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Author

the partae

the partae

The Partae

Where are you currently based?  I’m recently moved to Enmore NSW  How did you first start playing music?  I played piano from about 6 but never fully fell in love with it until I first picked up the guitar. I  started hiding in the music rooms at school during lunch & the music teacher would do group guitar  lessons. I eventually got more interested in classical guitar & played in a bunch of school bands. I  then went on to do a bachelor in guitar. I’ve been writing songs since I picked up the guitar.  What’s been happening recently and how has your Covid experience been so far?  I’ve been living in Bowral for a chunk of this year since we got evicted. I used the time to work on  my skills as a producer. Before covid struck everyones plans out the window like many people I’d  planned to spend most of the year traveling to work with new collaborators overseas. I’ve done a  few zoom writing sessions with some people I’d planned on meeting. I’ve been working on finishing   my EP & always working on writing more songs. The start of the year had a lot of ups & downs with  feeling fairly isolated in Bowral but I’m making up for my lack of socialising now that i’m back in  Sydney.  Your new single The Eviction Song, is out now, what influenced the sound and song writing?  I’ve always had a broad taste in music & find it hard to narrow down my influences. Some of my  favourite artists are Wolf Alice, The Japanese House & Rex Orange County. I’ve also made a  playlist of artists that i’ve been listening to this year> https://open.spotify.com/playlist/ 1AtMA91E9cX4GtyA6rVmoZ?si=-NPsDB3bTr2TzDHMx96pTw  How did you go about writing The Eviction Song?  I do a lot of writing with one of my close friends Oscar Sharah. We wrote The Eviction Song in the  studio in Coogee where we wrote a lot of the EP. We started out with the opening riff & it was  originally going to be a vocal melody & had completely different lyrics. We then went back to  writing with just an acoustic guitar until we had come up with the main melodies & lyrics. I always  prefer stripping back the session to just guitar to make sure I like the song as an acoustic before  we dive into the production elements.  Where and when did you record and who with?  I’m pretty sure started writing the song late December last year after I’d received the first eviction  notice. We recorded most of the track in Coogee in the same session that we wrote it.  What programs/instruments did you use?  The main guitar is recorded on a nylon guitar through an iPhone. The opening riff was recorded on  Juno. A lot of the soundscape elements are fuzzy guitarmonies. I can never help myself with  chucking harmony stacks on the guitars & BV arrangements. Oscar plays live drums on majority of  the EP. We are going to film us pulling apart the stems & chatting about the production in more  detail in a couple weeks so keep an eye out. How did the concept for the music video come about?  I wanted to include my old housemates and my friends who’d experienced our parties before the  eviction so I just got some old ass video cameras & started taking them out everywhere. I’ve got a  shit tonne of left over footage that will probably come out sometime soon also (but some of it will  never see the light of day lol). I knew I wanted to shoot one of the scenes in my bedroom because  we just moved into a new place & I was excited that I could fit a couch in my room. Lewis Clark  (director) & I went to a party store the day before & got excited by all the balloons & streamers so  that’s how the backdrop came about. Lewis & I brainstormed over coffee to come with the  aesthetic and locations that we thought would best suit the song.  Where and when did you film and who did you work with?  A lot of the filming was unplanned so I think that’s how we captured so many heartfelt moments  with my friends & housemates. Maybe I just think the dadcam footage of my friends is adorable  because I know them but I’m going to treasure the shots in this video & it will remind me of this   stage of my life forever. Most of the footage in shot walking around Enmore & in my bedroom. The  video was directed by a close friend Lewis Clark (Mel Blue) & we had another close friend Jimmy  Heathwood (Bronte Public Housing) assisting on handy cam & everything else that he could assist  with on the day. I think it made it a lot easier to show my real personality with only two friends  behind the camera having a laugh.  What did you find most challenging and rewarding during the creation of the music video?  This was definitely the least challenging video I’ve shot to date. Lewis had a super clear plan for  the day so the whole shoot was pretty chill. We had a few drinks when Georgia arrived to ‘sleep’ on  the couch & then went out to trivia afterwards to look through the footage. We came so far last that  they forgot to call our name in the rankings & gave us free sympathy beer.  Who are you listening to at the moment?  I’ve been delving into Dominic Fike’s new album. I can’t stop listening to Caroline Polachek. I’m  always going back to the old Gorillaz albums & love some 90s grunge.  What do you like to do away from music?  I love a long walk & eating a whole cabbage to try and heal my body after the house parties. I don’t  do a lot away from music but it doesn’t sound super musical when I try to practise trumpet & drums  which are my newest hobbies.  You have some upcoming shows, how do you prepare for live shows and what can we expect?  I’ve had a couple prep sessions to organise stems with my guitarist & MD Ryan. After that I brought  in my band & backing vocalists for a rehearsal & hope the songs all come back to them. It’s been a  while since we’ve done a full band show & we’ve never done the band with live backing vocals but  I think it’s sounding pretty sick.  We’ll be playing duo at The Hard Rock Cafe on the 12th of Nov & full band at Kelly’s on the 26th of  Nov.  What’s planned for the remainder of 2020 going into 2021?  I’ll be working on some vids for the rest of the EP & doing the final touches on mixing & getting it  mastered. I’m also working on the next 2 EPs after that & producing/ writing for some other artists. Favourite food and place to hang out?  I recently 3rd wheeled a date at Emma’s Snack Bar with my pal’s Pat & Leah. The food was next  level & the company was also OK. I do love to hang out at Vic on the Park & haven’t joked about  how it feels like I live there.   https://www.instagram.com/lolascottmusic/   https://www.facebook.com/lolascottmusic   https://www.lolascott.com.au/
Festival NewsMusic News

Lola Scott

by the partae November 4, 2020
written by the partae

Where are you currently based? 

I’m recently moved to Enmore NSW 

How did you first start playing music? 

I played piano from about 6 but never fully fell in love with it until I first picked up the guitar. I  started hiding in the music rooms at school during lunch & the music teacher would do group guitar  lessons. I eventually got more interested in classical guitar & played in a bunch of school bands. I  then went on to do a bachelor in guitar. I’ve been writing songs since I picked up the guitar. 

What’s been happening recently and how has your Covid experience been so far? 

I’ve been living in Bowral for a chunk of this year since we got evicted. I used the time to work on  my skills as a producer. Before covid struck everyones plans out the window like many people I’d  planned to spend most of the year traveling to work with new collaborators overseas. I’ve done a  few zoom writing sessions with some people I’d planned on meeting. I’ve been working on finishing  

my EP & always working on writing more songs. The start of the year had a lot of ups & downs with  feeling fairly isolated in Bowral but I’m making up for my lack of socialising now that i’m back in  Sydney. 

Your new single The Eviction Song, is out now, what influenced the sound and song writing? 

I’ve always had a broad taste in music & find it hard to narrow down my influences. Some of my  favourite artists are Wolf Alice, The Japanese House & Rex Orange County. I’ve also made a  playlist of artists that i’ve been listening to this year> https://open.spotify.com/playlist/ 1AtMA91E9cX4GtyA6rVmoZ?si=-NPsDB3bTr2TzDHMx96pTw 

How did you go about writing The Eviction Song? 

I do a lot of writing with one of my close friends Oscar Sharah. We wrote The Eviction Song in the  studio in Coogee where we wrote a lot of the EP. We started out with the opening riff & it was  originally going to be a vocal melody & had completely different lyrics. We then went back to  writing with just an acoustic guitar until we had come up with the main melodies & lyrics. I always  prefer stripping back the session to just guitar to make sure I like the song as an acoustic before  we dive into the production elements. 

Where and when did you record and who with? 

I’m pretty sure started writing the song late December last year after I’d received the first eviction  notice. We recorded most of the track in Coogee in the same session that we wrote it. 

What programs/instruments did you use? 

The main guitar is recorded on a nylon guitar through an iPhone. The opening riff was recorded on  Juno. A lot of the soundscape elements are fuzzy guitarmonies. I can never help myself with  chucking harmony stacks on the guitars & BV arrangements. Oscar plays live drums on majority of  the EP. We are going to film us pulling apart the stems & chatting about the production in more  detail in a couple weeks so keep an eye out.

How did the concept for the music video come about? 

I wanted to include my old housemates and my friends who’d experienced our parties before the  eviction so I just got some old ass video cameras & started taking them out everywhere. I’ve got a  shit tonne of left over footage that will probably come out sometime soon also (but some of it will  never see the light of day lol). I knew I wanted to shoot one of the scenes in my bedroom because  we just moved into a new place & I was excited that I could fit a couch in my room. Lewis Clark  (director) & I went to a party store the day before & got excited by all the balloons & streamers so  that’s how the backdrop came about. Lewis & I brainstormed over coffee to come with the  aesthetic and locations that we thought would best suit the song. 

Where and when did you film and who did you work with? 

A lot of the filming was unplanned so I think that’s how we captured so many heartfelt moments  with my friends & housemates. Maybe I just think the dadcam footage of my friends is adorable  because I know them but I’m going to treasure the shots in this video & it will remind me of this  

stage of my life forever. Most of the footage in shot walking around Enmore & in my bedroom. The  video was directed by a close friend Lewis Clark (Mel Blue) & we had another close friend Jimmy  Heathwood (Bronte Public Housing) assisting on handy cam & everything else that he could assist  with on the day. I think it made it a lot easier to show my real personality with only two friends  behind the camera having a laugh. 

What did you find most challenging and rewarding during the creation of the music video? 

This was definitely the least challenging video I’ve shot to date. Lewis had a super clear plan for  the day so the whole shoot was pretty chill. We had a few drinks when Georgia arrived to ‘sleep’ on  the couch & then went out to trivia afterwards to look through the footage. We came so far last that  they forgot to call our name in the rankings & gave us free sympathy beer. 

Who are you listening to at the moment? 

I’ve been delving into Dominic Fike’s new album. I can’t stop listening to Caroline Polachek. I’m  always going back to the old Gorillaz albums & love some 90s grunge. 

What do you like to do away from music? 

I love a long walk & eating a whole cabbage to try and heal my body after the house parties. I don’t  do a lot away from music but it doesn’t sound super musical when I try to practise trumpet & drums  which are my newest hobbies. 

You have some upcoming shows, how do you prepare for live shows and what can we expect? 

I’ve had a couple prep sessions to organise stems with my guitarist & MD Ryan. After that I brought  in my band & backing vocalists for a rehearsal & hope the songs all come back to them. It’s been a  while since we’ve done a full band show & we’ve never done the band with live backing vocals but  I think it’s sounding pretty sick. 

We’ll be playing duo at The Hard Rock Cafe on the 12th of Nov & full band at Kelly’s on the 26th of  Nov. 

What’s planned for the remainder of 2020 going into 2021? 

I’ll be working on some vids for the rest of the EP & doing the final touches on mixing & getting it  mastered. I’m also working on the next 2 EPs after that & producing/ writing for some other artists.

Favourite food and place to hang out? 

I recently 3rd wheeled a date at Emma’s Snack Bar with my pal’s Pat & Leah. The food was next  level & the company was also OK. I do love to hang out at Vic on the Park & haven’t joked about  how it feels like I live there. 

 https://www.instagram.com/lolascottmusic/ 

 https://www.facebook.com/lolascottmusic 

 https://www.lolascott.com.au/

November 4, 2020 0 comments
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It has been an epic night of music and celebration of South Australia’s music community and industry, as the 2020 South Australian Music (SAM) Awards took place on the grounds of UniBar Adelaide’s College Green. Across 29 Industry Voted and People’s Choice Award categories, the event saw some of the State’s best songwriters, performers and industry personnel walk away with trophies including multiple award winners Motez and Wing Defence, as well as other local legends like Ollie English, Naomi Keyte, Towns and Siberian Tiger. In a first for the SAM Awards noted producer/songwriter Motez and Pop punk duo Wing Defence tied for Best Release. Both artists took home three awards each in total with Motez also taking Best Video and People’s Choice Electronic Artist. Wing Defence added Best Group and People’s Choice Punk Artist to their accolades. Minister for Innovation and Skills David Pisoni said congratulations to all the finalists and winners of the 2020 South Australian Music Awards on their achievements and success. “The SAM Awards are a wonderful opportunity to recognise and celebrate South Australia’s talented performers, songwriters and our local music industry which makes an enormous contribution to our economy and wellbeing,” Minister Pisoni said. This year’s SAM Awards, hosted by Three D Radio’s Isaac Selby, was an outdoor affair, taking over the University of Adelaide’s historic Cloisters and Unibar Lawns, which hosted incredible performances from 2020 SAM Award nominees J-MILLA, Lonelyspeck, Chelsea Manor and SEABASS. As one of the first major scale awards ceremonies of its kind to be able to be rolled out at its full capacity, in its full format, anywhere around the country this year, the organisers of the 2020 SAM Awards have noted the all-in effort made by production crews and staff who allowed the event to go off with a bang. “It was so wonderful to be able to gather for the SAM Awards.  It was a beautiful night and the perfect way to celebrate the depth and breadth of talent here in SA, especially after such a tough time for the industry.  Congratulations to all of the winners and nominees and to the team of great people that worked hard to make this event possible.” Kim Roberts, Music SA General Manager 2020 SOUTH AUSTRALIAN MUSIC AWARDS - WINNERS ADELAIDE UNESCO CITY OF MUSIC AWARD FOR BEST INTERNATIONAL COLLABORATION FARHAN SHAH AND UDAN KHATOLA MUSIC SA COMMUNITY ACHIEVEMENT AWARD  CRAIG ARMSTRONG INDUSTRY VOTED AWARDS BEST STUDIO - Presented by Adelaide Music Collective GHOSTNOTE RECORDING STUDIOS BEST STUDIO ENGINEER / PRODUCER - Presented by SAE institute Adelaide MARIO SPATE BEST LIVE TECHNICIAN - Presented by Novatech LUKE HANCOCK BEST MAJOR FESTIVAL / EVENT - Presented by Pirate Life ST. JEROME’S LANEWAY FESTIVAL - ADELAIDE BEST SMALL FESTIVAL / EVENT - Presented by Unibar Adelaide THE PORCH SESSIONS BEST VENUE - Presented by AHA (SA Branch) LION ARTS FACTORY BEST COVER ART - Presented by Version Design TODD FISCHER LOST WOODS (Shaping Distant Memories) BEST MANAGER - Presented by Association of Artist Managers MATTHEW KHABBAZ BEST MUSIC VIDEO - Presented by Channel 44 MOTEZ, PILOT STUDIO, MAPPED DESIGN, DAGGERS PRODUCTION, KELSEE PEDLER MOTEZ (‘Soulitude’) BEST SONG - Presented by APRA AMCOS JESS DAY (‘Affection’) BEST NEW ARTIST - Presented by WOMADelaide SIBERIAN TIGER SLOWMANGO BEST GROUP - Presented by Derringers Music WING DEFENCE BEST ABORIGINAL / TORRES STRAIT ISLANDER ARTIST - Presented by Centre For Aboriginal Studies In Music (CASM) JESSICA WISHART BEST SOLO ARTIST - Presented by themusic.com.au JESS DAY BEST RELEASE - Presented by themusic.com.au MOTEZ (‘Soulitude’) WING DEFENCE (‘Friends’) BEST MUSIC EDUCATOR - Presented by SAMII NICK O’CONNOR BEST INNOVATION - Presented by Citymag PLAY / PAUSE / PLAY PEOPLE’S CHOICE AWARDS BLUES AND ROOTS - Presented by Radio Adelaide OLLIE ENGLISH COUNTRY  - Presented by The Grace Emily Hotel JESSICA WISHART ELECTRONIC - Presented by Moshtix MOTEZ EXPERIMENTAL - Presented by Ancient World SONS OF ZOKU FOLK - Presented by The Wheatsheaf Hotel NAOMI KEYTE HEAVY - Presented by Enigma Bar NO NO NO NO NO HIP HOP - Presented by The Gov WE MOVE LIKE GIANTS JAZZ - Presented by Elder Conservatorium DJANGO ROWE POP - Presented by Jive GERMEIN PUNK - Presented by Three D Radio WING DEFENCE ROCK - Presented by Crown & Anchor Hotel TOWNS SOUL / FUNK / R&B - Presented by Woodville Town Hall WANDERERS Official Website | Facebook | Instagram | YouTube
Festival NewsMusic News

THE SOUTH AUSTRALIAN MUSIC AWARDS CROWNS ITS WINNERS! TOWNS, MOTEZ, SIBERIAN TIGER AND MORE CELEBRATED AT 2020 EVENT

by the partae November 4, 2020
written by the partae

It has been an epic night of music and celebration of South Australia’s music community and industry, as the 2020 South Australian Music (SAM) Awards took place on the grounds of UniBar Adelaide’s College Green.

Across 29 Industry Voted and People’s Choice Award categories, the event saw some of the State’s best songwriters, performers and industry personnel walk away with trophies including multiple award winners Motez and Wing Defence, as well as other local legends like Ollie English, Naomi Keyte, Towns and Siberian Tiger.

In a first for the SAM Awards noted producer/songwriter Motez and Pop punk duo Wing Defence tied for Best Release. Both artists took home three awards each in total with Motez also taking Best Video and People’s Choice Electronic Artist. Wing Defence added Best Group and People’s Choice Punk Artist to their accolades.

Minister for Innovation and Skills David Pisoni said congratulations to all the finalists and winners of the 2020 South Australian Music Awards on their achievements and success.

“The SAM Awards are a wonderful opportunity to recognise and celebrate South Australia’s talented performers, songwriters and our local music industry which makes an enormous contribution to our economy and wellbeing,” Minister Pisoni said.

This year’s SAM Awards, hosted by Three D Radio’s Isaac Selby, was an outdoor affair, taking over the University of Adelaide’s historic Cloisters and Unibar Lawns, which hosted incredible performances from 2020 SAM Award nominees J-MILLA, Lonelyspeck, Chelsea Manor and SEABASS.

As one of the first major scale awards ceremonies of its kind to be able to be rolled out at its full capacity, in its full format, anywhere around the country this year, the organisers of the 2020 SAM Awards have noted the all-in effort made by production crews and staff who allowed the event to go off with a bang.

“It was so wonderful to be able to gather for the SAM Awards.  It was a beautiful night and the perfect way to celebrate the depth and breadth of talent here in SA, especially after such a tough time for the industry.  Congratulations to all of the winners and nominees and to the team of great people that worked hard to make this event possible.” Kim Roberts, Music SA General Manager

2020 SOUTH AUSTRALIAN MUSIC AWARDS – WINNERS

ADELAIDE UNESCO CITY OF MUSIC AWARD FOR BEST INTERNATIONAL COLLABORATION

FARHAN SHAH AND UDAN KHATOLA

MUSIC SA COMMUNITY ACHIEVEMENT AWARD 

CRAIG ARMSTRONG

INDUSTRY VOTED AWARDS

BEST STUDIO – Presented by Adelaide Music Collective

GHOSTNOTE RECORDING STUDIOS

BEST STUDIO ENGINEER / PRODUCER – Presented by SAE institute Adelaide

MARIO SPATE

BEST LIVE TECHNICIAN – Presented by Novatech

LUKE HANCOCK

BEST MAJOR FESTIVAL / EVENT – Presented by Pirate Life

ST. JEROME’S LANEWAY FESTIVAL – ADELAIDE

BEST SMALL FESTIVAL / EVENT – Presented by Unibar Adelaide

THE PORCH SESSIONS

BEST VENUE – Presented by AHA (SA Branch)

LION ARTS FACTORY

BEST COVER ART – Presented by Version Design

TODD FISCHER

LOST WOODS (Shaping Distant Memories)

BEST MANAGER – Presented by Association of Artist Managers

MATTHEW KHABBAZ

BEST MUSIC VIDEO – Presented by Channel 44

MOTEZ, PILOT STUDIO, MAPPED DESIGN, DAGGERS PRODUCTION, KELSEE PEDLER

MOTEZ (‘Soulitude’)

BEST SONG – Presented by APRA AMCOS

JESS DAY (‘Affection’)

BEST NEW ARTIST – Presented by WOMADelaide

SIBERIAN TIGER

SLOWMANGO

BEST GROUP – Presented by Derringers Music

WING DEFENCE

BEST ABORIGINAL / TORRES STRAIT ISLANDER ARTIST – Presented by Centre For Aboriginal Studies In Music (CASM)

JESSICA WISHART

BEST SOLO ARTIST – Presented by themusic.com.au

JESS DAY

BEST RELEASE – Presented by themusic.com.au

MOTEZ (‘Soulitude’)

WING DEFENCE (‘Friends’)

BEST MUSIC EDUCATOR – Presented by SAMII

NICK O’CONNOR

BEST INNOVATION – Presented by Citymag

PLAY / PAUSE / PLAY

PEOPLE’S CHOICE AWARDS

BLUES AND ROOTS – Presented by Radio Adelaide

OLLIE ENGLISH

COUNTRY  – Presented by The Grace Emily Hotel

JESSICA WISHART

ELECTRONIC – Presented by Moshtix

MOTEZ

EXPERIMENTAL – Presented by Ancient World

SONS OF ZOKU

FOLK – Presented by The Wheatsheaf Hotel

NAOMI KEYTE

HEAVY – Presented by Enigma Bar

NO NO NO NO NO

HIP HOP – Presented by The Gov

WE MOVE LIKE GIANTS

JAZZ – Presented by Elder Conservatorium

DJANGO ROWE

POP – Presented by Jive

GERMEIN

PUNK – Presented by Three D Radio

WING DEFENCE

ROCK – Presented by Crown & Anchor Hotel

TOWNS

SOUL / FUNK / R&B – Presented by Woodville Town Hall

WANDERERS

Official Website | Facebook | Instagram | YouTube

November 4, 2020 0 comments
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$NOT RELEASES SOPHOMORE ALBUM BEAUTIFUL HAVOC
Music News

$NOT RELEASES SOPHOMORE ALBUM BEAUTIFUL HAVOC SOUTH FLORIDA RAPPER DROPS NEW RECORD FEAT DENZEL CURRY, IANN DIOR & FLO MILLI

by the partae November 4, 2020
written by the partae

CRITICAL PRAISE

“He’s well on his way to being one of the next independent rappers to make a mainstream splash… $NOT’s got a very particular kind of charisma, and one single at a time, everything’s clicking.” – Pigeons & Planes

“With Billie Eilish and ‘Euphoria’ co-signs, rapper $not is a Gen Z star in making” – Los Angeles Times

“Snot — stylised $not — is a quintessential South Florida SoundCloud rapper, brimming with the sarcastic, devil-may-care attitude of his peers with perhaps a bit more polish.” – UPROXX

“$NOT’s ‘Pressure’ Reveals a Changing Tide in Hip Hop…His nonchalant flow and reserved style does not diminish his dark, heavy lyrics and straight-to-it delivery.” – Teen Vogue

“The 22-year-old rapper has become a Gen-Z superstar—from boasting millions of streams on SoundCloud, being featured on HBO’s hit series Euphoria, receiving shoutouts from Billie Eilish and Drake (Bell), to becoming a staple on TikTok and Triller, you can find the rapper just about everywhere. With a flow that matches his calm demeanour, $not intertwines his deadpan delivery with themes of humour, love and sadness, all over ethereal bass-ladened beats to produce a sound that has garnered him widespread traction” – OFFICE Mag

Retreating into his hoodie with a me-against-the-world mentality, South Florida rapper $NOT complements his anti-social rhymes with sharp and infectious melodies. Taking his songwriting to a new level, $NOT shares Beautiful Havoc, his new album. The new album interrogates the 22-year-old rapper’s pain, digging into the betrayal and hardships that shape his prickly and misanthropic persona. With production from the likes of Powers Pleasant, Eem Triplin, Woodpecker, and more, Beautiful Havoc offers a bright and diverse sonic palette, allowing $NOT to showcase his elite melodic instincts and provide a contrast to his dark, self-hating lyrics. Featuring appearances from Denzel Curry, iann dior, and Flo Milli, Beautiful Havoc is available everywhere via 300 Ent.

LISTEN TO BEAUTIFUL HAVOC

Beautiful Havoc is home to several well-received singles, including the bouncy loner’s anthem “Revenge” (5.3 million views) and the sly Flo Milli collab “Mean“ (2.4 million views). $NOT connected with Cole Bennett to create a 2-part music video series featuring the two songs, premiered on his Lyrical Lemonade YouTube channel. Premiered earlier this week by Zane Lowe on Apple Music 1, new single “Sangria” is a pugilistic banger with a standout guest verse from Denzel Curry. The album also boasts new highlights like the smooth, R&B-flavored flexers’ anthem “Toni Braxton,“ and the hauntingly beautiful closing ballad “Horizon.“

The 12-track Beautiful Havoc is $NOT’s second full-length of 2020, following March 2020’s – TRAGEDY +, which featured hits like “GOSHA” (100 million+ streams), “Beretta” ft. wifisfuneral (23 million Spotify streams) and “Moon & Stars” ft. Maggie Lindemann (40 million Spotify streams). With over 4.2 million monthly listeners on Spotify, $NOT has earned co-signs from the likes of Billie Eilish, and his song “Billy Boy” appeared in an episode of HBO’s Euphoria. $NOT completed a successful tour of the U.S in Q1 2020, selling out venues across the country. Most recently, $NOT shared “Can You Help Me,“ a defiant track that calls out racism and supports the Black Lives Matter movement.

Ready to continue his steady upward trajectory, $NOT is on a mission to become one of his generation’s essential voices. With Beautiful Havoc, he proves that there’s no ceiling on his immense potential.

$NOT – BEAUTIFUL HAVOC

Beautiful Havoc tracklist:

1. Watch Out (Intro)
2. Revenge
3. Life
4. Demanding
5. Who Do I Trust
6. Like Me ft. iann dior
7. Toni Braxton
8. 4
9. Sangria ft. Denzel Curry
10. Mean ft. Flo Milli
11. Havoc
12. Horizon

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November 4, 2020 0 comments
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Where are you currently based? I’m currently based up in Northern NSW. I’ve been spending a lot of time in Byron finishing off a few EP’s this past year. Before Covid I was commuting fortnightly between Sydney and the Gold Coast for 2 years for DJing. How did you first start playing music? I started writing songs when I was 14. For me music saved my life, it was something I could turn to when I felt like I couldn’t talk to anyone. It was always there, it never judged me & it made me feel good. I wasn’t a very popular kid in school so I kept to myself and spent a lot of time writing music during lunch times or in my bedroom at night. Your new single ‘On My Mind’ Feat Amela is out now, what influences the sound and songwriting? There was never really anyone we looked to as an influence for this track. I usually just sit down and see what sounds inspire me & the song always writes itself depending on what situation I’m dealing with in life. Making music is like having a therapy session. I feel like working with Amela and her voice inspired me to re-work the production, especially in the chorus. I re-sampled Amela’s voice to create the low sounding vocals in the chorus and I made the synths to complement her voice. This was a song that we just kept chipping away at until we were both happy with it. How did you go about writing On My Mind? I made it about a year ago and had written a top line for it although I felt like it didn’t suit me as an artist. So I decided to reach out to Amela and we re-wrote the track together. Amela and I first started writing together when we were around 15, so we’ve always had this great chemistry when it comes to writing. We did a few zoom calls back and forth and once we solidified it I got Amela in the studio to lay down the vocals.  It’s been 10 years since your last release, how did you get back into releasing? I’m a bit of a perfectionist and I wanted to master everything in production before I felt like I could put my music out. Thankfully I had a lot of friends and family who pushed me to release my music and I finally accomplished my goals this year. I was sitting on it for a while and didn’t know whether to approach labels or just release it myself. It’s a bit overwhelming when you do everything yourself but collaborating with Amela helped me to get past that fear and just put it out. You have an EP coming soon which will include some more massive singles, please give us an idea of what to expect. I’ll be singing on the rest of the tracks for this EP. The next single is called ‘Good Life’ & I did everything from making the sounds, writing, producing, mixing & singing. To me it’s something I’m really proud of because it's a very self accomplished track of completing my long term goals as a producer. I’ve basically based all my EPs around the consistency of how the songs I’ve made ‘sound’ and this is my most commercial sound. You were the winner of Your Shot DJ Competition in 2018, how did things change for you as a result of this great accomplishment? I feel like winning Your Shot gave me credibility as a DJ where people took me seriously. As a full time DJ I played a lot of commercial gigs over the years which kind of pigeon holed me as being super commercial. I wanted to show people that I could play Trap & Bass music so it was a great platform to show people that I’m not just a commercial DJ & I can play any genre. You have been writing music from a very young age, how did you first start and learn how to write music?  I started getting keyboard lessons at the age of 6 but I always loved guitar. I was shown some chords at the same time I started keyboard and after a few years of begging my parents they finally bought me a guitar when I turned 10. During school I wrote a lot of poetry and won a few competitions for it. So writing songs came quiet naturally to me when I would hear chord progressions and writing music was something I started doing every day. Who are you listening to at the moment? I came across a really incredible rapper named Phora. He’s lyrics are like poetry. I kind of listen to anything and everything depending on how I’m feeling on the day. Amy Shark, XXXTENTACION, Alison Wonderland, Flume, Willaris.K, Elton John, Tash Sultana are my most recent listens.  What do you like to do away form music I love keeping active to keep my sanity. Working out, meditating, hanging with the people I love & surfing keeps me sane. Music takes up a lot of my time so I don’t get to do it as much as I’d like. what’s planned for the remainder of 2020 going into 2021? I’ve got about 6 EPs I’m solidifying which cross over to a few other genres like trap & R&B/Grime. So the main focus is getting as much done as possible so I can just keep releasing music over the next few years. Favourite food and place to hang out? Favourite food is definitely thai or Japanese. I love hanging out in Byron or being by the beach when I’m not making music.
Music InterviewsMusic News

Tiny

by the partae November 3, 2020
written by the partae

Where are you currently based?

I’m currently based up in Northern NSW. I’ve been spending a lot of time in Byron finishing off a few EP’s this past year. Before Covid I was commuting fortnightly between Sydney and the Gold Coast for 2 years for DJing.

How did you first start playing music?

I started writing songs when I was 14. For me music saved my life, it was something I could turn to when I felt like I couldn’t talk to anyone. It was always there, it never judged me & it made me feel good. I wasn’t a very popular kid in school so I kept to myself and spent a lot of time writing music during lunch times or in my bedroom at night.

Your new single ‘On My Mind’ Feat Amela is out now, what influences the sound and songwriting?

There was never really anyone we looked to as an influence for this track. I usually just sit down and see what sounds inspire me & the song always writes itself depending on what situation I’m dealing with in life. Making music is like having a therapy session. I feel like working with Amela and her voice inspired me to re-work the production, especially in the chorus. I re-sampled Amela’s voice to create the low sounding vocals in the chorus and I made the synths to complement her voice. This was a song that we just kept chipping away at until we were both happy with it.

How did you go about writing On My Mind?

I made it about a year ago and had written a top line for it although I felt like it didn’t suit me as an artist. So I decided to reach out to Amela and we re-wrote the track together. Amela and I first started writing together when we were around 15, so we’ve always had this great chemistry when it comes to writing. We did a few zoom calls back and forth and once we solidified it I got Amela in the studio to lay down the vocals. 

It’s been 10 years since your last release, how did you get back into releasing?

I’m a bit of a perfectionist and I wanted to master everything in production before I felt like I could put my music out. Thankfully I had a lot of friends and family who pushed me to release my music and I finally accomplished my goals this year. I was sitting on it for a while and didn’t know whether to approach labels or just release it myself. It’s a bit overwhelming when you do everything yourself but collaborating with Amela helped me to get past that fear and just put it out.

You have an EP coming soon which will include some more massive singles, please give us an idea of what to expect.

I’ll be singing on the rest of the tracks for this EP. The next single is called ‘Good Life’ & I did everything from making the sounds, writing, producing, mixing & singing. To me it’s something I’m really proud of because it’s a very self accomplished track of completing my long term goals as a producer.

I’ve basically based all my EPs around the consistency of how the songs I’ve made ‘sound’ and this is my most commercial sound.

You were the winner of Your Shot DJ Competition in 2018, how did things change for you as a result of this great accomplishment?

I feel like winning Your Shot gave me credibility as a DJ where people took me seriously. As a full time DJ I played a lot of commercial gigs over the years which kind of pigeon holed me as being super commercial. I wanted to show people that I could play Trap & Bass music so it was a great platform to show people that I’m not just a commercial DJ & I can play any genre.

You have been writing music from a very young age, how did you first start and learn how to write music? 

I started getting keyboard lessons at the age of 6 but I always loved guitar. I was shown some chords at the same time I started keyboard and after a few years of begging my parents they finally bought me a guitar when I turned 10. During school I wrote a lot of poetry and won a few competitions for it. So writing songs came quiet naturally to me when I would hear chord progressions and writing music was something I started doing every day.

Who are you listening to at the moment?

I came across a really incredible rapper named Phora. He’s lyrics are like poetry. I kind of listen to anything and everything depending on how I’m feeling on the day. Amy Shark, XXXTENTACION, Alison Wonderland, Flume, Willaris.K, Elton John, Tash Sultana are my most recent listens. 

What do you like to do away form music

I love keeping active to keep my sanity. Working out, meditating, hanging with the people I love & surfing keeps me sane. Music takes up a lot of my time so I don’t get to do it as much as I’d like.

what’s planned for the remainder of 2020 going into 2021?

I’ve got about 6 EPs I’m solidifying which cross over to a few other genres like trap & R&B/Grime. So the main focus is getting as much done as possible so I can just keep releasing music over the next few years.

Favourite food and place to hang out?

Favourite food is definitely thai or Japanese. I love hanging out in Byron or being by the beach when I’m not making music.

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November 3, 2020 0 comments
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VANCOUVER INDIE ROCKER TERENCE JACK RELEASES NEW SINGLE ‘AVALANCHE’
Music News

VANCOUVER INDIE ROCKER TERENCE JACK RELEASES NEW SINGLE ‘AVALANCHE’

by the partae November 3, 2020
written by the partae

4th SINGLE FROM NEW ALBUM BLOOM WATCH/SHARE ‘AVALANCHE’ VIDEO HERE

 

Vancouver musician Terence Jack has taken his time releasing the singles from his new album Bloom (the 1st single ‘Found It’ was released in July 2019)and just 2 weeks ahead of the album’s release, he’s continuing his slow roll with the launch of the 4th single and video ‘Avalanche‘.  Watch the video here.

Cowritten with Greg Bevis from Vancouver band Bear Mountain and drawing inspiration from Terence’s recent move to a new city, ‘Avalanche’ is a song about change and the excitement and fear that comes with it.

“After moving to a new city, the unknown can be pretty overwhelming and exhilarating all at the same time,” says Terence. “Not unlike being swooped up by an avalanche in motion; where it takes you, you won’t know. The best you can do is to ride it out and hope for the best. Either way you’ll end up dead or having survived something that will travel with you forever. I look at my life this way, reinventing and renewing around every corner.”

Before his music career took off, Terence could be found adventuring all over the world with his successful travel company. Mainly focused on South East Asia, Terence spent 13 years teaching young thrill seekers about the joy of adventure travel and the importance of human connection. After years of feeling like a limb was missing when he’d leave home without his guitar, Terence took a thoughtful life pause and decided he needed to dive headfirst back into his original passion, music.

Terence released his debut EP Never Get Back in 2016 and he took the songs on the road doing both Canadian and US tours, as well as hitting the festival circuit. Known for his energetic yet soulful performances, Terence has gained many new fans throughout his years of touring.

 

 

In 2019, Terence changed up his sound a bit, trading his singer/songrocker vibe for more of an electro/synth heavy sound. The result of this shift over to the more ambient, indie pop world was ‘Found It’, the first single from Bloom. He followed this up with the title track‘Bloom’in late 2019. The album’s 3rd single ‘Heart In, Head Out’  was released in June 2020.

‘Avalanche’ is available now on Spotify, Apple Music/iTunes, and other digital retailers and streaming services worldwide. And look for Terence Jack’s new album Bloom on November 13th. For more information, please visit: terencejack.com

 

 

TERENCE JACK – BLOOM
RELEASE DATE: NOVEMBER 13th, 2020
(Tonic Records)

01.  Avalanche
02.  Bloom
03.  Heart In, Head Out
04.  Million Pounds
05.  Philly Night
06.  Tow The Line
07.  Found It
08.  Don’t Turn This Bus Around

 

 

FOLLOW TERENCE JACK:
Website | Spotify | Facebook | Instagram | Twitter | YouTube 

 

November 3, 2020 0 comments
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XENIA RUBINOS
Music News

POWERHOUSE XENIA RUBINOS SHARES VIDEO FOR NEW SONG “WHO SHOT YA?”

by the partae November 3, 2020
written by the partae

New York City artist Xenia Rubinos dips in and out of genre and structure to create movingly impactful music. She has done it again with “Who Shot Ya?”, a one-two punch of a song urgently calling for the listener to channel both their rage and power.

“I’m cheering on my fam to go and get it, whether that be get their rest, get their peace, get their money, get their justice — to get up and get it,” Xenia said of the song. “How many more times am I going to hear another man in power talk about what is best for the people, only to turn around and put children in cages and murder innocent people in their sleep? This perceived power is no action at all when their interests aren’t being served. The system is working as it was designed to and I’m trying to amplify some of that in my work. Borrowing from Cuban poet Jose Marti’s Versos Sencillos, she sings through a silvery autotune, ‘Soy de todas partes y a todas partes voy’ – I am from all places and to all places I go – an affirmation of the boundless power we possess.”

A collaboration with filmmaker Julia Pitch and choreographer Kate Watson Wallace, the song’s dynamic new video also explores the idea of cages – what we hold and carry in them.

Watch it HERE.

“I was so lucky to collaborate with Kate Watson Wallace on choreography for my friends Xiomara Henry and Attis Clopton to perform — it was really emotional for all of us,” Rubinos said of making the video. “Connecting to our bodies can be a really transformative and healing practice, it’s like music. Movement can give voice to sensations that are otherwise indescribable.”

Rubinos’s powerhouse vocals stem from a combination of R&B, Hip-Hop and Jazz influences, all delivered with a soulful punk aura. Pitchfork has lauded her as “a unique new pop personality” while The New Yorker described her work as “rhythmically fierce, vocally generous music that slips through the net of any known genre.”

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November 3, 2020 0 comments
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PATRICK WATSON Releases new single + video 'Lost With You'
Music News

PATRICK WATSON Releases new single + video ‘Lost With You’

by the partae November 2, 2020
written by the partae
Praises for Patrick Watson

“[…] a beautifully gratifying experience” ★★★★ – EXCLAIM!

“Wave finds beauty in the belief that all’s not lost”  ★★★★ – UNCUT

“A mature, refined and expressive record about grief, loss and self-reflection. One of the most affecting albums you’ll hear all year” ★★★★ – LOUD & QUIET

“drapes his red velvet falsetto over songs about loss and melancholy” – MOJO

“Dreamily rendered, falsetto-rich ruminations on the way human beings are wired” – NPR MUSIC

Patrick Watson is thrilled to unveil his new track and video entitled ‘Lost With You’. Recorded during the current pandemic, Patrick felt the urge to reach out to his fans and offer a little comfort. “I wanted to share this song with you,” says Patrick, “I hope it keeps you good company.” 

The accompanying music video was directed by Watson himself with the additional craft of Arizona O’Neill who directed the ‘Here Comes The River’ video. Patrick explains: “I’m not going to lie but finally my embarrassing rollerblading skills came in handy to film this. Homemade covid videos are very fun to make. I just kept seeing people biking when I heard this song. A big special thanks to Arizona O’Neill for editing and art directing, and a huge thank you to the talented bikers.”

This is his first new material since the release of the critically-acclaimed album, Wave.

Patrick Watson composes, performs and records his albums with his full band, which includes Joe Grass (guitar), Evan Tighe (drums), Mishka Stein (bass). The recipients of Canada’s Polaris Music Prize, in addition to multiple Juno and Polaris nominations, Watson and his band have toured on all continents, on occasion playing with full orchestras to bring their rich music to life. Venues for their tour dates last February and March of 2020 were the largest yet, including the Barbican (London), Olympia (Paris), Coliseu (Lisbon), El Plaza Condesa (Mexico City), and more. Raised and still living in Montreal, Watson has composed several scores for both film and television, including a trailer for The Walking Dead and Wim Wenders’ 3D film Everything Will Be Fine.

Purchase / Stream ‘Lost With You’ https://found.ee/PW_LWY

Patrick Watson – ‘Lost With You’

Patrick Watson
Website | Facebook | Twitter | Instagram

November 2, 2020 0 comments
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Where are you currently based?  I’m recently moved to Enmore NSW  How did you first start playing music?  I played piano from about 6 but never fully fell in love with it until I first picked up the guitar. I  started hiding in the music rooms at school during lunch & the music teacher would do group guitar  lessons. I eventually got more interested in classical guitar & played in a bunch of school bands. I  then went on to do a bachelor in guitar. I’ve been writing songs since I picked up the guitar.  What’s been happening recently and how has your Covid experience been so far?  I’ve been living in Bowral for a chunk of this year since we got evicted. I used the time to work on  my skills as a producer. Before covid struck everyones plans out the window like many people I’d  planned to spend most of the year traveling to work with new collaborators overseas. I’ve done a  few zoom writing sessions with some people I’d planned on meeting. I’ve been working on finishing   my EP & always working on writing more songs. The start of the year had a lot of ups & downs with  feeling fairly isolated in Bowral but I’m making up for my lack of socialising now that i’m back in  Sydney.  Your new single The Eviction Song, is out now, what influenced the sound and song writing?  I’ve always had a broad taste in music & find it hard to narrow down my influences. Some of my  favourite artists are Wolf Alice, The Japanese House & Rex Orange County. I’ve also made a  playlist of artists that i’ve been listening to this year> https://open.spotify.com/playlist/ 1AtMA91E9cX4GtyA6rVmoZ?si=-NPsDB3bTr2TzDHMx96pTw  How did you go about writing The Eviction Song?  I do a lot of writing with one of my close friends Oscar Sharah. We wrote The Eviction Song in the  studio in Coogee where we wrote a lot of the EP. We started out with the opening riff & it was  originally going to be a vocal melody & had completely different lyrics. We then went back to  writing with just an acoustic guitar until we had come up with the main melodies & lyrics. I always  prefer stripping back the session to just guitar to make sure I like the song as an acoustic before  we dive into the production elements.  Where and when did you record and who with?  I’m pretty sure started writing the song late December last year after I’d received the first eviction  notice. We recorded most of the track in Coogee in the same session that we wrote it.  What programs/instruments did you use?  The main guitar is recorded on a nylon guitar through an iPhone. The opening riff was recorded on  Juno. A lot of the soundscape elements are fuzzy guitarmonies. I can never help myself with  chucking harmony stacks on the guitars & BV arrangements. Oscar plays live drums on majority of  the EP. We are going to film us pulling apart the stems & chatting about the production in more  detail in a couple weeks so keep an eye out. How did the concept for the music video come about?  I wanted to include my old housemates and my friends who’d experienced our parties before the  eviction so I just got some old ass video cameras & started taking them out everywhere. I’ve got a  shit tonne of left over footage that will probably come out sometime soon also (but some of it will  never see the light of day lol). I knew I wanted to shoot one of the scenes in my bedroom because  we just moved into a new place & I was excited that I could fit a couch in my room. Lewis Clark  (director) & I went to a party store the day before & got excited by all the balloons & streamers so  that’s how the backdrop came about. Lewis & I brainstormed over coffee to come with the  aesthetic and locations that we thought would best suit the song.  Where and when did you film and who did you work with?  A lot of the filming was unplanned so I think that’s how we captured so many heartfelt moments  with my friends & housemates. Maybe I just think the dadcam footage of my friends is adorable  because I know them but I’m going to treasure the shots in this video & it will remind me of this   stage of my life forever. Most of the footage in shot walking around Enmore & in my bedroom. The  video was directed by a close friend Lewis Clark (Mel Blue) & we had another close friend Jimmy  Heathwood (Bronte Public Housing) assisting on handy cam & everything else that he could assist  with on the day. I think it made it a lot easier to show my real personality with only two friends  behind the camera having a laugh.  What did you find most challenging and rewarding during the creation of the music video?  This was definitely the least challenging video I’ve shot to date. Lewis had a super clear plan for  the day so the whole shoot was pretty chill. We had a few drinks when Georgia arrived to ‘sleep’ on  the couch & then went out to trivia afterwards to look through the footage. We came so far last that  they forgot to call our name in the rankings & gave us free sympathy beer.  Who are you listening to at the moment?  I’ve been delving into Dominic Fike’s new album. I can’t stop listening to Caroline Polachek. I’m  always going back to the old Gorillaz albums & love some 90s grunge.  What do you like to do away from music?  I love a long walk & eating a whole cabbage to try and heal my body after the house parties. I don’t  do a lot away from music but it doesn’t sound super musical when I try to practise trumpet & drums  which are my newest hobbies.  You have some upcoming shows, how do you prepare for live shows and what can we expect?  I’ve had a couple prep sessions to organise stems with my guitarist & MD Ryan. After that I brought  in my band & backing vocalists for a rehearsal & hope the songs all come back to them. It’s been a  while since we’ve done a full band show & we’ve never done the band with live backing vocals but  I think it’s sounding pretty sick.  We’ll be playing duo at The Hard Rock Cafe on the 12th of Nov & full band at Kelly’s on the 26th of  Nov.  What’s planned for the remainder of 2020 going into 2021?  I’ll be working on some vids for the rest of the EP & doing the final touches on mixing & getting it  mastered. I’m also working on the next 2 EPs after that & producing/ writing for some other artists. Favourite food and place to hang out?  I recently 3rd wheeled a date at Emma’s Snack Bar with my pal’s Pat & Leah. The food was next  level & the company was also OK. I do love to hang out at Vic on the Park & haven’t joked about  how it feels like I live there.   https://www.instagram.com/lolascottmusic/   https://www.facebook.com/lolascottmusic   https://www.lolascott.com.au/
Festival NewsMusic News

INDIE-POP DARLING LOLA SCOTT REVEALS LUSH NEW SINGLE: “THE EVICTION SONG”

by the partae November 2, 2020
written by the partae

With a number of unique and addictive indie-pop singles to her name, Lola Scott is proving herself as a creative force in the Australian music scene. The classically trained guitarist is a self-proclaimed band-geek gone rogue, who has transitioned from touring internationally as a session musician, to relentlessly unleashing her solo project on the world.

New single “The Eviction Song” is a perfect distillation of everything there is to love about Lola Scott. Her cheeky, sarcastic lyrics unfurl a story of misty nostalgia, combining effortlessly warm and luscious alt-pop vocals with experimental, synth-driven production. The track is our first taste of Scott’s foray into new territory, which has seen her place a stronger focus on having fun with music and finding her true voice.

LISTEN TO “THE EVICTION SONG” HERE

“Earlier this year, my housemates and I were evicted from our house. We’re not sure what for, but can only assume the many house parties (leading to many noise complaints) didn’t help,” said Lola Scott. “When I wrote this song it was my 6th move in the last 4 years; and this house was by far one of most chaotic share-houses I’ve ever lived in. The song developed from the idea that when you live with a bunch of wild cards, and have the type of landlord who hoards things under the floorboards, you can never please everyone.

Despite this, the good times always outweighed the petty arguments. I found some of my most treasured friendships & made life-long memories. The more emotional breakdowns we faced together as housemates, the closer we got.. And luckily the eviction did not kill our friendships, and a couple of us have found a new place to continue the benders that probably got us kicked out in the first place.”

Beginning to play guitar and write songs at the age of eight, Lola Scott was spending lunchtimes in the music rooms for the majority of her school life. This dedicated honing of her musical craft over the years eventually led to her attaining a Bachelor’s degree in guitar, and Scott subsequently began her career as a session musician playing in friends’ bands throughout University, even landing a European tour and various local tours.

Since the launch of her solo project in 2018, Scott has delivered highly-praised singles with mind-blowing consistency, releasing three hook-laced singles in 2019 including “Crowded Conscience”, which saw spot plays on triple j, and “Cyclone Weather”, which was added to full rotation on tastemaker station FBi Radio in Sydney. Lola launched into 2020 stronger than ever, with triple j-favourite “Take Me Back”, which received praise from Purple Sneakers, LeFutureWave, CloutCloutClout, Music Feeds, Indietronica and more.

Evoking comparisons to alt-pop trailblazers Maggie Rogers, Wolf Alice and Emma Louise (Rex Orange County, King Princess), and with more music to come in 2020, Lola Scott has cemented a truly original sound and a formidable reputation in the Sydney music scene.

“The Eviction Song” is available on all platforms now.

Tour Dates:

Thursday 12th November  – Great Southern Nights  @ Hard Rock Cafe Sydney Monday 26th November 26th – Great Southern Nights @ Kelly’s Newtown 

Praise for Lola Scott

“Lola Scott has just three singles to her name, but the world she’s building is formidable. Pulling a luscious pop sound and matching each tune with a resoundingly cinematic music video, it’s clear this artist isn’t fond of anything but perfection.” – Happy Mag

“Occasionally, an artist presents themselves as a completely realised project just a handful of songs into their career, and Lola Scott is one of those artists.” – PileRats

“Rising star Lola Scott is one act you need to have on your radar… (Take Me Back) is unashamed pop, and its power is in Lola‘s no-holds-barred approach, leaving absolutely everything on the floor with a stunning vocal performance to complement her intimate songwriting.” – Purple Sneakers

“Need to give this one its moment – (cyclone weather) is a gorgeous one from Lola! It veers towards breaking point and you’ll be on the hook the whole time.” 
– Dave Ruby Howe (triple j)

FOLLOW LOLA SCOTT
Website | Facebook | Unearthed | Instagram | Twitter

November 2, 2020 0 comments
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HELADO NEGRO Signs to 4AD Releases Neil Young cover 'Lotta Love'
Music News

HELADO NEGRO Signs to 4AD Releases Neil Young cover ‘Lotta Love’

by the partae November 2, 2020
written by the partae
Photo Credit Poonah Ghana

Helado Negro, the creative moniker of Roberto Carlos Lange, is the latest addition to the 4AD roster, and today, he releases a cover of Neil Young‘s ‘Lotta Love’. The track features Flock Of Dimes as well as backing vocals by Devendra Banhart and Adron and piano by Trey Pollard.

This new version of ‘Lotta Love’ was recorded with the upcoming U.S. election and global crises on Roberto Lange‘s mind. “I was captivated by the song’s sincerity and wondered how to make a version that compelled you to step closer to the words,” he explains. “I wanted it to be hymnal and spiritual outside of religion. I interpreted the theme of the song to be about protection. How do we protect each other? Creating this version helped me find some sonic respite and hopefully it does the same for others.”

Raised in South Florida and now based in Brooklyn, NY, Roberto has spent much of this year’s quarantine in Marfa, Texas. He had already been scheduled to be working on a multimedia project at Ballroom Marfa. Kite Symphony is the result, it is a new collaboration with the visual artist Kristi Sword. The artists created a non-linear and impressionistic style film and live score, as well as a sculptural work that explores the landscape of West Texas through wind, sound, and light. The Kite Symphony EP was released this past summer.

Helado Negro – ‘Lotta Love’ is out now via 4AD / Remote Control Records.

heladonegro.com
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November 2, 2020 0 comments
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SUNSET ROLLERCOASTER SHARE NEW ALBUM SOFT STORM FEATURING CONTRIBUTIONS FROM OHHYUK, PAUL CHERRY, MICHAEL SEYER AND MORE
Music News

SUNSET ROLLERCOASTER SHARE NEW ALBUM SOFT STORM FEATURING CONTRIBUTIONS FROM OHHYUK, PAUL CHERRY, MICHAEL SEYER AND MORE

by the partae November 2, 2020
written by the partae
Photo credit: Sofia Lee
PRAISE FOR SUNSET ROLLERCOASTER

“Soothing, stunning”
Hypebeast

“Music to take you hand in hand on a spiritual journey full of mind-expanding stories and soulful synth elements”
Flaunt Magazine

“A blissed-out amalgam of Motown’s golden era and mellow ’80s-style synth grooves”
Bandcamp

“Taiwan’s Sunset Rollercoaster are ready to make you fall in love”
Paste

“Taiwanese band Sunset Rollercoaster make dreampop that pulls from groovy ’70s soft rock and R&B, exotica, psych, orch-pop and more.”
BrooklynVegan

Taiwanese soul-psych outfit Sunset Rollercoaster today share new album Soft Storm, listen HERE.

Says the band about the new album, “Typhoons hitting Taiwan during our summers are common childhood memories for us. In these memories, power shortages and storms were everywhere, we were with our families and loved ones in the dark, but we felt safe and warm. This year is like a storm for us, we are trying to make our music a soft one to connect to each other, so we could move on to a brighter future.”

On their latest single, ‘Under The Skin‘, Sunset Rollercoaster take on balladry, intersecting the gentle synths of Mild High Club, warmth of ‘This Old Dog’ era Mac Demarco and the charm of Connan Mockasin. “Just let these nights go by, till the stars fall from the sky” sings vocalist Kuo-Hung, recalling those glint-filled evenings spent swooning with another. Together with previous single ‘Candlelight‘ featuring OHHYUK, Sunset Rollercoaster allude to the slow burn of their third studio album, Soft Storm, an introspectively funky endeavor from the group. On ‘Midnight with Paul’, the band takes a tranquil, instrumental turn collaborating with (and naming it after) Chicago’s Paul Cherry. Velvety ‘Passerby‘ reimagines city pop and bedroom R&B with help from Michael Seyer.

Following their 2019 EP VANILLA VILLA and their most recent LP, 2018’s Cassa Nova, Sunset Rollercoaster continue their project of absorbing classic American genres and styles into their amalgam of smooth 80’s city pop, “cute prog rock” and contemporary pop music. With Soft Storm, they turn their attention to sensuous and pensive quiet storm R&B. Appropriately, Soft Storm is a record full of introspective funk and quietly intense narratives, loosely tracing the course of a rainstorm hitting an unnamed city, following individuals stories of residents caught up in its path as Kuo Kuo’s lyricism zooms in and out of their lives, darting from city building to building. 

Now with their forthcoming record Soft Storm, Sunset Rollercoaster are set to capitalize on their increasingly worldwide popularity, known for their epic guitar jams, imaginative visuals, and mesmerizing live show. Their most recent 2019 EP, VANILLA VILLA, made fans at Bandcamp, Flaunt, Hypebeast, Paste, Brooklyn Vegan, among others, with lead single ‘Villa‘ also getting a mind-bending remix from Stones Throw‘s Jerry Paper.

Soft Storm by Sunset Rollercoaster is out now, buy/stream it here.

Stay connected with Sunset Rollercoaster:
Instagram | Facebook | Twitter | Website

November 2, 2020 0 comments
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SLEAFORD MODS Announce new album Spare Ribs Out January 15, 2021 Share new single & video 'Mork n Mindy' ft. Billy Nomates Performed on Late Night with Seth Meyers
Music News

SLEAFORD MODS Announce new album Spare Ribs Out January 15, 2021 Share new single & video ‘Mork n Mindy’ ft. Billy Nomates Performed on Late Night with Seth Meyers

by the partae November 2, 2020
written by the partae

Poised to blow the cobwebs off life and unleash some much-needed wit and charm upon us, Nottingham-based duo Sleaford Mods announce the release of their astonishing sixth studio album, entitled Spare Ribs, out via Rough Trade / Remote Control Records on January 15th 2021.

New single, ‘Mork n Mindy’ featuring Billy Nomates is out now. The official video, which was directed by Ben Wheatley (whose latest body of work, Rebecca, is currently showing on Netflix and features a prominent cameo from frontman Jason Williamson) was filmed on location in Nottingham and in a replica of the house that Jason grew up. The band performed the track on Seth Meyers in the US last week and the host Seth played the single, recorded from the band’s 100 Club show in London earlier in September.

Jason says on the new track, “Mork n Mindy is the sound of the central heating and the dying smells of Sunday dinner in a house on an estate in 1982. Concrete, dinted garages, nicotine. Where beauty mainly exists in small cracks on the shell of your imagination. Captured perfectly in Ben Wheatley’s video for the song.”

The polemical Jason Williamson and dexterous producer Andrew Fearn kick against the pricks with unrivalled bite, railing against hypocrisy, inequality and apathy with their inimitable, scabrous sense of humour. And Spare Ribs, their sixth album, featuring Amy Taylor of Melbourne punks Amyl and the Sniffers and the British newcomer Billy Nomates, finds the duo charged with ire at the UK Government’s sense of entitlement, epitomized by its devil-may-care approach to the coronavirus crisis.

Recorded in lockdown in a furious three-week studio blitz at JT Soar in July; the album kicks off with their first-ever ‘intro’ track, the experimental ‘A New Brick’, which sees Jason adopt the persona of, as he describes it, a “circus master”, acknowledging with ironic jolliness, “We’re all so Tory tired / And beaten by minds small.” There is, he insists, no reason to feign optimism about 10 years of the Tories: “The only way you can wage war against them by explaining it in an intelligent manner, and not feeling intimidated at coming across as being negative.”

Commenting on the new album Jason says, “’Our lives are expendable under most governments, secondary under a system of monetary rule. We are stock if you like, parts on a shelf for the purposes of profit, discarded at any moment if fabricated or non-fabricated crisis threatens productivity. This is constant, obviously and notably in the current pandemic. The masses cannot be present in the minds of ill-fitting leaders, surely? Or else the realisation of their catastrophic management would cripple their minds. Much like the human body can still survive without a full set of ribs we are all ‘spare ribs’, preservation for capitalism, through ignorance and remote rule, available for parts.” 

Spare Ribs is the sound of a band so sure of their own sonic terrain that they can now explore its outer regions. The album’s title, Jason says, emerged from “the idea of the amount of people that died from the first wave of coronavirus; human lives are always expendable to the elites… We’re in a constant state of being spare ribs.” Yet Sleaford Mods are an essential part of Britain’s musical anatomy.  

Spare Ribs follows Sleaford Mods’ career-spanning retrospective album All That Glue and their sold-out debut Australian tour in March, which included standout performances at Golden Plains Festival, WOMADadelaide, Farmer & The Owl and more.

Pre-order / Pre-save Sleaford Mods – Spare Ribs: https://sleafordmods.ffm.to/spareribs

Sleaford Mods – Mork n Mindy ft. Billy Nomates (Official Video)
Listen / Download: https://sleafordmods.ffm.to/morknmindy

Sleaford Mods – Spare Ribs

1. The New Brick
2. Shortcummings
3. Nudge It (Features Amy Taylor Amyl and the Sniffers)
4. Elocution
5. Out There
6. Glimpses
7. Top Room
8. Mork n Mindy (Features Billy Nomates)
9. Spare Ribs
10. All Day Ticket
11. Thick Ear
12. I Don’t Rate You13. Fishcakes

Sleaford Mods – Spare Ribs is out January 15, 2021
via Rough Trade / Remote Control

Sleaford Mods
Facebook | Twitter | Instagram
roughtrade.com
remotecontrolrecords.com
November 2, 2020 0 comments
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RAJ MAHAL SHARES NEW SINGLE 'GET ME FROM' LIFTED FROM FORTHCOMING RAW DAWG EP OUT NOV 20
Music News

RAJ MAHAL SHARES NEW SINGLE ‘GET ME FROM’ LIFTED FROM FORTHCOMING RAW DAWG EP OUT NOV 20

by the partae November 1, 2020
written by the partae
Photograph by Jordan Munns
PRAISE FOR RAJ MAHAL

“Raj Mahal is about to ascend to a whole new level”
Red Bull Music

“Raj Mahal’s future is dominating our rap world”
Pilerats

“No matter what mood you’re in, Raj will find a way to scream, spit, or sing you right into the middle of the mosh pit”
Acclaim

“The Sydney based rapper fuses bars with elements of punk and electronic, making for a sound that’s perfectly suited for mosh pits.”
Complex

“Raj’s music is uncompromising and unlike anything else coming out of the country right now”
Life Without Andy

Sydney-via-Boston rapper Raj Mahal today shares ‘GET ME FROM’, the second single off his forthcoming EP RAW DAWG, due out later 2020. Listen HERE and watch HERE.

Following on from lead single ‘GLIMPSE’, which garnered attention from Acclaim, Listen Mag, Purple Sneakers and more, ‘GET ME FROM’ showcases the breadth of Raj’s experimental style exhibited across the upcoming RAW DAWG project. Where the glitchy, hard-edged ‘GLIMPSE’ was designed to hit the most primal receptors of your brain and body, ‘GET ME FROM’ treads the line between pure flex of musical prowess, subterranean party-starter and rumination on the nature of success and legacy. Swapping his trademark guttural rumble for autotune, ‘GET ME FROM’ is a robust display of minimalist menace, with the chilly production playing unnerving synth lines off blown-out, distorted bass kicks and stop-start percussion gradually ratcheting up the tension. 

Of the track, Raj Mahal shares: “GET ME FROM IS PROBABLY THE MOST FUN I’VE HAD RECORDING A TRACK IN A WHILE. IT’S THE SECOND SINGLE OFF “RAW DAWG” AND SHOWS MY VERSATILITY. PEOPLE HAVE ALWAYS TOLD ME TO PLAY THE GAME TO GET AHEAD BUT I’LL CHANGE IT INSTEAD. THE LINE, “I’M GONE DIE A LEGEND, I’M FOREVER, CAN’T FORGET ME” IS ME TELLING Y’ALL THAT I WILL NEVER LEAVE THIS THRONE. I’M HERE TO STAY.”

For the Boston born rapper, relocating to Australia was a decision made to find himself both emotionally and musically. Inspired by his uncles, key members of Boston’s small hip hop scene, Raj Mahal began rapping as a teenager, but his primary focus was on pursuing a career in football. Before long, with his family’s influence and an unsuspecting introduction to a producer several oceans away, Mahal put football on the backburner and took the plunge. No longer holding back with his drone laced blows, Mahal hopes to craft a lane for hip hop’s formidable storytelling origins to return to the local spotlight.

Despite their stylistic diversity, ‘GLIMPSE’ and ‘GET ME FROM’ together provide a sonic insight into the stark mental state that birthed the jagged and abrasive RAW DAWG EP, which is set to be Raj’s first major release since 2017’s, Neva Safe, following on from a string of standalone singles that has seen his stock skyrocket in his adopted country’s hip-hop scene. In between then and now, Mahal has collaborated with the likes of Triple One, Nerve, Dro Carey, Yibby and more, has performed as one quarter of Savour the Rations, his group with Gibrillah and Domba, and has opened for Wiley, YG and Smokepurpp on their Australian tours. Melding the electronic stylings of Danny Brown and A$AP Ferg with the lyrical dexterity of Jay Electronica and Chief Keef, Raj Mahal promises zero restraint with the release of RAW DAWG.

‘GET ME FROM‘ by Raj Mahal is out now,
buy/stream it here.

Stay connected with Raj Mahal:
Facebook | Instagram | Spotify | Youtube | Soundcloud

November 1, 2020 0 comments
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Country music has always been a huge part of Paige’s life. Growing up listening to the classics, Paige found her love for country at a very young age. Growing up in Oakville, Ontario, 21-year-old Paige is an upcoming pop-country artist with a new, and unique sound in the music industry. Paige first gained recognition in 2014, when she released her debut single “Someday.”   She followed that up with her 2016, EP “Hey Girl” and won the artist showcase at Canada’s Largest Ribfest in Burlington in September 2019.  She's been recognized by the Country Music Association of Ontario as one to watch after playing events hosted by the organization - and she's been making inroads into the industry since. She's starting out - but she's set to make a big impact. https://www.paigerutledge.com https://twitter.com/paigerrutledge https://www.facebook.com/paigerutledgemusic https://www.instagram.com/paigerutledge/
Music News

Paige Rutledge Premiere

by the partae November 1, 2020
written by the partae

Country music has always been a huge part of Paige’s life. Growing up listening to the classics, Paige found her love for country at a very young age. Growing up in Oakville, Ontario, 21-year-old Paige is an upcoming pop-country artist with a new, and unique sound in the music industry.

Paige first gained recognition in 2014, when she released her debut single “Someday.”   She followed that up with her 2016, EP “Hey Girl” and won the artist showcase at Canada’s Largest Ribfest in Burlington in September 2019.  She’s been recognized by the Country Music Association of Ontario as one to watch after playing events hosted by the organization – and she’s been making inroads into the industry since.

She’s starting out – but she’s set to make a big impact.

https://www.paigerutledge.com
https://twitter.com/paigerrutledge
https://www.facebook.com/paigerutledgemusic
https://www.instagram.com/paigerutledge/
November 1, 2020 0 comments
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"Tell me" is a song birthed out of frustration. Frustration of this ongoing situation with being black. All the racism, systemic, micro aggresions etc. I have been seeing messages from folks I am connected to the last few months that disturb me. So I wanted to speak to that. "Tell me you know that everything's different when you're living black" Is the chorus of the song and I want that to ring home. Duane Forrest is a singer-songwriter and multimedia artist from Toronto, Canada. His unique sound blending jazz, reggae, bossa nova, soul and smooth vocals draws on his experiences traveling the world, falling in love, and finding wonder in the joys and sorrows of a common human experience.  He first gained attention in 2017, when he debuted his first musical theatre production, Climb, a live album experience based on his concept album of the same name. Toronto Fringe Festival founder Gregory Nixon described Duane’s show as “an engaging, multilayered work of song, storytelling and movement” and “one of the highlights of this year’s Fringe.” His forthcoming double jazz and fusion album builds on themes of love, heartbreak, BLM, and self-discovery, reflecting musically Duane’s growth as an artist and a human being. Aside from his innate drive to create beautiful things, Duane also has a passion for arts education. In 2011 he founded Genesis Community of the Arts, a registered Canadian charity offering music and arts education to marginalized children and youth in Toronto and Central America. https://www.duanesguitar.com/ https://www.instagram.com/duaneintheforrest/ https://www.facebook.com/duaneintheforrest/ https://twitter.com/duaneforrest
Music News

Duane Forrest Premiere

by the partae November 1, 2020
written by the partae

“Tell me” is a song birthed out of frustration. Frustration of this ongoing situation with being black. All the racism, systemic, micro aggresions etc. I have been seeing messages from folks I am connected to the last few months that disturb me. So I wanted to speak to that. “Tell me you know that everything’s different when you’re living black” Is the chorus of the song and I want that to ring home.

Duane Forrest is a singer-songwriter and multimedia artist from Toronto, Canada. His unique sound blending jazz, reggae, bossa nova, soul and smooth vocals draws on his experiences traveling the world, falling in love, and finding wonder in the joys and sorrows of a common human experience.

He first gained attention in 2017, when he debuted his first musical theatre production, Climb, a live album experience based on his concept album of the same name. Toronto Fringe Festival founder Gregory Nixon described Duane’s show as “an engaging, multilayered work of song, storytelling and movement” and “one of the highlights of this year’s Fringe.” His forthcoming double jazz and fusion album builds on themes of love, heartbreak, BLM, and self-discovery, reflecting musically Duane’s growth as an artist and a human being.

Aside from his innate drive to create beautiful things, Duane also has a passion for arts education. In 2011 he founded Genesis Community of the Arts, a registered Canadian charity offering music and arts education to marginalized children and youth in Toronto and Central America.

https://www.duanesguitar.com/
https://www.instagram.com/duaneintheforrest/
https://www.facebook.com/duaneintheforrest/
https://twitter.com/duaneforrest
November 1, 2020 0 comments
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This is a country collab like no other.  Sarah Wickett has teamed up with Rahul Bains to release "Accent", a Bollywood inspired tune that you'll NEVER forget. Since fourteen years of age, Sarah has been playing guitar and performing her original material live. She has opened for famous names ranging from Bobby Wills to Wes Mack, and performed for full-house crowds at The Opera House, Casino Rama and at fairs and festivals all across Ontario, including the Smoke & Spurs Festival and Kempenfest.  Sarah has done an impressive job at capturing the likes of country music fans all over the world with over 100,000 fans across all social media platforms.  Currently, Sarah is in the studio finishing up her much-anticipated sophomore EP. Her sound has evolved from a sweet pop/country into a compelling country/rock combo with an infusion of pop & rnb. https://www.sarahwickett.com/ https://www.instagram.com/sarahhww/ https://twitter.com/SarahWickett/ https://www.facebook.com/SarahWickettOfficial/
Music News

Sarah Wickett Premiere

by the partae November 1, 2020
written by the partae
This is a country collab like no other.  Sarah Wickett has teamed up with Rahul Bains to release “Accent”, a Bollywood inspired tune that you’ll NEVER forget.
Since fourteen years of age, Sarah has been playing guitar and performing her original material live. She has opened for famous names ranging from Bobby Wills to Wes Mack, and performed for full-house crowds at The Opera House, Casino Rama and at fairs and festivals all across Ontario, including the Smoke & Spurs Festival and Kempenfest.

Sarah has done an impressive job at capturing the likes of country music fans all over the world with over 100,000 fans across all social media platforms.  Currently, Sarah is in the studio finishing up her much-anticipated sophomore EP. Her sound has evolved from a sweet pop/country into a compelling country/rock combo with an infusion of pop & rnb.

LISTEN HERE
https://open.spotify.com/album/10qjiEC8XzFf3W2egSL8Il?highlight=spotify:track:2YDNovsZaoAGu65qO82Enp

https://www.sarahwickett.com/

https://www.instagram.com/sarahhww/

https://twitter.com/SarahWickett/

https://www.facebook.com/SarahWickettOfficial/
November 1, 2020 0 comments
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