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Health Club
Music InterviewsMusic News

Health Club

by the partae June 18, 2021
written by the partae

https://backl.ink/146802140To celebrate the release of Have Like Like that on Off Leash Records, we sat down with Lucas (PKA Health Club) for a chat about where things are for him and the music, right now.

Greetings Lucas, for those that don’t know about Health Club, how long have you been at this project and how would you describe the music?

Hello! I’ve been writing music under Health Club for around 3 or 4 years now.  When I first started the project I was listening to and influenced by a lot of soul, funk and neo soul, which led me to this sort of pop/neo soul output.  I’ve always really enjoyed lower tempos; they leave a lot of space between the beats and allow for more explorations in groove.

This new track of yours “Have It Like That” on Off Leash Records, is a funky, soulful record. The vocals remind me a little of early UK dance, but then there’s an almost American style janggly hip-hop beat plus some very Australian usage of the saw synths. Is it deliberate for you to merge styles or is that something that just happened organically?

I think initially I had leaned into some more of the UK feel on an earlier version – using some parallel harmony, 909s n what not but at some point, I just started from scratch and played with a new, more soulful angle.  It all just unwound from there and I found myself throwing a slap bass in the chorus.  I do love intentional use of juxtapositions or clashing of ideas but in this case, I think it just happened.

Are there specific influences that contributed to the tone of this track? If so, who are they?

Pharrell is always a massive influence, and if you get down to it a lot of the more current influences would also lead back to him too.  People like Lynda Dawn, kaytranada, Mndsgn & Toro y Moi; are very key components of the sound I’ve created with this release.  Can’t forget to mention Patrice Rushen, I don’t think I could go a couple days without listening to her.

Some of your more recent singles have been closer to a house/disco tempo. Are we gonna hear you stick around in these more open grooves for a while?

Definitely.  I’ve been DJing a lot over the past year or two – more than I have in years.  I’ve been listening to and playing heaps of late 80s and 90s stuff, especially Italo and Dream House.  I think I’d like to explore writing some actual club music very soon.

For the production nerds out there, are there any favourite instruments, plugins or tools that can be heard on “Have It Like That” and what do you like about them?

A lot of the lead and mono sounds on this one are from an sh101 remake.  The original was my first synth and when they brought the modern remake out, I had to get it.  I’ve used Soundtoys ‘Crystallizer’ for some of the lush background sonics too, definitely worth giving that thing some praise.  And, on every song, I’ve used the prophet 08 – in this case, for the big saw pads in the chorus.

No doubt, Electronic music is in a strange place worldwide with limited capacities and not much of a festival scene. How has Queensland been of late? Are you and your contemporaries able to go out and play shows? How do they feel?

It’s taken some time but we’re back to what feels like normal.  The limited capacity is still in place of course, and is quite a point of tension, with other areas of society seemingly “immune” to covid safety restrictions and procedures. Friends are throwing shows nearly every weekend, to smaller and maybe more dedicated crowds.  People are aware of the limited release, so the tickets are bought up quick and the attendance is always in high spirits.  I’ve even caught some shows from international artists which seems crazy.

On, that; If you could play support to any international headliner, who would it be and why would that be an awesome show for Health Club?

Probably someone like Erika De Casier or Toro y Moi. I feel like any show they would do would be awesome regardless of my involvement, and would be great to be a part of it.

What about in the studio? Who would be a dream collaboration for Health Club and why do you think it would work?

Adam Bainbridge (Kindness) or Joseph Mount (Metronomy).  They’re not exactly current influences on the music I’ve released but they’re two of the biggest contributors to my high school obsession with music.  They’re both artists that I feel pushed pop music in really interesting directions and reference some great records in their own ways.  I’d like to think over the years I’ve found a lot of the same influences that drove them to make their work and would hopefully have a common ground to draw inspiration from.

What’s next for Health Club is there anything you’d like to leave us with?

More music, and hopefully soon.  Earlier this year I played a live show with my friend Millie, the first I’d played in years.  It left me excited to work on it further and look into performing more live shows in the near future.

PLAY/DOWNLOAD

https://www.instagram.com/health_club__/

June 18, 2021 0 comments
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Highup and Tigerlily Collaborate On Sultry Dancefloor-Filler Track "Lollipop." Out Now on Don Diablo's Generation HEX / HEXAGON
Music News

Highup and Tigerlily Collaborate On Sultry Dancefloor-Filler Track “Lollipop.” Out Now on Don Diablo’s Generation HEX / HEXAGON

by the partae June 17, 2021
written by the partae

Artists: Highup & Tigerlily
Title: Lollipop
Label: Generation HEX / HEXAGON

Download / Stream

Australian talents Highup and Tigerlily join forces on their new track “Lollipop,” a sultry, fun gem that was born to fill up dance floors around the globe. Opening with a catchy vocal riff and a kickdrum-focused beat, “Lollipop” wastes no time heating things up; Highup and Tigerlily coax the beat into a driving, bouncy drop, making for a foot-stomping and booty-shaking culmination to this fire track. “Lollipop” is the first time the startup producer and Australian leading female DJ have collaborated, which follows Highup‘s “Keep It” on Generation HEX / HEXAGON, “The Rise” on Musical Freedom as well as Tigerlily‘s “Me, You & Tequila” ft. AYDAN on Universal Music.

Although Highup is relatively new to the scene, this talented startup producer has already been making waves. With releases on Sony, Musical Freedom, Revealed, Smash The House and more, he has gained support from the likes of Tiesto, Hardwell, Afrojack, R3HAB, Dimitri Vegas & Like Mike, and more. His signature electro-bass fusion sound has been proven to make crowds go wild around the globe, and he’s only just getting started. DJ Tigerlily has established herself as one of Australia‘s leading female artists, having been voted as the land down under’s #1 female DJ for three years in a show. Her high-energy live sets have seen her perform at some of the most esteemed clubs in the world – from Las Vegas‘ Hakkasan and LA‘s Create Nightclub to Seoul‘s Club Octagon and Washington D.C‘s Echostage. In the pre-pandemic world, she has also graced the stage of iconic festivals such as Lollapalooza, Ultra Music Festival, and Tomorrowland. This female powerhouse also has her hand in business as a brand ambassador for JBL, Samsung, and Tropeaka. Stay tuned for more from Tigerlily and Highup coming soon!

More info on Highup / Tigerlily / Generation HEX:
 

Highup: Facebook | Instagram | Twitter | Spotify
Tigerlily: Facebook
 | Instagram | Twitter | Spotify
Generation HEX: Facebook
 | Instagram | Twitter | Spotify

 

June 17, 2021 0 comments
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SUPERCHORUS SHARES DEBUT EP BACK ONLINE LISTEN TO 'I WANT TO BE THE ONE' OUT NOW
Music News

SUPERCHORUS SHARES DEBUT EP BACK ONLINE LISTEN TO ‘I WANT TO BE THE ONE’ OUT NOW

by the partae June 17, 2021
written by the partae
Photo by Jamie Heath + styled by Kurt Johnson
SUPPORT FOR SUPERCHORUS

“A gorgeous introduction, with all eyes now looking towards his forthcoming EP”
Purple Sneakers

“An infectious jam from the very talented Superchorus”
Declan Byrne (triple j, Unearthed)

“Fun and retro tinged”
FBi Radio

Playlist addition for ‘Back Online’
RAGE

Superchorus, the DIY indie project of David Gauci today shares his elliptical debut EP, Back Online. LISTEN HERE.

Joining the previously released title track, that considers human interactions on and offline, is the laid back ‘Slip Away‘, an ode to romanticism over time, and wanting to hold onto that spark, written in one pouring. ‘Race Is Run‘, the first and fastest song written, comments on the passing of time and how despite the world around us changing, sometimes things stay the same, old habits are repeated and mistakes never learnt from. ‘Love To Give‘ is a shoegaze heavy layering of arpeggiated synths and thudding drums, forming a haunted dream of what could be. David explains “It’s a song about dreaming of things outside of your control, but still keeping a level head, so that if everything falls apart, it’s not much different from where you began.” Closing Back Online is ‘I Want To Be The One‘, an uplifting, whimsical number that could feel right at home on the Submarine soundtrack. 

Of his formal debut as Superchorus, David shares “Releasing this EP is a huge personal moment for me. Having been involved extensively in the local music scene since 2014, it is a really nice feeling to finally be able to release a body of my own work that I’m extremely proud of. I’ve been chipping away at my sound for the better part of the past decade, so it is with great pleasure that I can put out this EP and be happy with every single part of it! It finally feels like a really good time for Superchorus to become a thing, as I’ve spent a long time collaborating with people and playing in other people’s bands, and it’s really taught me that patience and persistence isn’t all for nothing. I feel like I have really matured as a musician and a songwriter, and have been so lucky to have all of the opportunities I’ve received over the years.”

Across Back Online is a journey of self reflection, exploring loneliness, unrequited love and more through its five tracks. “I spent a lot of time alone while writing this EP, and I think it’s pretty evident from the themes and subjects explored” he continues. What sets Superchorus apart from the crowd is David’s driving passion to share music that’s there for you through everything, whether it be times of joy or to lean on through moments of sadness, to express what you wished you could to someone else, or to give assurance to your deepest thoughts. If there’s one thing to take away from Superchorus’ debut, it’s that sometimes, the thing you’ve been searching for has been sitting in front of you this whole time and may very well be untapped within oneself. 

Back Online EP is out now, buy/stream it here.

TRACKLIST
Back Online
Slip Away
Race Is Run
Love To Give
I Want To Be The One

Stay connected with Superchorus:
Facebook | Instagram | Youtube | Soundcloud | Bandcamp

June 17, 2021 0 comments
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CRATERFACE ANNOUNCE THE DIVINE CHATROOM SEASONAL MIX SERIES FEATURING NEW MUSIC + SPECIAL GUESTS BEHIND YOU, JAIR, LOVEDAVID AND MORE
Music News

CRATERFACE ANNOUNCE THE DIVINE CHATROOM SEASONAL MIX SERIES FEATURING NEW MUSIC + SPECIAL GUESTS BEHIND YOU, JAIR, LOVEDAVID AND MORE

by the partae June 17, 2021
written by the partae

PRAISE FOR CRATERFACE

DON’T BE CONFUSED
FBi Radio Packet Album

“Burning a new path in hip hop experimentation”
Newcastle Herald

“A proper firestarter”
NME Australia

“Temper futuristic pop with roaring hip-hop”
Bandcamp

“Carving their lane emphatically”
Dave Ruby Howe, triple j Unearthed

“There’s nothing quite like it in Australia at the moment”
Pilerats

Today Mulubinba / Newcastle alt-rap duo Craterface announce their new online mix series, The Divine Chatroom: a virtual space for their community to congregate and connect, while sharing new crevices of the Craterface underworld. See all airdate details BELOW.

Of the series, Craterface share: “We decided to begin making the divine chatroom series when we found ourselves at a crossroads. We wanted to hone our craft by making as much music as we could while also finding a way to have our musical peers involved in the process. Thematically we chose to go with a chatroom and internet based aesthetic because we all use it, a key word is connectivity. We like to see the series as us connecting and interacting with these peers we were eager to work with, while having them adjust to this completely unique thematic universe. The whole experience has been incredible and has taught us so much not only about ourselves, but the greater scope of Australian music.”

WATCH: THE DIVINE CHATROOM (TRAILER)

In Episode 1, premiering tonight, June 16 at 7PM via Youtube livestream, is a handful of Craterface demos lifted from vault, flips and edits of Lil Yachty, Lil B and more. In their quest for connection, the two sought to reach out to friends and artists who hadn’t released new music in some time, striving to present both a detailed and wonderfully chaotic audio collage- as represented through the artwork. In doing so, they were gifted unreleased tracks from Behind You, Jair, LOVEDAVID, Babyjack, Yoni Yen and Aquinas.

They continue, “We also asked all guest artists to envision The Divine Chatroom as a place of infinite potential and even requested audio intro’s for their songs to create a more authentic listening experience (best heard in LOVEDAVID and BABYJACK intro). It wasn’t hard getting all of these artists to catch the vibe because they are all so talented.” Can you guess whose piece is featured where? Stay tuned for details on Episode 2. 

THE DIVINE CHATROOM
A monthly mix series by Craterface
Premiering at 7PM June 16 via YouTube
Tune in via Youtube HERE

Stay connected with Craterface:
Facebook | Instagram | Youtube | Soundcloud | Bandcamp | triple j Unearthed

June 17, 2021 0 comments
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Rat City
Music InterviewsMusic News

Rat City

by the partae June 16, 2021
written by the partae

What is your name and role within Rat City?

 My name is Lasse Michelsen, and I’m a producer/songwriter and a member of Rat City.

Where are you currently based?

 Oslo.

What’s been happening recently and how has your Covid experience been?

 Right now, I’m on daddy’s leave, so it’s all about getting through the day with my nine month old daughter. It’s a lot of fun! Covid-19 hasn’t really affected our daily work as much as other businesses. We’re used to being stuck alone in the studio.

Your new single ‘Rather Be’, a collaboration with Isak Heim, is out now, what influenced the sound and songwriting?

 The sound is based on what we have released earlier, horns, live bass etc. Kind of an organic sound mixed up with house/disco-vibe. I have no clue what to call it… Since there are so many songwriters involved, I can only speak for myself, but I think it’s about cutting loose from a bad relationship or person.

How did you come to collab with Isak and how was the experience?

 We have worked with Isak on several previous releases, so it was very natural for us to ask him to sing on the song. He has an amazing voice!

Where and when did you record/produce/master and who with?

 All recordings are done in our own studio in Drammen (Norway). Phil Tan (U.S) on the mix and Sing Master on the master.

How did you approach the recording/production process?

Like we always do, press record and use your imagination.

What does ‘Rather Be’ mean to you?

 A lot! It’s one of a few records that we still love to listen to.

Who are you listening to at the moment?

 Kamara, she is really talented.

What do you like to do away from music?

 Fly Fishing, hunting and hiking in the mountains.

What’s planned for the remainder of 2021?

 Make more music!

Favourite food and place to hangout?

 A nice meal in the tent on the tundra after a long day of fishing.

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Instagram

Spotify

Twitch

June 16, 2021 0 comments
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BAD SUNS SHARE MUSIC VIDEO FOR NEW SINGLE “HEAVEN IS A PLACE IN MY HEAD”
Music News

BAD SUNS SHARE MUSIC VIDEO FOR NEW SINGLE “HEAVEN IS A PLACE IN MY HEAD”

by the partae June 16, 2021
written by the partae

BAD SUNS
SHARE MUSIC VIDEO
FOR NEW SINGLE
“HEAVEN IS A PLACE IN MY HEAD”

ANNOUNCE U.S TOUR DATES
SUPPORTING ANGELS & AIRWAVES 

BAD SUNS BY LUPE BUSTOS

Los Angeles-based band Bad Suns recently shared their catchy new single “Heaven Is A Place In My Head,” produced by the band’s longtime producer Eric Palmquist.

After rewatching David Lynch’s cult classic Twin Peaks, vocalist Christo Bowman “suddenly felt the urge to write this sugary pop punk song, dressed up in leather, glitter, 80’s synthesisers and chiming guitars.” The summery sound and up tempo vibe of the song, however, were inspired by the excitement provoked at the thought of hitting the road this fall.

“The band had recently started experimenting with writing songs together over the internet,” adds Bowman on making the song. “I emailed everybody the track and we immediately began writing the lyrics and melodies on a video call. I remember falling asleep and waking up with the chorus playing over and over again in my head. I think something about the song scared us, and we tried to forget about it. We didn’t mention it for six months until our producer played us the demo and said ‘remember this?’ We all looked at each other and collectively thought ‘This is amazing, we need to record this right now’.”

Today, the band share the colourful and vibey music video for the track directed by Logan Rice.

CHECK OUT “HEAVEN IS A PLACE IN MY HEAD” NOW
WATCH | LISTEN

Bad Suns are also thrilled to announce tour dates supporting Angels & Airwaves U.S this year.

Since forming in Los Angeles County in 2012, Bad Suns have garnered an impressive following including over 1.5M monthly Spotify listeners, sold out headlining dates across the globe, played countless marquee festivals, and released three full-length records; Language & Perspective (2014), Disappear Here (2016), and Mystic Truth (2019).

Bad Suns is Christo Bowman (vocals/guitar), Gavin Bennett (bass), Miles Morris (drums) and Ray Libby (guitar).

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June 16, 2021 0 comments
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ALDOUS HARDING Shares new single & video 'Old Peel'
Music News

ALDOUS HARDING Shares new single & video ‘Old Peel’

by the partae June 16, 2021
written by the partae
Photo Credit: Clare Shilland
Known and loved by fans as the set-closer at her most recent live shows, Aldous Harding finally releases ‘Old Peel’ today via 4AD / Remote Control Records. The one-off single was recorded with producer John Parish, who also worked on her last two albums Designer (2019) and Party (2017), at the end of her hugely successful 2019 European tour. The official video for ‘Old Peel’, directed by and starring Harding and long-time visual collaborator Martin Sagadin, is also out today.

‘Old Peel’ will be released as a limited 7” vinyl on 9 July. Pre-order HERE.

Aldous Harding – ‘Old Peel’ (Official Video)
Stream / Download: 
https://aldousharding.ffm.to/oldpeel

June 16, 2021 0 comments
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THE BUCKLEYS SET TO RELEASE EMOTIONALLY VULNERABLE BALLAD “BREATHE”
Music News

THE BUCKLEYS SET TO RELEASE EMOTIONALLY VULNERABLE BALLAD ‘BREATHE’ 

by the partae June 16, 2021
written by the partae

“Hottest Creatives to Watch in 2021.” The Australian

“Breathe seems built for American radio and stardom.” Sydney Morning Herald

 “A blend of Country, Pop, Indie and Americana with a sprinkle of Fleetwood Mac…” Honey Pop

Today, Byron Bay siblings, THE BUCKLEYS release a remixed version of their second worldwide and fourth Australian single, “Breathe,” via Petrol Records / Universal Music Australia / UMe that is set to hit commercial radio this week.

View BREATHE newsclip video HERE

View “Breathe” LYRIC VIDEO HERE

Listen to “Breathe”  HERE

The single was recorded and co-written by Sarah Buckley and two-time Grammy Award winning producer and engineer Chad Carlson, whose credits include Taylor Swift, Jewel and the Hunger Games soundtrack.

“‘Breathe’ was our musical prayer to the world,” explains THE BUCKLEYS singer Sarah Buckley. “I wrote this song at a time when Australia was experiencing devastating bushfires. It was a message of strength, vulnerability, hurt, hope and moving forward. I find myself remembering these lyrics in moments where I just need to stop, close my eyes, listen to the sounds of world around me and just breathe.

Today this song has a far more personal meaning to us.  This track was our label chairman and mentor Chris Murphy’s favourite song on our album, his passing earlier this year has been incredibly difficult to come to terms with, we performed the song at his funeral, and now it will always hold a very special place in our hearts.”

The equally emotive “Breathe” music video was created by Louis Murphy the son of the late Chris Murphy and creative direction was provided by Amy Tinkham,  who Chris had formed an incredible partnership with.   Amy took the lead as the Creative and Live Show Director for The BUCKLEYS album performance, DAYDREAM AT THE CHURCH, Live from Byron Bay.

“It was a wonderful experience to collaborate with both the band and the incredible mastermind that is Chris Murphy.  Collectively, we brought his vision to life and created the perfect foundation for THE BUCKLEYS to showcase their music, sound and style in a unique and authentic presentation live from Byron Bay.” Said, Amy Tinkham.

Adds Linda Kury, VP Commercial Partnerships & Label Relations, UMG, “I have had the pleasure of watching THE BUCKLEYS develop an ever-growing fan base in Australia, the US and worldwide. The pandemic limited their ability to tour, but they launched their first single and toured the world, all virtually from Byron Bay. At every virtual club show, radio station visit, press interview and fan listening party, they have won over people with their music and charismatic personalities. They have built solid relationships due to their natural talent and sincere enthusiasm. Now, we look forward to introducing them in person to their fans around the globe.

Over the past year THE BUCKLEYS have continued to impact the Australian and global media, their recent release of their up-tempo track “Money” saw the band transition to commercial radio and the young trio celebrated a series of additions across various radio networks.

Sarah Buckley has also spent the past 12 months working on her song writing and was this week shortlisted for the 2021 APRA Professional Development Awards that will be announced later this month.

Promoters began to book the rising stars on major festival stages and the band were recently announced to play at Byron Bay’s iconic Bluesfest in October later this year, Gympie and Savannah.

“Every so often, something special comes along. Something so cool and authentic that the world has no choice but to sit up and take notice. THE BUCKLEYS are that special something.” American Songwriter  

June 16, 2021 0 comments
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Joe Terror & Hollie Joyce
Music InterviewsMusic News

Joe Terror & Hollie Joyce

by the partae June 16, 2021
written by the partae

Where are you currently based?

 Hollie – I live between two places – Northcote and Ocean Grove, Victoria. Basically, part time city, part time coast life.
Joe- I am based in Brunswick, Victoria. I made the move to Melbourne almost five years ago from rural NSW.

How did you first start playing music?

Joe – I was always fixated on music from a very young age. I’d set up pretend microphones and make my family gather around for living room concerts, singing along to CD’s. When I got my first guitar, I was about eight years old. I’d lock myself in rooms and just listen to notes ring out for hours.

At the age of thirteen I began teaching myself songs on the guitar and jamming with a friend from high school, he was becoming a great guitarist, so in order to start our band I scored a drum kit scholarship at the Clarence Valley Conservatorium to be able to afford lessons and got my chops up on the kit.

Hollie – Yeh! I was pretty similar actually, I grew up in a family of performers so I was always surrounded by people performing music, dancing etc, basically a lot of big personalities. I started learning the piano with my Nanna, but quickly became uninterested in playing covers and wanted to write songs of my own. I would have books and books of little poems with this monophonic 80’s Casio that only played one note at a time but it had a recording function so I would layer parts for hours over the best/worst beats you’ve ever heard. I was probably 13 when I started having a crack at writing songs on guitar, dad bought me an SG shaped black Ibanez electric guitar but I never played it because I had my eye on his 70’s acoustic guitar that I still play to this day.

What’s been happening recently and how has your Covid experience been?

Joe – As you know Melbourne has just endured it’s fourth lockdown. This time around I have personally lost one The Stained Daisies show, of which we rehearsed for months in advance training extra band members, one Tug show on the 12th and we are still holding our breaths about whether we will be able to do the launch for DEA on the 18th of June.

Covid sucks.

Hollie – Thank goodness for the daily quiz.

Your new single ‘Dea’ is out now, what influenced the sound and songwriting?

Joe – I was at the back end of writing my last album “Songs to Track Down To”, a very mellow bunch of folk songs, when I decided to start writing and recording something that completely polarised what I was pushing out at the time. I began working on the “Queen of Smiles, Blues & the Devil” concept. I had planned that it was to be a straight up rock album with the same kind of poetic value that the previous album had, only yelling it this time. So I guess the sound and energy I was pushing in Dea was a product of me somewhat challenging myself to embrace an essence of anger whilst I worked on something very peaceful.

How did you approach the song writing process and how did you come to work together?

Joe – I approached Hollie online with the instrumental version of the track and asked if she would like to contribute some kind of vocal layering to flesh out the groove. Once she had done that we decided it wasn’t finished and Hollie agreed to throw some words at it. She was given the album name “Queen of Smiles, Blues & the Devil” and came back with what is now “DEA”.

Hollie – I remember constantly sending you updated versions of little clips being like, “do you like this?” “what about THIS?” until I realised you just wanted me to do my thing haha.

Joe, how was the experience working with Hollie?

Joe – Working with Hollie was everything you’d hope for in a collaboration. It was a great mix of fun and serious as we dipped into each other’s worlds for a moment.

Hollie, how was the experience working with Joe?

Hollie – Same! Working with Joe was just so easy considering we didn’t really know each other before this. I agree, a healthy amount of being ridiculous and then working hard.

Where and when did you record/produce master and who with?

Joe – The Instruments were all recorded and mixed by myself at my home studio in Brunswick. All of Hollie’s parts were recorded and mixed by Hollie on top of the instrumental track. It was then mastered by Aidan Bateman.

How did you approach the recording process?

Joe – My zoom R24 is my writing tool. I’ll have a riff or a groove and just keep adding layers of instruments into the recording device, and that is the product you hear. That’s how Joe Terror music has always worked.

Hollie – I basically imported the track Joe sent me into logic and just wrote everything directly in producing and mixing as I went along.

Who are you listening to at the moment?

Joe – This week I have been listening to “Still Sad”, a playlist by Mikey Young & Anthology records, a follow up to the 2019 “Sad About The Times”. It’s brilliant. Also, Big Thief Live at Bunker Studio, Pig Lib by Stephen Malkmus and the Jicks, Hurtsville by Jack Ladder and a heap of Sarah Mary Chadwick.

Hollie – I’ve been getting stuck into the album “On” by Altin Gün, Pete Drake, but mostly the song “forever”, The Kevin Fingier Collective and Imarhan.

What do you like to do away from music?

Joe – I enjoy working in the country and being in the bush. I have also recently taken a liking to bartending. It can be a fun social environment and somewhat keeps me out of trouble.

Hollie – I’m usually chipping away at something, whether it’s in the garden, or writing something, painting, drawing, cooking etc. I also tend to plant my feet either in the dirt or by the water.

What’s planned for the remainder of 2021?

Joe – I’ll be trying to tackle as many Joe Terror shows as I can in the next couple of months along with another few singles from the album. For the majority of September, I will be back in the country looking after a bunch of goats and recording some new stuff. Most of October I’ll be touring the East Coast with The Stained Daisies. Then maybe in November I can finally have the full album out and see out the year with Joe Terror shows.

Favourite food and place to hang out?

Joe – Space food sticks. On the moon.

Hollie – Wait woah, I want to be on the moon too so naturally I’ll also need some space food sticks, if you have any.

Joe Terror IG HERE

​Hollie Joyce IG HERE

Spotify link HERE

June 16, 2021 0 comments
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INTRODUCING CANADIAN RAPPER HAVIAH MIGHTY WHO LEADS THE 'PROTEST' ON NEW SONG FT. UK MC YIZZY + ANNOUNCES 'STOCK EXCHANGE' MIXTAPE
Music News

INTRODUCING CANADIAN RAPPER HAVIAH MIGHTY WHO LEADS THE ‘PROTEST’ ON NEW SONG FT. UK MC YIZZY + ANNOUNCES ‘STOCK EXCHANGE’ MIXTAPE

by the partae June 15, 2021
written by the partae
Photo by Young Yemi

PRAISE FOR HAVIAH MIGHTY

2019 Polaris Prize Winner

“After having a breakout 2020,
Haviah’s unapologetic hooks are bound to travel even further in 2021”

GQ

“Horror-movie energy and a deliciously evil beat”
Rolling Stone

“Equally adept at breezy confidence, rapid-fire spitting, sneering menace, and laconic cool”
NPR Music

“Ominous, bass-heavy beats and hard-nosed bars that could go toe-to-toe with any challenger.
Pitchfork

“She’s about to be coming at rappers necks all 2021”
HotNewHipHop

Introducing award-winning Canadian rapper Haviah Mighty, who today shares her powerful new single, ‘Protest‘, featuring UK grime rapper, Yizzy. With the release comes the news of her highly anticipated new mixtape, Stock Exchange, set for release this summer. Listen + watch ‘Protest’ HERE.

Produced by Young Dreadz, ‘Protest‘ is a visceral recall of the feelings of guilt and stress that many marginalised individuals carry with them daily due to centuries of suffering, heaviness, pain and bloodshed at the hands of law enforcement. The production blends slow, sad, ethereal piano chords with aggressive 808s and a drill-infused percussive groove, following a pace that rises like a heartbeat with tension. Visually, Haviah and Yizzy go beyond borders, taking to their own streets to speak truth into a video directed by Kit Weyman and Chrris Lowe in collaboration with Director X-led Fela productions (Drake, Rihanna, Kendrick Lamar, Rosalia, Jay Z).

Says Haviah, “This song is my protest – a reminder that regardless of all the conversations, the chatter, the media, the justices and injustices – this feeling and fear we walk with, is as present as ever. After all these years, encountering the police as a marginalized person still triggers pure fear. These feelings within the production – the intensity and depth of the chords, the stress and tension of the pacing – it all mirrors the feelings of paranoia, fear, control, and our innate will to survive when encountering law enforcement. Having UK-based artist, Yizzy, bless this record brings it full circle. From a light skin male’s perspective from somewhere else on the globe, our experiences still mirror one another, a further testament to the eerie similarities of trauma among Black folks.”

Haviah‘s forthcoming Stock Exchange mixtape will also feature collaborations with Grandtheft, Mala Rodriguez, TOBi, and more. The title refers to a reckoning Haviah had internally over the last year in regards to how artists are forced to validate their value based on random data (followers, subscribers) and losing a part of the authentic human-to-human universal experience of art. She adds,“These statistics that we use to compare ourselves to others and to define our successes, have become proof of our worth. It’s all perception. These ideas around perceived value got me thinking about the Stock Exchange. Seeing parallels between the way it flows – the constant rising and falling – all dictated by the general public’s perception of an entity’s value, and ultimately how that influences the moves that we make as individuals.”

Action and advocacy aren’t new words in Haviah Mighty’s vocabulary – they go beyond lexicon. Haviah became the first hip hop artist, as well as the first Black woman, to win the Polaris Music Prize for her breakthrough 2019 album, 13th Floor. The project and the hard-hitting singles that followed highlight her vast sonic influences ranging from classic Rap/Hip-Hop elements to Caribbean rhythms, frenetic electro and diverse instrumentation, while tackling marginalisation, racism, the Atlantic slave trade, loneliness, self-worth, and more. Garnering praise from Rolling Stone, the BBC, GQ, Pitchfork, NPR Music, Consequence, The Source, Complex, and others, stay tuned for more music and news from Haviah Mighty soon.

‘Protest ft. Yizzy‘ is out now, buy/stream it here.

Stay connected with Haviah Mighty:
Instagram | Facebook | Twitter | Website

June 15, 2021 0 comments
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CHARLOTTE DAY WILSON SHARES NEW SINGLE + VIDEO FOR 'KEEP MOVING' DEBUT ALBUM ALPHA OUT JULY 9 VIA STONE WOMAN MUSIC
Music News

CHARLOTTE DAY WILSON SHARES NEW SINGLE + VIDEO FOR ‘KEEP MOVING’ DEBUT ALBUM ALPHA OUT JULY 9 VIA STONE WOMAN MUSIC

by the partae June 15, 2021
written by the partae
Photo by Othello Grey

PRAISE FOR CHARLOTTE DAY WILSON

“Charlotte Day Wilson is a one-person powerhouse”
The FADER

“Sparse, moody R&B is Charlotte Day Wilson’s signature”
ELLE

“Charlotte expertly pulls inspirations from jazz, R&B and soul
and what results is an atmosphere that is solely her own”

Hypebeast

“Wilson’s voice is warm, like a slow soothing hum with a touch of soul”
Harper’s Bazaar

“Blending elements of jazz, soul, folk and R&B, Wilson writes deeply personal lyrics
and delivers them with the expertise of a seasoned vocalist”

Complex

“Wilson’s songs are plaintive and open, carried by the tenor of her voice
– rich, smokey and smooth, textured like the depths of the ocean –
and the wisdom they project”

Document Journal

Tkaronto / Toronto artist and producer Charlotte Day Wilson today drops new single and video ‘Keep Moving‘, the next installment from her highly-anticipated debut album, Alpha, set for release on July 9th via Stone Woman Music. Listen to ‘Keep Moving’ HERE.

Charlotte recently shared the first single from her new LP, ‘If I Could‘, which features a verse from poet, musician and fellow Canadian artist Mustafa, and premiered on Annie Mac’s BBC Radio 1 show. The track was launched with a clip co-directed by Charlotte and award-winning director Kevan Funk, showcasing the changing faces and identities of Texan bull riders.

‘Keep Moving‘ is a continuation of the ‘If I Could‘ video and the queer cinematic series for this album, a compelling exploration of self discovery and earnest declarations, recollecting Charlotte’s inner struggles of love, growing, and breaking that she’s finally speaking to in a greater way. Another immensely moving and deeply personal clip, the visual further tells the story of Alpha and boldly commences Charlotte’s new era. Alpha also features the widely praised single ‘Take Care of You‘ ft. Syd and the recently-released track ‘If I Could‘  was featured as the face of Spotify‘s inaugural EQUAL campaign playlist and appeared on an impressive billboard in downtown Tkaronto / Toronto.

Charlotte has made waves in the industry from her 2016 release of her debut EP CDW (which has garnered more than 92+ million streams in total on Spotify), and through her work with friends and collaborators BADBADNOTGOOD, Daniel Caesar and Kaytranada. Charlotte returned in 2018 with the poignant EP Stone Woman. She has garnered 1.6+ million Monthly Spotify Listeners and over 100+ million streams on Spotify, truly making a name for herself.

Charlotte’s contemporary take on R&B and soul showcases her sublime vocals and her ingenuity as she fuses vintage basslines, gospel assonance, and contemporary minimalist production to create a strikingly beautiful sonic aura. Stay tuned for the authentic Alpha era.

‘Keep Moving‘ is out now, buy/stream it here.

ALPHA LP
Charlotte Day Wilson
Out July 9
Pre-order HERE

Stay connected with Charlotte Day Wilson:
Facebook | Instagram | Twitter | YouTube

June 15, 2021 0 comments
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LITTLE SIMZ UNVEILS NEW TRACK 'ROLLING STONE'
Music News

LITTLE SIMZ UNVEILS NEW TRACK ‘ROLLING STONE’

by the partae June 15, 2021
written by the partae

PRAISE FOR LITTLE SIMZ

“A show of power in word and sound”
The New York Times

“She’s a force the status quo will have to reckon with”
NPR

“An epic return”
Guardian Film and Music

“One of the best MCs to ever come out of the UK”
Afropunk

“Wherever UK rap goes in the future, it’s safe to say that Little Simz will be helping propel it forwards”
Complex

“One of the most unrelenting, rapid-fire rappers and profound lyricists out of the UK”
Consequence of Sound

With her powerful new track ‘Rollin Stone‘, Little Simz delivers a potent, no holds barred sucker-punch straight to the heart, spitting her trademark quickfire raps like no other and reminding people why, exactly, she is one of the most vital artists in the game. Listen HERE.

Bristling with well-deserved swagger and propelled by barely controlled fury, ‘Rollin Stone‘ throws in references to Shibuya and Gucci, awards, and Sao Paulo to highlight not only how Simz has ascended to the top of the food chain, but also the sheer grit and graft it’s taken to get there. As she coos on the second half of the track: “Mummy handled business / Papa was a rollin stone / I’m a mix a both there ain’t no bitch boy in my bones”.

‘Rollin Stone‘ follows on from the twofer that Simz delivered in the spring, with the epic opening missive of ‘Introvert‘ followed by the gorgeous swoon of ‘Woman‘ (and not forgetting the accompanying videos, the latter of which was directed by Simz herself). ‘Rollin Stone‘ is just another example of why Simz is one of the most urgent and important voices we have today, and another reason to get very, very excited indeed about her forthcoming album, Sometimes I Might Be Introvert, released September 3 on Age 101.

‘Rolling Stone‘ is out now, buy/stream it here.

LITTLE SIMZ
SOMETIMES I MIGHT BE INTROVERT
Out September 3rd
Age 101
Pre-order HERE

TRACKLIST
Introvert
Woman ft. Cleo Sol
Two Worlds Apart
I Love You, I Hate You
Little Q Pt 1 (Interlude)
Little Q Pt 2
Gems (Interlude)
Speed
Standing Ovation
I See You
The Rapper That Came to Tea (Interlude)
Rollin Stone
Protect My Energy
Never Make Promises (Interlude)
Point and Kill ft. Obongjayar
Fear No Man
The Garden (Interlude)
How Did You Get Here
Miss Understood

Stay connected with Little Simz:
Website | Facebook | Instagram | Twitter | YouTube

June 15, 2021 0 comments
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AVANT Festival, the South Italy boutique festival returns this summer on 17th-18th July
Music News

AVANT Festival, the South Italy boutique festival returns this summer on 17th-18th July

by the partae June 12, 2021
written by the partae

Sud Sonico cultural association returns with its boutique festival featuring avant-garde live music, outdoor tours and more cultural activities.

AVANT Festival is a new boutique music festival showcasing the best of the natural and architectural beauty of Apulia, Southern Italy. The festival, following two cancellations in 2020, returns on 17th-18th July in Lecce, a city renowned for its Messapian Roman origins and sparkling Baroque style. The festival is about a slow, intimate experience, delving into the local culture and tradition, with activities and locations selected to enjoy the territory at the purest, yet smoothest form.

AVANT Festival has the aim of bringing together diverse yet quality avant-garde musicians within South Italy’s Baroque city. The lineup of the first edition sees Raster’s sonic electronic musician Grischa Lichtenberger, Austrian experimental drummer Black Pulse, Italian saxophonist Laura Agnusdei and electro-folk local trio Turbo Sud.

The event does offer a view on to special sites through a programming of indoor and outdoor activities. Spectators are called to participate to a hiking tour and lunch on the Adriatic seacoast of Apulia, kicking off in Porto Badisco – a small bay near to Otranto – and continuing through Grotta dei Cervi cave, known for its spectacular paintings all among Europe, and Torre S. Emiliano, a coastal defensive tower placed on one of the most evocative scenarios of Salento.

The concerts are set for Saturday 17th and Sunday 18th July at Corigliano d’Otranto castle. The daily hiking walk is scheduled for Sunday, 18th July. Tickets on sale now, more information on http://avantfestival.com/.

The eventi is organized by Southern Italy’s cultural association Sud Sonico in cooperation with Berlin’s creative agency Digital In Berlin. The featuring partners are Forum Austriaco di Cultura Roma, Conservatorio Tito Schipa, Goethe Institut, MUNDI Festival, 18° Meridiano, ARTEN Events, Cinema Del Reale, Big Sur, MIXOLOGY, Environ Festival, Mexico 70 Record Shop, 4 Balconi B&B. The media partners are Soundwall, ZERO, FACE Magazine, Kalporz and Sentireascoltare.

Event: AVANT Festival
Dates: 17th-18th July 2021
Venue: Lecce, Apulia, South Italy
Facebook Event: https://www.facebook.com/events/807531846854013/
Website: http://avantfestival.com/
Tickets: https://dice.fm/bundle/avant2021
 
June 12, 2021 0 comments
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PRAISE FOR KAPULET “Instant dance floor filler” Nick Findlay, triple j “Kapulet is putting out some of the best afro swing records in Australia right now” Tommy Faith, triple j Unearthed "Western Sydney's newest rap star" Red Bull Music "Exploded onto the scene" Purple Sneakers Mount Druitt-based artist Kapulet shares his new song, ‘Up Now’. Produced by Willstah (Ariana Grande, Ella Mai, ONEFOUR) and engineered, mixed and mastered by Iamsolo, the track is another taste of his effortless afro swing. LISTEN + WATCH HERE. Of the track he shares, “The song is about how people change. When you're broke or when life feels stagnant and when nothing is working out, no one seems to be around but when things start coming together and money, success or lifestyle then that’s when people start showing up.” Since first arriving with the Spenny14 assisted ‘Phone My Line’, a release two years in the making, Kapulet has patiently worked behind the scenes, creating, writing and recording alongside family and friends. It’s no secret that Western Sydney is bursting at the seams with creativity, and for Kapulet, sharing music that is both authentically representative of where he comes from, while still giving his community a chance to enjoy pure, unadulterated fun, is paramount. On the surface, his music indulges in the happy-go-lucky, but beneath, Kapulet shares messages of resilience and relationships with character, laced in scintillating head-bopping production. ‘Up Now’ is the third track to come from the Western Sydney rapper whose debut turned heads, landing the rapper the #6 trending music video on Youtube, racking up well over 100,000 views in the first five days. 'Phone My Line' now sits at over 3 million online streams, and together with 'Same Ones', has received rotation on triple j, Unearthed and FBi Radio, alongside support from Rolling Stone, NME, Red Bull Music, Filter Zine, and more. The best part? Kapulet is only just getting started. 'Up Now' is out now, buy/stream it here.
Music News

MOUNT DRUITT RAPPER KAPULET RETURNS WITH THE WILLSTAH PRODUCED ‘UP NOW’

by the partae June 12, 2021
written by the partae
PRAISE FOR KAPULET
“Instant dance floor filler”
Nick Findlay, triple j

“Kapulet is putting out some of the best afro swing records in Australia right now”
Tommy Faith, triple j Unearthed

“Western Sydney’s newest rap star”
Red Bull Music

“Exploded onto the scene”
Purple Sneakers

Mount Druitt-based artist Kapulet shares his new song, ‘Up Now’. Produced by Willstah (Ariana Grande, Ella Mai, ONEFOUR) and engineered, mixed and mastered by Iamsolo, the track is another taste of his effortless afro swing. LISTEN + WATCH HERE.

Of the track he shares, “The song is about how people change. When you’re broke or when life feels stagnant and when nothing is working out, no one seems to be around but when things start coming together and money, success or lifestyle then that’s when people start showing up.”

Since first arriving with the Spenny14 assisted ‘Phone My Line’, a release two years in the making, Kapulet has patiently worked behind the scenes, creating, writing and recording alongside family and friends. It’s no secret that Western Sydney is bursting at the seams with creativity, and for Kapulet, sharing music that is both authentically representative of where he comes from, while still giving his community a chance to enjoy pure, unadulterated fun, is paramount. On the surface, his music indulges in the happy-go-lucky, but beneath, Kapulet shares messages of resilience and relationships with character, laced in scintillating head-bopping production.

‘Up Now’ is the third track to come from the Western Sydney rapper whose debut turned heads, landing the rapper the #6 trending music video on Youtube, racking up well over 100,000 views in the first five days. ‘Phone My Line‘ now sits at over 3 million online streams, and together with ‘Same Ones‘, has received rotation on triple j, Unearthed and FBi Radio, alongside support from Rolling Stone, NME, Red Bull Music, Filter Zine, and more. The best part? Kapulet is only just getting started.

‘Up Now‘ is out now, buy/stream it here.

Stay connected with Kapulet:
Instagram | Facebook | YouTube

June 12, 2021 0 comments
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Juno Mamba Shares New EP 'Freedom' + Announces Headline Shows For Aug
Music News

Juno Mamba Shares New EP ‘Freedom’ + Announces Headline Shows For Aug

by the partae June 12, 2021
written by the partae
PRAISE FOR FREEDOM BY JUNO MAMBA

“Hypnotic and stunning” – Double J

“Amongst the most brilliant names of Australia’s dance music space” – Pilerats

“Cinematic ambient experience” – Purple Sneakers

“Soaring” – NME Aus

In a time where we are all in need of some good news, Soothsayer are thrilled to today release Juno Mamba’s exceptional sophomore EP Freedom, with a spotlight on his explosive new track ‘Frequency’. The release also comes with headline shows in Melbourne and Ballarat this August.

‘Frequency’ is trademark Juno Mamba. It’s driving urgency and purpose, with a pulsating acid undertone relishes in the emotional dance palette that has become synonymous with Juno Mamba. A track that will surely become an instant live highlight in his full band live show next month, ‘Frequency’ reminds us not only where Juno Mamba has come from, but what universe he is building, one that’s all his own.

LISTEN: ‘Frequency’ by Juno Mamba
Opening track and first single ‘Siargao Dreams’ is named after the Philippine Islands surfing capital, which Vinci made his first-ever trip to in 2019. Born in nearby Cagayan de Oro and then raised in Ballarat from the age of five, the pilgrimage back to his family’s homeland was a chance to explore the history of his father, of which he knew little about. He reveals, “The emotional connection I felt as soon as I got there was incredible. For the first time, I felt like I belonged and I was free from judgement. I wanted this song to feel exploratory and in a dream-like state.” 

On ‘1996 (feat. ANTONMOND)’, Vinci reflects on his childhood. He recalls “I can remember that year vividly as a sports fan, because of the Atlanta Olympic Games. I have a lot of happy and naive memories but looking back, there were also a lot of difficult moments trying to fit in culturally.” It also marks Juno Mamba’s first-ever artist collab, with Naarm/Melbourne vocalist ANTONMOND. A match made in a warehouse somewhere in heaven, the track is straight 90s rave at its finest. Like an Antipodean nod to artists such as Underworld, Orbital and Chemical Brothers, the fist pumping vocal chant serves as an elegiac ode to the power that memory can hold.

As a curtain call on the immersive listen is the final track ‘Slow Malady’, which leans on emotion and experience. A more downbeat number on the EP and serving as a beautiful palate cleanser after the rave that was ‘1996’. Not only an incredibly emotive listen, the track acts as an aural journey to a very personal story of Juno Mamba finding out during his first trip to Siargao that his Papa’s health was in a serious condition. He describes this as “a surreal experience visiting a place where he was born and raised, which I was only starting to discover, then being told this jarring news. I wanted to convey the sense of freedom and positive energy he displayed when I saw him.” 

Musically, the four songs on Freedom demonstrate Juno Mamba’s advancing capabilities as a producer and musician, crafting textured electronic sounds for the head and heart, as much as the feet. Mixing two of its four songs himself, he revels equally in slow-build moments as he does headrush highs, and in the freedom the EP title implies. Juno Mamba surmises, “The journey has been far from perfect, but I’m in a place of peace.”

‘Siargao Dreams’, ‘1996 (feat. ANTONMOND)’ and ‘Slow Malady’ have garnered support from BBC Radio 1 (‘Siargao Dreams’ was featured as their ‘Chillest Record’ back in March), Double J, Triple R, Soundcloud, Amazon, Spotify, Apple, Pilerats, NME AU and Purple Sneakers. They have also received love from RÜFÜS DÜ SOL, Tchami, Qrion, Bob Moses, Lane 8, Eelke Klein and Moullinex amongst others.

A step up in production and sound, Freedom straddles the lines of deep yet emotive dance music. It serves as the perfect vessel for Juno Mamba to bring back the applauded live show to crowds in Victoria this August (with more shows to be announced), and Soothsayer could not be more excited.

“The way a drum machine and a couple of synths can conjure up certain thoughts and images is pretty f***ing magical. Listening to these songs, Vin creates new worlds and invites me away with each of them… Whether it’s a sweaty warehouse rave (1996), a heady nighttime trip through the city (Frequency) or sunrise swims in the ocean the following morning (Slow Malady), this EP has the potential to transport you to another place. I like that and I reckon you will too (hopefully).”
– Chris Rigney (Soothsayer)
JUNO MAMBA FREEDOM EP TOUR DATES
(+ more to be announced!)

Fri 6 Aug | The Evelyn | Melbourne, VIC | 18+
evelynhotel.oztix.com.au/

Sat 7 Aug | The Eastern | Ballarat, VIC | 18+
theeastern.oztix.com.au

Juno Mamba – Freedom
EP out now through Soothsayer
Buy/stream here

Juno Mamba – Freedom tracklisting:
1. Siargao Dreams
2. 1996 (feat. ANTONMOND)
3. Frequency
4. Slow Malady

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