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Music News

Playlist September 2020

by the partae September 14, 2020
written by the partae

John Dhali – In Time

 

Set to take London by storm, Soul-Folk artist John Dhali exalts positivity in his latest release ‘In Time’. The single is accompanied by a bold statement of a video. Filmed in public, John rips out of office attire to reveal a rainbow paint-splatter t-shirt and unapologetically dances through London’s tube network. The stunt is in keeping with a unique online presence that is fast gathering a devoted following for its unending stream of positivity.

 

 

Marsela – Who Knows Where The Love Goes

 

London-based, British-Albanian musician Marsela has dropped her debut single, “Who Knows Where The Love Goes?”. She has everything you’d want in a singer: an infectious soul/jazz flare, a range like Joplins’, and cinematic storytelling unafraid to talk about the unknown. The release covers a narrative of heartbreak and the struggles of a rough breakup, and it certainly makes for a hard-hitting debut. With a glowing video released today, the visual ads further personality to a personable single.

 

 

Conal Kelly – In My Head

 

Bristol based Conal Kelly releases musing new single ‘In My Head’. With dreamy, refined vocals and edgy instrumentals, Conal’s fresh approach to chilled alt-pop is sensationally crafted. This multi-talented artist’s new offering combines contemplative lyrics and celestial melodies, propelling bedroom pop to new heights.

 

 

Laya Laya – I Can Feel You

 

19 debut, with this version being produced in lockdown alongside electronic alt-pop artist MBlurring electronic elements with live instrumentation and sublime harmonies, Laya Laya is the British alternative brainchild of writer/singer Freya Zai and producer Super Joshi. The duo has returned to share a celestial new single “I Can Feel You”.  The pair met in 2017, both having suffered from illnesses that had led them back to music making as a means of recovery. Freya having nearly died from Sepsis, Super losing his voice entirely for several months forcing him to undergo a year-long speech therapy program. After these life altering experiences, Freya and Super both left their roles in law and sales to pursue their creative interests and have not turned back since.

 

 

Punt Guns – FOHT

 

Punt Guns’ video for ‘FOHT (Fantasy Of Hopeless Thoughts)’ is a spectacle of clever production, with western cowboy and space themes brought to life. Samura1, Karisma, J-Nua and Django star as the cast, assuming their musical roles as cowboy’s and building an intriguing narrative throughout. The creative flair and compelling storyline make for some epic visuals.

 

 

Tom Featherstone – Alright (At Home)

Sheffield based singer-songwriter Tom Featherstone is set to release his new single ‘Alright (At Home)’. The track is a reworking of his 20inimal Animal. The lo-fi ambience of this iPhone recorded vocal makes Featherstone’s agile voice all the more captivating, paired with soothing acoustic guitar and haunting textures.

 

Gecko Club – By The Pool

 

Gecko Club’s second release of the year is one of the first songs they ever wrote. Having kept the track hidden for two years since recording it at River Studios in Southampton, they felt that the now was the perfect time to finally release the laid-back groove and video for “By The Pool,” an easy-to-listen track with catchy guitar riffs and dream-like solos. “The laid-back groove tells a story of a summer romance in the teenage years,” Gecko Club says. The self-directed video portrays the song’s summer feels in an effortlessly fluid weekend trip to the south coast.

 

 

Loodvig – Make Our Own

 

Atlanta-based LOODVIG is a fresh and authentic voice who pairs his vocal abilities with unique and clever pop, electronic, and hip-hop arrangements. Today, he released his latest single “Make Our Own”, produced by Spenser Boice (Flo Rida).

 

September 14, 2020 0 comments
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Music News

Keoni – Talented Alt-Pop Czech Artist On The Rise

by the partae September 12, 2020
written by the partae

Keoni is a musician from the Czech Republic. He was exposed to music from an early age since his father and brothers play instruments. Despite being recommended to choose a traditional career, Keoni knew that his life would always revolve around music.

Keoni´s influences are as varied as musical genres can be, counting Jim Morisson, John Lennon, Prodigy, Otis Redding, Faithless, Nirvana, Chemical Brothers or Royksopp among others. The latter having a special influence due to their way of composing songs.

Swinging beats, overlapping melodies and harmonies are what creates a unique atmosphere and feeling that listeners expect to experience while listening to Keoni´s music. His haunting vocals with darkwave production tones draw the listener into an alternative electro-pop universe.

Keoni considers poetry to be of real importance, allowing people to see the world from different perspectives. He always concentrates his compositional efforts on enriching the imagination, immersing listeners in the waters of sounds and words. With his lyrics mostly based on his personal experience, however recently he is mainly inspired by global issues and current events.

Keoni will release his first album ‘’Discovery’’ on October 12th.

Links to socials:

https://soundcloud.com/keoniofficialmusic

https://www.facebook.com/keoniofficialmusic

https://www.instagram.com/keoniofficialmusic/

September 12, 2020 0 comments
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“A poignant one from Ben that gives itself to you” Declan Byrne, triple j Home n’ Hosed Today, Melbourne songwriter and producer Ben Alpine returns with his second single ‘Wendouree’. Arriving on the cusp of springtime, ‘Wendouree’ sees the artist lean into sun-drenched alt-pop, brimming with jangly guitars, effervescent synth bursts and organic electronica samples. Immediately setting the tone with its kaleidoscopic sonic palette, ‘Wendouree’ is an exploration in capturing the momentary joy of the present. With its sound tinged in blissful psychedelia, the undulating nature of the track flows effortlessly between placid verses, cascading instrumental layers and infectious harmonies. Allowing the track to build and unfurl with rippling vibrancy, the track shifts gears towards a sparkling finale before receding into an ambient outro submersed in airy tones and soft textures. Speaking of the track, Ben shares: "The main idea is in the line ‘one moment never meant a thing’, referring to those relationships, experiences or situations in your life that, at one point, meant everything to you and you never wanted to lose them. But times have inevitably changed since then and you hold on to different experiences now, and perhaps you will go through that cycle with the stage of your life you're currently in. I think that can be both sobering and comforting in a way, that nothing in your life is ever going to be the way it is right now, and how our perception of our own memories shifts and changes." Following his well-received debut single ‘All In Your Stride’, ‘Wendouree’ is the next exciting chapter in Ben Alpine’s discography. While sharing the sunshine-laced DNA of its predecessor, the single sees Ben broaden his eclectic range, drawing from an array of inspirations from The Japanese House to Hippo Campus. While synthesising these influences, Ben’s experience in former indie electronica act Echo Mono and numerous SoundCloud production aliases sees him maintain an inward focus in his songwriting approach. With a creative output so far showcasing his colourful alt-pop sensibility through an introspective lens, Ben continues to affirm himself as one to watch closely in 2020. https://www.facebook.com/benalpine.au https://www.instagram.com/benalpine/
Music InterviewsMusic News

Ben Alpine

by the partae September 12, 2020
written by the partae
Where are you currently based?

Melbourne!


How did you first start playing music?

I think it was on my 7th birthday that I got a guitar, but I didn’t really latch onto it until I was around 13 and started playing in bands for this holiday program that my mum enrolled me in. I did that program for quite a few years as just an after-school thing and it eventually led to a band called Echo Mono which became more serious and was quite formative for me. Though a few years before joining that band I became interested in electronic music production and downloaded the trial of FL Studio. The trial wouldn’t let you open project files that you saved, so my workaround was to not turn off my computer until I finished the song I was working on. I did that for about 6 months and finished a lot of my first music.


What’s been happening recently and how has your Covid experience been so far?

I’ve just been trying to take it easy really, as my iso experience has luckily been pretty smooth. It’s forced me to slow down quite a lot, which has been good because I think I was about to completely burn myself out trying to prepare a live show if this didn’t happen. Right now I feel pretty eager to knuckle down and pump out some new material as i’ve been thinking about where I want to take this project.


Your new single ‘Wendouree’ is out now, what influenced the sound and songwriting?

You know I’m still not really sure! The main rhythm guitar part is really old, from an Echo Mono song that was never finished. I think at that time I was just getting into the band Hippo Campus and their song ‘Violet’, the riff sounds sort of similar to that I think. Apart from that though the song is completely different to the old version, and I don’t really know what influenced it. I just knew that I wanted to write somewhat atmospheric, alt-pop music that had a sentimental undertone. That’s where Wendouree and All In Your Stride came from.


How did you go about writing Wendouree?

It started from that old Echo Mono song as mentioned, but I literally just took that riff out and wrote a new song around it. I wrote the demo on Ableton wherever I was, I remember writing on the V/Line train a lot, and never really finishing the lyrics, and then rewriting them right before recording them for the final production.


Where and when did you record and who with?

After I had written the demo and a bunch of others, I brought them all to my friend and ex-bandmate Marc Scollo in around April of 2019. We mapped out what we were working on and brought in a few other friends to track all the instruments. So the entire project was recorded in Melbourne just at Marc’s parents’ house. It was never a requirement but it was pretty important to me that no-one involved in the project was much of a professional. We were all students with part-time jobs living with our parents.


What programs/instruments did you use?

I produced the demo out of Ableton, and a few of the elements from the demo made the final production. We then recorded all the live instrumentation, and then I polished all the synths (which are all sequenced) before dropping them into Marc’s Pro Tools session. I had a crack at trying to record all the synths on analog equipment at MESS (Melbourne Electronic Sound Studio) but I pretty quickly realised it wasn’t working trying to fit the analog gear into these already polished songs, especially considering I wasn’t very familiar with that equipment. Producing in the box was what I was familiar with so I opted for that, but hardware really interests me, so hopefully for another day.


How did you approach the recording process and what did you find most challenging and rewarding?

I’d say our approach was quite straight-forward; finish the demo/composition, re-record the instruments/vocals, produce the synths, then mix the whole lot. For this song especially though it was quite back-and-forth as we kept adding to and changing things that we had already done in an attempt to ‘get it to work’. The most challenging and most rewarding thing would’ve been the arrangement. Marc and I were never really convinced that we were going to be able to pull off the track, but I conveniently provided no other options so we just had to commit to it. I’m really happy with it now though and it seems that the song’s twists and turns are what excites people.


Who are you listening to at the moment?

Not a huge amount! My listening has been quite scattered recently, and mostly ambient music.


What do you like to do away from music?

I really like snow skiing, but haven’t been able to do that this year. Recently I’ve been getting into video games again which I feel like I haven’t done properly since I was a kid. I feel pretty eager to finish some more music though so literally just uninstalled some though…


What’s planned for the remainder of 2020 going into 2021?

I won’t say too much but there’s another single coming very soon! And I’m very excited about the music I’m working on now and will hopefully release in 2021.


Favourite food and place to hangout?

Fried chicken burgers are great. And there’s this cool spot up on Mount Dandenong (in Melbourne) that’s great to take people and see the whole city, it’s one of those cliche things where you see how small your life is.

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September 12, 2020 0 comments
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Where are you currently based? I’m currently based out of Nürnberg where I live with my wife and son. How did you first start playing music? I started singing when I was very young, as young as I can remember. Guitar I started learning around 2011. I never really wanted to play guitar, I just needed something to be able to sing to, so naturally guitar seemed like the best thing. What's been happening recently? Nothing out of the usual, producing music, spending time with family and enjoying life :) What's been happening recently and how has your Covid experience been so far? So far Covid hasn’t really impacted my life too much financially, thanks to the help from the government for small businesses. Although I would have made a lot more money if nothing had been canceled or postponed, I’m just glad I’m able to continue paying the bills. Your new single 'Coming Home' will be out on Sept 11, what influenced the sound and songwriting, especially the lyrics? I’ve been using acoustic guitar and atmospheric electric guitar for some time now, so I’m generally always incorporating these elements in my music. Songwriting has never been much of a problem as long as I have a good idea or mood to start with, wich by “coming home” was the cozy home feeling. How did you go about writing Coming Home? Writing about home or life at home was a nice change, because it was so easy to convey in words what being at home feels like. Usually I would have to do a little brainstorming or word finding, but with this song it came naturally. Where and when did you record/produce and who with? I recorded the song on my own in my home studio a few months ago. What programs/instruments did you use? I work with FL Studio and Waves plugins. Acoustic guitar and electric guitar are a must. What did you find most challenging and rewarding during the creation and recording of Coming Home? I honestly can’t think of anything challenging about producing or creating any song in general. If something is challenging during the creation or recording of a song, then your doing it wrong :) What do you like to do away from music? I have lots of hobbies things I enjoy doing, like spending quality time with family, going on a run, or just sitting around and being at peace. Who are you listening to at the moment? Ravi Shankar and a Spotify Playlist called Hindusthani Instrumental. It’s amazing for coming down and relaxing. What's planned for the remainder of 2020 going into 2021? Lots of new music! Our current strategy is releasing singles, which is great, because focusing on one song at a time makes everything go smoother production and songwriting wise. Favourite food and place to hangout? German Pancakes with Ahorn syrup and my favorite place to hangout would have to be on the couch at home! https://www.facebook.com/mikelanemusic
Music InterviewsMusic News

Michael Lane

by the partae September 11, 2020
written by the partae
Where are you currently based?

I’m currently based out of Nürnberg where I live with my wife and son.

How did you first start playing music?

I started singing when I was very young, as young as I can remember. Guitar I started learning around 2011. I never really wanted to play guitar, I just needed something to be able to sing to, so naturally guitar seemed like the best thing.

What’s been happening recently?

Nothing out of the usual, producing music, spending time with family and enjoying life 🙂

What’s been happening recently and how has your Covid experience been so far?

So far Covid hasn’t really impacted my life too much financially, thanks to the help from the government for small businesses. Although I would have made a lot more money if nothing had been canceled or postponed, I’m just glad I’m able to continue paying the bills.

Your new single ‘Coming Home’ will be out on Sept 11, what influenced the sound and songwriting, especially the lyrics?

I’ve been using acoustic guitar and atmospheric electric guitar for some time now, so I’m generally always incorporating these elements in my music. Songwriting has never been much of a problem as long as I have a good idea or mood to start with, wich by “coming home” was the cozy home feeling.

How did you go about writing Coming Home?

Writing about home or life at home was a nice change, because it was so easy to convey in words what being at home feels like. Usually I would have to do a little brainstorming or word finding, but with this song it came naturally.

Where and when did you record/produce and who with?

I recorded the song on my own in my home studio a few months ago.

What programs/instruments did you use?

I work with FL Studio and Waves plugins. Acoustic guitar and electric guitar are a must.

What did you find most challenging and rewarding during the creation and recording of Coming Home?

I honestly can’t think of anything challenging about producing or creating any song in general. If something is challenging during the creation or recording of a song, then your doing it wrong 🙂

What do you like to do away from music?

I have lots of hobbies things I enjoy doing, like spending quality time with family, going on a run, or just sitting around and being at peace.

Who are you listening to at the moment?
Ravi Shankar and a Spotify Playlist called Hindusthani Instrumental. It’s amazing for coming down and relaxing.

What’s planned for the remainder of 2020 going into 2021?
Lots of new music! Our current strategy is releasing singles, which is great, because focusing on one song at a time makes everything go smoother production and songwriting wise.

Favourite food and place to hangout?

German Pancakes with Ahorn syrup and my favorite place to hangout would have to be on the couch at home!

https://www.facebook.com/mikelanemusic
September 11, 2020 0 comments
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Music InterviewsMusic News

Naked Giants

by the partae September 11, 2020
written by the partae
What is your name and role within the band?

Gianni, bass and vocals.

Where are you currently based?
Seattle, Washington.
 
What’s been happening recently and how has your Covid experience been?
It’s been quite strange – we’re in the midst of a bunch of huge transition moments in society right now, including the pandemic’s shift to virtual life as well as a political and social awakening and resistance in the US and beyond. And needless to say for anyone who experiences any level of anxiety, transition moments are super tough! But all in all, us and our families/friends are safe and we’re still able to make music so I’d say we have it pretty good. A recent development has been a big increase in the production quality for live-stream concerts – we’ve played a few virtual shows at venues now, where there are just four people running the whole thing and they’ve turned out amazing, with lights and fancy cameras and great audio and everything. So continuing down that road of creating better virtual material for people to enjoy will be the direction for the rest of this year and most of the next.
 
Your new album ‘The Shadow’ is out now, what influenced the sound and songwriting?
The Shadow was written over the course of a few years, so a whole lot went into it. Mostly it’s a catalogue of our growth as musicians and as individuals. Our extensive touring over the past few years gave us a new appreciation for pushing ourselves musically, and interacting with so many people who have found a bit of themselves in our music emphasized the responsibility we have to spread positivity and just speak the truth. Other musical inspirations just came from all the music we were able to listen to during the long drives across the country in the tour van. Some artists that have stood out as particularly influential for this album: Talking Heads, Neil Young, Stereloab, Sneaks, U2, The Fall, Devo, and of course, Green Day.
 
How did you go about writing the music?
It’s really all about chemistry. We each write a lot of songs on our own, and it’s not until we bring them to the rest of the band that the good stuff really shakes out. For example, we must have jammed on millions of riffs in our time as a band, but there’s just this magic alchemical feeling in the air that happened when we played the riffs for Take A Chance or The Shadow that made us keep coming back to them. It’s this kind of “follow your nose” feeling that guides most of the music, and from there we bounce the ideas off of each other as well as our manager Shea and our record label rep Kim, and keep going back and forth until something that feels genuine and exciting pops out.
From there, lyrics usually fall into place pretty naturally. The mood of the music often dictates what the words will say, rather than the other way around. For example, a song like Television has a kind of frantic electricity running through it, and I just channeled that energy until certain words and phrases popped out – “in-formation all the time… cyclic shadows… TELEVISION” and bang, there’s the basis for the song. It’s all about following that idea to its core – for that song in particular, I started ruminating on all the feelings of anxiety, overstimulation, quick cycles and strange contrasts that come from our interaction with technology. It’s a strangely personal/anti-personal thing, because even as we interact with social media and TV and whatnot on a very intimate level, we’re all interacting with the same ominous nebula and it’s categorizing us all and feeding us advertisements based on our interests…
 
Where and when did you record/produce and who with?
We recorded the album in November of 2019 in Portland, Oregon with Chris Funk and Adam Lee.
 
How did you approach the recording process?
This was a much more informed process than our first album SLUFF. This time around we had more of an idea of the things we can and can’t (or should and shouldn’t) control about the album – we came in with certain things in mind, like particular guitar and bass tones, really dialed in hooks and choruses, but we also left some space for things to change. The songs Turns Blue and The Ripper, for example, were hugely shaped by Chris and Adam’s input. They even pulled some Brian Eno-esque moves on us by taking away parts of Henry’s drum kit, having us sing with the lights off and sunglasses on, anything that would influence and uplift the mood of the particular song. This kind of collaboration is something that can only happen when all parties are open to seeing the best in each other’s work – it’s something that we didn’t have as much of a clue about for SLUFF, and it makes The Shadow really stick out for me.
 
What programs/instruments did you use?
It was a classic rock setup – we laid down all the basic guitar/bass/drum tracks live, then overdubbed vocals, keyboards and percussion later on. We were originally going to record the basics to tape (actually we were going to record over the tape Stephen Malkmus used on his last album!) but there ended up being some technical difficulties there, so it was ProTools for us.
For the gearheads:
I played a Guild B301 Bass through my Orange OB1 amp and a whole bunch of pedals.
Grant played a few Gibson SGs and plenty of other guitars through his Fender Hot Rod, some Benson amps and a bunch of pedals.
Henry played his classic Ludwig/WFL/Slingerland kit and a bunch of cymbals.
We also had the pleasure of playing with the awesome gear at the studio including: Chris’s modular synth setup, various drum machines and synths, Nashville-tuned acoustic guitar, a 1963 Jazzmaster in Olympic White, plenty of percussion, and yes a whole bunch of pedals.
 
Who are you listening to at the moment?
Lots of stuff! Recently I’ve been listening to Sneaks’ new album Happy Birthday which is just great. I’ve also been diving deeper into Deerhoof’s classic Milkman and some even more classic classics like Bach’s Well Tempered Clavier and all those Mozart piano sonatas.
 
What do you like to do away from music?
Music occupies about 90% of my mental space most of the time, but when I’m not actively playing it I like to go for bike rides, play board games, and put together a spiritual philosophy free from reckless idealism and grounded in common truth.
 
What’s planned for the remainder of 2020 going into 2021?
We’re putting together ideas for the next album right now. It’s the last album in the contract with our record label, so we’re thinking of it as the final piece in a trilogy between itself, SLUFF, and The Shadow. Hopefully it’ll come together soon and we can record it by the end of this year to release at some point next year!
 
Favourite food and place to hangout?
We each have cozy homes at the moment – so cooking up some fresh veggies and sitting with our loved ones is the best we could imagine.

https://www.facebook.com/NKDGNTS/
September 11, 2020 0 comments
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Where are you currently based? I’m currently based in Sydney. How did you first start playing music? Music started as I thought myself how to play drums in Ghana and eventually fell in love with everything else about it. How would you describe your sound/music? It's experimental, chilled and flowery. really instrumental because of my love for baselines and pretty chords but also introspective in my writing and message. What's been happening recently and how has your Covid experience been so far? I’ve been working on being a better producer and that has led to me already working on my second album. Covid has been pretty hard since I love performing. It kinda feels like it took something away from me but we’re finding ways around it so I’m more hopeful. Your new track Armadillo is out now, how did you come to collaborate with Maina Doe? This happened during my first session with the Sumatra boys. I made some drums while Fin & Riley(members of Sumatra) played some chords and added baselines to it. When we put them together, we knew we had something so I put some old poetry together and rapped the verses on it. Was still tryna figure out a chorus but Maina had a session with the boys next so she jumped on it and sent me what she did the next day and I knew we had a banger. So yh it wasn’t face to face but we made it happen.  What influenced the sound and songwriting? Tyler, the creator is one of my biggest influences when it comes to sound. Love the flowery aspects but so experimental that you don’t know what to expect.  Poetry has also shaped the way I write but also the likes of J Cole and Bas that have influenced my song writing.  How did you go about writing Armadillo? Armadillo was a poem I wrote to a past lover after a break up. With a lot of reminiscing and holding on in mind, it was a description of the complication that was going on at the time. Didn’t really think I was gonna make a song out of it. Where and when did you record/produce and who did you work with? I worked with Sumatra (includes Finbar Stuart, Riley hilder and additional guitar from James Baldwin) . We made this in the boom child house where most of our projects are made. What programs/instruments did you use? I use Fl studio but the boys use Ableton. How did you approach the recording process? Demo was initially recorded with Sumatra but I then went back to my engineer to redo some Vox before we had to release it. Please tell us about your photography and multimedia interests: Photos was the side hobby/ work I did for people and a lot of artists that I know. It started from Church and eventually to blogs and now a part of my creativity.  I think I can do anything so learning all these mediums was quite easy for me as they all compliment each other.  Who are you listening to at the moment? I'm currently listening to Big Sean's album and an artist called Amber Mark. i highly recommend. What's planned for the remainder of 2020 going into 2021: I perhaps wanna finish my second album ready for 2021 and also land some really cool festival gigs for next year.  Favourite food and place to hangout? Favourite food is anything Thai so wherever has a good Thai, you can find me there. https://www.facebook.com/Yawdoesitall/
Music InterviewsMusic News

Yawdoesitall

by the partae September 11, 2020
written by the partae

Where are you currently based?

I’m currently based in Sydney.

How did you first start playing music?

Music started as I thought myself how to play drums in Ghana and eventually fell in love with everything else about it.

How would you describe your sound/music?

It’s experimental, chilled and flowery. really instrumental because of my love for baselines and pretty chords but also introspective in my writing and message.

What’s been happening recently and how has your Covid experience been so far?

I’ve been working on being a better producer and that has led to me already working on my second album. Covid has been pretty hard since I love performing. It kinda feels like it took something away from me but we’re finding ways around it so I’m more hopeful.

Your new track Armadillo is out now, how did you come to collaborate with Maina Doe?

This happened during my first session with the Sumatra boys. I made some drums while Fin & Riley(members of Sumatra) played some chords and added baselines to it. When we put them together, we knew we had something so I put some old poetry together and rapped the verses on it. Was still tryna figure out a chorus but Maina had a session with the boys next so she jumped on it and sent me what she did the next day and I knew we had a banger. So yh it wasn’t face to face but we made it happen.

What influenced the sound and songwriting?

Tyler, the creator is one of my biggest influences when it comes to sound. Love the flowery aspects but so experimental that you don’t know what to expect.  Poetry has also shaped the way I write but also the likes of J Cole and Bas that have influenced my song writing.

How did you go about writing Armadillo?

Armadillo was a poem I wrote to a past lover after a break up. With a lot of reminiscing and holding on in mind, it was a description of the complication that was going on at the time. Didn’t really think I was gonna make a song out of it.

Where and when did you record/produce and who did you work with?

I worked with Sumatra (includes Finbar Stuart, Riley hilder and additional guitar from James Baldwin) .

We made this in the boom child house where most of our projects are made.

What programs/instruments did you use?

I use Fl studio but the boys use Ableton.

How did you approach the recording process?

Demo was initially recorded with Sumatra but I then went back to my engineer to redo some Vox before we had to release it.

Please tell us about your photography and multimedia interests:

Photos was the side hobby/ work I did for people and a lot of artists that I know. It started from Church and eventually to blogs and now a part of my creativity.

I think I can do anything so learning all these mediums was quite easy for me as they all compliment each other.

Who are you listening to at the moment?

I’m currently listening to Big Sean’s album and an artist called Amber Mark. i highly recommend.

What’s planned for the remainder of 2020 going into 2021:

I perhaps wanna finish my second album ready for 2021 and also land some really cool festival gigs for next year.

Favourite food and place to hangout?

Favourite food is anything Thai so wherever has a good Thai, you can find me there.

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September 11, 2020 0 comments
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Independent artists are releasing music at a much higher rate this year. Maybe it’s because of the pandemic and many people stuck at home, without any concerts or live performances to attend. Musicians have more time on their hands to pivot their business, work on their craft and put forth their music to the online world through various ways such as streaming live or uploading new recordings for downloads.  Last year, musicians gained a lot of ground in the independent segment, making their way into the industry without the aid of a label. Here are some great indie artists that we can expect some great things from in the upcoming year for 2020, and even 2021. LIZZO Everyone is familiar with this breakout indie artist who successfully crossed over this year into the mainstream and showed everyone just how amazing she is. We’ve already seen amazing things from her because she dominated not only the Pop but also the R&B and Rap charts in 2019. Lizzo was even named Entertainer of the Year by Time magazine, and her breakout song “Truth Hurts” was the longest-running Billboard Hot 100 single at number 1 by a solo female rapper - a feat that would not be expected from an independent artist.  Hard to believe someone who started as a sign spinner for Liberty Tax (check her Twitter if you don’t believe it!) could become nominated for eight amazing honors at the 2020 Grammy Awards. She has tolerated and overcome fat-shaming through the media and established herself as a true artist that will be sure to continue to dominate and impress us all. FRANKIE SIMONE If you haven’t heard her yet, you should definitely give her a listen. Expect really big things from this Puerto Rican/Portland-based singer Frankie Simone, represented by Marmoset music licensing agency. As Marmoset put on their site,  listening to her music “feels like they’re putting a microphone directly to their heart.” She is an indie artist with a noticeable and fun twist. She has created a new kind of eccentric electronic pop, full of exciting beats and lots of personality with her empowering lyrics.  Her lead single “War Paint” is a bold song on its own, but if you view the music video you’ll see lots of bright colors that accentuate the lyrics “So when we went to war/I saw your colors all over me.” She has many other songs that have evolved with this electronic and dance background, and prove that she is in the right place and time to seriously dominate the pop music field. JOE TAYLOR This independent singer/songwriter has an awesome ability to connect with audiences with his unique songwriting. Making his own label so that his music could be heard, he quickly sailed through the charts with his latest hit song “Don’t Change”, reaching the number 1 spot. His passion is in collaborations with other artists. He grew up in Canada but now has moved to the metro New York City area to carve out his career, singing soulful guitar tunes and playing in bars. He has a strong drive to have his music heard around the world, and we think he won’t have any problem getting there with his proven track record of success. SUSAN TONEY An Oklahoma native who moved to Los Angeles to make it in the music industry, Susan has finally been noticed as a newcomer and breakout indie artist this year. Her newest album available now is called Headed for Love, with the single song “Starlight” gaining ground by captivating her audience with interesting melody twists.  Susan has been around and making her music since the 2000s, but has more recently been noticed, climbing charts with this 2020 album. “Starlight” has successfully reached the number 1 spot on the Billboard Charts for AC40 as recent as just last week! She draws not only in the Country and Pop genres but also with Rock, Americana, and Blues, giving her that edge that should bring exciting new music in the upcoming year. BAKAR The full name of Abubakar Baker Shariff-Farr, better known to all as the indie artist Bakar is well-known for his indie-rock style of music. He is one to watch as a talented emerging artist, getting nods from the likes of true legends like Sir Elton John, mixing rap, rock, and punk together to create his unique sound, which to some sounds like it is all over the place. Though most of his tracks include rap and hip hop influences, he also demonstrates some Motown and his lyrics give the audience his street smarts, showing everyone that there is much more to him and his unique style. His most recent EP entitled “Will You Be My Yellow?” displays so much potential, we can certainly expect big things to come. There are many other independent artists to watch you should be sure to watch for, such as Megan Thee Stallion, a huge underground artist and great female rapper, or Georgia, a 21-year-old singer and songwriter with undeniable talent, WebsterX, a master at hip hop, rap and defining beats, and Siena Liggins, another Marmoset artist who demonstrates catchy hooks and fun wordplay. Independent artists will have their claim to fame with the ability to reach out to a broader, more online-focused audience, and we couldn’t be happier with the potential outcome. Beef up your Spotify, SoundCloud, or YouTube playlists today with new music for the future. Tell us which artists you think will break out with hits by the end of the year.
Music News

5 Indie Artists Doing Big Things In 2020

by the partae September 11, 2020
written by the partae

Independent artists are releasing music at a much higher rate this year. Maybe it’s because of the pandemic and many people stuck at home, without any concerts or live performances to attend. Musicians have more time on their hands to pivot their business, work on their craft and put forth their music to the online world through various ways such as streaming live or uploading new recordings for downloads. 

Last year, musicians gained a lot of ground in the independent segment, making their way into the industry without the aid of a label. Here are some great indie artists that we can expect some great things from in the upcoming year for 2020, and even 2021.

LIZZO

Everyone is familiar with this breakout indie artist who successfully crossed over this year into the mainstream and showed everyone just how amazing she is. We’ve already seen amazing things from her because she dominated not only the Pop but also the R&B and Rap charts in 2019. Lizzo was even named Entertainer of the Year by Time magazine, and her breakout song “Truth Hurts” was the longest-running Billboard Hot 100 single at number 1 by a solo female rapper – a feat that would not be expected from an independent artist. 

Hard to believe someone who started as a sign spinner for Liberty Tax (check her Twitter if you don’t believe it!) could become nominated for eight amazing honors at the 2020 Grammy Awards. She has tolerated and overcome fat-shaming through the media and established herself as a true artist that will be sure to continue to dominate and impress us all.

FRANKIE SIMONE

If you haven’t heard her yet, you should definitely give her a listen. Expect really big things from this Puerto Rican/Portland-based singer Frankie Simone, represented by Marmoset music licensing agency. As Marmoset put on their site,  listening to her music “feels like they’re putting a microphone directly to their heart.” She is an indie artist with a noticeable and fun twist. She has created a new kind of eccentric electronic pop, full of exciting beats and lots of personality with her empowering lyrics. 

Her lead single “War Paint” is a bold song on its own, but if you view the music video you’ll see lots of bright colors that accentuate the lyrics “So when we went to war/I saw your colors all over me.” She has many other songs that have evolved with this electronic and dance background, and prove that she is in the right place and time to seriously dominate the pop music field.

JOE TAYLOR

This independent singer/songwriter has an awesome ability to connect with audiences with his unique songwriting. Making his own label so that his music could be heard, he quickly sailed through the charts with his latest hit song “Don’t Change”, reaching the number 1 spot. His passion is in collaborations with other artists. He grew up in Canada but now has moved to the metro New York City area to carve out his career, singing soulful guitar tunes and playing in bars. He has a strong drive to have his music heard around the world, and we think he won’t have any problem getting there with his proven track record of success.

SUSAN TONEY

An Oklahoma native who moved to Los Angeles to make it in the music industry, Susan has finally been noticed as a newcomer and breakout indie artist this year. Her newest album available now is called Headed for Love, with the single song “Starlight” gaining ground by captivating her audience with interesting melody twists. 

Susan has been around and making her music since the 2000s, but has more recently been noticed, climbing charts with this 2020 album. “Starlight” has successfully reached the number 1 spot on the Billboard Charts for AC40 as recent as just last week! She draws not only in the Country and Pop genres but also with Rock, Americana, and Blues, giving her that edge that should bring exciting new music in the upcoming year.

BAKAR

The full name of Abubakar Baker Shariff-Farr, better known to all as the indie artist Bakar is well-known for his indie-rock style of music. He is one to watch as a talented emerging artist, getting nods from the likes of true legends like Sir Elton John, mixing rap, rock, and punk together to create his unique sound, which to some sounds like it is all over the place. Though most of his tracks include rap and hip hop influences, he also demonstrates some Motown and his lyrics give the audience his street smarts, showing everyone that there is much more to him and his unique style. His most recent EP entitled “Will You Be My Yellow?” displays so much potential, we can certainly expect big things to come.

There are many other independent artists to watch you should be sure to watch for, such as Megan Thee Stallion, a huge underground artist and great female rapper, or Georgia, a 21-year-old singer and songwriter with undeniable talent, WebsterX, a master at hip hop, rap and defining beats, and Siena Liggins, another Marmoset artist who demonstrates catchy hooks and fun wordplay.

Independent artists will have their claim to fame with the ability to reach out to a broader, more online-focused audience, and we couldn’t be happier with the potential outcome. Beef up your Spotify, SoundCloud, or YouTube playlists today with new music for the future. Tell us which artists you think will break out with hits by the end of the year.

 

September 11, 2020 0 comments
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Music News

Barong Family Goes Hard for Their 200th Release With 7-Track EP “BF200.” Featuring New Music Yellow Claw, Wiwek, Nonsens, RayRay, Psycho Boys Club and More

by the partae September 9, 2020
written by the partae

Yellow Claw‘s Barong Family celebrates 6 years and 200 releases with an EP compilation appropriately titled “BF200,” which features seven brand new tracks from the brightest names on the label, such as Yellow Claw themselves, Wiwek, Crisis Era, RayRay, GHOSTER, Nonsens, Psycho Boys Club, and more. The Amsterdam-based imprint has become known for its wide range of musical influences and high-tempo BPMs, and “BF200” follows the same vein. Spanning sounds from three continents and even a reworked ’90s classic, “BF200” also has a unique and fantastical backstory. Ever the creative crew, the EP‘s accompanying artwork, and bonus audiobook see Barong Family travels across space and time to save their home planet Mother Earth. Head honchos Yellow Claw describe the impetus behind the EP below:

“It has been a wild ride since when we had put out our first release on Barong Family back in 2014. During the past 6 years, we have met many talented artists who wanted to take part in this adventure with us and joined the family. Moksi, RayRay, Wiwek, and more all saw the transition from Barong Family – a music label to Barong Family – a worldwide brand with its own merch lines, writing camps in Asia, documentaries, sold-out tours in North America, own stages at the world’s biggest festivals. 200 releases seem like a big number, and 6 years feel like a very long time, but for us, thanks to what we do and whom we are fortunate to work with, it feels like we are just starting, as our excitement never faded away.” – Yellow Claw

As for the sonic journey of “BF200,” it begins with “I Want It” from Yellow Claw and Wiwek, who deliver epic hip-hop beats to set the tone of the EP. Next up is Canadian duo Crisis Era‘s “Funky Pills” for all the old school ravers out there, while DJ Soda and RayRay‘s “Obsession” serves up a sneaky dose of hard-hitting bass. Yellow Claw themselves reworked the Tokyo Ghetto Pussy‘s 1995 hit “Kiss Your Lips” for the EP, giving the classic a modern dance facelift. GHOSTER employs Nanami‘s breathy vocals to deliver a solid mission statement in “Belong,” before Danish threesome Nonsens put the pedal to the metal with “Teaze,” speeding up proceedings with immense 4/4 energy. Finally, all systems go on Psycho Boys Club‘s “Break.” Did anyone expect Barong Family to ever take it easy?

More info on Barong Family / Yellow Claw:

Barong Family: Facebook | Instagram | Twitter | Spotify
Yellow Claw: Facebook
 | Instagram | Twitter | Spotify
September 9, 2020 0 comments
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LATEST RELEASE “TALKING IN MY SLEEP” HITS TOP 40 STUNNING STRIPPED VIDEO OF “TALKING IN MY SLEEP” IS OUT NOW September 1, 2020 (Toronto, ON) - Toronto’s A is for Arrows has been capturing the attention of fans and industry alike with infectious, danceable alt-pop tracks since debuting in late 2019. Today, lead singer Alessia Balasbas announces an exciting new era for the project with the forthcoming release of “Can’t Stop” on September 8, the first release as a solo act. Fans can anticipate continued releases from A is for Arrows with the same striking energy that can be found on “Can’t Stop”.   “I love the juxtaposition of this song,” explains Balasbas. “When you initially listen to it, it seems happy and care-free, but if you listen to the lyrics, they’re actually kind of sad. The song is definitely based on real emotions and a time in my life where I didn’t feel very confident in my relationship. I felt like the person I loved wasn’t fully invested and even though it hurt and no matter how terrible they sometimes made me feel, I couldn't stop loving them. I think it’s pretty straightforward and to be honest, it was tough for me to call them out like this and be like “hey you were being pretty shitty, but whatever I’ll let it go cause I love you so much” Moral of the story is music helps me purge - haha!” PRE-SAVE “CAN’T STOP” HERE  “Can’t Stop” follows A is for Arrows’ most recent release “Talking in My Sleep,” which received national acclaim and landed in the Top 40 of the CHR charts. Last week, AIFA released a special stripped video of “Talking in My Sleep,” shot by @thatgoodgraphic. What the video HERE.   Less than a year out, A is For Arrows has already gained the attention of industry and tastemakers alike, having earned praises from the likes of SiriusXM, Wonderland Magazine, Popdust, Atwood Magazine, and Buzz Music LA, in addition to being added to a variety of popular playlists such as Spotify’s It’s a Bop, New Music Friday, Fresh Finds: Pop; Apple Music’s New In Pop; and Amazon Music’s Artists to Watch, Fresh Pop and Brand New Music, to name a few. The project’s blending of contemporary beats, soft synths and heartfelt lyrics has made A is for Arrows a project to watch in Toronto’s eclectic music scene and on the world stage alike.   Whether it’s the glisten of Alessia’s voice, or the raw honesty in her songwriting, one thing is certain - there is a rarity about a project such as A is for Arrows.   For more information, please visit: www.aisforarrows.com To pre-save “Can’t Stop”: https://ffm.to/cantstop Follow & Share Facebook | Instagram | Twitter
Music News

A IS FOR ARROWS MARKS NEW ERA WITH ‘CAN’T STOP’

by the partae September 9, 2020
written by the partae

LATEST RELEASE “TALKING IN MY SLEEP” HITS TOP 40

STUNNING STRIPPED VIDEO OF “TALKING IN MY SLEEP” IS OUT NOW

September 1, 2020 (Toronto, ON) – Toronto’s A is for Arrows has been capturing the attention of fans and industry alike with infectious, danceable alt-pop tracks since debuting in late 2019. Today, lead singer Alessia Balasbas announces an exciting new era for the project with the forthcoming release of “Can’t Stop” on September 8, the first release as a solo act. Fans can anticipate continued releases from A is for Arrows with the same striking energy that can be found on “Can’t Stop”.

“I love the juxtaposition of this song,” explains Balasbas. “When you initially listen to it, it seems happy and care-free, but if you listen to the lyrics, they’re actually kind of sad. The song is definitely based on real emotions and a time in my life where I didn’t feel very confident in my relationship. I felt like the person I loved wasn’t fully invested and even though it hurt and no matter how terrible they sometimes made me feel, I couldn’t stop loving them. I think it’s pretty straightforward and to be honest, it was tough for me to call them out like this and be like “hey you were being pretty shitty, but whatever I’ll let it go cause I love you so much” Moral of the story is music helps me purge – haha!”

PRE-SAVE “CAN’T STOP” HERE

“Can’t Stop” follows A is for Arrows’ most recent release “Talking in My Sleep,” which received national acclaim and landed in the Top 40 of the CHR charts. Last week, AIFA released a special stripped video of “Talking in My Sleep,” shot by @thatgoodgraphic. What the video HERE.

Less than a year out, A is For Arrows has already gained the attention of industry and tastemakers alike, having earned praises from the likes of SiriusXM, Wonderland Magazine, Popdust, Atwood Magazine, and Buzz Music LA, in addition to being added to a variety of popular playlists such as Spotify’s It’s a Bop, New Music Friday, Fresh Finds: Pop; Apple Music’s New In Pop; and Amazon Music’s Artists to Watch, Fresh Pop and Brand New Music, to name a few. The project’s blending of contemporary beats, soft synths and heartfelt lyrics has made A is for Arrows a project to watch in Toronto’s eclectic music scene and on the world stage alike.

Whether it’s the glisten of Alessia’s voice, or the raw honesty in her songwriting, one thing is certain – there is a rarity about a project such as A is for Arrows.

For more information, please visit: www.aisforarrows.com
To pre-save “Can’t Stop”: https://ffm.to/cantstop

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September 9, 2020 0 comments
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Yukon Blonde Announce Fifth Studio LP 'Vindicator' And Share New Track
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Yukon Blonde Announce Fifth Studio LP ‘Vindicator’ And Share New Track

by the partae September 9, 2020
written by the partae

After ten years since forming and five LPs in, Yukon Blonde have been characterized in a lot of different ways. They emerged as a guitar-heavy rock band with their debut self-titled LP in 2010 and by the release of On Blonde in 2015, Yukon Blonde were experimenting with slick, ‘80s inspired pop elements like those heard on the album’s driving hit single Saturday Night. More recently, on 2018’s Critical Hit, the Vancouver-based five-piece band turned their attention to mood making, largely ditching their guitars in favour of synths and drum machines to build danceable, multi-dimensional soundscapes.

With their fifth release, Vindicator, Yukon Blonde rewrite their story again. Jeffrey Innes (vocals/guitar/keys), Brandon Scott (vocals/guitar), Graham Jones (vocals/drums), James Younger (vocals/bass/keys), and Rebecca Gray (vocals/keys) douse keyboard melodies and relaxed grooves with psychedelic hues that are both playful and expansive.

PRE-ORDER VINDICATOR HERE

With singles In Love Again and Get Precious already racking up the plays around the globe, today the band are sharing another new single, You Were Mine. “We were all on Galiano island for this recording,” says Innes. “James brought the initial idea to the table, and after several hours of jamming, eating Scooby-snacks and drinking Churchill martinis, it started to fall apart in the most perfect way imaginable. I feel like this song somehow epitomizes the spirit of a successful collaboration in our band. Words like ‘compromise’ had no place in that session; everyone sings leads at some point, everyone plays everything. It’s certainly among our favourites from the record.”

From the opening track, Vindicator will immediately put you under a joyful spell and then never let you go. “We’re more mature and comfortable with ourselves now and we know that we can try something new even at this stage in our career,” explains Younger. “We completely deconstructed the narrative of the band and made the music that felt good at the moment.”

Vindicator is the first Yukon Blonde album written, recorded, and produced entirely by the band. It took shape in their jam space in East Vancouver, a cabin on Galiano Island, in a closet at Younger’s home, and in Innes’ kitchen. But this DIY ethos has always been the backbone of Yukon Blonde who are curious artists with a passion for honing their craft.

The in-house approach to Vindicator allowed Yukon Blonde to stretch themselves creatively and experiment with sounds and styles in ways they haven’t before. The band share vocal duties and Innes, the band’s primary songwriter, lets his lyrics, which touch on everything from love to redefining your relationship with social media, drive the shape of the songs.

Admittedly, making Vindicator by themselves was a creative risk but it’s one that’s paid off. Even the album title is a nod to how Yukon Blonde feel about the record’s outcome. As Innes notes, “You don’t really need to compete with yourself, you just need to challenge yourself.”

“It’s a very rewarding feeling taking control of yourself and your creative ambition,” adds Younger. “It’s something that you can ride high on because expectations were met and fulfilled and that’s a joyous thing.”

Follow Yukon Blonde:
WEBSITE | INSTAGRAM | FACEBOOK | TWITTER
September 9, 2020 0 comments
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The State of Music – INTRODUCING streaming series has been carefully curated by Mushroom Group in partnership with the Victorian Government’s Victoria Together initiative Don’t miss Episode Three, airing this Friday 11 September at 7:30pm AEST on the Victoria Together Facebook, YouTube and website together.vic.gov.au Tune in to catch Archie Roach introduce DALLAS WOODS, Lime Cordiale introduce Nat Vazer and Daryl Braithwaite present Ella J Mushroom Group are pleased to announce the return of The State of Music - INTRODUCING this Friday 11 September. Episode Three will be viewable from 7:30pm AEST via the Victoria Together Facebook, YouTube and website. The four-part streaming series in partnership with Victorian Government supports and champions developing artists of all genres from right across Victoria.   This week, Iconic Indigenous singer-songwriter Archie Roach introduces DALLAS WOODS, an East Kimberly-bred, Melbourne based, rapper who at 26 years old has quickly become one of Australian hip-hop’s most hotly-tipped acts. Blending hard truths with tongue-in-cheek rhymes and clever punchlines is the DALLAS WOODS way, his distinct charisma shining through in latest single ‘If It Glitters It’s Gold’.   Chart-topping indie-pop duo Lime Cordiale introduce us to Melbournian songstress Nat Vazer. Charming audiences with her intimate guitar pop, Nat joined Lime Cordiale on the Victorian leg of their recent The Dirt Cheap tour, walking away with a slew of new fans. Her stunning debut single ‘Keep Away From Parks!’ was named a triple j Unearthed presenter favourite in 2018, with follow up ‘For A Moment’ hailed by Zan Rowe as “A woozy dollop of sunshine with a killer chorus hook.” Fast forward to 2020 and her latest single ‘Higher Places’ and debut LP Is This Offensive And Loud? have been praised by the likes of Rolling Stone Australia, NME Australia and The Music.   Rounding out Episode Three, Australian music royalty, Daryl Braithwaite, introduces audiences to 17-year-old singer-songwriter Ella J. Hailing from Geelong, the up-and-coming pop sensation showcases soulful vocals well beyond her years, her performance on INTRODUCING this week featuring Rob Amoruso. Her catchy songs, from debut single ‘Goodbye Player’ to her new release, ‘Woman (Oh La La)’, have quickly become fan favourites, garnering praise from tastemakers around the country.  The third instalment of INTRODUCING follows on from a stellar Episode Two which featured performances from indie-rocker Nancie Schipper introduced by Alex Lahey, 70’s inspired power-popper Pollyman introduced by You Am I frontman Tim Rogers and indie-popper Kee’ahn introduced by Vika & Linda. Stream Episode Two here. Episode Three of The State of Music – INTRODUCING streams this Friday 11 September from 7:30pm AEST via the Victoria Together Facebook, YouTube and website together.vic.gov.au.  THE STATE OF MUSIC INTRODUCING SERIES ARCHIE ROACH introduces DALLAS WOODS LIME CORDIALE introduces NAT VAZER DARYL BRAITHWAITE introduces ELLA J together.vic.gov.au facebook.com/victoriatogether instagram/victoriatogether YouTube #TheStateofMusic VICTORIA TOGETHER
Festival NewsMusic News

The State of Music – ‘INTRODUCING’ series | Episode Three airing this Friday 11 September

by the partae September 9, 2020
written by the partae
  • The State of Music – INTRODUCING streaming series has been carefully curated by Mushroom Group in partnership with the Victorian Government’s Victoria Together initiative
  • Don’t miss Episode Three, airing this Friday 11 September at 7:30pm AEST on the Victoria Together Facebook, YouTube and website together.vic.gov.au
  • Tune in to catch Archie Roach introduce DALLAS WOODS, Lime Cordiale introduce Nat Vazer and Daryl Braithwaite present Ella J
Mushroom Group are pleased to announce the return of The State of Music – INTRODUCING this Friday 11 September. Episode Three will be viewable from 7:30pm AEST via the Victoria Together Facebook, YouTube and website. The four-part streaming series in partnership with Victorian Government supports and champions developing artists of all genres from right across Victoria.

This week, Iconic Indigenous singer-songwriter Archie Roach introduces DALLAS WOODS, an East Kimberly-bred, Melbourne based, rapper who at 26 years old has quickly become one of Australian hip-hop’s most hotly-tipped acts. Blending hard truths with tongue-in-cheek rhymes and clever punchlines is the DALLAS WOODS way, his distinct charisma shining through in latest single ‘If It Glitters It’s Gold’.

Chart-topping indie-pop duo Lime Cordiale introduce us to Melbournian songstress Nat Vazer. Charming audiences with her intimate guitar pop, Nat joined Lime Cordiale on the Victorian leg of their recent The Dirt Cheap tour, walking away with a slew of new fans. Her stunning debut single ‘Keep Away From Parks!’ was named a triple j Unearthed presenter favourite in 2018, with follow up ‘For A Moment’ hailed by Zan Rowe as “A woozy dollop of sunshine with a killer chorus hook.” Fast forward to 2020 and her latest single ‘Higher Places’ and debut LP Is This Offensive And Loud? have been praised by the likes of Rolling Stone Australia, NME Australia and The Music.

Rounding out Episode Three, Australian music royalty, Daryl Braithwaite, introduces audiences to 17-year-old singer-songwriter Ella J. Hailing from Geelong, the up-and-coming pop sensation showcases soulful vocals well beyond her years, her performance on INTRODUCING this week featuring Rob Amoruso. Her catchy songs, from debut single ‘Goodbye Player’ to her new release, ‘Woman (Oh La La)’, have quickly become fan favourites, garnering praise from tastemakers around the country.

The third instalment of INTRODUCING follows on from a stellar Episode Two which featured performances from indie-rocker Nancie Schipper introduced by Alex Lahey, 70’s inspired power-popper Pollyman introduced by You Am I frontman Tim Rogers and indie-popper Kee’ahn introduced by Vika & Linda. Stream Episode Two here.

Episode Three of The State of Music – INTRODUCING streams this Friday 11 September from 7:30pm AEST via the Victoria Together Facebook, YouTube and website together.vic.gov.au.

THE STATE OF MUSIC
INTRODUCING SERIES

ARCHIE ROACH introduces DALLAS WOODS

LIME CORDIALE introduces NAT VAZER

DARYL BRAITHWAITE introduces ELLA J

together.vic.gov.au
facebook.com/victoriatogether
instagram/victoriatogether
YouTube
#TheStateofMusic

VICTORIA TOGETHER
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September 9, 2020 0 comments
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THE RUBENS RELEASE NEW SINGLE 'TIME OF MY LIFE'
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THE RUBENS RELEASE NEW SINGLE ‘TIME OF MY LIFE’

by the partae September 9, 2020
written by the partae
  • The Rubens release new single ‘Time Of My Life’ following triple j Good Nights premiere
  • Previous hit single ‘Life in Life’ is now certified Double Platinum with over 30 million streams, making it one of the biggest domestic singles of the last 12 months
  • ‘Live In Life’ has spent 8 months and counting in both Spotify’s Hot Hits Australia & Apple Music’s Today’s Hits. In Spotify’s Hot Hits Australia it spent 3 weeks at #1, 3 months in the top 10 and is currently the second longest standing song in the playlist
  • The Rubens will head out on their biggest Australian tour to date in April 2021
Ivy League Records is proud to release ‘Time Of My Life’, the powerful new single from Menangle’s favourite sons, The Rubens.
Listen to ‘Time Of My Life’ HERE
A song full of hopeful introspection and boasting one of the biggest hooks in the band’s catalogue to date, ‘Time Of My Life’ finds the band musing over the ramifications of time and perspective – the dance between ‘what could’ve been’ and ‘what still could be’, ultimately choosing to overcome fear and embrace the future for all its unknowns, a sentiment that feels particularly timely to the five-piece:
“We wrote this track in a much simpler time, yet the hopefulness of this song feels so relevant and important to right now. Our inbox has been flooded by young people (particularly those about to graduate year 12) feeling really confused and apprehensive about the future, when this should be the time of their lives – so we hope this song helps those people feel heard, supported and inspired knowing there’s still so much to come and to look forward to.” – The Rubens

‘Time Of My Life’ follows recent singles ‘Heavy Weather’ and the band’s summer hit, ‘Live In Life’ – now certified Double Platinum! Undeniably one of the biggest domestic singles of the last 12 months, ‘Live In Life’ has amassed 30+ million streams across platforms, spent close to two months in the top 3 of Spotify’s Hot Hits Australia playlist, including 3 weeks at #1 and has become a staple of the playlist over the last 8 months. ‘Live in Life’ has also spent 8 months on Apple Music’s Todays Hits and has been Shazamed 100,000+ times in Australia alone.

The second postponement of the band’s ‘Live In Life’ tour, their biggest headline tour to date, was announced last month due to COVID-19 (originally scheduled from May – July, then Sept – Dec). The new dates, taking place from April – June, 2021, will see the NSW band play metro cities for the first time since their 2018 LO LA RU album shows, across venues such as Fortitude Music Hall (Bris), Freo.Social (Freo), The Forum (Melb), and the Enmore Theatre (Syd). After having embarked on 3 regional tours in the past 18 months, the band will be revisiting some old regional favourites as well as some towns they’ve never played before, including Bundaberg, Warrnambool, Shepparton and more.

Stay tuned for more incredibly exciting news from The Rubens.

‘Time Of My Life’
The Rubens

Single out now through Ivy League Records

Available to buy/stream here

THE RUBENS
‘LIVE IN LIFE’ AUSTRALIAN TOUR 2021

Supported by Alice Ivy 

Sat-Apr-03-21 – Crooked River Winery – Gerringong, NSW
Thu-Apr-08-21 – Fortitude Music Hall – Brisbane, QLD
Fri-Apr-09-21- Moncrieff Entertainment – Bundaberg, QLD
Sat-Apr-10-21 – Highfields Tavern – Toowoomba, QLD
Fri-Apr-16-21 – Enmore Theatre – Sydney, NSW
Sat-Apr-17-21 – Bar On The Hill – Newcastle, NSW
Wed-Apr-28-21 – Riverlinks Westside – Shepparton, VIC
Fri-Apr-30-21 – Melbourne, VIC    Forum
Wed-May-05-21 – Whitestar Hotel – Albany, WA
Thu-May-06-21 – The River – Margaret River, WA
Fri-May-07-21 – Freo Social – Fremantle, WA
Sun-May-09-21 – Wintersun Hotel – Bluff Point, WA
Fri-May-14-21 – The Gap View Hotel – Alice Springs, NT
Thu-May-20-21 – Altar Bar – Hobart, TAS
Fri-May-21-21 – Altar Bar – Hobart, TAS
Sat-May-22-21 – Saloon Bar – Launceston, TAS
Sun-May-23-21 – Forth Pub – Forth, TAS
Wed-May-26-21 – The Leichardt Hotel – Rockhampton, QLD
Thu-May-27-21 – Seabreeze – Mackay, QLD
Fri-May-28-21 – Otherwise Bar – Townsville, QLD
Sat-May-29-21 – Tanks Arts Centre – Cairns, QLD
Wed-Jun-09-21 – Beer Deluxe – Albury, NSW
Thu-Jun-10-21 – The Whalers Hotel – Warrnambool, VIC
Fri-Jun-11-21 – Torquay Hotel – Torquay, VIC

A drawing of a cartoon character

Description automatically generated

The Rubens have done their best to honour the re-routing. Fans in Adelaide, Canberra & Bendigo – watch this space, more news to come!

The Rubens understand that it’s an extremely tough time for fans. For anyone who has previously bought tickets and wish to know their ticketing options, all ticketing & information can be found at therubensmusic.com .

THE RUBENS

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September 9, 2020 0 comments
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Praise for Phil Stack & Colourful, Noisy… “In his debut solo album, (Phil) flexes his artistic brilliance, from jazz piano-laden ballads (The Centreline) and exuberant rock-infused pop (Tradin Up), to The Long Game, a heart-wrenching orchestral masterpiece tempered by an unassuming '90s grunge flow…” – Sydney Morning Herald   “The man, it turns out, can really sing” ★★★★ Sydney Morning Herald    Australian multi-instrumentalist and singer-songwriter PHIL STACK today announces he will perform two album launch concerts – 6pm and 8:45pm – at Sydney’s Mary’s Underground on Thursday 15 October, complete with his four-piece band. Tickets are on sale now at Moshtix.com.au   The shows take place in celebration of Phil’s just-released debut album, Colourful, Noisy, his first new solo music in almost five years.   Recorded between Camperdown’s Free Energy Device Studios and Phil’s own bush studio, the stunning debut sees Stack playing multiple instruments across seven tracks, his captivating vocal gutsy on current single ‘The Centreline’ and soaring on album closer ‘Celebrate Life’.   Mixed by former Thirsty Merc bandmate Sean Carey (Cat Stevens, Daniel Johns) and Richie Belkner (Boy George, Missy Higgins, Tim Minchin), Colourful, Noisy has garnered praise from fans and critics alike.    “… the record is a cascading meditation on the perils of being alive” – Sydney Morning Herald   Perhaps best known for his work as a founding member and bassist of 5 x ARIA Nominated, multi-platinum selling rock outfit Thirsty Merc, Phil Stack is a rare breed of artist who seamlessly traverses genres from jazz to rock, equally at ease delivering tender ballads and exuberant pop gems.   A force of nature on the double bass, Stack attacks the instrument with an energy, vigour and passion almost unparalleled. He has played with music luminaries including James Morrison, Michael Buble, Keith Urban, Tina Arena, Benji Madden and Wynton Marsalis, and has recorded with You Am I, Ian Moss, The Whitlams, Katie Noonan and more.    Joining Phil on both shows is beloved local artist and former Leonardo’s Bride frontwoman, Abby Dobson. With one of the most distinctive voices in Australian music, and a beautiful solo album It’s Okay, Sweetheart released last year, Abby will be raring to warm Sydney audiences next month.   On 15 October, Phil and his band will treat audiences to songs from his 2015 EP Lap Around The Sun, and will performs songs from the brand new Colourful, Noisy album live for the very first time. LISTEN TO PHIL STACK’S COLOURFUL, NOISY ALBUM HERE  WATCH ‘THE CENTRELINE’ MUSIC VIDEO HERE  DOWNLOAD PRESS ASSETS HERE     PHIL STACK | COLOURFUL, NOISY ALBUM LAUNCH CONCERTS With Special Guest Abby Dobson Information at marysunderground.com   SYDNEY Thursday 15 October – Mary’s Underground Early show – 6pm Late show – 8:45pm Tickets from Moshtix.com.au     Instagram | Facebook | YouTube | Spotify | Apple Music | Bandcamp
Music News

PHIL STACK ANNOUNCES SYDNEY ALBUM LAUNCH SHOWS 15 OCTOBER AT MARY’S UNDERGROUND WITH SPECIAL GUEST ABBY DOBSON TICKETS ON SALE NOW + DEBUT ALBUM – COLOURFUL, NOISY – OUT NOW! GET IT HERE

by the partae September 9, 2020
written by the partae

Praise for Phil Stack & Colourful, Noisy…

“In his debut solo album, (Phil) flexes his artistic brilliance, from jazz piano-laden ballads (The Centreline) and exuberant rock-infused pop (Tradin Up), to The Long Game, a heart-wrenching orchestral masterpiece tempered by an unassuming ’90s grunge flow…”
– 
Sydney Morning Herald

“The man, it turns out, can really sing” ★★★★ Sydney Morning Herald

Australian multi-instrumentalist and singer-songwriter PHIL STACK today announces he will perform two album launch concerts – 6pm and 8:45pm – at Sydney’s Mary’s Underground on Thursday 15 October, complete with his four-piece band.
Tickets are on sale now at Moshtix.com.au

The shows take place in celebration of Phil’s just-released debut album, Colourful, Noisy, his first new solo music in almost five years.

Recorded between Camperdown’s Free Energy Device Studios and Phil’s own bush studio, the stunning debut sees Stack playing multiple instruments across seven tracks, his captivating vocal gutsy on current single ‘The Centreline’ and soaring on album closer ‘Celebrate Life’.

Mixed by former Thirsty Merc bandmate Sean Carey (Cat Stevens, Daniel Johns) and Richie Belkner (Boy George, Missy Higgins, Tim Minchin), Colourful, Noisy has garnered praise from fans and critics alike.

“… the record is a cascading meditation on the perils of being alive” – Sydney Morning Herald

Perhaps best known for his work as a founding member and bassist of 5 x ARIA Nominated, multi-platinum selling rock outfit Thirsty Merc, Phil Stack is a rare breed of artist who seamlessly traverses genres from jazz to rock, equally at ease delivering tender ballads and exuberant pop gems.

A force of nature on the double bass, Stack attacks the instrument with an energy, vigour and passion almost unparalleled. He has played with music luminaries including James Morrison, Michael Buble, Keith Urban, Tina Arena, Benji Madden and Wynton Marsalis, and has recorded with You Am I, Ian Moss, The Whitlams, Katie Noonan and more.

Joining Phil on both shows is beloved local artist and former Leonardo’s Bride frontwoman, Abby Dobson. With one of the most distinctive voices in Australian music, and a beautiful solo album It’s Okay, Sweetheart released last year, Abby will be raring to warm Sydney audiences next month.

On 15 October, Phil and his band will treat audiences to songs from his 2015 EP Lap Around The Sun, and will performs songs from the brand new Colourful, Noisy album live for the very first time.

LISTEN TO PHIL STACK’S COLOURFUL, NOISY ALBUM HERE
WATCH ‘THE CENTRELINE’ MUSIC VIDEO HERE
DOWNLOAD PRESS ASSETS HERE

PHIL STACK | COLOURFUL, NOISY ALBUM LAUNCH CONCERTS

With Special Guest Abby Dobson

Information at marysunderground.com

SYDNEY
Thursday 15 October – Mary’s Underground
Early show – 6pm
Late show – 8:45pm
Tickets from Moshtix.com.au

Instagram | Facebook | YouTube | Spotify | Apple Music | Bandcamp

September 9, 2020 0 comments
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SLUM SOCIABLE RETURN WITH EUPHORIC NEW SINGLE 'EXPLAIN MYSELF'
Music News

Slum Sociable Return With Euphoric New Single ‘Explain Myself’

by the partae September 9, 2020
written by the partae
Liberation Records are elated to share, ‘Explain Myself’, the new track from much-loved Melbourne based duo, Slum Sociable.

‘Explain Myself’ is the first taste of the band’s newest EP, due for release later this year, and arrives teeming with infectious bass, wholesome house keys and an immense guitar riff. These elements are united by Miller Upchurch’s distinct vocals, delivering an anthemic melody with astute lyrics. The release saw the duo recording in Sydney, where they paired up with Xavier Dunn (Jack River, CXLOE, Graace) for a track as effortless to listen to as it was to create.

“It came together really quickly. Hooky lyrics. Phat riff. What more could ya want?” 
– Ed, Slum Sociable
Premiered on triple j last night, ‘Explain Myself’ follows the release of EP L.I.F late 2019, featuring ‘Afterthought’, ‘Déjà Vu’ and ‘Life Is Free’. Slum Sociable have accumulated career streams of over 30 million across Apple Music and Spotify. Throughout the course of their musical journey, the band have also clocked radio spins on BBC Radio 1, Beats 1 and KCRW, and online love from Billboard, NYLON, CLASH, Earmilk, Indie Shuffle, Pilerats, Purple Sneakers and more.

Slum Sociable continue to evolve their sound organically on ‘Explain Myself’, a standout moment from the duo. In a time where shows are inaccessible, the jubilant song leaves little to the imagination, conjuring images of hands high in the air and chant-along choruses in a festival crowd.

SLUM SOCIABLE

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One of Australia’s most prolific and exciting producers Ukiyo has today released his hypnotic new single The Middle featuring Panama.  This is a lowkey, pulsing bed of a track, with bubbling energy permeating throughout and is perfectly complemented by a gorgeous, glowing video that will transport the viewer on a journey to a mellow, rose-pink, levitating otherworld.  The Middle is the latest single to be shared from Ukiyo’s forthcoming self-titled debut LP Ukiyo LP, set for release on November 13 – Vinyl/CD available for pre-order and pre-save the album from today.    Influenced by the ambient electronic of Tourist and the dancefloor vibes of Jon Hopkins, The Middle is a stunning, moving track, one which washes over the listener in a way that will have them pressing replay again and again.  Wistful and delicate, Panama’s gentle, raw vocal sings lyrics that speak to the compromises and sacrifices that we make to keep our relationships alive.  Mixed by Tim Watt (Golden Features, MUTO, Hermitude, Crooked Colours) and mastered by Wayne Sutherland (What So Not, Motez, Willaris K), The Middle is a beautiful addition to Ukiyo’s stunning discography.  Speaking on the inspiration behind the track, Ukiyo says, “The Middle is all about meeting in ‘the middle.’  The original demo when I sent it to Panama was called “stay” which I thought was a funny little response to my previous track “Go” with Chymes.  They both discuss similar themes of dysfunctional relationships & the fight within when you’re trying to leave them….working with Panama was a dream come true.  His ‘Always’ EP way back in 2013 with all the amazing remixes on it was one of the things that got me absolutely hooked on electronic music & learning how to make it so this song is a bit of a full circle moment.”   The video for The Middle is thoughtful and surreal, as objects levitate off the ground in a fantasy, rose-tinted world.  It’s abandoned, but peaceful.  Working once again with the production company Black Lake who have made clips for OTR, Shallou, Martin Garrix and more, Ukiyo explains how the video for The Middle came about, saying, “‘Ukiyo’ translates literally as ‘floating world’, so this video is a little homage to that. It also continues the themes of the Good Enough music video, comparing human relationships to our relationship with the Earth.”   With his long list of career accolades including playlist additions from Pharrell Williams and Martin Garrix, brand syncs with American Eagle, Ripcurl, Microsoft, Volkswagon, HBO and Netflix, not to mention a casual 30 million collective streams, it’s safe to say that anticipation for Ukiyo’s debut LP is at an all time high.  And fans don’t need to wait for too much longer, for Ukiyo’s self-titled debut LP is completed and set for release November 13, full track listing below.  The album is a celebration of the Australian music scene, with some of the country's best contributing to the record and an all-star line up of features including Panama, Maribelle, Janeva, Sammi Constantine, Bajilionaire and more. “I’m absolutely in love with the Australian music scene so in the unique position I’m in as a producer, I knew I wanted my album to be a showcase of some of the incredible talent we’ve got here.” Ukiyo explains.  Pre order vinyl/CD and pre-save the album now.     Follow Ukiyo  
Music News

UKIYO ANNOUNCES NEW SINGLE AND VIDEO ‘THE MIDDLE’ FEAT. PANAMA + SELF-TITLED DEBUT LP ‘UKIYO LP’ OUT NOVEMBER 13

by the partae September 9, 2020
written by the partae

One of Australia’s most prolific and exciting producers Ukiyo has today released his hypnotic new single The Middle featuring Panama.  This is a lowkey, pulsing bed of a track, with bubbling energy permeating throughout and is perfectly complemented by a gorgeous, glowing video that will transport the viewer on a journey to a mellow, rose-pink, levitating otherworld.  The Middle is the latest single to be shared from Ukiyo’s forthcoming self-titled debut LP Ukiyo LP, set for release on November 13 – Vinyl/CD available for pre-order and pre-save the album from today.

Influenced by the ambient electronic of Tourist and the dancefloor vibes of Jon Hopkins, The Middle is a stunning, moving track, one which washes over the listener in a way that will have them pressing replay again and again.  Wistful and delicate, Panama’s gentle, raw vocal sings lyrics that speak to the compromises and sacrifices that we make to keep our relationships alive.  Mixed by Tim Watt (Golden Features, MUTO, Hermitude, Crooked Colours) and mastered by Wayne Sutherland (What So Not, Motez, Willaris K), The Middle is a beautiful addition to Ukiyo’s stunning discography.  Speaking on the inspiration behind the track, Ukiyo says, “The Middle is all about meeting in ‘the middle.’  The original demo when I sent it to Panama was called “stay” which I thought was a funny little response to my previous track “Go” with Chymes.  They both discuss similar themes of dysfunctional relationships & the fight within when you’re trying to leave them….working with Panama was a dream come true.  His ‘Always’ EP way back in 2013 with all the amazing remixes on it was one of the things that got me absolutely hooked on electronic music & learning how to make it so this song is a bit of a full circle moment.”

The video for The Middle is thoughtful and surreal, as objects levitate off the ground in a fantasy, rose-tinted world.  It’s abandoned, but peaceful.  Working once again with the production company Black Lake who have made clips for OTR, Shallou, Martin Garrix and more, Ukiyo explains how the video for The Middle came about, saying, “‘Ukiyo’ translates literally as ‘floating world’, so this video is a little homage to that. It also continues the themes of the Good Enough music video, comparing human relationships to our relationship with the Earth.”

With his long list of career accolades including playlist additions from Pharrell Williams and Martin Garrix, brand syncs with American Eagle, Ripcurl, Microsoft, Volkswagon, HBO and Netflix, not to mention a casual 30 million collective streams, it’s safe to say that anticipation for Ukiyo’s debut LP is at an all time high.  And fans don’t need to wait for too much longer, for Ukiyo’s self-titled debut LP is completed and set for release November 13, full track listing below.  The album is a celebration of the Australian music scene, with some of the country’s best contributing to the record and an all-star line up of features including Panama, Maribelle, Janeva, Sammi Constantine, Bajilionaire and more. “I’m absolutely in love with the Australian music scene so in the unique position I’m in as a producer, I knew I wanted my album to be a showcase of some of the incredible talent we’ve got here.” Ukiyo explains.  Pre order vinyl/CD and pre-save the album now.

Follow Ukiyo
Facebook
Instagram
Twitter
Spotify
YouTube

September 9, 2020 0 comments
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