IN DEEP WE TRUST – ‘BA:SEN’ (TENSNAKE REMIX)
OUT NOW
Now, the viral sensation is pushed into the realms of summer disco and beyond with German DJ / Producer Tensnake’s retouch, putting his signature blend of boogie, funk & soul into the mix.
In Deep We Trust – Ba:sen (Tensnake Remix) out now on FFRR
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Where are you currently based?
I live in London now. I grew up in India and moved here at the age of 18.
How did you first start playing music?
I’ve been singing ever since I was a little girl. Being able to write music and sing is a way I can express myself. I can create a whole other world in my head to escape to – which was very handy in lockdown?
Your new single ‘Parallel’ which follows your previous single ‘Tastes Like Anarchy’. What influenced the sound?
‘Parallel’ has a really abstract vibe. It means something slightly different every time I listen to it- the good and bad side in a person living in parallel, always aware of each other but never meeting. Or two soulmates who were meant to be but who never quite got together.
The idea for the video is likewise very surreal. I worked with Stevie Coales who is an amazing director to come up with the concept and we filmed the whole thing in his flat (though you’d never know it!). The idea behind the video was to paint a picture of all the different sides to a person that live in harmony- it’s really quirky and fun- we used different lights, colours, textures etc to create completely different “worlds”. The song and video are really intended to spark the imagination and I hope people love it!
What does this track mean to you?
My mother is an artist and does a lot of abstract paintings. She uses beautiful vibrant colours and I love immersing myself in what she paints. I can stare at her work and disappear into it.
For me, my song ‘Parallel’ evokes images and shapes and colours in the same way that my mother’s art does. It transports me to a parallel world!
Where and when did you record/produce/master and who did you work with?
The track was recorded a while back in London. It was produced by One Bit (Stormzy, JP Cooper) and Haj (Sigma, Becky Hill).
You run London-based foundation ‘Discover2Dream’ which is aimed at connecting students with female role models in a variety of sectors, how did Discover2Dream come about and how has the experience been so far?
I’ve always loved speaking and engaging with school kids. I think it’s so important that as a youngster you’re exposed to people from different careers and backgrounds- it helps inspire you and I think increases aspirations. My sister and I set up Discover2Dream because we wanted to make sure that kids from ethnic minority backgrounds have access to female role models from different careers and sectors.
I have to also say that being able to perform my music for students is just amazing- they are always so honest and when they like a track you know it’s good!
Who are you listening to at the moment?
I have Becky Hill on replay at the moment – I think she has such a fierce voice.
What do you like to do away from music?
This is going to sound weird but I love to play pranks on my friends!
What else is planned for 2021?
I want to be as creative as possible and build on what I managed to do last year. My last track ‘Tastes Like Anarchy’ had been recorded a while back and we were due to release it just as the pandemic hit. The initial idea for the video just wasn’t going to work and we had to adapt quickly- we decided to release a Zoom-inspired music video, featuring female dancers from a number of countries.
We never thought we’d get the reception we did but everyone loved the idea and the fact that we had managed to draw inspiration in a very difficult time. The video actually ended up winning the NeXtup Global Indie Music Competition (judged by Zhavia and Mally Mall) – which was just amazing.
I want to continue drawing inspiration for the simple things in life and unlikely sources to create something positive and beautiful.
I have a load of more great music in the pipeline! Next up will be a track with Tom Ferry who is an amazing Dance DJ. So definitely watch this space?
Favourite food and place to hangout?
I love food, especially Indian food.
I’ve spent most of this year hanging out in my flat. My favourite room at the moment is my living room – I’ve had to refashion it a bit. I’ve installed a cool light system which completely transforms what is a boring room by day into a different world at night!
Segiri ‘Parallel’ is out now. Buy / Stream at https://ffm.to/xxbdvxl. A Tom Ferry remix of ‘Parallel’ will be released on 4 June.
Segiri Socials
What is your name and role within the band?
CC aka Chris Constantinou – Co-Writer/Producer – Bass Guitar/Guitar
Where are you currently based?
London
How did you first start playing music?
I was in and out of trouble all the time as a kid and music gave me a way out.
‘CC’ (aka Chris Constantinou) started out as Adam Ant’s bassist, and has gone on to work with a host of big names, including Lou Reed and Sinead O’Connor, and RudeGRL (aka Jenna Dickens) has worked with The Basement Jaxx, Sub Focus, and more. How did the trio form?
Jenna and I met many years ago when we were both signed to Sony but reconnected when I texted Jenna at 3 am saying I had an idea for a live punk/rock music-meets-hip-hop concept, based on a band I had seen play in Finsbury Park years ago. I then met Jenna’s partner Bunni Morretto who is an award-winning Burlesque dancer and we clicked. I remembered Hawkwind had a dancer / character Stacia on stage which really made the show, and also the fun Bez brought to The Happy Mondays live with his crazy dancing / vibe, so I asked if Bunni would join us on stage and that’s how it all started. We’ll start shows in September.
What have you guys been up to recently?
Writing new material for the next album…preparing for photoshoots…live stuff.
Your new EP ‘Killer 16’ is out now, what influenced the sound and songwriting?
Music wise…Nicholas De Carlo sent us some beats, I jammed some bass and guitars and Jenna AKA RudeGRL started doing her thing and we had it written and recorded in an hour.
Where and when did you record/produce/master and who did you work with?
We recorded at my studio and Nick mixed it at his studio in Ramsgate. It was mastered in America.
What did you find most challenging and rewarding about the writing/recording process?
The most rewarding thing about it was being able to work so quickly. An hour a song and ending up with something we loved and also that people are now digging.
The band includes burlesque star Bunni Morretto, will you be incorporating Bunni into the live show more regularly over time?
Yes for sure 100%!!!
Who are you listening to at the moment?
The guy next door Adrian banging a hammer really loudly probably punishing me for the loud sessions we have in the studio.
What do you like to do away from music?
Good food / Yoga / Wine / Travelling / Sex / Driving around in ELLA my 1969 fastback playing loud music through the Rockford Fosgate mega sound system / Reading / Movies
What’s planned for the rest of 2021?
A new album and live work!
Favourite food and place to hangout?
Curry / Agonda – South Goa – India
https://www.instagram.com/rudegrlandcc
Where are you currently based?
I’m currently based in Ealing, London! I grew up here.
You grew up between London and Ireland, how did the traveling back and forth affect you?
Travelling back and forth for me was actually super enjoyable. It was like having a life in England and a separate life in Ireland with different friendship groups in both.
How did you first start playing music?
The first music I ever played was Irish music when I was super young. I played the Irish traditional flute and took singing lessons as a kid.
Your debut EP ‘Bedroom Walls’ is out now, what influenced the sound and songwriting?
I’ve always been super passionate about songs that can stand on their own two feet without much production around them. I think there’s something to be said for simplicity. That was the main influence of the sound, letting the songs speak for themselves. Regarding the songwriting, all the songs were inspired by real events and people.
How did you approach the recording/production process and who else did you work with?
For this EP all the songs were approached in a different way really, for the songs Pale Damp Cheeks I literally knew no one in music and cold called the owner of this music studio and he put me in contact with a sound engineer called Michael Biggs who ended up recording the song. The producer for Bedroom Walls was Brad Ellis for I Dare you was Edd Holloway and for For Her was Phil Davidson.
The EP has arrived with the new single ‘For Her’, how did this track come about and what does it mean to you?
I wrote For Her when I was abroad for a few months. I missed home and my friends and all in all felt pretty lost in myself. I wrote it literally at like 2am about the idea of waiting and wondering if you’ll ever get your spark back, missing who you used to be and wondering if she’s gone for good. It’s a super personal song that I was afraid to show anyone for quite a long time as it’s super revealing and covers some stuff that I’ve never covered in any of my songs before.
You’ve achieved over a million streams since launching in January this year, what do you attribute this massive success to?
I’d attribute the success to being surrounded by good people who believe in me, the honesty of the songs and the support of the people listening.
Who are you listening to at the moment?
I’ve been listening to a lot of Phoebe Bridgers at the moment.
What do you like to do away from music?
Outside of music I spend a lot of time with my friends, I find a lot of inspiration from that for my songs.
What’s planned for the rest of 2021?
This year I’ll be releasing another EP and I have two headline shows in November!! One in Dublin and one in London.
Favourite food and place to hang out?
Fave food has to be chocolate. Every single time. And sweets. Sour ones. I don’t really have a fave place to hang out, anywhere where my friends are!!
PLAY/LISTEN TO ‘BEDROOM WALLS’
https://www.instagram.com/etaoinnn/
Ark Woods’ music is affecting, funky, and infinitely memorable. His lyrics present an unflinching account of his experiences and beliefs, covering everything from social anxiety and depression, to love and commitment, to domestic violence, police brutality, and the Black Lives Matter movement. His sound is his own and ‘a stunning combination of funk and hip-hop that will continue to set him apart and elevate his profile with each release. With an ear for groovy instrumentals and impressive flows, he makes putting together high-quality music seem easy’ (Ones To Watch).
His influences include fellow Hawaiian Bruno Mars, the Soul Train era, and J. Cole while his combination of message and music—in the great tradition of Sam Cooke and Marvin Gaye—is captivating listeners at a rapid pace.
Canadian country singer (with heavy pop influences) – Emilie Roberts will be releasing her new single “Nervous” on May 7th, 2021 – it was produced by Jordan Honsinger, and written by Madeline Merlo, Emma Lee and Jimmy Thow. At nineteen, Emilie is already making great strides in the industry. Her new music focuses on things that most teens are focusing on when it comes to their love lives – being shy, and taking risks.
Since its conception in a small hotel room on Vancouver’s downtown east side Sunday Morning has continuously proven itself as a force in musical innovation. Conceived by veteran Vancouver musician Bruce Wilson Sunday Morning released its first self-titled debut album to widespread critical acclaim including being named “The best album from Vancouver in 2016” by The Georgia Straight. Collaboration is the cornerstone of Sunday Morning’s success and in the past five years Wilson has worked with a veritable who’s who in the Vancouver music scene including his long time collaborator and friend Stephen Hamm (Slow, The Evaporators), Dave Genn (54-40, Matthew Good), JP Carter (Destroyer) to name just a few. The band’s core currently consists of producer/guitarist Felix Fung (Girlfriends//Boyfriends), bassist Max Sample (The Ballantynes), drummer Shawn Marazek (The Evaporators) and singer and keyboardist Jovana Golubovic (Les Chaussettes).
Sunday Morning presents its narrative in a breathtaking collage of genres. From rock and roll to lush dream pop their fresh approach to music and art engages on a pure and visceral level. Sunday Morning is dedicated to exploring the wide spectrum of emotion and seeks to bridge the duality of the human experience. In keeping with this mandate their new single Anna Says is a beautiful melding of hope and desperation. The song was produced and recorded by Felix Fung at Little Red Sounds Studio and mixed by Grammy and Juno award winning producer Chris Birkett (Sinead O’Connor, Buffy Sainte Marie). Guitar virtuoso Dave Dykhuizen, “Double D”, stopped by the session to add his unmistakable soulful flavor to the track. Anna Says is the latest chapter in Sunday Morning’s continuing arc through Wilson’s dark and troubled past towards the eternal promise of a new day.
Vancouver-based singer-songwriter Tess Anderson enchants audiences with her candid performances. Open and unapologetic, she invites listeners into her most vulnerable moments through honest and authentic storytelling. Whether alone on stage with nothing but a keyboard and a guitar, or backed by a full band, she’s been known to silence crowds with her captivating musical presence. Pulling inspiration everywhere from old-school jazz standards to modern pop, her sound is heavily driven by her unmistakable voice.
Growing up in Victoria, BC, Tess’s debut into the music industry began at the rookie age of 12. Training as a vocalist and pianist, she began songwriting as a form of self-expression, finding numerous performance opportunities at a young age. By 15 she had recorded and released a self-produced 7-song album (under a different alias), quickly followed by her first sold-out show and national radio play on CBC. Moving to Vancouver in 2016 to pursue her career further, she received a diploma in songwriting, audio engineering, and music production. Tess went on to sign her first record deal with indie label BCR in 2019, become a finalist in the 2020 Canadian Songwriter Challenge, receive a 2021 Amplify BC Grant for her upcoming project, and build an impressive catalogue of original material.
With 42 live shows in 2019 and two single releases, Tess continues to build a name for herself in the Vancouver music scene. With a recent focus on collaboration, her latest endeavours include working with a range of local and international songwriters and producers, while spending time in the recording studio gearing up for an independent EP release coming summer 2021. With over ten years of songwriting and performance experience, her momentum and drive are only amplifying.
Title: Falling For You ft. Jason Whitmore
Label: Nervous Records
Legendary house and hip-hop NYC-based label Nervous Records is proud to debut Denver-based producer Freqish with his new single “Falling For You,” featuring saxophonist Jason Whitmore. The track is a euphonious house gem that incorporates organic live instrumentals for an extra special touch of groove. “Falling For You” begins with piano chords that lead into a melodic breakdown, while its sultry vocal riffs complement Whitmore‘s stunning saxophone solo. With each release Freqish invites instrumentalists to capture the raw energy of a live band, and thus the track conjures images of dancing under dim lights with lovers, friends, and strangers. This release is his third since the inception of Freqish in 2020, and follows his recent single “Let’s Get High” on Claude VonStroke‘s Dirtybird label. Check out Freqish‘s creative process around “Falling For You” below:
“I made this track in the middle of a pandemic, which oddly enough is when I actually found true love. A time when others felt isolated and alone. I felt solace for others who were lonely in their homes with limited human connection. I wanted to give people a reason to find hope through a dire time. Even in the darkness, you can find light if you just let the music guide you. When I was an intern at a studio in Chicago I always loved the vibe that came from getting artists together. When you get a bunch of creative minds in one space, it’s like magic. Now through the internet, we have the ability to connect with one another, which is truly beautiful. This was my best attempt at recreating the studio vibe. I spend a lot of time on the phone with my artists trying to understand their creative process. I don’t tell them how to create, I just let their soul do the talking so that our end result is 100.” – Freqish
Brandon Lee is the DJ, producer, and studio engineer behind the Freqish project, who has over 20 years of experience cutting his teeth in the music industry. His career has brought him to play at clubs such as The Church, Club Vinyl, and Beta Nightclub in his native Denver, as well as a two-year residency at Chicago‘s iconic Sound Bar. His releases under the Freqish alias have found homes on well-known house labels like Gettoblaster‘s We Jack, DJ Dan‘s InStereo Recordings, and Claude VonStroke‘s Dirtybird Records. As far as Freqish is concerned, the song isn’t final until more artists are in the mix; his approach to collaborating is not only a way to bring new sounds to a genre in which samples of samples of samples have become the norm, but as an avenue to build the careers of a growing community of musicians. With “Falling For You,” Lee proves yet again his talent as a multifaceted producer, and we can’t wait to see what he comes up with next.
https://open.spotify.com/album/0hnzdR9yUGbEP0KbwqDzzF?highlight=spotify:track:6psujgzDhzGRUJvkYYv6em
https://soundcloud.com/freqish/freqish-ft-jason-whitmore-falling-for-you-sc-sample
Title: Only One ft. Karen Harding (from forthcoming album “Expensive Sounds For Nice People”)
Label: Physical Presents
Platinum producer Felix Cartal announces the release of his upcoming album “Expensive Sounds For Nice People” on the 25th of June via Physical Presents. Ahead of the album release, the producer teams up with British pop icon Karen Harding on the stunning single “Only One.” Felix Cartal has already released several hit singles from the album, including “Mine” with Sophie Simmons, and “Love Me” (which are both certified Platinum) with “Love Me” (featuring the singer LIGHTS) also winning the Dance Recording of the Year at the Junos 2020. His previous single, “Get What You Give” also reached Platinum. Felix‘s recent single, “Happy Hour” with Kiiara was featured on 32 Spotify New Music Friday playlists and Billboard‘s Best New Dance Tracks and Popular Charts.
High energy, high romance, and high expectations are carrying us into the summer with Felix Cartal‘s latest single, “Only One,” featuring the stunning songstress Karen Harding and her unforgettable style. A playful attitude radiates throughout the single as the “give and take” atmosphere harnessed between the unique production style and powerful vocals lead us into a day of flirty fun and nights with blurry memories.
Felix Cartal tells us about the creation of the single: “I wrote this one with Karen, Chelsea, and Nick during a spontaneous session in LA. I feel like I have two modes when I make music, mode 1 would be something with an emotional heaviness, and mode 2 would be a response to just break away and make something that’s more of an uplifting escape. It was the summer, and I definitely was in mode 2.”
Karen Harding further elaborates on the single: “I loved this writing session. We were all on such a high, and I think it definitely came across in the song. We wanted to write a song about that overwhelming feeling of when you know someone is ‘the one‘, we’ve all felt it at some point.”
Vancouver-based Felix Cartal has collaborated with several major artists such as Kaskade, R3HAB, Gallant, and has also created official remixes for the likes of Selena Gomez, Zedd, Galantis, Dillon Francis, MØ, Ellie Goulding, Diplo, Anne-Marie & Doja Cat, as well as Daya & Shallou‘s “Older.” He has been featured by major Youtube channels, such as Trap Nation, Mr. Suicide Sheep, Mr. Revillz, Chill Nation, The Vibe Guide, Selected, xKito amongst others, and has earned over 360 million plays across platforms. He has also seen support from BBC Radio 1‘s Danny Howard and Diplo & Friends, and Sirius XM has also heavily supported several singles, while his Weekend Workout radio show is also featured on Sirius XM’s Diplo’s Revolution.
The UK hit singer-songwriter Karen Harding‘s impressive body of work now surpasses 400 million combined Spotify streams. After the worldwide success of her previous single “Un-Do My Heart,” with Digital Farm Animals now passing 20 million streams, her current UK single with Shift K3Y titled “Morning” is on airwaves across the world. Hailing from Durham County, Karen will next be leading into her first-ever mini-album due in July on Ultra Music.
“Expensive Sounds For Nice People” Tracklist:
01. The Life (feat. Fjord)
02. Over It (feat. Veronica)
03. Harmony
04. Layover
05. Mine (with Sophie Simmons)
06. 500 Days
07. Old Self (feat. Ofelia K)
08. We Fall
09. Only One (with Karen Harding)
10. My Last Song (feat. Hanne Mjøen)
11. Love Me (with Lights)
12. Going Up
13. Happy Hour (with Kiiara)
14. Jealous
15. Hygge
16. Too Late (feat. Kroy)
“Friday vibes are exemplified on ‘Happy Hour,’ a joyous new collab between Canadian producer Felix Cartal and anti-pop star Kiiara.” – Billboard
“It goes from a cool electro place into some more mellow, halftime vibes during the hook. No earth-shattering drops, no pandering. This is just good music for great people.” – Complex
“Felix Cartal has turned ‘You Get What You Give’ into a full-on EDM blast, the kind of thing you expect to hear at four A.M., as you’re waiting for the sun to rise.” – Popdust
“The platinum-selling producer is back, matching his arena-level electronics to a potent pop touch.” – Clash Magazine
“‘Mine‘ follows the producer and DJ, Taelor Deitcher’s irresistible sonic formula: melting melodic electro-pop sensibilities with slick body-shaking bass lines, this time relaying an ode to lost love with the honey vocals of singer Sophie Simmons” – Wonderland Magazine
Beloved American pop band Hot Chelle Rae (HCR) are back!
The fun-loving boys from Nashville return to Australian radio today with their infectious new single “Do The Damn Thing”
Hot Chelle Rae was founded in Nashville circa 2005 and today consists of Ryan Follese, Nash Overstreet and Jamie Follese. Having grown up in musically-inclined households, the three came of age among the songwriting community in Nashville. Hence the foundation upon which HCR was built and boils down to really good music.
The band gained widespread acclaim from their 2011 triple platinum single “Tonight Tonight,” which went #1 across Top 40 radio and sold over 3 million copies, while their single “I Like It Like That” peaked at #28 on the US Billboard Hot 100.
Their skills as songsmiths are mirrored by their live performance chops, refined through years of touring alongside the likes of Taylor Swift, Demi Lovato and Justin Bieber, HCR has become known for their incredible musicianship and intoxicating energy on stage.
Garnering over 9M followers across their social media platforms and millions of fans on YouTube the band are consistently engaged with their global audience.
In 2015 they took a break from the limelight, focusing on their careers as songwriters. During this time, their individual crafts flourished, inspiring them to join forces once again. Slated with a batch of A+ tunes and sound indicative of their growth as writers and people, HCR draws on optimistic themes, a general feel-good mentality and snapshots from their personal lives and experiences.
Coming off their char- topping success of their single “I Hate LA,” Hot Chelle Rae dropped “Do The Damn Thing” featuring Chord Overstreet and LEVI in the US last week. The track was immediately added to over 24 leading playlists such as New Music Friday, Global New Music, New In Pop, and Pandora, the catchy, fun pop tune continues to build momentum and is out now in Australia on Three Amigos Records.
“We’re excited to be releasing Do The Damn Thing. In a time where everything has been negative and heavy, this song is something positive and light for people to have fun and party to.” Hot Chelle Rae
https://www.facebook.com/hotchellerae
https://www.instagram.com/hotchellerae/
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Where are you currently based?
I was born in Sydney, but I live in London now. I’ve been here for 4 years and I love it. No plans on leaving anytime soon. Although I do miss the sun sometimes.
How did you first start playing music?
I got expelled from high school and the only school that would let me in after that was an arts-driven school called Reddam house in Bondi Beach. It was filled with creative opportunities which my school prior hadn’t been, it was the first time I’d seen the popular group be filled with smart and artistic people opposed to the archetypal athlete alpha-male. I somehow managed to con my way into an audition for a new band some of the kids were starting. I had to learn “DamnIt” by Blink 182 in a week, I was a pretty horrible guitar player, and I could only just hold a note with my voice. I somehow managed to live up to my bold claims of being both a great vocalist and guitarist, at least for that song. Hanging out with those guys, I really found my passion for being in a group of people and playing the music you all love. Playing in a group is still to this day my favourite way to write music
What’s been happening recently?
I’ve been writing my next record! Over lock down I set up a studio in my house, so I’ve basically just been writing and recording every day. it’s definitely made the last 6 months much easier. Other than that I’ve just released my debut EP and that was so exciting to finally have out. It’s so nice to know people are listening and hopefully enjoying these songs.
You’ve just released your EP ‘Conversation’ with lead single of the same name, what influenced the sound and songwriting for the EP as a whole and the single Conversation?
To be honest the biggest inspiration were my friends who I wrote and recorded the record with. The bulk of the EP was born actually playing within a group setting or one on one with an instrument and note pad in hand mostly, far away from a computer. A lot of the songs have a plethora of live components to them which I’m also really proud of. Be that Paris being one whole vocal take, or Conversation having drums, bass and piano recorded simultaneously and one whole take.
How did you go about writing the EP?
I wrote it between my co-writer Charlotte Freud’s house and my producer Pete Hutchings house. The whole process happened really naturally and stemmed from a place of jamming and hanging out opposed to the typical session studio environment.
What does the EP mean to you?
Well, it means enough that I got ‘Conversation’ tattooed on my arm at 4am by some random guy in the back room of a club when I was drunk on Halloween 2019. It’s really a story of my life during the happiest and saddest I’ve ever been. But mostly it’s the time I spent making it with my friends that means the most to me, a lot more than the actual sentiment of the songs if I’m honest.
Where and when did you record/produce/master and how did you approach the process?
We mainly recorded it between my producers living room and RAK Studio 3 in St. Johns Wood. Again, it was just a lot of playing these songs live and recording what we came up with, just having fun. I guess I didn’t really approach it in any definitive way because I didn’t feel like work or like we had to force art. Everything just happened the way it was meant too.
Who did you work with during the creation of the EP?
Most of the lyrics and melody I either wrote on my own or with my co-writer Charlotte Freud, and again she’s my best friend so it didn’t really feel like work. Other than that, my producer Pete Hutchings who’s worked with Adele, Royal Blood and Lady Gaga. My drummer Chris Mass who’s Mumford & Sons’ drummer. Kieran Jones who plays bass for Dermot Kennedy and is now my co-producer on the record I’m working on now. And a few other amazing friends who I was lucky enough to get into the studio.
What did you find most challenging and rewarding?
There wasn’t really anything I found challenging, it all felt really rewarding! I was working in cafes and bars while I recorded the whole thing, so just being able to be in the studio was the part that was most special. Doing what I love with people I love.
You co-directed each of the music video’s for each single, please tell us about this process:
I managed to be mentored by my good friend Liam Clarke while I was in Sydney last year, and he basically taught me everything I know about direction. He co-directed the first two music videos with me and my childhood best mate Em Meades. It was definitely a learning curve, especially doing everything on film. But when I came back to London and came up with the concept of Vinnie Vegas the sad clown, I took everything Liam showed me and put it to work to create the Conversation music video. That song and video are the two things I’m most proud of that I’ve created thus far.
Where and when did you film?
The ‘Conversation’ video was basically all shot in central London near where I live. They say shoot what you know so we used a lot of locations that I walk past every day.
How did the concepts for the music video’s come about?
Each concept came about very differently. ‘Told you’ stemmed from the lyric “emptying the clouds’, ‘Broke & Criminal’ was a reference to ‘Natural Born Killers’, and ‘Conversation’ I was just really tired of taking myself too seriously so I wanted to do something really silly. And I wanted to do something with my dog who sadly passed away a few weeks after we finished filming. So now the song and video have a whole new meaning to me.
You were signed at just 17 in Australia before parting ways and moving halfway across the world to London where you’re now based, how was the initial transition and how are you finding living in London now?
The transition wasn’t too jarring actually! I initially got signed in America so all the time I spent between LA and New York prepared me for living overseas. I love London, it’s my favourite place in the world. Every day I wake up feeling blessed that I’m able to live here.
Who are you listening to at the moment?
Mostly Tyler, the Creator and Jeff Buckley. I’ve been listening to Childish Gambino’s record that came out in 2020 a lot, it’s amazing. I just discovered Maggie Rogers and her album ‘Notes from the Archive’ is incredible. Carol King is on a never-ending cycle of repeat and a lot of Tribe Called Quest. I’m currently listening to Brockhampton’s new album while writing this and it is really great.
What do you like to do away from music?
I own a clothing label with my sister. It’s a sustainable women’s label and that’s been our little lockdown baby, it’s a really fun way of being creative that I hadn’t explored before. It’s called Cielo Studios, check it if you want to look cool and save the planet while doing it.
What’s planned for 2021?
More music! I wanna put out an 8-song mixtape and drop a video for each song, so between that and Cielo Studios I’m gonna be pretty busy! Hopefully fit some live shows whenever we are allowed to.
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Already reaching new heights after a breakthrough 2020, ‘Where’s My Brain?‘ saw The Lazy Eyes sell out their debut headline tour and inaugural all ages festival, Lazyfest which garnered rave reviews from the Sydney Morning Herald, Life Without Andy and punters alike. The single went on to receive praise from V Man, NME, KCRW, Alt Citizen, FBi Radio, Double J and Unearthed, Spin, Dublab, Northern Transmissions and more. Now with EP2 on the horizon, and what under traditional circumstances would have been a period of international showcases for the band, between appearances at a would-be SXSW, The Great Escape and Splendour In The Grass. Instead, the band regrouped to Lindfield Studios, revitalised and focused on bringing more recordings to life with their new lineup.
The Lazy Eyes are Harvey Geraghty (vocals, guitar, keyboard), Itay Shachar (vocals, guitar), Leon Karagic (bass) and Noah Martin (drums). At 15 years old, they met at a performing arts high school which provided fertile ground to pursue their creative endeavours. In the time since, the group have built a cult following with their magnetic live set. Long before their debut single, word of them spread like wildfire. This eventually reached the BBC’s Abbie McCarthy who aired the then unreleased ‘Cheesy Love Song‘ during a takeover on Australia’s national youth broadcaster, triple j. In the year that followed, their debut EP saw The Lazy Eyes sell out headline shows, amass a combined 1.5 million streams and receive praise from Apple Music’s Matt Wilkinson, Bandcamp, Atwood Magazine, American Songwriter, Monster Children, land at #17 on triple j Unearthed’s Top 50 Most Played Artists of 2020 and many more. If their position in the coveted NME 100 for 2021 is any indication for the year ahead, The Lazy Eyes promise to hold nothing back.
‘Nobody Taught Me‘ is out now, buy/stream it here.
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BABE RAINBOW SHARE NEW SINGLE ‘READY FOR TOMORROW’
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? NEW ALBUM ‘CHANGING COLOURS’ OUT NEXT FRIDAY, MAY 14TH |
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