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Interview: Midnight Engine – FREZYA on Building ‘FURTIVA’ as a Cinematic Getaway

February 13, 2026

Interview: Felsmann + Tiley – Scoring the Absurdity of Modern Existence

February 13, 2026

Interview: Jordie Tomas Won’t Bleed for the Applause

February 13, 2026

ANYMA BRINGS GROUNDBREAKING LIVE EXPERIENCE ÆDEN TO SYDNEY THIS OCTOBER

February 12, 2026

Benee – Liberty Hall – 11/02/26

February 12, 2026

Glitch Melbourne is back for 2026

February 11, 2026

Laneway Festival Sydney 2026 – Crowds flood Centennial Park to get a...

February 11, 2026

Festival of the Stone 2026 – Saturday 20 June, Byron Bay –...

February 11, 2026

FREZYA and LPSV Turn “FURTIVA” Into a Midnight Getaway

February 11, 2026

Sweat, Sound, Sunshine – Laneway Gold Coast 2026

February 10, 2026
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Festival NewsMusic News

The Rock Show That Stunned Thousands: YUNGBLUD Makes His Return Down Under With His First Show in Aus in 3 Years

by the partae January 13, 2026
written by the partae

Of course a singer as dramatic as YUNGBLUD, full of raw energy and flair, would choose a 42° day to make his return to Australia after a whopping 3 years.

This heat didn’t deter any of his superfans though, people queuing up from as early as 3pm the day before the show, with at least 40 people lined up by midnight. Absolute dedication. More fans queued throughout the burning heat that day. I myself delayed my arrival in favour of sitting in my car until it was time to head in. Upon approaching the venue, the aircon leaked out from the front gates, and all I could think was “Thank you Qudos”.

The energy was electric as people trickled into the venue, the pit slowly filling, just a sea of people waiting to see this rising rock star.

“Have you heard their new stuff?” the PA asked just before the opener’s set. Yes, I have, and it is excellent. As promised, Dune Rats certainly got the stage warmed up (if it wasn’t already, thanks again heat wave). The crowd was jumping and it was all around just an epic, sweaty time. Leaving the stage with a dramatic guitar throw (that thing went meters into the air, I swear), it was time for the countdown to the Idol himself to begin.

As we waited with extreme anticipation, Black Sabbath rang out over the arena, and just like that, we knew it was time.

To say that YUNGBLUD was anything other than absolute mayhem and electricity would simply be a lie. From the very moment he took to the stage, Dominic Harrison absolutely dominated.

From confetti to pyrotechnics, there was never a dull moment. In true YUNGBLUD fashion, Harrison invited a crowd member on stage to play “Fleabag” and we were honestly blown away, as this fan from Wollongong performed the song on a guitar that was upside down. Talk about a high-pressure performance. During this incredible display, the crowd seemed to brace themselves for what was coming next, and it did not disappoint.

Dom dove headfirst into a sea of adoring fans, only after standing tall with them, chanting the lyrics to a fan favourite.

But the moment that really stole the show was when Harrison paid tribute to his “friend in the sky”, the late great Ozzy Osbourne.

His cover of “Changes” has already received critical acclaim, earning him one of his first Grammy nominations for Best Rock Performance. It was an emotional moment for the crowd and for the singer himself, but no one in the building let him sing alone.

YUNGBLUD has been performing in Australia since he was 15, the singer saying that we were “the first country to believe in us”. It truly felt like such a special moment to share. Even in an arena of 20,000 people, it felt like he was talking to each of us personally.

Closing out the show with the lead single from the Idols record, “Zombie” was another emotional performance, but also one filled with energy from fans who screamed the lyrics back at him. With just a touch more confetti and a promise to meet fans outside by the merch stand, the rock show that stunned us all was over. YUNGBLUD is truly an incredible performer, and we can only hope it’s not another 3 years before we get to see this icon in his element again.

Photography: Jordan Munns

Words: Charlotte Najjar

                              

January 13, 2026 0 comments
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Music InterviewsMusic News

Interview: YUBIK – ‘Never Alone’ Power Through Restraint

by the partae January 10, 2026
written by the partae

‘Never Alone’ brings together three very distinct creative voices. At what point did the collaboration stop feeling like a feature and start feeling like a shared organism with its own identity?

A collaboration with Adriatique had been discussed for quite some time, and I knew that sooner or later it would happen. It really started to feel like a shared organism once the track was finished and ready to be released, especially after the Adrians played it all over the world.

You’ve spoken before about evolution rather than repetition. What was something in your own sound or process that you consciously refused to fall back on while making this record?

I consciously tried not to overproduce the track, or in other words, not to get lost in too many details. A minimalist approach and an openness to something new were very important to me.

The track is engineered for peak-time impact, yet it carries a strong emotional undercurrent. How do you personally judge when a record has the right balance between physical energy and emotional weight?

That happens in the places where the track is played and through the feedback from the people there.

Working with Adriatique often carries a certain expectation within the melodic techno world. Did that pressure sharpen your instincts, or did it give you permission to push further than usual?

To be honest, it never felt like pressure. I make music as well as I can and try to stay true to myself. Only when I feel connected to what I’m doing and genuinely enjoy the process do the best things emerge.

Vincent Vossen’s contribution adds a subtle emotional tension to the track. How did his approach reshape moments of the arrangement that might otherwise have gone in a more traditional club direction?

Vincent and I share a special connection, and that’s something you can clearly hear reflected in the track.

There’s a sense of restraint in ‘Never Alone’ — nothing feels overcrowded. Was minimalism a deliberate philosophy here, or did it emerge naturally through collaboration?

My approach is always to work in a minimalist and very structured way (very German of me, I know), even though it doesn’t always work out that way.

You’ve released music across Afterlife, Siamese, and now X Recordings. Do different labels subtly change how you think about storytelling within a track, even before a note is written?

Everything in life influences us, so I’d be lying if I said it didn’t. That said, it’s less about the labels and more about the music itself, which is where I draw my inspiration from.

When DJs respond early and strongly to a record, as they already have with ‘Never Alone’, does that validation influence your confidence, or do you deliberately tune it out to protect your long-term vision?

It strengthens my confidence 100% and gives me energy and reassurance that I’m on the right path.

Looking back at your output since 2018, what part of your earlier work feels most distant from who you are now, and what part still feels fundamentally unchanged?

Everything feels exactly right. Every release was a step that led me to where I am now.

‘Never Alone’ suggests connection, unity, even dependence. In an industry that can often feel isolating, what does that title reflect about where you’re at personally as an artist right now?

Never Alone means you can’t do this on your own. I’m grateful to have people who believe in me, and that gives me strength.

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January 10, 2026 0 comments
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Festival NewsMusic News

I hate Models – Friday, January 2, 2026 – The Works – Sydney

by the partae January 10, 2026
written by the partae
Photography: Josh Ma
Review: Hudson Reed
Walking into the I Hate Models show in Sydney on January 2, 2026 felt less like entering a club and more like stepping into a pressure chamber. From the first kick drum, the room was locked in. No warm-up, no easing in, just raw, relentless momentum. The crowd knew exactly what they were there for, and within minutes the dancefloor turned into a single heaving body, moving on instinct rather than rhythm.

What stood out most was the emotional range in the set. It wasn’t just hard techno for the sake of intensity; there were moments that felt almost cinematic, where distorted melodies cut through the noise and gave everyone a split second to breathe before being thrown straight back into chaos. Those transitions hit hard. You could see it on people’s faces. Eyes closed, jaws clenched, hands in the air like they were bracing for impact.

The sound system was pushed to its limits, but in the best way possible. Every low end punch landed square in the chest, while the highs sliced cleanly without ever feeling muddy. The lighting stayed dark and aggressive, perfectly matching the mood: minimal, strobing, unforgiving.

By the final stretch, sweat was dripping from the ceiling and nobody wanted it to end. Walking out into the Sydney night felt surreal, like waking up from something intense and slightly unhinged. It wasn’t just a set, it was a full-body experience. One that’ll stick with me for a long time.

January 10, 2026 0 comments
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Music News

Falling You — Metanoia An Album That Lives in the Space Between Memory and Transformation

by the partae January 10, 2026
written by the partae

There are albums you listen to, and albums you inhabit. Metanoia, out now from Falling You, belongs firmly to the latter.

Created by composer and sound sculptor John Michael Zorko, Metanoia unfolds as a deeply immersive emotional environment rather than a conventional collection of tracks. Built from atmospheric synths, textured guitars, and cinematic sound design, the album moves slowly and deliberately, allowing space for reflection, memory, and emotional shift.

The title Metanoia—a word describing a profound change of heart or mind—perfectly frames the listening experience. Across eleven tracks, Zorko explores grief, beauty, cosmic longing, and quiet resilience. Nothing here is rushed. Each piece feels intentional, patient, and inward-looking.

Collaboration sits at the heart of the album. A carefully curated group of guest vocalists drift through the record, their voices carrying much of its emotional gravity. Rather than dominating the compositions, these performances emerge organically, blending into the soundscape and reinforcing the album’s sense of shared emotional space. Songs like “Alcyone,” “Flesh to Tree,” and “Ariadne” feel both intimate and vast, while the closing moments of “(trying to weave) A Thread of Happiness” land with a rare softness.

Genre lines dissolve throughout Metanoia. Ambient, dream pop, and cinematic post-rock coexist without friction, creating a sound that feels expansive yet deeply personal. It is an album best experienced in full—headphones on, distractions removed—where its slow-building arcs can fully take hold.

In a culture defined by speed and noise, Metanoia offers something increasingly rare: music that asks for presence rather than attention. It doesn’t demand reaction. It invites stillness.


January 10, 2026 0 comments
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Festival NewsMusic News

Haçienda Bangkok Reveals Full Lineup w/ 808 State, Peter Hook (New Order), Basement Jaxx and more

by the partae January 8, 2026
written by the partae

On 24th January, the legendary FAC51 The Haçienda returns to Bangkok to transform Ambience Space into a multi-room, day festival experience and the venue’s first event of this scale in a landmark moment for the city’s evolving cultural landscape. A Bangkok debut DJ set for Basement Jaxx headlines with ex Joy Division and New Order bassist Peter Hook playing alongside Manchester legends like 808 State, Jon Dasilva, DJ Paullete, and more heady house and tech from Move D, Huerta, Liquid Earth and others.

Born in Manchester in 1982, The Haçienda defined modern club culture and launched a global movement that still resonates today. Its return to Bangkok celebrates a long-standing musical connection between Manchester and Krung Thep, first forged in the 80s, carried forward by new generations and still live on today’s dancefloors.

Basement Jaxx are Brit Award-winning pioneers whose explosive DJ sets blend house, breaks, carnival energy and timeless classics. 25 years on from Rooty, they remain one of dance music’s most electrifying forces.

Very Special Guest Peter Hook makes a rare appearance. He is the Haçienda’s original owner and founding architect of Manchester’s sound with his bass playing in Joy Division and New Order and is a direct link to the club’s origins, bringing its spirit, stories and attitude to Bangkok.

Fellow Manchester legends 808 State, acid house trailblazers and electronic music pioneers, Jon Dasilva, a seminal Haçienda resident and early sonic architect, DJ Paulette, another Haçienda resident, LGBTQ+ pioneer and UK club icon also play. Add in Move D, a deep, emotive selector and long-time cult favourite, Panorama Bar regular and modern house standout Huerta and hardware-driven house, electro and tech-funk innovator Liquid Earth and together, the line-up reflects the Haçienda’s original forward-facing ethos by bridging legacy and future dancefloor sounds.

Room 2 is hosted by Mixmag & Transport. Celebrating Transport’s 10th Anniversary, this room unites one of the world’s leading dance platforms with Bangkok’s longest-running underground party.

Room 3 is a Bangkok Collectives Showcase featuring Yellowfang, Pissawong, More Rice, Kangkao, Romrom and more, alongside pop-up record stalls and official Haçienda merchandise.

Produced with support from Maho Rasop, Bar Temp, Transport and Bangkok Community Radio and with tickets strictly limited to 2,000, this is a must-attend event that will go down in history.

 

Full Line-up:

Basement Jaxx (DJ Set) • Peter Hook • 808 State • Jon Dasilva • DJ Paulette • Move D • Huerta • Liquid Earth • Yellowfang • Pam Anantr • Ché Wax • Overmars • Transport 10th Anniversary (Room 2) • Pissawong • More Rice • Kangkao • Romrom • Olbi Iyah (Room 3)

 

Tickets are strictly limited to 2000 and are on sale now at; https://www.ticketmelon.com/FAC51/HaciendaBangkok

FAC51 THE HAÇIENDA, BANGKOK

24 Jan 2026 | 14:00-24:00

Ambience Space, City Centre (10400)

https://ambiencespace.co/

First-ever multi-room dance festival with 2,000 capacity

 

January 8, 2026 0 comments
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Festival NewsMusic News

Music Venue 77 Announces 2026 opening schedule w/ Dennis Ferrer, Zamna & More

by the partae January 8, 2026
written by the partae

77 Unveils First Events of 2026 to build on a breakout first year

Zamna, Dennis Ferrer, Trikk, Julya Karma, Magdalena and more feature​

As it enters the new year, London music venue 77 has announced its 2026 opening schedule, continuing its focus on music-led events within a purpose-built space designed around sound, lighting and a deep connection between artist and crowd.

After a hugely successful inaugural Autumn/Winter season, the new programme continues 77’s commitment to bringing together a community of dedicated music fans, showcasing house and techno from internationally respected artists in a space crafted for an immersive music experience.

Alongside its in-house programme, 77 will also be partnering with Zamna and Lone Collective, marking the beginning of a new series of collaborative event nights that bring globally recognised brands and distinctive curatorial identities into the space.

Successful event ACASO have also chosen 77 as their preferred destination, adding further depth and profile to the line-up and cementing the venue’s reputation as a trusted home for electronic music.

January is led by a standout collaboration on Saturday 24 January with Lone Collective and the globally recognised Zamna brand which hosts immerse showcases across the globe.

February sees house and techno royalty step into the booth, including US pioneer Dennis Ferrer on Friday 6 February as he brings his timeless, soul-driven sound to Marylebone. Later in the month, Magdalena and Yvonne Simone land on Friday 20 February with a refined blend of melodic depth and groove-led energy. The cult Zamna brand then returns on Friday 27 February.

March continues the momentum with line-ups including CIZA, Julya Karma, Nowa, Trikk and Novak, with Julya Karma, Nowa and Trikk all part of the Innervisions label family, reinforcing 77’s commitment to genre-spanning programming.

More artists and events will be announced across the coming weeks, with the opening setting the tone for what promises to be a defining year ahead.

 

77 A-Z Lineup 2026

ACASO

Amirita

AYA

CIZA

Culoe De Song

Dennis Ferrer

Indigenous

Julya Karma

Kasango

Le Blanc

Lone Collective

Magdalena

Novak

Nowa

Temple Tales Presents

Trikk

Vidojean

Yvonne Simone

Zamna

More to be announced

Tickets | Website | Instagram 

January 8, 2026 0 comments
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Festival NewsMusic News

Chinese Laundry Brings Global Tastemakers and Local Trailblazers Together for an Immersive Summer Season

by the partae January 8, 2026
written by the partae

Chinese Laundry is underway with its most expansive summer program to date, continuing its legacy as Sydney’s home for tightly curated electronic music events. The clubbing institution welcomes global icons, rising experimentalists, national heavyweights, and community-shaping collectives, reinforcing its role as a vital platform for Australian talent and a destination for discerning dancers.

For 30 years, Chinese Laundry has championed underground electronic expression with a community-first ethos, supporting emerging artists while attracting the world’s most respected selectors across a myriad of scenes and subgenres. Its intimate atmosphere remains a space where club enthusiasts come for music-first experiences: close-knit dancefloors, a phone-free dancefloor, and diverse programming that strengthens Sydney’s nightlife.

This summer channels that legacy with a lineup spanning techno, house, drum & bass, and deep progressive journeys, welcoming standout local collectives and residents.

Program Highlights

  • January 9 sees Berlin-based Alex Kassian kickstart the year with his signature blend of psychedelic house, cosmic disco and melodic techno.
  • January 9 sees Berlin-based Alex Kassian kickstart the year with his signature blend of psychedelic house, cosmic disco and melodic techno.
  • January 10 welcomes Merve b2b Ben Fester, delivering a high-energy, back-to-back session that cuts across house, techno and breaks. Joined by Marli, expect fast-moving selections and dancefloor-focused momentum built for peak-time club energy.
  • January 17 brings UK DJ/producer IMOGEN, who delivers a raw, club-focused sound spanning techno, electro and bass, shaped by her roots in London’s underground and appearances at venues like fabric and Berghain. Joined by Amsterdam-based AMORAL, whose driving grooves and rolling basslines balance power and precision for a high-impact club session.
  • January 23 presents Mandidextrous. Expect a fusion of free tekno, 4×4 beats and D&B-inspired energy from the Bristol-based artist, a pioneering figure in the tekno and speed bass scene known for explosive, high-velocity sets that push beyond genre boundaries.
  • January 24 sees Olivia Mendez take a vinyl-only approach, delivering deep, minimal and hypnotic techno selections. Her sets prioritise groove, texture and flow, creating an immersive late-night atmosphere.
  • January 31 closes out the month as trance legend John 00 Fleming returns with an extended progressive odyssey. With a career dating back to the late 1980s and founder of the influential JOOF Recordings, Fleming’s transcendent sets blend progressive, psy and classic trance.

While more names are yet to be announced for the months ahead, Chinese Laundry collaborates with Sydney collectives and resident DJs, expanding pathways for emerging talent and nurturing sonic communities that represent the depth of Australia’s electronic landscape.

Chinese Laundry’s fresh approach to programming reflects decades of community development, mentorship, and cultural stewardship in Sydney nightlife. Together with collectives, residents, and visiting tastemakers, the team curates weekly experiences with artist discovery at their core, bridging new electronic movements with the club’s long-standing reputation for unforgettable electronic music experiences. Tickets are available here.

ABOUT CHINESE LAUNDRY
Chinese Laundry is a landmark of Australian club culture, celebrated for its rave rooms, underground spirit, and three-decade legacy in electronic music. Chinese Laundry’s Sussex St location has an illustrious history dating back over 100 years. The venue became notorious in the ‘60s for hosting underground parties, both legal and illegal, to celebrate music, expression, and freedom. Today, the club delivers intimate dancefloors, discovery-led programming, and state-of-the-art sound. Chinese Laundry was a key platform in supporting emerging talents like Flume and Dom Dolla, while hosting electronic luminaries such as Sasha, Jeff Mills and Goldie. Chinese Laundry remains steadfast in its commitment to nurturing both current and future generations of musical talent, eagerly supporting innovative and distinctive concepts.

FOLLOW CHINESE LAUNDRY

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January 8, 2026 0 comments
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Music News

Water Stones: Lynn Patrick’s Quiet Masterpiece of Grace, Motion, and Emotional Clarity

by the partae January 8, 2026
written by the partae

There’s a quiet confidence to Water Stones that’s felt almost immediately. It doesn’t announce itself or lean on spectacle. Instead, it settles in slowly, the way certain records do when they’re built on feeling rather than intention. For Lynn Patrick, this album feels less like a statement and more like a reflection—one shaped by time, patience, and an instinctive understanding of space.

The record is rooted in acoustic guitar, but calling it guitar-led undersells what’s happening here. Mandolin, violin, upright bass, and gentle percussion move around the melodies with a natural ease, never crowding the frame. Everything feels considered, but never careful. There’s a looseness to the arrangements, a sense that the music is allowed to breathe rather than be guided.

Patrick’s playing is expressive without being showy. Notes are chosen for how they feel, not how they impress. Melodies arrive unforced, often lingering just long enough before moving on. Tracks like “Surfing Lu Lu” and “Breezy Sassafras” carry a quiet sense of lift, while others—“Unknown Changes” or the title track—slow things down, creating space for reflection rather than resolution.

The idea behind Water Stones is simple, but deeply effective. Like water shaping stone, the album reflects the way experience gradually alters us. There’s no urgency here, no dramatic peaks or forced emotion. Instead, the record moves gently, trusting that time and repetition will do the work. It’s music that doesn’t demand attention so much as reward it.

What stands out most is how natural the album feels. Nothing sounds overworked. Nothing feels placed for effect. There’s an organic flow from track to track, as though the songs are part of the same landscape rather than separate ideas stitched together. That sense of continuity makes the album easy to sit with, whether you’re listening closely or letting it play in the background of a quiet afternoon.

Nature has clearly left its mark on this record. You can hear it in the openness of the arrangements and the way the music seems to move rather than progress. It evokes wide spaces and slow moments—the kind where nothing is happening, yet everything feels present. Rather than telling a story outright, Water Stones allows listeners to bring their own into the frame.

There’s also a warmth running through the album that’s difficult to fake. It’s not nostalgia, and it’s not sentimentality. It’s the warmth that comes from an artist who knows when to step back and let the music speak for itself. Patrick’s restraint is one of her greatest strengths here, allowing emotion to surface naturally instead of being pushed forward.

Across its twelve tracks, Water Stones maintains a steady emotional clarity. It never overwhelms, but it also never fades into the background. It’s the kind of record that grows more familiar with time, revealing small details on repeat listens—an unexpected harmony, a subtle rhythmic shift, a melody that lingers longer than expected.

In a landscape crowded with urgency and noise, Water Stones feels refreshingly unhurried. It’s an album built on trust—trust in melody, in silence, and in the listener. Not something to rush through, but something to return to, again and again, when quiet feels like the right place to be.

About Lynn Patrick

Lynn Patrick is an award-winning guitarist and composer whose work is deeply shaped by nature, movement, and emotional intuition. Raised in Florida in a musically active family, Lynn grew up surrounded by song and instruments, while early experiences spent in and around the ocean—swimming, sailing, snorkeling, and exploring—helped form the foundation of her creative voice. After earning a Humanities degree from Florida State University, she moved to Boston to pursue music before settling in Colorado, where the Rocky Mountains became a lasting source of inspiration. She has lived west of Boulder for more than two decades, drawing creative energy from the surrounding landscape.

Lynn has independently produced and released six instrumental albums and one vocal album, earning recognition for her expressive, melodic guitar style. Her work has been honoured with two Independent Music Awards for Best New Age Song, along with finalist placements in the USA Songwriting Competition and multiple acoustic music awards.

Her music has appeared widely across film, television, and broadcast media, including a three-year feature on The Young and the Restless, documentary soundtracks, and outlets such as NPR, SiriusXM, and The Weather Channel. With more than 16 million streams worldwide, Lynn has also performed at iconic venues including Red Rocks Amphitheatre, The Bitter End, The Bluebird Café, SXSW, and festivals throughout Colorado.

WEBSITE

January 8, 2026 0 comments
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Summer in the Park returns in 2026 with free arts and music across Boroondara gardens

by the partae January 7, 2026
written by the partae

Summer in the Park 2026 champions sustainability, local artists, cultural diversity and community connection and the full program features over 70 artists and 21 vibrant performances in the inner-East’s most iconic parks and gardens.

The 2026 program commences with a special night of Indigenous storytelling, ceremony, dance and music curated by Jason Tamiru. Wander through the magical Maranoa Gardens from 6 pm, then gather for a deeply moving evening featuring evocative dance group Culture Evolves, opera, First Nations folk music and more.

The Camberwell Civic Precinct Hub, which will feature a solar-powered stage hosting live music, dancing, and community activities every Friday from 30 January to 27 February.

Friday 30 January: Party in the Park
Features powerhouse First Nations vocalist Bumpy, party-starter DJ Mz Rizk, and iconic soul trio Cookin’ on 3 Burners.

Friday 6  Dannii Disco in the Park
A celebration of local icons with Perfectly Queer and DJ Chelsea Wilson (Disco gear and sequins are encouraged!)

Friday 13 February: Zorba in the Park
An evening of classic Greek melodies, dance lessons, and big community energy from beloved Melbourne Greek outfit, Estudiantina of Melbourne

Friday 20 February: Country in the Park
Boot-scootin’ and line dancing fun with the Country Struts and toe-tapping live bluegrass by the Canyon Callers

Friday 27 February: Gusto Gusto in the Park
The Friday Hub series closes with a euphoric global-music party featuring one of Australia’s hottest festival bands, Gusto Gusto, fresh from stages like Glastonbury

Slow Art Collective will be installing a progressive artwork at the Camberwell Hub, with all festival-goers invited to contribute to its colourful structure over five festive weeks

Other festival events include Lunar New Year in the Park (Sunday 15 February) at Balwyn Park, Classical in the Park (Saturday 7 February) at Alexandra Gardens, Jazz in the Park (Saturday 21 February) at Riversdale Park, and Opera in the Park: La Dolce Vita (Saturday 28 February) at Canterbury Gardens

Enjoy more Family Fun with Woody’s Bush Bash at Maling Road (kids’ cabaret: puppetry, ukulele, Aussie stories) and Cinema in the Park: The Addams Family at Greythorn Park (outdoor spooky movie screening, costume prizes)

Alternative Valentine’s Day at Junction Skate offers young people a chance to skip the clichés for Valentine’s Day with skate and BMX competitions with pros, followed by a free concert featuring popular Indie bands Krystal Rivvers and Vollie.

“Summer in the Park is a wonderful opportunity to enjoy free, family‑friendly entertainment in Boroondara’s beautiful gardens and parks. With music, kids’ activities, outdoor cinema and more, there’s something for everyone – so bring a picnic and join us for a safe, welcoming celebration of community.” – City of Boroondara Mayor, Wes Gault

This accessible and inclusive festival is completely free, no booking required. Simply bring a picnic blanket, gather your friends, family and neighbours, and enjoy the magic of summer in Boroondara.

Dates: 
29 January – 28 February 2026

Schedule:

Djirrungana Kulture – Maranoa Gardens, Thursday 29 January, 6 to 8 pm

Party in the Park – Camberwell Civic Precinct Hub – Friday 30 January, 5 to 8pmWoody’s Bush Bash in the Mall – Theatre Place, Maling Road – Saturday 31 January, 10 to 11:30 am

Kylie and Dannii Disco in the Park – Camberwell Civic Precinct Hub, Friday 6 February, 5 to 8 pm

Classical in the Park – Alexandra Gardens, Saturday, 7 February, 5 to 7 pm

Zorba in the Park – Camberwell Civic Precinct Hub, Friday 13 February, 5 to 8 pm
Cinema in the Park – Greythorn Park, Friday 13 February, 6 to 8 pm

Alternative Valentine’s Day – Junction Skate Park, Saturday 14 February 4:30 to 8 pm
Lunar New Year in the Park – Balwyn Park, Sunday 15 February, 4 to 6 pm

Country in the Park – Camberwell Civic Precinct Hub, Friday 20 February, 5 to 8 pm

Jazz in the Park – Riversdale Park, Saturday 21 February, 5 to 8 pm

Gusto Gusto in the Park – Camberwell Civic Precinct, Friday  27 February, 5 to 8 pm
Opera in the Park: La Dolce Vita – Canterbury Garden, Saturday 28 February, 5 to 8 pm

Stay tuned for more event updates and announcements.

FREE and un-ticketed

Event Link

January 7, 2026 0 comments
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AO LIVE: Supports just announced

by the partae January 7, 2026
written by the partae

FIVE stacked nights await us at the end of January as we take over John Cain Arena for the next rendition of AO LIVE.

With under three weeks until it all kicks off, lock in your tickets now or miss out.

TICKETS & INFORMATION

TOUR DATES

Wednesday 28 January 2026 – 5-9 pm AEDT
The Kid LAROI
+ May-a & Will Swinton

Thursday 29 January 2026 – 5-9 pm AEDT
Spacey Jane
+ Mallrat & The Belair Lip Bombs

Friday 30 January 2026 -5-9 pm AEDT
The Veronicas + Sofi Tukker
+ Memphis LK

Saturday 31 January 2026 – 2-7 pm AEDT
Renee Rap

+ Cat + Calmell 
AO Women’s Final – 7.30pm

Sunday 1 February 2026 – 2-7 pm AEDT
Peggy Gou
+ Shygirl Presents Club Shy, Baby J & Bryson Hill
AO Men’s Final – 7.30pm

TICKETS & INFORMATION

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RECORD STORE DAY RETURNS SATURDAY 18 APRIL 2026

by the partae January 7, 2026
written by the partae

Record Store Day Australia returns for 2026 on Saturday 18 April, celebrating the vital role independently owned record stores play in Australian communities and the people who make them thrive; from store owners and staff, to artists, labels and music lovers.

Since its beginnings in 2008, Record Store Day has grown into a global celebration of independent music retail. The day continues to support music communities, labels, emerging and established artists, while supporting our local indie record stores, highlighting their unique role as cultural hubs and community spaces.

The continued resurgence of physical music formats from vinyl to CDs, cassettes, and more has people coming together in record stores to discover music, connect with their communities, and celebrate the culture that exists beyond streaming platforms.

Artists and labels are invited to submit expressions of interest to release music as part of Record Store Day Australia 2026. Releases may be presented via OG formats, vinyl, CD, and cassette, or via KiTbetter, the new hybrid physical and digital music format designed to blend the collectible appeal of physical music products of albums, photo cards, booklets, and merchandise, helping restore value in music ownership by giving fans something tangible to hold and as well as the connected digital experience. Record Store Day Australia aims to provide flexible pathways for artists to participate while celebrating physical and collectable formats. EOIs close Friday, 30 January.

Previous years have seen releases issued as part of Record Store Day Australia from Ninajirachi, Ruel, You Am I, Pond, The Grogans, Olana Janfa, Beth and Blue, Heavy Moss, Ella Thompson, Ocean Alley, Underground Lovers, Montaigne, Tasman Keith, Confidence Man, Peking Duk and Darren Hayes collaboration, The Wiggles, Bluey and more.

Record Store Day Australia recognises record stores as more than retail spaces, but also as community hubs, where shared musical passion forges connections that digital, algorithm-driven platforms often fail to replicate.

These physical spaces facilitate intergenerational connections, from first-time vinyl buyers to seasoned collectors, who share their knowledge and help ensure that culture remains accessible. The continued existence of the physical music and vinyl ecosystem is a conscious choice, and Record Store Day highlights the unique benefits of physical music retail over digital alternatives: human-driven discovery, the promotion of intentional listening experiences, and community support for artist development.

Save The Date
Record Store Day – Saturday 18 April 2026

Artists & Labels: Expressions of interest are now open for Record Store Day Australia releases in Vinyl, CD, Cassette, or KiTbetter formats.
EOIs CLOSE 5 PM FRIDAY, 30 JANUARY.  Submit HERE 

Stay tuned for more announcements soon!

For more information on how to participate in Record Store Day Australia, or sign up to receive updates, visit recordstoreday.com.au

FOLLOW RECORD STORE DAY AUSTRALIA

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January 7, 2026 0 comments
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Festival NewsMusic News

SPILT MILK 2025 CLOSES OUT FOUR MASSIVE SHOWS ACROSS AUSTRALIA BALLARAT | PERTH | CANBERRA | GOLD COAST

by the partae December 19, 2025
written by the partae
WEEKEND ONE – BALLARAT & PERTH

Spilt Milk launched its 2025 season in Ballarat/Wadawurrung, where Lotte Gallagher brought her melodic, vocals-forward set and indie-pop charm to Derbyshire Stage, followed by The Rions and The Dreggs sets that quickly drew one of the first major crowds of the day. While the American singer-songwriter, Nessa Barrett delivered an emotional, alt-pop slot and Chance Peña poured out a warm, soulful, Texas-flecked performance. Surprises around every corner, ARIA Award-crowned icon Ninajirachi also treated the crowd to a secret set in the Red Bull capsule, while the skies cleared at golden hour for Dominic Fike and his breezy, guitar-soaked hits. All before sombr, who performed the biggest shows of his career so far at Spilt Milk 2025, entered the crowd to join the party in one of many energetic moments. As night fell across Ballifornia, Doechii tore into the Angove stage with sharp choreography, high-voltage energy and the first-ever Australian performance of Grammy-nominated single ‘Anxiety’, and Kendrick Lamar delivered a razor-sharp, career-spanning headline moment that set a powerful tone for the tour ahead.

With pristine weather Perth/Whadjuk ran hot from the start, with Spici Water firing up Basquiat and Namesake easing crowds into Derbyshire, before Mia Wray’s huge, soulful vocals took over and hometown heroes South Summit pulled one of the first big surges of the day. Club Angel shifted the Basquiat tent into fast, garage-driven party mode, ScHoolboy Q was spotted watching Genesis Owusu’s masterful performance, before the same stage was lit up with his own hit-stacked set. Elsewhere Baby J did her hometown proud and Skin On Skin locked the crowd into a driving, club-leaning rhythm that had the audience moving from the first drop. RESTRICTED closed out the night to a capacity audience, including Skin On Skin who hopped on stage in the fan area from start to finish, further sealing Perth as one of the most high-powered stops of the festival run.

PHOTO CREDIT: MACKENZIE SWEETNAM
WEEKEND TWO – CANBERRA & GOLD COAST

Never resting, Spilt Milk returned for Weekend Two, kicking off in its spiritual hometown of Canberra/Ngunnawal. The sold-out Exhibition Park crowd embraced the festival from the moment gates opened, with Eldest and zacattacq kicking the day off, while Don West brought warmth and groove with his latest album, and Sophie Edwards added her heartfelt indie-pop touch to the Derbyshire stage. Sofia Isella lifted the late afternoon with her bold, art-pop edge with her sharp vocals and cinematic flair and the biggest roar of the day arrived when Genesis Owusu stepped onto the Basquiat stage for a triumphant homecoming set, a late-addition surprise that hit even harder in his own city, firing through unreleased tracks and fresh singles “PIRATE RADIO” and “DEATH CULT ZOMBIE”. From there, Ninajirachi pushed the night forward with her shimmering, club-ready sound and praising the Canberra crowd’s electric energy that continued into the evening’s closing sets.

For the final leg on the tour, the artists pulled out all the stops. Warming up the early hours were QLD locals like Ixaras, JJ4K and Selve. Gold Coast local Lyric brought her witty synth-pop anthems to the afternoon and the raucous alt-rock set of Rum Jungle further electrified crowds. Ennaria awed with her dynamic, genre-crossing set, and Esha Tewari showed why she’s launched from her bedroom recordings to international acclaim with her absorbing, heartfelt words. Meanwhile, Rebecca Black’s live set brought a burst of glossy pop to Basquiat before later showing off her DJ chops with a surprise appearance hidden in the Red Bull capsule. An absolute powerhouse across the whole tour, Sara Landry had the Basquiat stage heaving with a hard techno set the Gold Coast will never forget.

One of the most talked about festival tours of the year, Spilt Milk delivered four unstoppable celebrations of music, culture and community across the country.

Same time next year? Follow @spiltmilk_au for all the highlights and 2026 festival updates!

SPILT MILK FESTIVAL
Presented by Kicks Entertainment
Supported by triple j

Saturday 6 December 2025 – Victoria Park, Ballarat | Wadawurrung [SOLD OUT]
Sunday 7 December 2025 – Claremont Showground, Perth | Whadjuk [SOLD OUT]
Saturday 13 December 2025 – Exhibition Park, Canberra | Ngunnawal [SOLD OUT]
Sunday 14 December 2025 – Gold Coast Sports Precinct, Gold Coast | Kombumerri [SOLD OUT]

MUSIC LINEUP:

KENDRICK LAMAR
DOECHII
SARA LANDRY
DOMINIC FIKE
SCHOOLBOY Q

(A-Z)
GENESIS OWUSU | NESSA BARRETT | SKIN ON SKIN | SOMBR

(A-Z)
BABY J | CHANCE PEÑA | CLUB ANGEL | DON WEST | ENNARIA | ESHA TEWARI | LYRIC | MIA WRAY | NINAJIRACHI | REBECCA BLACK | RUM JUNGLE | SOFIA ISELLA | SOUTH SUMMIT | THE DREGGS |
THE RIONS | ALL ABOUT THE ENERGY WITH RESTRICTED

Local acts (A-Z)
Ballarat: ISGWAN | LARISSA LAMBERT | LEWIS LOVE | PARTY MCCARTY | RUBY LOU | TOM NETHERSOLE
Perth: DON DARKOE | NAMESAKE | SPICI WATER
Canberra: ELDEST | JEB B2B DIMSIM | SMARTCASUAL | SONIC REDUCER | SOPHIE EDWARDS | ZACATTACQ
Gold Coast: IXARAS | JJ4K | KESSIN | SADBOY. | SHIMMY | TRANCE MUMS

SPILT MILK
WEBSITE | INSTAGRAM | TIKTOK

December 19, 2025 0 comments
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Music News

Legendary guitarist Tom Morello joins metalcore powerhouse Beartooth with new single “Everything Burns”

by the partae December 19, 2025
written by the partae

Legendary guitarist Tom Morello joins metalcore powerhouse Beartooth with new single “Everything Burns” (out now on Mom+Pop Music) produced by two-time GRAMMY-nominated songwriter, musician and producer Tyler Smyth (Falling in Reverse, I Prevail, Blessthefall, Royal & the Serpent). This fierce collaboration fuses Morello’s signature guitar riffs with soaring, aggressive vocals from singer Caleb Shomo noting: “Creating ‘Everything Burns’ was the definition of lightning in a bottle. Pressure makes diamonds. When I got a call saying Tom Morello wants you to sing on a song for a huge project and it’s due in a few hours I had no idea what would happen, but I gave it all I had and it turned into something that’s truly once in a lifetime. I couldn’t be more honored to be a part of this with Tom and the entire Final Fantasy family that made this happen. Life goal achieved.”

Yesterday, the song made its in-game debut for the latest update of Final Fantasy XIV, where players will get to experience the track in one of the most pivotal parts of the game – earlier today it premiered on SiriusXM Octane and is now available globally on all streaming platforms along with a music video directed by AxiA.

On his collaboration with Beartooth, Morello adds: “Everything Burns is a high energy riff heavy banger that feels like it’s rising from the streets. Collaborating with Beartooth and super producer Tyler Smyth to forge this ferocious next single from my upcoming solo album was a real thrill.”

TOUR DATES 2025

12/17 – HUDA Gymkhana Club, Gurugram Sector 4 – Gurugram, India

12/19 – Infinity Ballroom, Fairmount Mumbai – Mumbai, India

12/21 – Phoenix Marketcity – Bengaluru, India

TOUR DATES 2026

3/13 – Lollapalooza Chile – Santiago, Chile

3/15 – Festival Vive Latino – México, Mexico

3/17 – Pepper Disco Club – Zapote, Costa Rica

3/21 – Estéreo Picnic – Bogotá, Colombia

5/8 – Welcome to Rockville – Daytona Beach, FL

6/4 – Sweden Rock Festival – Sölvesborg, Sweden

6/5 – Rock im Park – Nürnberg, Germany

6/6 – Rock am Ring – Nürnberg, Germany

6/9 – Klub Stodoła – Warszawa, Poland

6/11 – Nova Rock – Nickelsdorf, Austrian

6/14 – Download Festival – Castle Donington, United Kingdom

6/16 – Bataclan – Paris, France

6/18 – Graspop Metal Meeting – Dessel Belgium

6/20 – Hellfest – Clisson, France

6/22 – Doornroosje – Nijmegen, Netherlands

6/24 – Copenhell Festival – Copenhagen, Denmark

6/26 – Tons of Rock – Oslo, Norway

6/27 – BBK Music Legends Festival – Bilbao, Spain

TICKETS

Follow Tom Morello: 

Website | X | Instagram | Facebook |  YouTube

Follow Beartooth:

Website | X | Instagram | Facebook | Youtube | TikTok

December 19, 2025 0 comments
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Festival NewsMusic News

LATE OPEN-AIR UNVEILS LINEUP FOR ITS DEBUT BALI SHOWCASE VIKEN ARMAN, GEJU & KUMA TO PLAY AT NUANU AMPHITHEATER

by the partae December 19, 2025
written by the partae

Ahead of its opening in 2026, LATE CLUB is gearing up for a spectacular debut showcase on 17 January 2026 at the Amphitheater in Nuanu. The 9-hour open air event, starting at sunset, promises cutting-edge electronic music, a mystical venue, spectacular stage production and light design, and an unforgettable day-to-night journey. Situated just in front of the club, which is currently under construction, the amphitheater offers a setting where timeless elegance meets lush tropical surroundings. Guests will be immersed in an enchanting atmosphere enhanced by cocktails, street food, and striking art, creating a fully multi-sensory experience. The event will be headlined by musical maverick VIKEN ARMAN, followed by the groundbreaking duo GEJU and the up-and-coming KUMA.

French producer, DJ, and musician VIKEN ARMAN crafts a distinctive sound blending jazz, house, minimal, hip hop and world music, delivering hypnotic performances on some of the world’s most iconic dancefloors, from Fusion to Burning Man. His latest release ‘Willow’ topped N*1 of the Beatport Chart Electronica, while his Cercle Live reached over 1 million views, cementing his status as one of the most innovative artists of the scene. Defining the genre of Chillrave, GEJU fuses meditative chillout with ecstatic rave energy, captivating audiences from Moscow to festivals like Burning Man, Fusion Festival, and ADE. KUMA, resident of GEJU’s Leveldva Records, brings musical tenderness and confident dance grooves.

The immersive event kicks off at 6 PM and pulses through the night until 3 AM in a space where the classic amphitheater architecture blends with cozy corners. Guests can sip cocktails crafted by the LATE head bartender, unwind in chill-out zones with plush carpets and pillows, marvel at striking robotic art objects, and indulge in street food from open-air stalls.

LATE is a bold new concept set to open in Nuanu, Bali, in 2026. The venue will feature a nightclub, a fusion cuisine restaurant and a cocktail bar, a listening vinyl bar, chill-out zones, and themed rooms that double as immersive event spaces. With its forward-thinking music programming, state-of-the-art Void sound system and striking interior design, LATE CLUB promises to redefine nightlife on the island. Developed by 19:19, a boutique Bali promoter, the project blends unparalleled experiences with visionary design setting a new benchmark for entertainment and connection in Bali.

“We are thrilled to open LATE in Bali and to organize a series of showcaseS, starting with this one,” says LATE management. “Our vision is to create a space where cutting-edge electronic music meets bold design, curated experiences, and meaningful social connections. This event is just a glimpse of what LATE will offer – an all-night journey through sound, style, and atmosphere that sets a new standard for nightlife on the island.”

The Early Bird tickets cost 432,600 Rp while the VIP Early Bird tickets cost 741,600 Rp. Secure your tickets online through Megatix at https://megatix.co.id/events/late-invites-viken-arman-geju-kuma

Lineup: 

Viken Arman

GEJU

Kuma

LATE Instagram

LATE FB Event 

December 19, 2025 0 comments
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Festival NewsMusic News

Ministry of Sound Celebrates 35 Years with First Names of 2026

by the partae December 19, 2025
written by the partae

Set to kick off the year will be the likes of Ron Trent, Joe Claussell, Lauren Lo Sung, Eats Everything, Tony Humphries, Fiorella, Pete Tong, Kölsch, Zed Bias, Konstantin Sibold and more

Ministry of Sound unveils the first wave of artists set to soundtrack its historic 35th Anniversary Programme, marking the beginning of a year-long celebration for one of electronic music’s most influential club institutions. The opening announcements preview a milestone moment for the London powerhouse as it prepares for its most transformative year yet. After 35 years at the forefront of global club culture, Ministry of Sound is readying a new chapter that will reshape the clubbing experience, with major plans to reinvent the look and feel of the club from January 2026.

Heading up the bill are heavyweight artists whose sounds have defined generations and shaped the rhythm of London nightlife. From house legends Ron Trent, Joe Claussell and Tony Humphries to global powerhouses Pete Tong, Kölsch, Darius Syrossian, Eats Everything and more, reflecting the club’s enduring influence on the city’s musical identity and sonic legacy, which continues to be the blueprint for club culture across the globe.

Alongside the headline acts, Ministry of Sound continue to put a spotlight on London’s most vital and exciting new talent. Lauren Lo Sung brings the genre-blurring house sets that have made her a fixture on the capital’s floors, Fiorella pushes deep house and minimal sounds into fresh territory, Riva Starr and Matrefakt inject tech and house flavours, and Konstantin Sibold’s melodic techno has won him acclaim across Europe.

Landing in the new year, Blink takes over Fridays at Ministry, championing the best in melodic and afro-house. Launched with Louder, it kicks off on Friday 30th January with a headline set from afro-house artist &Friends. Building on the club’s cross-genre ethos, Blink forms part of a 2026 programme that shines a light on emerging talent and brings the world’s standout artists to London’s floors.

“Everyone at Ministry of Sound is incredibly proud of what we’ve built over the last 35 years, the nights, the artists, the energy that has defined London’s sound. But we’re also thinking ahead, about what the club could become over the next 30 years. Next year marks the start of that chapter.” – Matt Long, Club Director. 

The anniversary kicks off in January with Carnival of Sound on Friday 9, followed by celebrating 23 Years of Select Radio on Saturday 10. Mas Que Nada brings house and disco-infused energy on Saturday 17, while Sound of Garage revisits UKG classics on Friday 23. The month closes with two standout headline nights: &friends on Saturday 30 January, and a landmark back-to-back set from Pete Tong and Kölsch on Saturday 31, supported by Lauren Lo Sung and Jansons.

February continues the momentum with Hard Times hosting a rare daytime session on Saturday 7, featuring house pioneers Ron Trent, Joe Claussell and Tony Humphries. Later on in the month, URGE, Siesta, La Discothèque (celebrating 10 years), Smoove and Room Service bring a mix of underground and genre-spanning sounds, while Konstantin Sibold takes to the decks on Friday 20 February.

March rounds out the opening season with the Latin energy of BRESH on Saturday 7, global big-room star KSHMR on Friday 13, and the technicolour rhythms of Zamna Soundsystem on Friday 20. The month closes with Mak10 + Friends on Saturday 28, a showcase of grime, UKG, and UK funky celebrating the club’s underground spirit.

The 2026 programme honours the venue’s rich history while pushing forward into new creative territory, blending heritage with innovation, legends with rising talents and London roots with worldwide reach.

Visit the website to secure your tickets here: https://www.ministryofsound.com/tickets/

 

Ministry of Sound 35th Anniversary – Opening Season

 

A-Z

&friends, Alcemist, Andy FunkFusion, Angel Lee, Anthony Godfather, Artful Dodger, Basso, Billie Jean, Bresh, Chanel Carmichael, Chapter & Verse, Charlotte Devaney, Daniella Font, Danny Decibel, Darius Syrossian, Eats Everything, Ellzy B, Fiorella, Higgo, Hotsteppa, James Alexander, James Carter, Jansons, Jesse Calosso, Joëlla Jackson, Joezi, Joe Claussell, Josh Parkinson, Joshua Roberts, Kismet, Kölsch, Konstantin Sibold, KSHMR, La Discotheque (Celebrating 10 years), Lauren Lo Sung, DJ Majesty, Mak 10, Marcus Nasty, Mark Love, Mas Que Nada Brothers, Matrefakt, Moeaike, Murdock, Nick Christoforou, Omari, P.O.U, Padre Guilherme, Pete Tong, Philip George, Pioneer, Remixia, Rennie Peters, Riva Starr, Ron Trent, Rooby, Royal-T, RUZE, Ryan Nicholls, Sam Supplier, Sandra Omari, Sassy B, Supa D, Tebra, Tom Enzy, Tom Short, Tony Humphries, Vibe Chemistry, Vini Vici, Zamna Soundsystem, Zed Bias, Zofia.

Friday 9th January 2026

Carnival of Sound

Alcemist

Murdock

Katalyst

Saturday 10th January 2026

23 Years of Select Radio

Billie Jean

Josh Parkinson

Zofia

Friday 16th January 2026

Citizens Vol 4

Chapter & Verse

Sam Supplier

Issy Smith

Saturday 17th January 2026

Mas Que Nada

Riva Starr

Mas Que Nada Brothers

Matrefakt

Friday 23rd January 2026

Sound of Garage

Artful Dodger

Zed Bias

Higgo

Saturday 24th January 2026

RUZE

Ryan Nicholls

Rennie Peters

Friday 30th January 2026

&friends Show

&friends

Moeaike

Joezi

Saturday 31st January 2026

Pete Tong b2b Kölsch

Lauren Lo Sung

Jansons

Friday 6th February 2026

Padre Guilherme

Hinchy

Sweiz

Saturday 7th February 2026 (DAY TIME)

Hard Times

Ron Trent

Joe Claussell

Tony Humphries

Saturday 7th February 2026

URGE

Special Guest TBA

Jesse Calosso

Fiorella

Friday 13th February 2026

Vibe Chemistry + more

Saturday 14th February 2026

Siesta

Line up TBA

Friday 20th February 2026

Konstantin Sibold

WREX

P.O.U

Saturday 21st February 2026

La Discothèque

Todd Terje + more TBA

Friday 27th February 2026
Smoove

Line up TBA

Saturday 28th February 2026

Room Service

Line up TBA

Friday 6th March 2026

Alteza

Vini Vici

Omiki

Camacho

Saturday 7th March 2026

BRESH

Residents + special guests

Friday 13th March 2026

KSHMR

James Carter

Nova

Saturday 14th March 2026

Line up TBA

Friday 20th March 2026

Zamna

Zamna Soundsystem

Tebra

James Alexander

Saturday 21st March 2026

Bitch, Please!

Line up TBA

Friday 27th March 2026

Madafreaks

Tom Enzy

+ more TBA

Saturday 28th March 2026

Mak10 + Friends

Line up TBA

Ministry of Sound

103 Gaunt St, London SE1 6DP

ministryofsound.com | instagram.com/ministryofsoundclub/

 

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