the partae

French producer Katuchat designs music to make people feel. Collaborating with Montreal based singer LIA on his latest release “Together In Delight”, the track is a celebration of love and life.

Filled with syncopated rhythms and soaring production, Katuchat transports his listener to the cavernous dancefloor – revelling in the shared joy of the rave. LIA’s warm vocals are elegant and poised, enveloping the track in a shimmer of lust and desire as bold synths glitter in the background. 

“‘Together in Delight’ was a great opportunity to produce a track with another artist and share the creative process. I found working with LIA really enhanced my musical experimentation”, Katuchat explains. 

Drawing inspiration from artists such as Four Tet, Burial and Jamie xx, Katuchat’s music is both poetic and immersive. Originally from Tours, France, the young producer began his musical journey with the release of his 2013 EP Lonely Cloud. Signing to independent French label Roche Musique in 2018 and releasing his intimate project Anaesthesia, the creative drew praise from Magnetic Magazine, XLR8R and God Is In The TV for his immersive electronic melodies. 

Katuchat’s intricate soundscapes pulse with polychromatic rhythms and emotional complexity, and “Together In Delight” is further indication of the producer’s refined musical ability.

“Together In Delight” is set for release June 26th through Roche Musique.  

https://www.facebook.com/katuchatmusic/

SUPPORT FOR ‘MINIMAL STUFFING’

“A heaving return firmly rooted in dance music that pushes their sound into new directions, taking their worldly instrumentation and aligning it with a thick dance core that really brings things up a notch.”
– Pilerats (AUS)

QLD Gold Coast-based electronic-dance outfit Tijuana Cartel have just revealed their new single ‘Minimal Stuffing’,the first offering from their forthcoming new album ‘Acid Pony’ – due November 13th.

Taking cues from luminaries Bonobo and Caribou, the band mesh lush instrumentation and World music, with heavy electronic beats. The track creates a dense hypnotic feel, through brooding synth bass intertwining with lighter percussive samples, all complimented by reverberating acoustic guitar riffs. Halfway through the song transitions, expressing stark dynamic range, building a kaleidoscope of colour that builds momentum leading to its rewarding conclusion.

Tijuana Cartel talk about the process behind ‘Minimal Stuffing’:

“We wanted to create something you could lose yourself in headphones to or dance around your living room to. The band now have two studio set ups; one on the Sunshine Coast hinterland and one on the Gold Coast. Carey and Paul work on songs separately and email the tracks back and forth. This was another way the band dealt with making music during social distancing laws. Much of the animated stuff comes out of Carey’s back yard garden. The flora was scanned in using a 3D scanner made out of a hacked record player.”

In the live arena the band have sold out multiple Australian headline tours and played renowned events such as Falls Festival, Bluesfest, Wollombi Music Festival and Subsonic Music Festival. To coincide with the release the band will play three shows across Maroochydore, Sydney and Brisbane, coming off the back of them winning the ‘Live Act of the Year’ award a few months ago at the Gold Coast Music Awards.

Previous releases have been widely embraced by Australian radio stations triple j, Double J, triple j Unearthed, FBi, 3RRR, 4ZZZ, RTR FM, Bay FM, Edge Radio, NOOSA FM and Radio Adelaide. They’ve also seen online coverage from Music Feeds, Beat Mag, The Music, The AU Review and Forte Mag.

‘Minimal Stuffing’ is available worldwide now

SUN 19 JUL | SOL BAR, MAROOCHYDORE QLD
Click to buy tickets
FRI 31 JUL | LIVESTREAM
FRI 14 AUG | MARY’S UNDERGROUND, SYDNEY NSW
Click to buy tickets
SAT 29 AUG | THE ZOO, BRISBANE QLD

FOLLOW TIJUANA CARTEL

FANGZ

UNLEASH BRAZEN SOPHOMORE EP ‘BUT NO THANKS’

SUPPORT FOR ‘BUT NO THANKS’

“But No Thanks is a bursting explosion of tracks that leaps out of the gates from the get-go.”
– Pilerats (AUS)

“A refined and shining sound that towers over countless outfits utilising a similar recipe and puts But No Thanks on an international level.”
– Wall Of Sound (AUS)

“FANGZ slam this one into overdrive. This band just doesn’t let up.”
– Dave Ruby Howe – triple j (AUS)

Focus track ‘Who Are We Now’ added to Spotify playlists ‘Rock Out.’ and ‘Local Noise’

One of Sydney’s most endearing punk rock party bands, FANGZ, have just unveiled their unapologetically frenetic new EP ‘But No Thanks’ – produced by Stevie Knight (Yours Truly, Stand Atlantic, The Dead Love) and mixed by James Paul Wisner (Hands Like Houses, Underoath).

Taking cues from the likes of post-hardcore luminaries Cancer Bats, Frank Carter & The Rattlesnakes and The Used, ‘But No Thanks’ features five tracks of raw and relentless emotive post-hardcore punk. While the quartet wear their influences on their sleeves, they still retain a finished product that is inimitably FANGZ.

“I feel like we’ve all grown in such a short time,” explains front man Josh Cottreau. “I had only known the other guys for two months when we recorded the first EP. Now that we actually know each other I could really open up lyrically and express things that I’ve never been able to talk about before, life changing things. This EP covers everything from moving countries, to losing someone close to me and learning to be comfortable with yourself and not caring what people think.” he continues.

‘Drifter’ opens the record with its monstrous rhythmic section and the compelling vocals of front man Josh Cottreau; which soar effortlessly above. The song maintains a roaring consistency, never swaying from its undeniable energy.

The second track ‘Victims’ is another upbeat number that upholds an unmatched vigour, with its mesmerising chorus that draws the listener in with its commanding and infectious hook.

Track three, ‘Falling Out’ begins with a cacophony of studio noise, before rapidly launching into an all-inclusive onslaught of four-on-the-floor menacing drums, dirty bullish guitars, and gritty passionate vocals. The track itself serves up an account of finding hope and opportunities in improbable circumstances.

‘Don’t Forget’ follows and offers a change of pace. Thumping unwavering drums played by Steve Woodward provide the fitting foundation for the deft guitar work of Samuel Sheumack, which is all held together by the steadfast bass lines of Jameel Majam.

The closer ‘Who Are We Now’ begins with searing riffs, which swiftly leads into a thrashy rock-n-roll verse, before launching into an impressive sing-a-long chorus. As the song plays back and forth between its meticulously arranged main parts, it momentarily dips down and finally leads into its anthemic outro, aptly capping off the striking and thrilling record in a fittingly nostalgic manner.

In the live arena, the group have sold out multiple headline shows and supported the likes of Comeback Kid (CAN), Cancer Bats (CAN), Gyroscope, Totally Unicorn and Bare Bones.

Their previously released material has been strongly supported by Spotify, Apple Music, triple j, triple j Unearthed, The Faction, FBi, SYN FM, 4ZZZ, Amazing Radio (UK), Pilerats, Blunt Magazine, Hysteria Magazine, Music Feeds, Wall of Sound, AAA Backstage and The Music.

Once the world opens back up again for live shows, FANGZ will be sure to continue on with their strong touring work ethic, performing shows all around the country and where possible, also abroad.

‘But No Thanks’ is available worldwide now

SAT 1 AUG | FRANKIES PIZZA, SYDNEY NSW

FOLLOW FANGZ

FACEBOOK | TWITTER | INSTAGRAM | SPOTIFY | APPLE MUSIC

Vintage Culture – Vintage Culture & Friends 3

Vintage Culture’s global presence is growing in line with his surging beats. The synth-led soundscape of his new EP is dark and cinematic, featuring a healthy dose of suspenseful electronic dance drops and a reworking of Radiohead’s ‘Creep.’ Vintage Culture is at his very best on the explosive floor-filler and opening track ‘Colour of My Heart.’

Anna Aarons – Words (video)

London based singer-songwriter Anna Aarons has released the video for her 2019 single ‘Words.’ With shots of Anna performing on stage, the video delivers a polished and artistic aesthetic which complements the sass of the soulful, jazz-infused track. Like all of Anna’s work, this visual showcases her ability to turn sour experiences into sweet art.

GunFight – Battlefield

GunFight is an artist, producer and DJ who is rapidly gaining momentum. New single ‘Battlefield’ embodies this, with an energetic ascent into a synth-filled drop and a pulsating beat forming the driving force of the song. GunFight pairs commercial electro-pop elements with a unique structure that pulls listeners in.

OXP – Want You to Love Me

Producer and multi-instrumentalist duo OXP have collaborated with 90s Motown legend Horace Brown for their new single ‘Want You to Love Me’ from their debut LP ‘Swing Convention.’ Brown’s silver-throated vocals capture the essence of 90s R&B, partnered with modern G-Funk and textured percussion from OXP.

Valencia – Out of Line

British-American pop duo Valencia have released the candid new single ‘Out of Line.’ Driven by an acoustic guitar riff, the song delivers irresistible and masterful melodies. With intimate lyrics, the synergy between the duo’s vocals makes this mid-tempo pop track both tender and powerful simultaneously.

Tuesday Knight – Don’t Hit My Line

Taken from his 2019 album ‘Fys’, Tuesday Knight has released the hip-hop summer anthem ‘Don’t Hit My Line.’ Bluesy guitar locks, a grooving bass riff and spacey keys provide the backdrop to Tuesday Knight’s smooth and melodious vocals, which transition from an agile rap flow to an R&B style hook.

Duke & The Dry Cleaners – ‘Now We’re Cooking’

‘Now We’re Cooking’ follows the band’s debut single ‘I Want To’, created alongside co-producer Arjun Doel and released earlier this year. The song received notable acclaim from blog coverage, and the band have also been praised for their dynamic live performances.

Breon S.Y.N.D.E.L

Brooklyn hip-hop prodigy Breon S.Y.N.D.E.L has dropped the double-release ‘Breakfast For Dinner.’ Recorded during lockdown, Breon’s smooth cadence can be heard alongside the afro-pop leaning rhythms of ‘Staycation’, whilst second track ‘Littly Kitty’ offers a hooky synth line and upbeat vocal flow.

BlindBuyer – Stin Zali

Embracing his Greek heritage, BlindeBuyer’s enchanting vocals deliver lyrics in his native tongue on his latest track ‘Stin Zali.’ Haunting synth pads and a moving beat form the crux of the song, which follows a refreshingly unique structure. The complexities of this dark and dreamy track demonstrate BlindBuyer’s vast potential.

IDLES have shared a new song ‘A Hymn’ – the emotional centerpiece off the Bristol band’s forthcoming LP, Ultra Mono, out Friday 25 September via Partisan Records / Liberator Music. The accompanying music video features the band driving with their parents through their hometown streets to the shops, providing a grey window into suburban English life that matches the song’s heavyhearted churn. Listen/watch below.

Frontman Joe Talbot says of the song: “‘A Hymn’ is a hymn that rejoices in the sinister flesh-eating virus of the pedestrian. It sings the tune of normal’s teeth sinking into your neck as you sleep stood up with your eyes open. Amen.” ‘A Hymn’ follows the release of other Ultra Mono highlights ‘Mr. Motivator’ and ‘Grounds’, the latter of which earned a spotlight in the NY Times (“What’s a British post-punk band to do at a moment of black American protest that has spread worldwide? Slam and declare solidarity.”) Ahead of release, IDLES will host a series of three live performances from an iconic studio space (to be named later) on Aug 29 & 30, which will be professionally recorded, filmed, and livestreamed. Tickets on sale now, more info and link to purchase HERE. Talbot also recently launched a new virtual talk show called BALLEY TV, rolling out new episodes every other Friday. Guests have already included Mike Skinner (The Streets), Nadya Tolokonnikova (Pussy Riot), Lauren Mayberry (CHVRCHES), Hak Baker + more. Watch the most recent episode HERE featuring Arlo Parks and Billy Bragg. Subscribe to see more episodes HERE. Produced by Nick Launay (Nick Cave, Yeah Yeah Yeahs, Arcade Fire) and Adam ‘Atom’ Greenspan (Anna Calvi, Cut Copy), with Kenny Beats (FKA Twigs, DaBaby, Vince Staples) providing additional programming, Ultra Mono was sonically constructed to capture the feeling of a hip-hop record. The album also features guest vocals from Jehnny Beth (Savages), and additional guest contributions from Warren Ellis (Nick Cave and the Bad Seeds), David Yow, and Jamie Cullum.

IDLES

July 15, 2020 0 comments

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