassroots tournament on local outdoor courts has evolved into a cultural movement uniting basketball, music, and community. Founded in 2011 by Eamon Larman-Ripon and Daniel Ella, Summer Jam has grown from a local event into Australia’s premier streetball festival, one that gives pro-am and emerging players across the country a platform to compete, connect and represent their city on the national stage.

The Summer Jam Tour will kick off in January 2026, bringing its signature energy to Brisbane (Sunday 18 January), Perth (Saturday 24 January), Melbourne (Monday 26 January), and Sydney (Saturday 31 January), before culminating in the Summer Jam Championships in St Kilda, Melbourne from 20–22 February 2026. Each stop of the tour will host a free, family-friendly streetball festival featuring elite 5v5 competitions, live DJs, MCs, National and World Slam Dunk Contests, food trucks, prizes, and special guests. Winners from each city will earn automatic entry into the Summer Jam Championship event held at Peanut Farm Reserve, St Kilda, Melbourne.

The Summer Jam Championships will feature both men’s and women’s divisions competing for a $20,000 prize pool, the National Slam Dunk Contest featuring top Australian and international dunkers, and the Creator Cup, where teams of creators and athletes will be led by a surprise NBA guest coach. Fans can also look forward to global street food and live entertainment celebrating the intersection of basketball and culture.

Since its inception, Summer Jam has been driven by the belief that world-class basketball moments can be created locally. “We grew up dreaming of the NBA, so we made our own, in our backyard,” said Summer Jam co-founder Daniel Ella. “Summer Jam was born from the love of the game and the community that surrounds it. It’s about giving players a platform, connecting cultures and celebrating basketball at every level.”

Co-founder Eamon Larman-Ripon added: “What started as a single event in Melbourne has grown into a national and now, global movement. Summer Jam is about breaking down barriers, creating opportunities, and showing that streetball in Australia can stand shoulder-to-shoulder with the world.”

Proudly supported by Jordan Brand and Foot Locker, Summer Jam continues to lead the way in inclusivity and equality, hosting the world’s largest women’s streetball prize purse. With basketball participation at an all-time high – 1.3 million players nationwide and women’s participation up 25% over the past three years – Summer Jam stands at the forefront of Australia’s basketball evolution, representing a new era of cultural and sporting unity.

Since its early days, the event has attracted teams and talent from Tokyo, Manila, Auckland, China, and the USA, cementing its reputation as the pinnacle of streetball culture in the Asia-Pacific region.

Summer Jam Early Bird tickets go on sale on Tuesday 2nd December, followed by First Release General Admission and VIP tickets from Monday 8th December 2025. With past years selling out in record time, fans are encouraged to secure their tickets early at Australia’s biggest basketball festival.

For Summer Jam Tour event updates, exclusive announcements, and ticket details, visit summerjam.com.au or follow on Summer Jam on Instagram and Facebook using #SpreadTheJam

Taking place across Thursday–Friday, 5th–6th and 12th–13th February 2026, Freaks of Nature returns with its seventh episode, titled Freakyard. Across three stages, it will welcome 120 DJs to Riyadh and attract more than 30,000 visitors per day, further establishing the boutique electronic music and arts event as Saudi Arabia’s most dynamic, immersive and memorable festival experience.

Since its inception, Freaks of Nature has consistently hosted a wide array of leading international and local artists, including Lost Frequencies, Nic Fanciulli, Morten, Agents of Time and many more. The upcoming episode will unfold on the same grounds as MDLBEAST’s Soundstorm Festival, transforming the site into an industrial yet visually striking and fully immersive new universe for attendees to explore.

Freakyard invites festival-goers to embrace a sense of freedom, leaving behind work, stress and the pressures of daily life. It celebrates the “Freak”, an unapologetically authentic, fun-seeking individual, encouraging attendees to reconnect, lose themselves in the music and atmosphere and create unforgettable memories that endure long after the night ends.

As part of the 2026 programming, which will be revealed over the coming weeks, Freakyard will also introduce a new merchandise range, a DJ competition, and several other experiential activities for local and international guests to enjoy throughout the duration of the festival.

Freakyard will feature meticulously designed stages, each with its own distinctive concept and visual identity, brought to life by immersive art installations and characters that roam the grounds, creating a truly interactive and unforgettable experience like no other.

Yazeed Al-Hashim, Chief Freak, comments:

“As a team, we’ve spent the last two years building an experience that treats every person with the care, intention, and creativity they deserve. Freakyard 2026 isn’t just our return; it’s a homecoming for everyone who believed in us. This festival was designed to make people feel seen, connected, and free to be themselves. That’s what Freaks of Nature has always stood for, and this year we’re bringing that feeling back to life in the biggest way yet.”

Freaks of Nature is an internationally recognised series of boutique electronic music and arts festivals born in Saudi Arabia and loved globally. It provides a vibrant platform for international headliners, emerging artists and local talent to showcase a diverse electronic soundscape focused firmly on the dance floor and encouraging freedom of expression for attendees. Each event is a multi-sensory experience, featuring electrifying dance, stunning visuals, immersive special effects, and flamboyant costumes. Freaks of Nature actively transcends barriers, celebrates music, and continues to captivate audiences with its unforgettable, transformative atmosphere. As Saudi Arabia’s first globally exportable entertainment brand, Freaks of Nature fosters cultural exchange and positions the Kingdom as a hub for world-class festivals, elevating its presence at the forefront of the international scene.

Set to take place on 5th–6th and 12th–13th February 2026 in Riyadh, Freakyard promises diverse musical programming, immersive art designs and a visually stunning festival experience, with the first wave of artists to be announced in the coming weeks.

Register Here https://freaksofnature.me/

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