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the partae

the partae

The Partae

Music InterviewsMusic News

Mark Roma

by the partae October 21, 2020
written by the partae

Hey Mark Roma, welcome to the Partae! Your debut on DOORN has just dropped,  ‘The Realm’, massive congrats! How did the release come about?  

Hey, thanks for having me! It’s quite cool how the release happened, I started sending  tracks to Morten at the start of the year and he loved them. He supported The Realm in a  Spinnin Records X 1001 tracklist ID livestream and when I asked would he think spinnin  would like The Realm, he personally introduced me to the A&R team via email and it  stemmed from there! So really all I can say is networking is SUPER important! 

How long had you been working on the track, did it work quite naturally or did it take  quite a bit of tweaking?  

Most of the track happened to just fall into place in about a day (maybe I was having a  good because this is rare haha!) I started searching really strange cinematic sounds on  splice and I used lots of dark sounding stabs and pads and the drop sounded cool. The  acid took a bit of tweaking to make it fit in with all these pads but not too much. I even  sampled a racoon and a dinosaur sound but it works! 

Where does the name for the track come from? 

The name came from the feeling that the breakdown gives me, like a feeling of flying over a  mountain range or over an ocean through a feeling of elation. I’m a huge lover of trance and  love to incorporate some in most tracks I create so that was the aim to give a huge  euphoric flying feeling. 

What sort of music did you grow up listening to yourself? What actually influenced  you to go into production and a career in music?  

I grew up listening to a lot of trance, mainly Tiesto, Armin and Ferry Corsten, which  eventually branched out into more electro and now I’m a fan of pretty much all dance music  genres. When I was younger I used to down synthesiser apps onto my phone and would  play about making trance melodies, then a friend of a friend I met mentioned he was doing  a music technology degree and I immediately signed up. I almost was not allowed to do the  degree as I had no previous music qualifications but I was determined and it showed so  here I am 5 years later getting signed to my dream labels. Determination and hard work  pays off! 

What advice would you give to others who were hoping to follow in your footsteps  and release on the labels of their heroes?!  

The best thing I can advise is to network. Go to ADE, go to local networking events, like  Liverpool Audio Network Sound Summit which is local to me. Make sure you setup  meetings beforehand and talk to the right people who are relevant to you, face to face  interactions are SO IMPORTANT! 

On another note for productions, finish tracks faster, don’t spend too long forcing a track to  work. I used to spend upwards of 3 months on a track and it would be trash. First time I  finished a track in 4 days, Blasterjaxx supported it! 

Also, do not give up. I get knocked back weekly by labels but I learn from it, maybe the  track did not suit, maybe the quality was not great, maybe the A&R had a bad day, do not  give up! Work hard and consistently and I promise it will happen. 

Buy Link: https://doornrecords.release.link/the-realm

https://www.instagram.com/markromamusic/

https://www.facebook.com/markromamusic

https://soundcloud.com/markroma

October 21, 2020 0 comments
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Melbourne rockers, The Grogans, release kickass surf-rock jam ‘Got A Girl’ from forthcoming album Day / To / Day
Music News

Melbourne rockers, The Grogans, release kickass surf-rock jam ‘Got A Girl’ from forthcoming album Day / To / Day

by the partae October 21, 2020
written by the partae

Returning with their second release for 2020, The Grogans unleash new single ‘Got A Girl’. 

Continuing to fuse a shared love for fiery punk, surf-rock and indie sounds together, the Melbourne trio have executed a melodic and tight track that, just over two minutes, gives listeners a charged up dose of Grogans-esque mischief.

‘Got A Girl’, taken from The Grogans’ forthcoming second record Day / To / Day, follows on from July’s ‘Dead Weight’ single. What started as a jam sesh late in the recording process of the album, ‘Got A Girl’ soon became a favourite with the band. Thematically, the single is a straightforward tune about being carefree, enjoying the moment and the upsides of being in a relationship.

“We started it as a little jam, pretty late in the recording process of the album. Lyrically, it’s about our girlfriends and enjoying cruisey relationships  and how we don’t have any money and to not stress about that.” The Grogans

An insight into the new sounds and dynamics of the new Grogans material, ‘Got A Girl’ comes strong with its hooks and melodies, balancing punkish attitudes with surf-rock guitars and vocals. Diving further into vintage sounds, The Grogans present a defined picture of themselves on this single and by extension, the new album.

Recorded at Grogans HQ and out in Ocean Grove, Day / To / Day had the opportunity to come together outside of Melbourne, with Ocean Grove providing an idyllic relaxed setting for The Grogans to settle into. Spending their time making music, skating and hanging out made the album process far easier an experience to get through; with new ideas and sonic sessions coming naturally for the band over time.

“We wanted to build off of our last album and EPs, writing songs that we enjoy playing and listening to. It’s got a bit more of a 60s surf sound than our last releases; we just like that era – the style, the sound of the time, the cars. We also tried to have less limits, to show our wide variety and bigger picture of what The Grogans are, who we collectively are as people.” The Grogans

Forming in high school, The Grogans have got a stack of releases as well as a strong live reputation to their name in debut album Just What You Want (2019) and EP releases Grogan Grove (2018), Twangs ‘n’ Cans (2017), and Cacteyed (2016). Emerging as a dominant constant on the Melbourne music scene and an exciting presence on stages around the country.

PRAISE FOR THE GROGANS

“A bold and heavier mix from The Grogans, and I’m liking them up the ante.”

Triple J, Declan Byrne (‘Dead Weight’)

“The Grogans capture the laid-back lifestyle we all yearn for.”

Beat Magazine

“The Grogans continue to kill it. This is a massive chiller. The amount of people at both your shows this weekend was insane. A line around the corner and everything?!?!! Any time now… I can’t wait to see you guys explode! “

Triple J Unearthed Claire Mooney

‘Got A Girl’ is released Wednesday 21st of October

‘Day / To / Day’ is released Friday 13th of November

Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed

October 21, 2020 0 comments
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CROWBAR & UNIFIED TEAM UP FOR MUSIC + WINE COLLABORATION "BUILT TO SPILL WINE" THE CHATS GOON COLLABORATION AVAILABLE NOW
Festival NewsMusic News

CROWBAR & UNIFIED TEAM UP FOR MUSIC + WINE COLLABORATION “BUILT TO SPILL WINE” THE CHATS GOON COLLABORATION AVAILABLE NOW

by the partae October 21, 2020
written by the partae

“Wine chosen with love, to be enjoyed with good music and nice people.”

Crowbar and UNIFIED Music Group are proud to announce their collaborative music and wine project and online store “Built To Spill Wine”. The launch comes alongside the release of the brand’s first artist team up, a unique goon in collaboration with none other than The Chats. Find more details below.

After years of friendship, mutual business, shows and spilled drinks shared between them, each company is bringing their penchant for music and drink together in the form of an online store. Built To Spill Wine offers a delicious selection of natural wines from across the globe, while they also invite musicians to team up with some of Australia’s best natural winemakers to craft the bottle of their dreams for music fans and wine lovers to enjoy.

The life and business paths of the team at BTSW have been inextricably linked for over two decades – from running DIY venues and labels supporting hardcore bands in the early 2000’s, to the promotion and hosting of countless UNIFIED related bands at Crowbar, and most recently Crowbar running the VIP bar at UNIFY Gathering. Roots in punk-rock and Do-It-Yourself are at the heart of what UNIFIED & Crowbar do – no less a commitment to Do-It-With-Friends – and Built To Spill Wine is the ultimate extension of this ethos.

Premium bespoke bottles are the product, which is where Crowbar’s chief Wine Wizard Tai Tate comes in. With over 15 years experience in wine and fine dining (credits include the likes of Porteno, Bodega, Mary’s, P&V), Tai brings an expert knowledge and extensive industry network to the team, scouring the country for its top winemakers to partake in artist collaborations.

“We are excited to expose the whole country to a new wealth of talent in both wine and music, to push the boundaries of creativity and collaboration, to pair the old guard with the new school, and maybe find common ground between the established and the up and comers,” he says, adding that the project also offers a unique opportunity to educate consumers on the care that goes into crafting both wine and music.

All Built To Spill Wines are considered “natural”, meaning they enjoy a wild ferment (ie: no packet yeast), possess no corrective additives such as acid/colours/powdered tannin, and contain minimal sulphur.

UNIFIED Founder & CEO Jaddan Comerford explains that BTSW ultimately encompasses each company’s dedication to boundary-pushing creativity and collaboration, arguably needed in business and art now more than ever before.

Tyla Dombroski (Crowbar) elaborates that once COVID-19 shut down their live music business arm and left so many artists stranded, the team put their heads together to find new ways to forge business opportunities for themselves and bands alike.

“The best thing about it all has been connecting everyone together, not only helping ourselves while our venue has been closed and artists who haven’t been able to tour, but the winemakers around Australia as well,” she says.

“They’ve had a rough year since the fires impacting their grapes and now with COVID-19 closing down bars and restaurants. Everyone is super happy to be working together to create something different for music and wine lovers from all walks of life to enjoy while working with sustainable and minimal impact farming.”

Today BTSW launches The Chats Goon, meanwhile a second artist collaboration will launch next week. It comes after the Crowbar team independently launched successful drink collabs with artists including WAAX, Northlane, Josh Pyke and more earlier this year.

The Chats Goon:

Take your clothes off the line and get ready to peg a few silver pillows on, because BTSW have put together a box of the finest goon with The Chats and Delinquente Wine Co. Encased in the most primo cardboard, with some pictures by local legend Struthless, this is the perfect accompaniment to your Pub Feed, your Smoko, or to make you feel better about getting The Clap.

This is white goon made with a bunch of all natural, happy grapes chucked together, fermented wild and bugger all other stuff added except for a bit of sulfur just to Keep the Grubs Out. Save up your Bus Money or go halves with a mate, being the equivalent of two bottles in one glorious box, it is such good value you won’t even have to Dine n Dash. Beauty.

“It’s fucken good”
– Eamon, The Chats

Head to the Built To Spill Wine website for more details and to order your wine before the weekend. Customers can also sign up to the mailing list for 10% off their first order, and score a free record when placing an order of 3 wines (while stocks last).

FOLLOW BUILT TO SPILL WINE
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October 21, 2020 0 comments
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After receiving an overwhelming response to their first two singles “Rain.” and “Tunnel Vision”, Like Angels are back with more honest, relatable and playful music. Their new single “Lose It” will be available on  23 October 2020. As the track name suggests, the song was written for anyone who has ever felt like they were about to LOSE IT! Pre-save/Stream “Lose It” here: https://distrokid.com/hyperfollow/likeangels/lose-it    Naturally gifted in music from a young age & fascinated by the mystique of songwriting (as influenced by  the likes of Ryan Tedder, Taylor Swift, Switchfoot & NF); Like Angels sisters Emmalisa and Sarah have developed a remarkable ability to pen meaningful, honest lyrics that connect with each listener on an emotional level.  Their debut single “Rain.”, released in Dec 2019 to fundraise for Australian fire and drought relief received notable media attention from TikTok Star Nat Alise; Australian Community Media (The Advertiser); Good Morning Macarthur and Ava’s World Magazine and played by radio stations nationwide. Their second single “Tunnel Vision” saw Like Angels tweeted by Project U Founder Nic Kelly, featured on Studio Spot The Podcast and The Partae, included on Isaac Banks Top 15 Australian/NZ Tracks with Banks Music Promotion; interviewed on air for nationwide radio show Aussie Grown Radio with Hank David and bestowed the highest compliment by Beat Mag as “honest, confronting and how pop should be done”. Now, Like Angels return with “Lose It”, equally as honest as their previous singles, but with a fresh new sound! The song perfectly encapsulates that climactic moment when someone or something pushes you to your limits - you just can’t take it anymore and you’re about to LOSE IT!  “Lose It” encourages listeners to face their problems instead of making excuses and refusing to work on them. It’s about ‘dusting yourself off’, and looking for ways to solve the issues you face instead of letting them defeat you. It also expresses the importance of setting boundaries, instead of letting people take you down with their negativity.  Produced by Philippe-Marc Anquetil (Little Mix, One Direction, Jessie J, Ruel), the song’s confrontational lyricism entwined with the girls intoxicating harmony blend and mesmerising production will have you hooked from the very first beat! The track perfectly channels all the chaotic emotions experienced when you feel as though you’re about to explode! The track is saturated with the use of unconventional sound samples from screaming and coughing, to the flushing of toilets - all sounds that drive you insane and encapsulate that feeling of wanting to lose it! “Lose It” will be available on all streaming services on Friday 23 October 2020 as the third instalment of several upcoming releases by Like Angels.  WARNING: When you hear this song, you might just lose it!  Instagram: https://www.instagram.com/wearelikeangels/ Youtube: https://www.youtube.com/c/likeangels/ Tiktok: https://www.tiktok.com/@likeangels/ Facebook: https://www.facebook.com/wearelikeangels/ Twitter: https://twitter.com/wearelikeangels/ Spotify: https://open.spotify.com/artist/3DBzfAswmcKmc9VctvZPwk?si=8Xh8u1FaQrCOwqALF4iSUw
Music News

Like Angels – “A SONG FOR ANYONE WHO HAS EVER WANTED TO LOSE IT!!”

by the partae October 21, 2020
written by the partae
After receiving an overwhelming response to their first two singles “Rain.” and “Tunnel Vision”, Like Angels are back with more honest, relatable and playful music. Their new single “Lose It” will be available on  23 October 2020. As the track name suggests, the song was written for anyone who has ever felt like they were about to LOSE IT!
Pre-save/Stream “Lose It” here: https://distrokid.com/hyperfollow/likeangels/lose-it   
Naturally gifted in music from a young age & fascinated by the mystique of songwriting (as influenced by  the likes of Ryan Tedder, Taylor Swift, Switchfoot & NF); Like Angels sisters Emmalisa and Sarah have developed a remarkable ability to pen meaningful, honest lyrics that connect with each listener on an emotional level.
Their debut single “Rain.”, released in Dec 2019 to fundraise for Australian fire and drought relief received notable media attention from TikTok Star Nat Alise; Australian Community Media (The Advertiser); Good Morning Macarthur and Ava’s World Magazine and played by radio stations nationwide.
Their second single “Tunnel Vision” saw Like Angels tweeted by Project U Founder Nic Kelly, featured on Studio Spot The Podcast and The Partae, included on Isaac Banks Top 15 Australian/NZ Tracks with Banks Music Promotion; interviewed on air for nationwide radio show Aussie Grown Radio with Hank David and bestowed the highest compliment by Beat Mag as “honest, confronting and how pop should be done”.
Now, Like Angels return with “Lose It”, equally as honest as their previous singles, but with a fresh new sound! The song perfectly encapsulates that climactic moment when someone or something pushes you to your limits – you just can’t take it anymore and you’re about to LOSE IT!
“Lose It” encourages listeners to face their problems instead of making excuses and refusing to work on them. It’s about ‘dusting yourself off’, and looking for ways to solve the issues you face instead of letting them defeat you. It also expresses the importance of setting boundaries, instead of letting people take you down with their negativity.
Produced by Philippe-Marc Anquetil (Little Mix, One Direction, Jessie J, Ruel), the song’s confrontational lyricism entwined with the girls intoxicating harmony blend and mesmerising production will have you hooked from the very first beat! The track perfectly channels all the chaotic emotions experienced when you feel as though you’re about to explode! The track is saturated with the use of unconventional sound samples from screaming and coughing, to the flushing of toilets – all sounds that drive you insane and encapsulate that feeling of wanting to lose it!
“Lose It” will be available on all streaming services on Friday 23 October 2020 as the third instalment of several upcoming releases by Like Angels.

WARNING: When you hear this song, you might just lose it!

Instagram: https://www.instagram.com/wearelikeangels/
Youtube: https://www.youtube.com/c/likeangels/
Tiktok: https://www.tiktok.com/@likeangels/
Facebook: https://www.facebook.com/wearelikeangels/
Twitter: https://twitter.com/wearelikeangels/
Spotify: https://open.spotify.com/artist/3DBzfAswmcKmc9VctvZPwk?si=8Xh8u1FaQrCOwqALF4iSUw
October 21, 2020 0 comments
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THE RUBENS ANNOUNCE 'STUDY BREAK' - A PROFESSIONAL DEVELOPMENT WORKSHOP FOR THE NEXT GENERATION OF MUSICIANS & MUSIC INDUSTRY REPS + 0202 MUSIC GRANTS
Music News

THE RUBENS ANNOUNCE ‘STUDY BREAK’ – A PROFESSIONAL DEVELOPMENT WORKSHOP FOR THE NEXT GENERATION OF MUSICIANS & MUSIC INDUSTRY REPS + 0202 MUSIC GRANTS

by the partae October 21, 2020
written by the partae

Today The Rubens are proud to announce Study Break and the 0202 Music Grants – both designed for Year 12 students who are interested in pursuing a career in the music industry. The drive to support the next generation came from the numerous emails and DMs the band has received throughout COVID-19 from students doing it tough at a time that should be full of anticipation for the future.

Study Break:
“Study Break is a 1hr online professional development hang out with us and our team. If you’re a Year 12 student and you have an interest in pursuing music as a career, we want to take you behind the scenes and tell you stories about our career; song writing, recording, touring, marketing and the general ins and outs of the industry. We hope to inspire and give back to the next generation of musicians and music industry biz people. Roll call….!”

Study Break will take place on Tuesday 27th October, 5pm-6pm AEDT. The session is completely free and open to the first 500 people who sign up. To secure your spot, sign up HERE.

0202 Music Grants:
“The Class of Year 12 2020 has endured a big long year of disruption. And we think that ain’t fair. So in partnership with our label & musical home Ivy League Records & Mushroom Group, we want to award TEN Year 12 students who demonstrate a passion for music and a desire to further their studies or business ideas by way of $500 each to contribute to your next journey.” – The Rubens

“Clearly 2020 has been an incredibly tough time for so many and in particular Year 12 students. We hope these grants and access to The Rubens stories creates some optimism and inspiration to some students who are passionate about music and our industry”.
– Chris Maund, C.O.O., Mushroom Labels and Mushroom Music Publishing

The 0202 Music Grant applications are now open and will close at 6.00pm AEDT on Monday 2 November. The successful applicants will be chosen by the band based on their application. For more details, click HERE.

Last week The Rubens released the powerful video for ‘Time Of My Life’, a track that boasts one of the biggest hooks in the band’s catalogue to date. The video includes a cast made up entirely of 18-year-old, year 12 students.

“We wrote Time Of My Life before COVID, but we knew at the time that the song had a nostalgic feel to it. Once we started getting emails from year 12 students and teachers, we realised it could be more meaningful. We got together with our good mate and collaborative partner Russ and he directed the video. We wanted it to be a homage to Year 12 Class Of 2020.” – The Rubens
0202, the fourth album from The Rubens, will be released on Friday 12 February 2021. Cementing their status as a band that continues to evolve as songwriters and push the boundaries of alternative rock/pop, 0202 – featuring recent singles ‘Live In Life’ (nominated for ARIA Song of the Year), ‘Heavy Weather’ & current single ‘Time Of My Life’ – is an exciting new chapter for The Rubens and a celebration of the five-piece at their creative peak.Study Break & the 0202 Music Grants follow Chucka Buckas – a brand that The Rubens established to support new and emerging bands. The initiative came about after the band spoke at the NSW Parliamentary Enquiry regarding the state of live music in NSW, conveying passionately the importance of small venues and the ecosystem they exist in, and how critical this is in developing careers in music. As a reactionary measure, they decided they needed to do their bit to help grassroots music, which is when the idea for Chucka Buckas was born. So far, there’s been three tours, standalone clubs nights with 25 artists involved, with plans to re-commence the project in 2021.

TO SIGN UP FOR STUDY BREAK, CLICK HERE

TO APPLY FOR THE 0202 MUSIC GRANT, CLICK HERE

0202
The Rubens
Album out Friday 12 February 2021 through Ivy League Records
Available to pre-order here0202 tracklisting:
1. Masterpiece
2. Heavy Weather
3. Live In Life
4. Time Of My Life
5. Thank You
6. Muddy Evil Pain
7. Holiday
8. Explosions
9. State Of My Mind
10. Apple
11. Back To Back
12. Party
THE RUBENS
0202 ALBUM TOUR 2021

Supported by Alice Ivy Sat-Apr-03-21 – Crooked River Winery – Gerringong, NSW
Thu-Apr-08-21 – Fortitude Music Hall – Brisbane, QLD
Fri-Apr-09-21- Moncrieff Entertainment – Bundaberg, QLD
Sat-Apr-10-21 – Highfields Tavern – Toowoomba, QLD
Fri-Apr-16-21 – Enmore Theatre – Sydney, NSW
Sat-Apr-17-21 – Bar On The Hill – Newcastle, NSW
Wed-Apr-28-21 – Riverlinks Westside – Shepparton, VIC
Fri-Apr-30-21 – Forum – Melbourne, VIC
Wed-May-05-21 – Whitestar Hotel – Albany, WA
Thu-May-06-21 – The River – Margaret River, WA
Fri-May-07-21 – Freo Social – Fremantle, WA
Sun-May-09-21 – Wintersun Hotel – Bluff Point, WA
Fri-May-14-21 – The Gap View Hotel – Alice Springs, NT
Thu-May-20-21 – Altar Bar – Hobart, TAS
Fri-May-21-21 – Altar Bar – Hobart, TAS
Sat-May-22-21 – Saloon Bar – Launceston, TAS
Sun-May-23-21 – Forth Pub – Forth, TAS
Wed-May-26-21 – The Leichardt Hotel – Rockhampton, QLD
Thu-May-27-21 – Seabreeze – Mackay, QLD
Fri-May-28-21 – Otherwise Bar – Townsville, QLD
Sat-May-29-21 – Tanks Arts Centre – Cairns, QLD
Wed-Jun-09-21 – Beer Deluxe – Albury, NSW
Thu-Jun-10-21 – The Whalers Hotel – Warrnambool, VIC
Fri-Jun-11-21 – Torquay Hotel – Torquay, VIC

A drawing of a cartoon character Description automatically generated

The Rubens have done their best to honour the re-routing. Fans in Adelaide, Canberra & Bendigo – watch this space, more news to come!

The Rubens understand that it’s an extremely tough time for fans. For anyone who has previously bought tickets and wish to know their ticketing options, all ticketing & information can be found at therubensmusic.com .

THE RUBENS

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October 21, 2020 0 comments
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WATCH JESSICA JADE'S ODE TO LOVE IN THE VIDEO FOR 'YOU' + DEBUT EP 'BET' OUT NOVEMBER 13TH
Music News

WATCH JESSICA JADE’S ODE TO LOVE IN THE VIDEO FOR ‘YOU’ + DEBUT EP ‘BET’ OUT NOVEMBER 13TH

by the partae October 21, 2020
written by the partae

“Jessica Jade is one of those artists that you’ll be glad to have known about before they got big, and trust us, it is going to happen soon.” – Tone Deaf

“Bet is an extremely likeable track from an artist I could literally listen to all day.” – Project U

“Sydney has a new R n B star on the rise.” – SNIFFERS

 

Western Sydney local Jessica Jade explores the highs of love in the film clip for her infectious new single ‘You’, which features on her debut EP ‘BET’ out November 13th.

Inspired by personal experience, ‘You’ was premiered by triple j and is a raw look at those deep and young feelings of infatuation laid bare in full in the video.

‘You’ comes from the multi-dimensional R&B artist’s forthcoming debut ‘BET’ EP which features a collection of stellar, multi-genre tracks centered around the theme of independence and respecting yourself, including her most recent offerings ‘BET’ and ‘Taste’.

Recently selected as one of FBi Radio’s Independent Artists and performing as a part of their Independent Play Series, she’s already been tapped on the shoulder by Converse, Champion and JD Sports. She’s also struck a chord with tastemakers Complex, Life Without Andy, SNIFFERS and Project U along wth Tone Deaf who dubbed her a ‘future R&B legend’.

Flourishing in the digital realm her previous releases have clocked spots in Spotify’s New Music Friday AU/NZ & Denmark, R&B Connect, Pop N Fresh and Apple Music’s Best of the Week and Mood.

JESSICA JADE
‘YOU’
OUT NOW

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October 21, 2020 0 comments
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Erika de Casier - 'No Butterflies, No Nothing' is out now via 4AD / Remote Control Records. Erika de Casier Facebook | Instagram
Music News

ERIKA DE CASIER Signs to 4AD Releases new single ‘No Butterflies, No Nothing’

by the partae October 21, 2020
written by the partae
Photo Credit Gloria Berenice Moreno
4AD and Remote Control are delighted to welcome Erika de Casier to the family, today she releases her label debut, the single ‘No Butterflies, No Nothing’.

Born in Portugal and raised in Denmark, de Casier is an ally of the Regelbau collective and also something of a creative polymath, having written, produced and released her debut album, Essentials, through her own Independent Jeep label last year. Critically-lauded, Essentials graced Best of 2019 lists at Mixmag, Gorilla vs. Bear, FACT, Dummy, and Crack Magazine.

Quickly following the success of her debut album, ‘No Butterflies, No Nothing’, produced by de Casier and Natal Zaks, see the Copenhagen-based musician continue to address affairs of the heart. “It’s about wanting to fall in love with someone, but the butterflies are just not coming,” de Casier explains.

Also taking on director duties for the single’s accompanying video, she says, “I wanted to create a sort of “perfect” realm where the underlying drama is what cracks the picture. When I was a kid, I used to hurry home from school so I could watch “Days of Our Lives” and I really think it’s funny how soap operas depict characters’ lives in a such an openly overdramatic and unrealistic way – it’s all about the drama. I was also inspired by romantic period films like Pride & Prejudice and Sense & Sensibility, so to mix the two aesthetics with my own was really interesting.”

Erika de Casier – ‘No Butterflies, No Nothing’
Purchase / Stream: 
https://erikadecasier.ffm.to/nobutterfliesnonothing

Erika de Casier – ‘No Butterflies, No Nothing’ is out now via 4AD / Remote Control Records.
Erika de Casier
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October 21, 2020 0 comments
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SINGER-SONGWRITER LAUREN MANN RELEASES NEW ALBUM MEMORY & DESIRE + PREMIERES VIDEO FOR 'DONT MAKE A MOUNTAIN'
Music News

SINGER-SONGWRITER LAUREN MANN RELEASES NEW ALBUM MEMORY & DESIRE + PREMIERES VIDEO FOR ‘DONT MAKE A MOUNTAIN’

by the partae October 20, 2020
written by the partae

Singer-songwriter Lauren Mann’s 4th studio album Memory & Desire is out today on all digital platforms! And to celebrate, Lauren is releasing the video for the album’s 3rd single ‘Don’t Make a Mountain’. Watch the video here.

It was Lauren’s longtime friend and collaborator, Ross Bodenmann, who had the idea for the ‘Don’t Make a Mountain’ video, which they filmed in Comox Valley on Vancouver Island over the summer.

“I often tend to worry unnecessarily, so I wrote this song as a reminder to myself when I feel anxiety creeping in to take a deep breath, plant my feet firmly on the ground, and remember the bigger picture,” says Lauren. “The video shows two contrasting characters, one who is lost and weary of the journey, and the other who is pushing through the obstacles searching for beauty and truth.”

Lauren wrote the songs that make up Memory & Desire over the course of four very formative years, both personally and creatively. She was finding herself again as a woman entering her 30s, and as a songwriter and musician, she was soaking up influences from the albums she was listening to at the time from Jordan Klassen, Luca Fogale, Rose Cousins and more. And she was also learning covers of the classics: Gordon Lightfoot, Carole King, Leonard Cohen, and Beth Orton at local community jams on Pender Island.

“When I was introduced to a Harmony tenor guitar from the late 60s, my songwriting and sound began to centre around that,” says Lauren. “After years of sitting with the songs, writing and rewriting, trying them live, and making demos, the recording process with producer Josh Rob Gwilliam was simple and organic. He helped bring the songs to life in my home studio using various organs, pianos, and other instruments I have laying around and crafting a sound that is as expansive as it is grounded.”

Lauren Mann’s new album Memory & Desire is available now on Spotify, Apple Music/iTunes, and other digital retailers and streaming services worldwide. For more information, please visit: laurenmannmusic.com

 

 

FOLLOW LAUREN MANN:
Website | Spotify | Facebook | Instagram | Twitter | YouTube 

 

October 20, 2020 0 comments
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BIGSOUND KICKS OFF TOMORROW Here’s all the new updates, and what you CANNOT miss!
Festival NewsMusic News

BIGSOUND KICKS OFF TOMORROW Here’s all the new updates, and what you CANNOT miss!

by the partae October 20, 2020
written by the partae
  • Culinary crusader Nat’s What I Reckon will now be joined by special guest Briggs for his exclusive BIGSOUND cooking show.
  • The multiple ARIA-nominated singer-songwriter and festival director Jack River joins Johann Ponniah for a Q&A following his keynote “200 Shits Per Album”.
  • Support Act has added a host of new and well-known faces to BIGSOUND’s Mental Health stream in partnership with Levi’s – including Frontier Touring’s Sahara Herald, The Teskey Brothers’  Brendon Love and artist Nathan Cavaleri.
  • Jaguar Jonze and Ella Hooper now join previously-announced Ecca Vandal and Mo’Ju for an honest and personal roundtable discussion in “COVID F*cked My Tour Lyf”.
  • Green Music Australia will teach you how to make your career footprint more green, and Bolster will present quickfire looks at trends and new tech that will affect how we make, market, discover and consume music in the coming years.
  • BIGSOUND is hosting closed door sessions this week with industry to devise a handful of key outcomes that need to be addressed by Government for our very survival and which will be discussed at a special panel “Come Together.”
  • Sounds Australia is partnering with us to provide a world-class activation of one-on-one meetings for The BIGSOUND50 with industry reps from across the globe.
  • And mark your calendars for the BIGSOUND parties and exclusive musical performances all the way from Canada, South Korea, and right here at home.
  • FREE registration for BIGSOUND 2020 is still open. Registration, more information, and the full program schedule is available now at www.bigsound.org.au

Moving to 100% virtual and 100% free this year, BIGSOUND 2020 gets ready to go live in your living rooms, laptop screens, and office spaces from tomorrow on Wednesday October 21st and Thursday 22nd, bringing together a stacked conference program of keynote presentations, panels, workshops, performances and parties covering a wide range of topics and discussions aiming to re-future a challenged industry with positivity, connection and reality.

“BIGSOUND 2020 will entertain and inform, but at its core, it is a platform for us to connect and share an experience that we have grown to mark our years by,” said BIGSOUND conference programmer Tom Larkin.
“High level insights from international speakers such as Tim Urban, a programming stream dedicated entirely to mental health skills, through to the comic relief of Nat’s What I Reckon dragging his mate Briggs along a high-risk adventure of BBQ calorie acrobatics, defines the scope of what BIGSOUND has to offer.
“This year we hope to provide an opportunity to explore not only the many challenges we have have faced as an industry together but also what is on the horizon, how we could make the best of that knowledge, and a chance to reflect with those who have defined our business to this point and how we might reshape it for the better,” said Mr Larkin.

Some not-to-be-missed highlights include a keynote from Tom Morello (Rage Against The Machine, Audioslave, Prophets Of Rage, the Nightwatchman) with a presentation exploring his life as a musician and activist. BIGSOUND will also host a line up of special in-conversation sessions with the legendary Kev Carmody, ARIA-award winner Amy Shark, as well as a keynote presentation from global superstar Tones And I.

Artificial intelligence and creativity thought leader Tim Urban will delve into our creative consciousness with ‘The Wizards Hat – Our Brain’s Magical Future’, Rhoda Roberts and Ziggy Ramo will discuss the Indigenous future of the music industry, while American Grammy-nominee Maimouna Youssef aka Mumu Fresh will discuss career, community and survival in 2020.

BIGSOUND will also see Australia’s hero of COVID, culinary crusader Nat’s What I Reckon and special guest Briggs present an exclusive BIGSOUND cooking show,  and legendary production manager and founder of CrewCare Australia Howard Freeman (Big Day Out, INXS, AC/DC, Eminem, Neil Young, Prince, Rolling Stones) will host a poignant session exploring the hard realities of life on the road, the impacts it has on mental and physical health and creating a culture of help-seeking.

“Thank you to my QMusic team for pulling BIGSOUND together this year and a special thanks to the programmers, Creative Director Janne Scott, Conference Programmer Tom Larkin, First Nations Producer Alethea Beetson and Festival Programmers Ruby Jean-McCabe and Dom Miller,” said BIGSOUND Executive Producer Angela Samut and QMusic CEO. “There has never been a question of whether we should cancel BIGSOUND against the backdrop of COVID-19 but rather how can we best connect our industry that has been knocked to its knees but that stands united to recover and rebound with a stronger voice.”

———————————————————————————————————-

Adding to the already stacked program, Support Act will host a series of 7x “On My Mind” workshops which will see a wide range of representatives discuss common mental health struggles we face as an industry. Teskey Brothers’ Brendon Love, author and broadcaster Jane Gazzo, Nat’s What I Reckon, triple j’s Max Quinn, Frontier Touring’s Sahara Herald, artist Nathan Cavaleri, psychologists Ash King, Emse Holmes, and more will provide honest insights and realistic pathways for how to cope with the many diverse stressors of the industry.

“Support Act is totally pumped to be part of this year’s BIGSOUND, and we are excited to present these seven workshops on Wednesday and Thursday. We have put together an outstanding program of speakers who will provide invaluable insights and advice for achieving and maintaining good mental health, which as we all know is critical to maximising success in the music industry,” said Support Act CEO, Clive Miller.

Delegates can also join a whole range of vital and informative workshops on Spotify streaming, change management, and financial crisis management for practical advice and strategies needed by a community ready to face 2021. Bolster will be presenting a quick fire look at trends and new tech that will affect how we make, market, discover and consume music in the coming years with “A-Z Of Future Music Marketing”, as well as dissecting the fundamentals of social media and digital marketing for music, and how to gain the confidence to take control of your digital destiny with “Digital Music Marketing Foundations”, and BIGSOUND also welcomes speed date workshops from Green Music Australia with a very limited opportunity to book a one-on-one workshop with Berish Bilander and Emma Bosworth from Green Music Australia to discuss how to make your music practice more green and reduce waste.

It’s not BIGSOUND without a party! BIGSOUND is pleased to announce the official 2020 virtual parties, an online space aimed at providing some post-conference entertainment for BIGSOUND delegates to kick back and enjoy performances and showcases from a range of artists and performers from around the world.

Dancing their way to Australian palms, fingertips and screens of all sizes, South Korea’s sweethearts of electro art-pop, Wedance bring their unprecedented energy and charisma to our virtual shores for a special ‘Dancing On The Farm’ performance spectacular and Q&A (presented by Highjinkx).

Having previously performed at BIGSOUND 2018, plus multiple Festival appearances throughout Asia and the world (including Fuji Rock, Primavera Sound and more) Wedance have built a cult following with their powerfully positive and dynamic live performances.

Indigenous North will also offer electrifying performances and interviews for an intimate picture of outstanding artists from Treaty 1 Territory (Winnipeg) and the traditional and unceded territory of the Kanien’keh:ka of Kahnawà:ke (Montréal), and JMC Academy will also be showcasing their best up and coming students for their Emerging Artist Showcase.

And you can catch even more music over at First Nations House, a unique partnership with Spotify as part of their ongoing commitment to promote and increase the representation of First Nations artists from around the globe, on and off their platform.

“We applaud BIGSOUND for its major focus this year on First Nations music, and congratulate the organisers for their ingenuity and flexibility in moving to a free, online event,” said Australia Council CEO Adrian Collette, “We are confident this year’s edition of BIGSOUND will continue to enable important industry connections as well as the sharing of ideas and of course, great music.”

Eight selected artists from The BIGSOUND50 will perform as part of the  Dreaming Loud showcase performance nightly on Wednesday 21st and Thursday 22nd October, including: Aodhan, Birdz, CLOE TERARE, Kee’ahn, Matalja, Oetha, Southeast Desert Metal and The Yorke Band. Following the final showcase, the entertainment will continue with a Dreaming Loud DJ set featuring special guest Dameeeela.

——————————————————-

Catch all this and more, as FREE registration for BIGSOUND 2020 is still open. Registration, more information, and the full program schedule is available now at www.bigsound.org.au.

As a gift from BIGSOUND and presenting partner Apple Music, register now to receive 4x months free Apple Music exclusive to BIGSOUND delegates. This offer is available in the delegate portal.
Click here to listen to The BIGSOUND50 official Apple Music playlist.

BIGSOUND is  working towards the online virtual event being as accessible as possible for all delegates, with all Watch On Demand videos to feature Closed Captions to be made available for delegates to turn on if required.

QMusic, producer of BIGSOUND, is assisted by the Australian Government through the Australia Council, its principal arts funding and advisory body.

 

BIGSOUND is supported by the Queensland Government through Arts Queensland and Tourism and Events Queensland and features on the It’s Live! in Queensland events calendar.
WEBSITE  | FACEBOOK
October 20, 2020 0 comments
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MEMPHIS LK Releases new single & video 'Letters In Concrete'
Music News

MEMPHIS LK Releases new single & video ‘Letters In Concrete’

by the partae October 20, 2020
written by the partae
Praise for Memphis LK

“A slice of propelling, electronic pop that’s ahead of the pack.” – Lucy Smith, triple j (Green Light)

“It’s a melting pot of pop, garage and bass-driven electro with Memphis LK showing exactly why she’s positioned as one of this year’s most exciting emerging acts.” – Purple Sneakers (Green Light)

“It is the kind of pop that makes you feel instant joy and highlights Memphis’s ability to create music that really stands out from the pack” – Women In Pop

“an ode to the long-lived yet never forgotten club space… the high energy track transforms your own bedroom into a club dance-floor.” – Earmilk (Green Light)

Today, Dot Dash Recordings & Remote Control Records are elated to share ‘Letters In Concrete’, the latest release from Melbourne based artist & producer Memphis LK.

Packed with powerful lyricism, dreamy synths and danceable lo-fi breaks, ‘Letters In Concrete’ sparks a new euphoric-pop direction for Memphis LK. Mixed by UK engineer Dave Emery (Madonna, Bjork, Sam Smith) and with additional production from Running Touch, this release signifies an artist staking her claim as a dance-pop force to be reckoned with.

Memphis says “I had the idea for this song one night during iso in Melbourne when I was walking in the rain. It’s about being separated from someone you love, which is something a lot of people are experiencing right now because of the pandemic. I feel like during iso I’ve come so far with my songwriting and production — I’ve been listening to more music and rediscovering pop and RnB influences from when I was younger — and this song feels like a massive level up for me.”

The single is accompanied by a fashion-forward music video filmed in Adelaide and directed & produced by Nima Nabili Rad. It’s a striking visual composition showcasing an industrial and barren Australian landscape. The video shows an artist who meets at the intersection of pop, underground dance and fashion.

This is Memphis’ second release for 2020, following on from ‘Green Light’, which landed her in the triple j Unearthed ‘5-star club’ with the second highest star rating from presenters, as well as additions to Apple’s New Music Daily and Midnight City playlists.

It continues a series of singles from Memphis’ including her Dot Dash debut ‘Roses’, which gained support from triple j and triple j Unearthed naming her Unearthed Feature Artist in February 2020, as well as landing her the cover of The Sun-Herald’s entertainment guide as part of their “Ones To Watch” feature.

Memphis fell in sync with electronic music in her late teens, teaching herself Ableton and eventually combining early soul, pop and RnB influences with her love of underground UK garage, 2-step and breakbeat. 2020 has seen Memphis perform live at Pitch Music & Arts Festival and Loch Hart Music Festival, and she was recently announced as one of the BIGSOUND50.

Memphis LK – ‘Letters In Concrete’ (Official Video)
Stream / Save / Download: 
https://memphislk.lnk.to/lettersinconcrete

Memphis LK – ‘Letters In Concrete’ is out now  via Dot Dash / Remote Control

Memphis LK
Facebook | Instagram | Twitter | YouTube
October 20, 2020 0 comments
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Where are you currently based? I am based between London and Miami where I’m currently recording  What's been happening recently and how has your Covid experience been so far? When Covid first came about I quarantined out in Spain with my family for a few months. It was hard to begin with being stuck indoors everyday but I just used the opportunity to work on my project creating new music and ideas. How did you first start playing music?  I started writing my own material when I was 14 after finding out my mum had cancer. It was a rough time for me but music really saved me. It was the only thing that could take my mind off all the bad things that I was experiencing at that time. Your mixtape 'Long Time Coming' is out now, what were the influences behind the Mixtape? I have many influences ranging from classic R&B to modern afro beats with a hint of latin rythm and melodies right back to 80’s hip hop and I love my Drum & Bass! Please tell us about the process: The music flowed nicely during the creative process of the mixtape. I didn’t really think too hard, it was more a case of just making music I love and making sure the record has a wide range of sonics and vibes. How did the concept for the music video come about? The concept for the video was to have something dark and edgy with a sexy feel to it. The video showcases the storyline that is told through the lyrics of the track with a constant movement which is what gives it that rolling vibe. Who did you work with and where did you film? I work with various different film crews from Miami, LA, Spain and the United Kingdom depending on and what we are trying to achieve with each project, I love Kaz Ové’s work and I’m working with a cool Jamaican director at the minute on my next video.  What did you find most challenging and rewarding throughout the creation of 'Long Time Coming'? To be totally honest I wouldn’t say it was challenging as I enjoyed every part of creating this piece of work. The rewarding feeling was to finally finish up the project ready for release! Who are you listening to at the moment? I am currently listening to mostly latin urban artists ; people like Farruko, Sech and Myke Towers.  What do you like to do away from music? I like to work out in the gym, go for a bike ride or some basketball or hit the beach, if there is one close by of course! What's planned for the remainder of 2020 going into 2021? I am currently working on finishing up my latin project which I have been working on for some time now and I’m feeling great about it. Favourite food and place to hangout? Jerk chicken with rice and peas and a good movie binge on the sofa! Twitter - https://twitter.com/officialxnilo Instagram - https://www.instagram.com/xnilo/
Music InterviewsMusic News

XNilo

by the partae October 19, 2020
written by the partae

Where are you currently based?

I am based between London and Miami where I’m currently recording

What’s been happening recently and how has your Covid experience been so far?

When Covid first came about I quarantined out in Spain with my family for a few months. It was hard to begin with being stuck indoors everyday but I just used the opportunity to work on my project creating new music and ideas.

How did you first start playing music? 

I started writing my own material when I was 14 after finding out my mum had cancer. It was a rough time for me but music really saved me. It was the only thing that could take my mind off all the bad things that I was experiencing at that time.

Your mixtape ‘Long Time Coming’ is out now, what were the influences behind the Mixtape?

I have many influences ranging from classic R&B to modern afro beats with a hint of latin rythm and melodies right back to 80’s hip hop and I love my Drum & Bass!

Please tell us about the process:

The music flowed nicely during the creative process of the mixtape. I didn’t really think too hard, it was more a case of just making music I love and making sure the record has a wide range of sonics and vibes.

How did the concept for the music video come about?

The concept for the video was to have something dark and edgy with a sexy feel to it. The video showcases the storyline that is told through the lyrics of the track with a constant movement which is what gives it that rolling vibe.

Who did you work with and where did you film?

I work with various different film crews from Miami, LA, Spain and the United Kingdom depending on and what we are trying to achieve with each project, I love Kaz Ové’s work and I’m working with a cool Jamaican director at the minute on my next video.

What did you find most challenging and rewarding throughout the creation of ‘Long Time Coming’?

To be totally honest I wouldn’t say it was challenging as I enjoyed every part of creating this piece of work. The rewarding feeling was to finally finish up the project ready for release!

Who are you listening to at the moment?

I am currently listening to mostly latin urban artists ; people like Farruko, Sech and Myke Towers.

What do you like to do away from music?

I like to work out in the gym, go for a bike ride or some basketball or hit the beach, if there is one close by of course!

What’s planned for the remainder of 2020 going into 2021?

I am currently working on finishing up my latin project which I have been working on for some time now and I’m feeling great about it.

Favourite food and place to hangout?

Jerk chicken with rice and peas and a good movie binge on the sofa!

Twitter – https://twitter.com/officialxnilo
Instagram – https://www.instagram.com/xnilo/
October 19, 2020 0 comments
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What is your name and role within The Wilderness?   My name is Nicholas Lennox, but most people call me Nick! I play saxophone and percussion, and I also sing background vocals! Where are you currently based?   Kingston, Ontario, Canada. What's been happening recently and how has your Covid experience been so far?   Being a band in the era of COVID-19 is incredibly challenging. To say our whole industry has shifted around us is an understatement; much like musicians around the world, we’re doing our best on the streaming front, but we miss live music terribly. Ultimately though we’ve got to keep our heads up, so we’re just doing our best to make the most of the whole scenario by staying creative and focusing on content-creation and songwriting! How did you first start playing music?   I started playing guitar when I was maybe twelve; I was really into Metallica and I wanted to learn nothing but riffs. That was my official start, and I’ve dabbled with other instruments (keys, bass, drums) since, but I picked up the sax in tenth grade because it was kind of a rock ‘n roll instrument and fell in love with it. I learned to read music on it, and I could do things with the sax that I couldn’t with the guitar, so I’ve been playing the sax for about ten years now. How did The Wilderness form?   The Wilderness started with Jonas Lewis-Anthony (vocals/guitar), Karl Tombak (bass), Sacha Lansky (lead guitar), and Henry Lawrence (drums) at an open-mic here in Kingston; Jonas reportedly saw the other three performing and begged them to start a band. Liam Neale (keys/percussion) joined after coming on tour as a roadie. I was essentially absorbed into the band; I had jammed with the guys a handful of times and performed with them once or twice, so they eventually just started saying I was in the band. Your new single 'Graveyard' and Album 'Until Tomorrow' are out now, what influenced the sound and songwriting for the album?   All six of us come from a variety of musical backgrounds and that really shines through on this record. “Graveyard” specifically is one of Karl’s tunes, and really showcases an almost pop-punk flair. Karl has a background in metal, so the kind of riff-focused writing and fast-paced lyricism come naturally to him. On the album at large, loads of styles and influences shine through. Jonas shows off his folk chops with tunes like “Pick You Up” and “You Look So Good When You Cry”, “Hurricane” is almost a country tune, songs like “If I Have to Die” and “Citalopram Blues” are hard hitting rock songs, I managed to sneak a little soul in there with “You, the Ocean”, there truly is something for everyone in there.   How did you go about writing the music?   Everyone in the band has a different style of writing. Jonas, for example, seems to need nothing more than an acoustic guitar and a pen; he really channels his folk influences and is an excellent storyteller. I’m quite the opposite; I write out charts for the band to play along to and really go into things knowing exactly what the full band should sound like. Ultimately, there always comes a point where we come forward with our creation and release it to the rest of the band, and that is perhaps the most important part of the experience, because that’s where our songs become Wilderness songs. Where and when did you record and who with?   We recorded “Until Tomorrow” at the Bathouse Studio in Bath ON right at the beginning of March 2020, about a week before the COVID-19 lockdown hit. Our producer was Rob Baker of The Tragically Hip, and Nyles Spencer was our engineer. We couldn’t have asked for a better team.  What programs/instruments did you use?   Too many to count! I myself played three saxophones, a grand piano, a Hammond B3, two tambourines, two shakers, and an EWI. Jonas and Sacha were slinging guitars like gunmen in the Wild West. Liam tickled more keys than a locksmith and Henry laid down more snares than a fur trapper. I’m pretty sure Karl only played one bass but we won’t talk about that. Oh, and everything was recorded in Pro Tools. How did you approach the recording process?   That completely depends on the song! Some tunes were performance ready—“Where I Roam” for example had been in our live performance canon for years—whereas others like “You, the Ocean” had never been performed as a band. That one required me to lay down a piano track, conduct the rhythm section of Karl and Henry, and then direct Jonas’s vocal performance.    Rob’s guidance was also imperative for us. He really brought out the best in us as players and arrangers, offering everything from coaching on guitar parts to tambourine arrangement advice. On songs some songs, like “Twenty-Five” for example, we took the approach of throwing as many layers at the wall as we could and seeing what sticks; Rob was absolutely a beacon of light through that process, as he seemed to know exactly what each song needed. What did you find most challenging and rewarding during the creation of the album?   The process of bringing it all together was the most rewarding for me; taking a song from a napkin sketch and letting your best friends take it to new heights with their own personal touches is truly special. The challenge there of course lies in that dance; it takes a certain vulnerability to trust others with a creation that’s personal and dear to your heart, but again, that’s what it takes to make something really shine. Please tell us about how Graveyard originated and what this song means to you:   Graveyard was born out of those nights one spends at a local pub until well past last call. It grapples with the monotonous rhythm of working, getting paid, drinking your pay away, and repeating that cycle. As musicians, our work environment is often those dimly lit bars, and we have a special privilege to be doing what we love in those venues, but even then it’s possible to feel stuck in your hometown, playing the same old songs for the same old faces and hearing the same old praises. Graveyard is about just that. You have a LIVE EP to be release later this year, please tell us more:   This EP is a collection of songs from “Until Tomorrow”, recorded live-off-the-floor at the Bathouse. We really thrive as a live band, but since we haven’t been able to play live shows, we wanted to bring a live flair to the music from that album. This project has allowed us to capture our music in a more nuanced way, and each song will have a corresponding video so that listeners can also watch the performance of each tune!  Who are you listening to at the moment? I’m a huge jazz addict! I’ve been listening to a lot of Bob Reynolds, Chad Lefkowitz-Brown, and Joshua Redman, all of whom are saxophonists I admire a lot. I’ve also been heavy into Herbie Hancock lately, specifically the more fusion-type stuff on albums like “Thrust”, some of which I’ve had to learn for my jazz quintet, “Relatively Minor”. What do you like to do away from music?   Honestly, I use other music as a distraction from whatever music I’m working on; I switch genres to distract myself. I practice jazz regularly to escape from band stuff and it fills my cup right back up. Other times, I write heavy metal, and it absolutely obsesses me. Of course, when the hour doesn’t allow for that stuff I read lots; I’ve really been into Frank Herbert’s “Dune” series recently. What's planned for the remainder of 2020 going into 2021?   We’re just hoping to keep creative as possible! As we’ve mentioned, we have those live-off-the-floor videos we’re working on, and we’re in the process of writing our next album! Once performing live can safely be a thing again, we’re going to hit the ground running. Favourite food and place to hangout?   I am an absolute fiend for sushi, and the best place in Kingston has to be Kame. Favourite place to hang out has to be Musiikki Cafe, right downtown K-Town.
Music InterviewsMusic News

The Wilderness

by the partae October 19, 2020
written by the partae
What is your name and role within The Wilderness?
 

My name is Nicholas Lennox, but most people call me Nick! I play saxophone and percussion, and I also sing background vocals!

Where are you currently based?
 

Kingston, Ontario, Canada.

What’s been happening recently and how has your Covid experience been so far?
 

Being a band in the era of COVID-19 is incredibly challenging. To say our whole industry has shifted around us is an understatement; much like musicians around the world, we’re doing our best on the streaming front, but we miss live music terribly. Ultimately though we’ve got to keep our heads up, so we’re just doing our best to make the most of the whole scenario by staying creative and focusing on content-creation and songwriting!

How did you first start playing music?
 

I started playing guitar when I was maybe twelve; I was really into Metallica and I wanted to learn nothing but riffs. That was my official start, and I’ve dabbled with other instruments (keys, bass, drums) since, but I picked up the sax in tenth grade because it was kind of a rock ‘n roll instrument and fell in love with it. I learned to read music on it, and I could do things with the sax that I couldn’t with the guitar, so I’ve been playing the sax for about ten years now.

How did The Wilderness form?
 

The Wilderness started with Jonas Lewis-Anthony (vocals/guitar), Karl Tombak (bass), Sacha Lansky (lead guitar), and Henry Lawrence (drums) at an open-mic here in Kingston; Jonas reportedly saw the other three performing and begged them to start a band. Liam Neale (keys/percussion) joined after coming on tour as a roadie. I was essentially absorbed into the band; I had jammed with the guys a handful of times and performed with them once or twice, so they eventually just started saying I was in the band.

Your new single ‘Graveyard’ and Album ‘Until Tomorrow’ are out now, what influenced the sound and songwriting for the album?
 

All six of us come from a variety of musical backgrounds and that really shines through on this record. “Graveyard” specifically is one of Karl’s tunes, and really showcases an almost pop-punk flair. Karl has a background in metal, so the kind of riff-focused writing and fast-paced lyricism come naturally to him.

On the album at large, loads of styles and influences shine through. Jonas shows off his folk chops with tunes like “Pick You Up” and “You Look So Good When You Cry”, “Hurricane” is almost a country tune, songs like “If I Have to Die” and “Citalopram Blues” are hard hitting rock songs, I managed to sneak a little soul in there with “You, the Ocean”, there truly is something for everyone in there.  

How did you go about writing the music?
 

Everyone in the band has a different style of writing. Jonas, for example, seems to need nothing more than an acoustic guitar and a pen; he really channels his folk influences and is an excellent storyteller. I’m quite the opposite; I write out charts for the band to play along to and really go into things knowing exactly what the full band should sound like. Ultimately, there always comes a point where we come forward with our creation and release it to the rest of the band, and that is perhaps the most important part of the experience, because that’s where our songs become Wilderness songs.

Where and when did you record and who with?
 

We recorded “Until Tomorrow” at the Bathouse Studio in Bath ON right at the beginning of March 2020, about a week before the COVID-19 lockdown hit. Our producer was Rob Baker of The Tragically Hip, and Nyles Spencer was our engineer. We couldn’t have asked for a better team. 

What programs/instruments did you use?
 

Too many to count! I myself played three saxophones, a grand piano, a Hammond B3, two tambourines, two shakers, and an EWI. Jonas and Sacha were slinging guitars like gunmen in the Wild West. Liam tickled more keys than a locksmith and Henry laid down more snares than a fur trapper. I’m pretty sure Karl only played one bass but we won’t talk about that. Oh, and everything was recorded in Pro Tools.

How did you approach the recording process?
 

That completely depends on the song! Some tunes were performance ready—“Where I Roam” for example had been in our live performance canon for years—whereas others like “You, the Ocean” had never been performed as a band. That one required me to lay down a piano track, conduct the rhythm section of Karl and Henry, and then direct Jonas’s vocal performance.

 
Rob’s guidance was also imperative for us. He really brought out the best in us as players and arrangers, offering everything from coaching on guitar parts to tambourine arrangement advice. On songs some songs, like “Twenty-Five” for example, we took the approach of throwing as many layers at the wall as we could and seeing what sticks; Rob was absolutely a beacon of light through that process, as he seemed to know exactly what each song needed.
What did you find most challenging and rewarding during the creation of the album?
 

The process of bringing it all together was the most rewarding for me; taking a song from a napkin sketch and letting your best friends take it to new heights with their own personal touches is truly special. The challenge there of course lies in that dance; it takes a certain vulnerability to trust others with a creation that’s personal and dear to your heart, but again, that’s what it takes to make something really shine.

Please tell us about how Graveyard originated and what this song means to you:
 

Graveyard was born out of those nights one spends at a local pub until well past last call. It grapples with the monotonous rhythm of working, getting paid, drinking your pay away, and repeating that cycle. As musicians, our work environment is often those dimly lit bars, and we have a special privilege to be doing what we love in those venues, but even then it’s possible to feel stuck in your hometown, playing the same old songs for the same old faces and hearing the same old praises. Graveyard is about just that.

You have a LIVE EP to be release later this year, please tell us more:
 

This EP is a collection of songs from “Until Tomorrow”, recorded live-off-the-floor at the Bathouse. We really thrive as a live band, but since we haven’t been able to play live shows, we wanted to bring a live flair to the music from that album. This project has allowed us to capture our music in a more nuanced way, and each song will have a corresponding video so that listeners can also watch the performance of each tune! 

Who are you listening to at the moment?

I’m a huge jazz addict! I’ve been listening to a lot of Bob Reynolds, Chad Lefkowitz-Brown, and Joshua Redman, all of whom are saxophonists I admire a lot. I’ve also been heavy into Herbie Hancock lately, specifically the more fusion-type stuff on albums like “Thrust”, some of which I’ve had to learn for my jazz quintet, “Relatively Minor”.

What do you like to do away from music?
 

Honestly, I use other music as a distraction from whatever music I’m working on; I switch genres to distract myself. I practice jazz regularly to escape from band stuff and it fills my cup right back up. Other times, I write heavy metal, and it absolutely obsesses me. Of course, when the hour doesn’t allow for that stuff I read lots; I’ve really been into Frank Herbert’s “Dune” series recently.

What’s planned for the remainder of 2020 going into 2021?
 

We’re just hoping to keep creative as possible! As we’ve mentioned, we have those live-off-the-floor videos we’re working on, and we’re in the process of writing our next album! Once performing live can safely be a thing again, we’re going to hit the ground running.

Favourite food and place to hangout?
 

I am an absolute fiend for sushi, and the best place in Kingston has to be Kame. Favourite place to hang out has to be Musiikki Cafe, right downtown K-Town.

THE WILDERNESS IS: 
Jonas Lewis-Anthony (lead vocals + guitar)
Sacha Lansky (lead guitar + backing vocals)
Karl Tombak (bass)
Henry Lawrence (drums + backing vocals)
Nicholas Lennox (saxophone, percussion + backing vocals)
Liam Neale (keyboard + percussion)

FOLLOW THE WILDERNESS:
Website | Spotify | Facebook | Instagram | Twitter | YouTube 

October 19, 2020 0 comments
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DVBBS & Quinn XCII team up on carefree dance-pop smash "West Coast" [out on Ultra Rec
Music News

Let DVBBS & Quinn XCII Whisk You Away to California on New Track “West Coast.” Out on Ultra Records

by the partae October 17, 2020
written by the partae

Artists: DVBBS
Title: West Coast ft. Quinn XCII
Label: Ultra Records
Release date: October 16, 2020

Download / Stream

In a time when we could all use some good vibes, DVBBS captures the breezy nature of the Golden State on their new track “West Coast,” together with pop sensation Quinn XCII. Close your eyes and let yourself be carried away to the land of palm trees, ocean breeze, and endless summer as DVBBS and Quinn XCII deliver a driving bassline with upbeat melodies; coupled with its carefree lyrics, “West Coast” becomes an anthem for escaping your circumstances to live the way that feels the most authentic to you. The new single follows DVBBS‘ latest album “Nothing To See Here” from August and Quinn XCII‘s 3rd studio LP “A Letter To My Younger Self,” released this summer on Columbia Records. Check out what the artists had to say about their collaboration below.

“Sprinkle some DVBBS sauce on a Quinn XCII vocal, and this is what you get. Whether you’re from the West Coast or East Coast, we’ll be turning up together soon.” – DVBBS

“‘West Coast‘ is about finding that easiness in life that we all need from time to time. The song came about in the studio one day after playing this raw piano melody that inspired this carefree feeling. DVBBS did an amazing job giving the song a fresh approach to a dance record that I’m excited to be a part of.” – Quinn XCII

Few producers have risen to the top in the electronic music scene as quickly as DVBBS, who captured the industry’s attention with hits like “Tsunami” and “Not Going Home” and never let it go. The Canadian brothers Alex and Christopher have been continuously cultivating their sound since their debut in 2012, and have racked up an impressive display of collaborations with renowned names from diverse musical backgrounds. From hip hop superstar Juicy J to the NERVO twins, DVBBS continues to prove there’s nothing they can’t accomplish. The brothers have played everywhere from Lollapalooza to Tomorrowland, though they’ve been busy in the studio during the global pandemic. Quinn XCII‘s unique fusion of pop, hip-hop, alternative, and soul has garnered him a loyal following and over 1.5 billion streams worldwide. He is well known for tracks such as “Love Me Less” with MAX (which was performed on Jimmy Kimmel, The Today Show, and more), “Flare Guns” with Chelsea Cutler, and multiple Global Viral Charts singles on Spotify. Keep an eye out for more new music from DVBBS and Quinn XCII coming to airwaves near you!

More info on DVBBS / Quinn XCII / Ultra Records:

DVBBS: Facebook | Instagram | Twitter | Spotify

Quinn XCII: Facebook
 | Instagram | Twitter | Spotify

Ultra Records: Facebook
 | Instagram | Twitter | Spotify

 

October 17, 2020 0 comments
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German megaclub Bootshaus launches podcast series with Steve Aoki as first guest
Music News

German megaclub Bootshaus launches podcast series with Steve Aoki as first guest

by the partae October 16, 2020
written by the partae

Cologne clubbing institution Bootshaus — voted Germany’s favourite club in the 2020 DJ Mag Top 100 Clubs poll — is set to launch its own podcast series. ‘Bootshaus Podcast’ will give listeners an exclusive, behind-the-scenes look at the world of dance music, featuring iconic EDM mainstage artists, heroes of the underground and prolific industry executives.
Tune in as some of dance music’s most sought-after names discuss  topics inside and outside the industry.

The mighty Steve Aoki kicks off the series, with other guests upcoming including Felix Jaehn, Headhunterz, Sam Feldt, Boris Brejcha, Bootshaus CEO/Owner Fabian Thylmann, and Parookaville CEO Bernd Dicks. Aoki’s episode gives a deeper insight into a key dance music figure who most people only know for his high-octane music and on-stage theatric, revealing the person behind the public persona.

He reveals exciting plans for virtual festival appearances, how he wants to make a track with Elon Musk, and how his upcoming album ‘Neon Future IV’ contains a whopping 27 tracks. Aoki also spoke about using his voice as an artist and what it was like to grow up as an Asian kid in America. “I grew up in a very conservative area, where racism really flourished and everyone is white” he says on the podcast. “If you are not part of the 96% whites, racism can happen and I thought — that’s just how it is. I learned a lot about having a voice to speak out about injustice.”

Each podcast episode is hosted by German DJ & Moderator Arian Amedia and can be streamed from here.

About Bootshaus
Bridging industrial underground values with mainstream electronic sounds, Bootshaus, Germany’s best nightclub, is a place reserved for the fresher, more edgy end of Techno, EDM, Trap, Dubstep, and much more. Located on the Cologne shipyard premises, this former ship and boat warehouse houses three rooms and an outdoor area, of which the main room can accommodate more than 1000 guests. Big acts like DJ Snake, Yellow Claw, Tiesto, Armin van Buuren, and Deadmau5 love to play Bootshaus as this club attracts one of the most energetic crowds in the world.
First entering DJ Mag’s ranking of world’s best clubs in 2013, Bootshaus quickly climbed the ranks, finishing #6 worldwide, and #1 in Germany, in 2020.
Bootshaus also regularly gets involved in festivals, hosting stages at BigCityBeats World Club Dome, Parookaville Festival, New Horizons Festival, and most recently hosting Europe’s first ‘corona-proof’ concert in Lanxess Arena.

CONNECT W/ BOOTSHAUS
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October 16, 2020 0 comments
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Festival NewsMusic News

THE SOUND – SEASON TWO | The critically acclaimed show returns Sunday 1 November, 6pm on ABC + iview

by the partae October 16, 2020
written by the partae
Watch The Sound on iview
‘The Sound became destination TV instantly. Somehow, in lockdown, The Sound team created world-class live music videos for Australian artists on a weekly basis – no matter if they were on their first or 21st album. And it put original Australian music back on prime-time national TV.’ – Herald Sun 

After garnering widespread praise from critics and public alike, Mushroom Group is thrilled to confirm The Sound will return to ABC screens with season two this November – just in time for Ausmusic Month!

The weekly hour-long show will make its return from Sunday 1 November at 6pm (local time). Viewers can watch The Sound on the tele each Sunday evening, or catch encore screenings on Saturdays at 1.30pm, or catch up with episodes via ABC iview.

It’s been seven months since COVID crippled Australia’s live music industry, leaving artists, venues, crew and music lovers without a vital part of our country’s culture and economy. Born out of this crisis, The Sound’s purpose is clear: to showcase Australian music.

With unique, multi-platform content curated and filmed by the Mushroom Vision team, season two will continue to highlight the vast array of local talent within our industry, with artists given the opportunity to perform for prime-time audiences on our national broadcaster.

In a word, season one was epic: 85 artists filmed at 58 locations nationwide. Performance clips on socials reached 1.68m+ viewers, while media resoundingly embraced the show with rave reviews:

‘The Sound is carving out something entirely new, and completely breathtaking … If you’re not across new live music show The Sound, you should be’ – Junkee 

‘ABC TV’s team-up with Mushroom Vision for The Sound has become appointment viewing for Aussie music fans over the past month.’ – The Music Network 

‘Putting together a weekly music show of this calibre, during a pandemic era, when live music, media, production, hospitality, travel and other associated industries are operating under stringent lockdowns, stops just short of a modern miracle.’ – Musicfeeds 

Returning to season two is series host Jane Gazzo (ex-triple j, Recovery), who will also be joined on our screens by triple j Good Nights gal, Bridget Hustwaite. The pair will be joined each episode by a special, music-loving guest co-host – season one co-hosts included Russell Crowe, Myf Warhurst, Bryan Brown, Keith Urban, Deborah Mailman, Red Symons and more. Expect the return of segments ‘From The Vault’ (unseen historical footage) and ‘Tribute’ (incredible collaborations on legendary tracks, such as this Divinyls’ cover)… plus a few new surprises.

From Paul Kelly at Melbourne’s Hamer Hall, Amy Shark at Sydney’s Bennelong Restaurant, Nick Cave and Kylie Minogue in London, John Butler at home in Margaret River, Bliss n Eso on top of the world and Guy Sebastian, Jimmy Barnes, Missy Higgins and more on stage…  The Sound season one was packed full of ARIA winners and chart toppers. Add to that list moving performances by incredible First Nations talent (Scott Darlow, Electric Fields, Jessica Mauboy and more), plus radio favourites (Mark Seymour, Sheppard, Illy, Angie McMahon, G Flip, Tones And I + countless others), not to mention the hottest new talent (SYCCO, Lastlings, Benee and more)… and season one delivered the goods.

Says host Jane Gazzo: “I am delighted to be part of The Sound season two. Australian music is not just being celebrated, but also documented and highlighted during what has been possibly the most unusual year ever for the arts and music industry. The positive feedback from season one validated just how much Aussie audiences love their music television… I look forward to seeing the massive talent and contributions from so many of our established and emerging artists. Bring it on!”

Season two will be even bigger. You don’t want to miss an episode!Tune in for The Sound season two this Ausmusic Month – with the first episode airing Sunday 1 November at 6pm on ABC TV or iview.

THE SOUND
SEASON TWO

#TheSoundAU
SUNDAY 1 NOVEMBER, 6PM ON ABC TV + iview
ENCORE SATURDAY 7 NOVEMBER, 1:30PM
Stream on iview

AUSSIE ARTISTS TALK ABOUT THE SOUND:

‘ABC TV has a proud history of exposing local talent and it’s great to see them stepping up again at a time when live Australian music really needs some extra support.’
– Jimmy Barnes 

‘It’s great to have our music back on free to air TV with ABC. All power to The Sound. Long may it run.’ – Paul Kelly 

‘To have a show like this on TV that showcases Australian music is so important to our industry and the artists.’ – Guy Sebastian 

‘I’m really excited about the show. Having a musical show with all sorts of people contributing… It feels old school but entirely fresh – and one of the things we all need right now.’ – Kylie Minogue 

‘I’m very excited to be performing on The Sound, its format is really original. I’m honoured to be a part of it.’ – Missy Higgins

‘I was thrilled when The Sound began… If there’s anything to be glad for [in the pandemic] the whole of the country is facing inwards and supporting homegrown talent. That’s what we’ve always wanted.’ – Kate Ceberano 

‘If this show is one of the results of this difficult time, then it’s good that we can see a positive thing come out of it, for musicians and Australian audiences. Very happy to be involved.’ – Julia Stone 

‘As live music lovers, we’re all being confronted by this moment. The Sound connects live musicians to the audience – like the new in-between – and we’re grateful and excited’
– Electric Fields 

‘I’m really happy to be performing on The Sound. In the tradition of great Australian music shows like Countdown, it’s amazing to have the opportunity to showcase the broad range of talent in the Australian music scene.’ – Illy 

‘The Sound has arrived at exactly the right time. It’s amazing to have Australian artistry and music at home on TV as we all wait for live music to return. So stoked to be a part of it.’ – Ian Kenny (Birds Of Tokyo, Karnivool) 

THE SOUND
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October 16, 2020 0 comments
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