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Fashion & Culture

How To Reduce The Harmful Impact Of The Fashion Industry On The Environment

by the partae January 13, 2022
written by the partae

The fashion industry is a huge part of the global economy, with revenue that reached $5.7 trillion last 2020. It has been estimated that consumers in Europe and North America buy around 95% of all clothes sold worldwide every year, which means that the vast majority of clothing production is focused on these two regions.

However, the environmental impact of this industry is significant because it relies so heavily on petroleum-based products for manufacturing processes, as well as using natural resources such as cotton and wool from animals during the garment-making process. This blog post will discuss how you can reduce the harmful impact that the fashion industry has on the environment through some simple changes in practice.

Shop at thrift stores

One of the primary ways that the fashion industry impacts the environment is through its reliance on fossil fuels for production. It takes a huge amount of energy to manufacture clothing, which means that more than half of all fossil fuel consumption in America goes towards making clothes. The easiest way you can reduce this impact is by buying secondhand clothing at thrift stores and charity outlets instead of new clothes. Rest assured that there are various thrift stores where you can shop. You can even take the time to explore the internet where you can come across the best online thrift stores if you want to shop online. This will help you to save money as well since thrift stores are cheaper than buying new clothes.

Do not buy fast fashion products

Another major impact of the fashion industry is its contribution towards textile waste, which can get dumped into landfills or oceans where it ends up damaging ecosystems and polluting natural resources in a significant way. As much as possible, avoid buying clothes from fast fashion brands because these products are made to be disposable. You can also reduce the amount of textile waste you produce by repairing your clothes when they get damaged instead of throwing them away and buying new ones. There are various tutorials online that show you how to do repairs on different types of clothing, so take a look and give it a try.

  • Get crafty with your old clothes

If you do not want to buy secondhand or thrift store items but still want a way to reduce the environmental impact of your fashion choices, then you can get crafty with your old clothes. Upcycling is the process of taking something that is no longer usable and turning it into a new product, which means that you can give your old clothes a new lease on life. There are various ways to upcycle clothes. You can cut them to make something new, or you can patch them up with some other material and turn them into rags.

Choose natural fabrics over synthetic materials

The production of synthetic fibers for clothing is another major contributor to environmental pollution. This is because the manufacturing process of these materials releases harmful chemicals into the air and water, which can have a significant impact on human health as well as the environment. You can reduce this impact by opting for natural fabrics instead of synthetic ones.

Natural materials such as cotton and wool are better than synthetic fibers in many ways, with the most significant benefit being their biodegradability. Cotton decomposes quickly once it is disposed of into landfills or oceans because it does not contain toxic chemicals like some types of plastic do. This way you can also be sure that your clothing does not have any harmful chemicals in it, which is a benefit for you as well because these toxic chemicals can cause health problems like cancer.

  • Buy organic cotton clothing

Another way to reduce the environmental impact of the fashion industry is by buying organic cotton clothing. Cotton is one of the most pesticide-intensive crops in the world, and it takes a lot of water to grow. Buying organic cotton helps to reduce the number of pesticides and fertilizers used in production, as well as the amount of water taken from natural sources. According to research, buying organic cotton also helps to prevent toxic chemicals from entering your body through clothing because it is grown without synthetic pesticides and fertilizers.

Do not buy from fast fashion brands. If there is a need for you to shop for clothes in the future, then be sure that they are made of sustainable materials such as organic cotton so that you do not contribute to pollution and textile waste. You can even look into buying clothes made from recycled materials to reduce the number of resources that are used in the manufacturing process. These are some simple ways that you can reduce the harmful impact of the fashion industry on the environment. Be sure to try them out and see how much of a difference they make.

January 13, 2022 0 comments
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Music News

ALDOUS HARDING Announces new studio album Warm Chris Out March 25 via 4AD Shares first single & video, ‘Lawn’

by the partae January 13, 2022
written by the partae
Photo Credit: Emma Wallbanks

Today, Aldous Harding announces details of a new studio album, the follow-up to 2019’s acclaimed Designer. Warm Chris will be released on March 25 via 4AD / Remote Control Records, and its first single ‘Lawn’ is available now accompanied by visuals created by Aldous Harding and Martin Sagadin.

For Warm Chris, the New Zealand musician reunited with producer John Parish, continuing a professional partnership that began in 2017 and has forged pivotal bodies of work (2017’s Party and the aforementioned Designer). All ten tracks were recorded at Rockfield Studios and includes contributions from H. Hawkline, Seb Rochford, Gavin Fitzjohn, John and Hopey Parish and Jason Williamson (Sleaford Mods).

Warm Chris will be available digitally and on CD and black vinyl formats only.

Pre-order / pre-save Aldous Harding – Warm Chris: aldousharding.ffm.to/warmchris

Aldous Harding – ‘Lawn’ (Official Video)
Stream / Download: 
https://aldousharding.ffm.to/lawn

Aldous Harding
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Festival NewsMusic News

GOOD FEST — A WESTSIDE BLOCK PARTY. JAN 22

by the partae January 13, 2022
written by the partae

A celebration of good music, good food, good booze and good times, over one atmospheric afternoon and evening, Mr West will transform Footscray’s Nicholson Street Mall into an immersive multi-sensory melting pot of culture, connection and community.

MELBOURNE, Australia. January 7th, 2021. On January 22nd 2022, Mr West Bar & Bottle Shop will host its inaugural open-air extravaganza, Good Fest — A Westside Block Party. 

A celebration of good music, good food, good booze and good times, over one atmospheric afternoon and evening, Mr West will transform Footscray’s Nicholson Street Mall into an immersive multi-sensory melting pot of culture, connection and community. 

EVENT DETAILS 

Date: January 22nd, 2022. 

Time: 4pm-9pm 

Address: Mr West, 106 Nicholson St, Footscray VIC 3011 

Price: Free

THE MUSIC 

AUSECUMA BEATS 

Live from the open-air stage, the afro-beat meets dance-music mastery of AUSECUMA BEATS will take block party revellers on a global journey of music discovery as they move, shake and shimmy to the hypnotic sounds of the nine-strong ensemble. 

Led by their fearless bandleader and master djembe player, Boubacar Gaye, AUSECUMA BEATS demonstrates what can happen when a group of artists come together based on an idea – in this case, the concept of place, of transplanting cultural heritage into a contemporary city. 

ELAURA 

Fresh off the back of her new single SHADOWTALK, Chilean/Australian songstress ELAURA will grace the stage with her jazz, soul, and R’n’B inspired music about love, self-awareness and finding one’s place in the world. 

Singing stories about individual and collective evolution, ELAURA‘s captivating sound, honeyed voice and empowering lyrics remind listeners of their innate human power, authenticity and grace. 

AMIN PAYNE 

Producer/DJ/Performer based in Melbourne. Co-Founder and member of the bands ‘Due Dillagence’ & ‘OJ KUSH’. 

A vital member of the Operatives, Amin is also the co-founder of Condensed Milk, a collective & label that is renowned for drawing a crowd for its parties, talent showcases and DJ sets across Melbourne and releasing several acclaimed compilations of local and international artists. 

Amin’s latest project is his TEYMORI alias which explores a distinctive take on house music. His debut EP merges sounds of Funk, Afro, soul, percussive rhythms & takes you on an organic journey with sophisticated grooves. 

DJ PETRA 

PETRA is a selector who will match the energy of her sets to the vibe of a crowd. Her selection sequences have depth with an old school analogue touch, so you can expect funky jams and energetic beats, high hats and deep melodies combining old and new tunes that will have everyone moving their feet. 

Having been on the bill for the soft launch of highly anticipated ATET, with upcoming gigs for Novel and more, PETRA is hustling hard to emerge onto the Melbourne music scene in a big way. 

THE FOOD & BOOZE 

PIE THIEF 

Pie thief is an overnight cult hero of the Footscray food scene. The idea was born from Aaron Donato (Bar Josephine) and Chef Scot Blomfield (ex Supernormal) sharing pints and discussing their love and nostalgia for a crispy, delicious, buttery, pie. Today, you will still see lines down Barkly St at lunchtime of people patiently waiting to get their hands on these incredible parcels of joy.

DINGO ATE MY TACO 

Criminal Defence Attorney turned taco expert Paul Walcutt moved to Melbourne from Texas in 2019. 

His food truck/pop-up focuses on elevated Tex Mex fusing Texas BBQ techniques with fresh and delicious Mexican flavours and the result is some of the most mouthwatering tacos in Melbourne. 

MR WEST X HOMEGROWN POP UP BAR 

Mr West has teamed up with the team from Homegrown to set up an outdoor cantina bar on the day. The offering will feature bottled cocktails designed by the Melbourne cocktail legends from Fancy Free using Australian spirits and native ingredients as well as a tidy selection of craft beers and natural wines from Mr West. 

ABOUT MR WEST BAR & BOTTLE SHOP 

Mr West Bar & Bottle Shop is a multifaceted drinking space and one-stop booze shop in the heart of Melbourne’s West. The idea was conceptualised in early 2016 when mates Caleb Baker and Josh Hodges realised they both dreamt of opening a venue and shared a passion for all types of liquor. With a wealth of knowledge, knowhow and industry experience between them, they knew they were onto something; and before they could drink Josh’s stash of mezcal, Mr West was born. 

For co-owners Caleb and Josh, Mr West was an opportunity to collaborate and showcase their depth of knowledge and passion for booze in all its forms, and corners of the globe. Priding itself on being the house of hops and fine drops Mr West has 30 taps to choose from along with an extensive list of 

independent craft beer, natural wine, speciality spirits and a carefully crafted seasonal cocktail list. The Mr West team works closely with industry legends both locally and Internationally to hold regular events, masterclasses, tastings and exclusive product releases. 

https://www.facebook.com/events/701993040784829

https://www.instagram.com/mrwestbar/

  • Acknowledgement of country: Mr West Bar & Bottle shop, in conjunction with all Good Fest presenting partners and collaborators, acknowledge the Traditional Owners and Custodians of the land on which this event is held, the Wurundjeri Peoples of the Kulin Nation, and pay our respects to their Elders past, present and emerging.
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Music News

SEPH COVE RETURNS WITH TOUCHING TRIBUTE ‘HELEN’

by the partae January 13, 2022
written by the partae

“Gorgeous pacing and that calling vocal refrain really sticks in your head and heart.”
– Dave Ruby Howe, triple j

“Trying times tend to make us turn away from the present and indulge in often bittersweet acts of reminiscence: melancholia merges with longing as memories come to soothe the agonies of the day. This is certainly the case for Seph Cove”
– Atwood Magazine

Known to balance the line between buoyant and affecting, the return of Seph Cove and his moving new track ‘Helen’ leaves no feeling unexplored.

Inspired by human connection, ‘Helen’ is a stirring, tempestuous tune of redemption and amity. Full of sonic versatility, and sublime production that builds to complex, powerful lows and tender highs. The track focuses on friendship and how sometimes it is important to remind the people you care for, that they are enough. “I wrote this song in response to learning about the upsetting half-year a friend of mine had during the lockdown in 2020,” Seph explains, “It was such an important reminder to have perspective. I wanted to let my friend know they had support and that despite everything, they were a very, very good person.”

After taking a year off to follow the call of wild abandonment and take time to search inwards, Seph has been pulling crowds to intimate shows at The Little Poet Bookstore, Byron Bay. And had supporters swooning at private balcony gigs. As an artist who is drawn to poetry, community, nature, and closeness, Seph has more personal shows and collaborations in the works. Live shows are not the only thing making waves for Seph, announcing today the release of his latest EP Unsafe Passage, out Friday 18 February.

Seph’s newest single, ‘Helen’ was produced with collaborator, Tim Bettinson of Vancouver Sleep Clinic and mixed and mastered in partnership with audio engineer, Luke Jenkins. While his last single ‘Sirens’ was supported with play from triple j’s Roots N’ All and media coverage from tastemakers, Variance, MILKY, and The Partae. ‘Falling’ landed on Spotify’s New Music Friday AU & NZ and ‘Sirens’ took a slot on ‘Summer Waves’. At ease on the stage, Seph has played a variety of sold-out hometown shows as the headliner and supported fellow singer-songwriter Budjerah on his sold-out Melbourne shows.

‘Helen’ can be listened to now, on all streaming services and is assured to tide over listeners until the release of Unsafe Passage.

‘Helen’ is OUT NOW 

https://www.facebook.com/SephCoveMusic

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Music News

CHRISTIAN LEE HUTSON ANNOUNCES NEW ALBUM ‘QUITTERS’

by the partae January 13, 2022
written by the partae

CHRISTIAN LEE HUTSON
ANNOUNCES NEW ALBUM
‘QUITTERS’

PRODUCED BY PHOEBE BRIDGERS
AND CONOR OBERST

COMING OUT APRIL 1 VIA ANTI-

WATCH VIDEO FOR NEW TRACK “RUBBERNECKERS”

Photo Credit: Jacob Boll

“detailed and perfectly calibrated songwriting” – NPR Music

“…Hutson’s particular variation on finger-picked folk is as refined and masterfully crafted as you’ll find anywhere” – Pitchfork

“…an artist like Hutson uses a certain rawness to weigh emotions equally. His music exists outside of an easy descriptor. It’s simply great.” – Passion of the Weiss

Los Angeles’s Christian Lee Hutson has announced his sophomore album Quitters today. Produced by Phoebe Bridgers and Conor Oberst, Hutson pulls from a wide range of influences for his second record: the tight rhymes of John Prine, Bob Mehr’s book about the Replacements Trouble Boys, and Scott McClanahan’s auto-fiction The Sarah Book. It’s a recording that feels like a sonic expansion from Hutson’s debut.

Hutson has also shared a video for the lead single “Rubberneckers” (co- written with Alex Lahey) which features backing vocals from Bridgers. Directed by Zoe Donahoe and Adam Sputh, watch as Hutson plays to the camera then runs from it in resentment at the link below.

Watch The Video For “Rubberneckers”

“I made the “Rubberneckers” video with my friends Zoe and Adam, who I worked with on the “Lose This Number” video,” Hutson explained. “The last time I danced was at the 8th grade social and it was mainly just swaying to “I Don’t Wanna Miss a Thing” but I wanted to showcase what a natural, gifted dancer I am.”

Across Quitters’ 13 tracks, Hutson crafts a portrait of the place he’s from. In these short story-like songs  he presents characters who carry this golden light and sinister geography inside them. It’s a place where everything in the end gets blown away and paved over with something new, where even the ocean and fires are always whispering, “One day we’ll take it all back.”

This is a Los Angeles in constant transition, where childhood is lost, where home is gone and can never be visited again. Yet Hutson’s world is also one of happy accidents, where doors are left open on purpose, hoping that someone new will walk through. In the end, what’s left are these songs created by some future spirit, written to comfort the person we are now.

Quitters is also a departure from the digital recording of his debut. Hutson stated, “When we made Beginners the aim was to make simple digital recordings of how I would play the songs in the room. With this record, Phoebe and Conor had an idea that it would be fun to make it to tape. Phoebe is my best friend and making Beginners with her was so comfortable and easy. So I wanted to work with her again.”

“I took a long time with Beginners,” Hutson added. “I had those songs for 10 years, but these songs came out a lot faster.” Because the songs from Quitters were written in a shorter time, “there was a little bit of insecurity with the lyrics. Having Conor served the purpose of someone who I really respect as a lyricist and could soothe my anxiety.”

QUITTERS TRACKLIST

1. Strawberry Lemonade
2. Endangered Birds
3. Rubberneckers
4. Sitting Up With A Sick Friend
5. Age Difference
6. Blank Check
7. Cherry
8. State Bird
9. Teddy’s Song
10. Black Cat
11. Creature Feature
12. OCDemon
13. Triple Axel

 

 

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Music News

BASIA BULAT Shares new single & video ‘Fables (The Garden Version)’ Taken from forthcoming album The Garden Out February 25 via Secret City

by the partae January 13, 2022
written by the partae
Photo Credit: Richard Lam
Montreal’s Basia Bulat today shares ‘Fables (The Garden Version),’ the breathtaking, deeply stirring second single arranged and orchestrated by Zou Zou Roubidoux and from her forthcoming album The Garden, out digitally February 25th and physically March 25th, via Secret City Records / Remote Control Records. The track arrives alongside a video directed by Bulat that juxtaposes Hi 8 Camera footage from her childhood with recently shot footage of herself and her daughter.

“This is one of my favourite songs I’ve ever written because, as a folk singer, I have spent my adult life devoted to singing stories,” explains Bulat. “Storytelling is how we understand who we are and where we come from –  fables carry lessons from one generation to the next. But what do we do when part of the fable passed down to us is forgotten or mistaken? When we realise as adults that we may have been carrying on legacies that we didn’t intend or understand? Sometimes the stories we learned in childhood about ourselves and our homes are remnants from a past that cannot answer the questions we have in the present. We can’t change or save anyone with the stories we’ve carried with us, but they remind us to be bold enough to meet one another in the moment we have now with truth and love.” A reimagination of songs across Bulat’s five studio albums with stunning classical string quartet arrangements by Owen Pallett, Paul Frith, and Robidoux, The Garden is available for pre-order HERE.

Of the video, Bulat adds: “I wrote ‘Fables’ as both an ode to childhood and to the more difficult truths of adulthood, so when I came across some lovely old footage my mother filmed during a snow day, I was inspired to sing back to that time and see what might happen if I filmed it. Millefiore Clarkes and I were lucky enough to catch the sunlight and calm the day after a huge blizzard came through on Prince Edward Island. It felt very emotional watching the footage back to back, across years and seasons, recreating what felt like a childhood fable I had forgotten about in a new era of my life.”

While she has been known to play live with small chamber ensembles and full orchestras – including the Ottawa National Arts Centre Orchestra and Symphony Nova Scotia – The Garden marks Bulat’s first recording to capture this spellbinding configuration, which further showcases her singular voice and timeless songwriting. Across the 16 songs, produced by herself and Mark Lawson (Arcade Fire, Beirut), she gives a new life to beloved originals alongside a handpicked group of string players (violinists John Corban and Tomo Newton, violist Jen Thiessen, harpist Sarah Page, along with Robidoux on cello), as well as bandmates Andrew Woods and Ben Whiteley on guitar and bass, respectively. ‘Fables (The Garden Version)‘ follows ‘The Garden (The Garden Version),’ which earned praise and support from NPR Music’s All Songs Considered, Consequence, Brooklyn Vegan, Under the Radar, and more.

The Garden fits within a storied history of artists revisiting their songs over time and for Bulat, the album was a chance to record anew select songs whose meanings have shifted from when she originally composed them. Distance teaches, and reveals: “I sing the songs differently now,” she says. “It’s the gift of time.” While creating The Garden, Bulat had just found out she was expecting her first child, which she revealed to her collaborators in the midst of recording, down a wire from the vocal booth. A song can change shape, turning new leaves and growing new blooms, in life’s unexpected seasons.

The Polaris Music Prize and Juno-nominated Bulat has earned acclaim throughout her career from The New Yorker, NPR Music, The New York Times, Pitchfork, WNYC, The Independent, MOJO, and Uncut, among many others. Bulat has toured extensively around the world, gracing such stages and festivals as Carnegie Hall, Newport Folk Festival, and Montreux Jazz Festival.

Pre-order / pre-save Basia Bulat – The Garden: https://found.ee/BB-TheGarden

Basia Bulat – ‘Fables (The Garden Version)’ (Official Audio)

Basia Bulat
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Music News

MOSSY Shares New Single ‘Why Can’t You See?'(Feat. Purient)’

by the partae January 13, 2022
written by the partae
Photo Credit: Ben Timony
MOSSY RELEASES NEW SINGLE AND VIDEO
‘WHY CAN’T YOU SEE?’
FEATURING ELECTRONIC PRODUCER AND VOCALIST, PURIENT
DEBUT ALBUM N2KY OUT FRIDAY 18 MARCH
I OH YOU are excited to share MOSSY’s seductive new track ‘Why Can’t You See?’ from his forthcoming debut album N2KY, out Friday 18 March. Plus, a video featuring producer and vocalist, Purient.

Featuring electronic producer and vocalist Purient, ‘Why Can’t You See?’ is a stunning electro-ballad duet, about the limits of how well you can truly know a partner. Reflecting on the novel ‘The Doors of Perception’ by English writer Aldous Huxley, MOSSY came to the conclusion that perhaps “you can never fully know someone or occupy their universe. ‘Why Can’t You See?’ is a story about being in a relationship where there’s a constant veil, or even a secret, between you and one person is saying, ‘You don’t actually know me’.”

WATCH: MOSSY – ‘Why Can’t You See?’
‘Why Can’t You See?’ has been kicking around for about 10 years in various forms, MOSSY says. “The vocals must have changed 50 times. My friend Will Shepherd wrote the original bass line, which Dean Tuza (producer) and I later turned into a bass synth sequence for this recording. Dean also suggested that we start the song like Kokomo by The Beach Boys, which really worked. It took me a while to find a chorus that I loved. I was listening to a lot of Blood Orange at the time and remember standing out the front of the Dendy Cinemas in Newtown in a torrential thunderstorm when the idea for the backing vocals came. I knew what kind of voice I wanted to sing those parts, but I struggled to think of the right person. It was years after that that I saw Kate (Purient) perform live for the first time and knew that her voice would be absolutely perfect on the track. Kate ended up doing a lot of vocals on the album. I love her voice, it’s so smooth, crystalline and unaffected. For me, it makes the track.”

‘Why Can’t You See?’ follows recent single ‘Unfazed’, which was added to FBi and has seen adds to global hyperpop tastemaker playlists across Spotify, Apple, Amazon and SoundCloud, and came with a dazzling re-work by Melbourne artist Banoffee. N2KY’s first single ‘Shade’ was added to rotation at FBi Radio and saw adds to a plethora of global streaming playlists. This track also came with an energetic remix by 17-year-old Canadian Hyperpop artist kmoe that was added to global Spotify playlists creamy (696k followers), hyperpop, Friday Cratediggers, cellophane, and Apple Music’s Glitch, New In: Electronic, Future Sounds and Electronic Pop. Combined these tracks have seen support from the likes of Matt Wilkinson and Zane Lowe, and firmly established MOSSY in the alternative pop world.

‘Why Can’t You See’ is a stunning offering from MOSSY that shows a softer side to his forthcoming N2KY release.

For Fans Of: Yung Lean | Charli XCX | Banoffee

MOSSY – ‘Why Can’t You See?’
Out now through I OH YOU
Listen/watch here

MOSSY – N2KY
Out Friday 18 March through I OH YOU
Pre-order here

Tracklisting:
1. Shade
2. I Will Be the One Who Says Yes
3. Broke Again
4. Dim Rays of Hope
5. Where Does the Time Go?
6. N2KY
7. Why Can’t You See?
8. A Few Minutes of Silent Staring
9. Special Attention
10. Unfazed

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SUPERLOVE UNVEIL CHARMING NEW SINGLE ‘MAYBE I COULD TELL YOU’ AND ACCOMPANYING MUSIC VIDEO

by the partae January 13, 2022
written by the partae

SUPPORT FOR ‘MAYBE I COULD TELL YOU’

“Listeners can expect to be swept off of their feet and into the band’s indie-tinged soundscape upon the first listen.”
Wonderland. (UK)


UK-based noise-pop band Superlove have just revealed their ethereal new single ‘Maybe I Could Tell You’ and its picturesque accompanying music video.

The electro-pop-tinged track is influenced by mid-2000’s coming-of-age films featuring those early moments of falling in love. The band explain, “to take a step aside from our usual writing process was really fun and this song has definitely opened up another new window for what our band can sound like. Lyrically the song is all about those moments building up to telling someone how you feel about them, when you want to tell someone you love them or fancy them. It can be a pretty nerve-wracking thing. The conversational element to the song was something that was done to showcase the innocence and vulnerability of the songs topic.”

Previous singles ‘Save Yourselves’ and ‘wanna luv u’ saw extensive support from Spotify, Apple Music, Amazon Music, Rock Sound (UK), Upset Magazine (UK), Milky, Rawing In The Pit, GC Live, Punktuation Magazine, AAA Backstage and Listen Loud. They also saw radio play from BBC Radio 1 (UK), RTÉ 2XM (IRE), Pinguin Radio (NED), The Faction and Radio Adelaide.

‘Maybe I Could Tell You’ is available worldwide now, via Rude Records

FOLLOW SUPERLOVE

FACEBOOK | TWITTER | INSTAGRAM | TIKTOK | SPOTIFY | APPLE MUSIC | AMAZON MUSIC | YOUTUBE | WEBSITE

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Honeyglaze announce debut album and share single ‘Shadows’

by the partae January 13, 2022
written by the partae
HONEYGLAZE
ANNOUNCE SELF-TITLED DEBUT ALBUM
OUT APRIL 29 ON SPEEDY WUNDERGROUND
SHARE NEW SINGLE ‘SHADOWS‘
Photo Credit: Holly Whitaker

Honeyglaze are excited to announce their Dan Carey-produced, self-titled debut album, to be released on April 29 via Speedy Wunderground.

The South London based, haiku-loving trio formed just before the first lockdown, and a combination of compelling live performances (including Green Man and support slots with Wet Leg, Geese and The Lounge Society) plus two standalone singles (‘Burglar‘ and ‘Creative Jealousy‘) has seen their profile rise rapidly and garner support from a plethora of early fans including Steve Lamacq, Matt Wilkinson and Wet Leg – who have all declared themselves in love with their intoxicating brand of poetic lyrics and impressive musicianship.

Along with the album announce, the band also unveil new single ‘Shadows‘, a rollicking slice of jangle pop, its sunny sway hiding a darker tale of insomnia. The accompanying video was directed by Asha Lorenz, frontwoman of the band Sorry.

Vocalist and guitarist Anouska Sokolow says of the song, ”‘Shadows’ was written during a time when I had just moved house. I had no curtains in my bedroom and the streetlights would cast shadows into my room. I began to associate shadows with the inability to sleep and the feeling of waiting for the relief that the morning brings.”

Of the video, Honeyglaze say: “For the ‘Shadows’ video, we wanted to be a bit more playful and match the jauntiness of the song. We got together with directors Asha Lorenz and Flo Webb and a load of random props, and improvised shadow play scenes together. We just wanted to go out and have fun. We had no idea it would end in death. It was never our intention to kill Yuri. It just all happened so fast.”

Honeyglaze are a South London based trio comprised of vocalist and guitarist Anouska Sokolow, bassist Tim Curtis and Yuri Shibuichi on drums.

Born out of lead songwriter Sokolow’s un-desire to be a solo-act, the group met officially at their first ever rehearsal, just three days ahead of what was to become a near-residency at their favoured The Windmill in Brixton. Forming a mere five-months ahead of a subsequent five-months of mandatory solitude, Honeyglaze, at first appearance, are a group who play with chance, time, and synergetic fate, in a manner few others are able to do.

A thirty-minute YouTube live session recorded in the garage of their close pal Fran for ‘FarmFest 2020’ pricked the ears of seminal producer Dan Carey and his team of meticulous taste-makers Speedy Wunderground (Squid, Black Country, New Road, Tiña).

A significant step-up from their previous routine of writing, rehearsing and recording in Yuri’s bedroom, in the company of Carey and his team, Honeyglaze were introduced to an entirely new universe – one filled with a ‘Swarmatron’, long-sweaty afternoons in window-less analogue, and total, creative freedom.

Much like the eponymously debuted statements of contemporary folk singer Bedouine‘s Bedouine, Crosby, Stills and Nash, or, dare we suggest Madonna‘s Madonna, Honeyglaze the album presents to the world an audibly picturesque documentation of soul-searching, in all its figments of reality; a proclamation of cultivated intent which in turn creates a subliminal safe-space between relatability and self-projection, and creative-comradery paired with introspective artistry.

A self-described “opposite to a concept album” that sonically encapsulates the who, what, where and how of their individual circumstances coming together as one, Honeyglaze is storytelling at its most soulful, presenting human instinct in a manner that accepts all of the insecurities that come from their present adolescence, whilst acknowledging the formative maturity that’s earned when we allow ourselves to embrace the unknown, of our futures ahead.

“If someone is going to find you special – then you want to show what’s most special about yourself,” notes Curtis. “Then you can do what you want from there.”

Mixing the personal with romanticised ideals in ways that are simultaneously heart-wrenching and humorous to a dead-pan effect, there is no one trajectory for Honeyglaze, whose greatest ability is finding ways to present what’s written in-between the lines, in moments of beautifully well-versed clarity.

Tackling themes varying from jealousy to inadequacy, codependent companionships to the smell of coffee on clothes, as with all good reflections of self, Honeyglaze is a fly on the wall opportunity to get to know three familial strangers in your own way – whilst they too suss out themselves, and the ever-growing circle around them, in the span of 37 minutes.

In keeping with their broody pop / alt-indie sentiments, in tracks such as the aptly titled ‘Start’: a solar complex stirring call from the top of Sokolow’s spirit, to the bassy heart-pluck of Curtis, and back over to the rhythmically knobbly-knees of Shibuichi, or, the rollicking jangle of ‘Shadows’, Honeyglaze are able to command total control as the protagonists of their own melancholic manifesto.

Debut single ‘Burglar’ is an enamoring masterclass in baring all, without needing to scream to be heard or understood. Beckoning, becoming and utterly bewitching, ‘Burglar’ is the coming-of-age lovechild of Whitney‘s Forever Turned Around, and the stylistically-subdued existentialism of Julia Jacklin, or Oregon’s Haley Heynderickx.

As for what remains, be it performing to a rammed crowd at Brecon Beacons’ Green Man Festival back in August, or playing at the iconic 100 Club for Fred Perry’s All Our Tomorrow’s Festival, it’s safe to say that Honeyglaze are well and truly embodying the concept of ‘ones to watch’.

To conclude: “Hi we are Honeyglaze, and there’s no time to explain.”

Honeyglaze by Honeyglaze
is out April 29 via Speedy Wunderground
Pre-order: https://ffm.to/honeyglaze_album

Honeyglaze
Honeyglaze

1. Start
2. Shadows
3. Creative Jealousy
4. I Am Not Your Cushion
5. Female Lead
6. Burglar
7. Half Past
8. Deep Murky Water
9. Young Looking
10. Souvenir
11. Childish Things

January 13, 2022 0 comments
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Music News

The Teskey Brothers Release A Cover Of Archie Roach’s ‘Get Back To The Land (feat. Emma Donovan)’

by the partae January 12, 2022
written by the partae

Photo Credit: Bridgette Winten
THE TESKEY BROTHERS TEAM UP WITH EMMA DONOVAN TO COVER
ARCHIE ROACH’S ‘GET BACK TO THE LAND’
EAST COAST TOUR STARTS THIS WEEKEND
+ SYDNEY DATE POSTPONED TO NOVEMBER
The Teskey Brothers are kicking off the new year by gifting fans with a soulful rendition of Archie Roach’s 2016 single, ‘Get Back To The Land’, featuring acclaimed singer-songwriter Emma Donovan. The release comes on the eve of The Teskey Brothers East-Coast tour including their show in Melbourne on Saturday January 22 with Orchestra Victoria, whom they collaborated with for the release of their recent album Live At Hamer Hall (Dec, 2021).The cover received the thumbs up from Archie Roach himself, who said of the collaboration:

Archie Roach:
“Listening to the Teskey Brothers’ version of Get Back To The Land gives me goosebumps. It’s good to see the Deadly Emma Donovan singing with Josh; their voices mesh. This version is just dripping with soul. To hear one of your own songs that has been taken to another level is really touching. I feel so humbled.”

Josh Teskey said of the track:
“This song is very special to all our hearts. Archie Roach – what a legend! He really hit a nerve with this one. Something we’ve all felt from time-to-time while travelling, that yearning to get back to the land we know. Plus it was such an honour and privilege to share lead vocals with Emma Donovan. She is absolutely incredible on this track!”

Emma Donovan and The Putbacks will be supporting The Teskeys and Orchestra Victoria at their upcoming hometown show in Melbourne on Sat Jan 22.  The Teskey Brothers will also perform this Friday 14 Jan in Brisbane, supported by Dana Gehrman, while due to COVID restrictions indoors, their Sydney show will be postponed to Friday Nov 18.

The cover art for the single is a painting titled ‘Desert Breeze’ by Wurundjeri artist Grace Brown, licensed to the band for this single release. Brown says her work is known for depicting “the many forms of connection between communities and the earth” – a theme that resonates throughout Archie’s song and this performance by The Teskey Brothers and Emma Donovan.

The Teskey Brothers rounded out 2021 with the release of their acclaimed Christmas performance with Orchestra Victoria, Live At Hamer Hall.  On Live At Hamer Hall, the ARIA-winning, Grammy-nominated group’s songs were spectacularly reimagined by arranger Jamie Messenger and performed live onstage at the iconic Melbourne venue with Orchestra Victoria, led by conductor Nicholas Buc, and streamed live to fans across the world on YouTube, but unavailable on any other format until Dec. The 50-minute performance features hits from the band’s two critically acclaimed albums Run Home Slow (2019) and Half Mile Harvest (2017) and their two original Teskey Brothers Christmas songs, ‘Dreaming Of A Christmas With You’ and ‘Highway Home For Christmas’.

The collaboration was filmed and subsequently uploaded to YouTube in December 2020, a Christmas gift for Teskey fans around the world who at that point were seriously starved of live music. The feedback was unanimously glowing, leaving everyone little choice but to mix down and manufacture this “masterpiece” into a live album for wider release the following Christmas, 2021.

Don’t miss your chance to see the The Teskey Brothers with Orchestra Victoria for these exclusive shows

THE TESKEY BROTHERS 
Support: Emma Donovan & The Putbacks*
Dana Gehrman**

Fri Jan 14 – Riverstage, Brisbane QLD**
Sat Jan 22 – Sidney Myer Music Bowl w/Orchestra Victoria, Melbourne VIC*
NEW DATE  Fri Nov 18  – Aware Super Theatre w/Orchestra Victoria, Sydney NSW

For further information:
theteskeybrothers.com

The Teskey Brothers are:
Josh Teskey – vocals & rhythm guitar
Sam Teskey – lead guitar
Brendan Love – bass guitar
Liam Gough – drums

The Teskey Brothers – ‘Get Back To The Land (feat. Emma Donovan)’

Out now through Ivy League Records

Listen here

‘Desert Breeze’ by Grace Brown

January 12, 2022 0 comments
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PAVEMENT Announce Terror Twilight: Farewell Horizontal Expanded reissue of their final album Featuring 28 unreleased tracks Out April 28 via Matador Records Listen to never before heard track ‘Be The Hook’

by the partae January 12, 2022
written by the partae

On April 8th, Matador Records / Remote Control Records will release Terror Twilight: Farewell Horizontal, an exhaustive 45-track reissue of the band’s much-loved fifth and final album. The new special edition compiles the remastered original album, B-sides, home demos, rehearsal tapes, era-appropriate live recordings, and even the rough tracks from Pavement’s scrapped session at Sonic Youth’s Echo Canyon studio. Altogether, it features 28 unreleased tracks. Listen to the never before heard track ‘Be The Hook’ HERE.

The 4xLP and 2xCD editions will include a book with never-before-seen photos and commentary / context from band members Mark Ibold, Stephen Malkmus, Bob Nastanovich, Spiral Stairs, and Steve West as well as producer Nigel Godrich (Radiohead, Beck).

The LP will restore Godrich’s suggested sequence – which foregrounds the album’s headiest songs – while the CD preserves the final track order assembled by the band.

Originally released in 1999, Terror Twilight marked a departure from Pavement’s established operating methods. Which is to say that it was recorded with a big-time producer in an expensive studio. However, for all the talk of “polish” and “precision” it’s still very much a Pavement record. And a great one. Like every Pavement album that preceded it, Terror Twilight thrills and confounds. Often at the same time. Twenty-two years on, the songs remain moody, strange, and eminently deserving of re-celebration.

Following a 10+ year hiatus, Pavement recently announced a run of UK, European and North American reunion shows for 2022, including a five night run at the Roundhouse in London.

Pavement are Mark Ibold, Scott “Spiral Stairs” Kannberg, Stephen Malkmus, Bob Nastanovich and Steve West. Among the most beloved acts to come out of the American underground in the 1990’s, the band released five era-defining albums – Slanted And Enchanted (1992), Crooked Rain, Crooked Rain (1994), Wowee Zowee (1995), Brighten The Corners (1997) and Terror Twilight (1999) – before disbanding in 1999. Pavement’s 2010 reunion saw them play four sold out shows in Central Park and top the bills of festivals worldwide including Coachella, Primavera Sound, and Pitchfork.

Pre-order / pre-save Pavement – Terror Twilight: Farewell Horizontal: 
https://pavement.ffm.to/terrordeluxe

Pavement – ‘Be The Hook’ (Official Visualiser)
Listen / Download: 
https://pavement.ffm.to/bethehook

Pavement – Terror Twilight: Farewell Horizontal
LP1 – Side A
1. Platform Blues
2. The Hexx
3. You Are a Light
4. Cream of Gold
5. Ann Don’t CryLP1 – Side B
1. Billie
2. Folk Jam
3. Major Leagues
4. Carrot Rope
5. Shagbag #
6. Speak, See, Remember
7. Spit On a Stranger

LP2 – Side C 
1. The Porpoise and the Hand Grenade
2. Rooftop Gambler
3. Your Time to Change
4. Stub Your Toe
5. Major Leagues (Demo Version)
6. Decouvert de Soleil

LP2 – Side D 
1. Carrot Rope (SM Demo) #
2.  Folk Jam Moog (SM Demo) #
3. Billy (SM Demo) #
4. Terror Twilight [Speak, See, Remember] (SM Demo) #
5. You Are a Light (SM Demo) #
6. Cream of Gold Intro (Jessamine) #
7. Cream of Gold (SM Demo) #

LP3 – Side E 
1. Spit On a Stranger (SM Demo) #
2.  Folk Jam Guitar (SM Demo) #
3. You Are a Light (Echo Canyon) #
4. Ground Beefheart [Platform Blues] (Echo Canyon) #
5. Folk Jam (Echo Canyon) #

LP3 – Side F 
1. Ann Don’t Cry (Echo Canyon) #
2. Jesus in Harlem [Cream of Gold] (Echo Canyon) #
3. The Porpoise and the Hand Grenade (Echo Canyon) #
4. Spit On a Stranger (Echo Canyon) #
5. Be The Hook #

LP4 – Side G 
1. You Are a Light (Jackpot!) #
2. Terror Twilight [Speak, See, Remember] (RPM) #
3. Rooftop Gambler (Jessamine) #
4. For Sale! The Preston School of Industry (Jessamine) #
5. Frontwards (Live) #

LP4 – Side H 
1. Platform Blues (Live) #
2. The Hexx (Live) #
3. You Are a Light (Live) #
4. Folk Jam (Live) #
5. Sinister Purpose (Live) #

# = previously unreleased
2xCD features 1999 album sequence

Pavement
Website | Twitter | Instagram | TikTok
Matador Records
January 12, 2022 0 comments
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Hippo Campus release new single ‘Ride Or Die’

by the partae January 12, 2022
written by the partae

HIPPO CAMPUS

RELEASE BREEZY, EFFERVESCENT
NEW SINGLE ‘RIDE OR DIE‘
NEW ALBUM LP3 OUT FEBRUARY 4
ON GRAND JURY MUSIC
Photo credit: Tonje Thilesen

Today, Hippo Campus release ‘Ride or Die,’ the third single off their upcoming third studio album LP3, which arrives February 4 via Grand Jury Music. The band will perform the song on The Late Late Show With James Corden Monday, January 24. ‘Ride or Die’ is an anthemic anchor for LP3, a bombastic track loosely charting ride-or-die relationships across different capacities — communities, romantic partners, collaborators, and friends. It’s accompanied by a chilled-out, lo-fi video, directed by Joe Pease.

On the track, Jake Luppen says, “It’s one of my favorite songs on the record — you can really hear everyone in the band doing their thing.”

The single & video come a day after the band surprise-released 1,000 free limited edition flexi discs at record stores all across the globe. Fans in the US, UK, Australia, New Zealand and Japan were given an early chance to hear the single before it officially arrived online today.

‘Ride or Die’ follows the recent releases of ‘Boys,’ which Billboard included in their Best Pride Songs of 2021 list and debuted #14 globally on the Spotify Indie Pop chart, and ‘Semi Pro,’ a sunlight-tinged song about the liberation that comes from making peace with stepping away that was named the #1 greatest gainer on the same chart.

What Hippo Campus wanted with LP3 was something all five of them could agree on, the way they’d made music in the early days of the band when they were in high school. As their profile grew, amassing nearly ¾ of a billion streams and hundreds of thousands of tickets sold, they found themselves compromising on their visions, thinking about how fans would interact with their music, and plagued by an unsustainable industry ecosystem.

LP3 is their strongest and most complete work yet — a freshly-inked portrait excavating young adulthood and identity and, more importantly, how that personal identity fits into a larger camaraderie. It looks at how growing up can just feel like something that’s always moving past you when you’re trying to grab a hold of it; it’s a push-and-pull of letting go or holding tighter — and figuring out what matters the most. Through cinematic, sonic clarity, is a sweeping account of courage and tenacity; tender-hearted stumbling that leads you on the right path after all.

LP3 by Hippo Campus
out February 4 via Grand Jury Records
Pre-order: https://hippocampus.lnk.to/lp3
January 12, 2022 0 comments
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Music News

Scholars invited to apply for 2022 Frank Van Straten Fellowship

by the partae January 12, 2022
written by the partae
Arts Centre Melbourne and the Australian Performing Arts Collection are excited to open the expressions of interest for the 2022 Frank Van Straten Fellowship.

Applications are now open and close on 11 March 2022 for a Fellowship which commences in July 2022.
The key objective of the Frank Van Straten Fellowship program is to enhance the analysis, discoverability and interpretation of the Australian Performing Arts Collection through high quality research and/or creative works that will resonate with diverse audiences.

The Fellow will be given access to the Australian Performing Arts Collection as well as a stipend of $15,000 to undertake research aligned to key areas including: circus, dance, music, opera and theatre (which includes comedy, vaudeville and magic).

The program also creates opportunities for the wider community to access the Australian Performing Arts Collection through the outcomes of Fellowship projects.

The Fellowship is made possible through the generous contribution of the Frank Van Straten AM and Adrian Turley Foundation. Frank played a pivotal role in the establishment of the Australian Performing Arts Collection in the late 1970s and was the founding director and first archivist of what was then the Performing Arts Museum. Arts Centre Melbourne has been the proud custodian of the Collection since its creation in the early 1980s.

Since launching in 2020 the Frank Van Straten Fellowship has produced outstanding works highlighting stories from the Australian Performing Arts Collection.

2020 Frank Van Straten fellow Dr Kate Rice was nominated for an Australian Writer’s Guild Award for Performing The Past, a creative docu-drama series produced as podcasts.

2021 recipient Cathy Pryor used her opportunity to create a digital exhibition titled Rare flowers and golden butterflies    diving into the history of three magical women Esme Levante, Myrtle Roberts and Loretta “Moi-Yo” Miller Montes.

Applications for the 2022 Fellowship close on 11 March 2022.

artscentremelbourne.com.au
January 12, 2022 0 comments
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Music News

Fontaines D.C. Announce New Album ‘Skinty Fia’ Out 22 April

by the partae January 12, 2022
written by the partae
ANNOUNCE NEW ALBUM SKINTY FIA FOR FRIDAY APRIL 22 + FIRST SINGLE
‘JACKIE DOWN THE LINE’ OUT NOW
LISTEN/WATCH HERE
PRE-ORDER SKINTY FIA HERE

DOWNLOAD IMAGES + ARTWORK HERE
Photo Credit: Filmawi
SKINTY FIA IS FONTAINES D.C.’S THIRD ALBUM FOLLOWING 2020’S BROODING AND VITAL UK #2, BRIT AND GRAMMY-NOMINATED SOPHOMORE ALBUM, A HERO’S DEATH
THE BAND WILL PERFORM ‘JACKIE DOWN THE LINE’ ON THE TONIGHT SHOW WITH JIMMY FALLON THIS WEEK
Fontaines D.C. have announced their third album, Skinty Fia, to be released on Friday April 22 on Partisan Records/Liberator Music. News of the album comes with the release of its first single, ‘Jackie Down The Line’ – replete with a video directed by Hugh Mulhern and starring multidisciplinary artist, MC, dancer, and choreographer, Blackhaine. The band will give ‘Jackie Down The Line’ its live performance debut on The Tonight Show Starring Jimmy Fallon on Wednesday 12th January..

Watch the video for ‘Jackie Down The Line’ HERE
Working for a third time with producer Dan Carey, Skinty Fia follows  2020’s brooding and vital UK #2, BRIT and GRAMMY-nominated sophomore album A Hero’s Death. The band first sprang to international attention in 2019 when their exhilarating debut album, Dogrel, became one of the most highly lauded releases of the year and won them a place on the Mercury Music Prize shortlist. With poetry infusing their music and lyrics, coupled with their joyous, intense live shows, Fontaines D.C. have rightfully earned a reputation as one of the most refreshing and exciting young bands in years; a once-in-a-generation youthquake of literate, rhapsodic brilliance. After picking up nominations at the BRITS (“Best International Group”), GRAMMYs (“Best Rock Album”), and the prestigious Ivor Novello Awards (“Best Album”), the band returned from pandemic lockdown to sell out all 10,000 tickets for their October show at London’s Alexandra Palace before wrapping up work on Skinty Fia.

Skinty Fia is an Irish phrase which translates to English as “the damnation of the deer” and the album’s cover art features a deer, plucked from its natural habitat and deposited in the hallway of a home, illuminated by an artificial red glow. The Irish giant deer is an extinct species and the band’s thoughts on Irish identity are central to Skinty Fia. While Dogrel was littered with snapshots of the Dublin characters – like the cabbie in ‘Boys In The Better Land’ – and A Hero’s Death documented the dislocation and disconnection the band felt as they travelled the globe on tour, on Skinty Fia Fontaines D.C. are addressing their Irishness from afar as they recreate new lives for themselves elsewhere. For a band whose hometown courses through their veins – “D.C.” stands for “Dublin City” – the album finds them trying to resolve the need to broaden their horizons with the affection they still feel for the land and people they’ve left behind.

There are echoes of Dogrel’s rumbustious rock ’n’ roll, and the bleaker atmospheres of A Hero’s Death, but Skinty Fia, the third in the triumvirate, is much more expansive and cinematic. Fontaines D.C. are a band in a state of constant evolution and this time the result is an album of shifting moods, startling insight, maturity, and considerable emotional wallop.

Pre-order Skinty Fia HERE

Fontaines D.C. are:
Carlos O’Connell (guitar), Conor Curley (guitar), Conor Deegan III (bass guitar), Grian Chatten (vocals) and Tom Coll (drums).

FONTAINES D.C.
AUSTRALIAN TOUR DATES 2023
WED 1 FEB, 2023 – Roundhouse, SYDNEY
THU FEB 2, 2023 – The Triffid, BRISBANE
TUES 7 FEB, 2023 – Corner Hotel, MELBOURNE
WED 8 FEB, 2023 – The Forum, MELBOURNE

For more details, click HERE

FONTAINES D.C. – ‘Skinty Fia’

Out Friday 22 April

 Pre Order Skinty Fia HERE

January 12, 2022 0 comments
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Music News

St. Paul & The Broken Bones share live video for new single ‘Minotaur’

by the partae January 12, 2022
written by the partae
Photo credit: Bobbi Rich

St. Paul & The Broken Bones have released ‘Minotaur,’ the newest single from their ambitious forthcoming album The Alien Coast – out January 28 on ATO Records. The track’s accompanying live performance video, also released today, was shot in one take at Ol Elegante studios in the band’s hometown of Birmingham, Alabama.

‘Minotaur’ is an irresistibly groove-heavy falsetto-laced track partly inspired by the mythical beast as an alter ego. Rooted in a guitar loop that guitarist Browan Lollar dreamed up on a tour bus in Europe, the song serves as a soulful meditation on identity and trauma. “‘Minotaur’ is about fearing something within you, and the loneliness that comes from that,” says lead vocalist Paul Janeway. “Especially if you grew up in an abusive situation, there can be this feeling of having something in you that you don’t want to encounter or even recognize.”

The Alien Coast defies expectations yet reflects the galvanizing musicianship that has earned the band massive acclaim, three Billboard 200 debuts, an opening slot with the Rolling Stones, a legendary NPR Tiny Desk performance with over seven million views, and multiple national tv bookings including the first-ever musical performance on Stephen Colbert’s Late Show and a Daytime EMMY nomination for one of their CBS Saturday Morning appearances.  Recently on his Rocket Hour radio show, Elton John, who is a longtime fan of the band and has hosted them at his Oscar party, said that “Paul Janeway is one of my favorite vocalists” and also shared a song from the new album.

The album’s recently released ‘The Last Dance‘ considers “the juxtaposition of dancing while facing certain doom,” says Janeway. Its video was directed by Machete Bang Bang (Coldplay, Jeff Goldblum, Evan Rachel Wood) and features dancer Liv Mai.  The band also recently shared a one-take live version of ‘The Last Dance’ as well as ‘Love Letter From A Red Roof Inn.’

St. Paul & The Broken Bones is Paul Janeway, Jesse Phillips (bass), Browan Lollar (guitar), Kevin Leon (drums), Al Gamble (keyboards), Allen Branstetter (trumpet), Chad Fisher (trombone), and Amari Ansari (saxophone).

The Alien Coast by St. Paul & The Broken Bones
is out January 28 on ATO Records
Pre-order: 
https://atorecords-ffm.com/thealiencoast

St. Paul & The Broken Bones
The Alien Coast

1. 3000 AD Mass
2. Bermejo and The Devil
3. Minotaur
4. Atlas
5. The Last Dance
6. Ghost In Smoke
7. Alien Coast
8. Hunter and His Hounds
9. Tin Man Love
10. Popcorn Ceiling
11. Love Letter From A Red Roof Inn

January 12, 2022 0 comments
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