![“Groovier than anything on [previous album] Smell Smoke, swapping out the fiery theatrics for more of a simmer.” Stereogum “Hints of new wave rolled into tight little hooks and succinct, catchy verses.” Consequence of Sound “Either Light shows Vundabar graduating from being a buzzy indie-rock outfit to a group carving out their own lane” NYLON Vundabar are today sharing a new track, ‘Montage Music’ alongside an essay on Talkhouse by guitarist/singer Brandon Hagen, which explores the mythology of American life and culture through the symbology of cars. Hagen explains, "Montage Music is a meditation on the way capitalism takes beautiful cycles of birth, death and rebirth and makes them ugly by making future regenerations impossible. The song uses a car as the primary symbol for this as it exemplifies the unsustainable, though sometimes intoxicating, aspect of modern life. The narrator becomes fully engrossed in the vanities and demands of this life, and only at the end of the song notices a cloud of burning black smoke rising from tea being made without water, now impossible not to notice.” ‘Montage Music’ is from Vundabar's upcoming album, Either Light, out March 13th, 2020 on their own Gawk Records, and was released alongside a lyric video created by the band. It follows earlier singles ‘Petty Crime’ and ‘Burned Off’, which won praise from Stereogum, Consequence of Sound, NYLON, Under the Radar and more. Either Light is Vundabar’s fourth album, and their first with producer Patrick Hyland (Mitski). It is available for pre-order. Either Light follows Vundabar's critically acclaimed 2018 album Smell Smoke. The record received critical praise across the board, including Pitchfork ("a winning, cathartic album"), NPR ("spiky, caustic, fundamentally good-natured rock & roll"), Stereogum, FADER, Consequence of Sound, Paste, VICE, SPIN, Uproxx and more. Vundabar will kick off their North America headline tour in March. On the road they will be joined by a rotating cast of support including Great Grandpa, Boyscott, Ohmme, The Ophelias, Destroy Boys, Boyo and Dehd. For all press enquiries, please contact: katie@someonegreatpr.com Bio: Vundabar is a great guitar band. In an age where critics argue endlessly over whether or not the guitar is dead, the Boston band could clearly care less. Trends be damned, Vundabar continue to play and be who they are. Along the way they’ve sold out 1000+ cap rooms across the country, self-released and sold thousands of their records, and built a dedicated fan base for their quirky indie pop that follows them wherever they go. In March, Vundabar will release their fourth album, Either Light, on their own Gawk Records. “The album is about the transitional lightness that follows a period of heaviness” singer/guitarist Brandon Hagen explains, “After years of being caught up in a dark period marked by sickness, strife and worry, and using it as the context in which I saw myself, I suddenly found I'd outgrown that story. With that came a feeling of lightness that was opposite the feeling which preceded it.” The album’s title refers to that duality - “light” is used as a descriptor for the weight of feeling, the quality of illumination that frames that feeling and the spectrum that spans both. The songs themselves contain numerous symbols that are key to understanding the album’s central theme. There is an acknowledgement of awful circumstances, an acceptance of them, and the decision to move forward regardless. It’s a universal trope that rings especially true at this point in history. Cars, water and even Tony Soprano feature in the lyrics, each imbued with their own meaning relevant to Either Light’s themes. The paradox of being willfully doomed, which is arguable uniquely American, is embodied in Tony Soprano. Cars and driving appear continually in the lyrics, as songwriter Brandon Hagen explores the idea of being along for the ride, where the passenger isn’t necessarily in control. While writing the record, Hagen went swimming each day in a lake by his home. He was often struck by the relationship between light and water - how water divorces light from its source. The mysterious nature of refracted light and the sense of confusion it causes plays into the themes of the album as well as begs the question - from where and what? For Either Light, Vundabar worked with producer Patrick Hyland (producer for Mitski's Be the Cowboy, Puberty 2, Bury Me at Makeout Creek). It makes the first time they have ever had someone produce one of their albums. Their original bass player, Zackery Abramo, re-joined the group to play on the record, and Emily Massey from Slow Pulp contributed backing vocals. While in the past Vundabar’s recording process has always been very self contained, this album is notable for having had more people collaborating than ever before. Recorded at Gradwell House and Retro City Studios, Vundabar came in with the song skeletons and built out the arrangements in the studio. The difference is apparent and there are a host of new sounds on Either Light, including a sequencer, vibraphone, synth, drum machines, and more layered vocals than ever before.](https://thepartae.com/wp-content/uploads/2020/02/VUNDABAR-SHARE-UPLIFTING-NEW-TRACK-MONTAGE-MUSIC.jpg "VUNDABAR SHARE UPLIFTING NEW TRACK ‘MONTAGE MUSIC’")
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Jet Black Cat Music and Handsome Tours are elated to announce that the Nine Lives Festival is now officially sold out. Taking place this Sunday 1st March, this one-day, three-stage block party will unite lovers of tunes, friends and community – and celebrate the ninth birthday of record story institution, Jet Black Cat.
There will be food trucks cookin’, coffee and beverages brewin’, dogs tails waggin’, and a world class line-up of artists including Aldous Harding (NZ), Angie McMahon, Julia Jacklin, Allah-Las (USA), Kevin Morby (USA), Kikagaku Moyo (Japan), Rolling Blackouts Coastal Fever, Hand Habits (USA), Leif Vollebekk (CAN) and many, many more.
The music will take place across three stages. Indoors will be the gorgeous main theatre inside the Tivoli as well as the very special Double Dingo stage in the What’s Golden room, devoted entirely to showcasing female and gender non-conforming artists. The stage will also host a panel to discuss climate change in the music industry including Meg Duffy (aka Hand Habits), Sharni Honor (The Porch Sessions / Porchland) and Emma Bosworth (Green Music Australia).
Outdoors will be an open-air stage in the carpark as well as a summertime bazaar of amazing food, record crates, market stalls and DJs including Bring A Plate, Dos Fangs & Twin Sister, Decks Panther and Gabe Fressh.
Set times and all festival info can be found at ninelivesfestival.com
Emerging as a top emcee in the Australian grime and hip-hop scenes, young gun Nerve has firmly positioned himself to become one of the most exciting prospects of 2020. He continues this mission with his latest single ‘Hopscotch‘, which follows his hugely popular 2019 effort ‘Sunday Roast‘ that landed him on triple j rotation and the #4 most played artist on triple j Unearthed.
Listen to ‘Hopscotch‘ HERE and watch the Kyel Golly-directed video HERE.
Despite his roots in the gritty underground, ‘Hopscotch‘ is a prime example of his evolution as an artist, flexing his pop prowess as both a rapper and a producer. Revolving around an understated yet undeniably infectious hook, ‘Hopscotch‘ also uses playful, off-kilter production to get the dancefloor moving, while Nerve delivers bars with his usual boyish charm.
“I woke up, made this beat and wrote the entire track in about 2 hours,” Nerve says. “Normally, that’s how most of the best stuff happens cause I just catch a certain energy and smash it all out. I had it recorded by the afternoon, and I knew it was gonna be the next single.”
Continuing the feel-good aura created by ‘Hopscotch’, the accompanying video (filmed by A/V Club) was filmed in Nerve’s sunny hometown of Brisbane, creating a fantasyland where he’s joined by his tightly-knit crew No1 Network, as well as sports cars, pool parties and a 10-year-old version of himself. Next up, Nerve will be touring with UK heavyweight Aitch, after appearing on the official remix for his #1 UK single ‘Taste‘ alongside Hooligan Hefs. They will be performing in New Zealand, as well as four sold-out shows across Australia. The Aitch tour follows Nerve’s blazing performances at Listen Out, Falls Festival and BIGSOUND in 2019.
‘Hopscotch‘ by Nerve is available to stream now.
Stay connected with Nerve:
Facebook | Instagram | Youtube
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Tour Dates
Friday 6th March: Landsdowne Hotel, Sydney |
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JEREMY NEALE IN-STORE DATES
Friday 28th February – Brisbane
Jet Black Cat Music, 6.30PM
72A Vulture Street
West End, QLD 4101
Event Page
Thursday 5th March – Sydney
Red Eye Records, 5.00PM
143 York Street
Sydney NSW 2000
Event Page
Thursday 19th March – Adelaide
Summertown Studios, 7.00PM
13 Paringa Ave,
Somerton Park SA 5044
Event Page
Friday 20th March – Melbourne
Rocksteady Records, 6.00PM
Level 1, Mitchell House
358 Lonsdale St
Melbourne VIC 3000
Event Page
OTHER DATES
Saturday 28th March – Brisbane
Music at Nucleus, World Science Festival Brisbane
Event Page
Jason Williamson and Andrew Fearn stepped out of 2019 with a UK Top Ten album under their belt, Eton Alive, their biggest sold out tour to date and the swagger of a band that have never been more relevant, topically challenging and downright entertaining.
Sleaford Mods are set to continue their onslaught into 2020 with the release of All That Glue, a collection of songs spanning the last seven years of the bands career; an array of crowd pleasers, B sides, unheard tracks and rarities for fans and the curious, released via Rough Trade / Remote Control Records.
Over the past few years Sleaford Mods have become one of the most intractable British pop stories. One of its best. Their music is drawn at a flawless fault-line of anger, tenderness and humour, a triumvirate of raw energy which frequently jostles in the space of a cadence for supremacy. On record you can hear their sinews, live you can touch their veins.
Ahead of All That Glue’s release the band will be making available fan favourite Jobseeker for the first time. In addition, footage from the duo’s acclaimed sell out show last year at the Eventim Apollo, will be released for the first time and kicks off with an incendiary performance of ‘Tweet Tweet Tweet’, which will be available to watch on the band’s YouTube channel. WATCH HERE.
To mark the release of All That Glue, Sleaford Mods have consented to a no-holds-barred inquisition from their fans, friends and enemies. To put a question to Jason and Andrew, would-be interviewers can tweet their questions using the hashtag #AskModsAnything, or respond in the comments section of Sleaford Mods ‘Ask Mods Anything’ posts on Facebook and Instagram. Questions will be collated and put to Sleaford Mods in a special filmed Q&A.
Kicking off tomorrow, Sleaford Mods will embark on their first ever Australian tour, a playing a 10-date run of headline dates and festivals including Farmer & The Owl, Golden Plains, WOMADadelaide & A Festival Called Panama. The band will also be hosting in-store signings at Sydney’s Red Eye Records at Wednesday 4 March and at Melbourne’s Rocksteady Records on Wednesday 11 March. Full dates below.
Pre-order Sleaford Mods – All That Glue: https://sleafordmods.ffm.to/
Sleaford Mods
Facebook | Twitter | Instagram
roughtrade.com
remotecontrolrecords.com
Paul Kelly and Missy Higgins, two of Australia’s most cherished and iconic artists have teamed up for a special one off show at the Sandstone Point Hotel on Bribie Island in Queensland this July.
Joining them will be Alex The Astronaut and Andy Golledge.
All four artists are expert storytellers, from heart-on-the-sleeve songs about love and loss to thought provoking tomes about our nations storied history, you are in for one magical night of classics, soon to be classics and maybe the odd collaboration!
Saturday, July 11
Sandstone Point Hotel, Bribie Island QLD
Pre-sale begins Wednesday, March 4 @ 8.00am Qld though to Monday, March 9 @ 8.00am Qld
General On-sale
Monday, March 9 @ 9am Qld
www.ticketmaster.com.au
******
One the country’s greatest and most enduring songwriters, Paul Kelly’s music and lyrics are in the nation’s DNA. No one can capture the essence of Australia the way he can; how it looks, feels, tastes and sounds, it’s joys and sorrows, achievements and pitfalls, there is a Paul Kelly song for seemingly every aspect of the Aussie psyche and being. He has created a legacy which chronicles the full range of human experience.
Over his 40 plus year career, Kelly has explored a variety of genres that all come full circle to create his distinct and recognisable sound. Whether he is rocking Dumb Things and To Her Door or moving into country and bluegrass territory by way of Foggy Highway, getting soulful with Vika and Linda or creating contemporary music from Shakespearian sonnets and bird inspired poems, as seen on his latest studio album, Thirteen Ways To Look At Birds, Paul Kelly can make it all sound like it Paul Kelly!
Paul Kelly has long been an integral part of the Australian music landscape. He has multiple Aria Awards to his name and is also an Aria Hall Of Fame inductee, and in 2017 he topped the charts with Life Is Fine and also received an Order Of Australia for his distinguished service to the performing arts and the promotion of the national identity.
All his achievements aside, you know a Paul Kelly set is going to be full of sing alongs and laughs but also introspect and solemnity.
Most recently, Missy wrote a number of original songs for the acclaimed ABC TV show ‘Total Control’. The show became the highest rated new Australian TV drama of the year. She also released new single ‘Carry You’ written by Tim Minchin for his TV show ‘Upright’.
The folk-inflected pop of Sydney based Alex The Astronaut is some of the most honest music you will ever hear. From pointing out the hypocrisy of having billionaires in power while the rest of us get parking fines in hospitals, as noted on her debut single, 2016’s Already Home, to penning an open letter to her 16 year old self on Not Worth Hiding, a song about accepting yourself for who you are and owning one’s sexuality, Alex’s songs are straight from the heart and pull no punches.
Not Worth Hiding became the unofficial anthem to the Vote Yes movement and is one of the most important songs of the last decade. The haunting I Like To Dance focuses on the tragedy of domestic violence and other tracks simply describe everyday life at home with family or the excitement of life in the Big Apple.
Tamworth native, Andy Golledge has become an inner western Sydney legend. His Americana style songs captivating often sold out crowds everywhere he plays. From wildman antics that see him jumping on the bar or piano ripping through songs with Springsteen like energy, to fragile Neil Young style intimacy that gets the whole room to stop and listen, Andy’s music is painfully honest, instantly relatable and above all, catchy as hell.
Title: Maldad (R3HAB Remix)
Label: Ultra Records
If you’re in need of a track to spice up your date night, look no further than R3HAB’s new remix of Steve Aoki and Maluma’s “Maldad.” Delivering a more melodic take on the original, R3HAB incorporates deep, bouncy basslines into the track’s Latin-inspired melodies, which complement Maluma’s sultry vocals with dancefloor-ready energy. “Maldad” is the second time that Aoki and R3HAB have remixed each other, after Steve’s remix of R3HAB & ZAYN & Jungleboi’s “Flames” dropped in January. It’s always a good time when these two heavyweights join forces, so let’s hope some more exciting collaborations between R3HAB and Steve Aoki are coming this year!
“This one was fun. With 2 great names like Steve Aoki & Maluma it’s always an honor to remix a track. Steve and I go way back, of course, and Maluma stands for everything that is cool about Latin artists these days. The combination is great, and I tried to give the song R3HAB’s flavor in the remix, which I think works well. Enjoy!” – R3HAB
Over the last eight years, the Dutch/Moroccan artist Fadil El Ghoul – better known as R3HAB – has established himself as a leader at the forefront of modern electronic music. His talent has been called the “future of the craft” by the likes of Forbes and Billboard, and he’s circuited the globe’s best clubs and festivals, all without the backing of a formal record label. In 2017, R3HAB independently released his debut album “Trouble” through his imprint CYB3RPVNK, which amassed over a half-billion streams globally and officially placed R3HAB among electronic music’s heavy hitters. He made number 14 on DJ Mag’s Top 100 list in 2019, topping the charts with tracks like “Lullaby” and “Hold On Tight,” while his sophomore album “The Wave,” revealing more complex, emotional and experimental layers of himself, has amassed over 250 million streams on Spotify alone. In 2019 R3HAB’s “All Around The World” with A Touch of Class quickly became his biggest ever record already topping 200M streams across platforms and achieving gold & platinum status in 8 countries. Stay tuned to see what this ever-evolving artist has up his sleeve next!
Title: Falling
Label: Protocol Recordings
Release date: February 21, 2020
After releasing his dance-pop crossover earlier this month, Nicky Romero returns to heavier beats on his new single “Falling.” Romero teamed up with fellow dance music veteran Timmy Trumpet for the track, which delivers all the elements of a tried and tested club anthem. Opening with enthusiastic melodies and soaring vocals, “Falling” kicks into high gear at a heart-pounding 138 beats per minute during its crescendo. Romero and Trumpet have already tested it out in their live sets, including during their b2b during ADE 2019 and at Echostage in Washington, DC, to rave reactions. This is a track for fans craving a classic party starter as well as new listeners waiting for an introduction to real club life. Let’s hope this isn’t the only collaboration we get from these two talented artists this year.
After taking the world by storm with early hits such as “Legacy” (with Krewella) and #1 single “I Could Be The One” (with Avicii), Nicky Romero quickly proved that his talent is ever-evolving and here to stay. After launching his Protocol Recordings imprint in 2012, the renowned performer, producer and label head continued his personal successes with a string of high-profile releases, ranging from collabs with Mike Williams & Amba Shepherd, Dimitri Vegas & Like Mike, W&W, DallasK & XYLØ and Steve Aoki & Kiiara to remixes for the likes of Kygo, Rita Ora, David Guetta, Steve Aoki, Martin Garrix, Jess Glynne and more. All the while showcasing his label’s roster via his weekly Protocol Radio show, Nicky Romero continues to touch down across the globe for his incredible live performances, including residencies at Las Vegas’ Hakkasan and Omnia and his annual performance at Ultra Music Festival in Miami. Timmy Trumpet is a multi-platinum artist who most recently showcased his “World At Our Feet” world tour with over 60 dates and hosted stages at Tomorrowland and Creamfields. He will also be a special guest on Steve Aoki’s upcoming “Neon Future IV” tour across North America. With exciting collaborations like “Falling” now under their belt, rest assured that this is bound to be a huge year for both Nicky Romero and Timmy Trumpet.
One of 15 Artists who contributed to the ‘Songs for Australia’ album, The National have chosen to cover one of Australia’s most iconic songs, INXS’s ‘Never Tear Us Apart’. Available now on all digital platforms, the band were thrilled to be able to contribute to the project and dived straight in to record and deliver this simply stunning version of a classic. Artwork for the ‘Never Tear Us Apart’ single was kindly donated by Australian Photographer Chris Searl.
‘I’m so grateful to have a good excuse to cover ‘Never Tear Us Apart’. One of my favourites ever. Thanks for bringing us in…. Hope it helps a little bit.’ Matt Berninger – The National.
Fans can catch The National touring Australia this March & April.
You can view further information on the project including the track listing and nominated charities on the dedicated website www.songsforaustralia.com.
The record is available to pre-order at www.songsforaustralia.com with exclusive limited edition bundle options also available including personalised vinyl artwork, tote bags, T-shirts and more. The songs will be digitally released Thursday March 12 through BMG, with the album released on vinyl and CD in June.
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Missives is an indie/alt-electronic musical project based in Los Angeles. It is led by producer and multi-instrumentalist Lucas Martinez, who is a native of the mountains of northern New Mexico, a place of wind and trees and echoes. Missives’ sound is lyrical, atmospheric and rhythmic, and informed by minimalist composers, and electronic/experimental music. The compositions feature slow harmonic rhythms, intricate beats, repeated melodic figures and pulsing synths, woven into songs that explore discovery, transformation, loss, acceptance, and the passage of time. Missives’ influences range from Thom Yorke and Steve Reich to FKA Twigs, James Blake and Sigur Ros.
Where are you currently based and what is the music scene like there?
I live in Los Angeles, CA. The music scene is wide and varied, but is a surprisingly small world. I’m always meeting musicians that know friends of mine or have played music with them. There is a lot of music to be heard on any given night and that is an exciting thing to be around.
How did you first start playing music?
There was a family heirloom upright piano in my house growing up. I started playing around with that as a child. I would sit and figure out melodies of songs I heard my parents listening to, and come up with my own ideas. Later, I started learning saxophone in school and by my teenage years, picked up the guitar and quickly got very serious about it.
What been happening recently?
I’m consistently working on new music for Missives, collaborative projects, and instrumental music. Looking forward to releasing my debut single Dissolve.
Your new single ‘Dissolve’ is about to be released from your debut EP, what influenced the sound and songwriting for Dissolve and the EP?
My influences span quite a far and wide spectrum. Since I first heard “Music for 18 Musicians” by Steve Reich, the idea of repetitive musical figures changing over time or staying constant while everything changes around them has been an important part of how I hear musical ideas. Moving harmony versus static figures, textures, and atmosphere inform a lot of my sound. My music is an amalgam of that minimalist influence and inspiration from artists like FKA Twigs, Thom Yorke, James Blake, and Bjork. The songwriting revolves around concepts of discovery, transformation, loss, acceptance, and the passage of time.
How did you go about writing Dissolve?
I had recently bought a Dave Smith Instruments Prophet 08 synth. I was exploring the sounds it was capable of and stumbled into a bass line that felt like it was falling over itself. It turned into a fully realized song shortly after that once I added a beat, some synth pads for harmony and a vocal melody. Lyrically, the song is about experiencing loss and navigating the disorientation that comes along with it.
Where and when did you record and who with?
Dissolve and the other tracks on “Patterns of Us” (EP) were recorded in my studio over the course of the last couple years. I’ve worked as a composer, producer, and multi-instrumentalist for years now and wrote, recorded, and mixed everything myself. I have two tracks with guest vocalists, very close friends of mine, Patrick Joseph and Eleanor Crane. I’m lucky to have close friends who are also incredibly talented artists in their own right.
How did you approach the recording process?
Recording and writing happen simultaneously. They are both the process of creation and flow back and forth between each other. I record one sound or instrument that then inspires an idea for another layer or texture, and so on and so on until a structure begins to emerge. This happens fairly quickly, so I often have place-holder takes of various parts or instruments. Once I have a solid song idea mapped out, I go back and refine individual instruments as needed. I definitely enjoy using recording as a way to explore different sounds, or altering instruments or objects to make them sound like something else.
What programs/instruments did you use to record?
I use Pro Tools for recording and mixing. I use some software synths, but the majority of the EP utilized hardware synths like the Prophet 08, Moog Sub37, and Mother 32. There is also a fair amount of guitar as that is my primary instrument. And a lot of guitar that doesn’t sound anything like a guitar. I use an Echoplex Digital Pro Plus looper to create atmospheric and ambient textures using the guitar. I also like using vocal loops to create textures and pads. There are percussive elements in the songs sourced from random objects like a paper wrapper, scratching on cloth, tapping on things, etc.
What do you like to do away from music?
I spend a lot of time camping, hiking, and being outside. Anywhere I can find mountains, water, and quiet. I read as much as I can, and watch movies and documentaries. I enjoy spending time with friends and family.
Who are you listening to at the moment?
Thom Yorke’s latest album Anima has been in heavy rotation for me. As well as Bon Iver’s most recent album and Magdalene by FKA Twigs. Anything by Max Richter.
What’s planned for 2020?
I’ll be releasing my debut EP “Patterns of Us” and continuing to work on new music for Missives, possibly for another EP or a full length depending on how everything shapes up.
Favourite food and place to hangout?
Pho or sushi (at least today). My favourite place to hangout is in the Sierra Nevada mountains of California or Northern New Mexico where I grew up. There is also a neighborhood bar here in LA that I go to fairly regularly with friends. It feels like it should be a bar in a random mountain town somewhere, but it sits in the middle of Eagle Rock, a north east LA neighborhood I’m quite fond of.
1. Patterns of Us
2. Something More
3. Long Gone (feat. Patrick Joseph)
4. Reach Inside (feat. Eleanor Crane)
5. Dissolve
Missives Socials:
IG | Twitter | Soundc
![VISE -classically trained musician like Francesco Tristano, Vanessa Wagner and Oliver Coates- have been using his mastery of acoustic instruments to produce a very exciting modern body-moving electronic music proposal. VISE's sound effortlessly blends finest electronica -modules and synthesizers from the 80s and 90s with a modern bass and some beats shaped with contemporary tools- with a wide variety of acoustic instruments: marimba, vibraphone, strings, woodwinds, Latin and world percussion and drums... even female vocals [ Read more ... ] His debut EP "Patterns Vol.1" is available now. Includes reworks by Ed is Dead, Akkan (Begun + Ocelot) and Fernando Lagreca.](https://thepartae.com/wp-content/uploads/2020/02/VISE-Bringing-Classical-Music-and-Tropicalism-Into-The-Future-With-Patterns-Vol.1.jpg "VISE Bringing Classical Music and Tropicalism Into The Future With Patterns Vol.1")
VISE -classically trained musician like Francesco Tristano, Vanessa Wagner and Oliver Coates– have been using his mastery of acoustic instruments to produce a very exciting modern body-moving electronic music proposal. VISE’s sound effortlessly blends finest electronica -modules and synthesizers from the 80s and 90s with a modern bass and some beats shaped with contemporary tools- with a wide variety of acoustic instruments: marimba, vibraphone, strings, woodwinds, Latin and world percussion and drums… even female vocals [ Read more … ]
His debut EP “Patterns Vol.1” is available now.
Includes reworks by Ed is Dead, Akkan (Begun + Ocelot) and Fernando Lagreca.
The Rubens are extremely excited to announce their biggest Australian tour to date! Presented by triple j, the 27-date run will see the five-piece play a combination of metro and regional venues across May – July in celebration of their infectious summer jam, ‘Live In Life’. Tickets on sale to general public Thursday 5 March at 8.00am AEDT.
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