Melbourne Music Week is delighted to announce nine exciting new additions to its extended summer program.
Melbourne Music Week has once again teamed up with The Push and the Australian Music Vault to stage an all-ages alcohol, drug and smoke-free music event that will take place at Sidney Myer Music Bowl on Saturday 20 February featuring Skegss, Ruby Fields, King Stingray and The Vovos as part of the Arts Centre Melbourne’s Live At The Bowl music season.
Each Monday night in February, two iconic Melbourne music venues will program Happy Mondays – A Live Music Residency also at the Sidney Myer Music Bowl. This month-long program in partnership with Arts Centre Melbourne channels the spirit of a classic Melbourne residency with some of the best local artists as selected by loved venues such as The Old Bar, The Tote, Bar Oussou and The Evelyn. Catch Cash Savage and The Last Drinks, The Meanies, Sui Zhen and more instantly recognisable local legends.
Anti Fade Records returns with a second Melbourne Music Week–Extended night for 2021 at Max Watts, showcasing some of the finest punk bands Australia has to offer – Constant Mongrel, Primo!, EXEK and Alien Nosejob.
Born in the basement of the Mercat Cross, Melbourne Techno Collective has run events all across the city over the last 18 years. Join them on Friday 19 February as they celebrate ‘18 Years of Techno’ with Monolith Live, Craig McWhinney, Matt Radovich and more, at iconic Melbourne party venue, New Guernica.
The Immigration Museum’s courtyard will come alive with art, music, performance and food, after hours on Friday 26 February for Summer Courtyard: Metamorphosis. Enter a fantasy world where anyone can be anyone, as the Immigration Museum debuts two new exhibitions Atong Atem’s To Be Real for PHOTO2021 and Becoming You: An incomplete guide.
Finally, critically acclaimed Spunk Records signed Floodlights will illuminate the Toff on Saturday February 27 with their honest, catchy rock music that melds ‘80s alternative rock with ‘90s New Zealand jangle-pop.
Tickets for these newly-announced shows are on sale from midday on Tuesday 19 January, with the exception of Summer Courtyard: Metamorphosis and all Sidney Myer Music Bowl shows, which will be on sale Thursday 21 January.
The nine new events will run alongside the already announced Rebel Yell Work Out Live, which will arrive at The John Curtin on Saturday 30 January. This aerobics workout is paired with the pulsating techno soundtrack of her latest album ‘Fall From Grace’ and will up heart rates in more ways than one.
Tickets are also selling fast for home-grown and worldwide exported punk royals Clowns, who are back for their first hometown Melbourne show in nearly two years at 170 Russell on Friday 19 February. Supported by These New South Whales, it’s gonna get sweaty in the safest way possible.
Limited tickets remain for a handful of previously announced shows including Baker Boy at the Melbourne Recital Centre, iconic rock musician Adalita playing the Grand Organ at Melbourne Town Hall, and an audio visual exploration with Melbourne producers Ara Koufax and iconic DJ and academic Simona Castricum at the Capitol Theatre.
Spanning three months, from December 2020 until the end of February 2021, and featuring more than 300 events, Melbourne Music Week–Extended was the first music festival to return to Melbourne, pioneering Covid-safe music gigs for Victoria.
Melbourne Music Week–Extended is delivered by City of Melbourne, and thanks its valued partners for their support, including the Victorian Government, Ticketek, oOh!media, Beat, 3RRR and PBS.
Visit www.melbourne.vic.gov.au/mmw for tickets and to view the #MMW program.
Quotes attributable to City of Melbourne Lord Mayor Sally Capp:
“We’ve been working closely with some of Melbourne’s iconic venues to safely welcome music fans back into the city because the sector is critical to bringing the buzz back to our city.
“Melburnians have missed live music and have really got behind this extended event to support our incredible local talent, venues and promotors. We’re pleased that these shows have been popular with some sell-out crowds and limited tickets remaining for the rest.
“Melbourne is the live music capital of the world. Our live music sector normally contributes $1.7 billion a year to Victoria’s economy and creates 42,000 jobs. As one of the hardest hit sectors as a result of the pandemic, it has been critical for us to bring live music back to the city and support this industry.”
In Brief:
The sell-out success, Synthony, comes to Melbourne for the first time for a ‘One Night Only’ epic outdoor show! The ultimate celebration of the last 30 years of Dance Music, Synthony is a unique collaboration between Orchestra, DJs, live vocalists and feature musicians.
The super-charged and energetic Synthony will showcase the biggest dance anthems from icons such as: Avicii, Eric Prydz, Fatboy Slim and Basement Jaxx to name just a few, backed with the full might of a 60+ piece Synthony Orchestra. The show is stacked with iconic stars from across the Australian music spectrum playing their global hits including: Miss Connie (Sneaky Sound System), Ilan Kidron (The Potbelleez), Jenny B (Corona), Mobin Master, Andy Van (Madison Avenue / Vicious Records) and Mark Dynamix.
With an epic backdrop of visuals, lasers and a state-of-the-art sound system, it’s a magical, uplifting, hands-in-the-air dance party like no other. An energetic show from the outset, this is not an Orchestra as you know it. This celebration of Dance Music is more than just a show, it takes the audience on a nostalgic journey back through their most memorable dance music experiences. Track after track, fans are taken down memory lane and will celebrate dance music that is embedded into their subconscious.
Synthony’s New Zealand shows (since 2017) have been attended by ‘Sold Out’ audiences (as well as its debut into Australia in Brisbane, 2019). After successful shows across New Zealand (over the last few months, including a sold-out show at Spark Arena, Auckland) and the orchestral extravaganza’s first outdoor show at the magical natural Amphitheatre of the Bowl of Brooklands (New Plymouth), the tour will expand to Melbourne this April, as part of the: ‘Live at the Bowl’ Summer series at the ‘Sidney Myer Music Bowl.’
Synthony Australia will include some of Australia’s Dance Music’s favourite Artists, who are also behind some massive hits, such as:
Miss Connie (Sneaky Sound System) – ‘Pictures,’ ‘I Love It,’ ‘UFO,’ ‘Kansas City’ and more..
Ilan Kidron (The Potbelleez) – ‘Don’t Hold Back,’ ‘Hello,’ ‘Junkyard’ and more..
Jenny B (Corona) – ‘The Rhythm of the Night,’ featured vocalist for J.K, Nevada, Culture Beat and more..
+ more to be announced.
Hosted by: Mobin Master – ‘Show Me Love,’ ‘Get Away With It,’ ‘Lights Out’ and more..
Support by: Andy Van (Madison Avenue // Super Disco Club) and Mark Dynamix
It’s no secret that 2020 has been a tumultuous rollercoaster for event promoters. The Synthony tour was due to be announced just days before New Zealand went into Level 4 lockdown and the future of the tour all of a sudden became awfully uncertain. Shows across Australia, Asia, and the U.S were in the pipeline for 2020. Months of preparation and negotiations with Artists, Venues and Sponsors were all dashed and the team behind Synthony, had to rebuild the program all over again.
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Duco Events Promoter Rachael Carroll says she’s incredibly excited to bring the show back to Australia and hold the first outdoor show at the iconic ‘Sidney Myer Music Bowl’: “Given the circumstances, it’s amazing to be able to bring this show to the music hub of Australia – Melbourne and have our show at the ‘Sidney Myer Music Bowl.’ We know as soon as Melbournians see this show, they’ll be coming back year after year.”
The show will be run in a Covid-safe environment set up by the Arts Centre Melbourne, that will include socially spaced tables and seats and innovative private decks for groups of up to 6 people. Carroll stated: “The Covid safe set up at the Bowl, is an incredible innovation by the Arts Centre Melbourne. We are going full throttle with this show, so fans can expect an amazing high energy experience in a socially distanced safe format. After everything Melburnians have been through, we can’t wait to put on this epic dance party for them!”
The Synthony show has only been possible thanks to the support of the Restart Investment to Sustain and Expand (RISE) Fund – an Australian Government initiative. “We certainly would not be putting on this show without the RISE funding support from the Australian Government and support from Arts Centre Melbourne. These partners have given us the confidence to invest, take risks and put on events, that will see some Artists and suppliers secure their first job and income after a very long break in event activity,” said Carroll.
About Synthony
Founded in 2017 by DJ and producer, Erika Amoore and fellow Kiwi David Elmsly, Synthony sold out its first ever show at the Auckland Town Hall to a packed house and unprecedented reviews. The show’s creation brought together key New Zealand talent, with Peter Thomas, conductor and music director of the Auckland Symphony Orchestra believing in the unique concept and enlisting the services of Ryan Youens, an arranger with hundreds of professional credits to his name, including film scores for The Hobbit: An Unexpected Journey and The Desolation of Smaug.
After sold-out events at Auckland Town Hall in 2017 and 2018, Duco Events, a major event promoter with a 16-year track-record, purchased the concept with an ambitious long-term vision to expand the event from one city to multiple venues and cities across the globe. In 2019, they took the show to Brisbane, Australia and also sold out five shows across NZ later that year. Over six shows, four Orchestras and hundreds of musicians played to over 14,000 fans in 2019.
In 2020, Synthony staged its biggest ever NZ-wide tour, supporting the live music industry’s recovery post COVID19. Synthony returns to Australia this April for its first outdoor show at the Sidney Myer Music Bowl, Melbourne with other Australian cities to be announced, followed by other international markets.
About ‘Live at the Bowl’:
A festival for our city
Spend days and nights in the open air enjoying the best live acts in Australia. From January, the iconic ‘Sidney Myer Music Bowl’ will host a festival like no other, featuring an all-local program of music, comedy, family-friendly events and more.
Sing, cheer and applaud as your favourite Artists return to the stage. Enjoy delicious food and drinks with friends and family. Share a socially distanced dance under the stars as we reconnect with our city, the arts and each other. Welcome back to your Bowl.
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2021 DATES & LOCATIONS:
Saturday 23rd January, TSB Bowl of Brooklands
Friday 12th February, TSB Arena, Wellington
Saturday 20th March, Horncastle Arena, Christchurch
Friday 16th April, Sidney Myer Music Bowl, Melbourne
More Australian dates to be announced….
TICKET DETAILS:
Eager dance music fans around Melbourne will have one hand in the air and one hand on the mouse, hovering over the ‘Buy Tickets’ button as the tickets are released on: Thursday 21st January – 12pm AEDT. With a ‘One Night Only’ show and restricted numbers, fans will need to get in quickly to secure their spot.
All tickets are available through: www.synthony.com
VIDEOS:
2019 Synthony Grand Finale at Wellington’s TSB Arena WATCH HERE!
Darude – ‘Sandstorm’ performed by Synthony WATCH HERE!
Fisher – ‘Losing It’ performed by Synthony WATCH HERE!
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Hailing from Western Sydney, Australia, Makalita is a female R&B Singer/Songwriter of Tongan heritage. Makalita is a self-taught independent artist who has been refining her skills over the years and has equipped herself with a diverse skill set. At just 21 years of age, Makalita brings a mature yet young, fresh, and unique sound back into the music industry, which audiences have been searching for. With her Debut Single Australian upcoming R&B artist, Makalita has released her debut single “Do This.
‘Do This’ is a smooth but confrontational upbeat track with somber lyrics, which captures the whole essence of Makalita’s message. Makalita’s greatest inspiration derives from growing up listening to Old School 90’s R&B, to artists such as Queen Naija, Summer Walker and Jhene Aiko. This has inspired Makalita to bring back that Old School vibe with a unique twist of new age ‘R&B-Trap Soul’ that is missing, and audiences are longing for in the music industry today.
‘Do This’ arrives alongside an iconic music video directed by Kreezy Visions and produced by Sueno Productions who has previously worked with Hooligan Hefs, Youngn Lipz, Will Singe and many more.
The video further showcases a vulnerable young woman deceived by someone who she thought was her partner, but in fact, he was married with a child.
This release aims to bring awareness to the toxicity in relationships, both emotionally and mentally.
It happens, it’s real and for this generation someone needs to start the conversation, so I will,” Makalita says.
Follow Makalita:
Title: Into The Light
Label: Protocol Recordings
Release date: January 15, 2021
Nicky Romero is kicking off 2021 on a positive note with the release of his new single “Into The Light,” a true progressive house jewel for which he teamed up with Protocol talent Timmo Hendriks and Arizona-based singer/songwriter David Shane. Opening with upbeat piano melodies layered over a steadily building bassline, “Into The Light” reaches its crescendo with a goosebump-inducing drop. Shane‘s soulful vocals serve at the emotive cherry-on-top for a track that sees Nicky returning to his signature sound after 2020’s pop-oriented Universal Music debut “Nights With You.” On the other hand, “Into The Light” follows Timmo Hendriks‘s single “Memories,” featuring Jordan Grace.
After taking the world by storm with early hits such as ‘Legacy‘ (with Krewella) and #1 single ‘I Could Be The One‘ (with Avicii), Nicky Romero quickly proved that his talent is ever-evolving and here to stay. After launching his Protocol Recordings imprint in 2012, the renowned performer, producer, and label head continued his personal successes with a string of high-profile releases, ranging from collaborations with Armin van Buuren, David Guetta, Mike Williams & Amba Shepherd, Dimitri Vegas & Like Mike, W&W, DallasK & XYLØ, Timmy Trumpet and Steve Aoki & Kiiara to remixes for the likes of Robin Schulz, Kygo, Rita Ora, Steve Aoki, Martin Garrix, Jess Glynne and more. While showcasing his label’s roster via his weekly Protocol Radio show, Nicky Romero continues to innovate and evolve during these unprecedented times in the music industry. He debuted his ultra-modern “Another World” live stream concept last summer and launched the Monocule alter-ego. If quarantine has proved anything, it’s that the Protocol crew is never one to slack on new music.
Now celebrating over 2 years on the label, Dutch artist Timmo Hendriks first made his debut on the label with 2018’s “In My Head,” with Lennart Schroot, followed by “Thinking About You” as part of Protocol‘s “Miami 2019” EP, which has currently garnered over 3M streams on Spotify. His next releases, such as “Magical” with Lindequist, “By Your Side” with Jordan Grace, or “Be Alright” with Marc Benjamin, continued to show increased energy and a more mature production style. Hendriks‘s other notable tracks on Nicky Romero‘s label include “Keep Me Close” with Dash Berlin and “Deserve My Time” with Trilane. He is quickly becoming a household name and veteran of the Protocol team. Keep an eye out for what’s next!
Photo Credit: Simon Fazio
With their fourth full length ‘Bystander’ scheduled for release on February 12th, 2021 via Spunk Records & Osborne Again (AUS/NZ) and Nice Guys Records (Rest of world), Cool Sounds share the second single ‘Crimson Mask’. Where the first single ‘Back To Me’ leant into classic 70s soft rock territory, Crimson Mask is Cool Sounds in a more buoyant and raucous mood.
Frontperson Dainis Lacey says of the track: “I wrote this song about the idea of clinging to the past a little too tightly. It’s a mildly raucous, conga banging, Velvet Underground inspired track about a depressed, alcoholic dad who dresses ‘a little Jerry Seinfeld, Chandler from Friends or Pacey from Dawson’s Creek and is scared of the kids in the neighbourhood. He loves wrestling and classic rock.”
A little about Cool Sounds and Bystander
Melbourne’s Cool Sounds make records that move deftly and playfully through indie-rock, pop, and alt-country. The band are defined by their signature guitar lines, as catchy as any chorus, as well as a beloved live show that sees six musicians crowded onstage. Lead singer and songwriter Dainis Lacey has been making music as Cool Sounds for years, but the band found a unique sound on their 2018 album Cactus Country and 2019’s More To Enjoy, which was nominated for the AIR Award for Best Independent Country Album. On Bystander, the new album out February 12, Cool Sounds are more attuned to their surroundings than ever: written during a European summer and recorded in three weeks over the following Australian one, Bystander isn’t always as laid back as the warm weather might suggest. With more of a focus on lyrics than ever before, Bystander, is at turns introspective, self-aware, irreverent and unflinchingly observant. All of the band’s essential elements are here – those guitar licks, vocal melodies that dip and spike then smooth out, and clever, understated rhythmic changes – but as lyrics are brought to the forefront, the band’s agile, elastic arrangements feel all the more essential.
Embracing a new year of music and creativity, Melbourne multi-instrumentalist Cantrips releases his latest single, ‘Goodbye Yesterday’.
Leaning further into some rich songwriting skills that bring out a gorgeous combination of surf-rock and psychedelic grooves, Cantrips (aka Patrick Ryan) has demonstrated how his sonic scope has broadened through 2020 with ‘Goodbye Yesterday’.
In a year that was unprecedented and unpredictable for many, Cantrips kept busy and continued to release music throughout 2020. His two singles – ‘Off With His Head’ and ‘Don’t Open The Bag’ – were exciting new additions to the building Cantrips body of work and with his latest, the artist is striving forward.
Elements of nostalgia and bittersweet moments of self-awareness are prominent in Cantrips’ lyricism on ‘Goodbye Yesterday’. With the majority of the track written and recorded in his Thornbury home studio, Cantrips took the opportunity to dive deep into his love for instrumentation and production here; the final result being a layered and textured piece of music marked by his individualism.
“This song was written around the time where I’d just left the safety of full-time employment and was trying to figure out what I wanted to do with myself. I’d been living in this sort of limbo, bereft of meaningful work and was tired of doing nothing about it. I was listening to a lot of 60s pop (Beatles, early Pink Floyd, Margo Guryan), a ton of Curtis Mayfield and other Motown grooves, and surfing a bunch. This track meets somewhere in the middle of the three. It’s a song about personal transformation – letting go of who you used to be and taking steps to finding out who you can be.” Cantrips
Hitting the coastal surrounds of Rye in regional Victoria, Cantrips and videographer William Hamilton-Coates injected humour into proceedings when it came to creating the ‘Goodbye Yesterday’ music video.
“The late lockdown and ongoing restrictions in Victoria meant that we had to get creative with both concept and execution. I’d been watching a lot of Monty Python at the time and the drummer on this track, Lachlan Clulow, suggested using something similar to the ‘endless running’ scene in The Holy Grail. If that wasn’t a sign…” Cantrips
As a performer, Ryan has had years of experience in touring behind him as he developed the Cantrips solo project. Having performed extensively with psych-rock band Sofala until 2019, his love for music in both its studio and live forms runs deep. In the creation of Cantrips, Ryan has been able to chase his own unique vision for music and writing, celebrating it in its intricacy and different forms.
Creating his own independent label too in Dune Castle Records, Cantrips is kicking off a new creative era. ‘Goodbye Yesterday’ is significant in this important formative time for the artist, laying down the foundations for an exciting year ahead.
Official Website | Facebook | Instagram | YouTube | Triple J Unearthed
Starting the new year with a bang, Soothsayer are excited to share sultry DNB-focussed, ‘Another Knot (Satl Remix)’, the third and final remix from Dro Carey’s debut album Nothing Is A Solo Project, which was released in September to critical acclaim, including Album of the Week on FBi Radio. Dro Carey has today also released instrumental versions of the vocal tracks from NIASP exclusively on Bandcamp and Soundcloud – thanks to a plethora of DMs from fans and industry peers – tying a neat bow around the album campaign.
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NOTHING IS A SOLO PROJECT (INSTRUMENTAL VERSION) IS OUT NOW EXCLUSIVELY ON BANDCAMP AND SOUNDCLOUD
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Linking up with fellow Sydney lyricist Tawanda, Yawdoesitall makes his return for 2021 with a heater of a new track in ‘Test Drive’. Following on from a busy year of plotting and releasing new music, 2021 is setting itself up to be one of Yaw’s largest yet, with ‘Test Drive’ kicking off a bright new chapter of creativity.
Between the two rappers, Yaw and Tawanda share a confidence that breathes life into their own individual music and together? They’re a match made in heaven as ‘Test Drive’ showcases their talents as performers and as a dynamic duo.
The single is built on a beat supplied by producer Miinor, a snapping arrangement that allows both artists to vibe out with ease. With the recording laid down at Sydney’s New Age Studio, Yaw and Tawanda built off early ideas they shared about the perceptions of success when it comes to a rap career, and what the realities of it can actually be.
“This is a fun song we made right before my solo show at Oxford [Art Factory] in 2020. Contrary to popular belief, we felt being a rapper came with a demand to have it all and own all the coolest stuff. With ‘Test Drive’, we say “Pull up with a Chevy/And it not mine”, as we debunk these flashy expectations by actually stating the struggle of being cool, but having to borrow or rent some of the stuff we use. A mockery, but also a fun way to go back and forth with Tawanda, verse by verse. This is such a different track for me and validates my ability to jump on every record and still keep it Yaw.” Yawdoesitall
Though 2020 meant Yaw had to postpone plans to unveil new live shows for fans, he kept busy in remaining at the forefront of our attention with the release of both ‘Get It’ and ‘ARMADILLO’, as well as being named one of the BIGSOUND 50 for the year. Promising indications that this young talented artist wasn’t being held back by restrictions outside his control, the music has continued to be refined and prepared behind the scenes; while Yaw’s first shows for 2021 are lining up to be some special hometown events this March.
PRAISE FOR YAWDOESITALL
“You paint such a lyrical picture, especially Maina’s chorus. I can see the scene in my mind’s eye, the relationships and the mood. A dream-duo if ever I’ve seen one.”
Triple J Unearthed, Tommy Faith (‘ARMADILLO’, 2020)
“While Yawdoesitall has been turning heads thanks to his mesmerising compositions for a couple of years now, there’s no denying that the best is still yet to come.”
Tonedeaf
“…the new cut is a sharp image of a young artist steady proving himself more than ready to rise through the ranks of Australia’s hip hop scene.”
The AU Review
YAWDOESITALL LIVE
with special guests
Photo Credit: Captura Obscura / Matt Puccinelli
Stepping back into the spotlight for a brand new year, Psychedelic Porn Crumpets hit the ground running with the release of their latest single, ‘Pukebox’.
At just over three minutes, this new slice of Psychedelic Porn Crumpets chaos is the latest installment of the band’s forthcoming new studio record, SHYGA! The Sunlight Mound, due for release February 5th. Hectic and relentless in pure unadulterated Psychedelic Porn Crumpets fashion, ‘Pukebox’ is one ride that fans will want to be on as brighter horizons look promising for 2021.
Recorded between songwriter Jack McEwan’s home studio and Tone City Studios in WA, ‘Pukebox’ is a delicious example of how tight the Psychedelic Porn Crumpets sound has become over their last few years of writing and touring.
Receiving its worldwide premiere on BBC Radio 1 with Annie Mac, ‘Pukebox’ captures the essence of SHYGA! The Sunlight Mound and sits as a great insight into the new era ahead.
“‘Pukebox was the first song I used as a reference while creating the flavour for the record. I’d had the idea for the track for a while but I never thought it fit the style of our previous albums. I wrote the first part in first person, talking about my time at home drinking moonshine and wondering who else was doing the same. Then I compared that in the second verse with a secondary version of myself who I wrote about as a character, a little bit lost, waking up with a hangover in random cities trying to find a meaning while it sailed right past me. Both unaware of each other’s existence while slowly going mad through repetitive consumption.”
Jack McEwan, Psychedelic Porn Crumpets
2020 saw Psychedelic Porn Crumpets keep the wheels turning with new music, despite being unable to tour; releasing ‘Mr. Prism’ and ‘Tally-Ho!’ to keep the appetites of fans satiated. With both singles earning acclaim across Australian and international radio stations including Triple J, Radio X and BBC Radio One, as well as right across Spotify, Apple Music and multiple music editorial titles, the hype up for the new album started off strong.
Capping off their year with a blistering spin with Triple J’s Like A Version series, Psychedelic Porn Crumpets reminded folks that although they (like everyone else) was forced to take pause from usual programming in 2020, they weren’t resting on their laurels.
PRAISE FOR PSYCHEDELIC PORN CRUMPETS
“A surrealistic psych-rock anthem that showcases the band’s frenetic compositional style.”
Rolling Stone Australia
“Utterly face-melting!”
BBC Radio 1, Jack Saunders
“…The energy they pack into their live shows is incredible and it’s all backed up by soaring melodies and expert riffwork!”
Louder Than War
“Besides having one of the greatest band names in the country, PPC are one of Perth’s best live acts, building headbanging spectacles from their fuzzy psych rock nuggets.”
Triple J
“Who needs a roller-coaster when PPC are out here producing the same adrenaline? It’s always such a rush listening to ya’ll.”
Triple J, Bridget Hustwaite
“As Summer 2020 continues to crawl along a flat line of dread and uncertainty, Psychedelic Porn Crumpets are back to show that an alter-ego could be the cure for all our pandemic blues.”
Vanyaland
Psychedelic Porn Crumpets will return to live shows, supporting Ocean Alley on their national tour throughout August and September.
PSYCHEDELIC PORN CRUMPETS TOUR DATES
Friday 16th January Mini Fest Mandurah Tickets
Supporting Ocean Alley
Friday 6th August John Cain Arena Melbourne Tickets
Friday 13th August Thebarton Theatre Adelaide SOLD OUT
Saturday 14th August Thebarton Theatre Adelaide Tickets
Friday 20th August Fortitude Music Hall Brisbane SOLD OUT
Saturday 21st August Fortitude Music Hall Brisbane SOLD OUT
Sunday 22nd August Fortitude Music Hall Brisbane Tickets
Friday 27th August Hordern Pavilion Sydney SOLD OUT
Saturday 28th August Hordern Pavilion Sydney Tickets
Saturday 11th September Fremantle Arts Centre Fremantle Tickets
Pukebox is released Thursday 14th January 2021
SHYGA! The Sunlight Mound is released Friday, February 5th 2021
Website | Facebook | Twitter | Instagram | YouTube
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UPCOMING SHOWS
Sat 30 Jan – The Palais, Melbourne VIC (Supporting Ali Barter)
Tickets
Fri 12 Feb – Volta, Ballarat VIC
Tickets
Sat 13 Feb – Major Tom’s, Kyneton VIC
Tickets
Sun 14 Feb – The Bridge, Castlemaine VIC
FREE, Afternoon Show – More info
Fri 19 Feb – Tanswells, Beechworth VIC
Tickets
Sat 20 Feb – Wrangler Studios, Melbourne VIC
All Ages, Afternoon Show – Tickets
Sun 21 Feb – Dart & Marlin, Warrnambool VIC
Tickets
Wed 24 Feb – The Gaso, Melbourne VIC
Tickets
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Directed by Mike Ridley, the video for fan-favourite ‘The Only One’ follows the beloved character of Pie Man as he wanders the streets of the Northern-Melbourne suburbs.
– Rolling Blackouts C.F.
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