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Linkin Park Deliver an Emotional and Electric Night Two in Sydney

March 18, 2026

Riley Green – Hordern Pavilion- 16 March 2026

March 18, 2026

Peach PRC At Hordern Pavilion – 15 March 2026

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A Perfect Circle Return to Australia in 2026 With Special Guest Puscifer

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ICONIC MELBOURNE DJ MARK PELLEGRINI – CELEBRATES 40 YEARS BEHIND THE DECKS

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INTERVIEW: Nautical Mile Return With ‘Daydreamer’ After Four Years Away

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March 14, 2026
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The Partae

Music News

Bayside Shares New Single “Miracle”

by the partae March 15, 2024
written by the partae

New Album There Are Worse Things Than Being Alive Out Digitally April 5 via Hopeless Records

Physical Copies Available May 10th

Esteemed punk act Bayside have unveiled their latest single “Miracle,” a powerful anthem that sets the stage for their forthcoming album, There Are Worse Things Than Being Alive, out digitally on April 5 via Hopeless Records. Fans can stream the new track here: http://ffm.to/baysidemiracle.

Pre-save / pre-order There Are Worse Things Than Being Alive, out digitally on April 5th and physically on May 10th, here: ffm.to/baysidealive.

For the past 22 years, Queens-based Bayside has represented a lifestyle, a counterculture, and a deeply held conviction, diverse in thought and background but united by a shared desire for authentic expression. At their core, Bayside is a band that has constantly proved that music is not about gimmicks and ephemeral trends, but a timeless reflection of our lives and our times. It is through this timelessness and consistency that they continue to cultivate a cult-following that lives and breathes everything the band creates.

Bayside has always focused on creating songs that are relevant to people who want substance, rather than being relegated to one genre. And while many bands would coast on their past success, Bayside rejects the premise and proves time and again that the best is yet to come.

In 2022, Bayside released The Red EP, marking their first new music since 2019’s Interrobang‽. The EP’s three songs saw the band refining their unique brand of punk rock even further, with powerful, hard-hitting melodies. With 2023’s The Blue EP, Bayside further honed their sound, blending heavier influences with the band’s melodic punk roots.

There Are Worse Things Than Being Alive sees the band continuing to develop their sound. Stream “The Devils” now, here, and stay tuned for more new music coming soon.

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March 15, 2024 0 comments
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Music News

BAD WEATHER return with new single ‘THE MAN OR THE BOY’

by the partae March 14, 2024
written by the partae

Photo Credit: Drew Kendell

PLAY/LISTEN

From out of the West Coast comes another hit of engaging and entertaining indie music, courtesy of the striking BAD WEATHER. Having established a reputation for themselves in recent years as songwriters unafraid to delve into the raw and heartfelt end of the creative spectrum, Callum Robertson and Jono Dimascio have returned for a brand new year brandishing one of their strongest releases yet in new single, ‘THE MAN OR THE BOY’.

Following on from single release ‘Lilac’ at the end of 2023, ‘The Man Or The Boy’ is a fitting moment of evolution and elevation for Bad Weather; continuing to fuse moments of sonic nostalgia and yearning, with fresh observations on how we navigate low points of our lives and ultimately, how we can emerge from the darkness into the light. 

As Robertson describes, ‘The Man Or The Boy’ came together during a particularly low point in his life, when his mental health was not as strong as it could have been. As with Bad Weather’s previous offerings, the inner self and mental health are themes the songwriters are unafraid to explore. As such, their music is relatable and accessible to the listener.

“When I wrote this song my mental health was pretty low. I felt like I was in a rut and found myself continuously questioning whether the decisions I’d made in my life up until that point were right and if I had become the person I’d hoped I would be. I think that’s a really easy mental cycle to fall into, especially as you grow older.” CALLUM ROBERTSON, BAD WEATHER

‘The Man Or The Boy’ was recorded between Bad Weather’s own home studio and the studio of multi-platinum producer and engineer Michael Bono (MJB Sounds) in Perth. Working with someone like Michael was a fruitful experience for Bad Weather, being able to connect with not just another keen musical ear and frequent collaborator, but an accomplished talent who counts internationally renowned artists such as Avril Lavigne and Blink 182 as collaborators.

“I brought it into our home studio one day and it was pretty much there but we were struggling to finish the chorus. We ended up setting up a microphone and I started scatting words and melodies and within half an hour the chorus and bridge were done. It was a really special moment for the both of us. It felt really important and we knew that it was the perfect first single for 2024.” 

CALLUM ROBERTSON, BAD WEATHER

Since their debut in 2020 with the single ‘Teenagers In Love’, Bad Weather have been hitting all the right notes with tastemakers around Australia, including Music Feeds, Pilerats, Backseat Mafia; as well as earning reviews via Triple J Unearthed and consistent support via community radio stations, all hungry for their great grasp on melody, emotive songwriting and arrangement. 

Continuing to develop as live performers too, Bad Weather have cut their teeth on stages throughout WA supporting the likes of Tia Gostelow, STUMPS, End Of Fashion, Cry Club and Death By Denim; as well as joining The Faim on their national tour in 2022.

To celebrate the launch of ‘The Man Or The Boy’, Bad Weather will be performing at the Vinyl Cafe in Leederville on release day, February 23.

BAD WEATHER ‘THE MAN OR THE BOY’ LAUNCH

TICKETS 

Friday 23 February Vinyl Cafe Leederville Tickets

Supported by Jade Rich 

PRAISE

“Bad Weather’s sound just never gets old! I love the comforting nature of this new upload, I already know that it’s a song that I will keep coming back to in years to come <3” 

TRIPLE J UNEARTHED, ANIKA LUNA

“‘Flowers In Your Room’ combines an indelible anthemic thunder with a yearning melancholia: the perfect ingredients for a perfect pop song. Coupled with an oceanic wave of guitars and an insistent rhythm section, Bad Weather have cast a golden ray of sunshine through the dark clouds.” 

BACKSEAT MAFIA

“It’s the perfect blend of pop and rock, and we just don’t hear enough of that these days.” 

SOUNDS OF OZ

“Effortlessly weaves together threads of synth-pop, indie-rock and punk sensibilities, creating a nostalgia-fuelled collection of songs. Drawing comparison to early The 1975 and Wheatus, the band presents love, heartbreak and themes of mental health. Introspective and personal lyricism is brought to life by Robertson’s strong vocal performance, simmering above glistening synth-work, driving percussion and ear-worm guitar melodies.” 

MILKY MILKY MILKY

PLAY/LISTEN

BAD WEATHER: Website | Facebook | Twitter | Instagram | YouTube | TikTok | Triple J Unearthed

March 14, 2024 0 comments
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Music News

Kevin Keller Releases ‘Evensong’

by the partae March 14, 2024
written by the partae

There are two things you can count on: Kevin Keller albums always tell a story, and a new Kevin Keller album will always sound different from his previous one.  As the New York-based composer’s recorded career nears a full three decades (his debut The Mask of Memory appeared in 1994), Evensong takes him into territory that is simultaneously new and ancient. It’s his first album to be based on vocal music, with half of those melodies being penned by Hildegard of Bingen in the 12th century. Four of the eight tracks use her plainchant melodies, including her Latin texts, and when combined with Keller’s production, the resulting sound is timeless.

Conceptually, Keller takes the Early Christian idea of canonical hours (divisions of the day being marked by music) and interprets it as a microcosm of life and its procession from beginning to end—and beyond. The procession also takes us through the church modes, the scales (based on those of the ancient Greeks) used before major and minor took over in the Baroque period: Phrygian, Lydian, Mixolydian, Aeolian, Locrian, Ionian, Dorian, and returning to Phrygian. Each track has a distinct character based on the varying order of half and whole steps in its chosen mode, with “Evensong 5” being the most intense.

We are taken on a journey, starting with conception and birth, moving to the playful innocence of early childhood, followed by growing up, then the uncertainty of adulthood, the confusion and struggle of making one’s way in the world, the peace that (with luck) comes in maturity, the transition of death, and the mystery of what comes after. At every step of the way, Keller combines classical textures (strings, organ, piano) and modern timbres and rhythms in evocative fashion, often crowned by the beauty of the four female voices in unison. The profound sense of contemplation that has marked Keller’s most deeply felt work is once again present, guiding us gently along the journey to its otherworldly finale, with a plainchant melody written by Keller in homage to Hildegard’s style.

For more information about Evensong, please visit www.kevinkeller.com

March 14, 2024 0 comments
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Music InterviewsMusic News

Interview Title: “Unveiling the Depths: A Candid Conversation with Radical Redemption on ‘No Retaliation, Part 1: The Solo’s’

by the partae March 13, 2024
written by the partae

Congratulations on the release of ‘No Retaliation, Part 1: The Solo’s.’ Can you share with us the emotions and thoughts that went into creating this album, especially considering it’s your most personal project to date?

Creating ‘No Retaliation, Part 1: The Solo’s’ was an incredibly emotional journey for me. It’s undoubtedly my most personal project yet, as it delves into themes of loss, change, and inner turmoil. Every track on the album is a reflection of the rollercoaster of emotions I experienced during this period of my life.

The album is part of a trilogy, including ‘The Collabs’ and ‘The Orchestra of Eternity.’ How do these three albums collectively pay tribute to your late father and creative partner, and how did the idea of connecting them through the word ‘DAD’ in their artwork come about?

The trilogy of albums, including ‘The Collabs’ and ‘The Orchestra of Eternity,’ is a tribute to both my father, my creative partner. We shared a deep bond over music, and I wanted these albums to honor his memory. The idea of connecting them through the word ‘DAD’ came about as a way to symbolize the impact he had on my life and my art.

The Solo’s album contains 12 brand new tracks, including ‘Won’t Bow Down.’ Can you walk us through the creative process behind this single and how it sets the tone for the entire album?

‘Won’t Bow Down’ is a particularly special track for me. It sets the tone for the entire album with its powerful energy and defiant lyrics. The creative process behind this single was intense, as I poured my heart and soul into every aspect of its production. It’s a declaration of strength and resilience in the face of adversity.

In your message to fans, you mentioned facing challenges like leaving your booking agency and music label, along with personal losses. How did these hardships influence your music, and what role did your fans play in helping you overcome these challenges?

Facing challenges like leaving my booking agency and music label, as well as personal losses, deeply influenced my music. These hardships forced me to confront my emotions and channel them into my art. My fans played a crucial role in helping me through these tough times, providing unwavering support and encouragement.

The loss of your father in 2021 is a significant part of your journey with this project. How did this experience impact the direction and themes of your music in the ‘No Retaliation’ trilogy?

The loss of my father in 2021 had a profound impact on the direction and themes of the ‘No Retaliation’ trilogy. His passing forced me to confront my own mortality and reevaluate my priorities in life. His memory is woven throughout the albums, serving as both inspiration and catharsis.

‘No Retaliation’ is described as a story of loss, uncertainty, change, and mental challenges, but also of strength, determination, and perseverance. How did the process of producing this album help you personally in dealing with your emotions and finding closure?

Producing ‘No Retaliation’ was a deeply cathartic process for me. It allowed me to confront and process my emotions in a creative way, ultimately leading to a sense of closure and healing. Through the music, I was able to find strength and resilience in the face of adversity.

You’ve mentioned that life is too short to stay in the past and that you don’t have time to be hateful. How did this mindset shape the narrative of the album, and what message do you hope listeners take away from your story?

My mindset of focusing on the present and spreading positivity heavily influenced the narrative of the album. I hope listeners take away a message of resilience, determination, and hope from my story. Life is too short to dwell on negativity, and I want my music to inspire others to keep pushing forward, no matter the obstacles they may face.

Aside from the albums, you’ve been working on a new live-act called ‘Radical Redemption & his Orchestra of Eternity.’ Can you tell us more about the inspiration behind this unique concept and what fans can expect from this live experience?

‘Radical Redemption & his Orchestra of Eternity’ is a new live-act that combines elements of classical music with hard dance. The inspiration behind this concept came from my desire to push the boundaries of live performance and create a truly unique experience for my fans. Expect a fusion of intense energy, emotional depth, and breathtaking visuals.

Looking ahead, you mentioned your 7th solo album in the works, planned for 2024/2025. Can you provide any insights into what we can expect from this upcoming album and how it might differ from your previous works?

X 🡪 Delete question

You are known for your sold-out solo events, such as ‘The Road to Redemption,’ ‘Command & Conquer,’ and ‘The Orchestra of Eternity.’ How do you approach creating these events, and what makes them stand out in the hard dance industry?

I approach creating solo events like ‘The Road to Redemption’ and ‘The Orchestra of Eternity’ with a focus on delivering an immersive and unforgettable experience for my fans. Attention to detail, innovative production techniques, and a deep connection with my audience are what set these events apart in the hard dance industry.

Reflecting on your career, what do you consider your proudest moments or achievements so far, and how have they shaped the artist you are today?

Reflecting on my career, I’m incredibly proud of the moments where I’ve been able to connect with my fans on a deeper level through my music and performances. Their support and enthusiasm have shaped me into the artist I am today, and I’m grateful for every opportunity to share my art with the world.

Lastly, for fans eagerly awaiting your upcoming shows, what can they anticipate from your performances in the near future, and is there anything specific you’d like to share with your dedicated fanbase?

For fans eagerly awaiting my upcoming shows, expect nothing short of an electrifying and emotional experience. I pour my heart and soul into every performance, and I can’t wait to share new music and memories with you all. Thank you for your unwavering support and dedication.

 

Website: https://www.radicalredemption.nl

Instagram: https://www.instagram.com/radicalredemption/

Facebook: https://www.facebook.com/RadicalRedemptionDJ

Twitter: https://twitter.com/rdclredemption

Soundcloud: https://soundcloud.com/radical-redemption

 

March 13, 2024 0 comments
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Festival NewsMusic News

LIVE NATION’S ‘ONES TO WATCH’ BACKED BY VODAFONE RETURNS TO SYDNEY IN MARCH! AUSTRALIA’S NEXT CROP OF INSPIRING ARTISTS SET TO SHOWCASE AT THE OXFORD ART FACTORY TAIT MCGREGOR RETURNS FOR 2024 AS THE HOST OF ‘ONES TO WATCH’

by the partae March 13, 2024
written by the partae

Returning for another year of celebrating Australian talent who has gotten local (and in many cases, international) industry heads turning, Live Nation Australia are proud to announce their first installation of their successful ONES TO WATCH series for 2024 – set to go down on Gadigal land at Sydney’s OXFORD ART FACTORY this coming March.

For this Sydney event, ONES TO WATCH Backed By VODAFONE welcomes three wildly talented musicians to the fold: PHEBE STARR, ADRIAN DZVUKE and CHANEL LOREN.

Phebe Starr is an artist who has built a formidable reputation for herself with a strong Australian following, for being a beacon of light and fresh inspiration when it comes to interesting, engaging indie-pop music. Fleshing out a discography with music that represents Phebe’s natural songwriting talent, her sound evokes the same arresting quality like music artists such as Lykke Li and Zara Larsson have made famous.

From the West Coast, Adrian Dzvuke has been hailed as the “Afrobeat King of Australia” – big props, but justified. A true rising star in the scene, Dzvuke’s music has captured the attention of listeners around the country; pure musicality and songwriting meets a natural charisma, making Dzvuke one of Australia’s most exciting new names. Sharing the stage with the likes of Omah Lay, POND, Spacey Jane and more, as well as impressing at events including Splendour in the Grass and BIGSOUND, Dzvuke knows how to command an audience of any kind.

Sydney-based British-Caribbean R&B artist Chanel Loren represents the energy currently weaving its way through the contemporary R&B scene in Australia; energy based on a foundation of strength, unique storytelling and beautiful confidence. Having had a great rise of trajectory in recent years, Loren’s sound refuses to be pigeon-holed, instead desiring to follow unique soundscapes and textures. The vibes, akin to Jorja Smith and SZA, are impossible to ignore, as is Chanel Loren’s building body of work.

Hosting the evening will be the Gen Z voice of Australian music media, Tait McGregor. A multi-platform content creator, the presenter specializes in music, from TV, radio & podcasts, to sweaty mosh pits. Having written for the likes of MTV Australia, Tone Deaf & The AU Review, she has also worked in production for Netflix, STAN, VEVO & more.

The ONES TO WATCH Backed By VODAFONE series has made a solid impact within the Australian music community. Throughout 2023, the series provided industry and fans the exclusive opportunity to see some of the country’s best talent perform in intimate environments across Melbourne, Sydney and Brisbane, highlighting the talent of the current wave of Australian talent primed to make their impact in other markets.

“We’re thrilled to announce that Chanel Loren, Phebe Starr, and Adrian Dzvuke will be joining our upcoming Ones to Watch showcase in Sydney! We’ve been following these talented acts for some time now, so it’s fantastic to have them become part of the OTW platform”
Paul Lynch. Live Nation Australia

Since its establishment in North America, the ONES TO WATCH series has been able to support and promote artists such as Dua Lipa, Olivia Rodrigo and Halsey early in their careers. So far in Australia, ONES TO WATCH has platformed artists including Blake Rose, Sophisticated Dingo, STUMPS, Forest Claudette, Teenage Joans, Carla Wehbe, ZPLUTO, WIIGZ, Hoodzy, East AV3, Colourblind and Saint Lane at events around the country.

LIVE NATION AUSTRALIA: Official Website | Facebook | Twitter | Instagram

March 13, 2024 0 comments
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Festival NewsMusic News

A SPECIAL KNOTFEST AUSTRALIA ANNOUNCEMENT! SLIPKNOT BRING THEIR ANNIVERSARY TOUR TO HEADLINE KNOTFEST AUSTRALIA 2025

by the partae March 11, 2024
written by the partae

KNOTFEST, the music and counterculture experience destination festival kicks off in Australia next week with a whole horde of surprises lying in wait and KNOTFEST 2024 ticketholders are in for a treat.

We’re stoked to announce the return of SLIPKNOT for KNOTFEST 2025 to celebrate their 25th Anniversary, together with a huge line-up to be announced later in the year.

Only KNOTFEST 2024 ticketholders will receive exclusive access to the first release of tickets to KNOTFEST 2025, which will be prior to all other presales.

If you haven’t purchased your tickets to KNOTFEST 2024, now Is the time!

Headlined by PANTERA and DISTURBED, the sweltering 2024 festival line-up also includes LAMB OF GOD, HALESTORM, THE HU, ASKING ALEXANDRIA, WAGE WAR, ESCAPE THE FATE, THY ART IS MURDER, SKINDRED, SPEED, WINDWAKER, BRAND OF SACRIFICE and KING PARROT.

Tickets on sale now at https://knotfest.com/australia/

KNOTFEST AUSTRALIA 2024

DATES AND VENUES:
Thursday 21 March 2024 – Flemington Racecourse, Melbourne
Saturday 23 March 2024 – Centennial Park, Sydney
Sunday 24 March 2024 – Brisbane Showgrounds, Brisbane

LINE UP:
Pantera | Disturbed | Lamb Of God | Halestorm | The HU | Asking Alexandria
Wage War | Escape The Fate | Thy Art Is Murder | Skindred | SPEED
Windwaker | Brand Of Sacrifice | King Parrot

Stay up to date on all things KNOTFEST over at https://knotfest.com/australia/ and by following on socials.

Find KNOTFEST AUSTRALIA Online
https://knotfest.com/australia/
Twitter | Instagram | Facebook
March 11, 2024 0 comments
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Fashion & CultureMusic News

Good Intent – Announce ‘Greater Good’ Initiative Recipient

by the partae March 11, 2024
written by the partae

GREATER GOOD

ANNOUNCE RECIPIENT LAZY GHOST
AS $25K PACKAGE WINNER 

Today, Good Intent are proud to announce Cavanbah/Byron Bay-based act, LAZY GHOST, as the third recipient of their independent artist initiative ‘Greater Good‘. The package aims to bring through the next generation of exceptional musical talents, developing their industry by providing in-kind services and a cash grant totalling over $25,000 AUD.

The 2023 package was in collaboration with parters Studios 301, Zenith Records, Billy Zammit, Make Merchandise, PLAKKIT, Media Arts Lawyers, White Sky and Ben Mitchell. The pack also boasts a $4,000 AUD cash grant to further develop their career.

“It was another super-competitive year, the team and I trawled through hundreds of applications, and we’re thrilled to award LAZY GHOST as this years recipient. The guys had a vision for every aspect of the initiative and we can’t wait to see how 2024 and beyond unfolds for them! We’ve seen acts utilise ‘Greater Good’ in the past two years, and there’s nothing more we love than seeing emerging artists thrive,” says Chief Operating Officer Rick Bridgman. 

Ahead of their upcoming release, ‘EAT YOU ALIVE‘, on March 13, LAZY GHOSTnotes how the Greater Good pack will assist in their upcoming strategy:

“We’ve never won anything in our career as a band. The first, last and only time we tried to win, was a battle of the bands type competition, we got beaten by a reggae band that covered ‘Wasn’t Me – Shaggy’ in Canada – it was so good, I even voted for them. We’re very grateful to be chosen for the Greater Good initiative, it’s nice to have some big players in the industry backing an independent band and their above average songs and ridiculous plans. I think the next 6-12 months are going to be huge and we’re stoked to see where this all leads us.”

Good Intent offers a range of services across radio plugging, playlist pitching, worldwide blogs, digital marketing, label services, tastemaker club and radio promo, artist management, venue bookings and run a photography/videography studio Good Loco out of their Bulanaming/Marrickville-based office.

Current clients include Anjunadeep, BMG, Bootleg Rascal,Chromeo, Close Counters, COTERIE, Crowded House, Destroy All Lines, DOPE LEMON, Everything Everything, FANGZ, Future Static, La Roux, Pacific Avenue, RedHook and SOFT PLAY. Over the years, Good Intent has also worked with the likes of A.GIRL, American Hi-Fi, Astral People, Bas, Chugg Music, Freddie Gibbs, Handsome Tours, LUUDE, Sony Music, TMRW Music and Universal Music Group.

‘EAT YOU ALIVE’ will be available worldwide on Wednesday, March 13

GREATER GOOD INITIATIVE
LAZY GHOST will receive the below:

Grant For Release Promotion & Career Development
• A cash grant of $4,000 AUD to kickstart Artist’s career.
• Funds to be used for but not limited to: Release Promotion, Touring Expenses and Marketing.

Artist Services Supported Release Package
• 1 x Single Campaign project managed by the Good Intent senior management team (Rob Carroll, Rick Bridgman and Nick Moran).
• PR and Label Services provided by Good Intent, which includes PR, Radio Plugging, DSP Servicing and Digital Marketing Service.
• Artist Management Consultation Meetings.

Recording & Production Package – Studios 301
• 1 x Day Dry Hire of Studios 301’s ‘Studio 2’.
• Mix and Dolby Atmos Music Mix from Stefan Du Randt (Kimbra, Jessica Mauboy, Budjera, Guy Sebastian).
• Mastering and Vinyl Mastering from Chief Mastering Engineer Steve Smart (Flume, King Stingray, DZ Deathrays).
• Click here to learn more about Studios 301 and Studio 2.
• Click here to learn more about Dolby Atmos Mix.

Vinyl Package – Zenith Records
• 150 x 7” Black Records courtesy of Zenith Records, with colour labels, full colour foldover sleeve / outer bags.

EPK Development – Billy Zammit
• Photography Shoot by Billy Zammit (DMA’s, Triple One, Ninajirachi, Young Franco).
• Photography Studio Hire at Good Loco in Marrickville, Sydney.
• EPK Development in collaboration with Billy Zammit and the Good Intent team.

Merchandise Package – Make Merchandise
• 25 x AS Colour Staple Tees + 2 Colour Print courtesy of Make Merchandise.

Poster Print & Distribution Package – PLAKKIT
• 50 x B0 Full Colour Print + Distribution courtesy of PLAKKIT.

Accounting Consultation – White Sky
• Artist Consultancy and Business Advice meeting with Matthew Tan (Senior Client Manager, White Sky).
• Business Health Check, Structure, Insurance, Tax, Banking and Business Set Up Advice.

Legal Consultation – Media Arts Lawyers
• One hour consultation and strategy session with Music and Entertainment Lawyer, Rob Glass (Partner, Media Arts Lawyers).

Creative Assets Assistance
• Release Graphic Design/Illustration by Good Intent collaborator Ben Mitchell (Bootleg Rascal, Critical Slide).

FOLLOW GOOD INTENT
FACEBOOK | TWITTER | INSTAGRAM | SPOTIFY | WEBSITE

FOLLOW GOOD LOCO
FACEBOOK | INSTAGRAM | WEBSITE

March 11, 2024 0 comments
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Eats & DrinksFestival NewsMusic News

The Crowne Plaza Sydney Coogee Beach Launches The First Hotel Kids Club in Sydney

by the partae March 11, 2024
written by the partae

 Crowne Plaza Sydney Coogee Beach is thrilled to announce the launch of its brand new Kids Club, the first of its kind attached to any hotel in Sydney.

Just in time for Easter, the Kids Club is designed to provide families with not only a haven of excitement and entertainment but a much-needed opportunity for parents to take some RnR whilst their children are well looked after, in a safe and fun environment.

In an exclusive partnership with Hasbro Toys and Games, every family that attends the Kids Club will take home a complimentary Hasbro game and be able to enjoy our Hasbro Games Corner. Families can get competitive with the classics, such as Connect 4, Twister and Jenga to the some of the newer games on the block, Monopoly Barbie and Monopoly Knockout.

Located in the Kids Zone of the hotel, the Kids Club will run for several sessions:

Easter Saturday, 30th March: 2pm – 8pm

Easter Sunday, 31st March: 5.30pm – 8.30pm

The Kids Club will be complimentary to any parent who’s made a booking at one of the hotels two restaurants (Shutters or Estate) or $10 an hour, per child, aged 5 years and over.

The Kids Zone will be open for children of all ages throughout the weekend, but children must be accompanied by an adult. For adult-only time, we suggest parents book a Kids Club session.

General Manager, Melinda Lampier says: “A lot of parents think they have to fly to Bali or Fiji to find a hotel Kids Club, and they certainly wouldn’t imagine finding one in Sydney. We wanted to change that and give parents the chance to really relax and get some down-time over the Easter period.’

Whether parents decide to have a siesta, lounge around the pool, have a romantic dinner for two or explore the local area, their children are in safe hands with qualified and fully-checked staff.

And if the Kids Club with games, sport, dancing, movie nights and arts and crafts wasn’t enough, Crowne Plaza Sydney Coogee Beach has a plethora of activities for the whole family across the whole Easter weekend.

For the Kids:

  • Easter Egg Hunt Extravaganza: Let the little ones embark on an egg-citing adventure with our Easter Egg Hunt on Easter Sunday.
  • Face Painting & Hair Braiding: Look out for our special sessions where face-painting and hair braiding is top of the agenda.
  • Feature Creatures: Meet and interact with the greatest selection of reptiles, invertebrates and amphibians right here at the hotel.
  • Creative Easter Arts & Crafts: Nurture your child’s creativity with specially curated Easter arts and crafts.
  • Meet the Easter Bunny: Create lasting memories as your children meet and greet the Easter Bunny, adding a touch of magic to their holiday experience.
  • Movie Nights: Join the cosy Chill-Out Zone with comfy beanbags and delicious popcorn.

For the Parents:

  • Sip & Paint with OliO Art: Held on our pool terrace, join our on-site art class, hosted by the talented Oli O. Oli will host a textured art class where guests will learn how to paint the stunning Coogee coastline that’s right in front of them. External guests are also welcome. Book here. In-house guests receive a 50% discount on tickets.
  • Kids Eat Free: Book your family dinner at Shutters and for every adult meal purchased, you’ll receive a kid’s* meal complimentary. *under 12 years of age.
  • Pool Relaxation & Fun: Sink into one of our daybeds on our rooftop pool and look out over the ocean as you rest and recuperate. Then enjoy dinner, cocktails and our secret karaoke room for a night of fun right inside the hotel.
  • Wellness: We’ve partnered with local wellness and recovery studio Recoverie to give every guest a special 25% discount on their offerings. From the infra-red sauna, hot and cold pools to the zero-gravity experience, you can take some time out, recuperate and come back feeling refreshed.
  • Experience Oz: For any trips, outings or experiences for the whole family, look no further than Experience Oz. Book with them using our unique code and you’ll get 10% off all experiences.

From building sandcastles on the beach, relaxing as a family by the pool or allowing the kids to run wild in the Kids Club, we have our best Easter to date planned and promise a magical experience for guests of all ages.

Not only that, but IHG are offering members up to 25% off for bookings made between 12 March – 3 April and stay between 15 March – end of July. The IHG member early bird offer will give guests triple points for all bookings made between 12 March – 14 March.

Make your Easter one to remember and book HERE.

March 11, 2024 0 comments
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Festival NewsMusic News

CircoLoco Announces 25th Anniversary Ibiza Season April 29 – October 14 at DC-10 Celebrating 25 Years as a Champion of the Global Underground Tickets On Sale Now

by the partae March 9, 2024
written by the partae

https://circolocoibiza.com

@circolocoibiza

Circoloco remains one of underground electronic music’s most important outfits. From its namesake party in Ibiza, spawned in 1999 as a Monday after-hours party, Circoloco has grown into a global music brand and veritable lifestyle, catalyzing cultural exchange with the most brilliant minds across art, fashion and entertainment. Its no-frills approach and forward-thinking lineups have perpetuated the underground spirit of its Balearic roots for 25 years.

Circoloco’s impact on culture far exceeds its four walls, with the world’s of fashion and celebrity colliding with dance culture. It’s where Ricardo Tisci first heard the Martinez Brothers before booking them to soundtrack Givenchy shows for years; where P Diddy fell in love with dance music before releasing his electronic record II II; Virgil Abloh was inspired to design a capsule collection for the brand; a place where household names and high society stars can lose themselves on its dancefloor. Circoloco’s dance floor has sparked collaborations with world renowned brands such as Off-White, Adidas, and most notably a partnership with Rockstar Games, which led to the founding of Circoloco Records, serving as a far-reaching fusion between the virtual and physical worlds of music and entertainment.

From its humble beginnings in the late-90s as a free Monday morning party at the infamous Ibiza venue DC-10, founder Antonio Carbonaro has overseen the exponential rise and expansion of Circoloco into fashion, design and recording, and ultimately one of the most influential and iconic brands in club culture.

Individual lineups for the 2024 season will be announced in the coming months, but in true Circoloco fashion revelers can expect the unexpected. Past seasons have consistently seen the avant-garde join forces with Ibiza favorites seeing acts that rarely play on the island like Shygirl, Actress, and Romy share the stage with artists whom credit Circoloco as springboards for their career like Seth Troxler, Rampa, Peggy Gou and many more.

With shows spanning decades taking place in New York, Miami, London, Milan, Paris, Amsterdam, Rio de Janeiro, and Phuket to name a few, revellers on the White Isle this summer can expect Circoloco’s customary blend of unity, inclusivity, cutting edge sound, and exceptional curation.

Tickets on sale HERE

Connect with CircoLoco:

Facebook | Instagram | Twitter
March 9, 2024 0 comments
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Music InterviewsMusic News

Unmasking Emotions: Karen Harding Delves into the Heart of “Judge You” and “Behind The Mask”

by the partae March 9, 2024
written by the partae

Can you share the inspiration behind your new single, “Judge You,” and how it fits into the narrative of your upcoming album, “Behind The Mask”?

Absolutely.. ‘Judge You’ was inspired by a project that came to be through a counselling session I was in a couple of years ago.

It was written as a conversational song from the aspect of ourselves that has a tendency for self-judgement and in recognising the intention of the response to protect us from external judgement from others.

While this song was deeply personal for me, the experience of being overtaken by self-judgement is a feeling that so many people know and understand first-hand, and I feel that it’s a song and message that has a potential to help some that may be feeling a little overwhelmed in this area.

The songs in ‘Behind The Mask’ have been written over the last couple of years and come from a place of deeply introspective reflection.. it’s stripping the mask back and revealing the rawness that lies behind. ‘Judge You’ is a song that does exactly this and will give you a taster of what’s to come.


“Judge You” explores the theme of self-judgment. How did your personal experiences or observations influence the creation of this song?

Self-judgement has been a part of my life as long as I can remember. I have always been very hard on myself and had very high expectations of myself.

As I have grown up, more and more I have seen truly how much having these expectations and judgements can hold you back from being your best self, experiencing your best life and really connecting with people.

Life is messy and we have this illusion of a perfection, that in reality, doesn’t truly exist.

It was through exploring this concept that the song evolved and came to life.


Could you elaborate on the paradoxical nature of self-judgment that you explore in “Judge You” and how it relates to individual growth?

The concept by the paradox of self judgement in this track, is that while judging yourself can be harmful, the intention behind judging yourself is a protective mechanism, designed to reduce the below from perceived judgement from others.

When we realise this, we are able to appreciate the good intention behind the act and as we recognise the complete mechanism, we can learn to move past this and find new ways to view ourselves in the world.


Your music is often described as emotionally powerful. How do you ensure that emotion translates effectively from your personal experiences into your songwriting?

Music for me, comes from a very emotional place and the inspiration often comes from how I am feeling and as a way to express what I am feeling.

I feel like when you come from this place authentically, the emotion spills into the song without the need to consciously add it in.

When I write music, I’m writing it for me.. in that moment.


What role did your collaborative partner, Daniel Nieberg, play in shaping the instrumental atmosphere of “Judge You,” and how did it contribute to the song’s emotional depth?

Daniel brought the track to life!

I had created the track on a phone recording with me playing piano and singing. The song had been sitting on my phone for a couple of years.

When I shared the track with Daniel, he was able to see the intention behind it, and truly breathe life into it.


“Judge You” is said to draw listeners into an inward reflection. How do you balance creating music that is introspective while still resonating with a broad audience?

I think that when you create from an authentic place, you don’t need to focus on reaching a broad audience.. the music reaches who it needs to reach and they will feel the resonance within their own lives.


In what ways do you see music as a tool for self-exploration and therapeutic expression, especially in the context of your upcoming album?

Music has a way of helping you explore in a whole different light and see things in new ways.

The process of writing and developing these songs has helped me to reflect on my own journey. The way the songs all come together tell a story of a journey, that I feel my listeners will really connect with and I’m really excited to share the full album with them.


Your debut single, “I Didn’t Realise,” was released in 2021. How do you feel your music has evolved since then, particularly with the upcoming release of “Behind The Mask”?

It has evolved so much!!

In terms of technical development of music, and new ways of creating, I have developed a huge amount over the last 3 years.

The place where my music comes from remains the same, but the quality of what I’m producing has definitely developed a lot!


Winning the Bendigo Bank-sponsored Radio Eastern Songwriter Talent Show and being nominated for various awards, including the World Songwriting Awards and Crags Radio Independent Artist Awards, are significant achievements. How do these accolades impact your approach to your music career?

It was really lovely to be nominated and awarded for the above, and it definitely makes you feel good that people are connecting with your music.

Overall, I don’t feel like they change my approach to music in any way, but they do tell me I’m moving in the right direction.


As a Melbourne-based artist, how has the local music scene influenced your sound and creative process?

I am so lucky to live in a city that opens the experience up for live music and independent music exposure.

The opportunity of growing up in this environment has definitely helped my expression and creativity grow.

I have had the opportunity to experience so many different styles of music and artists and it helps you to realise where you want to be within that space.


Can you give us some insight into your songwriting process, particularly when it comes to tackling emotionally heavy themes like those found in “Judge You”?

The process around ‘Judge You’ began after a counselling session where it was suggested to try putting this concept into a song.

I sat at my piano and began to play a tune which felt right for the emotion I was feeling. I then hit the record button on my phone recording app and recorded what flowed out.

After listening back, I made a few fine tunes and wrote down the lyrics and then the track sat on my phone, untouched for a couple of years.. until now!


With “Judge You” set to release soon, what do you hope listeners take away from the song and your upcoming album, “Behind The Mask”?

Ultimately, my hope is that people connect with the song and the other songs from the upcoming album.. that the tracks can help them to gain some clarity or understanding of their own feelings and experiences in some way.

 

Website – www.karenhardingmusic.com
Instagram – www.instagram.com/karenhardingmusic
Facebook – www.facebook.com/karenhardingmusic1
Twitter – @karenhardingmus
YouTube – www.youtube.com/@karenhardingmusic1

 

March 9, 2024 0 comments
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Festival NewsMusic News

KSHMR Releases Self-Penned, Personal, and Powerful Single “Happy” Featuring Finnish Singer-Songwriter Tiina. Out Now on Dharma Worldwide Right On Time For KSHMR’s Double Los Angeles Show

by the partae March 9, 2024
written by the partae

Artist: KSHMR
Title: Happy (feat. Tiina)
Label: Dharma Worldwide

Download / Stream

Los Angeles-based Indian-American artist KSHMR returns with his newest single, “Happy,” for which he teamed up with Finnish singer and songwriter Tiina to bring life to the powerful lyrics he penned himself. The resulting record is a complex sonic and emotive journey through the process of trauma, alchemizing to power and peace, combining Tiina‘s soulful vocals with dark, powerful chords and fast-paced, globally influenced melodies. True to his form, KSHMR once again creates a seamless production that leaves a lasting impression, and it’s obvious that his original lyrics to “Happy” are written from personal experience. He’s also currently on his North American tour, which includes a unique double show in Los Angeles, and is preparing for his mainstage performance at Ultra Music Festival, where fans can be sure to get to hear “Happy” live. Read on for quotes from the artists themselves about the new release:

“I was excited to get back in the studio with Tiina after making ‘Do Bad Well‘ with her years ago. This time, I started us off with some chords in the Phrygian, which is darker and unusual for most dance songs. She began to sing melodies, and the song blossomed from there. The lyrics are about being numbed by trauma and emerging with a twisted sense of zen. I was very happy we could fit that interesting musicality and subject matter into a dance song.” – KSHMR

“To me, the song is about using hard times as fuel and a source of power to get where you wanna go, even if you get lost on the way there. Also, there are always people who are ready to tear you down if you let them, and sometimes you just have to smile through it and not give them the satisfaction of seeing you crumble.” – Tiina

KSHMR

Niles Hollowell-Dhar is a globally acclaimed artist who originally began in hip-hop and moved into pop music with the 2010 global smash “Like A G6.” From there, he transitioned into dance music, producing tracks like the 2013 hit “Tsunami.” Next, he launched his own artist project, KSHMR, and took the scene by storm with 10 Beatport #1, such as “Wildcard” and KSHMR‘s most streamed hit to date – “Secrets“‘ with Tiësto. After releasing his debut album “Harmonica Andromeda,” he firmly cemented his reputation as one of the most dynamic and diverse acts in global electronic music, gaining DJ Mag‘s prestigious “Best Live Act” award. As a pioneer and music enthusiast who values creative freedom, he created his Dharma Worldwide label in 2017 and, subsequently, Dharma Studio in 2020, where producers can find his tutorials and sound packs. His sound pack series “Sounds of KSHMR” is among the most used in modern music, and his latest release, “Sounds of KSHMR” Vol. 4′ debuted as the #1 pack on Splice and has remained in the Top 10 since. In 2023 we saw KSHMR release his eagerly anticipated collaboration with MC Stan “Haath Varthi,” taken from his album “KARAM,” which dropped in November 2023 and featured the biggest artists in Indian hip-hop.

Tiina

Tiina (Tiina Vainikainen) is an award-winning singer-songwriter from Finland. She is one of the most successful Finnish songwriters of recent years, with dozens of gold and platinum records, nominations, and an honorary award for Songwriter of the Year for her extensive successful catalog and work in the Finnish music industry. On top of dominating the Finnish charts, Tiina has also written songs for artists around the world. Some of her most successful work includes the British rapper KSI‘s single “Killa Killa” (feat. AiyanaLee), which hit the charts in the UK, the Austrian singer Thorsteinn Einarsson‘s single “Shackles,” The Knocks‘ single “Bedroom Eyes” (feat. Studio Killers) and KSHMR‘s single “Do Bad Well” (feat. Nevve). Tiina also worked on KSHMR‘s album “KARAM” with the song “Dream,” which makes the new single “Happy” the third collaboration between the two artists. Currently, the singer-songwriter is splitting her time between Helsinki and Los Angeles, working on different projects from pop and dance to alternative. She’s also doing collaborations as an artist, expressing herself through not only her pen but also her voice.

Forthcoming dates of KSHMR’s North America Club Tour: (Tickets)

Mar 08 – Academy – Los Angeles, CA
Mar 09 – The Vermont Hollywood – Los Angeles, CA
Mar 15 – New City Gas – Montreal, QC
Mar 16 – Harrah’s Resort – Atlantic City, NJ
Mar 29 – NOTO – Houston, TX
Mar 30 – Great Hall at Avant Gardner – Brooklyn, NY
Apr 05 – The Church Nightclub – Denver, CO

More info on KSHMR / Tiina / Dharma Worldwide:

KSHMR: Facebook | Instagram | Twitter | Spotify
Tiina: Instagram
 | Spotify
Dharma Worldwide: Facebook
 | Instagram | Twitter | Spotify
March 9, 2024 0 comments
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Music InterviewsMusic News

Interview – Exploring Life, Love & Everything After: A Conversation with Steven Ryan on His Extended Album Journey

by the partae March 9, 2024
written by the partae

Congratulations on the upcoming release of the extended edition of “Life, Love & Everything After”! What inspired you to expand the album with these additional tracks?

I felt like the concept of the album was so rich and I hadn’t fully explored all of the avenues of Life, Love & Everything After. Honestly they are such diverse subjects that it’s hard to ever feel like you’ve said all there is to say and I probably never will. But I’ve learned over the last few years not to be quite as precious with new material. I would hate to think I let a song sit on my hard drive that was maybe just the right song to help someone out in a time of need and that’s really what music is all about to me.

Can you walk us through the themes you explore in the new songs added to the extended edition, such as “Why Do I Do This,” “I Could See It In Your Eyes,” “Save Myself,” and “The End”?

Definitely!

“Why Do I Do This” is a song about self sabotage and feeling like you’re just going around in circles and never getting anywhere. At the same time it’s about reaching out for help when you need it and to a small degree not setting unrealistic expectations for yourself.

“I Could See It In Your Eyes” is a love song straight from my life. This is one of the older songs on the album as far as the time frame of writing it goes. It’s mine and my wife’s love story. It’s also a love story for anyone that met their partner under less than ideal circumstances which creates that scary in-between phase where you both know this is what you want out of life and have the faith and patience to let it all work out in time.

“Save Myself” is about having someone in your life and watching them slip away or get consumed by something unhealthy and the struggle between deciding when it’s no longer possible for you to help them and yourself and you have that hard decision to make. At the end of the day it is about that love you have for someone and that commitment to be by their side ‘til the end as long as they are willing to be there for themselves as well.

When it comes to the last song on the album “The End” you have to be fully immersed in the 20 song extended version of the album to get the full picture. The non extended release featured 15 songs including 3 songs named after the title of the album. The intro track “Life” the interlude “Love” and the final song on that release “Everything After”. They explored each concept in depth and to just add some songs after didn’t feel like I was doing the concept justice. “The End” is exactly how it sounds. It serves as the outro track of the album to tie everything together but also delves into the unknown and the cyclical nature of life, Although a less traditional track this one holds a special place in my heart.

“With You” is the current radio single from the extended album. What significance does this song hold for you personally, and why did you choose it as a single?

“With You” is a very important love song to me. I have some friends that got married recently and found it hard to find a first dance song that didn’t have specific details that didn’t pertain to their love. I also have a few friends that had a hard time finding non gendered love songs. I wanted to write an inclusive love song that didn’t have any language or circumstances that made them feel the song wasn’t for them or their love. Everyone deserves to be loved and everyone deserves a love song.

How do you feel your songwriting and musical style have evolved since your debut album, “Take My Hand,” released in 2014?

As much as there was an innocence to my writing 10 years ago. I was restricted by only being able to write songs when some mythical divine inspiration struck. Over the years as I developed my skills more as a songwriter I was able to write much more intentional music and I no longer suffer from the writer’s block that is waiting for that perfect storm of inspiration. This has given me the opportunity to write about much deeper concepts and express myself much more fully.

Your music is known for its emotionally charged vocal performances. Could you share a bit about your creative process when it comes to infusing emotion into your songs?

Over the years as I’ve grown as a vocalist and would start to receive compliments I knew I wasn’t by any stretch an amazing singer. But it seemed like what people were captured by was the fact that they felt something when I sang the songs. For me music has always been about connecting with people and making them feel less alone. I’ve always focused on being present in the song I’m singing and visualizing things and moments that make me feel the emotion of the lines I’m delivering and I feel like that translates through the vocal performance.

You’ve achieved significant success on platforms like YouTube and streaming services. How do you think these digital platforms have influenced your music career?

I think the biggest thing digital platforms in general have shown me is that there is an audience out there for everyone; it’s just a matter of reaching those people. There was a time where I felt like I was stuck playing the same shows to the same people over and over again. And as much as I owe so much to those people I feared my music just wasn’t good enough. My presence online made me realize I may have reached most of the people in my immediate physical vicinity that like my music but there are still tens or hundreds of thousands of people out there if not more that will like my music but just haven’t had a chance to be exposed to it yet..

Your 2023 coast-to-coast Canadian Tour was a huge success with sold-out shows across the country. What were some of the most memorable moments from that tour, and how do you think it impacted your growth as an artist?

Honestly some of the best memories were meeting some of these people that had started following me online but I had never met in person. As well as just being able to go across the country and have people show up for you in general is just a wild thing. The space inbetween the shows of traveling the country and bonding with the band I had with me was also a highlight. The way it impacted me most as an artist is that it made me realize there is no better time than now to take these next big steps. At one point it seemed like touring the country wasn’t going to be a reality but now after having done that I realize what’s stopping me from touring other countries and parts of the world.

You’ve collaborated with various Canadian artists and worked on multiple tracks for different projects. How do these collaborations influence your creative process, and what do you enjoy most about collaborating with other musicians?

I’ve been honoured to work on a lot of different projects in a songwriting capacity as well as an engineer, producer and mixer. Some of these projects are passion projects with friends and others are with accomplished world renowned artists and collaborators. The biggest influence this has had on me is as an inspiration to keep growing in my own art. The thing I enjoy most about working on other peoples music is helping them translate who they are into how the music sounds.

The new songs on the extended album delve into themes of life, love, loss, and mental health. How do you hope listeners will connect with these themes through your music?

My hope is that when they’re listening to a song about life or mental health the song is there to make them feel less alone and safe and understand it’s ok to be a little lost sometimes. When they’re listening to a song about loss I hope they’re reminiscing about the ones they’ve lost and allowing them to feel whatever emotion they need to to continue healing from that loss. I especially want them to remember those people because that’s one of the places our loved ones live on, is in our memories. And lastly when they’re listening to a song about love I want them to feel included and loved and believe in one of the most magical feelings this world holds for us.

Can you share any anecdotes or stories behind the creation of specific songs on the extended album that hold particular significance to you?

In the song “The End” similar to the Intro song “Life” and interlude song “Love” there are little easter eggs of titles, lines and concepts from not only other songs on the album but references to other songs that are important to me that reflect those topics.

As an artist who aims to emotionally connect with his audience, what do you hope listeners will take away from “Life, Love & Everything After”?

I hope the album can bring people a few things. One of which is just an escape from everyday life. In my mind there is nothing wrong with using arts and entertainment as a little mini vacation from the struggles the real world sometimes holds. Secondly I just hope that they connect with at least 1 song in a way that makes them feel like they’re seen. And lastly I hope listeners will find comfort in knowing they are not alone in what they’re going through and to embrace the good and bad in life and in love and take a moment to remember those they’ve lost along the way.

Looking ahead, what are your aspirations and goals for the future of your music career, and how do you plan to continue engaging with your audience in meaningful ways?

Looking to the future, my main goals and aspirations are the same as they’ve always been, which is to reach as many people as possible through my music and have my music be there for them the way music has been there for me. In the immediate future I’m looking at ways of bringing different versions of my live show to not only in person audiences around the world but also virtual audiences as well.

Instagram: @StevenRyanMusic

Facebook: /StevenRyanMusic

Twitter: @StevenRyanMusic

March 9, 2024 0 comments
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Festival NewsMusic News

Home Again Club Festival Returns With A 100-Hour Non-Stop Music Marathon

by the partae March 8, 2024
written by the partae
Home Again, the renowned Berlin-based label, is thrilled to announce the return of the Home Again Club Festival, set to take place from Wednesday, May 8th, 23:00, through to Monday, May 13th, 04:00 am, making it a spectacular 100-hour non-stop music extravaganza.
 
Tickets: https://ra.co/events/1865978
Date: 8th – 13th May
Location: RSO.Berlin (Schnellerstrasse 137 12439, Berlin)
 
Following the success of last year’s inaugural club festival, the 2024 edition promises to be their most daring and outrageous to date featuring a broad spectrum by names like Marlon Hoffstadt, Patrick Mason or dj sweet6teen.
Taking place on four different stages and a designated panel and workshop space at the iconic RSO Berlin and its neighbouring grounds, the unparalleled event will kickstart the German festival season with an authentic celebration of electronic music, featuring diverse, high-calibre level of artists and showcases from Club Heart Broken, Heisss and Sachsentrance.The festival is designed to create a safe environment for everyone while being affordable and accessible to all.
Nils Thabo Gelfort, founder of Home Again says, “The Home Again Club Festival is our approach to showcasing the diverse nuances that exist in electronic music today. More than anything, it’s a lineup of artists we love. It’s pretty simple actually. The timetable has been curated in a way that one could potentially stay the whole 100 hours and not get bored, but of course, we suggest taking a break in-between, then coming straight back for round 2 or 3 or however many rounds you can fit in 100 hours”
 
Weekend Tickets for the Home Again Club Festival are on sale alongside Phase One of the artist lineup: https://ra.co/events/1865978. Day tickets will go on sale with the full line up announcement soon.
Phase One (A-Z)
 
ALCATRAZ
All Shade
Amy Dabbs
André Dancekowski
Atreo
Bae Blade
BÈRF
Bjarki
Black Loops
Blame the Booker
Dekmantel Soundsystem
Disguised
DJ AYA
DJ BORING b2b MALUGI
dj sweet6teen
Eva Selezneva
ferrari rot
Héctor Oaks
Ian Pooley
Indigo Plateaux
Justin Tinderdate
LB aka LABAT
LUV ATTACK
Mareike Bautz
Marlon Hoffstadt
Meg10
Meggy
MRD
Patrick Mason
RaverPik
Roman Flügel
Sabu!
Sandilé
Spacer Woman
Surf 2 Glory
Thabo
Thalo Santana
The Jakob Sister
Tiago Oudman
TOXIMAMI
Tsepo
u.r.trax
Underground Resistance pres. Mark Flash*live
Viikatory
Takeovers by:
Club Heart Broken
Heisss
Sachsenstrance
And many more to be announced soon
 
Weekend Tickets for the Home Again Club Festival are on sale alongside Phase One of the artist lineup: https://ra.co/events/1865978. Day tickets will go on sale with the full line up announcement soon.
Festival Highlights:
– 100 hours of non-stop music and more
– 50 cross-genre artists
– Stage hostings by Club Heart Broken, Sachsentrance and Heisss
– Two warehouses, an enormous outdoor area, an industrial open-air stage and non-music lab
– Topical panels and masterclasses
– Custom-built Kirsch Audio sound system
Ticket Information:
To keep things simple there are only three different types of tickets:
– Day ticket: €25, valid for a single entry, no re-entry
– 5-Day-Festival ticket (standard): €39, covers the entire event, but re-entry incurs an additional €7 each time.
– 5-Day-Festival ticket (unlimited): €49, encompasses the entire event, permitting unlimited re-entry at no extra cost.
 
This means you can potentially rave for just €0.39 per hour.
March 8, 2024 0 comments
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Festival NewsMusic News

Brand new club Mumu Clubhouse launches in Thailand with Jamie Jones headlining opening party

by the partae March 8, 2024
written by the partae

Mumu Clubhouse is to make its long-awaited Grand Opening on March 9 2024 with world renowned house tastemaker Jamie Jones with support from Rec. ‘N Cue b2b Wildealer and opening sets from Zoárd and Leo Greenslade of YOYO London. The party runs from 3pm until late and for further information and tickets head to www.mumuclubhouse.com.

Mumu Clubhouse is a sanctuary for kindred spirits, seekers and wanderers; connoisseurs of connection, tempo and bass. A dynamic meeting point at the edge of Phuket’s largest man-made lagoon, it offers a contemporary dance music haven, host to the world’s best known DJs, where the rhythm ebbs and flows beneath the stars. By day, Mumu Clubhouse is a sun-kissed retreat for relaxation, with soft white sand underfoot, cocktails, small-plates and Balearic beats. By night, it becomes a contemporary dance music haven and host to the world’s best-known DJs, where rhythms ebb and flow beneath the stars.

The 4000 capacity space boasts a state of the art D&B Audiotechnik sound system and will offer carefully curated weekend parties with six large-scale events already planned throughout 2024. They will showcase a diverse lineup of both world class international and local talent, including Thailand’s Biggest Pool Party for Songkran Water Festival 2024, which will be an unforgettable experience and iconic celebration, but first comes this superb Grand Opening party.

Jamie Jones needs little introduction. He heads up the HotTrax label, has legendary residencies at Amnesia in Ibiza with his cult Paradise brand and has played just about every major dance event in the world. He is right at the forefront of the global scene and will be bringing his own unique take on house and tech, along with a taste of Ibiza hedonism, to the opening of Mumu. Joining them will be Mumu resident collective Rec. ‘N Cue going b2b with Wildealer for more stylish grooves, while Leo Greenslade of YOYO London will be spinning a Balearic set and Zoárd from Mumu’s creative team brings his unique musical visions early in the day.

This unmissable first party of the season will be brought to life in unforgettable style with cutting edge audio visuals. There will be spectacular lights, 3D mapping and bespoke stage design by Bangkok design and production studio Yellaban all of which promises to be on a level of the sort that Phuket hasn’t seen before.

The Grand Opening of Mumu promises to be a historic session so make sure you are a part of it – get your tickets now through the Mumu website: www.mumuclubhouse.com

Instagram: @mumuclubhouse

Website: mumuclubhouse.com 
March 8, 2024 0 comments
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Music News

SIMON TSELIOS debuts new track to signal his next chapter in ‘BLUE CAR’

by the partae March 7, 2024
written by the partae

From out of Melbourne, indie-pop artist Simon Tselios has spent recent years developing a strong core sound and voice that has propelled some heartfelt and personal songwriting to the fore. In 2024, he introduces himself to more audiences, first with his track ‘Burn’ and now, with the release of his new single, ‘Blue Car’.

The single marks a solidifying of Tselios’ warm and nostalgic tones, his is music that has a listener yearning for memories and times gone by; offering up an opportunity to escape for even a few minutes. Recorded at Melbourne’s Beat Tank Studios, engineered by Ben Hense (Archie Roach, Missy Higgins), ‘Blue Car’ is a song that Tselios wrote out of a feeling of aspiration and wanting to chase his dreams.

 

“This song is all about escaping reality, going to a place where everything is exactly how you want it. This song was written in my early ‘20s. I was working as a sales assistant and after one of my shifts I thought about how great it would be if I could actually do what I wanted to do, rather than what I have to do. I wrote all those feelings down and made this song.”

SIMON TSELIOS

With a busy 2024 still waiting to be embraced, ‘Blue Car’ is a fitting jump off point for Tselios and listeners alike. 

PRAISE

“ Tselios further cements his signature warm and nostalgic tones, creating music that evokes a longing for cherished memories and bygone eras. His compositions provide listeners with a precious chance to momentarily escape into the past.”

AAA BACKSTAGE

PLAY/LISTEN

 

SIMON TSELIOS: Facebook | X | Instagram | YouTube | Triple J Unearthed 

March 7, 2024 0 comments
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