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February 10, 2026
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Music News

Yolanda Be Cool, Trace & Benny Kane deliver ‘Making My Daydream Real’

by the partae January 10, 2025
written by the partae

Global powerhouses Yolanda Be Cool, Trace & Benny Kane drop their euphoric anthem ‘Making My Daydream Real‘, a link up of world class talent, bound to have dancefloors moving.

Following a string of monumental achievements, Yolanda Be Cool continue their reign as global house music crusaders. Known for their iconic hit ‘We No Speak Americano’ and releases on heavyweight labels such as Black Book Records, Repopulate Mars, and Club Sweat, the duo has spent years perfecting their craft both in the studio and behind the decks. With platinum records, ARIA Awards, and Beatport chart-toppers under their belt, Yolanda Be Cool’s ability to blend the underground with the mainstream remains unmatched.

Joining them on this titanic release is Uzbekistan’s rising star Trace. A name synonymous with chart success, Trace has dominated Beatport rankings with tracks like ‘Bitch Don’t Kill My Vibe’ and ‘Selecta’. Known for his infectious tech house grooves and support from industry titans such as Solomun, Pete Tong, and Jamie Jones, Trace’s contributions to ‘Making My Daydream Real’ solidify his status as one of the top-selling producers in the scene.

Completing the trio is Benny Kane, one-half of the production duo Apexape and a master of percussive house and disco. With releases on esteemed labels like Strictly Rhythm and Toolroom, and support from BBC Radio 1 tastemakers Pete Tong and Danny Howard, Benny Kane’s resume speaks for itself. From iconic festivals like Glastonbury and Snowbombing to residencies at London’s XOYO and The Box Soho, his fast-paced mixing and cutting-edge edits have cemented his reputation as an unmissable live act.

‘Making My Daydream Real‘ is a seamless fusion of the trio’s collective strengths. Anchored by its infectious melody, rapturous energy, and an irresistible groove, the track effortlessly channels feel-good summer vibes while delivering the polished production fans have come to love from these artists.

On the release, Yolanda Be Cool shared “Whatever time of year it is, it’s summer somewhere and we love summer records. Making My Daydream Real is exactly that. With the help of the internet, we got together with Benny Kane and Trace and made something that we can see soundtracking pool parties all year from our own party we’re doing all summer in Bondi to next season in Ibiza and beyond. We’re super proud of this record and can’t wait to see it grow.”

The track’s release coincides with Yolanda Be Cool’s stacked Australian Summer tour schedule, which included highly anticipated shows across the country, ensuring ‘Making My Daydream Real‘ becomes a staple of their electrifying sets.

With three global forces uniting for one unforgettable anthem, ‘Making My Daydream Real‘ is set to soundtrack the summer – a feel-good hit for the ages.

BUY/STREAM

Stay connected with Yolanda Be Cool:
INSTAGRAM | SOUNDCLOUD | YOUTUBE | FACEBOOK | X

Stay connected with Trace:
INSTAGRAM | SOUNDCLOUD | FACEBOOK | X

Stay connected with Benny Kane:
INSTAGRAM | SOUNDCLOUD | X

January 10, 2025 0 comments
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Festival NewsMusic News

PIV celebrates 10-year anniversary with spectacular festival on May 30th and announces full lineup

by the partae January 9, 2025
written by the partae

Renowned Dutch record label PIV is celebrating a decade of shaping the house music scene with an unforgettable series of events throughout the upcoming year. The first milestone event will take place on May 30th at the iconic Noorderlicht on the NDSM Wharf in Amsterdam, promising an electrifying experience for house music enthusiasts worldwide.

PIV has become synonymous with innovative beats, legendary parties, and its unparalleled B2B energy. The first anniversary festival will be no exception. Attendees can look forward to surprising B2B sets, performances by PIV legends and the unmistakable vibe that has defined the label over the years.

Today PIV announces the full lineup, which promises an unforgettable night of cutting-edge house music. The event is headlined by PIV founder Prunk, Benny Rodrigues, M-High, Dungeon Meat, Kolter, and Sidney Charles. Joining them are a stellar array of talent, including Chesster, Dennis Quin, Iris Menza, Jesse Maas, Job de Jong, Ruze, Wendel Sield and many more. With this full lineup, fans can expect an electrifying experience and there’s still more excitement to come—stay tuned for future reveals!

Full lineup (A-Z)
Artmann
Benny Rodrigues
Chesster
Dennis Quin
Dungeon Meat
Iris Menza
Jesse Maas
Job de Jong
Julian Anthony
Kellie Allen
Kolter
Makèz
M-High
Noumé
Prunk
Project89
Retrouve
Robbie Doherty
Ruze
Sidney Charles
Wendel Sield

A Global Celebration
The Amsterdam festival marks just one of many celebrations around the world to honor PIV’s 10-year milestone. The label has already brought its signature sound to fans in cities like Barcelona, Ibiza, London, Tulum, and Berlin. Each event has showcased the unique spirit of PIV, uniting house music lovers from across the globe. To celebrate their decade long reign PIV will host events not only in Amsterdam, but also in LA, Miami, London, Bali, Ibiza and many more exciting places all over the world. Join PIV in celebrating their 10-year anniversary and keep an eye out on their social media channels for more announcements, ticket info and more.

Early bird tickets for PIV 10-year festival are now available. Demand is expected to be high so, don’t miss the opportunity to be part of this celebration and witness history in the making.

For tickets and more information, head to PIV’s website.


About PIV
Founded in 2015, PIV has grown from a local house music label into a global movement, beloved for its signature sound and high-energy events. Over the past decade, PIV has cultivated a loyal community of music lovers and established itself as a cornerstone of the electronic music scene.

Celebrate 10 years of PIV with us—where music, community, and unforgettable energy come together.

January 9, 2025 0 comments
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Festival NewsMusic News

GROOVE ARMADA ANNOUNCE 2025 AUSTRALIAN TOUR DATES

by the partae January 9, 2025
written by the partae

PRESALE BEGINS MONDAY 13 JANUARY AT 12 PM AEDT

GENERAL ON-SALE BEGINS TUESDAY 14 JANUARY AT 12 PM AEDT

PRESALE REGISTRATION HERE

BUY TICKETS HERE

Legendary dance music pioneers GROOVE ARMADA are thrilled to announce their 2025 Australian tour, bringing their iconic sound and exhilarating DJ sets to Metro City in Perth on Thursday 27 February, and to the Roundhouse in Sydney on Saturday 8 March, presented by Untitled Group. The duo will play a further show in Melbourne as part of Live At The Gardens, presented by Roundhouse Entertainment.

Known for their groundbreaking fusion of house, big beat, and funk influences, Tom Findlay and Andy Cato have been at the forefront of the global dance music scene for more than 25 years. With anthems like ‘I See You Baby’, ‘Song 4 Mutya (Out of Control)’, and the Grammy-nominated ‘Superstylin’’, GROOVE ARMADA has captured the hearts of audiences worldwide, earning three Grammy nominations, a Brit Award nomination, a string of UK Top 10 albums, and achieving five Top 40 albums in Australia. Fresh off the success of their 2022 career-spanning retrospective, GA25, which celebrated a quarter-century of dancefloor classics, GROOVE ARMADA continues to captivate audiences with their timeless sound.

GROOVE ARMADA – 2025 AUSTRALIAN TOUR

*Presented by Untitled Group

*Presented by Roundhouse Entertainment

Thurs 27 Feb – Metro City, Boorloo/Perth*

Sat 8th Mar – Roundhouse, Eora/Sydney*

Sun 9th Mar – Live At The Gardens, Naarm/Melbourne**

Renowned for their ability to craft euphoric dancefloor moments, GROOVE ARMADA’s DJ sets are a journey through iconic hits, deep cuts, and cutting-edge sounds. From unforgettable sets at Glastonbury to packed-out shows at Brixton Academy and festivals worldwide, their performances are a celebration of rhythm, soul, and the boundless energy of dance music.

Don’t miss the chance to witness GROOVE ARMADA behind the decks in Perth, Sydney and Melbourne. Secure your tickets and join the celebration of one of dance music’s most influential acts.

For more info on Groove Armada, visit:

INSTAGRAM | FACEBOOK | SOUNDCLOUD | YOUTUBE | X | WEBSITE

 

January 9, 2025 0 comments
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Festival NewsMusic News

TERMINAL V CROATIA ANNOUNCES LINE UP FOR 2025 EDITION

by the partae January 9, 2025
written by the partae
Dates: 17th – 21st July, 2025
Location: The Garden Resort, Tisno

Tickets

999999999, Anfisa Letyago, Ben Sims, Dax J, Ellen Allien, Hector Oaks, Kobosil, Mall Grab, Vtss and many more are announced to perform at Terminal V Croatia

World renowned Scottish techno festival Terminal V returns to Tisno, Croatia, for what will be a standout second edition from July 17th to 21st 2025. The scene-leading festival once again offers four open-air stages, beachside dance floors and intimate relaxation areas by the crystal-clear Adriatic Sea at The Garden Resort for thousands of dedicated music lovers. They will assemble for another cutting-edge soundtrack that offers up the very best in techno from across the spectrum and a mix of legends, new school stars and plenty in between.

Terminal V’s inaugural Croatian edition was a remarkable debut that created unforgettable memories for all those in attendance, as well as generating plenty of rave reviews from press and punters alike. Say Derek Martin and Simon McGrath, the festival’s founders, “The first Terminal V Croatia Festival was a new beginning for us. Visitor reactions were overwhelmingly positive, giving us extra motivation to organise the second edition which is now just over 200 days away. We also hope to see some Croatian visitors at our Scottish edition which takes place from April 19th to 20th in Edinburgh!”

Terminal V is known for pulling out all the stops when it comes to production, and that will be the case again in summer with cutting edge light and sound across the superb Barbarella’s, the more secluded Olive Grove, the epic Main Stage and the superb Beach Stage. Tisno’s blissful Garden Resort is a natural hideaway with a sweeping bay, glistening Adriatic sea and the chance to dance under a hot sun or twinkling stars at a range of different venues as well as on unmissable daily boat parties and late night afterparties which run until sunrise. As if this wasn’t enough, there will be plenty of adrenaline-pumping water sports to enjoy by day.

Musically, there is plenty to get excited about with international stars like Hector Oaks, Kobosil, Ben Sims, Ellen Allien and Dax J joined by contemporary heroes such as VTSS, 999999999, Anfisa Letyago, Carv, Miss Bashful and DBBD and Hannah Laing amongst many more. From hard techno to euphoric trance and everything in between, all shades of sound will be catered for.

Terminal V Croatia blends the best underground sounds with a mix of rich local culture, a beautiful destination, plenty of extra activities and much more. Do not miss out and get your tickets now at https://terminalvcroatia.com/.
LINEUP
999999999
ALERICO
ALEX FARELL
ANFISA LETYAGO
AZYR
BASSWELL
BEN SIMS
BENWAL
BIIANCO
BLK.
CARV
CLTX
DARIA KOLOSOVA
DAX J
ELLEN ALLIEN
FANTASM
FISH56OCTAGON
FRANCK
HANNAH LAING
HECTOR OAKS
KETTAMA
KOBOSIL
LEE ANN ROBERTS
LESSSS
MALL GRAB
MARRØN
MCR-T
MISCHLUFT
MISS BASHFUL & DBBD
PEGASSI
SAM ALFRED
SHLOMO
SIM0NE
SNTS
SPFDJ
UPPER90
VTSS
X CLUB
January 9, 2025 0 comments
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Festival NewsMusic News

BLOND:ISH Headlines ICONS At Playa Pacha Pool and Beach Club, FIVE LUXE (Dubai) 7 February 2025

by the partae January 9, 2025
written by the partae
Dubai: Mark your calendar for 7 February 2025 as BLOND:ISH headlines ICONS at Playa Pacha Pool and Beach Club.
More than a DJ, BLOND:ISH is on a mission to help people live their best lives. Her famously high energy levels and on-point selections are what ensure dancers escape each and every time she plays. With her genre-defying sound and magnetic presence, BLOND:ISH creates an atmosphere that opens hearts and heightens the senses.
This party comes a week ahead of her new album ‘Never Walk Alone’, releasing on 14 February 2025 on Insomniac Records and offering a great window into her club-ready sound.
As well as leading the way with her music, BLOND:ISH is also a keen environmental activist who founded the nonprofit charity Bye Bye Plastics to eliminate single-use plastics from music venues and events. Playa Pacha at FIVE LUXE will amplify the volume of BLOND:ISH’s message through its 100% solar powered parties and LEED Platinum rated green entertainment venue.

Backed by 50 years of party expertise from the legendary Pacha Ibiza, this is an unmissable event with another of the world’s most sought after DJs. Availability on the dancefloor is limited, so secure your spot now.

Website: https://www.playapachadubai.com/
Instagram: https://www.instagram.com/playapachadubai/
January 9, 2025 0 comments
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Music InterviewsMusic News

Interview: Joey Sachi & Akinat Collab

by the partae December 27, 2024
written by the partae

‘7 Seconds’ is such a compelling track. Can you tell us about the inspiration behind the song and how Clive Wearing’s story shaped its themes?

Thank you for the kind words! A few months ago, AKINAT sent me the documentary about Clive Wearing’s heartbreaking story, and it had a profound impact on me. I couldn’t stop thinking about him. Clive Wearing was a fascinating British classical musician who lost his memory and now experiences life in brief, seven-second intervals. His story made me think long and hard about the fragility of life. The fact that his wife, Deborah, remains a constant as his condition deteriorates only further proves that love truly transcends time. Drawing from both his story and our own life experiences, we wrote 7 Seconds.

How did the collaboration between the two of you come about, and what was the creative process like working together?

We’ve been collaborating for many years… honestly, the process is always seamless. AKINAT is an exceptionally talented producer, and I always love what we create together. Our history and deep understanding of each other really helps the process—plus, we know when to push one another creatively, which I personally sometimes need! When you’re creating music, it’s easy to get stuck on an idea, so sometimes you need to throw a musical spanner in the works or try something completely out of left field. That’s more often than not where the magic has been hiding.

You’ve mentioned that the track draws influence from Fleetwood Mac’s ‘Dreams.’ How did that iconic sound inspire your approach to production and songwriting?

Yes!! Initially, we set out to write a song inspired by Dreams! It’s funny telling people that the Fleetwood Mac classic was an influence for us, as I feel that connection might be a bit difficult to make now. The track went through many iterations before reaching its final version, and I’m really curious to see if people can hear the little nods to that track throughout 7 Seconds.

Your music blends influences from artists like Jamie xx, Sabrina Claudio, and now Fleetwood Mac. How do you balance such diverse inspirations in your work?

Brilliant question! I love the depth and emotional range Sabrina Claudio consistently achieves through her music, the production and artistry of Jamie xx, and the unparalleled creative songwriting that forms the backbone of all Fleetwood Mac songs. I try to weave those influences together naturally—to be honest finding that  balance feels almost effortless because I draw inspiration from each artist in very different ways!

AKINAT, your production style is influenced by electronic greats like Four Tet and Jon Hopkins. How do you incorporate those elements while maintaining Joey’s vocal-driven sound?

I’m in consistent awe of artists like these guys – they’re particularly their ability to create a rolling, driving texture, with each element findings its pocket. It’s in that sense that i was inspired – not through genre but an appreciation of each and every sound arriving in its own time. 

Joey, living in Tokyo has clearly influenced your artistry. How has your time in Japan shaped your sound and opened up new creative opportunities?

For those who haven’t been: Japan, particularly Tokyo, is a living, breathing Blade Runner dreamscape—bustling streets, neon lights, and creativity everywhere you look! Living here and being consistently immersed in this culture has shaped me as an artist, giving me the freedom to explore and experiment, not just in music but beyond. I’ve always been passionate about fashion, and I love blending it with my artistry —the fashion scene in Tokyo is truly unparalleled!

What’s the music scene like in Tokyo compared to Sydney, and how does it influence the way you approach your work?

Live music is everywhere!! That has been the biggest difference I’ve observed between the two. Everyone loves live music here & makes sure there are ample opportunities to both perform and attend, across all genres. Musicians are championed for expressing themselves through their art, particularly Jazz musicians. If and when you visit Tokyo I highly recommend dipping into one of the moody Jazz bars like ‘Blue Note’ in Aoyama, having a cheeky cocktail & seeing where the night takes you! Living here has pushed me to search for live performance opportunities much more than I did previously, there is nothing quite as special as connecting with a person via music.

The themes in ‘7 Seconds’ touch on profound connections and love that transcends memory and time. How do you hope listeners interpret or connect with the story you’re telling?

Oh, I love this question! The beauty of music lies in how uniquely it can be interpreted by each listener. One of the most rewarding aspects of creating music is seeing how people connect with the tracks and relate them to their own life experiences. We also hoped that featuring samples of Clive Wearing himself might encourage listeners to explore his story, if they haven’t already. He captures the essence of life and love in the most profoundly beautiful way.

Since releasing your first single in 2021, your career has gained momentum. How do you feel you’ve evolved as an artist, and what’s next on the horizon for you?

I am feeling immensely grateful as we wrap up 2024. The New Year always feels incredibly cathartic—a chance to reflect and recognize how much I’ve grown over the past year. Heading into 2025, I already have four new songs ready to go. I’ve had the privilege of working with some sensational producers, and I can’t wait to share everything we’ve been creating!

Do you have plans to continue experimenting with different styles and textures in your music, and are there any collaborations or projects in the pipeline we can look forward to?

Absolutely! I will be hitting the ground running in 2025 with a few collaborations I secured at the end of this year. I couldn’t be more excited about the songs we’ve created—they definitely explore different textures/styles, and I’ve really pushed myself out of my comfort zone with songwriting! Keep your eyes peeled!

https://www.instagram.com/joey.sachi/

 

December 27, 2024 0 comments
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Festival NewsMusic News

DJ BORING & LB AKA LABAT HEADLINE UNTITLED DAY PARTY AT THE TIMBER YARD

by the partae December 18, 2024
written by the partae

Untitled Group continues their 10-year anniversary celebrations with the announcement of an Untitled Day Party, featuring global dance music pioneers DJ BORING and LB aka LABAT.

The event will take place on Sunday, 5 January 2025, at The Timber Yard, Melbourne’s iconic industrial, inner-city space set to be transformed into a European-style rave paradise.

Returning to home soil DJ BORING has cemented his status as a global dance music icon since his breakout hit “Winona”. Known for his high-energy sets, DJ BORING has graced some of the world’s most renowned stages, including Glastonbury 2024, Boiler Room, and many more. Catch him fresh from his coveted closing set at Beyond the Valley as the fan favourite returns to his take over The Timber Yard.

French DJ, producer, and label owner LB aka LABAT will bring his signature sound to the lineup. With his top single “Feel the Beat” nearing 2 million streams, LABAT’s innovative take on electronic music has earned him a global following and performances at world-class events across the globe.

This exclusive events lineup will also include Bertie, Ollie Lishman and Sophie McAlister.

For the past decade, Untitled Group has redefined Australia’s live music scene with flagship festivals like Beyond the Valley, Pitch Music & Arts, Wildlands, and Ability Fest, while also excelling in artist touring, management, and a leading booking agency. As part of their 10-year anniversary celebrations, fans can look forward to exclusive merchandise, secret pop-up shows, money-can’t-buy competitions, and more throughout the summer.

Tickets are expected to sell out fast—don’t miss your chance to join the celebrations of a decade of unforgettable experiences with Untitled Group, DJ BORING and LB aka LABAT.

Tickets: Sign up for presale HERE

Presale begins on – Thursday 19 December 12pm AEDT

General tickets available – Friday 20 December 12pm AEDT

Get connected:

https://www.instagram.com/untitledgroupau/

https://www.facebook.com/untitledgroupau/

https://www.untitledgroup.com.au/

https://www.tiktok.com/@untitledgroup?lang=en

December 18, 2024 0 comments
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Festival NewsMusic News

TWO WEEKS UNTIL BILLIE MARTEN – Less than 100 tickets remain in Melbourne

by the partae December 18, 2024
written by the partae

Fresh from captivating audiences at Beyond The Valley, the UK’s Billie Marten will grace the Corner Hotel on January 2.

Be transported by Billie’s hauntingly beautiful vocals and poignant lyricism. Joining is Perth rising singer-songwriter Ullah.

With Sydney sold out and limited tickets left in Melbourne, don’t miss Billie Marten’s debut Australian tour!

MELBOURNE TICKETS

MELBOURNE SET TIMES

8pm – Doors
8:30pm – Ullah
9:30pm – Billie Martin

December 18, 2024 0 comments
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Music InterviewsMusic News

Interview: Kyara – Heartbreak, Darkness, and Empowerment Through Music

by the partae December 18, 2024
written by the partae

Can you share the story behind “Into The Dark”? What inspired you to explore  themes of rejection and abandonment in this track? 

‘Into The Dark’ is about the experience of realising that someone you’ve been seeing was  never as invested as they led you to believe. It’s that moment when you’re swept up in the  idea of something special, only to have the rug pulled out from under you with no  explanation. The abandonment comes in the aftermath, when you’re left questioning  everything – the moments you shared, the connection you thought you had – and you’re  haunted by the uncertainty of whether it ever meant anything to them. It’s a deep  emotional spiral, wondering how someone could so easily walk away if they truly cared. 

The music and lyrics became my way of channeling that hurt and turning it into something  more than just a painful memory. Instead of letting the experience feel tragic, I wanted to  create something powerful and cathartic. 

The song evokes a dystopian and cinematic soundscape. How did you approach  creating this atmosphere in your music? 

Heartbreak, especially when it’s paired with so many unanswered questions, can feel  apocalyptic. When I think back to that overwhelming sense of confusion and hurt, it felt like  the world was crashing down around me. I wanted ‘Into The Dark’ to capture that “end of  times” feeling. I layered synths and textures to simulate that intense emotional  overstimulation – like when everything is building up inside you, just on the verge of  exploding. 

In my mind, the soundscape had to feel futuristic, alien – like a chaotic sci-fi world where  nothing is familiar or comforting. This led me to approach the song as a synthwave track,  creating a sonic environment that matched the sense of isolation and turmoil in the story. 

You mentioned that you self-wrote, recorded, and produced “Into The Dark.” Can  you walk us through your creative process for this single? 

The process for ‘Into The Dark’ wasn’t overly planned or structured. It all started when an  arpeggiated synth melody popped into my head one day, and I immediately began laying it  down in my DAW before I could forget it. From there, the song almost wrote itself. I had a  clear vision of the sound and structure, so I just went with it – building the instrumental,  developing the lyrics, and finding vocal melodies as I went along. 

At the time, I’d been listening to a lot of The Midnight, so I wanted to incorporate a  saxophone solo, something I’d been wanting to do for a while. I grew up playing alto sax,  so it felt natural to bring that into my music. Once the song was structured, I refined the  production the next day, cleaning up the track and adding some extra touches like  background vocals and vocoder effects. I think it was completely done – minus mixing and  mastering – in 2 days. 

For the visual concept of ‘Into The Dark’, I wanted to symbolize the journey described in  the song – how the protagonist is pulled from the light, corrupted by their lover, and  ultimately left in darkness. It evokes the image of an angel who has fallen from grace,  tainted by the darkness (the partner) and left alone, reaching desperately for the light. And  so, the cover artwork for the single was created.

You’ve drawn comparisons to the sounds of “Stranger Things.” Which artists or  genres influenced your sound in this track? 

The ‘Stranger Things’ score by Kyle Dixon and Michael Stein is definitely a big influence  for me. I also draw inspiration from artists like The Midnight, FM-84, Timecop1983, and  CHVRCHES.  

When I wrote ‘Into The Dark’, it was around when The Weeknd released ‘Blinding Lights’,  which also tapped into that ‘80s synth-pop vibe. That song really pushed me to explore  how I could merge synthwave with pop elements and vocals, and ‘Into The Dark’ became  the result of that exploration. 

The song delves into profound emotional themes. How do you balance personal  vulnerability with the broader themes of heartbreak and isolation in your music? 

In ‘Into The Dark’, I wanted to express my personal vulnerability while making the themes  of heartbreak and isolation feel universal. While the song draws from my own experience, I  focused on the emotional journey – feelings of doubt, confusion, and being left in the dark –  that anyone can relate to. I aimed to tell the story in a way that allowed listeners to find  themselves in it, even if their situation is different. 

By embracing vulnerability, the song becomes a catharsis, not just for me, but for anyone  going through similar emotions. Heartbreak can be isolating, but it’s also an opportunity for  growth, and I hope listeners can find strength in that transformation. 

The inclusion of vibrant saxophone and lush synths adds a unique layer to the  track. How did you decide on the instrumentation, and what do these elements  represent in the song? 

The saxophone was essential for me – it’s such an iconic instrument in ‘80s music, and it  has this power to grab attention in a way that no other instrument can. Growing up playing  alto sax, it was always going to make an appearance in one of my tracks. In ‘Into The  Dark’, the sax solo acts as the emotional climax, lifting the track just as the tension and  emotion reach their peak. It’s symbolic of that emotional eruption – the point where all the  pent-up feelings explode. 

The synths and other textures were chosen to add a sense of mystery and depth to the  song. I wanted to create an atmosphere that felt “chilling,” something that would leave  listeners wanting more – just like the protagonist in the song, who’s desperately searching  for answers that never come. 

What do you hope listeners take away from “Into The Dark”? How do you want them  to feel when they hear it? 

I want listeners to know that it’s okay to feel your heartbreak, to go through the emotional  rollercoaster without rushing to brush it off. ‘Into The Dark’ is about letting yourself go  through the process and purging those feelings rather than burying them until they  overwhelm you. But beyond that, I want people to take away a sense of empowerment.  Heartbreak doesn’t have to define you – it can become something you transform into  something epic. Use it to fuel your growth, and don’t let it defeat you.

How does this single compare to your debut release? In what ways do you feel  you’ve grown or evolved as an artist since then? 

My debut single, ‘Yearn’, introduced a confident, playful side of KYARA. It was bold,  cheeky, and fun – a perfect introduction to my music. ‘Into The Dark’ marks a shift, though.  It reveals a more vulnerable side, while still maintaining that confidence. Sonically, it’s  darker and more cinematic, with a depth that wasn’t as present in my debut. 

Thematically, ‘Into The Dark’ shows growth. While ‘Yearn’ was about desire and control –  inspired by a deep fantasy, ‘Into The Dark’, explores a reality in some relationships –  processing pain and vulnerability. It’s about embracing all sides of ourselves – the strong,  the confident, the vulnerable. I’ve learned that it’s okay to be both, and that embracing the  darker, more complicated parts of yourself can lead to growth and strength. 

Can you give us a glimpse into what’s next for you after “Into The Dark”? Are there  any upcoming projects or collaborations you’re excited about? 

There’s a lot in the works. I’m continuing to explore the themes ‘Into The Dark’ introduced,  diving deeper into stories of relationships, both romantic and personal, and exploring them  from different angles. You can expect more dark, cinematic electronica fused with pop, but  there’s definitely a shift coming. At some point, I’ll be telling these stories through a  

sweeter, more romantic lens, and I’m really excited to see where that takes me. 

I also hope to experiment with different sounds within electronic music to see how they can  complement and enhance my existing sonic aesthetic. 

How important is it for you to engage with your audience on platforms like  Instagram and TikTok? What role do you think social media plays in the music  industry today? 

Social media is crucial, especially for independent artists like me. It’s not just about  marketing – it’s about building a community and connecting with people who resonate with  my music. Platforms like Instagram and TikTok give us the opportunity to share our work  and stories with a broader audience, and they’re invaluable in creating genuine  connections with listeners. For me, it’s less about just promoting my music and more about  fostering a sense of belonging, where fans can connect with each other and with me. It’s  how you can share the real side of being an artist, beyond just the music. 

Additionally, social media is a valuable tool for receiving feedback from listeners. It allows  you to consider different ideas and perspectives, helping you grow as an artist and better  connect with your audience by understanding what they want to hear.

INSTAGRAM

December 18, 2024 0 comments
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Festival NewsMusic News

FRANKSTON’S WATERFRONT FESTIVAL RETURNS IN 2025

by the partae December 17, 2024
written by the partae

Frankston City Council’s iconic Waterfront Festival returns on Friday 7 February and Saturday 8 February, featuring a music line-up of some of Australia’s best artists, delicious food and plenty of activities for all-ages both in and out of the water.

A highlight of the summer season, Waterfront Festival returns bigger and better than ever, with a new format and some exciting new additions coming in 2025. For the first time, Waterfront Festival will kick off on Friday evening, offering the perfect way to unwind and ease into the weekend. Headlining the mainstage will be legendary Aussie duo Sneaky Sound System, who will bring their signature dance anthems to the stage as the sun sets over the bay. They will be joined by Sunshine & Disco Faith Choir, Amaru Tribe and Coco Michelle.

On Saturday, the festival kicks into full gear, offering a day filled with free activities and entertainment. Check out the Rotary Duck Race as colourful ducks take over the creek, explore the stalls and interactive activities for some hands-on fun, or take part in the Frankston Swim Classic – whether you’re competing or cheering from the sand!

Saturday’s music line-up offers a more relaxed vibe, headed up by indie folk duo Pierce Brothers, who are currently celebrating ten years since their breakout EP, The Night Tree, with a nationwide tour. Also on the bill is the ultra charismatic Queenie, whose powerful voice and heartfelt songwriting never fails to captivate any audience, and nine-piece West African/Cuban collective Ausecuma Beats. There’s also performances by Steph Strings, Lotte Gallagher, George & Noriko and Natasha Kate. As the music winds down, the festival wraps up with a dazzling fireworks display over the bay.

Across both days, food trucks will offer an array of flavours, from local favourites to international fare with the new addition of The World Kitchen. Presented by Ventana, The World Kitchen is a food performance venue showcasing varying cultures and traditions through food. The World Kitchen is the place where sharing food becomes the universal language.

Waterfront Festival is the place to be for good vibes in the sun – take in the atmosphere with family and friends on the lawn, listening to tunes and sipping drinks from the garden bar. Don’t miss Frankston’s signature summer event, proudly brought to you by Frankston City Council. See you there!

WATERFRONT FESTIVAL
Friday 7 February: 5 – 10pm
Saturday 8 February: 12 – 10pm | Fireworks display: 9.45pm

For more info visit www.imaginefrankston.com.au/waterfront-festival or follow us on Facebook and Instagram (@waterfrontfest) to stay in the loop.

Waterfront Festival is proudly presented by Frankston City Council

 

Waterfront Fest Waterfront Fest
@waterfrontfest @waterfrontfest
Imagine Frankston Imagine Frankston

 

December 17, 2024 0 comments
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Music InterviewsMusic News

Interview: Joey Sachi: “7 Seconds” Love, Memory, and Inspiration

by the partae December 17, 2024
written by the partae

‘7 Seconds’ is such a compelling track. Can you tell us about the inspiration behind the song and how Clive Wearing’s story shaped its themes?

Thank you for the kind words! A few months ago, AKINAT sent me the documentary about Clive Wearing’s heartbreaking story, and it had a profound impact on me. I couldn’t stop thinking about him. Clive Wearing was a fascinating British classical musician who lost his memory and now experiences life in brief, seven-second intervals. His story made me think long and hard about the fragility of life. The fact that his wife, Deborah, remains a constant as his condition deteriorates only further proves that love truly transcends time. Drawing from both his story and our own life experiences, we wrote 7 Seconds.

How did the collaboration between the two of you come about, and what was the creative process like working together?

We’ve been collaborating for many years… honestly, the process is always seamless. AKINAT is an exceptionally talented producer, and I always love what we create together. Our history and deep understanding of each other really helps the process—plus, we know when to push one another creatively, which I personally sometimes need! When you’re creating music, it’s easy to get stuck on an idea, so sometimes you need to throw a musical spanner in the works or try something completely out of left field. That’s more often than not where the magic has been hiding.

You’ve mentioned that the track draws influence from Fleetwood Mac’s ‘Dreams.’ How did that iconic sound inspire your approach to production and songwriting?

Yes!! Initially, we set out to write a song inspired by Dreams! It’s funny telling people that the Fleetwood Mac classic was an influence for us, as I feel that connection might be a bit difficult to make now. The track went through many iterations before reaching its final version, and I’m really curious to see if people can hear the little nods to that track throughout 7 Seconds.

Your music blends influences from artists like Jamie xx, Sabrina Claudio, and now Fleetwood Mac. How do you balance such diverse inspirations in your work?

Brilliant question! I love the depth and emotional range Sabrina Claudio consistently achieves through her music, the production and artistry of Jamie xx, and the unparalleled creative songwriting that forms the backbone of all Fleetwood Mac songs. I try to weave those influences together naturally—to be honest finding that  balance feels almost effortless because I draw inspiration from each artist in very different ways!

AKINAT, your production style is influenced by electronic greats like Four Tet and Jon Hopkins. How do you incorporate those elements while maintaining Joey’s vocal-driven sound?

I’m in consistent awe of artists like these guys – they’re particularly their ability to create a rolling, driving texture, with each element findings its pocket. It’s in that sense that i was inspired – not through genre but an appreciation of each and every sound arriving in its own time. 

Joey, living in Tokyo has clearly influenced your artistry. How has your time in Japan shaped your sound and opened up new creative opportunities?

For those who haven’t been: Japan, particularly Tokyo, is a living, breathing Blade Runner dreamscape—bustling streets, neon lights, and creativity everywhere you look! Living here and being consistently immersed in this culture has shaped me as an artist, giving me the freedom to explore and experiment, not just in music but beyond. I’ve always been passionate about fashion, and I love blending it with my artistry —the fashion scene in Tokyo is truly unparalleled!

What’s the music scene like in Tokyo compared to Sydney, and how does it influence the way you approach your work?

Live music is everywhere!! That has been the biggest difference I’ve observed between the two. Everyone loves live music here & makes sure there are ample opportunities to both perform and attend, across all genres. Musicians are championed for expressing themselves through their art, particularly Jazz musicians. If and when you visit Tokyo I highly recommend dipping into one of the moody Jazz bars like ‘Blue Note’ in Aoyama, having a cheeky cocktail & seeing where the night takes you! Living here has pushed me to search for live performance opportunities much more than I did previously, there is nothing quite as special as connecting with a person via music.

The themes in ‘7 Seconds’ touch on profound connections and love that transcends memory and time. How do you hope listeners interpret or connect with the story you’re telling?

Oh, I love this question! The beauty of music lies in how uniquely it can be interpreted by each listener. One of the most rewarding aspects of creating music is seeing how people connect with the tracks and relate them to their own life experiences. We also hoped that featuring samples of Clive Wearing himself might encourage listeners to explore his story, if they haven’t already. He captures the essence of life and love in the most profoundly beautiful way.

Since releasing your first single in 2021, your career has gained momentum. How do you feel you’ve evolved as an artist, and what’s next on the horizon for you?

I am feeling immensely grateful as we wrap up 2024. The New Year always feels incredibly cathartic—a chance to reflect and recognize how much I’ve grown over the past year. Heading into 2025, I already have four new songs ready to go. I’ve had the privilege of working with some sensational producers, and I can’t wait to share everything we’ve been creating!

Do you have plans to continue experimenting with different styles and textures in your music, and are there any collaborations or projects in the pipeline we can look forward to?

Absolutely! I will be hitting the ground running in 2025 with a few collaborations I secured at the end of this year. I couldn’t be more excited about the songs we’ve created—they definitely explore different textures/styles, and I’ve really pushed myself out of my comfort zone with songwriting! Keep your eyes peeled!

‘7 Seconds’ is out Now
JOEY SACHI:Official Website | Twitter | Instagram | TikTok | YouTube | Triple J Unearthed

December 17, 2024 0 comments
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Festival NewsMusic News

The Cruel Sea announced for Live At The Gardens – With special guests Mark Seymour & The Undertow, Vika & Linda, Loose Content | Sat 8 March – Royal Botanic Gardens Melbourne

by the partae December 16, 2024
written by the partae

TICKETS ON SALE TUESDAY 17 DECEMBER

The honeymoon definitely ain’t over – legendary Aussie rockers THE CRUEL SEA are set to light up the Live At The Gardens stage with a very special performance at the Royal Botanic Gardens Melbourne on Saturday 8 March, 2025, delivering an unforgettable evening of raw energy and homegrown hits under the stars.

Joining THE CRUEL SEA are some of Australia’s most revered and exciting artists – MARK SEYMOUR & THE UNDERTOW, VIKA & LINDA and rising indie-alt rockers LOOSE CONTENT.

Presented by Roundhouse Entertainment, in conjunction with MG Live, this show is the latest addition to the highly anticipated March series of Live At The Gardens, set against the breathtaking backdrop of the Royal Botanic Gardens Melbourne.

Tickets for THE CRUEL SEA Live At The Gardens go on sale Tuesday 17 December from Ticketmaster at 11.00am local time, with Live At The Gardens and Roundhouse presales beginning Monday 16 December at 10.00am local time.

Formed in 1987, THE CRUEL SEA carved their place in Australian music history with a genre-blurring sound, fusing blues, roots, surf, rock, soul and cinematic soundscapes, led by charismatic frontman Tex Perkins.  Their albums The Honeymoon Is Over (1993) and Three Legged Dog (1995) catapulted them to national stardom, earning them eight ARIA Awards and cementing their legacy with hits like Better Get a Lawyer, Black Stick, Just A Man and The Honeymoon Is Over.

Their 1993 masterpiece, The Honeymoon Is Over, became the soundtrack of a generation, spending more than a year in the ARIA album chart, solidifying the seminal album its place in Australian history.

This Live At The Gardens show coincides with the release of THE CRUEL SEA’s first album in 23 years, Straight Into The Sun (released 7 March), marking an exciting new chapter in the band’s celebrated career and featuring the return of the classic lineup of Tex Perkins, Jim Elliott (drums), Ken Gormly (bass), Dan Rumour (guitar) and longtime collaborator, Matt Walker (guitar). “The Cruel Sea are back, and it feels so right,” declared Double J, echoing the excitement surrounding their highly anticipated return.

More than 30 years later, their live shows remain electric, with critics hailing their live performances as “a masterclass in atmosphere and grit”.

“An elite performance by an all-time great Australian band at the top of their game.”
Hi Fi Way Live

“Perkins remains one of this country’s more entertaining frontmen and his ability to swagger across the stage, engaging with the crowd is mesmerising.”
The Rockpit 

“The Cruel Sea’s return to the stage after ten years was a joyful triumph.”
The Music

 

All event information liveatthegardens.com.au

 TICKETING

ROUNDHOUSE MEMBER PRESALE
Sign up here
Runs from: Monday 16 December 10.00am local time
For 24 hours or until presale allocation exhausted 

LIVE AT THE GARDENS MEMBER PRESALE
Sign up here
Runs from: Monday 16 December 10.00am local time
For 24 hours or until presale allocation exhausted 

GENERAL PUBLIC ON SALE – THE CRUEL SEA
Tickets on sale Tuesday 17 December at 11.00am local time
From Ticketmaster

TICKET PRICE
General Admission $119.90
*A handling fee of $5.95 applies per transaction

Sign up HERE and be the first to hear about Melbourne’s newest outdoor music event, Live At The Gardens and gain access to exclusive member presales.

EVENT INFORMATION
Live At The Gardens is Licensed All-Ages. Strictly no BYO alcohol or food. Broad offering of food and beverages will be available on site with every attempt to ensure all dietary requirements are catered for. Everyone requires a paid ticket excluding babies in arms 24 months and under. Patrons under 18 must be accompanied by a parent or adult guardian at all times.

TRANSPORT & PARKING
For all public transport and parking information
liveatthegardens.com.au/transport

Sign up here to become an a day on the green member to keep up to date on all the latest tour information and access presale offers, competitions and more.

thecruelsea
Facebook | Instagram
Spotify | YouTube | AppleMusic

liveatthegardens.com.au

 

December 16, 2024 0 comments
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Festival NewsMusic News

Summer Dance returns on Jan 4: Jyoty, HALF QUEEN, FLOWDAN AND NEFFA-T + more

by the partae December 16, 2024
written by the partae

As the iconic Summer Dance series continues, today Astral People join forces with social enterprise House of Darwin to reveal the day to night headliners for the next instalment on January 4 at Liberty Hall in Eora/Sydney. An event with purpose, proceeds from this Summer Dance will be directly supporting House of Darwin’s initiatives in regional communities across the Northern Territory. BUY DAY TICKETS HERE + NIGHT TICKETS HERE.

Setting off 2025 with a masterclass of dance music locally and abroad, Summer Dance continues its stride with the next session featuring Jyoty, Halfqueen and Crescendoll. Expect a huge day of energetic expertise, unpredictability and innovative club spectacle, all revelling in the perfect setting Summer Dance has come to be known for.

Leading the charge is London via Amsterdam Jyoty – a one-of-a-kind selector who began her journey as a host on Rinse FM and has now become one of the underground’s most loved figures that has transformed dancefloors all over world. Joining her is the incomparable HALF QUEEN, whose artistry is rooted in the experiences of her Fijian and Pākehā bloodlines and celebrated for her ability to weave the sounds of local and global diasporas. On the local front is Gamilaraay woman and Gadigal based DJ crescendoll, an appreciator of all things club with a high energy style that spans juke, jersey, footwork, hard drum, UK bass, garage and acid.

The energy doesn’t stop as the sun sets – headlining the night for Summer Dance AFTER DARK are two UK pioneers Flowdan and Neffa-T, joining forces for an evening of heavyweight basslines and electrifying energy. Sounding the call to ramp up the party is CLIPZ, a UK legend unleashing top-tier jungle and drum & bass with unmatched precision and intensity. Bringing the spark to the night are dub/garage aficionados and Eora-based Bouki and Mash with a special B2B set.

Summer Dance continues to be recognised as a pillar in the local event space with an enviable tally of consistent sell out status. Be sure to expect a stream of events that assert memorable, ‘need to be there’ experiences, a welcome baptism or a return home to the experience as Summer Dance continues into 2025. Boasting cutting edge programming that places lauded talent as Folamour, Bicep, Honey Dijon, Moodymann, Jyoty, Four Tet, Yung Singh, Eris Drew and Octo Octa side by side with primed to break locals Crybaby, Sollyy, Jennifer Loveless, CC:DISCO! to JamesJamesJames and beyond.

SUMMER DANCE
Presented by Astral People + House of Darwin 

January 4
JYOTY (UK)
HALF QUEEN (NZ)
CRESCENDOLL

SUMMER DANCE AFTER DARK
FLOWDAN AND NEFFA-T (UK)
CLIPZ (UK)
BOUKI B2B MASH

Tickets on sale now
BUY HERE

Stay connected with
Summer Dance: Website | Facebook | Instagram
Astral People: Website | Facebook | Instagram | X | Soundcloud

December 16, 2024 0 comments
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Festival NewsMusic News

Souled Out 2025 Lineup Is Here!

by the partae December 16, 2024
written by the partae

After a sell-out run in 2024, Australia’s biggest modern R&B festival is back with a lineup of genre heavy-hitters and icons.

The festival boasts three headliners starting with Don Toliver, who currently owns every R&B dance-floor across Australia with his long string of bangers, co-headlined by the undisputed Queen of R&B Jhene Aiko who’s discography that if we listed would go for pages, and making his highly anticipated return to Australia is powerhouse music talent and now renowned actor Vince Staples. The lineup keeps going with R&B favourites spanning diverse acts across the genre like Mariah The Scientist, 6LACK, BLXST, and Kaash Paige. The festival will also have a second “Soul Party” stage strictly for partying with international DJ’s Jarreau Vandal, S!rene, and Rosey Gold. Larissa Lambert & SAHXL will be the festival’s local talent representing Australia on the big stage.

Speaking on the event, festival co-founder Emal Naim says,

“The success of Souled Out 2024 showed Australians we’re craving for a modern R&B festival, so we’re here to stay and we can’t wait to keep feeding this vibrant community of R&B fans”

The festival is being presented by popular live music discovery platform – Whatslively, who will assist the festival with marketing and technology support as well as holding its standard Whatslively presale through its concert tracker app.

 

TICKETING INFO

Pre-Sale tickets go on sale Wednesday December 18th 12PM AEDT

General Sale Thursday December 19th 12PM AEDT

For pre-sale access sign up to Souled Out via the website or have the Whatslively App,

 

FULL LINEUP

Don Toliver

Jhené Aiko

Vince Staples

6LACK

BLXST

Mariah The Scientist

Kaash Paige

Denise Julia

Jarreau Vandal

S!rene

Rosey Gold

Larissa Lambert

SAHXL

 

CITIES & DATES

Melbourne February 22 – Caribbean Garden

Sydney February 23 – Parramatta Park

Brisbane February 28 – Showgrounds

https://www.souledoutfest.com/

December 16, 2024 0 comments
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Festival NewsMusic News

JUICY FEST 2025 HITS AUSTRALIA IN JANUARY WITH AKON, LUDACRIS, KEYSHIA COLE + MORE

by the partae December 16, 2024
written by the partae

The Juicy Fest 2025 line-up is stacked with some of the biggest names in hip hop and R&B including Ludacris, Akon, Jeremih, Keyshia Cole, Fat Joe, Ray J, Montell Jordan, Next, Jacquees, Bizzy Bone, Layzie Bone, Jay Sean, Twista, Baby Bash, Pleasure P and Bobby V.

Juicy Fest is a one-day festival, scheduled for four shows across Australia this summer. The Australian leg of the tour gets underway in Fremantle in Western Australia on January 15, before heading to Melbourne on January 17, Sydney on January 18 and the Gold Coast on January 19.

Montell Jordan, Next and Ray J are the latest additions and were powerhouses of 90s and 2000s R&B. Ludacris is a three-time Grammy award-winning, 20-time Grammy-nominated hip-hop icon who has etched his mark into music history whilst Akon is a multi-genre artist who has hits spread across pop, R&B, hip hop and dance and collaborations with some of the biggest artists in the world.

“I can’t wait to be a part of the biggest Juicy Fest tour to hit down under. The line-up is stacked so you know it’s going to be a good time and I can’t wait to see you all down under this summer,” Montell Jordan says.

“The Juicy Fest 2025 tour is going to be lit, I got all the songs that you all want to hear, I’m taking it all the way back to the beginning,” Ray J says.

Juicy Fest 2025 will be the biggest since its inception in 2023, with the total number of R&B and hip-hop icons and hitmakers touring Australia to 16.

Juicy Fest promoter Glenn Meikle says this year’s line-up is packed with artists responsible for some of R&B and hip hop’s biggest hits of the 1990s, 2000s and 2010s.

“This line-up is massive and we can’t wait to bring 16 international artists who are icons and hitmakers in their genre to one stage. We’re confident the massive line-up caters to all R&B and hip-hop fans across Australia,” Meikle says.

Final release tickets are still available for all shows but they are limited and selling fast.

Tickets are available at www.juicyfest.co

December 16, 2024 0 comments
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