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Music News

THE WRECKS release new single “Where Are You Now” ft. girlhouse Announce sophomore album Sonder out June 10 via ONErpm

by the partae May 19, 2022
written by the partae

Photo Credit: Natalie Hewitt

The Dictionary of Obscure Sorrows by John Koenig which defines made up words for indescribable emotions classifies the neologism “sonder” as the “profound feeling of realizing that everyone, including strangers passing in the street, has a life as complex as one’s own.” The Wrecks’ vocalist/producer Nick Anderson landed on “Sonder” as the title of their sophomore album. The third single off the album, the pondering “Where Are You Now” featuring girlhouse, is out today and Anderson says the song’s creation process “haunted [him] for almost two years.” 

Though Anderson says he wrote the “Where Are You Now” chorus only two weeks after their last album Infinitely Ordinary came out in May 2020, the final pieces to the track – Billy Nally’s live drums and the feature from girlhouse – were only added this past March. “The drums made it come to life, and Lauren Luiz’s part glues the whole track together. I love her voice and music, and I’m so happy with how this feature turned out,” he exclaims. 

The band’s most recent singles, the sparkling post-breakup anthem “Lone Survivor” and liberating alt-rock track “I Love This Part,” showcase that they’ve fully honed-in on and embraced their characteristic genre bending alt-rock, as well as having evolved and matured their sounds for this triumphal venture of a sea. Anderson says that experimenting with minor keys and calculated lyrics “Opened up [their] writing process. I’d say our lyrics have always been honest and vulnerable, and not only was I able to depend on that narrative compass once again, but I found it taking me to a whole new place this time creatively

Earlier this month The Wrecks announced their headlining Better Than Ever tour featuring support from girlhouse and Mothé. Kicking off in Fresno on June 10, the tour will visit Seattle, Chicago, Brooklyn, Atlanta, and more before concluding on July 23 in Los Angeles. Multiple shows have already sold out and second nights have been added in both L.A. on July 22 and San Francisco on June 10. The band will also be playing Milwaukee’s long-running Summerfest on June 24. 

 

Sonder follows the release of the band’s 2016 debut EP We Are The Wrecks (their first single “Favorite Liar” currently has 36 million + streams on Spotify), their 2018 Panic Vertigo EP, their 2020 Static EP as well as their 2020 debut LP Infinitely Ordinary (58 million + streams on Spotify).

 

The Wrecks continue to rack up the massive fan base that has already given their top five singles on Spotify over 80 million listens. Poised for a wide-open road ahead of them, Nick Anderson and The Wrecks continue to charge into the limelight. Not too shabby for a kid from Wellsville, just two hours south of nowhere. 

 

The Wrecks begun as vocalist/producer Nick Anderson’s sole endeavour and has since been rounded out by Aaron Kelley (bass), Nick “Schmizz” Schmidt (guitar) and Billy Nally (drums). The Wrecks also collaborated on a select number of tracks off Sonder with producers Westen Weiss (Meek Mill, Camila Cabello, Post Malone) and Dillon Deskin (Flo Rida, Will Sparks, Different Heaven, Myrne) to expand their sound.

PRAISE FOR THE WRECKS

“The Wrecks’ mix of ‘don’t quit’ and ‘who cares’ mentality seems to be setting them on the right track.” 

Billboard

“Alt-rock band The Wrecks continue their 2022 with yet another jaw-dropping single that showcases their multifaceted and unparalleled talent.”

Ones To Watch 

“This is alt-rock on fire. Burn, babies, burn.”

 idobi

“Catchy, boisterous, clever.” 

Buzzbands.LA

 

PLAY/LISTEN

Sonder is out June 10 via ONErpm

Website | Facebook |Twitter | Instagram | YouTube | TikTok

May 19, 2022 0 comments
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Music InterviewsMusic News

Eliza & The Delusionals

by the partae May 19, 2022
written by the partae

Congratulations on the release of this album – how does it feel for Now And Then to finally be out in the world?

Thank you! It’s crazy, it’s definitely a sense of relief (in a good way) because we’ve been working on it and holding onto it for so long. It feels weird talking about it because we weren’t able to for such a long time. I just hope that our fans can connect to the record in their own way and find their own moments and stories throughout it.

What do you think the album says about Eliza & The Delusionals as a band? What are you proudest of when it comes to Now And Then?

I think it’s definitely a more mature take on our sound. Creating it definitely felt like us taking the next step and forming a new era of the band. I think I feel proud of the fact that we were able to persevere through some of the most difficult times of our life throughout 2020-21 and still find the motivation and inspiration every day to get up out of bed and write songs. It really wasn’t an easy time for any of us, but it’s kind of like our trophy for making it out to the other side. I love this record, and I’m proud of us for being able to write an album that we feel is really honest and that we love so much.

You worked with a whole stack of legends on this album (Kon Kersting, Sarah Aarons and others): what did those experiences teach you about how you want to approach songwriting and making music, moving forward?

I think the writing sessions in particular definitely taught us to be more open minded when it comes to collaborating. We hadn’t really done any sort of co-writing before we did the sessions for ‘Now And Then’, so it was definitely a learning curve in some ways to be comfortable working with other people. The experiences were amazing though, and it’s brought us a new love for co-writing and collaborating with other artists! We’ve done 90% of our releases with Kon Kersting, so that part felt really comfortable and natural and it just felt right that he worked on the debut album with us!

Is there a track/s on the album that hold specific significance to you now, even after having sat with the music for as long as you have (why)?

For sure. I think as a songwriter it’s a good thing to sort of disconnect with your songs after a while, or maybe reconnect with them in a different way in the future. To me it’s a symbol of growth, and personally think it’s cool when bands change their sound and style as their careers move forward. In saying that, I’m still feeling really connected to most of the songs on the record because I feel like I haven’t had a chance to ‘over play them’ on tour yet haha. One in particular is ‘Save Me’, every time I listen to that song I feel so many things. I’m really proud of it.

You guys recently completed an East Coast tour – what was it like finally being back on stages?

It was honestly so good. I don’t think any of us realised how much we needed that back in our lives. It really felt like a piece of us was missing and we could finally feel whole again being on stage and seeing all of our fans there together enjoying our show. We always put everything we have into our live shows, and I don’t think we’ll ever take touring and shows for granted again. Life was too weird without it.

Do you feel like the way Eliza & The Delusionals approach performance now is different to how you did before the pandemic, having not been able to for so long? 

Yeah, I would say so for sure. I think because we really only got to do one or two full tours with Ruby in the band and with our five-piece on stage lineup before the pandemic hit (which feels weird to think about!), so we’ve had a lot of time to rehearse and think about how we want things to look, sound and feel when we’re on stage. I think now that we can actually bring it into reality, it’s really cool for us and definitely a different experience to what fans would have seen at a pre-Covid show.

You’re in the US now after a long period of stop starts (thanks, pandemic), is it kinda surreal to finally be back over in America?

Honestly yeah. I think it took us a bit to realise that we were actually overseas when we first landed in the USA. It kind of felt like a dream. We’ve been here for a few weeks now and starting to settle into the different time zone, and being back in LA is definitely reminding us of how many amazing memories we made and how happy we were back in 2020. It’s bittersweet really!

There’s a new stack of Australian tour dates coming up too! What are you looking forward to the most about coming back with a full album up your sleeve?

I think we’ve just been so excited to play the new songs live and show everyone shows that are a step up to what we’ve been doing. It’s going to be our biggest headline tour to date, so we’re already super pumped to get back on stage across Aus!

‘Now and Then’ is released Friday, May 20th
Official Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed

May 19, 2022 0 comments
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Festival NewsMusic News

THE GOOD LOVE – REVEAL BOISTEROUS ACCOMPANYING VIDEO FOR ‘SUNSHINE SOMETIME’

by the partae May 19, 2022
written by the partae

SUPPORT FOR ‘SUNSHINE SOMETIME’

“A slinky, soul-inflected piece of solid gold.”
Backseat Mafia (UK)

“Cut from an authentic paisley-print cloth, The Good Love dish out this ’60s psych-pop track with harmonies and starry-eyed vibes for days.” – ★★★★
Dave Ruby Howe – triple j Unearthed (AUS)

“A sweet, seductive love song for all.”
Atwood Magazine (USA)

“I feel like I’ve stumbled across a sick vintage store and yeah the threads are cool, but I’m hassling the disinterested store attendant asking what is this gold on the speakers!” – ★★★★
Declan Byrne – triple j (AUS)

First Play on triple j Unearthed’s TOPS Program

 


Darkinjung/NSW-based rock quintet The Good Love have just revealed their jovial accompanying video for new single ‘Sunshine Sometime’ – filmed, directed and edited by Harry Wills of Search Media.

Shot across Pickets Valley on New South Wales’ Central Coast/Darkinjung, the clip follows the group adventuring in band member Leroy Ashfood–Meehan’s old Defender, alongside live performance footage. Throughout the video, the band convey their whimsical personas through long tracking shots and interpretive scenes, adhering to the buoyant message that the song itself portrays.

The band explains the concept of the video:

“Shot on a rainy day, the clip features us goofing around in our favourite outfits, being our fun selves, which contrasts with the weather shown in the video and supports the notion of longing for ‘Sunshine’.”

To support the release, the band will embark on a tour across New South Wales, including stops at Eora/Sydney, Mheroo/Milton, Illawarra/Thirroul, Darkinjung/Wamberal and Illawarra/Kiama, to coincide with the release. This continues on from multiple sold-out headline shows and a national tour with Pacific Avenue.

Since its release, ‘Sunshine Sometime’ has seen support from the likes of triple j Unearthed. FBi Radio, 2SER, Atwood Magazine (USA), Milky and Australian Music Scene.

Taking cues from luminaries The Beach Boys, The Rolling Stones and The Beatles, The Good Love effortlessly brings the nostalgic sounds of 60s pop-rock into a contemporary setting. While the members are spread across New South Wales locations Cavanbah/Byron Bay, Birrigan Gargle/Yamba and the Darkinjung/Central Coast, they come together to create an infectious sonic footprint of effervescent tunes full of dancing and singalongs. The band mentions, “just the fact that we all live so far away from each other but come together for shows recording and practice is pretty unique, I think.”

‘Sunshine Sometime’ is available worldwide now


 

THE GOOD LOVE
‘SUNSHINE SOMETIME’ RURAL NSW TOUR

 

THU 19 MAY | THE VANGUARD, EORA/NEWTOWN NSW
FRI 20 MAY | OCEAN VIEW BEACH CLUB, DARKINGUNG/WAMBERAL NSW
SAT 21 MAY | KIAMA BOWLO, ILLAWARRA/KIAMA NSW

FOLLOW THE GOOD LOVE

FACEBOOK | TWITTER | INSTAGRAM | TIKTOK | SPOTIFY | APPLE MUSIC | AMAZON MUSIC | SOUNDCLOUD | YOUTUBE

May 19, 2022 0 comments
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Music InterviewsMusic News

Yoste

by the partae May 18, 2022
written by the partae
Where are you currently based?
Brisbane, Australia. I’ve toured and written in many places, mostly in the US, but home’s home.
 
How did Yoste come to be?
I’d experimented with various bands and projects since high school, a fairly typical story. A new band or project every other month, with whacky names: “Fox Goes Hunting”, “Violet Snow” etc. Eventually I started producing music on my own more seriously, began to finally get a strong sense of what I wanted to make and be, and that was Yoste.
 
What’s been happening recently?
Music-wise everything’s mostly been focused on the EP release, though I’ve continued to work away on album songs and collaborations here and there.
 
Your EP ‘Never The Same’ will be out on the 20th of May, what influenced the sound and songwriting?
Influences fluctuate based on the day and the week and what ‘comes across your desk’ when you’re making a thing, and can be hard to pin down, but there are a foundational few that stick out in my mind: the 1975’s early EPs prior to their self titled album, and George’s Brian eno-derived production, so I suppose that’s an inspiration from another inspiration. Modern American hip hop music for its simple vocal hooks. Bon Iver’s eclectic electronic production. 
 
What does this EP mean to you?
Beyond the perhaps expected answer that it’s a collection of personal songs much loved and laboured over, which is true, it’s just a relief to put it out. You can only hold onto a thing for so long. Releasing music is a form of letting go, as others are experiencing the songs for the first time, I’ll be moving on from them. I think that’s how it often is. It’s necessary. Once enough time has passed I’ll return to them fondly as I do now with my older music.
 
Where and when did you record/produce/master and who with?
The only only other pair of hands on the record is my friend Konstantin Kersting. We spent some happy days in his studio refining some of the songs to how they are now. Some I produced entirely myself in my small studio (spare room). Mastering was done by John Greenham, of Billie Eilish (and much more) fame.
 
How did you approach the production process?
It’s usually a fairly consistent affair. I’ll start with fun, ambient sounds as a base layer. From there I’ll typically lay down guitar or piano chords, and then head where the song takes me. Lyrics and melodies come simultaneously once the structure and other production is almost complete.
 
‘Violet’ is the lead single off the EP, what does this track mean to you?
It’s been one of my favourites since its earliest version back in 2019. I took it on tour with me that year and opened my set with it each night across 30+ US cities. For whatever reasons it’s not made its way into the world, until now.
 
Who are you listening to at the moment?
Labrinth (been a fan since earthquake in 2012 haha), Mallrat, Ethan Gruska, Dora Jar.
 
What do you like to do away from music?
I always liked walking, but recently I find if I’m not striding around my neighbourhood or on a hike for at least an hour a day I feel off. I’ve tried meditating in place but it doesn’t seem to work for me nearly to the same extent as a long walk. It’s necessary for a clear mind and balanced emotions. 
 
What’s planned for the remainder of 2022?
Once the EP is out, including all the live sessions and other content around it, I suppose the logical step will be to throw myself into the album, my first. It’s been a long time coming and it feels like a huge endeavour, but I’ve already made a big start, so it doesn’t look as large as it might have once. Of course there’ll also be shows to think about, and getting back to the US.
 
Favourite food and place to hangout?
I’ve gone mad for English muffins recently, it’s strange, but that’s the truth haha. Although if I had to pick only one thing I’d go classic Uncle Toby’s rolled oats. I don’t really hang out, I hide out at home. Introverts unite. Man’s gotta have his castle.
https://www.facebook.com/soundsofyoste
May 18, 2022 0 comments
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Music News

Milk & Sugar a new chapter!

by the partae May 18, 2022
written by the partae
From now on, Michael Kronenberger will continue as Milk & Sugar on his own, as well as overseeing the record label Milk & Sugar Recordings and their extensive back catalog.
After more than 20 years together Milk & Sugar are continuing, with Steffen Harning leaving the act.
Michael Kronenberger: “I would like to thank Steffen Harning not only for the many years of cooperation, but above all for the close friendship that has always connected us. We have created great things. I wish him the best of luck and success in his future endeavours. At the same time, I’m looking forward to an exciting new chapter for Milk & Sugar, the upcoming performances in a new formation and the new music titles that will be released soon.”View Post
“In the future, a guest singer will join forces at the live performances to  perform the new Milk & Sugar songs.”, says Michael Kronenberger.
The new Milk & Sugar single “Riding High” will be released on June 3rd and will be performed live for the first time on June 4th at the BigCityBeats WORLD CLUB DOME in Frankfurt.
May 18, 2022 0 comments
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Music News

HORSEGIRL Release new single & video ‘Dirtbag Transformation (Still Dirty)’

by the partae May 18, 2022
written by the partae
Photo Credit: Cheryl Dunn

Praise for Horsegirl

“Horsegirl songs conceal more secret messages than a handmade mixtape. The Chicago indie rock trio are smitten with their musical forebears, citing everyone from obscure New Zealand lo-fi bands to ’90s Matador staples . . . Horsegirl are figuring out how to honor their musical heroes while creating space to someday stand alongside them.” – Pitchfork

Chicago band Horsegirl – Nora Cheng (guitar, vocals), Penelope Lowenstein (guitar, vocals), and Gigi Reece (drums) – unveil a new single/video, ‘Dirtbag Transformation (Still Dirty),’ from their debut album, Versions of Modern Performance, out June 3rd on Matador / Remote Control.

In-step with a string of incredibly well-received singles, ‘Dirtbag Transformation (Still Dirty)’ is a scuffed up, guitar-driven piece of garage-pop. The tracks’ lyrics brim with alliteration and slanted rhymes, and as the instrumentation rises, the song rides out with a chorus of “oohs.” For the song’s video, Horsegirl and friends, many of whom will play the Horsegirl record release party, were given the reins to Lowenstein’s elementary school where they filmed all day last month. As a band who do everything as a unit, from songwriting to trading vocal duties and swapping instruments to sound and visual art design, this new video captures the essence of this trio’s special bond.The band elaborates:

“The three of us filmed the ‘Dirtbag Transformation (Still Dirty)’ video over one day in Penelope’s elementary school. The video provides a small look into our Chicago youth scene—it includes members of bands like Lifeguard, Friko, Dwaal Troupe, and Post Office Winter all grouped into oddball bands with weird gimmicks. We always have the best time making our videos with our friends in spaces we feel connected to. All of our friends showed up with various assortments of clothing and props, like wooden spoons, a bowling shirt collection, and an accordion. We wanted to harness the strangeness of everything that was brought to us, and wanted to showcase all of the people and bands that mean so much to us.”

Chicago is baked into the core of Versions of Modern Performance. Cheng (she/her), Lowenstein (she/her) and Reece (they/them) learned to play—and met—through the significant network of Chicago youth arts programs, and they have their own mini-rock underground. They’re exultant about their friends’ talent, noting that any of the bands from that scene could have been (or might still be!) plucked up the way they were. Across the album, recorded at Chicago’s Electrical Audio with John Agnello, there’s elements of the ‘80s and ‘90s independent music the band love so deeply and sincerely. But as Horsegirl fuse all of this together, it feels not like a pastiche or a hacky retread but something as playful and unique as its predecessors.

Pre-order / Pre-save Versions of Modern Performance: https://horsegirl.ffm.to/vomp

Horsegirl – ‘Dirtbag Transformation (Still Dirty)’
Stream / Download: 
https://horsegirl.ffm.to/dirtbag

Horsegirl
Instagram | Twitter | Bandcamp
www.remotecontrolrecords.com.au
May 18, 2022 0 comments
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Festival NewsMusic News

GRAPEVINE GATHERING DROPS LINEUP FT. THE KOOKS, PEKING DUK, BALL PARK MUSIC, THE VERONICAS, CONFIDENCE MAN & MORE

by the partae May 18, 2022
written by the partae

After announcing their expansion to South Australia and Queensland last week, Australia’s favourite wine and music pairing Grapevine Gathering have just spilt their lineup and it’s a corker! Featuring The Kooks for their first trip to Aus since 2018, dance music’s favourite duo Peking Duk, identical twins and singers of the unofficial Australian national anthem ‘Untouched’ The Veronicas, Brissy band Ball Park Music, dance pop quartet Confidence Man, and ‘Supalonely’ collaborator Gus Dapperton. They’ll be joined by Jack River, Alice Skye, Nyxen and Becca Hatch for 5 shows at wineries around the country.

If that wasn’t enough rieslings to go, lovable Instagram celebrities and all-round legends ‘The Inspired Unemployed’ will be hosting Grapevine Gathering at all 5 shows, performing changeover DJ sets, and various other shenanigans.

Grapevine Gathering will be complemented by the finest local food and produce on offer and of course a selection of the tastiest drops from each respective region. Located in the picturesque wine regions, partygoers will be treated to lush vineyards, rolling lawns and world-class wine.

Grapevine Gathering is returning to Victoria, New South Wales & Western Australia this October, and is expanding to Queensland & South Australia, ready to overwhelm your senses with the ripest of musical adventures.

Grapevine Gathering is brought to you by Untitled Group, the largest independent music promoter in Australia and the masterminds behind festivals such as Beyond The Valley, Pitch Music & Arts, Grapevine Gathering, Wildlands, For The Love, Ability Fest & more.

Cheers to Grape times!

Full Wineup

The Kooks

Peking Duk

Ball Park Music

Gus Dapperton

Jack River

The Veronicas

Confidence Man

Alice Skye

Nyxen

Becca Hatch

hosted by The Inspired Unemployed

Dates & Locations:

Saturday 1st October – Sandalford Wines, Swan Valley, WA

Sunday 2nd October (Public Holiday Eve) – Serafino Wines, McLaren Vale, SA

Saturday 8th October – Rochford Wines, Yarra Valley, VIC

Saturday 15th October – Roche Estate, Hunter Valley, NSW

Sunday 16th October – Sirromet Wines, Mount Cotton, QLD

Presale Registrations: http://arep.co/t/gg22

Presale registrations close 3pm AEST Wednesday 25 May

Presale begins 6pm AEST Wednesday 25 May

General Public On Sale 12pm AEST Thursday 26 May

Get Connected:

https://www.grapevinegathering.com.au

https://www.facebook.com/grapevinegathering/

https://www.instagram.com/grapevinegathering/

https://www.grapevinegathering.com.au/

May 18, 2022 0 comments
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Music News

SINGER-SONGWRITER, PRODUCER AND ECO-ACTIVIST JEREMY LOOPS PENS SINGLE WITH ED SHEERAN

by the partae May 17, 2022
written by the partae

Photo Credit: Ross Hillier

South African artist Jeremy Loops has already played some of the world’s most prestigious venues (including a sell-out headline Brixton Academy show) with his high-energy music, and has since amassed over 234 million global streams, and growing. Today he announces his brand new album ‘Heard You Got Love’ and releases the single ‘Better Together’ for which he joins forces with none other than Ed Sheeran.

‘Better Together’ is an incredibly motivational track that was co-written by Jeremy, Ed, and Sheeran’s frequent collaborators Johnny McDaid and Steve Mac. Ed and Jeremy first met a few years ago and instantly hit it off, where the duo got chatting at the private party that followed Sheeran’s first stadium show in South Africa. “He said I was a better loop artist than he is,” Jeremy jokes. “Very kind, but not true! But we are very similar artists, in many aspects of our jobs. We spent the night hanging out and talking shop, and he suggested we write together.”

The single release comes alongside the announcement of Jeremy’s long-awaited third album ‘Heard You Got Love’ – an album of head-bopping anthems perfect for sunny days ahead. The record also includes a very special collaboration with his childhood favourites Ladysmith Black Mambazo called ‘This Town’, which was released last year.

Jeremy is a self-taught musician that picked up his first guitar in university. As his love for writing grew, the South African penned melodies while working aboard superyachts, where he worked his way up from deckhand to yachtmaster. Obsessed with squeezing music into every day on shore and evening on deck, Jeremy’s trusty loop pedal followed him around his tour of the seas.

Whilst working closely with the water, Jeremy was shocked to see the volume of waste in the industry. It is this experience that fuelled one of his many initiatives, Greenpop, the eco-project that has filled 400 green-free spaces with over 150,000 trees. As his career quickly developed, Jeremy has worked hard to offset any carbon emissions from touring and constantly puts social responsibility at the forefront of his movements. The long-time activist founded The Big Food Drive to deliver food supplies to some of the poorest communities in South Africa. The crowd-funded campaign built a food distribution network with other partners, that contributed towards 55,000 meals per week for 6 months for folks in need.

Jeremy has carefully merged these values into each corner of the record. He says, “My goal was to make something undeniably infections and every song speaks to something I care deeply about. This is the album I’ve always wanted to make and my hope is that some of the things I’ve written about will as much to others as they do to me.

‘Heard You Got Love’ allowed Jeremy to explore more technical aspects of recording than he has previously. The record came to life in Jeremy’s home studio in between daily dips in the ocean. Having collaborated with world-renowned artists such as Simone Felice (The Lumineers), Jake Gosling (Shawn Mendes), Tobias Kuhn (Milky Chance) and Carey Willets (Dermot Kennedy), Jeremy brought on a fleet of high end producers for the album, including Ed Holloway (Lewis Capaldi), Eg White (Adele) and Cam Blackwood (George Ezra).  

Jeremy will set sail around the globe once again this year for his 2022 tour first stopping at London’s Apollo (Hammersmith) on 6th October.

PLAY/LISTEN

PRAISE FOR JEREMY LOOPS

“Even though Jeremy Loops isn’t Australian, you could mistake him for one of us”
Happy Mag

“Loops blew minds with the release of his Critical As Water.”
Music Feeds

“Gorgeous acoustic meditations with superb pop textures” 
Clash

“Loops [brought] his stunning live show and mesmerising tunes to eager crowds around the country”
The Brag

“Superstar”
 Songlines magazine

“Over the past decade Jeremy has become a household name in South Africa,”
Hotpress Magazine

“Vivid, bright and joyous” 
1883 magazine

“more than just feel-good music. It’s arena level jams that have a resonating message intertwined within the melodies.”
Pancakes and Whiskey

“Rising Music Star” 
The Sun

Better Together is out now
Heard You Got Love is out April 8th

Official Website | TikTok | Facebook | Instagram | Youtube | Twitter

May 17, 2022 0 comments
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Festival NewsMusic News

YARRA’S LEAPS & BOUNDS IS BACK FOR 2022

by the partae May 17, 2022
written by the partae

LEAPS AND BOUNDS MUSIC FESTIVAL IS BACK IN 2022

.

PUTTING THE ‘LIVE’ BACK IN LIVE MUSIC THIS WINTER

The Leaps and Bounds Music Festival will put the ‘live’ back in live music this winter, with an electrifying program of in-person gigs showcasing the artists, producers and local venues that make the City of Yarra Melbourne’s music capital. 
Need to know:
Festival dates: 24 June – 3 July 2022
Location: Venues and spaces across the City of Yarra
Event details and updates: Leaps and Bounds Music Festival (lbmf.com.au)

The festival is set to delight live music lovers of all persuasions, with shows across 35 venues from the enduring dive bars of Fitzroy and Collingwood to the historic Abbotsford Convent; from town halls to record stores and everywhere in between.

Kicking off on 24 June, for 10 days and 10 nights Leaps and Bounds will help regenerate the local live music scene and bring artists and their audiences together again, following a devastating couple of years for the industry.

Yarra City Council is thrilled to be partnering with local venues, producers and artists to present a program that celebrates the breadth and diversity of our local live music industry.

The festival will spotlight First Nations artists, LGBTIQ+ performers, dance, community radio and independent record stores. Events will also honour the unique history and cultural impact of some iconic local venues, as well as provide a platform for the next generation of young artists and producers.

Together with the already announced tribute to PBS radio legend David Heard, Punters Club Reunion Show, Fitzroyalty and Bad Apples House Party, highlights of this year’s festival include:

The Push Music Careers Expo – A free, one-day event for high school-aged young people to discover, learn and plan their careers in the Aussie music industry. Featuring inspiring key-note presentations, insightful group workshops, interactive 1-on-1’s with local industry legends, info stalls from education and training institutions and networking opportunities with other young future industry leaders, this is your chance to kick-start your career in music.

Winter Spin – Yarra’s winter Record Store Day party. Hot off the heels of the 15th birthday celebrations of international Record Store Day, here’s another chance to party across Yarra’s independent record stores, with live performances, DJs and BBQs.

The Dancing Peacock – a journey across India – Presented by Studio J and Sapphire Dance, this dance extravaganza will take you through the many unique dance styles of India, including a Bollywood dance workshop.

No Lights No Lycra – Dance in the dark. Dance like no one’s watching! We’ll turn off the lights and crank up the tunes to release all inhibitions, move moods and work up a wild sweat – all completely sober.

PBS presents Rock-A-Bye Baby – A concert designed for both adults and kids alike, helping inspire the next generation of music lovers in Melbourne. Rock A Bye Baby is a no-frills, daytime gig for families of all ages, with real musicians and bands. We welcome noise, encourage crawling and expect dancing! Line-up to be announced.

Bring it Home – A special musical event for older people, featuring some extraordinary musicians including Wilbur Wilde and Alison Ferrier plus special guests Robyn Archer, Valanga Khoza, Derek Guille and the Ugly Uncles, Crossing the Bridge Choir and Maggie Beer.

Industry Day – A free event in appreciation of the work of not just musicians, but the entire kaleidoscope of freelancers and small businesses who keep the live music sector playing. Music lovers and workers are invited to this rare event put on FOR them, not BY them.

Mr. McClelland’s Finishing School – Now in its 14th year, Mr. McClelland’s Finishing School is Melbourne’s favourite long-running indie/pop night for those who love dancing to music! What sort of music? Classic indie, modern indie and a sweet dose of rock, soul and eclectic pop will be the order of the day – If you can dance to it, Melbourne DJ legend Andrew McClelland will play it.

EOFY Party! with Karen From Finance – Joining up with Thursgay for this special event, you can expect live music from the woman herself, plus live music and drag by Tanzer and live percussion DJ group RL Yacht Wives. Presented by Thursgay and Yah Yahs.

Dawn of the Dad at The Fitzroy Pinnacle – a Dad-rock themed mini-festival consisting of predominantly female and gender non-conforming artists, with each act required to perform a ‘dad-rock’ cover, featuring Zig Zag, Eaglemont, Hannah Kate, Laura Imbruglia and more.

SPAWN PRESENTS: A night of multicultural psych music at The Tote Hotel – Local psychedelic band SPAWN curate a night of multicultural psychedelic music backed by a light show.

‘Her Sound Her Story’ Screening + Q&A with film makers at The Corner Hotel – HER SOUND, HER STORY is an intimate conversation unveiling the personal experiences, histories and significant social impacts of women in the Australian music industry.

Tinkle – A free, queer piano bar presented by Rainbow House Club. Hosted by Ronnie Rai with a rotating roster of special guests, as well as providing an open mic for emerging artists to take the stage and wow the crowds with their hidden talents.

Leaps and Bounds Music Festival is proudly presented by Yarra City Council, with presenting partner PBS.

Leaps and Bounds
Leaps and Bounds
@leapsandboundsmusicfest
May 17, 2022 0 comments
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Music InterviewsMusic News

Baby Luck

by the partae May 17, 2022
written by the partae

Hey Baby Luck! How are things?

Things are great! I’ve had a lot of fun being the featured artist over the last 4 years, and I’m very excited to finally release my debut solo EP with Plump Records!

What role does music play in your life and how long have you been involved in the industry?

Not to sound cheesy but music is my religion. From ancestors to people I’ve never met, music is how I connect with people, and myself. For me, music is evidence that we are all connected on a deeper level. And it’s been my companion since I was a baby – I slept with a small statue of Mozart when I was 2 years old. I’ve always danced, played piano, and sang. I made mix tapes for all my friends from elementary school on, including my best friend Kevin Knapp, and now I’m mixing records and making music with people I love, so it all feels very right, natural and aligned.

You have a great relationship with the Plump crew and you now release your own EP on the label, how did this come about?

Kevin is the closest thing to a big brother I have. We’re both only children, but we are chosen family members, and have been since I was 7 years old. Our parents are good friends, so my family would fly to visit Kev’s family from Oakland, California to Katy, Texas every New Year’s Eve when we were kids. During those trips, Kev and I would perform dance routines for our parents’ entertainment. We would play each other our favorite songs, and dream about one day making music together. We’ve always connected and maintained our friendship through music, even when we’ve lived very different lives on very different continents. When I got pregnant with my daughter in 2016, he called and said, “Ok, we have to finally make music together so we can stay connected” And so it was. Our first track was “Find Me” on Rebellion. It was so good, and so fun, and of course we’ve made a lot of music together since then. I’ve also directed award winning music videos for Hutchtastic, Kev’s partner in all things, including Plump Records, so it’s a natural next step to release my debut solo EP on Plump. I couldn’t be more happy about this, and can’t wait to share these bomb ass tracks with everyone!

What was your approach for these tracks?

I thought about how I wanted to feel, and what sounds I was loving at the time, and worked to create tracks that made it impossible not to dance. For Touchy Feely, my husband, rapper Old Man Saxon, and I created a song together, and selected one lyric from the song to be featured on the track. It’s crazy how one line can be pulled from an entire song and it just works, ya know? And for Fire, I was on the mic one night free styling and it just came to me – or the spirit came into the room – and it was easy to make a beat to work with those fuller lyrics. It’s always a dance between the lyrics and the beat – until you find that sweet spot and declare the song complete!

Do you have a preference between DJ’ing, producing, singing & directing?

I think everything is everything and all the creating feeds all the creating. When I’m writing for film or TV (my other job), it helps to mix records. Mixing forces me to stay digging’ in the crates, and I’m usually like, “Ok I can’t find something I love so I’m gonna make that shit.” And singing is always amazing – using my voice to create something from nothing is everything. I highly recommend it. It’s freeing and fun – like we are allowed to play – we are supposed to play – but we forget as adults that that’s what we’re made for. For me, singing is play. Directing, for me, is everything combined. It’s taking my producing background and my love of music and building a bridge between those worlds. I love collaborating – I love writing but it can get lonely – so directing is a chance for me to be with other humans in real time and make something magical. DJ’ing is so fun – sometimes I have to remember not to dance so much while I’m mixing! But for real, I envision DJ’ing quite a bit in the near future, and hope to see you on the dance floor soon.

What would you say is the proudest moment of your career so far?

As a vocalist, my proudest moment is seeing how many people loved “Drug Birds” (Sola). I couldn’t believe how well it was received – and it gave me the confidence to continue pursuing my dream of using my voice to connect with people and bring people together. In a fun, club environment ;). And as a music video director, when we won Best Underground Video at Clubbing TV Awards for my song with Kevin Knapp, “Cute” (Desert Hearts), I was so proud of our entire team! We made that video in March, right before COVID shut down the world, and it was a real labor of love and a bold statement of body positivity, performed beautifully by Hutchtastic. I loved making that video with our amazing cast and crew, and I love the message and boldness of the song, and I love putting music to images. So it was a true love affair inside and out.

Who are your current favourite music artists?

Aside from Kevin Knapp and Old Man Saxon, obviously, I love Solange, Erykah Badu, Helado Negro, Demuir, Bach, Michael Bibi, Saweetie (I’m from Oakland so naturally I love her and hip hop), Kendrick Lamar, Shermanology, and Pote, to name just a few.

What else do you get up to outside of music?

I write for TV and film, I co-host Unsent, a live show where brave souls get on the mic to share messages they wrote but never sent! I direct movies and music videos, I dance, I’m a Voice Artist for podcasts, I do yoga, mother my two wild daughters, make bomb pesto, meditate and rest! I also write a crazy ass newsletter called The Overshare, so I stay writing. You should def check it out. I get very private in public.

What’s next for Baby Luck in 2022 and have you set any targets for the future?

I’m working on a lot of new music these days. Fun times. I plan to release more soon as a solo and collaborative artist, in both the electronic and hip hop spaces. I would love to collaborate more with artists I admire, as a vocalist, producer and music video director. I also plan to DJ at future Plump events when the stars align, so I’ll see y’all there!

Pre-Order Link: https://www.beatport.com/release/touchy-feely-ep/3730289

https://www.facebook.com/babyluckproductions/

https://www.instagram.com/imbabyluck/

May 17, 2022 0 comments
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Eimhin Makes His Anthemic Indie Folk/ Rock Debut With New Single ‘Lately’

by the partae May 16, 2022
written by the partae

Emerging with an anthemic indie-rock debut seeped in stage-ready strength underlain with the earthy thrum of Irish folk, Gold Coast-based artist Eimhin (pronounced Ev-an) is unveiling his new single ‘Lately’ on May 13.

An Irish ex-pat living on the Gold Coast, Eimhin has always been drawn to the raw vulnerability of songwriting often found in traditional Irish folk, bringing an emotional fearlessness to his music whilst defining his sound through an exploration of the multi-faceted layers of his favourite genres.

Eimhin is now making his eagerly-awaited debut with the powerful single ‘Lately’, which radiates with the triumphant strength of surviving dark and difficult times to come out the other side a changed person.

Wasting no time, ‘Lately’ blows in with field-stomping percussion and bright guitars as Eimhin’s heartfelt folk vocals burst forth with commanding grace. The chorus lands with an intoxicating indie-rock force as winding guitar melodies and twinkling mellotron notes embody the raw optimism of the lyrics. Delicate vocal harmonies float sweetly above the next verse, leading us towards an anthemic folk/ rock apex, exploding with swirling, light-filled instrumentals surrounding Eimhin’s powerful voice.

Describing the experience of coming through the darkness and being transformed for the better, ‘Lately’ sees Eimhin clinging tightly to a lesson hard-won, as he explains:

“Coming home to the Gold Coast at the height of the pandemic after seven years in Melbourne, and following the breakdown of a really important relationship, I found myself in the darkest place I’ve ever been,” he says.

“‘Lately’ is about looking inward and realising that love is powerful and that vulnerability is not weakness. I thought guarding myself emotionally protected me, but all I was doing was cutting myself off from the full experience of being alive, of being human.”

Eimhin will be bringing his addictive folk-rock energy to the live stage with a single launch event and music video premiere for ‘Lately’ at Mo’s Desert Clubhouse, Gold Coast, on May 12.

So, don’t sleep at the chance to experience the huge debut of indie folk-rocker Eimhin with the new single ‘Lately’ on May 13.

‘Lately’ Single Launch
Thursday 12 May – Mo’s Desert Clubhouse – Gold Coast
Tickets available now

Stream ‘Lately’

Follow Eimhin

Spotify | Apple Music | Facebook | Insta: @eimhin | Youtube

Soundcloud | Triple J Unearthed

May 16, 2022 0 comments
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Music News

SAMMM. Makes His Eagerly-Awaited Return With Bold Indie-Rock Charmer ‘Stronger Now’

by the partae May 16, 2022
written by the partae
Photo Credit: Max Wenke (@max_wenke)

Previous Support For SAMMM.

“Lovely, jangle pop paired with lyrics that have real bite!” (Caz Tran, Double J)

“Existential crisis but make it dreamy. I like the frenzied, stream-of-consciousness energy in the vocals against the measured guitars.”
(Lucy Smith, Triple J)

“It’s part kooky off beat rock and part lush coastal charm and the combo works well.” (Declan Byrne, Triple J)

“I like the sound here makes me feel like someone’s spiralling down and out, off the rails in a dreamy/pretty twisted way.”
(Ilai Swindells, Triple J)

“It’s an emotional journey for any viewer, but also a warning that though everything may seem fine, we never really know what’s going on with those around us.”
(Blunt Mag)

“As elegant as it is angsty, the single channels the style of bands like The War On Drugs and Real Estate with ease.”
(AU Review)

“Woozy strumming guitars, lo-fi drums and sweeping chord progressions. Add to this Sammm’s perfect vocal delivery and you’ve got a hit.”
(AAA Backstage) 

“It’s a mix of slacker rock, fuzzy guitars and jangly pop that belongs on your next playlist.” (Scenestr)

Stream ‘Stronger Now’

Making his eagerly-awaited return with an uptempo indie-rock dynamo is beloved artist SAMMM. with new single ‘Stronger Now’, out on May 13.

Known for his ambient, offbeat slacker-pop approach to indie rock that is distinguished by a defining punk-infused vocal accent, SAMMM. is the moniker for Brisbane-based artist Samuel Geddes, who brings his intense personal experiences to every ounce of his music, delivering unparalleled sonic journeys.

The last time we heard from SAMMM. was in 2020, when he unleashed his dynamic EP ‘Fresh Sheet Feeling’, which featured lead singles ‘Four Eyes’ and ‘Faye’, seeing SAMMM. dabble into life-changing experiences battling substance abuse, self-care and intense romance and heartbreak.

Now, SAMMM. makes his bold return with ‘Stronger Now’, which also delves into his first-hand experiences with addiction within a grounded rock track featuring guitar-lead melodies and a warming inner light. Focussing on his indie-rock roots, the track pairs surging electric guitar layers with fervent drumming, while still leaving space for jangly synth-pop notes to peek through the strong melody.

Samuel Geddes’ distinctive vocals are front and centre, his thick accent demanding attention as it palpitates with the inner strength of the mantra-worthy sentiment of his lyrics. Front to back, ‘Stronger Now’ carries all of the elements required for an upbeat indie-rock charmer, underlain with the undeniable force of SAMMM.’s bruised optimism and kooky offbeat energy.

A deeply personal song, ‘Stronger Now’ sees SAMMM. reflect on the destroyed relationships left in the wake of addiction, whilst also acting as a mantra of self-belief. SAMMM. elaborates:

“When I wrote ‘Stronger Now’, I was watching addiction destroy my relationships, almost as if I was viewing my life from the outside, making choices that weren’t my own. The lyrics, “wasted youth” came out so easily because I felt that I had lost so many younger years to drugs and bad choices. Then I’d be face-to-face with depression and anxiety again, and drugs felt like a safe constant for me,” he says.

“I think in retrospect ‘Stronger Now’ is a tribute to the friends that had to give up on me because I know it’s hard to support an addict in a downward spiral. ‘Stronger Now’ was my mantra that I wasn’t giving up on myself yet.”

SAMMM.’s previous releases have seen support from the likes of Double J, Triple J Unearthed, AU Review, Blunt Mag, Music Is My Muse, Scenestr, AAA Backstage, Rage and more.

Soak up SAMMM.’s return with his powerful new single ‘Stronger Now’, out on May 13.

Follow SAMMM.

Spotify | Apple Music | Bandcamp | Soundcloud

Facebook | Insta: @sad_sammm | Youtube

May 16, 2022 0 comments
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Music News

Fall In Love With Joan & The Giants Newest Single ‘Slow Motion’

by the partae May 16, 2022
written by the partae

Previous Support For Joan & The Giants

‘Just For You’:
“Poignant, heart-felt, and achingly raw” 
(Scenestr)

“An emotional ballad that scales the mountain and takes you with them.”
4 / 5 (Declan Byrne, Triple J)

“Another impressive one for 2021 from Joan & The Giants. They’ve zeroed in on an emotional centre point like a professional dart player throwing bullseyes at your heart.” 
4 / 5 (Dave Ruby Howe, Triple J)

‘Bloodstream’:
“Fans of Middle Kids will melt for this new one from Joan & The Giants. Really pretty songwriting and harmonies. I love the way this track builds with so much ease.”
4 / 5 (Claire Mooney, Triple J)

“It’s eerily romantic which is totally my brand. The build and drops in instrumentation are thrilling.”
4 / 5 (Celline Narinli, Triple J) 

“Injecting this right now!”
4 / 5 (Declan Byrne, Triple J)

Known for their heart-aching brand of alt-pop that crafts beautiful, emotive scenes around artful instrumentals and breathtaking vocals, Perth-based outfit Joan & The Giants are unveiling their newest single ‘Slow Motion’ on May 13.

Consisting of partners and longtime collaborators Grace Newton-Wordsworth and Aaron Birch, who formed Joan & The Giants in 2019 with the addition of bandmates Riley Sutton and Liam Olsen, the enchanting quartet continues to deliver emotively raw music that captures the attention of audiences and tastemakers across the country.

Now, returning with their first release since last year’s poignant single ‘Just For You’, Joan & The Giants are manipulating time and tugging at heartstrings in ‘Slow Motion’, wrapping us in an intoxicating indie-pop atmosphere that shivers with the delicate intensity of falling in love.

Accompanied by swooning riffs and a thumping drum heartbeat, Grace’s elegant vocal delivery radiates with the warmth of a whispered breath as the candlelit verse opens up to an enveloping chorus, joined by the serenading strum of an acoustic guitar. Tinged with rose and blurry around the edges, ‘Slow Motion’ culminates in a swirling instrumental that conjures its own romantic scene, as time slows and the feeling of falling in love explored in the track becomes so palpable that it could take your breath away.

With Joan & The Giants founders Grace Newton-Wordsworth and Aaron Birch known for drawing inspiration from their personal lives in their songwriting, ‘Slow Motion’ is an intimate song detailing the all-encompassing feeling of falling in love, as Grace explains:

“‘Slow Motion’ was written about falling in love when you least expect it. The intoxicating feeling of a smokey, dim-lit room moving in Slow Motion. Time starts to fall away and your whole body is focused on breathing someone in and embracing a new part of yourself.”

No strangers to the spotlight, Joan & The Giants have headlined the Shinju Matsuri Festival, supported Odette on the WA leg of her 2019 ‘Lotus Eaters’ tour, performed at Nannup Music Festival in 2021 and received multiple nominations in last year’s prestigious International Songwriting Competition alongside artists such as Missy Higgins, Eskimo Joe and more.

The band’s previous releases have also seen support from the likes of Triple J, Triple J Unearthed, Scenstr, Pilerats, GC Live, Rawing in the Pit and more.

Fall in love with Joan & The Giants’ newest single ‘Slow Motion’, out everywhere on May 13.

Stream ‘Slow Motion’

Follow Joan & The Giants

www.joanandthegiants.com

Spotify | Apple Music | Soundcloud | Youtube

Facebook | Instagram | Triple J Unearthed | Bandcamp

May 16, 2022 0 comments
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Music InterviewsMusic News

Sophia Fracassi

by the partae May 16, 2022
written by the partae

Where are you currently based?

I’m mostly based out of Toronto, Ontario in Canada.

How did you first start playing music?

I’ve been singing since before I could walk, apparently. I have always loved music passionately. I started classical voice training when I was five years old and began to teach myself piano by-ear when I was around eight or nine. I started writing music seriously when I was around fourteen, and I haven’t looked back since!

What’s been happening recently?

I have been spending a lot of time in the studio as of late. I’m currently working on a lot of special projects! This summer is going to be packed, and I can’t wait to share it all with everyone.

Your latest single ‘But I Do’ arrived on May 13, please tell us what influenced the sound and songwriting?

But I Do is one of the most vulnerable songs that I’ve written so far. It touches on pretty well every single insecurity I have ever struggled with, and forces my quiet thoughts out into the open. It’s like a page out of my diary. Sonically, it matches the lyrics. I wrote the piano part to actually sound like it’s moving in continuous circles, spinning around in a dizzy wave. There is a constant pulse throughout the track like a heartbeat, and it never settles. The entire song sounds like how it feels to be overwhelmed, full of tension that never releases, even until the very end. I cry almost every time I listen, it’s very cathartic.

How did you go about writing But I Do?

I wrote But I Do just over a year ago, last May. I was struggling pretty heavily with loneliness and was trying to distract myself, ultimately to no avail. One night, I sat down at the piano in my living room where most of my songs have been written, and the song just kind of spilled out of me. It was like an overflowing of every emotion and thought I had been experiencing.

Where and when did you record/produce/master and who did you work with

I recorded the song in October, 2021 with my producer, Steve Molella, out of his personal studio in Woodbridge, ON. The track was mixed by Jay Dufor, and mastered by Joao Carvalho – both out of Toronto, ON.

How did you approach the recording process?

I started workshopping the song with Steve in September, 2021. We fine tuned a few parts and then created a simple piano/vocal demo to share with my label. Everyone really loved the song, and so we re-tracked a few parts, and built the rest of the production around the piano and vocal.

What does this single mean to you?

I think this song is important to me because it marks a really pivotal moment in my life where I realized that no matter how busy or successful, etc I was, my happiness could not come from my circumstances alone. It wouldn’t matter how hard I worked, or how many people I pleased – I had to stop and let myself think for a moment. It was really within this tension of holding on and breaking down, that I remembered the things that actually mattered to me, and it set me down the right path again.

Who are you listening to at the moment?

I have been loving Sigrid recently. She has created such a fun, fresh spin on pop music. As the summer approaches, all I want to hear are her good vibes.

What do you like to do away from music?

I love hosting people! To me, it’s a lot like a concert, it brings people together and connects them. Making a delicious meal and inviting people into your space, making them feel special, it’s such a good feeling. I’m not very good at small talk either, I love to hear people’s stories.

What’s planned for the remainder of 2022?

This year will be a busy one! I have a very special project coming this July, which I am extremely excited for. I also can’t wait to get out and perform this summer! It’s been too long.

Favourite food and place to hangout?

As long as I’m with the people I love, it doesn’t really matter where I am (to be a bit sappy). If I could choose, however, it would probably be a really massive brunch with my friends on a patio somewhere, or charcuterie on my back deck, or pizza on the beach – well, actually, I can’t decide!

Facebook: @sophiafracassimusic

Twitter: @sophiafracassi

Instagram: @sophiafracassi

Tik Tok: @sophia_fracassi

Website: https://www.sophiafracassi.com

 

May 16, 2022 0 comments
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Timmy Trumpet and R3HAB Join Forces For Fast-Paced Dance-Pop Release “Turn The Lights Down Low,” Featuring Chinese Version with Rising Star NINEONE#

by the partae May 15, 2022
written by the partae

Artists: Timmy Trumpet, R3HAB, NINEONE#
Title: Turn The Lights Down Low
Label: CYB3RPVNK / Spinnin’ Records
 

R3HAB and Timmy Trumpet teamed up for their new single “Turn The Lights Down Low,” a dance-pop crossover record for which both artists embrace their international fanbase by releasing both an English and a Chinese version. With a dynamic psytrance-esque bassline and sassy topline, the track is perfect for playing to get ready for a night on the town or when you need a mood booster after not getting a text back. Singer/songwriter NINEONE# brings an extra special vocal performance to the Chinese version, highlighting the uniqueness of “Turn The Lights Down Low” and R3HAB‘s and Timmy‘s vision and creativity. NINEONE# has become a Weibo sensation in China and was voted as QQ Music’s Most Popular Female Rapper of The Year in 2020; she is also a fashion icon and has featured on the cover of Vogue China, Barzaar Men, Cosmopolitan and worked with such brands as Givenchy, Gentle Monster, Union Pay, Vidal Sassoon, Tide, Pizza Hut, DELL, Braun, Xiaomi, Olay and many more. “Turn The Lights Down Low” is the fourth time R3HAB and Timmy Trumpet have collaborated, and we look forward to more productions in the works. Read on for what each artist had to say about this exciting new track:

“This is the first track I’ve released in two languages, and to do it with superstars like R3HAB and NINEONE# is a dream come true. Music unites people from all cultures all over the world, and that’s my favorite part of the electronic music scene. I always love working with R3HAB, and as a producer, he is second to none. Making this track was nothing but fun, and I can’t wait to get it out there!” – Timmy Trumpet

“I’m excited to present “Turn The Lights Down Low” today, and I’m especially excited that we’re releasing it in two languages, side by side. I am a big fan of NINEONE#, and I’m so glad she joined Timmy and I on the Chinese version. I’m a big fan of Timmy too. This record marks my fourth collaboration with him, and we’re not done yet. The way music connects people around the world is powerful, and I’m so glad I get to experience it firsthand.” – R3HAB

“I’m thrilled for the opportunity to work with R3HAB and Timmy Trumpet. I was beyond excited when I was presented this opportunity – I have always wanted to collaborate with international producers, and now my dream has come true! I really appreciate them for letting me be part of “Turn The Lights Down Low.” I hope my contribution will light up this Chinese version.” – NINEONE#

DJ, producer, and live instrumentalist Timmy Trumpet is undoubtedly one of the most prolific performers in the DJ Mag Top 100. An award-winning, multi-platinum selling recording artist, Timmy has forged his way to the top of the industry alongside influential artists taking the world by storm. His breakthrough release Freaks has reigned in over half a billion streams, reached six times platinum status in Australia, and dominated the charts in ten countries, becoming the highest selling track of all time on Ministry of Sound Australia. In 2020, after over a decade on the scene, the DJ producer issued his first album, Mad World. The set included the singles “911” with R3HAB, “Up & Down” with Vengaboys, and a cover of “Mad World” with Gabry Ponte.

Multi-Platinum DJ and producer Fadil El Ghoul, better known as R3HAB, has been trailblazing his way through dance music for the past fifteen years. From his breakthrough remixes for Rihanna, Drake, Taylor Swift, Calvin Harris, to anthems such as Platinum-certified “All Around The World (La La La)” and “Lullaby,” to his collaborations with the likes of Ava Max, ZAYN, Luis Fonsi, Sean Paul, and more, R3HAB has proven to be one of the most forward-thinking artists in the game. His work has collected over 8B streams to date, including 1.1B in 2021 alone. R3HAB founded his label CYB3RPVNK in 2016, which has passed 4B streams across platforms since its inception. R3HAB continues to evolve and diversify his sound by working with artists around the globe, pushing the boundaries of dance music as he collaborates across genres and languages. He is Spotify’s Most Discovered Artist, one of Spotify’s top 200 most streamed artists, ranked #12 on prestigious DJ Mag’s Top 100 DJs chart, and has earned over 70 Gold and Platinum certificates. R3HAB has embarked on multiple sold-out worldwide tours and was the first dance music artist to sell out 15 consecutive shows in China. On top of that, he performed at the world’s top festivals, such as EDC, Ultra Music Festival, Tomorrowland, Balaton Sound, Coachella, Summer Sonic Festival, DWP Jakarta. With his combination of innate artistry and innovative attitude, R3HAB has earned his place as a household name in dance music.

More info on Timmy Trumpet / R3HAB / NINEONE# / CYB3RPVNK:
 

Timmy Trumpet: Facebook | Instagram | Twitter | Spotify
R3HAB: Facebook
 | Instagram | Twitter | Spotify
NINEONE#: Spotify
 | Instagram | weibo
CYB3RPVNK: Website
 | Youtube
May 15, 2022 0 comments
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