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Monthly Archives

November 2023

Festival NewsMusic News

Darwin’s BASSINTHEGRASS music festival announces ticket sale and major international act, Macklemore (18 May 2024)

by the partae November 10, 2023
written by the partae

Tickets are on sale now to the Northern Territory’s largest music festival, BASSINTHEGRASS, which has attracted a major international artist. American rapper and singer Macklemore has added a performance at the beachside festival to his limited tour of Australia and New Zealand next year.

BASSINTHEGRASS will take place at Darwin’s iconic Mindil Beach on Saturday, 18 May 2024, and Macklemore is the first artist to be announced for the line-up. The full line-up will be revealed later this month.

Macklemore is making limited stops across Australia and New Zealand, and BASSINTHEGRASS is the only music festival he will appear at. With worldwide hits including ‘Thrift Shop’, ‘Same Love’ and ‘Good Old Days’, the multi-award-winning artist counts four Grammy Awards among his wins.

As well as a stellar line-up, next year’s BASSINTHEGRASS will feature some exciting new offerings, including premium experiences featuring new locations, different stage views and luxury facilities.

Delivered by Northern Territory Major Events Company (NTMEC), CEO Suzana Bishop said BASSINTHEGRASS was the perfect reason to head to the Top End for the trip of a lifetime.

“BASSINTHEGRASS 2024 is one of the few places in Australia where fans can catch Macklemore on stage, plus enjoy hours of other top music acts,” Mrs Bishop said.

“They’ll also be able to enjoy incredible tourism experiences while they are here, ranging from those that showcase the Territory’s rich Indigenous culture, to breathtaking landscapes and unusual wildlife experiences. BASSINTHEGRASS is a tourism experience in itself, where festival-goers can escape the winter and enjoy perfect weather, sample delights from the famous Mindil Beach Sunset Markets, and catch a legendary Mindil sunset. Thousands of music lovers from all over Australia travelled to BASSINTHEGRASS this year. Grab your 2024 ticket now and make your own memories.”

New premium event experiences include The Terrace, offering an exclusive hosted experience for festival connoisseurs on a raised platform close to the side of stage; Oasis, with great views from a prime location side-of-stage; and ReFresh, providing busy music lovers with a place to take a breather and beat the queues.

To secure your spot at BASSINTHEGRASS 2024 and be one of the first to know when the full line-up drops, head to www.bassinthegrass.com.au

November 10, 2023 0 comments
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Festival NewsMusic News

JARED LETO CLIMBS ICONIC EMPIRE STATE BUILDING TO CELEBRATE THE LAUNCH OF THIRTY SECONDS TO MARS’ MASSIVE SEASONS 2024 GLOBAL TOUR ANNOUNCES AUSTRALIAN TOUR FOR SEPTEMBER 2024

by the partae November 10, 2023
written by the partae

LIVE NATION PRESALE: 1PM (LOCAL) WEDNESDAY 15TH NOVEMBER

GENERAL ON SALE: 1PM (LOCAL) FRIDAY 17TH NOVEMBER

BUY TICKETS VIA LIVE NATION HERE

BUY/STREAM: THIRTY SECONDS TO MARS – IT’S THE END OF THE WORLD BUT IT’S A BEAUTIFUL DAY (LP)

Today, climbing from the Empire State Building in New York City, Oscar winning actor Jared Leto announced Thirty Seconds to Mars’ monumental Seasons 2024 World Tour. The extensive tour includes a run of Australian dates, with the band performing at Melbourne’s Rod Laver Arena on 12th September 2024, ahead of further shows at Sydney’s Qudos Bank Arena, and finally Brisbane’s Riverstage, before heading over to New Zealand.

The world tour will also see the band travel across Latin America, Europe, and North America – their first headline tour in over 5 years. Full details on tour dates and ticketing information can be found below.

 

Leto, the band’s frontman, accomplished a historic feat as he completed the first ever climb of the Empire State Building. Having always been fascinated with the incredible landmark since he was a child, he said “The building is a testament of all the things that can be done in the world if we put our minds to it, which is largely the inspiration behind our most recent album, It’s The End Of The World But It’s A Beautiful Day.”  As an avid climber, the Empire State Building and the tour announcement carry the sentiment that anything is possible if we try.

 

The Empire State Building was recently rated the #1 attraction in the U.S. by Tripadvisor for the second consecutive year after a recent $165 million renovation of its legendary iconic Observatory.

WATCH THE CLIMB HERE

 

Multi-platinum selling artist Thirty Seconds to Mars, comprised of brothers Jared and Shannon Leto, makes a triumphant return with their sixth studio album, It’s The End Of The World But It’s A Beautiful Day, released September 15th via Concord Records. The album heralds a new era for the band, one that not only explores the darker sides of the human experience but the hope as well, an arresting reminder that even in the face of seemingly impossible obstacles, there is still beauty to be found in the world. Lead single, “Stuck” officially debuted at #1 on the Alternative radio chart and scored a top 10 hit in Italy, marking the fastest chart climb of the band’s career. Sitting in the top three of the German airplay charts, the tour’s namesake and current single, “Seasons” asks if we can accept change as we move through the many different seasons of life. 

 

My Live Nation members can secure tickets during the My Live Nation presale beginning 1pm (local) Wednesday 15 November.

 

General on sale begins at 1pm (local), Friday 17 November. For complete tour and ticket information, visit: livenation.com.au.

 

THIRTY SECONDS TO MARS

SEASONS WORLD TOUR 2024

AUSTRALIAN DATES

Thu 12 Sept 2024 – Melbourne – Rod Laver Arena

Sat 14 Sept 2024 – Sydney – Qudos Bank Arena

Tue 17 Sept 2024 – Brisbane – Riverstage

TICKETS ON SALE 1PM (LOCAL) FRIDAY 17 NOVEMBER

For more info on Thirty Seconds To Mars, visit:

WEBSITE | FACEBOOK | X / TWITTER | INSTAGRAM | YOUTUBE

November 10, 2023 0 comments
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Music InterviewsMusic News

Hotel Mira Interview

by the partae November 9, 2023
written by the partae

Congratulations on the release of your new album, ‘I Am Not Myself.’ Can you tell us about the inspiration behind the album and how it represents a transformative journey for Hotel Mira?

I think that the songs I write are usually a snapshot of where I am at at the moment and what I am trying to figure out. So this record was very inspired by the idea of identity, death and self-obsession and my big move to Los Angeles. Musically, we tried to do something expansive and pull from many different genres.

‘I Am Not Myself’ marks a significant departure from your previous work. What led to this change in your musical style and direction, and how has it been received by your fans?

My whole philosophy is I never want to make the same thing twice. And because of the covid

lockdowns we worked with multiple producers so each of them brought their own style to the record, which wad cool. The fans seem to dig it. My favorite artists and bands like Bowie, Frank Ocean and Radiohead are the ones who you trust will take you to cool unfamiliar places with their music. Historically we have been lucky to have that kind of trust with our fans.

The album’s title, ‘I Am Not Myself,’ suggests a theme of self-discovery. Could you share some of the personal experiences and growth that influenced the album’s lyrical content?

-I mean, the band is more popular than ever, Which opens it’s own can of worms in my brain. I had some friends and family die. I closed myself off. I was trying to find love and acceptance. I was trying to figure out what it even meant to be a useful citizen. I obsessed over fame and what it meant to make it or not.

Hotel Mira is known for its powerful and emotionally charged lyrics. Can you discuss the songwriting process for this album and how you approach crafting meaningful and relatable songs?

In a nerdy way, I just love putting words together. And I have this allergy to singing things that aren’t directly from the heart. I just always wanna go deeper. Most lyrics that are worth keeping are the ones that feel scary or dangerous to write. “Mama” has a few lyrics that were hard on my psyche for sure. But I am ultimately glad I put them out there.

Your recent trip to Australia for SXSW was a significant moment for the band. Can you share some memorable experiences or connections made during the festival that left an impact on Hotel Mira?

That was so much fun and we met a lot of cool bands and journalists and fans. It was a whirlwind. Ask me in a week, It’s still kind of a blur.

How does performing at international events like SXSW contribute to your growth as a band and the exposure of your music to a global audience?

This year has been an amazing exercise in “you never know who is watching and listening”. I had no idea people would like us in Australia but I think the whole point of writing music is getting out to the people who need to hear it. So we are always trying to share the music all over the world

Can you share any details about the creative and collaborative process during the making of ‘I Am Not Myself’? Were there any unique challenges or breakthrough moments?

Working with Parker (alone in america, mama, everything once, eventually) was a total joy. So many belly laughs. And I think with all those songs we were challenged to swing pretty big. Parker kinda became this guiding light for me to understand clearly what we were aiming toward.

The album artwork for ‘I Am Not Myself’ is striking. Can you elaborate on the concept and symbolism behind the cover art and how it ties into the music within?

Every leading up to it was so busy and aggressive and colorful. So it was cool to have the album be the combo breaker of that and kind of look more sixties and serene. The spiral of “I Am Not Myself” feels like a good visual representation of how it feels to ruminate on identity. The color palette comes from the colors on the garage doors I kept seeing when I travelled to Seoul.

Hotel Mira has gained a reputation for its energetic live performances. How do you approach translating the depth and emotion of your songs into a captivating stage show?

I go into a bit of a trance and try to follow every impulse and feed off of the crowd. It’s almost like the reverse is harder, capturing the live show energy onto a record. I would way rather feel that exchange than be in the studio.

Could you highlight a particular track from the new album that holds special meaning to the band or has an interesting backstory?

Vampire is such a wild song and that is by design. I wrote this thing on the guitar that kind of reminded me of the pixies and I took it to Steve and we were both listening a lot to “call me by your name” by Lil Nas X. So we wanted to make it catchy in a similar way. And then we just went bonkers with the rest of it, screaming, gang vocals, disco bridge etc etc. I am so proud of that song and I can’t wait to play it live.

As a band, how have you evolved and grown since your formation, and how does ‘I Am Not Myself’ reflect this evolution?

Cheesy as it sounds, this record brought us together in a significant way. So we are better than ever and we understand each other in a deeper way which makes everything easier. It was not an easy record to make but having each other made it doable.

Looking ahead, what are your future plans for touring and promoting the album, and are there any other exciting projects or collaborations on the horizon for Hotel Mira?

I think we are going to do some big tours. Hopefully get to some places we have never been before! Play some festivals and really give this album the record cycle that it deserves and that we didn’t get to have with perfectionism. I try to make content everyday to promo the band on social media. But in other news, we are already writing and demoing the next project in our down-time. And we shot a video the other day that I am really excited about.

Official Website | Facebook | Instagram | Twitter | Youtube

November 9, 2023 0 comments
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Festival NewsMusic News

Catholic Guilt release nostalgic new single “Can You See Me?”

by the partae November 9, 2023
written by the partae

Melbourne/Naarm alt-rockers Catholic Guilt share their nostalgic new tune Can You See Me?, out via Wiretap Records, and prepare to share it live at The Tote in Melbourne on November 18. Tickets on sale now!

Drawing inspiration from the Australian indie and punk scene from the 2000s, Can You See Me? is a tale of lost identity and feeling at odds with yourself. Vocalist Brenton Harris explains: “For me personally, that feeling was brought on by a period of intense emotional and physical upheaval caused by a variety of interpersonal issues and a few serious life and career setbacks.

“All of these issues coalesced around the time of the lockdowns and ended up impacting life on the other side of it, resulting in me living life as a version of myself that felt so unfamiliar, so unconfident, so shaken, so entirely unlike ‘me’. Writing the song allowed me to process and heal and move onto the next evolution of ‘myself’. It’s our ‘feel sad hit of the summer’.”

Produced, mixed and mastered by Evan Lee and Ash Daws at The Loud Noise Estate (Inertia, Young Lions, The Motion Below), Can You See Me? sonically invites listeners on a journey of loss and acceptance. Guitarist Dean Gordon highlights that Can You See Me? intentionally “utilises light and shade, with the verses creating an introspective space for self-reflection juxtaposed against an energetic chorus to mimic staring into a mirror screaming for answers.”

The music video created in collaboration with Karl Baldwin plays on the use of silhouettes, leaving room for interpretation and imagination. “Your silhouette only provides an outline of who you are, not the details that make you unique. We felt that this imagery created a parallel to the search for oneself explored in the lyrics,” explains the band. Watch here!

Catholic Guilt is Brenton Harris (vocals), Dean Gordon (guitar/vocals), Megan Sidwell (guitar/vocals), Ben Caruana (bass) and Michael Condello (drums). The quintet combine elements of punk, alt, folk and rock, resulting in a sound they describe as ‘honest music’. The band released their debut EP, ‘Hymnbook Vol. 1′ independently in 2018 and followed it up in 2020 with ‘This Is What Honesty Sounds Like‘ via Wiretap Records. ‘This Is What Honesty Sounds Like’ earned the band national and international airplay across over 130 stations and received widespread acclaim from outlets including Alternative Press, Music Feeds, Brooklyn Vegan, Pop Matters and landed them a coveted triple j Unearthed feature artist spot.

The band built off the success of the release by signing with booking agency Destroy All Lines and playing a run of shows in Australia, including multiple sold-out shows in their hometown of Melbourne. Catholic Guilt has since gone on to release a handful of singles and have appeared on major Australian festivals Full Tilt and Knight and Day as well as touring the East Coast of Australia and play main support with US alt-rock titans Switchfoot, Pure Noise Records act Real Friends and local icons Behind Crimson Eyes, Chasing Ghosts and The Bennies. Catholic Guilt will headline The Tote on November 18 and support Guttermouth (US) in March 2024.

Can You See Me? is out today and streaming everywhere via Wiretap Records.

SATURDAY NOV 18 – THE TOTE, MELBOURNE
W/ NICK KEOGH + TRAUMA TIES

FRIDAY MARCH 15 – STAY GOLD, MELBOURNE
SUPPORTING GUTTER W/ WOLFPACK

https://www.facebook.com/catholicguiltmusic/

November 9, 2023 0 comments
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Festival NewsMusic News

JUST ANNOUNCED – Boiler Room x Sugar Mountain 2024

by the partae November 9, 2023
written by the partae
REGISTER FOR TICKET ACCESS
FACEBOOK EVENT
November 9, 2023 0 comments
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Festival NewsMusic News

SOUTH SUMMIT reveal expansive documentary project, CLIMBING THE SUMMIT

by the partae November 8, 2023
written by the partae

Photo by: Andrew Briggs

The trajectory of success and profile Perth’s South Summit have been enjoying over the past two years has made them one of Australia’s most exciting new bands.

Their fusion of indie and rock sounds, woven together with a culturally rich and diverse bed of influences, has forged a naturally dynamic set of performers out of the five-piece. Three successful EP releases to their name – first with Merlin’s in 2021, followed by Creatures and Tales Of The Yeti in 2023 – are testament to South Summit’s consistency as songwriters and musicians. Moreover, they demonstrate the band’s hunger to be chasing new horizons, pushing themselves to elevate with each record released.

For right now though, South Summit chose to drop something a little different on their fans and community: a documentary that provides further insight into their life and behind the scenes craziness, Climbing The Summit. Building on the strong love for music and connection to community that South Summit established early in their journey, Climbing The Summit captures the band at a particular creative career peak, inviting fans to take a look at life at the center of the chaos.

Filmed between Sydney and Melbourne during a period of down time South Summit had while on tour with Beddy Rays, Climbing The Summit was directed by Elliott Brown, and produced by Vincent Trease. The documentary serves as a perfect time capsule of South Summit: a young band doing what they do best, and rightfully reaping the rewards of their hard work.

“The band were a pleasure to work with. It’s been such a great experience creatively and we got to witness  South Summit at a pivotal time in their career as musicians. In such a time of division the message of unity that runs through this doco is in my eyes a great example of reconciliation.”
VINCENT TREASE, PRODUCER

“I wanted to capture the way that music brings people together, and show that it doesn’t matter where you come from or what you believe in, it’s all about just playing some tunes and having a good time. …I firmly believe that South Summit will one day stand among the greatest Australian artists. I aimed to capture their beginnings, a moment I hope people will look back on in the future.”
ELLIOTT BROWN, DIRECTOR

For South Summit, completing the Climbing The Summit project has put a nice cap on what has been a life-changing chapter of their lives as individuals and as a group of friends embarking on this wild ride together.

With a tour of Australia and New Zealand in support of Tales Of The Yeti still to come this summer, Climbing The Summit is a reminder of the power in their messages, and the fun that comes with a South Summit live experience.

“This documentary gives us an opportunity to tell our stories, share our messages, and showcase what we do behind the scenes on this crazy journey. We feel like this documentary lets people understand our journey with music, and what we want to be known for. We represent proud cultures throughout the band, but this is not the reason why we are here today. We are here for the love of music. The process was made super cruisy for us by the two guys who made it all happen. Big shoutout to Vince and Elliott for having the vision for the doco and all their hard work to make it happen!”
NATHAN OSBOURNE, SOUTH SUMMIT

To date, South Summit have accrued over 2 million streams across platforms, as well as widespread industry acclaim for their steadily growing body of work. Named as “ones to watch” by triple j in 2022, as well as “indie role models for reconciliation”, South Summit were quick to cement their reputation as a formidable champion of Australian rock music, off the back of multiple sold out shows on the West Coast, and an impressive entry to the East Coast and national festival circuit, performing at the likes of Falls Festival, BIGSOUND, NYE on the Hill, Springtime Festival and more.

Along with music, South Summit remain dedicated to the empowerment of First Nations peoples and communities, dedicating efforts to community outreach, including visits to schools, prisons and youth detention centres during NAIDOC Week; their music and activism work remaining intertwined in a natural way.

SOUTH SUMMIT ‘RUNNING FROM THE YETI’ TOUR

TICKETS

Thurs Nov 2nd La La La’s Wollongong, NSW
Fri Nov 3rd 
The Lansdowne Sydney, NSW
Sat Nov 4th 
Howler Melbourne, VIC
Fri, Nov 10th 
The Brightside Brisbane, QLD
Sat Nov 11th 
The Northern Byron Bay, NSW
Fri Nov 17th 
Whammy Bar Auckland, NZ
Sat Nov 18th 
The Loons Christchurch, NZ
Sun Nov 19th 
Meow Wellington, NZ
Fri Nov 24th 
The Rosemount Perth, WA

SXSW SYDNEY

Oct 15th – 22nd SXSW Sydney, NSW

PRAISE FOR SOUTH SUMMIT

“They could be Perth’s next breakout band, but South Summit are just as interested in becoming role models and giving back to the community as crafting heartfelt indie rock anthems. South Summit only have a handful of tunes to their name but nearly all of them pop with the confidence of a band much further into their career.
Triple j

“The band mixes timeless psych influences with a dusty mysticism, like each electric lick is a chance to escape being young and big for your boots in isolated WA. It’s still early days for South Summit but there’s so much promise of what’s to come with this band. Imagine a dark and brooding Ocean Alley cut and you’ve got the vibe of their new one ‘River Days’. It’s dreamy, soaring coastal indie with big guitars and swelling vocals”
Triple J Unearthed

“They’ve become ingrained within live music spaces in such a short time that it feels like they’ve always been there; their heartfelt indie-rock being an easy fit into the growing next generation emerging from Western Australia.”
Pilerats

“The chorus for Tired of Waiting just soars! A huge moment for South Summit”
Triple J, Nick Findlay

“Epic track right here – it’s got a little bit of everything! Gentle folk harmonies, yearning blues and then a swirling dubby climax. These competing parts of South Summit could seemingly overpower the track but this band nail the mix.”
Triple J, Dave Ruby Howe

“There is something special about this up and coming five-piece. With infectious energy, huge melodies, and an enigmatic frontman showcasing beautiful, honest storytelling, you might think it would be easy to get lost in the South Summit mix – but it’s the way the band manage to masterfully balance every element, constructing a sound that is both familiar and uniquely their own, that showcases the band’s true promise.”
Ticketmaster

Facebook | X | Instagram | YouTube | Triple J Unearthed | Website | TikTok

November 8, 2023 0 comments
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Music InterviewsMusic News

Grinspoon – Easy Detention Tour – Melbourne, Forum, November 6, 2023

by the partae November 8, 2023
written by the partae

November 8, 2023 0 comments
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Festival News

PIXAR PUTT SET TO TAKE SYDNEY TO INFINITY & BEYOND THIS DEC/JAN!

by the partae November 8, 2023
written by the partae

PIXAR-THEMED MINI-GOLF COURSE
WILL TEE OFF IN SYDNEY FOR A 7-WEEK RUN

 

Australia’s much-loved pop-up mini-golf phenomenon, Pixar Putt, will arrive in Sydney for the second time when it opens at Pier Street Underpass, Darling Harbour, from 15th December through to 4th February 2024. Tickets go on sale Wednesday 8th November at 9am local time viawww.pixarputt.com.au

This open air, pop-up mini-golf sensation is made up of interactive putt-putt holes inspired by the stories, characters, and icons from some of Pixar’s most beloved films including Elemental, Toy Story, Cars, Monsters, Inc., Turning Red, Soul, The Incredibles, Finding Nemo, A Bug’s Life, Wall-E, Inside Out, Luca and Lightyear.

The experience is perfect for players of all ages and is sure to become a popular destination through the school holiday season. And when the sun goes down, Pixar Putt After-Dark sessions will be available for adults 18+ from Thursday to Saturday nights from 7:00pm-10:00pm, also featuring a pop-up bar.

“Pixar Putt has had more than 622,000 mini golfers putting to infinity and beyond since it launched in 2019 and we are thrilled to return to Darling Harbour in December,” says Rachael Carroll, Managing Director TEG Experiences. “We can’t wait to showcase this Aussie-fan favourite attraction which has recently won a new legion of international fans in New York, Texas, and Chicago. When it came to finding our next location for Pixar Putt, Darling Harbour in Sydney is always the perfect spot to visit. There is plenty of space for patrons to stay safe, have fun and kick some serious putt!”

It is recommended that patrons book online and in advance to secure a preferred tee-off time. Course capacity is limited, so door sales will be possible, but subject only to session availability.

The safety of patrons and staff is TEG Life Like Touring and The Walt Disney Company’s top priority. Pixar Putt’s COVID Safe measures include capped player numbers on the course; physical distancing measures in queues and on course; sanitiser stations located onsite; plus, sanitising of golfing equipment between users for every session each day.

 

 EVENT DETAILS

WHAT:            Pixar Putt

WHERE:         Darling Harbour, Pier Street Underpass

WHEN:            Friday 15th December 2023 – Sunday 4th February 2024

HOURS:          Opens – Friday 15 December 2023, 3:00pm – 10:00pm (last entry 8.45pm)

Season Opening Times
Sunday to Wednesday: 10:00am – 8:00pm (last entry 6.45pm)
Thursday to Saturday: 10:00am – 10:00pm (last entry 8.45pm)

Please Note: Thursday to Saturday 7:00pm -10:00pm is ‘Pixar Putt After Dark’ evening sessions for adults 18+. 

 

TICKETS:        18 holes: $39.90 Adult, $29.90 Child, $119.90 Family (2A/2C or 1A/3C)

9 holes: $29.90 Adult, $19.90 Child, $79.90 Family (2A/2C or 1A/3C)

WEBSITE:       www.pixarputt.com.au

SOCIAL:          #PixarPutt

November 8, 2023 0 comments
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Music InterviewsMusic News

Torizon Interview

by the partae November 6, 2023
written by the partae

Answered by: Mish Sharma – Vocals and Piano, Luke Kleinschmidt – Guitar, Bass and Synths, and Jordan Miller – Drums and Percussion.

Where are you currently based?

Luke: We are a Brisbane based alt rock/metal band.

Please tell us about the inspiration behind your latest single “Martyr”?

Mish: Martyr is written about the specific moment you realize that you need to break out of a narcissistic abuse cycle. I wrote the lyrics after a therapy session which was focused on processing the aftermath of leaving a narcissistic abuse coercive control relationship.

What’s the story or message you’re trying to convey in the lyrics of “Martyr”?

Mish: This song is very much based on my own experience. The lyrics explore the victim grappling with the reality of the situation and deciding to leave; even though the trauma brain is persistent about staying because it feels “familiar”. I was in a vulnerable place when I wrote my parts (like always I bare it all in my music), particularly because narcissistic abuse is a complex multi-layered beast, it can happen to anyone in any type of relationship. There is so much unlearning of false beliefs, grieving, and integrating fractured parts of yourself, but it all starts with someone gathering all their courage and deciding that they will no longer accept this treatment. The message is that it can happen to anyone, and it doesn’t make the victim “weak,” “broken,” or “a problem”; your physical and psychological safety is more important than what anyone would think of you.

How did the creative process for “Martyr” differ from your previous work?

Luke: This song was made from 2 separate ideas I was working on simultaneously. I wanted to write a riff around an “ambient guitar” and I added layers around that for the intro and verse; whereas for the chorus I wanted a kind of staccato-esque start to it, to make it punchy.

Mish: I had written the verse and chorus vocal parts for a completely different song, I was singing those along to the demo track for Martyr as a joke but it worked so well that we decided to keep it. Usually I write my parts from scratch.

Were there any challenges you faced while recording “Martyr,” and how did you overcome them?

Mish: The writing process was quite seamless, we tend to do a lot of work remotely and then get together to arrange/fine-tune our parts. We worked with Kalen Austin Productions to record this track and our previous single ‘Damaged’ over three days. On the day we were tracking vocals for Martyr, I had missed my antidepressant dose which gave me brain zaps and I also had a chronic pain flare up. This combination helped me deliver a really vulnerable performance, sometimes you just have to lean into however your mind, body, and voice is presenting. Kalen was really helpful in making the most out of the situation and even ended up singing harmonies on the chorus to give it an extra dimension. This inspired us to use Luke’s vocals live and now our set has multiple songs where Luke and I both sing.

How has the response from your fans been to “Martyr” compared to your previous releases?

Mish: So far we have been getting a lot of love on Martyr which we are so grateful for. It’s been very similar to our last single Damaged that came out in August. I think people are really enjoying the heavier instrumentation and the songwriting styles in both new tracks, compared to the previous releases.

General Band Questions

How did the band Torizon come together, and what’s the origin of the band’s name?

Mish: It started off as a bunch of song ideas after taking a short break from music to recover from a vocal cord injury. These ideas became more solid over time with the help of friends and session musicians who helped launch the band in 2019. Covid threw a lot of spanners in the works shortly after, but I am really proud of where we are now, it’s been amazing to see the band evolve since then.

The name is derived from the words torsion and event horizon in black holes. From a personal point of view, when life is difficult, it can feel like you are being sucked into a black hole but it’s important to remember that there is a horizon at the end of it all.

Could you describe the musical style and influences that shape your sound as a band?

Jordan: We have coined the term “petalcore” to define the two new singles and the EP we just finished writing – It’s alternative metal with pop sensibilities. As a collective we have a range of influences from metalcore to pop punk to alternative rock, emo and hip-hop which we draw from.

Luke: I feel that our sound comes from our own interpersonal styles. I’m influenced a lot by metalcore and modern metal. Whereas the others are influenced by alt rock, punk, pop… so it came together organically by blending those. I’d say we are definitely pop-metalcore or “petalcore” as we call it.

What is the most memorable live performance or concert experience you’ve had as a band?

Mish: Crowbar, Sydney with Opehus Omega and Triple Kill. We all drove together, it was a blast. The boys are hilarious – we made up silly tour games. Our set and sound was definitely one of the best it has been.

Luke: I would say, our Sydney show at the Crowbar. Great crowd, great sound guy, great bands – it felt like being in a room full of friends. The drive down and back and staying also helped in really cementing that show as my favorite at least.

Can you tell us about your songwriting process and how you collaborate as a band when creating new music?

Luke: Generally I start off with some riffs, sometimes even the full guitar structure, then add bass and synth. Mish and Jordan would then go through and add their magic. We then get together in front of the recording session, and go back and forth with what works and what doesn’t, and any ideas that we come up with. After that we will go through and re-record our parts – rinse and repeat the process until we are happy. Then we will practice it live in our rehearsal space a few times to see how it feels and make any last tweaks. I think the biggest help in our collaborating to finish a song is that we are open to hearing criticisms and ideas, and we leave egos at the door, and just care about the music.

Jordan: Luke is a riff machine. He generates a lot of the ideas then Mish and I come in with our parts and we shape the structure as a band. We all have our own home studios which speeds up the writing process.

Are there any upcoming projects or albums in the works for Torizon that fans can look forward to?

Mish: Yes we spent 8 months writing our next EP. We will be recording it in early 2024. Expect an overall heavier sound, a deeper guitar tuning, breakdowns as well as soft and raw passages. We are also booking interstate shows so definitely expect some tours.

How has your music evolved since you first formed as a band, and what direction do you see it heading in the future?

Luke: The sound has gone through a couple of changes in.

What’s planned for the remainder of 2023 going into 2024?

Jordan: We have one more show (unannounced) to finish the year off where we will be debuting some of our newest material. 2024 will see us recording a new EP, touring, writing more songs so we are at least a couple of releases ahead. Really excited to show what we have been working on behind the scenes.

https://www.facebook.com/torizonband

 

November 6, 2023 0 comments
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Festival NewsMusic News

The Vanns – Last Of Your Kind Australian Tour ’23. The Forum, Melbourne, Vic. 3 November 2023

by the partae November 6, 2023
written by the partae

Photography: Nate Hill

https://www.thevannsband.com/shows

November 6, 2023 0 comments
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Music News

Deep West Teams Up with Moloko For A Tech-House Banger With A Sample Of Moloko’s Classic Hit “The Time Is Now,” Fueled by A Vinyl Glitch. “On My Mind” is Out Now on Musical Freedom

by the partae November 4, 2023
written by the partae

Artists: Deep West, Moloko
Title: On My Mind
Label: Musical Freedom
 

DJ and producer Deep West teams up with iconic British duo Moloko for their new collaboration, “On My Mind,” which is out on Tiësto‘s Musical Freedom label. Longtime fans of Moloko may recognize a sample of their classic hit “The Time Is Now“. Deep West stumbled upon the track during a vinyl session. A glitch in the needle turned out to be the catalyst for burning inspiration, and “On My Mind” turned into a truly immersive reimagination with Moloko. Featuring Moloko‘s original vocals and a deep, groovy bassline atop dance-worthy melodies, the track fuses vintage vinyl vibes with modern beats to make for a sonic experience that’s poised to capture hearts and dancefloors around the globe. The track is Deep West‘s first release on Musical Freedom under this fresh new moniker after he ghost-produced for other artists’ Top 10 hits many years ago.

“At the house of a friend, an avid vinyl collector, I stumbled upon Moloko‘s classic hit – ‘The Time is Now.’ I started playing the track from the original vinyl, but the needle glitched right at the end of the line, ‘You’re the first thing and the last thing on my mind.’ This unexpected glitch was a creative revelation. Back in the studio, I produced ‘On My Mind,’ sampling this timeless club classic from Moloko.” – Deep West

Deep West

Meet Deep West, the international DJ and music producer who is taking the tech house scene by storm. Deep West brings a fresh perspective to the electronic music scene with his very own fusion of tech house and sweet Miami rhythms that keep the crowd grooving all night long. Having produced and ghost produced other artists with several top ten hits many years back, he took a break from music production. Now he is back with a brand-new sound and a fresh alias: Deep West. In 2023, he is releasing tracks through Musical Freedom, Spinnin’ Records, and others and has some exciting collaborations in the works with major dance artists such as Moloko, Dubdogz and others. He has already landed on the playlists of Tiesto, Alok, Mike Williams and others. With his talent, experience, and dedication to the craft, he is unleashing the good life wherever he plays.

Moloko

The Sheffield-based dance-pop duo Moloko is the result of Irish-born singer Roisin Murphy‘s attempt to pick up mixer/producer Mark Brydon at a 1994 party with the come-on, “Do you like my tight sweater? See how it fits my body.” Brydon saw musical potential in her attitude, and the two formed a creative and romantic partnership. The band’s full-length debut, inevitably named Do You Like My Tight Sweater?, came out in 1995 and was an equal mix of Murphy‘s slinky attitude and Brydon‘s musical prowess. The album combined dance, funk, and trip-hop elements in an approach similar to Portishead or Massive Attack but with a sense of humor and sass unique to Moloko. Though the album’s U.S. release occurred nearly a year later, the single “Fun for Me” was featured prominently on the Batman & Robin soundtrack and received some radio airplay. Moloko toured with kindred musical spirits such as Pulp, built a home studio, and recorded the follow-up to “Do You Like My Tight Sweater?,” titled “I Am Not a Doctor.” Released in 1998 (and late 1999 in the US), the album continued in Moloko‘s witty, funky tradition and featured their breakthrough single, “Sing It Back.” The group’s third album, “Things to Make and Do,” which included the hits “The Time Is Now,” “Pure Pleasure Seeker,” and “Indigo,” was issued in the U.K. in the spring of 2000 and was released in the States later that year via Roadrunner. Even today, the hit “The Time Is Now” has >66mn plays on Spotify and was a top ten hit in many European countries when it first came out. Brydon and Murphy‘s romantic relationship ended just before they began work on 2002’s Statues; after finishing the tour supporting the album, Moloko disbanded.

More info on Deep West / Moloko / Musical Freedom:

Deep West: Instagram | Spotify
Moloko: Spotify

Musical Freedom: Facebook | Instagram | Twitter | Spotify
November 4, 2023 0 comments
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Music News

HOTEL MIRA return with transformative new album I AM NOT MYSELF

by the partae November 4, 2023
written by the partae

Photo credit: Lindsey Blane 

Following their appearance at the inaugural SXSW Sydney Festival just less than a week ago, Canadian quartet Hotel Mira return with their new album ‘I Am Not Myself’. Their hip-swerving, passionately pop-contorting contemplation of identity sees release through long-time label Light Organ Records.

A lot has changed since the early 2020 release of Hotel Mira’s breakthrough release, Perfectionism. That album’s finely honed and honest take on mental health and personal struggles took the band on their biggest tours yet, building a passionate fandom across North America.

As Hotel Mira’s profile grew, vocalist Charlie Kerr was undergoing a time of transformation himself. Kerr found himself writing the bulk of I Am Not Myself while travelling between Vancouver and his now adopted home of Los Angeles, while the band recorded the album in various studios across British Columbia in Canada alongside producers Adam Kasper (Nirvana, Foo Fighters), Ryan Worsley (Fake Shark), Steve Bays (Fur Trade, Hot Hot Heat), Parker Bossley (Fur Trade), Louise Burns, James Younger and more.

While Kerr admits his anxieties over the move bled into his lyrics, he soon realised I Am Not Myself’s mix of autobiography and tragi-comic character portraits likewise reflected a profound loss of self, with the concept of ‘identity’ becoming the connective thread between the album’s 12 tracks.

“I think that there is value to expressing unsavoury things about oneself, and peeling away shame. If this music has a purpose, I think it’s to show people how engulfed by shame we are, and how universal that is to the human experience. By pinpointing my own, hopefully people are more forgiving of theirs.” – CHARLIE KERR, HOTEL MIRA

It’s suggested that I Am Not Myself — its title a key line from lead single ‘Dancing With the Moonlight’ — takes place within various points of an identity crisis. Sometimes, that means breaking free from the social constructs others impose on you (‘Eventually’); other times it means gleefully — perhaps even chaotically — lobotomising yourself while in the throes of young love (‘Fever Pitch’, ‘King of the World’); other times, it means digging for truths through the blurriness of all-night party (‘Dancing With the Moonlight’).

“We set out with the idea of making anthems for aliens — really, really catchy pop songs for outcasted people.” – CHARLIE KERR, HOTEL MIRA

As a special nod to their fans down under, Hotel Mira also share an Australian-exclusive bonus track, ‘Waste Away’. A poignant tribute to those who have experienced domestic abuse, the track explores a topic that hits close to home for far too many people, including members of the band.

“‘Waste Away’ tells the story of Domestic abuse. The tendency to Blame oneself. The confusion and backwards way we justify abusive behaviour. The way things can escalate slowly over time in a way that we don’t recognize until it’s too late. And of course trying to gather the courage to leave a partner and the very real threat of violence if you do. It is a love letter to the courage and resilience of survivors. Myself and close friends included.” – HOTEL MIRA

PLAY/LISTEN

This album has been highly anticipated by fans across the globe, with Hotel Mira being on an impressive upwards trajectory since their outset. Their hugely successful recent US/Canadian tour included 27 headline dates, with the band previously sharing stages with the likes of Billy Talent, Foals, USS, The Beaches, and July Talk – as well as the legendary Frank Iero (from My Chemical Romance). Having been invited to perform at festivals around the world including Westward Music Festival, SKOOKUM, Pemberton, Reeperbhan and The Great Escape, Hotel Mira have just ticked SXSW Sydney off their list with their captivating showcase over the weekend.

With over 20M+ streams on Spotify and 1M+ views on Youtube, they’ve seen huge support from alternative radio stations across North America, and have been featured in top-tier editorial publications such as Earmilk, CLASH, NME, and Exclaim. Hotel Mira are ready to embark on this new chapter of vulnerability and growth with I Am Not Myself, with a palpable authenticity that continues to draw the praise of media and fans alike.

PRAISE FOR HOTEL MIRA

“Hotel Mira is quickly becoming one of the hottest new acts to watch. The band has an electrifying energy that radiates through their music”
Earmilk

“Frontman Kerr is a bombastic, dynamic performer clearly made for the stage, and you can’t take your eyes off him”
The Indy Review

“Backed by rippling ‘80s guitars, pounding drumming, and a howling vocal performance, the track sees the band tearing into a groovy arena-ready anthem, hitting on a similar vibe as indie pop touchstones like The 1975”
Under the Radar

“For an album that has a lot of uptempo moments in optimistic-sounding major keys, it’s not afraid to embrace important, darker topics”
Exclaim [Perfectionism – 2020]

‘I AM NOT MYSELF’ is out now
Official Website | Facebook | Instagram | Twitter | Youtube

November 4, 2023 0 comments
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Festival NewsMusic News

SXM Festival Returns to Saint Martin for 2024 Edition Announcing Phase One of Lineup

by the partae November 2, 2023
written by the partae

Anja Schneider, Eli & Fur, Ilario Alicante, Loco Dice & many more have been announced for Phase One

Tickets: sxmfestival.com

Location: St. Martin, The Caribbean
Date: March 11-18, 2024

SXM Festival is the world’s most stunning mix of music, art, culture and tropical getaway – and it is back in 2024 for an immersive week that puts you in full control of your festival experience. The Festival takes over both sides of the gorgeous Caribbean island of Saint Martin / Sint Maarten with a world of cultural delights, escapist day trips, unique island experiences and many more surprises to complement the carefully curated soundtrack.

Phase One of this year’s line-up is a mouthwatering list of world class and carefully curated names including Adam Ten, AJ Christou, Anja Schneider, Chus, Dana Ruh (live), Doc Martin, Eli & Fur, Fleur Shore, Harry Romero, Ilario Alicante, Kevin Saunderson, Loco Dice, Robag Wruhme, Roy Rosenfeld, Shimza and Tiefschwarz amongst many more.
Since its debut back in 2016, SXM Festival has remained focused on curating lineups that unite legendary names and emerging acts alike from far-reaching corners of the globe. Some of clubland’s most celebrated selectors and live acts descended on St. Martin and that will be the case again in 2024.
This year, the week-long SXM Festival will elevate the festival experience to all new heights. Attendees are invited to design their own experience for three to seven days of magical memories. SXM Festival is a place where individuality is embraced and you’re free to reflect your own unique spirit as you discover this tropical island getaway with an electrifying electronic soundtrack that plays out day and night next.

Crafting a harmonious blend of partying and island exploration, SXM Festival has perfected the art of tailoring your experience. Immerse yourself in the lush tropical wonders – from invigorating hikes and cultural excursions to captivating day trips – until your heart and soul are utterly enriched.

Says SXM Festival’s Julian Prince, “With great excitement and anticipation, we present Phase One of the 2024 lineup, marking the beginning of our seventh edition. This launch sets the stage for an incredible journey of music, art, and unity. The carefully crafted lineup is a testament to our unwavering commitment to providing an unforgettable experience for our festival-goers. It is a celebration of the limitless creativity and passion within the electronic music community. Together, we will weave a tapestry of emotions, where joy, exhilaration, and pure euphoria converge beneath the Caribbean sun. Join us as we ignite the spirit of SXM Festival and unleash the magic that has made it an extraordinary event”

The island boasts a stunning array of beaches, lush rainforest dancefloors, beautiful villas, boat parties, and beach clubs so your non-stop fun runs from sunrise to sunset. The music plays out at a variety of unique venues filled with mesmerising hand-crafted decor and arty design.

Although there are brand new and exciting venues coming this year, the famous centre of SXM Festival is Happy Bay from Wednesday to Sunday. It is a secluded private beach nestled in the jungle and home to the iconic Arc Main stage and the immersive Ocean stage. Other highlights are a series of day parties to choose from
including Boho Beach, the infamous Villa Party on Saturday and limited capacity Satellite Parties, including the Boat Party with DJs soundtracking the epic voyage, along with the now world renowned Panorama party, where party at the peak of Sint Maarten’s highest mountain with breathtaking 360-degree views. More day parties will be announced soon, with secret villa parties to be discovered.
This edition brings a  special partnership with the globally renowned Anjunadeep who will be hosting an epic sunrise party on the shores of Boho Beach on March 14th. Zero NYC, the city’s renowned party promoter, is also teaming up with SXM Festival to bring you a truly enchanting sunrise party at Boho Beach on March 17th.
SXM Festival has two ticket types – the 3 or 7-day EPIC Experience which includes access to all main events including Happy Bay, Boho Beach and more, or the 3 or 7-day PREMIUM Experience including everything the EPIC Experience offers plus exclusive access to the infamous Villa Party on Saturday, priority access to limited capacity Satellite Party events and best table access, expedited wristband pick-up, closer parking, ultra-mod washrooms, covered areas, additional bars, lounges and surprises.
Discover the SXM Festival Villa Collection with special benefits when you book such as a private transfer from the airport, a welcome gift, access to the Ultra VIP parking area at Happy Bay for closest proximity to the main entrance, full concierge service, top island experiences dedicated concierge, all available through sxmfestival.com/villa.

The countdown is now on once more to this most dreamlike and unique musical, travel and culture getaway in a truly breathtaking location.

Get on the waitlist now for the next presale coming soon at sxmfestival.com. Tickets on sale November 2, 2024.

Phase One Lineup (A-Z)

ADAM TEN
ADASSIYA (LIVE)
AJ CHRISTOU
ANDREY PUSHKAREV
ANJA SCHNEIDER
CHKLTE
CHUS
DANA RUH (LIVE)
DAOX
DEWALTA
DOC MARTIN
DOSEM
ELI & FUR
ELIF
ELLA ROMAND (LIVE)
FLEUR SHORE
HARRY ROMERO
HUSA & ZEYADA (LIVE)
ILARIO ALICANTE
KADOSH
KEVIN SAUNDERSON
LOCO DICE
LUNAR DISCO
MARCIA CARR
MIRA
ROY ROSENFELD
SHIMZA
SHUBOSTAR
SINCA
SKATMAN
TAL FUSSMAN
TIEFSCHWARZ
TONY Y NOT

November 2, 2023 0 comments
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Music News

Cris Gamble – En La Nave (Prod. by Anunnaki)

by the partae November 2, 2023
written by the partae

Cris Gamble’s new single, “En La Nave,” is set to redefine expectations with its distinctive sound and exciting collaboration with producer Anunnaki. The moment the track kicks off with its sinister acid line, it becomes evident that this is a departure from Cris Gamble’s previous work. Anunnaki’s influence on the track is immediately palpable, marking the first collaboration between these two talented artists.

Cris Gamble’s seamless transition between Spanish and English lyrics creates a captivating dynamic within the song, blending percussive punches and harmonic glides.. The thumping Reggaeton beat sets a relentless rhythm, engaging in a captivating dance between snare drums and sweeping filters, while exuding an air of anxious trepidation. It’s a harder sound than what one might typically associate with Anunnaki, known for his sophisticated pop beats, and this departure underscores the artists’ versatility.

This Melbourne-based duo’s collaboration was long-awaited, given their shared Chilean heritage and diverse musical influences. Their sounds, when combined, possess a sharp and unique edge, setting “En La Nave” apart from anything else in their respective discographies.

“En La Nave” is out today and serves as a milestone for both Cris Gamble and Anunnaki, marking a pivotal moment in their musical careers. This track is a thrilling departure and a must-listen for fans of innovative and boundary-pushing music.

Commercial/Pre-Save Link: https://crisgamble.ffm.to/enlanave

https://www.instagram.com/papitogamble/ 

https://www.abc.net.au/triplejunearthed/artist/cris-gamble/

November 2, 2023 0 comments
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Music News

Katharina Boger “DAngel”: A Pop Sensation Making Waves!

by the partae November 1, 2023
written by the partae

From a childhood dream to a musical reality, Katharina Boger, also known as “DAngel,” has emerged as a rising star in the pop music scene. Her journey has taken her from Kazakhstan to Germany, with a stop in London, and finally to her current home in Los Angeles. It’s been an adventure, to say the least!

But for Katharina, it’s not just about the places she’s been; it’s about the people she surrounds herself with. She thrives in the company of creative and ambitious individuals who share her passion for music and are constantly striving to reach new heights. She envisions a life filled with exciting twists and turns.

With her latest track, “Breaking Rules,” Katharina has made a bold statement to the world. Her powerful vocals and ‘no-limit-attitude’ have positioned her as a new star on the rise. Teaming up with producer and songwriter Nick J. Turpin, known for his work with artists like Justin Bieber and David Guetta, Katharina has created a unique fusion of rock ‘n’ roll and trap music that’s bound to get you moving. Her lyrics are empowering, encouraging people to believe in themselves and find their own path to success.

Katharina’s brand, “DAngel,” embodies the concept that we all have a little angel and a little devil within us, both vying for our attention. She embraces both aspects of herself and enjoys sharing these feelings with her audience.

Looking ahead to 2024, Katharina and her team are hard at work on several exciting projects. This includes an upcoming tour, new songs, and captivating music videos. Stay tuned for updates, and be sure not to miss the “DAngel” gang at one of her upcoming concerts!

One of the current projects is a live performance recorded in Berlin at the Sonic Boom Studio in collaboration with the production company Fantom Film. In this special video, you can witness Katharina in action, showcasing her songs “Angels & Devils” and “Breaking Rules.” What makes this recording unique is the extraordinary ambiance, with captivating lighting designed by DRYHYR, perfectly capturing the essence of the “DAngel” theme.

Katharina Boger, or “DAngel,” is a force to be reckoned with in the pop music world. Her journey is one of determination, creativity, and unapologetic self-expression, and she’s poised to leave an indelible mark on the music industry. Don’t miss out on the opportunity to experience her artistry and energy live on stage – it’s a show you won’t want to miss!

Website:  https://www.katharinaboger.com/

YouTube:   https://www.youtube.com/@KatharinaBoger  

Instagram: https://www.instagram.com/katharinaboger/

TikTok:       https://www.tiktok.com/@katharinaboger

Facebook: https://www.facebook.com/katharinabogermusic/

November 1, 2023 0 comments
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