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VagueEightySix
Music InterviewsMusic News

VagueEightySix

by the partae May 10, 2021
written by the partae

Hey Up – Where are you right now?

I’m in London right now looking out my window drawing some inspiration from the world and what I see and feel to write more material.

What are you early experiences with music? How have they led you to where you are now?

The first time I ever sang was in a church when I was 14 for a couple school friends who played in a band at their local church in South London. I was handed a mic and was told to just sing and freestyle over the soulful jazzy R&B-type vibe they were playing at the time and yeah, I’ve been singing ever since. After some time, I went on to sing in an R&B group inspired by Jodeci, Dru Hill, H-Town and a lot of 90’s HipHop & R&B artists. After that, I went on to sing in multiple electronic bands which is a style of music I love, having grown up in London where electronic music was always big over here. Everything from drum n bass to house music was always around when I was young. To this day I’m inspired by old school garage and based my early style on Groove Chronicles who made both of my favourite garage tunes back in the day: ‘Stonecold’ and ‘We Get Down’. When I heard them sample Aaliyah or Mariah Carey over that London sound that Groove Chronicles had back then, I knew that soulful 90’s vocals work smooth over electronic music – like ‘Talk to Me You’ll Understand’ by Ross From Friends.

You’ve now released singles ‘Better Tomorrow’ and ‘Songbird’, what influenced the sound and song writing here?

My writing as well as producing comes from nothing but feeling and deep emotions that are sometimes buried deep at the back of my heart and mind. ‘Better Tomorrow’ was written on the basis of the title, wishing everyone and everything a brighter future through the dark times we go through in life. ‘Songbird’ is about love of course and sharing that special moment with the one you truly love. For me there is no better feeling than true love.

What does it mean to you to be able to share your music since your debut?

Through my previous experiences in music being in bands and groups it’s quite scary at first releasing anything because I’m solo now. But through the love I’ve been receiving and the support… it’s a beautiful feeling.

Can you tell us a bit more about your recording and production process?

I use Ableton Live to produce and usually base my production around a warm pad or melody that makes me feel like I’m flying. Ha! Growing up my favourite superhero was Silver Surfer so whenever I’m producing music, If, it makes me feel like I’m Silver Surfer and I’m gliding through the galaxy across the universe I know I’m on the right track. Then yeah, I punch it all in and then the drums come last for me. Same for recording vocals, I like to sit and be relaxed with dimmed lights to set the mood while I record. 

Who are your influences and who are you currently listening to? Is there anybody you aspire to?

I’ve been inspired by early N.E.R.D., Tyler the Creator, Quincy Jones, Michael Jackson, Curtis Mayfield. From Roy Ayers to Sampha, from James Blake to Frank Ocean, I can go on and on… I’m currently listening to a lot of Sade, as well as Janet Jackson, Saba and a new artist called Jenevieve… her track ‘Medallion’ is my favourite song of hers. Oh, and just a lot of early 90’s hip hop, that stuff is always on rotation. 

Is there anything else you like to do away from music?

Outside of music I love to skateboard… I mean street skate, no skate parks just yet, I can’t do tricks and all that. I just like to cruise the streets. 

What’s your plans for the rest of the year?

My plan for the rest of the year is to continue writing new material for my first full-length album for next year. I make music every day and also do a bit of writing for other artists. I’m forever working on my craft and trying to evolve into the artist I’ve always envisioned myself as.

Tell us something interesting about yourself, that people wouldn’t know.

I was an academy football player when I was a kid. I played for Watford for 3 years and Fulham for 2. I got released after 5 years of some great memories of my life and now I still coach kids and teach them everything I know and learned when I was playing.

Anything else you’d like to share?

In addition to the singles, I’m releasing on streaming platforms, I finished a 14-song mixtape called ‘The VagueTape’ that I’ve been drip-releasing on my YouTube and Soundcloud channels, one track every 3-4 weeks. The Tape is all new songs I wrote over some of my favourite Hip Hop & Lo Fi House beats spanning the past 20 years. It actually started out as a kinda joke, but I wound up vibing out 75% of the songs in one evening. I just dropped the latest instalment ‘Trust In You (Aquamarine)’ last Friday.

May 10, 2021 0 comments
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WIKI & NAH RELEASE COLLABORATIVE ALBUM TELEPHONEBOOTH OUT NOW VIA WIKSET ENTERPRISE
Music News

WIKI & NAH RELEASE COLLABORATIVE ALBUM TELEPHONEBOOTH OUT NOW VIA WIKSET ENTERPRISE

by the partae May 10, 2021
written by the partae
Photo by Ryosuke Tanzawa

PRAISE FOR WIKI

“refreshingly out of step with any paradigms or trends in rap”
The FADER

“a gifted storyteller above all”
The New Yorker

“[Wiki’s] effusive verses chronicle the intricacies and exploits of growing up in New York”
The New York Times

“tight, diaristic raps and vignettes and grimy production”
Pitchfork

“He doesn’t sound like anyone else”
Stereogum

Today, Wiki and NAH release their first collaborative project Telephonebooth via Wiki’s own label Wikset Enterprise. LISTEN HERE.

One year in the making, the NYC rapper and Philadelphia-born, Antwerp-based producer NAH have joined forces to create a candid and raw fourteen-track offering that finds both artists reaching new grounds. Telephonebooth contains previously released singles, ‘Hip Hop‘, ‘The Crown‘ and ‘Things Stuff‘, all of which came with Ryosuke Tanzawa-directed videos, and is available exclusively through Bandcamp, with a wider release across all other streaming services to follow in the coming weeks.

Having first met in 2014 when NAH opened for Ratking (Wiki’s previous group) in Philadelphia, the duo would eventually work together when NAH was called upon to add extra production on the majority of Wiki’s 2019 album, OOFIE.

After a joint Paris show was canceled in March 2020, NAH began crafting a batch of beats made specifically for Wiki’s signature voice. A year later, through countless emails and phone calls between NYC and Antwerp, Belgium (NAH’s current base of operations), the duo managed to create a singular and honest take on life in the city during these uncertain times. Tales of self-doubt, friendship, painful hangovers, and reflective musings set to short, gritty, mutated beats paint a picture of two artists trusting in each other’s abilities and creating one real as hell creative statement piece.

Telephonebooth is out now via Bandcamp, buy/stream it here.

TRACKLIST
Life Like?
Yonkers
Truth Be Told
Hip Hop
Frogskins
Shit Blood
Things Stuff
No Work
The Crown feat. foghornleghornn
Sexy Jawn
Shit’n Me
Friendship
Hungover14. Pimpin & Simpin

Wiki: Website | Facebook | Instagram | YouTube | Soundcloud | Bandcamp
NAH: Website | Instagram | Bandcamp

May 10, 2021 0 comments
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Albert Salt
Music InterviewsMusic News

Albert Salt

by the partae May 10, 2021
written by the partae

Where are you currently based?

I live in Melbourne. 

How did you first start playing music?

I started playing Violin when I was 3 years old and then picked up piano when I was 4 (my parents are musicians).

What’s been happening recently?

Well I’ve just been really focusing on releasing this single for the last couple of weeks. But prior to that my other band Juno Disco just put out a new song called ‘Dreamin’, and now the film I’ve been working on is in post-production so I’ll be working on finishing up the score. So a lot to keep me busy! 

Your new single ‘Think It’s Time To Get A Job’ is out now, what influenced the sound and songwriting?

The song is primarily influenced by the Aphex Twin track ‘Iz-Us’ and ‘Older’ by Australian band Parcels. I was playing around on this synth and found a sound very similar to the one used by Aphex Twin. Once I found the sound, the chord progression of the song just wrote itself and I’d finished it in five minutes. I often find that a particular sound will really inspire me and is generally the basis of how I write music. 

I had been really into Parcels earlier this year and loved their vocal harmonies and found they were very influenced by one of my favourite bands ‘The Whitest Boy Alive’ (who are sadly no longer around). You can definitely hear the Parcels influence in the ‘What Changed, Just Stay The Same” response in the chorus.

How did you go about writing the track?

Lyrically I was a bit intimidated by my previous record as the lyrics were super revealing and I was unsure how to follow that up. I found that being super revealing worked really well and I had produced my best work by doing that. So I decided to dig a bit deeper into my past, to a time where I wasn’t releasing Albert Salt music and decided to get a full time job. This really crippled me artistically. I found having so much free time and putting out a record again last year completely re energised me and gave me focus on what I should be doing. But yeah the core of the song is really about that moment that so many people have where they question their dreams and think to themselves “Maybe it’s time to get a real job?”

Where and when did you record/produce/master and who did you work with?

I track everything at home in my studio, then I send it to my Juno Disco bandmate/production wizard Nick Bond to mix and play around with. He then sends the mix back and then it goes to industry legend Joseph Carra to be mastered. And while that’s all happening my stupidly talented filmmaker/photographer/artist/writer friend James Vinson creates the artwork. James has also done all of my press photos for the last few years and is directing the film I’m working on. 

It’s the same approach as what I did with ’25 Not Doing Alright’ and I just love how it works. I’m extremely fortunate to work with these incredibly talented people that elevate the material to another level. 

How did you approach the recording process?

A little bit differently, I don’t do this very often but I wrote the core of the song before recording it. Like a real songwriter. It’s always fun to mix up songwriting and recording processes as it generally gives you an alternate perspective on things. 

What programs/equipment did you use?

I use Logic as my DAW to record everything. I use a Neumann TLM 103 into either a Scarlett 6i6 or Apogee Duet interface to record Vocals, Violin, Percussion. The Aphex Twin synth was done on the Arturia V Collection CZ V (I actually have the synth that this is based on but needs to be serviced). And then most of the other synth parts were recorded on my trusty Prophet 08 and the bass was done on the Behringer Model-D (controversial). Oh and there’s a bit of Juno-106 in there at the end and some Arturia V mellotron pianos and clav thrown in there as well. The drum parts are all done with Sequential Circuits Drumtrax samples. And I think that’s pretty much it. 

Who are you listening to at the moment?

One of my favourite Australian band’s I’lls have reunited with a different project called Armlock. They’ve put 2 tracks so far ‘Power Of A Waterfall’ and ‘Turf War’ which are amazing and I’d highly recommend checking out. Let me have a look at my Spotify history. MF DOOM, Ravyn, Lenae, Boards Of Canada, PJ Harvey, Bibio, Beastie Boys, Steely Dan, Tribe Called Quest, Kings Of Convenience and of course my favourite podcast ‘The Weekly Planet’.

What do you like to do away from music?

Watching movies, cooking, having a bloody beer and going for a run. 

Please tell us about working across both your solo project, side-project Juno Disco and scoring your first feature film:

A lot of work! It’s really great being able to do so many different things musically.

You produce your own film clips, how did this come about?

I started doing this in lockdown last year, making videos for covers I was doing and then eventually videoclips and ads for my music. 

I absolutely love it! I approach it very similarly to how I make music and the fact that filmmaking tech has advanced so much means I can kind of experiment and shoot things and just airdrop it to my computer in a second and play around with it in Final Cut while I’m still shooting. I find it an extremely creative process almost like painting or something as it’s all kind of happening at the same time there’s no traditional pre-production/production/post-production period.

What’s planned for 2021?

Finishing the film is next on the Agenda, there’s a Juno EP on the cards and of course put out more Salty music!!!

Favourite food and place to hangout?

Leonard’s House Of Love hands down.

https://www.facebook.com/albertsalt/

https://www.instagram.com/albert_salt/

https://www.youtube.com/channel/UCN2oNSHZLRxxXq97VskxhfA

https://www.albertsalt.com/

May 10, 2021 0 comments
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Rise Against Collaborates With Indecline For Provocative Visual 'The Numbers'
Music News

Rise Against Collaborates With Indecline For Provocative Visual ‘The Numbers’

by the partae May 9, 2021
written by the partae

On the heels of May Day, coupled with sample of the (Russian translated) French anthem, “L’Internationale,” Rise Against releases The Numbers, the lead-off track from the band’s upcoming album, Nowhere Generation, due out June 4 (Loma Vista Records). Accompanying the release is a defiant visual, encapsulating the spirit of “L’Internationale,” a song that has been an anthem for working people since the late nineteenth century.

The visual for The Numbers was conceived and directed by Indecline, the American Activist Collective comprised of graffiti writers, filmmakers, photographers, full-time rebels, and activists.  Indecline’s projects focus on social, ecological and economical injustices carried out by American and International governments, corporations, and law enforcement agencies.

“The Numbers has given our collective another opportunity not only to work with a band we’ve looked to for inspiration since their early records, but also a chance to create the kind of strong visual content that aims to inspire and educate.  Beyond simply showcasing global protest movements, this video is to serve as a reminder that we are all living in a golden age of resistance and need to use our privileges to commit ourselves to wholeheartedly pulling the rope in the opposite direction.  Or, to put it more bluntly, don’t be like your parents’ generation. Give a fuck and prove it.”  — INDECLINE

PRE-ORDER NOWHERE GENERATION HERE
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May 9, 2021 0 comments
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LITTLE SIMZ SHARES NEW TRACK 'WOMAN FT. CLEO SOL' WATCH HER DIRECTORIAL DEBUT BELOW + UPCOMING LP 'SOMETIMES I MIGHT BE INTROVERT' DUE SEPTEMBER 3RD VIA AGE 101
Music News

LITTLE SIMZ SHARES NEW TRACK ‘WOMAN FT. CLEO SOL’ WATCH HER DIRECTORIAL DEBUT BELOW + UPCOMING LP ‘SOMETIMES I MIGHT BE INTROVERT’ DUE SEPTEMBER 3RD VIA AGE 101

by the partae May 9, 2021
written by the partae
Photo by Nwaka Okparaeke

PRAISE FOR LITTLE SIMZ

“One of the best MCs to ever come out of the UK”
Afropunk

“Wherever UK rap goes in the future, it’s safe to say that Little Simz will be helping propel it forwards”
Complex

“One of the most unrelenting, rapid-fire rappers and profound lyricists out of the UK”
Consequence of Sound

“A show of power in word and sound”
The New York Times

“She’s a force the status quo will have to reckon with”
NPR

Hot on the heels of the scorching, 6-minute call to arms that was ‘Introvert‘ comes another taster of Little Simz’ hotly anticipated new album Sometimes I Might Be Introvert, in the form of the gorgeous paean to female empowerment, ‘Woman‘. Listen HERE, watch HERE.

In a volte-face from the epic firestorm of ‘Introvert‘, which delved deep into crises both societal and personal, the lissom swoon of ‘Woman‘ is a soulful love letter to women around the world, produced by Inflo and featuring her ‘Selfish‘ collaborator Cleo Sol, once again, on gorgeously airy guest vocals. Of the song, Simz says: “I love it when I see women doing their thing and looking flawless; I’m here for that! It’s empowering, it’s inspiring; I wanted to say thank you and I wanted to celebrate them.”

As if to underline that exact point, Simz steps behind the camera for the very first time to direct the sumptuous video. Filmed in lush, almost iridescent Technicolour tones and featuring an array of stunning cameos, Simz creates a glamorous yet sharply modern Utopia; an army of immaculately dressed, unapologetically powerful women (Jourdan Dunn, Joy Crookes and Denai Moore among them) in a rambling country estate, coolly getting things done and running the world, all the while looking effortlessly flawless to boot. The casting was not incidental – every woman in the video has personal significance to Simz, from her own cousins, Paij and Caroline, to her friend of 15 years, model Sienna King, to the likes of Zeze Millz and Kesewa Aboah, creating a moving, united front of sisterhood. The resultant video is a feast for the senses that hits on visual, social and emotional levels, and just another reason to get very, very excited indeed about what else Little Simz has in store this year.

‘Woman ft. Cleo Sol‘ is out now, buy/stream it here.

LITTLE SIMZ
SOMETIMES I MIGHT BE INTROVERT

Out September 3rd
Age 101
Pre-order HERE

TRACKLIST
Introvert
Woman ft. Cleo Sol
Two Worlds Apart
I Love You, I Hate You
Little Q Pt 1 (Interlude)
Little Q Pt 2
Gems (Interlude)
Speed
Standing Ovation
I See You
The Rapper That Came to Tea (Interlude)
Rollin Stone
Protect My Energy
Never Make Promises (Interlude)
Point and Kill ft. Obongjayar
Fear No Man
The Garden (Interlude)
How Did You Get Here
Miss Understood

Stay connected with Little Simz:
Website | Facebook | Instagram | Twitter | YouTube

May 9, 2021 0 comments
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MEET MONTREAL RAPPER SKIIFALL WITH THE SINISTER RAP SWING OF 'BENTAYGA DUST'
Music News

MEET MONTREAL RAPPER SKIIFALL WITH THE SINISTER RAP SWING OF ‘BENTAYGA DUST’

by the partae May 9, 2021
written by the partae

PRAISE FOR SKIIFALL

“One great debut single“
The FADER

“Should be on your radar”
HotNewHipHop

“First time hearing about Skiifall? Don’t worry you’re early for the party“
New Wave Magazine

With his debut single ‘Ting Tun Up‘ and it’s Knucks-featuring second part, Montreal based, St. Vincent born artist Skiifall firmly marked his place on the global music stage with a unique blend of disorientating, hard-hitting instrumentalism and street-smart flows that switch between English and patois with ease. Today, Skiifall expands on that formula with ‘Bentayga Dust‘, a brand new track that puts the potency in Skiifall’s singular style on full display. Listen HERE.

As a track, ‘Bentayga Dust‘ deals in the duality between peace and discord. Opening with choral harmonies that could be interpreted as calm or ominous, Skiifall rides this line with his own delivery. Melodic in flow, but confrontational and confident in subject matter, he unleashes his most infectious hook to date over the top of a diamond edged percussive line and a haunting synth pattern.

Already finding fans in the likes of Virgil Abloh, Jorja Smith and OVO’s Oliver El-Khatib for his diverse approach to the contemporary rap formula, Skiifall is rapidly consolidating his reputation as one of global hip hop’s most disruptive burgeoning forces. As inspired by the bashment of his St. Vincent homeland as he is the postmodern rap sonics of Atlanta icons Young Thug and Rich Homie Quan, Skiifall’s multifaceted output is representative of a musical DNA that crosses cultural boundaries. With a host of new music on the horizon, it’s only a matter of time before the new sound of Montreal becomes the new sound worldwide.

‘Bentayga Dust‘ is out now, buy/stream it here.

Stay connected with Skiifall:
Twitter | Instagram

May 9, 2021 0 comments
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TELENOVA Share new single & video 'Tranquilize'
Music News

TELENOVA Share new single & video ‘Tranquilize’

by the partae May 9, 2021
written by the partae
Photo credit: Clint Peloso
L-R: Joshua Moriarty, Angeline Armstrong, Edward Quinn
Praise for Telenova

“Enchanting, alluring and instantly stylish stuff” – Declan Byrne, triple j

“really nice polished pop with an electronic edge and a nice quirky sensibility. Where it all comes together here for me is the singer Angeline Armstrong…there’s a sweeping cinematic feel” – DJ Raul Campos, KCRW

“‘Bones’ is cinematic indie pop at its finest. It sounds at once nostalgic while thoroughly modern, and is sure to get stuck in your head from the very first listen.” – Purple Sneakers

“A skilfully constructed cut of emotive pop… Brilliant as the lush instrumentation and clever production is, frontwoman Angeline Armstrong absolutely steals the show with a pitch-perfect vocal that just lands perfectly.” – Double J

“Their debut Bones is an instantly intriguing song full of texture and depth. On top of it, they’ve crafted an alluring pop song that borrows from elements of indie-dance and disco.” – The Interns

“‘Bones’ has the grand, string-laden scale of Portishead-era trip-hop with a faster, dance music beat and unsettling lyrics – ‘I was dreaming of blue skies in California/While you were loading your gun’.” – NME

“If this impassioned performance is any indication, Telenova have an uncanny ability to please any crowd and electrify any venue.” – Milk Bar Mag

Melbourne three-piece Telenova are proud to share their brand new single ‘Tranquilize’. Premiered overnight by triple j’s Good Nights with Bridget Hustwaite, ‘Tranquilize’ arrives with a stunning video directed by Telenova frontwoman Angeline Armstrong.

Assembled by Chris Walla (Death Cab For Cutie) at an APRA SongHubs writing camp in early 2020, Telenova combines the alluring vocals of multi-disciplined creative Angeline Armstrong, alongside the refined musicality of Edward Quinn (Slum Sociable) and Joshua Moriarty (Miami Horror).

‘Tranquilize’ was written in its entirety on the first day of the APRA SongHubs where the trio met for the first time. Armstrong shares – “I was actually flicking through a thesaurus and the word ‘Tranquilize’ jumped out at me, it just rang so nicely on the tongue and was so inherently visceral. I was humming gibberish over the hypnotic Rhodes chords that Josh had laid down, and we heard what sounded like ‘Poseidon’s on the water’ – it was the first time in a writing session with Ed and Josh, and the first time I’d been in a writing session where a poetic, literary lyric idea like that wasn’t shunned and coined as ‘unrelatable’.  It resonated. We followed the thread, playing into Siren mythology as a metaphor for falling in love – the power of attraction to transfix and tranquilize you.”

On directing the video for ‘Tranquilize’ she explains – “I wanted to capture the world of the song in a Lynchian-inspired dreamscape – starry-eyed and a little unhinged – but like, David Lynch meets Gucci. Leaning heavily into the lyrical metaphor of Siren mythology of Tranquilize, we formed this story of a Siren-on-the-run, masquerading as a jazz singer in a dingy, nautical underground club, as a kind of introduction to the whole Telenova universe. I grew up in Williamstown and on the way to school, would drive past this towering building that was a standing replica of the Titanic ship. We ended up shooting the clip inside the Titanic – turns out they do theatre restaurant shows there and the floors move to replicate the motion of the water and a sinking ship and everything. The cast & crew on the clip were a combination of new and long-time collaborator creatives that I’ve worked with in film. Daniel Bolt, won ‘Gold’ at the Australian Cinematographers Society Awards for his work as Director of Photography. Everyone brought a slice of their own creativity to the clip – I’m so proud of what everyone brought to the picture.”

‘Tranquilize’ arrives hot on the heels of the band’s sold-out single tour in support of their debut single ‘Bones’. ‘Bones’ was added to full rotation on triple j and received support from Spotify (New Music Friday AUNZ, Indie Arrivals, Broad Chords), Apple Music (Heaps Indie, Alt Pop, New In Indie, New Music Daily) and Amazon (Australia Now, Breakthrough Australia), as well as community radio across the country. ‘Bones’ has stayed consistently in the top 10 most played tracks on AMRAP’s metro chart since its release.

Telenova – ‘Tranquilize’ is out now
via Pointer Recordings / Remote Control Records.
Telenova
Website | Instagram | Facebook | BandcampPointer Recordings
Instagram | Facebook | Bandcamp

May 9, 2021 0 comments
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SMALLS REVEALS EARNEST NEW SINGLE ‘WHAT YOU GOT’
Music News

SMALLS REVEALS EARNEST NEW SINGLE ‘WHAT YOU GOT’

by the partae May 9, 2021
written by the partae

SUPPORT FOR ‘WHAT YOU GOT’

“What You Got’ is a single that marries SMALLS’ dance-y indie-pop sound with reflective and personally in-touch vocals, translating his feelings on his cross-state move into a gleaming and cathartic burst of The 1975-esque energy.”
Pilerats (AUS)

“Slick production and the way he’s produced it with that 1975 alt-pop feel is endearing.”
Dave Ruby Howe – triple j Unearthed (AUS)

 


Following on from the well-received release of ‘Tail Lights’, Sydney-based indie-pop artist SMALLS has today returned with a shimmering new single ‘What You Got’ – produced and mixed by Lewis Mitchell (Birds of Tokyo, The Jezeabels, Kota Banks), and mastered by Ben Feggans (Mallrat, Vera Blue, Sampa The Great).

Featuring swooning bass, cheerful percussion, and serene guitars, ‘What You Got’ is a stylish offering of cultured alternative-pop. Taking cues from influences such as The 1975 and LANY, SMALLS’ charismatic vocals provide elegant melodies to a track soaked in speculative instrumentation. Opulently layered hooks lead into a power-pop bridge, attentive to dynamics, before the song’s cathartic finale.

SMALLS talks about the meaning behind ‘What You Got’:

“Moving to a new city is scary. I’ve known friends who have relocated to new places during peak covid and really struggled to make friends and feel a sense of connection. This song is about how much we rely on other people’s actions to make us feel connected or appreciated. I wanted to write a song that captured city nightlife and dance floor anthems while not letting go of the 80s/90s nostalgia in the production.”

Previous single ‘Tail Lights’ was supported by the likes of Australian radio stations triple j Unearthed, Radio Adelaide, SYN FM and Indie Discotheque (INT). The track also received online praise from The AU Review, Australian Music Scene, AAA Backstage, Ear to the Ground (USA), Music Feeds, Forte Mag, and Indietronica (UK).

SMALLS is the project of artist Will Robinson, who originally hails from country NSW. Speaking on his experience – “I grew up on a canola farm in rural NSW during the peak of the drought. When you live 20km from the nearest township and there isn’t a lot of coin in the bank, there isn’t much else to do except pick up an instrument and try to smash out Metallica covers on a nylon string acoustic to cure the boredom.”

‘What You Got’ is available worldwide now

FOLLOW SMALLS

FACEBOOK | TWITTER | INSTAGRAM | SOUNDCLOUD | SPOTIFY | APPLE MUSIC

 

May 9, 2021 0 comments
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Noel Gallagher’s High Flying Birds Reveal Music Video For New Single, 'We're On Our Way Now'
Music News

Noel Gallagher’s High Flying Birds Reveal Music Video For New Single, ‘We’re On Our Way Now’

by the partae May 9, 2021
written by the partae
NOEL GALLAGHER’S HIGH FLYING BIRDS RELEASE OFFICIAL MUSIC VIDEO FOR NEW SINGLE ‘WE’RE ON OUR WAY NOW’
WATCH HERE & LISTEN HERE
‘BACK THE WAY WE CAME: VOL 1 (2011-2021)’
OUT 11 JUNE ON SOUR MASH RECORDS
Available To Pre Order Now Here

Best Of Album Celebrating Ten Years of Noel Gallagher’s High Flying Birds Featuring Two Brand New Songs – View Album Trailer Here

 Noel Gallagher Announced As 2021’s Official Record Store Day UK Ambassador

Noel Gallagher’s High Flying Birds have released the official music video for ‘We’re On Our Way Now’. The first of two new singles to feature on the forthcoming release of ‘Back The Way We Came: Vol 1 (2011-2021)’. Released on 11th June via Sour Mash Records, ‘Back The Way We Came: Vol 1 (2011-2021)’ is a definitive 18 track Best Of package, and a timely reminder of the breadth and depth of classic songs from the first decade of Noel Gallagher’s High Flying Birds.

Directed by Dan Cadan & Jonathan Mowatt for Rankin and inspired by French New Wave cinema, the music video for ‘We’re On Our Way Now’ stars actors Matt Smith and Gala Gordon, alongside a cameo appearance from Noel Gallagher. Watch here.

Speaking about the single’s influence, Noel said: “It’s a song about not getting to say goodbye and the frustration of things left unsaid.”

Speaking about the music video, director Dan Cadan said: “It was Scully’s genius idea to pay homage to French New Wave cinema. He cut together a brilliant video using footage from the Jean-Luc Godard game-changer, ‘A Bout De Souffle’ (Breathless), to show how it would work. Everyone was convinced and so we set about writing a treatment that would pay homage to the movement, paying particular attention to that film and another Godard classic, ‘Band A Part’. Renowned for rejecting convention and tradition, French New Wave has a timeless aesthetic that boldly favours experimentation and an iconoclastic spirit. NG embodies all of the above, so it’s the perfect fit.”

Actor Matt Smith said: “Doing a music video with the greatest songwriter me and my mates have ever seen, bar none – it’s a decent day at the office. I thank you NG.”

Back The Way We Came: Vol 1 (2011-2021)’ is also available on limited edition deluxe formats with a bonus disc including previously unreleased acoustic versions, remixes, instrumentals and an unheard demo. There will also be a limited edition numbered, hand pressed, coloured double LP with exclusive art print released for Record Store Day on the 12th June, of which Noel Gallagher has been announced as the official ambassador for this year’s celebrations.

With his long history of supporting indie record stores, and five Noel Gallagher’s High Flying Birds Record Store Day releases amongst the event’s best selling vinyl, Noel Gallagher is undeniably the perfect artist to take on this year’s ambassador role.

Curated and compiled entirely by Noel, the tracklisting of ‘Back The Way We Came: Vol 1 (2011-2021)’ encompasses songs from High Flying Birds’ three UK Number One albums (‘Noel Gallagher’s High Flying Birds’, ‘Chasing Yesterday’ and ‘Who Built The Moon?’) and the three acclaimed EPs (‘Black Star Dancing’, ‘This Is The Place’ and ‘Blue Moon Rising’). ‘Back The Way We Came: Vol 1 (2011-2021)’ also features two brand new songs produced by Noel Gallagher & Paul ‘Strangeboy’ Stacey, ‘We’re On Our Way Now’ and ‘Flying On The Ground’.

Since establishing Noel Gallagher’s High Flying Birds post the legendary success of Oasis, Gallagher has never sat still creatively. He’s mastered the art of embracing an instinctive sonic evolution and creative freedom whilst never neglecting the songcraft. From the New Orleans brass powered blast of debut single ‘The Death Of You And Me’ to the self produced psych-pop and space bound experimentation of ‘Chasing Yesterday’ and the disco saturated, sonic veer of ‘Who Built The Moon?’ at the hands of renowned producer David Holmes and the subsequent EP releases, Noel Gallagher’s High Flying Birds have proven time and time again to be unshackled by genre and expectation. That Gallagher has so successfully married this bold and blistering approach with huge commercial success (over 2.4 million albums sold internationally with three UK Number One albums – marking a record breaking ten UK consecutive Number One studio albums across his career), coupled with relentless touring globally, is testament to Gallagher’s unerring ability to marry lazer guided melodies and fearless creativity.

Speaking of the timings of High Flying Birds’ Best Of, Noel says: “10 years of Noel Gallagher’s High Flying Birds??  Blimey! … Just think of all the things I COULD have done in that time!!”

“The title just came to me one afternoon, at the kitchen table.” He continues “It’s a saying isn’t it: ‘back the way we came’. I actually thought it was a great title. Which is why it’s got vol 1. Because if there’s another one, I’m not coming up with another title!”

Now with the best part of thirty years as one of the country’s most respected and prolific songwriters under his belt, ‘Back The Way We Came: Vol 1 (2011-2021)’ celebrates another landmark in Noel Gallagher’s unparalleled career.

‘Back The Way We Came: Vol 1 [2011-2021]’ is available to pre order now on the following formats:
Standard 2 CD
Deluxe 3 CD
Double heavyweight LP Formats
Limited edition Deluxe Box Set including set of deluxe vinyl, 
etched 7” plus 12” coffee table photo book with deluxe CD set
Online store exclusive – Double LP picture disc and cassette

Limited edition numbered, hand pressed, coloured double LP with exclusive art print also released for Record Store Day on the 12th June

Back The Way We Came: Vol 1 (2011-2021) – Track listing:

Disc 1
1. Everybody’s On The Run
2. The Death Of You And Me
3. AKA … What A Life!
4. If I Had A Gun …
5. In The Heat Of The Moment
6. Riverman
7. Lock All The Doors
8. The Dying Of The Light
9. Ballad Of The Mighty I
10. We’re On Our Way Now

Disc 2
1. Black Star Dancing
2. Holy Mountain (Remastered)
3. A Dream Is All I Need To Get By
4. This Is The Place
5. It’s A Beautiful World
6. Blue Moon Rising
7. Dead In The Water (Live At RTÉ 2FM Studios, Dublin)
8. Flying On The Ground

Bonus Disc
1. It’s A Beautiful World (Instrumental)
2. If I Had A Gun … (Acoustic Version)
3. Black Star Dancing (Skeleton Key Remix)
4. Black Star Dancing (12” Mix Instrumental)
5. The Man Who Built The Moon (Acoustic Version)
6. International Magic (Demo)
7. Blue Moon Rising (Sons Of The Desert Remix)
8. The Dying Of The Light (Acoustic Version)
9. This Is The Place (Skeleton Key Remix)
10. This Is The Place (Instrumental)
11. Black Star Dancing (The Reflex Revision)
12. Be Careful What You Wish For (Instrumental)

https://www.noelgallagher.com/
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RISING IRISH ARTIST CIAN DUCROT CROONS ABOUT LOST LOVE WITH COLLABORATOR CATE ON 'KNOW ME AGAIN' VIA THE DARKROOM / UNIVERSAL MUSIC
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RISING IRISH ARTIST CIAN DUCROT CROONS ABOUT LOST LOVE WITH COLLABORATOR CATE ON ‘KNOW ME AGAIN’ VIA THE DARKROOM / UNIVERSAL MUSIC

by the partae May 9, 2021
written by the partae
Photo by Emily Barker

PRAISE FOR CIAN DUCROT

“A neat, intricate gem”
CLASH 

“Music that’s immediately accessible, while still crammed full of intricate personal detail”
Atwood Magazine

“Emotive burst of pop”
Pilerats

“Amidst dark times, there can be light. And no artist is a better example of this than
Cork-hailed multi-instrumentalist Cian Ducrot”
Wonderland

“An undeniably good song”
Ones To Watch

“Candid songs unpacking issues around love, loss, masculinity and frustration,
Cian Ducrot is definitely one to watch”

Notion

Today, Irish songwriter, producer and artist Cian Ducrot has released his newest effort, ‘Know Me Again‘. A poignant song about heart-wrenching breakups that are so devastating that you wish to be reintroduced to your love to start afresh. Listen HERE.

The song, written by Cian himself and frequent collaborator (and past roommate) Cate, is a feat in songwriting excellence. The pair’s voices flutter across the melody of ‘Know Me Again‘ slowly lulling in the listener to then crescendo into a massive peak as Cian’s booming vocals and production pairs up against Cate’s saccharine-like vocal work. ‘Know Me Again‘ is another clear indicator of Cian’s masterful handling of evoking raw emotion through music.

Speaking on the song’s making, Cian had this to share: “Cate and I wrote Know Me Again over FaceTime, and then we kind of forgot about it for a long time. It wasn’t until my nearly five year relationship had ended that we came back to this song to finish it, and we realised how special it was. This was one of the first songs Cate and I ever wrote together, and it was the start of a wonderful friendship and songwriting journey. This song means the world to us both ?.” Be on the lookout for more Cian Ducrot soon.

‘Know Me Again‘ is out now via the Darkroom / Universal, buy/stream it here.

Stay connected with Cian Ducrot:
TikTok | Facebook | Twitter | Instagram | Youtube

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YANN TIERSEN ANNOUNCES NEW ALBUM KERBER OUT AUGUST 27 ON MUTE WATCH THE VIDEO FOR FIRST TRACK 'KER AL LOCH'
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YANN TIERSEN ANNOUNCES NEW ALBUM KERBER OUT AUGUST 27 ON MUTE WATCH THE VIDEO FOR FIRST TRACK ‘KER AL LOCH’

by the partae May 9, 2021
written by the partae
Photo credit: John Fisher
Yann Tiersen has announced details of a new album and shared a taste of what to expect with the first track, ‘Ker al Loch’. The new album, Kerber, is set for release on Mute on August 27 as a deluxe limited clear vinyl edition with unique artwork, in a PVC sleeve (1000 available worldwide), limited edition white vinyl with a poster, and black vinyl (all come with high definition audio download) as well as on CD and digitally.

The first single sets the scene for the album – ‘Ker al Loch’ builds up from Tiersen’s gently played piano keys to a full on sensory assault as pulsating electronics cloak the song. The accompanying video was directed by Sam Wiehl (Mogwai, Forest Swords).

Weihl explains, “Using the abstracted geographical imagery created by Katy Ann Gilmore [the artist behind the album’s artwork] as a starting point, and further referencing the coast line of Ushant and the natural world, we created imagery (ranging from fantastical re-imagines of landscape, seas and atmospheric conditions to the processes in micro biology and chemical reaction) to capture the beauty and scale of Tiersen’s composition.”

The follow up to 2019’s Portrait (a collection of 25 newly recorded tracks from throughout his career), Kerber is very much a new chapter in the Breton artist’s work, one that begins with his most overtly electronic material to date. True to Tiersen’s nuanced and subtle approach, this isn’t a U-turn-like thumping piece of dance music but instead a beautifully textured, highly immersive and thoughtfully constructed electronic world to step inside of.

It is both an evolution of what has come before, as well as a new space to explore. On the new album, the piano is the source, but electronics are the environment that they exist within. Tiersen explains, “You may get this intuitive thinking of, ‘oh it’s piano stuff’, but actually it’s not. I worked on piano tracks to begin with but that’s not the core of it, they are not important. The context is the most important thing – the piano was a precursor to create something for the electronics to work around.” 

Working in The Eskal, the studio he built on Ushant (the island where he lives, located 30 kilometres off the West coast of Brittany in the Celtic Sea), Tiersen’s process for the album’s recording was particularly involved. After spending the spring writing the piano parts, he went on to spend that summer meticulously creating a sample bank for the Elektron Octatrack using these parts as inspiration, following the chord progressions, playing them on instruments such as the Ondes Martenot, mellotron and harpsichord. These were then subsequently transformed, reshaped and processed. What then followed, with producer Gareth Jones (Depeche Mode, Einstürzende Neubauten), was three weeks of working with electronics, sampling, re-sampling and processing sounds to create an engulfing soundscape where the tender tones of piano keys merge with gently pulsing electronics and an intense ambient milieu.

A sense of place has often been a central theme in Tiersen’s work and here that is no different. Kerber is named after a chapel in a small village on the island and each track is tied to a place mapping out the immediate landscape that surrounds Tiersen’s home.

Yann Tiersen is planning a live event to be broadcast worldwide from Ushant (with extensive touring to follow) and the island is further represented on the graphic artwork by LA-based artist, Katy Ann Gilmore who explains, “Also inspired by landscape, I’m drawn to simple, repeated elements to convey the idea of depth and perspective. I think about lines receding to infinity, and how that helps build up the world around us. Using maps of locations indicated by Yann, I traced shorelines, fences, and other place markers that tie to the specific tracks. I then used these marks to build up shapes that inhabit a new geography as they move through space towards infinity.”

Kerber’s release will be preceded by a book of sheet music on July 20. Exclusively published by Hal Leonard, the folio will feature all seven pieces presented for Solo Piano, with preface by Tiersen.

ANNOUNCES NEW ALBUM
KERBER
OUT AUGUST 27 ON MUTE

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SUNSLEEPER UNVEIL MAC MILLER COVER ‘COME BACK TO EARTH’
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SUNSLEEPER UNVEIL MAC MILLER COVER ‘COME BACK TO EARTH’

by the partae May 9, 2021
written by the partae

SUPPORT FOR SUNSLEEPER

“Trust us when we say it’ll be stuck in your head for the rest of the week!”
Hysteria Magazine (AUS)

 


Sunsleeper is an indie rock band hailing from Salt Lake City, Utah. Today, they are unveiling a beautiful and captivating cover of Mac Miller’s ‘Come Back To Earth’. With the tour cycle of their previous album cut in half due to the COVID-19 pandemic, the band found time to pay homage to the late rapper with their rendition of the track off of his 2018 LP ‘Swimming‘.

Speaking on the track, frontman Jeffery Mudgett recounts finding solace in the track, “to me the record perfectly captures self-reflection and hopefulness while in the midst of a dark season. There’s a beautiful conflict of hope and defeat throughout the album that resonated with me deeply during the start of the pandemic.”

Debut full-length, ‘You Can Miss Something & Not Want It Back’, released by Rude Records in 2019, boasts a nostalgic quality while still feeling fresh and new. The bands 90’s indie rock influence is apparent across the record, as is their contemporary emo sound; a sound that has solidified a name for them in the scene since the release of their debut EP ‘Stay the Same’ in 2016.

On the title and theme of YCMS&NWIB, Mudgett says, ‘You Can Miss Something & Not Want It Back’, “chronicles the process of wrestling with the understanding of change and learning to accept it.”

‘Come Back To Earth’ comes off of a larger body of work slated to be released in the coming months.

‘Come Back To Earth’ is available worldwide now

 


Click to stream ‘Come Back To Earth’

FOLLOW SUNSLEEPER

FACEBOOK | TWITTER | INSTAGRAM | SPOTIFY | APPLE MUSIC

 

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MARTINA TOPLEY-BIRD ANNOUNCES NEW STUDIO ALBUM “FOREVER I WAIT” WITH FIRST SINGLE “PURE HEART” TOPLEY-BIRD’S FOURTH ALBUM FEATURES COLLABORATORS AND ARRANGEMENTS FROM ROBERT DEL NAJA OF MASSIVE ATTACK, EUAN DICKENSON, RICH MOREL, CHRISTOFFER BERG, BENJAMIN BOELDT AND TIADIAD.
Music News

MARTINA TOPLEY-BIRD ANNOUNCES NEW STUDIO ALBUM “FOREVER I WAIT” WITH FIRST SINGLE “PURE HEART” TOPLEY-BIRD’S FOURTH ALBUM FEATURES COLLABORATORS AND ARRANGEMENTS FROM ROBERT DEL NAJA OF MASSIVE ATTACK, EUAN DICKENSON, RICH MOREL, CHRISTOFFER BERG, BENJAMIN BOELDT AND TIADIAD

by the partae May 9, 2021
written by the partae

LISTEN TO “PURE HEART”

Twenty-eight years ago, a sentient, sensual and vulnerably innocent presence framed Tricky’s trip-hop pioneering white label debut release, Aftermath. Hauntingly unique and immediately recognisable, that voice became the defining timbre of a new music movement.

Behind this voice was mysteriously soft-spoken, London-born Martina Topley-Bird who came in and out of the music industry gifting and teasing with her exquisite voice inspiring and infusing other pioneering artists from different genres.

“Forever I Wait” is Topley-Bird’s fourth long awaited studio album and her very first self-produced and curated piece of work to date. The 12-track album, set for release 10th September captures an extensive journey describing, confronting, analysing, reflecting and sometimes goading as it ultimately seeks to make peace with what life is.

Starting off with “Pure Heart”, in what appears to be a pledge to the muse’s muse, segueing into, and winding through painful echoes and dreamy illusions of “Wanted” then morphing into tense and punchy lines of “Hunt” the album takes many turns and ends on cleansing and self-accepting “Rain”.

It is “a trip through my (MTB’s) psyche, switching through different states and frequencies of emotions and reflections”.

“Forever I Wait”, as the title alludes, was written and re-written over a long period of time.

“I had to recalibrate/reconfigure my way of relating to music and the music industry in order to make the record I wanted to make.…and that took time. And I took the time I needed. I started in London, moved and lived in America for the first time in my life, then briefly moved back to London and finished the record in Spain.”

“After trying to work on a new record for a couple of years, I came to a realisation that in order to move forward I had to separate the concept and vision I had for this record from me as a person. That made it less personal and therefore possible for me to defend and fight for the concept of the record rather than making it about myself and my ideas.  It had been difficult for me in my previous projects. I was conflating the work with myself and my ego and by separating I was more assertive about communicating the bounds of the project. That was a big personal win and the beginning of “Forever I Wait.”

“Forever I Wait” leans on a multitude of tense sounds, dubby atmospherics and natural instrumentation to demand the listeners attention leading to over two decades of observations, experiences and musical sacrifices. It is a bi-product of the new perspective featuring carefully selected and tailored supporting arrangements from a handful of collaborators including Robert del Naja (Massive Attack), Rich Morel (Deep Dish collaborator and re-mixer for t.A.T.u., Pet Shop Boys,   Depeche Mode, Yoko Ono, Seal), Christoffer Berg (Fever Ray and Depeche Mode), Benjamin Boeldt (Adventure) and California based Tiadiad.

“By creating, selecting, and tailoring all the materials myself  – backing tracks/ beats, collaborators and lyrics – eventually I was able to get to where I wanted”.

Amorphous compositions often buoyed by warm strings, delicate and intimate – Topley-Bird’s distinctively pliable voice reaffirms not only her talent in songwriting and production but an unquestionable devotion to solo artistry.

A truthful expression of desire and heartache “Forever I Wait “Is Topley Bird’s most precise and accurate album to date.

Background:

After appearing as a featured artist on Tricky’s debut album, Maxinquaye (1995) and on subsequent albums Pre-Millennium Tension (1996) and Angels with Dirty Faces (1998) Martina Topley-Bird released the understated Mercury Prize nominee debut “Quixotic” in 2003 followed by a five-year gap when she enlisted the help of Danger Mouse on sophomore album “The Blue God”.

In 2010, Topley-Bird appeared on Massive Attack’s album Heligoland on tracks “Psyche” and “Babel” and toured with Massive Attack from 2009 to 2016. Her third album, “Some Place Simple” was released in July 2010 in which the minimalism and intimacy of her songs subtly captivated her listeners.

Her hypnotic voice has been part of collaborations with Diplo, Common, Gorillaz, Clark, Prodigy and Massive Attack.

Tracklisting

  1. Pure Heart
  2. Wanted
  3. Hunt
  4. Weasel
  5. Wyman
  6. Love
  7. Game
  8. Free
  9. Collide
  10. Blood
  11. Sand
  12. Rain
Martina Topley-Bird – “Pure Heart” is out nowMartina Topley-Bird – “Forever I Wait” is released 10th September.

Connect With Martina Topley-Bird
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May 9, 2021 0 comments
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US pop Trio Cheat Codes release DEBUT album | New single with Tinashe 'Lean On Me' | Stream now
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US pop Trio Cheat Codes release DEBUT album | New single with Tinashe ‘Lean On Me’ | Stream now

by the partae May 9, 2021
written by the partae

Prolific hit-making trio Cheat Codes, popularly known for their smash single “No Promises” (feat. Demi Lovato), has released the first part of their anticipated three-part debut album, Hellraisers Pt. 1, available on all DSPs and streaming services. The ground-breaking eleven track project is highlighted by standout single “Lean On Me (feat. Tinashe)”.

Hellraisers, Pt. 1 sees the multi-platinum group uniting with an eclectic cast of fellow artists, including Pop superstar Tinashe and Spanish alt-pop singer-songwriter Au/Ra. In addition, the album includes recently released tracks such as “On My Life,” “Heaven,” “Between Our Hearts (feat. CXLOE),” “Stay (feat. Bryce Vine),” “Washed Up,” “Do It All Over (feat. Marc E. Bassy),” “No Chill (feat. Lil Xxel),” and “Hate You + Love You (feat. AJ Mitchell).”

The name of the album, “Hellraisers,” was the nickname given to the group by their late manager, Michael Theanne, who passed away just over a year ago, describing their playful and adventurous lifestyle. The album itself has three parts – each part has a distinct sound influenced by each member. This first part is focused on Trevor’s pop-leaning sound, while the second part will be focused on KEVI’s hip-hop flavor, and the third part will be focused on Matthew’s dance-influenced sound.

Heavily influenced by pop music, the trio creates a colourful and vivid story that is seen throughout each song on Hellraisers Pt. 1. “Lean On Me,” the album’s lead single featuring Tinashe, will entice your ears from the very first listen. The bassline and use of different percussive elements carries the song’s emotion and ambition to center stage thanks to the group’s versatile skills. Tinashe and Trevor’s memorable vocals elevate the piece to the next level. With lyrics such as, “Baby when you’re falling, you can lean on me, when you don’t feel strong, when you don’t believe,” it’s hard to not relate.

Hellraisers, Pt. 1 Tracklist

  1. On My Life
  2. Lean On Me (feat. Tinashe)
  3. Do It All Over (feat. Marc E. Bassy)
  4. Stay (feat. Bryce Vine)
  5. Between Our Hearts (feat. CXLOE)
  6. Heaven
  7. No Chill (feat. Lil Xxel)
  8. Wish It Was Me (feat. Au/Ra)
  9. Mathematics
  10. Hate You + Love You (feat. AJ Mitchell)
  11. Washed Up
Connect with Cheat Codes
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PLASTIK FUNK, PAJANE AND SALVATORE MANCUSO UNITE TO KEEP YOU DANCING ‘THROUGH THE NIGHT’ - THIS SPRING VIA MIXMASH BOLD!
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PLASTIK FUNK, PAJANE AND SALVATORE MANCUSO UNITE TO KEEP YOU DANCING ‘THROUGH THE NIGHT’ – THIS SPRING VIA MIXMASH BOLD!

by the partae May 9, 2021
written by the partae
Release date: Out now!
Download/stream link: MixmashBOLD.lnk.to/TTnight
After a hugely prolific 2020 that saw Plastik Funk debut in the DJ Mag Top 100 DJ’s Poll, his eclectic and party-starting releases, as well as electric live shows when touring was able to happen, have helped to accelerate his fanbase through the stratosphere.  Where last year, he upped the ante on singles such as ‘High Enough’ with Firebeatz, ‘Rock This Town’ with Deekey and, most recently, his Eastern-influenced ‘Tribute To Asia’ EP, he now returns to Mixmash Bold to keep the momentum running.

Linking up with Pajane and Salvatore Mancuso, the trio get poised to soundtrack you ‘Through The Night’ with a deeper, funk-house anthem. Inaugurating their collective sound with a 4/4 beat that sets the club-ready tone of the track, space is suddenly discovered for the breathy female vocal to enchant. As “Sweet dreams of rhythm and dancing / Sweet dreams of passion through the night” soars above a dramatic collection of deeper synths, the topline delivery suddenly evolves into looped and chopped territory to bring a unique, unexpected and dance-inducing level of fun to the production.  As all the elements come together come the climax, it’s an eruption of hands-in-the-air joy that is ready to alight the Spring!

Eagle-eyed fans may recognise Pajane and Salvatore Mancuso from linking up with Plastik Funk himself on their collective VIP edit of the aforementioned’s ‘Feet Don’t Touch’, as colossal releases from Pajane including ‘White Powder’ has seen him receive support from artists including Bassjackers, with Mancuso also unleashing his live weaponry everywhere from Sunset Beach Festival, to Ibiza and beyond as one of the freshest Italian talents.

Plastik Funk, Pajane & Salvatore Mancuso release ‘Through The Night’, out now via Mixmash Bold!
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