the partae
CLAPTONE PRESENTS: ‘THE MASQUERADE’ AT PACHA IBIZA THE MAJESTIC WEEKLY PARTY MOVES TO SATURDAYS FOR ITS 2ND WHITE ISLE SEASON
PACHA
CLAPTONE PRESENTS: ‘THE MASQUERADE’
EVERY SATURDAY AT PACHA IBIZA
MAY 23rd – OCTOBER 3rd
Enigmatic DJ and producer Claptone is bringing The Masquerade, his spellbinding event concept, back to Pacha Ibiza for a second season this summer commencing on May 23rd, with the weekly run of parties switching to Saturday for 2020.
‘The Masquerade’ has quickly become a highlight on the Ibizan calendar, promising magic, mystery and intrigue, within a supercharged environment of wonder. It’s a place where one can live out their deepest desires, an extraordinary atmosphere, full of masked faces, complemented by some of Pacha’s world famous and beautiful costumed dancers, held every Saturday throughout the summer.
It follows on from a massively well-received first season, which welcomed MK, Diplo, Purple Disco Machine, Duke Dumont, Kerri Chandler, Basement Jaxx and many more to the idyllic shores of the White Isle for a string of majestic parties.
“It’s crazy to think last summer was just the beginning, it already felt that perfect to me. To be honest, I can’t fully fathom that after that epic 2019 season, I’ll be back at Pacha for 2020, to present an even bigger, better and longer season of The Masquerade – on the weekend. There will be exciting guests, propulsive house music and all these great performers that your heart desires! in our sanctuary, each Saturday for 21 weeks. This is only the beginning.”
Originating in 2016, Claptone took his unique ‘The Masquerade’ show to select cities and venues around the globe, from The Brooklyn Mirage in New York to Electric Brixton in London, from Estadio Geba in Buenos Aires to Burnley Park in Melbourne, from Club Space in Miami to his own arena at Belgium’s iconic Tomorrowland.
A unique figure in modern music, Claptone is like no other. Playing over 260 shows around the world each year, his idiosyncratic, spellbinding very own house sound has caught the attention of many. The second iteration of his Ibiza residency is certain to harbour many more.
The Masquerade returns to Pacha Ibiza May 23rd
Where are you currently based and what is the music scene like there?
I’m based in Melbourne, Australia. I love the music scene here, there are so many creative people which makes it easy to arrange sessions and collaborate with other artists/musicians/producers. That being said though, I write & work with people all over the place thanks to the World Wide Web.
How did you first start singing?
I was very influenced by my Mum and my Aunty; they’re both great singers and very creative people. I started singing lessons when I was about 8 with Connie Lemke, the same singing teacher my mum went to, and from there it was kinda game on! I started gigging when I was 13 or 14, and that taught me a lot about how to work with a band. From there I became pretty self-sufficient, got my own gear and started doing my own gigs/writing/recording.
What’s been happening recently?
My life’s been pretty hectic lately, I’m towards the end of my law degree so I’m studying a lot, and I’m also working in a law firm one day a week. I’ve just moved house and have a sick music room set up, so I’ve been feeling pretty inspired to make new music, been dabbling on the keyboard whenever I have a spare moment.
You’ve just released your new single and video ‘Scarlet Skies’ what influenced the sound and song writing for this track?
I wrote Scarlet Skies when I’d just got home from a big tour, I was pretty exhausted but the lyrics and melodies came together pretty quickly. In a literal sense, the sky at the time inspired the song. I was on my balcony in Fitzroy and had a beat Allan McConnell made for me on loop. The sky was so vibrant, it was really beautiful. Thoughts and ideas just started flowing naturally and that’s how it all came about. I think there’s some subliminal influences in my sound from artists like Jazmine Sullivan, Nai palm and even Solange.
How do you go about writing music?
Generally I’ll give my producer a reference or direction as to what feel or vibe I’m wanting to create.. Once we come up with something we both like, I’ll then start humming different melodies over the chords or beat. Once I come up with melodies I like, then I start playing around with different vowels that suit the rise and fall of those melodies.. I then structure words around those vowels… usually the words then lead me to a concept, which ties everything together.
Where and when did you record/produce and who with?
It all happened throughout last year. Allan McConnell from Close Counters produced Scarlet Skies, he did such an incredible job. I’d love to post the original idea he sent me for the song so people can hear how well Allan developed those initial ideas. I laid down my vocals with Hamley who is another producer I like to work with, and he then produced my vocals. I think Hamley also added a lot to this track because so much focus is in the ambience and treatment of the vocal. Liam Quinn from Sydney then mixed and mastered and he did a killer job as always. Quinn is my go to guy! He has such a good ear and is quite the perfectionist in the studio, which I love.
How did you approach the recording process?
With patience, persistence, stretches, and chamomile tea! I gotta get relaxed, comfortable and in the zone before I record.. Recording is such an intimate and vulnerable thing, the tiniest imperfections are picked up and amplified which can be good and bad. I’m pretty brutal with myself, I guess the vocal coach part of me switches on and I nit-pick everything. Hamley and Quinn will be able to testify to that I’m sure.. haha
How did the concept for the video clip come about?
I had a meeting with Georgia and Jenny (the creative directors) and we had a massive brainstorming session. I should actually find that pile of paper we were brainstorming on; I remember it looking pretty frantic, we were overflowing with ideas. It was always my intent for the video to be something aesthetically nice to look at- beautiful colours, abstract, patterns, but not necessarily anything with narrative. From there, we worked with our producer Darren Collinson to refine the ideas and think about how everything would work in practice.. It was a really fun process, can’t wait to do another video.
What did you find most rewarding and challenging with the creation of the video clip?
The most challenging thing was definitely getting the shots of me out in the ocean.. The water was ridiculously cold and I was out there for about an hour. Georgia’s mum Andrea was genuinely concerned for my life haha, I had a warm shower afterwards and still couldn’t feel my toes for a solid 2 hours. But, 100% worth it, because those shots came out so sick. 11/10 challenge, 10/10 reward.
You’ve been touring as a backup singer with Ruel for the last 5 years, how was this experience?
Amazing! Some of the best times of my life, for real. I’ve learnt so much about music and the industry and had some really crazy opportunities that I’m so thankful for. I’m really grateful for being a part of Ruel’s story; he’s super talented and such a lovely person.
What did you most enjoy about being on the road and performing?
I mean the shows themselves are always the highlight for me, the travel can get tedious, but once you’re on stage and feel that energy, it all becomes well worth it. Also, with touring you stumble across so many places that you wouldn’t necessarily go to if it weren’t for the shows, but once you’re there it ‘s like wowza this place is incredible! A big one for me was Stockholm, absolutely loved it, like probably in my top 5 places in the world.. But because it’s so far away and I guess not overly marketed towards Australians for holiday, I probably wouldn’t have gone otherwise. Stockholm also has the best meatballs ever, I’d go back all that way just to have them again.
What have you taken away from the experience?
When I’m touring, I miss home, and when I’m home, I miss touring.. It’s a catch 22, but I think because everything’s so fast paced on tour, it’s easy to get caught up and forget how lucky you are to have such wild opportunities like that. So I guess it’s taught me to be appreciative and grateful for every opportunity I get to perform. Like, what a job. Can’t complain about that.
What do you like to do away from music?
I mean, the law side of my life takes up a lot of my time too, but outside of that I’m actually really into painting at the moment. Been replacing my Netflix time with painting, which has been really soothing and cathartic. I love hanging out with my nieces Lotus and Evie too, they’re the best!
Who are you listening to at the moment?
Right this moment, listening to Jordan Rakei, so smooth. More generally though, I’m on a bit of a ‘No Doubt’ bender at the moment, very down with old school Gwen Stefani.
What’s planned for 2020?
Lots of writing! I wanna write with a bunch of different song-writers and producers. And, hopefully I will finish my law degree, that’d be nice.
Favourite food and place to hangout?
Well, it depends how you interpret ‘food’. If you interpret it as a cuisine, I’d say Italian because it involves lots of cheese and pizza and pasta are just the best. But, if you define ‘food’ as a singular thing, I’d probably say hot chips. I’m a pretty harsh chip critic though, has to have the right amount of crunch and salt. Fav place to hangout is probably just at my house with my friends. We can wear our PJs all day, be as loud as we want and no one can kick us out- now that’s a good time.
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100 gecs announce debut Australian tour With shows in Brisbane, Melbourne and Sydney
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LISTEN TO 1000 gecs HERE
100 gecs:
Twitter | Instagram | SoundCl
Dylan Brady:
Twitter | Instagram | SoundClo
Laura Les:
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NAHKO AND MEDICINE FOR THE PEOPLE release new single ‘TWISTED’ on MEDICINE TRIBE/SIDEONEDUMMY RECORDS
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DJ Bone & Friends Announce the second room at Amsterdam institution RADION
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OLIVIA WIK HAS ALWAYS HAD A LOVE OF MUSIC. SHE LIKES TO JOKE THAT SHE WOULD SING MORE THAN SHE WOULD TALK. HER LIFE WAS A MUSICAL!
WHEN SHE PICKED UP A GUITAR FOR THE FIRST TIME AT 8 YEARS OLD, IT WAS LIKE A LIGHT WENT OFF. SHE KNEW THAT THIS WAS WHAT SHE WAS MEANT TO DO! AS SHE GOT OLDER, OLIVIA BEGAN TO THINK MORE SERIOUSLY ABOUT A CAREER IN THE MUSIC INDUSTRY AND BEGAN GOING TO CONFERENCES ALL OVER THE COUNTRY WHEN SHE WAS JUST 16. HER HARD WORK GARNERED HER MANY AWARDS AND NOMINATIONS. OLIVIA IS A 2014 EDMONTON MUSIC AWARDS NOMINEE (ARTIST TO WATCH), 2014 ACMA SONG OF THE YEAR NOMINEE AND 5-TIME ACMA NOMINEE FOR FEMALE ARTIST & FAN’S CHOICE.
LISTEN
https://distrokid.com/
IVAN DURRANT: BARRIER DRAW The Ian Potter Centre: NGV Australia | 1 May – 25 October 2020 | Free entry
“Visual images do not merely replace words but do things that words cannot do.” – Ivan Durrant
Ivan Durrant, a leading exponent of photorealism, and natural raconteur, will be celebrated in a major survey paying tribute to five decades of his extraordinarily diverse career since the 1970s, at The Ian Potter Centre: NGV Australia from 1 May 2020.
Ivan Durrant: Barrier Draw is the most comprehensive survey of Durrant’s work to date. Featuring over 100 multi-disciplinary works from the Melbourne-born artist, the exhibition will also unveil a new larger-than-life sculpture inspired by his controversial back catalogue. Drawn extensively from Durrant’s personal collection, the exhibition also includes major works from public and private collections from across Australia.
‘A prolific artist and provocateur, Ivan Durrant has created one of the most audacious bodies of work in Australian art,’ said Tony Ellwood AM, Director, NGV. ‘With his work first exhibited at the NGV in 1979, we’re delighted to welcome Ivan back to pay tribute to his extensive career and provide a platform to unveil an unmissable new work.’
The exhibition chronicles the evolution of Durrant’s diverse career, including his earliest folk paintings depicting an idyllic childhood in the countryside, which were a sharp contrast to his own experiences having grown up in an orphanage; his realist paintings, short films and sculptures of the 1970s and 80s, including his race track and movie star series; politically motivated installation works including Butcher Shop 1977/78, held in the NGV Collection; and more recent evocative ‘soft-focus’ paintings of the 1990s and 2000s.
A large proportion of Durrant’s later works employ a technique the artist refers to as ‘supraphotorealism’ – an abstract-like technique which mimics an out-of-focus photograph through the use of vibrant colours, softened edges and select focus, extending beyond the traditional parameters of photorealism.
Inspired by the deliberate intention to shock, Durrant first achieved public notoriety in 1975 when he deposited the carcass of a cow in the NGV forecourt. Soon after, media began referring to him as the ‘enfant terrible of Australian art’. Struck by the apparent double standard whereby people could buy, cook and eat meat but could not acknowledge where it came from, Durrant hoped to highlight the hypocrisy of killing an animal for human consumption.
The artistic context for Durrant’s work in the 1970s related to the distinguishing shift in Australian art with a new generation of artists beginning to explore socio-political issues and experiment with artistic mediums and techniques. Durrant was inspired by the potency of performance art and its ability to make a statement and elicit emotional responses in an unconventional way. Durrant also harnessed the power of the media to promote his work on a broader scale outside the traditional confines of the gallery space.
In ‘The Severed Hand Happening 1975’, Durrant generated the perfect media storm when he drew on his skills working in a prosthetics laboratory at the Royal Melbourne Hospital, and exhibited what appeared to be a severed human hand. Coming under police investigation, he revealed the hand was actually an intricately detailed resin sculpture.
Ivan Durrant: Barrier Draw includes a mini-documentary featuring an exclusive interview with the artist. The film will be exhibited alongside newspaper archives contextualising the Australian media’s response to Durrant’s most notorious works and the artist’s enduring fascination with playing the role of the larrikin.
The NGV will publish an exhibition catalogue featuring contributions by Australian playwright and actor Barry Dickins, writer and curator Rodney James, and NGV exhibition curator David Hurlston.
Ivan Durrant: Barrier Draw will be on display at The Ian Potter Centre: NGV Australia from 1 May to 25 October 2020. Free entry. Further information is available via the NGV website.
Hideous Sun Demon announce a belter run of Australian tour dates for April & May!
Brace yourselves, Hideous Sun Demon are back with some of their most punishing and electrifying music to date. The Melbourne-based group, who made 2019 their own through the release of their EP Good Time and over the course of extensive bouts of touring, announce their newest Australian tour venture for April and May.
The brand is hitting the road, coming to some of the country’s best venues, brandishing their new single ‘Gimmicks’. Best believe, the song comes packing a serious punch. Arriving with the type of self-confidence that would make anybody envious, Hideous Sun Demon’s latest single is a furious snapshot of the trio operating at their crazy best.
Of their upcoming Australian tour, the band is chomping at the bit to reconnect with fans and introduce the public to their rejuvenated and hectic sounds. “We had grown pretty bored of our old sound. We had kinda gotten into this formulaic approach to songwriting that was defined by fuzzy guitars and doomy riffs. We were eager to adopt a wider breadth of influences, especially since Jake and Vin had bonded over their love of post-punk and new wave in their youth. We’ve started playing with cleaner guitars, writing songs that have a higher focus on tight playing rather than balls to the wall noise, as well as reimagining and broadening what our sound can be.” Hideous Sun Demon
Throughout last year, Hideous Sun Demon were honing their craft on stages throughout Europe, with the Good Time EP bringing them to the radars of many. Following on from 2018’s FAME, EROTIC, DREAM album (the band’s third), their 2019 material showcased a band that was further exploring their sonic identity. Heading into 2020, Hideous Sun Demon are flexing their songwriting and live muscles more than ever.
PRAISE FOR HIDEOUS SUN DEMON
“Hideous Sun Demon are both the odd kid on your street burning their toys with a magnifying glass and the warped, melting plastic figures themselves. Reckless abandon and gleeful horror all at once.”
Triple J Unearthed, Dave Ruby Howe
“A young band kicking genre’s expectations in the teeth.”
The AU Review
“Hideous Sun Demon have a solid sound that makes them stand out in the most beautiful way possible…they are easily one of the most exciting and interesting bands around.”
Beat In My Bones
Welcome this new chapter with the guys at a venue near you this Autumn – we dare ya.
HIDEOUS SUN DEMON AUSTRALIAN TOUR DATES
Friday, April 3rd The Curtin Melbourne
Tickets
Saturday, April 4th The Eastern Ballarat
Tickets
Saturday, April 18th Lord Gladstone Sydney
Sunday, April 19th North Gong Hotel Wollongong
Tickets
Thursday, April 23rd The Northern Byron Bay
Friday, April 24th Vinnie’s Dive Gold Coast
Tickets
Saturday, April 25th Bearded Lady Brisbane
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Saturday, May 2nd Exeter Beer Garden Adelaide
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Saturday, May 8th Mojo’s Bar Fremantle
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Sunday, May 9th Lyric Lane Perth
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PEARS – “PEARS” DIGITAL SERVICE BRAND NEW ALBUM, PEARS, OUT VIA FAT WRECK CHORDS THIS FRIDAY TOURING AUSTRALIA MAY/JUNE 2020
New Orleans punk band Pears have an announced an Australian tour for May of 2020. Pears will be touring their brand new self-titled album Pears, to be released March 6 on Fat Wreck Chords.
Head over to the Fat Wreck Chords YouTube page right now to listen to “Comfortably Dumb!” It’s a ferocious first taste of their ripping new full-length.
This is their third proper full-length and was recorded with Chris Fogal (The Gamits) at Black in Bluhm Studio in Denver. PEARS will take their latest effort on the road extensively in the coming year, with tours in the U.S., Europe, Japan, and South America.
Full Australian tour details below.
Some of history’s best punk bands came and went before they had a chance to get comfortable (and boring), so it’s not surprising that PEARS frontman Zach Quinn had doubts when it came time to record the band’s third full-length. While PEARS have only existed since 2014, maybe a couple LPs and hundreds of explosive live shows were enough?
“I was perfectly prepared to have my Blue Album already,” Quinn says, laughing. “That whole fucking cliché of ‘Our best record’s behind us.’
With the imminent release of PEARS (March 6, Fat Wreck Chords), Quinn says, “Maybe not!” But there’s no maybe about it. PEARS is a significant step forward for a band that has grown by leaps and bounds on each album.
Recorded with Chris Fogal (The Gamits) at Black in Bluhm Studio in Denver, PEARS is 14 songs and 31 minutes of the band’s signature hardcore: heavy, melodic, blistering, pointed, and surprisingly catchy. While it continues down the path set by Green Starand 2015’s Go to Prison, PEARS finds the band taking a different creative approach.
“The last PEARS record, almost every detail was worked out before we ever stepped foot into the studio,” Quinn explains. “This record, we went in with skeletons of songs and put things together on the fly. ”
“We never could afford the studio time to be in there 24/7,” adds guitarist/vocalist Brian Pretus. “A couple of songs ended up being stuff that we wrote on the spot.”
Those include “Naptime,” which moves from loping pop to group-chant hardcore in the space of two minutes, and penultimate track “Traveling Time,” which Pretus describes as a “palate cleanser.” Basically, a midtempo pop song, “Traveling Time” began as a Quinn solo track but found its way onto PEARS thanks to the band’s more open studio approach.
“Collectively, we figured we’ve danced around pop music our entire career so far,” Quinn says, “but we were like, ‘Let’s just do a full-on fucking pop tune. Why not?”
“Full on” is a good descriptor for PEARS in general. The album opens with feedback at the beginning of the riff-heavy “Killing Me” and closes when the even riff-heavier “Cynical Serene” (whose opening plays like Nirvana by way of Hum). In between are 12 songs that shake with can’t-sit-still energy, as the band—rounded out by the ace rhythm section of bassist Erich Goodyear and drummer Jarret Nathan—shifts on a dime between parts and sounds. Elements of prog and grunge intermingle with classic hardcore and hook-laden rock—and it can happen in the space of one song. (In this case, “Worm.”)
Atop all of it are Quinn’s voice and words, which took a different approach as well on this album.
“I thought that I was going to continue the absurdist poetry thing that started with Go to Prison and amplified on Green Star,” he says. Describing Green Star as “The Iliad with shit and cum,” Quinn notes that this time, “The songs are about shit.”
Not shit in the “shit and cum” sense. Quinn writes directly about getting older (“Traveling Time”), moving past anger (“Nervous”), and the prospect of never having a family (“Daughter”), among other topics, all with the wit and candor PEARS fans have come to expect from the explosive frontman.
“It makes perfect sense that this is the third act, but it’s not what I would have predicted it to be,” Quinn says. “I wouldn’t have guessed that the album would end on a bittersweet note. It’s more uplifting than either record that we’ve done, but it’s not a happy record.”
PEARS – AUSTRALIAN TOUR 2020
May 28 – Singing Bird Studios, Frankston
Tickets
May 29 – Bendigo Hotel, Melbourne
Tickets
May 30 – Hotel Metro, Adelaide
Tickets
May 31 – The Den, Perth
Tickets
June 1 – Margaret River Football Club, WA
Tickets at the door
June 3 – Transit Bar, Canberra
Tickets
June 4 – Hamilton Station Hotel, Newcastle – Free Entry
June 5 – Bearded Lady, Brisbane
Tickets
June 6 – Vinnie’s Dive, Gold Coast
Tickets
June 7- Frankie’s Pizza, Sydney – Free Entry
Tickets on sale now.
For complete tour and ticket information, visit:
pearstheband.com
(Sandy) Alex G will return to Australia for Melbourne, Sydney + Brisbane headline shows | June 2020
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THE LEMON TWIGS Announce third album Songs For The General Public First single + video ‘The One’ out now
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ART OF FIGHTING Announce tour with Youth Group Share video for ‘Conjuror’
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Art Of Fighting & Youth Group – Co-Headline Tour
Fri May 1: Grace Emily – Adelaide
Tickets
Sat May 2: Howler – Melbourne
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Sun May 3: The Bridge – Castlemaine
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Thur May 7: La La La’s – Wollongong
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Fri May 8: Marrickville Bowling Club – Sydney
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UNTITLED GROUP & CROWN RULER ANNOUNCE DUKE STREET BLOCK PARTY WITH THEO PARRISH, SISTER NANCY, MELLA DEE & MORE 28 | 03 | 2020
SATURDAY MARCH 28TH 12PM-10PM
FULL LINEUP:
Theo Parrish, Sister Nancy, Mella Dee, Anastasia
Kristensen, C.FRIM, Cassettes For Kids, Lord Echo (LIVE),
JESSB, Mildlife, Mwanjé, Pink Matter, SK Simeon, Sophie
McAlister, Wax’o Paradiso
Get connected:
https://www.facebook.com/untitledgroupau/
Untitled Group are the group behind Beyond The Valley and Pitch Music & Arts Festival, the collective also represents boutique event brands Ability Fest, Grapevine Gathering and Melbourne electronic hub XE54.
https://www.facebook.com/pg/crownrulers/
Between acts like soul-jazz icon Roy Ayers, Detroit house godfather Theo Parrish, and Chicago dance luminary Larry Heard, the Crown Ruler name has become synonymous with soulful underground music.


