Coachella 2025 Lineup + Tickets

LANY Lights Up Hordern Pavilion with Unforgettable Show and Emotional Highs

JET CITY SPORTS CLUB reveal bright new single ‘MINI SKIRT’

REVIEW: Tate McRae – 12 Nov 2024, Hordern Pavilion, Sydney

KYBBA, SEAN PAUL, AND BUSY SIGNAL TEAM UP FOR HIGHLY ANTICIPATED NEW...

BOBBY UNCLE shares new track ‘THE WAY YOU STAND’

SET TIMES FOR ANYMA ‘GENESYS’ – MELBOURNE / NAARM 2024

PENNYWISE + MILLENCOLIN – AUSTRALIAN TOUR 2025

Interview: TYLER HILTON – Returning to Australia

Interview: Taylor-Rae – Drunk Plans, Bold New Directions

Monthly Archives

October 2023

Music News

Torizon release triumphant new single “Martyr”

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Brisbane alt-rock trio Torizon share triumphant new single Martyr, launching live on the Gold Coast this weekend supporting Bridge Left To Burn on the Bitter Endings East Coast Tour.

Mixed and mastered by Chris Blancato (Northlane, Reliqa, Vilify), new single Martyr is written from the perspective of a person dealing with previous underlying trauma that finally finds themselves ready to break out of a narcissistic relationship.

Vocalist Mish Sharma explains: “The lyrics explore the victim grappling with the reality of the situation and deciding to leave; even though the trauma brain is persistent about staying because it feels ‘familiar’.”

Sharma draws from personal experience on Martyr, taking a stand against toxicity and empowering listeners to do the same. “Statistically, the likelihood of adults with childhood trauma ending up in dysfunctional and abusive relationships is very high,” says Sharma. “As someone with complex PTSD – treated – I found myself in multiple abusive relationships. With the help of a great mental health care team, all my connections now are safe and supportive.”

The trio will play Vinnies Dive Bar on the Gold Coast this weekend to launch their new single live, supporting Bridge Left To Burn on the Queensland leg of their Bitter Endings East Coast tour. Tickets on sale now!

Torizon is Misha Sharma on vocals and piano, Luke Kleinschmidt on guitar, bass and synth and Jordan Miller on drums and percussion. The Brisbane three-piece blend modern rock and metal genres to create their own brand of energetic and anthemic alternative rock. Not ones to shy away from exploring the full palate of human emotion, their body of work is teeming with evocative hooks, irresistible grooves, blistering riffs, and frontwoman Sharma’s larger than life vocals.

Since their inception, Torizon has garnered global coverage and airplay from the likes of triple j, Unearthed, Triple M, Metal Sucks, HEAVY Mag, Kill Your Stereo, New Noise Magazine and more and have seen adds to Apple Music editorial playlist Heaps Heavy as well as hundreds of Spotify user playlists.

The group has performed alongside Circles, Valhalore, Darkcell, Orpheus Omega, as well as securing slots at Wallapalooza and Jacaranda Festivals. With an impressive reportoire under their collective belts, Torizon are back with an emotive new banger Martyr, with the promise of a long-awaited larger release in 2024.

Martyr is available now and streaming everywhere.

PLAY/LISTEN

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Kaskade Delivers 7 Organic Deep House Records On 6th Chapter of His Iconic “REDUX” EP series. “REDUX 006” EP is Out Now on Arkade

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Artist: Kaskade
Title: REDUX 006 EP
Label: Arkade

Download / Stream

7-time Grammy nominated artist Kaskade drops his highly anticipated REDUX 006 EP, featuring 7 deep, dynamic house tracks that illustrate exactly what his beloved brand is all about. “Brighter,” featuring Emmit Fenn, perfectly sets the tone for the EP‘s sonic atmosphere with its dramatic flair, all cinematic melodies, and reverberating synths for a goosebump-inducing beginning. The next ones in line are, among others, “About Us” – which engages Kaskade‘s signature deep house grooves with garage-inspired elements, “Meaning of Love” with Digital Youth – weaving lo-fi melodies for a loungey, sultry experience; “Turn You Up” with Winn Winn where the iconic producer incorporates spoken-word vocals over a deep production style, warming things up for perhaps the EP‘s most crowd-pleasing record – “On My Way,” which features a deep, driving bassline and plenty of groove. REDUX has been a fan-favorite sound of Kaskade‘s since its inception a decade ago, and its sixth iteration shows that he’s not going to stop heating up dancefloors across the globe anytime soon.

As a household name in electronic music for nearly two decades, Kaskade needs no introduction. His list of achievements is a mile long: 12 studio albums, 7 GRAMMY nominations, the first solo electronic dance artist to sell out both Navy Pier in Chicago and the Staples Center in Los Angeles, the first DJ to ever secure a Las Vegas residency, and the first electronic artist to headline Coachella. Having worked on collaborations with, e.g., Alicia Keys, Jennifer Lopez, Gwen Stefani, and Meghan Trainor, he has the unique talent of creating his signature sound in any genre. Additionally, he has been one of the electronic artists leading the charge into the gaming world and, to date, is the only musician to conceptualize and create an entire season of music for video game giant Rocket League. In 2021, Kaskade came out of quarantine swinging as the first-ever solo headlining musician to sell out and perform for a public event at LA’s SoFi Stadium. Most recently, in 2022, he teamed up with deadmau5 to form Kx5. Kaskade‘s influence on dance music has shaped the culture for generations of listeners, continuing to wow longtime and new fans alike with every new release.

Kaskade‘s remaining REDUX-inspired shows:

Nov 17 – Cermak Hall – Chicago, IL
Dec 01 – Club Space – Miami, FL

More info on Kaskade / Arkade:

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Ty Koch ‘Hold On Tonight’ Premiere

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Ty Koch, a fresh and vibrant vocalist, hailing from the vibrant city of Vancouver, is making waves in the contemporary music scene. With a dynamic repertoire spanning blues, vintage rock, and classical tunes, Ty’s musical journey began at just 17 when he started crafting his own songs, jamming with friends, and honing his craft. And now – he’s released his latest, and truly incredible single “Hold On Tonight”.

In recent years, Ty has been at the forefront of musical innovation, collaborating with a diverse array of artists and taking the stage at renowned venues, local hotspots, and major festivals. Notable performances include electrifying the stages at the 2022 Nanaimo Big Band Festival, headlining the 39 Days of July in Duncan, BC, embarking on a thrilling Northern BC tour, and gracing the screens of viewers worldwide through two unforgettable seasons of the Rise Up Reality TV Tours on Roku TV.

Ty’s musical journey was significantly influenced by his decade-long membership in the prestigious British Columbia Boys Choir. This incredible experience allowed him to share his vocal talents and explore captivating destinations across the globe, from traversing the vast expanse of Canada, to enchanting visits to Costa Rica, Croatia, Slovenia, Italy, Scotland, and countless return trips to the beautiful landscapes of British Columbia. Ty’s musical odyssey is an ever-evolving adventure, promising a modern twist on classic sounds and a vibrant connection with his audience.

https://tykochmusic.com/
https://www.facebook.com/MusicTyKoch
https://www.instagram.com/ty.koch/

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British Multi-Platinum DJ-Producer-Singer-Songwriter John Newman Releases New Single “Guiding Light” As Ode To His Newly Born Daughter. Out Now on Smash The House

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Artist: John Newman
Title: Guiding Light
Label: Smash The House

British multifaceted multifaceted artist, John Newman debuts to Smash The House with his new single “Guiding Light,” a meaningful, genre-bending, euphonious gem that’s an ode to his newborn daughter. John‘s soulful vocals open up the song over cinematic melodies that lead into a riding, deep bassline complete with percussive synths and string instrumentals, giving “Guiding Light” both the uplifting qualities of a big room dance track and a hint of underground with the techno bassline. He recently became a father, and the track, with its lyrics like “I’ll be by your side, holding onto you,” is brimming with a highly personal and heartfelt love that’s tangible with each note. The new release follows the DJ-producer-singer-songwriter’s recent collaboration with Alesso – “Call Your Name,” as well as as well as multiple earlier successes such as three BRIT nominations, platinum certifications, multiple UK #1 singles, and more collaborations with the likes of David Guetta, Galantis, Kygo and his most streamed track “Blame” with Calvin Harris.

“‘Guiding Light‘ is a track that I felt I needed to produce for my daughter. Having this new life with us has been so inspiring. I love the idea that I can make songs for her that she can listen to throughout her lifetime, with ‘Guiding Light‘ being the first. For the production, I wanted to make a record that transported back to that UK radio sound I started out in. But, at the same time, I also wanted to challenge the big, uplifting dance track formula with Godfather-like strings and invigorating techno drives that I’ve been vibing with lately. Combined, it takes the emotive power to the next level, which I hope people will feel when they hear it.” – John Newman

Newman‘s career as a singer, songwriter, DJ, and producer began in 2012 with his UK number-one hit “Feel The Love” with Rudimental. He then launched his solo career with the global record-breaking single “Love Me Again,” which debuted at number one in the UK Official charts and went on to hit the Top 10 in over 30 countries, amassing 1,6B streams worldwide. For a kid who grew up on a council estate in a small Northern English town DJing on borrowed gear, Newman was shattering his boundaries to success from the start. When Newman released “Blame” with Calvin Harris in 2014, the song broke the record for most-streamed song in one day and became the first track to break 10M streams in a week on Spotify. After further collaborations with heavyweights Kygo, David Guetta, Galantis, and more, Newman has driven his way to 3 BRIT nominations, over 2,5B streams, and number-one records as a songwriter and artist. In 2021, Newman released “If You Really Love Me (How Will I Know)” with David Guetta and MistaJam, re-igniting his career after time away to rediscover himself. The single went on to again bring him global acclaim in a new stage of his career. 2021 also saw Newman partnering with his long-term collaborator Calvin Harris to write yet another chart-topping single, “By Your Side” featuring Tom Grennan. Now, John Newman is welcoming his new era of energetic, dance-led solo music. His new live show showcases his DJ capabilities, as well as the vocal performances for which he is world-renowned.

More info on John Newman / Smash The House:

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Techno Icon UMEK Celebrates 30 Years of His Career with Hard-Hitting 300th Release From His Label 1605 – “Hypnotizing” with Maddix

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Artist: UMEK, Maddix
Title: Hypnotizing
Label: 1605

UMEK celebrates massive milestones of 30 years in the music scene and 300th release on his label 1605 with the new single “Hypnotizing,” a monumental techno track worthy of its name. The Slovenian icon wastes no time with the production, opening the track with an immediate hard-hitting, driving bassline. He seamlessly layers in undulating melodies on top of syncopating synths, even incorporating a haunting vocal riff mid-track that builds anticipation even further for the nonexistent drop. “Hypnotizing” is a dark and ominous sonic journey through time and space–from dungeons to dancefloors and beyond, wherever the listener’s imagination may roam when held captive by the mesmerizing beat. UMEK teams up with Dutch producer Maddix for this release, who has also released on Spinnin’ Records, Armada Music, Rave Culture, and Revealed Recordings. Check out what UMEK himself has to say about “Hypnotizing” below.

“Celebrating three decades in the dynamic realm of electronic music, I am overjoyed to mark this milestone with ‘Hypnotizing’ – a track that encapsulates the energy, passion, and relentless drive that have defined my career. As the 300th release under the auspicious banner of 1605, ‘Hypnotizing’ not only mirrors the evolution of my sound but also underscores the vision and spirit of a label committed to pushing boundaries. Here’s to the rhythm that unites us, the beats that inspire, and the magical 300 that reflects a journey of persistence and undying love for music. The hypnotic allure of the dance floor awaits, and I invite you all to lose yourselves in the mesmerizing world of ‘Hypnotizing'” – UMEK

What’s 2 meters tall, lives behind the Iron Curtain, has 1605 reasons to run an awesome label, and flies? Meet UMEK, a techno legend from Slovenia. UMEK is personally responsible for kickstarting the electronic music scene in his home country by first organizing illegal raves and then becoming one of Slovenia‘s most wanted export products and the number one music ambassador to the whole world. And he does fly! Around 100 times per year, visiting almost every continent each year. His gig diary ranges from dark underground clubs in Berlin to massive techno stages at the world’s most renowned festivals. Apart from making his name in the DJ booth, he’s also a tireless producer. He mostly releases on his own imprint 1605, and most of his tracks end up on the very top of Beatport‘s charts. After 30 years as a professional musician, he decided to use his experience and skills in the entrepreneurial world, and together with his managers, he founded a music-tech startup Viberate.

More info on UMEK / Maddix / 1605:

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JAKE STONE RELEASES EMOTIVE NEW SINGLE, LATE NIGHTS

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LISTEN HERE

 

Late Nights is the latest offering from Melbourne indie pop artist, Jake Stone. It is the first of many collaborations with prolific co-writer/producer Josh King.

Reflecting on Late Nights, Jake shares: “A big element of the song is this need for victory after a breakup; someone who comes out better off and seems to move on too quickly.”

Is it even possible to ‘win’ a breakup? When relationships end and people get hurt, there can be no winner. And continuing to hang out with mutual friends, post-breakup, tends to stall emotional progress by keeping your ex front of mind as well.

Opening with a plaintive, meandering guitar line, Late Nights finds our protagonist stuck in a heartbreak spiral while his partner has already moved on: “Still thinking ‘bout the way that you let it end/ Still thinking ‘bout the way you said we’re better as friends/ But right now it doesn’t feel like it…”

Insistent drumbeats add dramatic impact to the song, before its stripped-back pre-chorus, featuring taunting layered vocals, plays the blame game: “And I remember the way that you framed it/ You as the victim, when we both know it’s blameless…”

Then enter Late Nights’ soaring chorus, delivered as though summoning up all remaining willpower to release the heartache: “Did you really mean what you told our friends?/ ‘Cause I really never thought that I’d be the bad guy…”

Nearing the song’s conclusion, driving beats underscore a crucial narrative shift heading into the bridge: “This is the last time/ Thinking about all the late nights/ Wondering why your heart broke mine…” With power finally reclaimed, Late Nights concludes how it began: paring right back to that winsome, pensive introductory guitar line.

Although this song’s lyrics were mostly completed within 30 minutes – using Heartbreak Anniversary by Giveon and Falling Asleep At The Wheel by Holly Humberstone as reference points – Jake describes the overall signwriting process as “bizarre”. After transposing some piano chords onto the guitar, Jake and his co-writer/producer then pitched the melody up a couple of octaves and viola! Late Nights finally crystallised after a few days spent toiling away in the studio.

But it was the mixing and mastering process that really brought Late Nights to life. Blake Malone, a Gold Coast-based producer best known for his collaborations with Amy Shark, worked his mixing magic and Jake remembers, “It was amazing. He heard something different in the song, which totally transformed it.” Then once world-renowned mastering engineer Leon Zervos (P!nk, Rihanna, Beastie Boys) added final touches to Late Nights, Jake extols, “ This is perfect! This is what we want. This is the best song we’ve ever written together!’”

Late Nights is out now across all streaming platforms.

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Festival NewsMusic News

Queens of the Stone Age announce ‘The End Is Nero’ Summer 2024 Australian Tour

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MELBOURNE (TUE 24 OCTOBER, 2023): Queens of the Stone Age officially announce ‘The End Is Nero’ Summer 2024 Australian tour, the band’s first appearance in Australasia since 2018. The official announcement comes after the band excitedly teased the news via social media last week, “sending shockwaves of excitement through the Gold Coast and beyond.” – GC Mag.

The far-reaching tour, hailed by NME as “a band reaching the peak of their powers” and the Lincoln Star Journal to proclaim it “the best rock show I’ve seen in a very long time” will see the band start at Red Hill Auditorium in Perth on 10th February, ahead of shows in Adelaide, Hobart, Torquay, Melbourne, Sydney, Gold Coast and Brisbane.

‘The End is Nero’ tour is in support of their acclaimed eighth studio album, ‘In Times New Roman…’ which debuted at #2 on the ARIA charts and which NME Australia described as “their darkest, knottiest material to date.’ The End Is Nero tour is an invitation from Joshua Homme, Troy Van Leeuwen, Michael Shuman, Dean Fertita and Jon Theodore to come celebrate the end of the world, which we hear is “in a month or two.” They would like to encourage the obscene and the clean, the outcasts and the weirdos, and anyone and everyone in between to attend, this is where you belong. Leave your judgement at the door, bring anything and everything else.

 

For all shows, Queens of the Stone Age fan presale begins 11am (local) Wednesday 25 October. 

 

My Live Nation members can secure tickets during the My Live Nation presale beginning 11am (local) Wednesday 25 October for the Mona Lawns, Hobart show and for all other shows, beginning 12pm (local) Friday 27 October.

General on sale begins at 1pm (local), Monday 30 October. For complete tour and ticket information, visit: qotsa.com, and livenation.com.au.

QUEENS OF THE STONE AGE – THE END IS NERO

AUSTRALIAN TOUR | SUMMER 2024

Sat 10th Feb 2024 – Red Hill Auditorium, Perth *

Tues 13th Feb 2024 – The Drive, Adelaide *

Fri 16th Feb 2024 – Mona Lawns, Hobart *

Sun 18th Feb 2024 – Lookout, Torquay Common, Torquay ^

Mon 19th Feb 2024 – Sidney Myer Music Bowl, Melbourne *

Wed 21st Feb 2024 – Hordern Pavilion, Sydney *

Sat 24th Feb 2024 – Lookout, Broadwater Parklands, Gold Coast ^

Sun 25th Feb 2024 – Fortitude Music Hall, Brisbane *

Mon 26th Feb 2024 – Fortitude Music Hall, Brisbane *

 

WITH SUPPORT FROM:

*  Pond & Gut Health

^ The Chats, Spiderbait, Pond, Gut Health & Lola Scott

TICKETS ON SALE 1PM (LOCAL) MONDAY 30 OCTOBER

For more info on Queens of the Stone Age, visit:

WEBSITE | FACEBOOK | X / TWITTER | INSTAGRAM | YOUTUBE

 

 

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Electrifying Collaboration: “Better Lives” – The Latest Single from Mister Co. featuring Lia Magu

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Get ready to groove to the beats of “Better Lives,” the much-anticipated fifth single from Mister Co.’s debut album “On This Journey.” This electro-disco and synth-pop fusion is set to drop on October 20th, 2023, promising listeners an immersive musical experience that transcends genres and captivates hearts.

“Better Lives” takes audiences on a captivating journey through the struggles and triumphs of a couple determined to carve their path to success and happiness. This pulsating track delves into the challenges faced by the protagonists, showcasing their unwavering commitment to each other and their dreams. With its infectious rhythms and catchy melodies, “Better Lives” resonates as an anthem for those striving for greatness while overcoming obstacles.

Mister Co., the mastermind behind this single, has teamed up with the talented Melbourne independent artist Lia Magu to bring “Better Lives” to life. Their collaborative efforts have resulted in a seamless blend of vocals and production, creating a sonic landscape that’s as emotionally charged as it is danceable.

Additionally, “Better Lives” has been co-produced and masterfully engineered by Dominik Honold from Protonaut Studios, Germany. His expertise has contributed to shaping the track’s distinctive sound, making it a true standout in the electro-disco and synth-pop scene.

“Better Lives” is just a glimpse of what’s in store from Mister Co.’s upcoming debut album, “On This Journey,” set to be released in May 2024. With a unique fusion of genres and a knack for storytelling, the album promises to be a musical odyssey that resonates with audiences worldwide.

Mark your calendars for October 20th, 2023, as “Better Lives” drops on all major streaming platforms. This electrifying single is set to light up playlists and dance floors alike, offering a sonic experience that’s impossible to resist.

Follow Mister Co. and stay updated.

Website: https://linktr.ee/misterco.melbourne 

Instagram: @misterco.melbourne

Facebook: misterco.melbourne

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Festival NewsMusic News

GOOD THINGS FESTIVAL ANNOUNCE SIDESHOWS!

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We interrupt your regular viewing to announce that Australia’s biggest alternative travelling music festival, aka Good Things Festival is fast upon us and it’s the biggest one yet! We’re not kiddin’ when we’re saying tickets are almost sold out with less than 500 tickets left for Brisbane, Melbourne is almost at 90% sold out and Sydney at 80%.

Good Things come to those who wait and we’re thrilled to announce the headline sideshows from some of the artists on the huge Good Things Festival line up. This is the first and only sideshow announcement and there will be no more sideshows announced. Set your alarm clocks as these tickets won’t last.

Early bird pre-sale tickets on sale: Wednesday 18 October @ 9am local time

Register for Limp Bizkit here -> https://goodthingsfest.com/limpbizkit

Register for Devo here -> https://goodthingsfest.com/devo

Register for all other shows here -> https://goodthingsfest.com/gt23sideshows

General tickets are on sale: Friday 20 October @ 9am local time
www.goodthingsfestival.com

GOOD THINGS FESTIVAL 2023 LINE UP:

Fall Out Boy
Limp Bizkit
Devo (The Farewell Tour Celebrating 50 Years)
I Prevail | Bullet For My Valentine | Corey Taylor
Pennywise | Spiderbait | Slowly Slowly | Enter Shikari
Behemoth | Sepultura | Taking Back Sunday | PVRIS

In Alphabetical Order:
Bloom | Boom Crash Opera | Eskimo Joe | Frenzal Rhomb | Hanabie | Jebediah | Luca Brasi
Magnolia Park | Make Them Suffer | Ocean Sleeper | Royal & The Serpent | Short Stack
Slaughter To Prevail | Stand Atlantic | Tapestry | The Plot In You | While She Sleeps

DATES AND VENUES:
Friday 1 December – Flemington Racecourse, Melbourne (LIC AA 15+)
Saturday 2 December – Centennial Park, Sydney (18+)
Sunday 3 December – Brisbane Showgrounds, Brisbane (LIC AA 15+)

Tickets on sale now at http://goodthings.oztix.com.au/

GOOD THINGS FESTIVAL | FACEBOOK | TWITTER | INSTAGRAM | TIKTOK

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LIVE NATION’S ONES TO WATCH BACKED BY VODAFONE RETURNS TO MELBOURNE SECOND EDITION TO BE HEADLINED BY POP SENSATION BLAKE ROSE

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It only feels right that Live Nation Australia have a special homecoming event up their sleeves to cap off what has been an epic roll out of ONES TO WATCH events throughout 2023. 

Unearthing a whole new wave of fantastic Australian talent to packed rooms of industry professionals and stakeholders at invite-only events in Melbourne, Sydney and Brisbane so far this year, Live Nation Australia are proud to announce that the game-changing live music discovery series returns to Melbourne for its second round this October 26th.

This new ONES TO WATCH Backed by VODAFONE  event in Melbourne also ties into Live Nation Australia’s dedicated efforts to supporting the Australian music industry, kicking off a fundraising campaign to aid Support Act during Ausmusic Month, giving attendees the opportunity to donate upon entry.

Following on from its wildly successful event in Brisbane, held during BIGSOUND 2023, this month’s lineup of showcasing artists for the Melbourne ONES TO WATCH Backed by VODAFONE  event continue to elevate the standard when it comes to the selection of incredible Australian talent primed to perform. 

Featured here, the ONES TO WATCH audience will see Los Angeles-based Australian pop artist Blake Rose headline the event.

Blake Rose, originally from Perth, has been taking strides in solidifying his platform internationally, decamping to Los Angeles to chase his music dream. A talented multi-instrumentalist, vocalist and producer, Blake Rose has accrued over 100 million streams off the back of successful tracks including ‘Lost’ and ‘Gone’. Releasing his debut EP, A World Gone By, to critical acclaim, Blake Rose has supported the likes of Noah Kahan, Boys Like Girls and more. Most recently, his 2023 EP, You’ll Get It When You’re Older, has cemented his status as a pop name not to be slept on.

Returning to host this new edition of Melbourne’s ONES TO WATCH Backed by VODAFONE is music journalist and champion industry all rounder, Tait McGregor. McGregor, who has hosted numerous ONES TO WATCH events throughout this year, has had extensive experience in various levels of music industry capacities; as a host and journalist, she has worked across titles and brands including Rolling Stone Australia and the ARIA Awards, while also championing the next wave of brilliant Australian talent through her own endeavours.

With two exciting emerging Australian artists to be announced, Melbourne’s next ONES TO WATCH Backed by VODAFONE event is an unmissable mark on the springtime calendar.

‘We are thrilled to announce that we will be hosting yet another Live Nation OTW showcase in the vibrant city of Melbourne. Which is without a doubt, one of the live music capitals of the world. We have carefully selected three exceptionally talented artists to grace the stage, these acts have captured our attention for quite some time, and we excited that they will now be a part of the OTW platform.’ PAUL LYNCH

2023 has been an incredibly fruitful year for the team at Live Nation Australia and ONES TO WATCH Backed by VODAFONE. Its successful series of events have seen the likes of bella amor, Keenan Te, Lola Scott, Mitch Santiago, BOY SODA, STUMPS, Sam McGovern and PANIA amongst the talented names to perform. 

Artists who have already charted their own impressive journeys in music, being able to see them thrive even further on the ONES TO WATCH Backed by VODAFONE stage around the country, and then further amplified across global ONES TO WATCH platforms, has certified that Australia has some of the best musicians currently to do it.

Since its establishment in North America, the ONES TO WATCH series has been able to support and promote artists such as Dua Lipa, Olivia Rodrigo and Halsey early in their careers. So far in Australia, ONES TO WATCH has platformed artists including  Forest Claudette, Teenage Joans, Carla Wehbe, ZPLUTO, WIIGZ, Hoodzy, East AV3, Colourblind and Saint Lane at events around the country. 

 

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Festival NewsMusic News

Kaskade Begins REDUX 006 EP Rollout with Mesmerizing Deep House Single “Save Me” with Lauren L’aimant. Out Now on Arkade

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Artist: Kaskade, Lauren L’aimant
Title: Save Me
Label: Arkade

Kaskade returns with his new single “Save Me” with Lauren L’aimant from the upcoming REDUX 006 EP, the first from the dance music icon in over 2 years (REDUX 005 EP was released in 2021). With its euphonious melodies and ethereal vocals, the new track is a perfect representation of Kaskade‘s REDUX style, which has been beloved by many fans since its inception 10 years ago in 2013 thanks to its deep and euphonious melodies and minimalistic sonic aesthetic. “Save Me” rides on hypnotizing refrains, tribal-influenced instrumentals, and a rolling bassline for Kaskade‘s signature production creativity and Lauren‘s velvety voice, making for an exciting first debut of the 7-track EP. It’s the type of song that pairs potent emotion with dancefloor grooviness, guaranteed to deliver on intimate dancefloors, the radio, and beyond. Kaskade has paired the track and EP with a few REDUX-inspired dates, including a recent sold-out show in Irvine, CA at 9,5K capacity FivePoint Amphitheatre, and upcoming ones in Brooklyn, Chicago, and Miami, which are also sold out. Be on the lookout for the REDUX 006 EP dropping in full on Oct 27.

As a household name in electronic music for nearly two decades, Kaskade needs no introduction. His list of achievements is a mile long: 12 studio albums, 7 GRAMMY nominations, the first solo electronic dance artist to sell out both Navy Pier in Chicago and the Staples Center in Los Angeles, the first DJ to ever secure a Las Vegas residency, and the first electronic artist to headline Coachella. Having worked on collaborations with, e.g., Alicia Keys, Jennifer Lopez, Gwen Stefani, and Meghan Trainor, he has the unique talent of creating his signature sound in any genre. Additionally, he has been one of the electronic artists leading the charge into the gaming world and, to date, is the only musician to conceptualize and create an entire season of music for video game giant Rocket League. In 2021, Kaskade came out of quarantine swinging as the first-ever solo headlining musician to sell out and perform for a public event at LA’s SoFi Stadium. Most recently, in 2022, he teamed up with deadmau5 to form Kx5. Kaskade‘s influence on dance music has shaped the culture for generations of listeners, continuing to wow longtime and new fans alike with every new release.

Kaskade‘s remaining REDUX-inspired forthcoming shows:

Oct 20 – Avant Gardner – Brooklyn, NY
Nov 17 – Cermak Hall – Chicago, IL
Dec 01 – Club Space – Miami, FL

More info on Kaskade / Lauren L’aimant / Arkade:

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LAURA MISCH reveals stunning debut album SAMPLE THE SKY

by the partae
written by the partae

Photo Credit: Ella Pavlides

The music of Laura Misch does not waste time in inviting the listener into a unique and welcoming soundscape. For the London-based artist, producer and songwriter, music in all its forms is an avenue for escape; a promise that the possibilities can be endless once one has stepped over the threshold from their current day-to-day, and into her world of alt-pop, jazz-infused folk music.

 

Here, we see a kaleidoscope of ideas and sonic references blend together with precision and beauty on Misch’s long-awaited debut album, Sample The Sky. Out now through One Little Independent Records, the ten-track collection of music paints an engaging and gorgeous portrait of an inquisitive and open mind. 

 

It establishes Laura Misch as more than one to watch, but one who is here to stay.

Working alongside collaborator and producer William Arcane on this project, Misch was able to flex an interest in electronic music that has become beautifully mixed into her already established talents and grasp on jazz and contemporary music. The title itself represents her journey so far; from studying biomedical sciences, through to developing her artistry as a career musician.

 

“I’ve always found parallels between biomed and music, a microphone is a microscope of sound, and a studio is laboratory of distillation, producing feels like you’re discovering, it feels akin to uncovering in science, Sample The Sky felt like a meeting between these two worlds, to study a ‘sample’ is to gather and look deeply, whilst the ‘sky’ symbolises our interconnectedness to nature”.

LAURA MISCH

 

The otherworldliness of Sample The Sky can be felt in the gorgeous synth and electronic patterns that balance the saxophone and strings. Songs like ‘Sax Rise’ and previous single ‘Hide To Seek’ represent this beautifully, as Misch’s experimentation led her to creating the body of work with an open mind and soulful approach to each new pathway.

 

‘Wild Swim’ and album closer ‘Birdseye’ evoke the vocal weight and dreaminess of Portishead and My Bloody Valentine, while the subtleties of songs like ‘Portals’ and ‘Outer Edges’ all highlight Misch’s understanding of sonic textures and their relationship to the lyrical emotional core perfectly.

 

Laura Misch’s upward trajectory in recent years has seen her emerge as one of the U.K.’s brightest new names. Performances on renowned stages and at events including SXSW, Royal Albert Hall, Berghain and Eurosonic speak to her versatility and sphere of influence. And then there’s the widespread support of her music from global media and radio including BBC Radio 1, BBC 6 Music, Wonderland Magazine, The Guardian, NME and Clash Magazine – Laura Misch has wasted no time in establishing a legacy for her name, all on her own.

 

PRAISE FOR LAURA MISCH

 

“Laura Misch brings such sentimentality to her music and imbues it with modern electronic flourishes”

PopMatters 

 

“Absolutely gorgeous – all pensive rhythms and intelligently layered vocals”

Clash Magazine

PLAY/LISTEN

SAMPLE THE SKY is out now

LAURA MISCH: Bandcamp | Facebook | Twitter | Instagram

 

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Music InterviewsMusic News

Gavin Bowles & The Distractions Interview

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written by the partae
Where are you currently based? Sydney.
 
How did the band form? I recorded a solo album in 2020 and got my brother Simon (drums) and my mate Cameron (bass) to play on it and we did a few shows as a 4 piece with our friend Wesley on keys. Wesley is a very talented and busy musician and wanted to focus on his own projects (his band is called Sun Affair – check it out!), so we needed a new person to join the group. Michael (guitar) and I have been good friends for a few years and he had gotten to know Simon and Cameron too – we all agreed he was the perfect fit for the band – and he definitely brought some swagger to the band for sure – and here we are!
 
What’s been happening recently? We’ve just released our debut album “Phoning It In”! It’s been a pretty busy year in the lead up recording, playing shows, releasing singles and some film clips too!
 
What or who influenced the sound and songwriting for your latest album? I had been listening to alot of 70’s/80’s Power Pop (Blondie, Buzzcocks, The Jam) at the time of writing these songs and those influences definitely made their way into the album.
 
How did you go about writing the album? I wrote alot of it during the 2021 lockdown in Sydney. I wanted to make some upbeat music to shrug off the frustrating situation we were all in. I sent solo demo’s to the band and then as soon as we could be together, we started to work out all of their parts. Then we played a few of the songs live before we recorded them, which I find is always a good test and helps to tighten the arrangements.
 
Where and when did you record/produce/master and who did you work with? It was self produced at a few different locations (mainly our homes) from December 2022 to mid 2023 and was mastered by Steve Smart at Studios 301 Sydney.
 
What does this album mean to you? I wrote most of these songs at a challenging time in my life both professionally and personally. These songs really got me through a tough time – so I guess I see it as a testament to resilience. But despite all the hardships, we made a really fun record and enjoyed the process.
 
Please tell us about your upcoming tour and what we can expect? The “Phoning It In” Tour kicks off with our hometown Album Launch in Sydney at The Vanguard on October 27. From there we’re heading up and down the coast to Newcastle, Wagga Wagga, Melbourne, Bonny Hills, Brisbane, Bathurst and Katoomba (Blue Mountains). Our show is energentic and fun – we put everything into our shows and we love to share the good vibes with everyone – get your dancing shoes ready!
 
What’s planned for the remainder of 2023 going into 2024? The Tour will finish up at the end of November and then we’ll take a well-earned break for a bit. We have some things in the pipeline for 2024 – so watch this space!
 
Who are you listening to at the moment? I’ve been enjoying the latest Queens of the Stone Age and Blur albums. Bethany Cosentino’s debut album is great too! And I’m a big fan of The Replacements, who just did a reissue of their album “Tim” – one of my favourite albums!
 
Favourite food and place to hangout? At the moment it’s probably a good slice of Pepperoni Pizza. I just like to hang out with friends wherever and whenever I can – probably at a pub!

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Festival NewsMusic News

Sydney Power Pop quartet Gavin Bowles & The Distractions unleash debut album “Phoning It In”

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written by the partae
Gavin Bowles & The Distractions make a noise as bristling and as impeccably sharp as their facial hair, impressive and wild as hell. As keen as a blade to the throat, it’s madly danceable too, a pair of dancing shoes with razor blades in the toecap. – The Underground Stage

Zesty power-pop that bursts with a fun, rambunctious energy that takes hold of your senses from the first note. – Scenstr

Sydney Power Pop quartet Gavin Bowles & The Distractions hit the ground running in 2023; after  releasing a series of catchy singles (“On The Telephone (I Used to Call You)”, “Break My Heart” and “Here Comes The Heartache”) and blazing through a stellar run of headline shows, the band has now released their debut album “Phoning It In”.

Bowles has made a name for himself recording and touring Aus in various outfits over the years, before dabbling in solo territory and eventually enlisting The Distractions (Michael Crudgington – guitar, Cameron Hill – bass, Simon Bowles – drums). Stylistically Bowles’ influences range from Rockabilly to Indie Rock and Punk Rock, but it’s with this set of new songs that he’s tapped into his unabashed love of 70’s and 80’s Power Pop.

“Phoning It In” is a sharp, no-holds-barred album of zippy pop-rock songs dealing with heartbreak, boredom, anxiety and nostalgia. The album is sonically driven by The Distractions incredibly tight and nuanced performances; flourishes of bright guitars, hop-along bass lines and watertight drum grooves paint an adoring landscape for Bowles heart-on-your-sleeve lyrics. Lead single “On The Telephone (I Used to Call You)” is a nostalgia-dipped fever dream of teenage infatuation over the landline. Whereas the second and third singles “Break My Heart” and “Here Comes The Heartache”; reveal a more candid and vulnerable side, dealing with lost love and the anxieties of leaving a life behind.

Bowles & The Distractions have quickly gained a reputation for their energetic and refined live shows in the lead up to their debut album. “Phoning It In” is a blistering troupe of catchy and earnest pop-rock songs that combine their Power Pop influences with Indie Rock sensibilities and showcase The Distractions talents along with Bowles charm, wit, sincerity and humour.

Tour dates:
Fri 27 Oct – The Vanguard (Sydney)
Sat 28 Oct – The Ori (Newcastle)
Fri 3 Nov – Jungle Duke Hotel (Wagga Wagga)
Sat 4 Nov – Whole Lotta Love (Melbourne)
Sat 11 Nov – Beach Hotel (Bonny Hills)
Sun 12 Nov – The Bearded Lady (Brisbane)
Fri 24 Nov – Reckless Brewery (Bathurst)
Sat 25 Nov – Station Bar (Blue Mountains)

Links

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Music News

Folk-Emo singer/songwriter ALI REYIS returns with passionate new single ‘GLENFIELD 308 SEMI AUTOMATIC’

by the partae
written by the partae

Photo: Ian Summers 

After cutting his teeth in the Eora/Sydney punk scene under the moniker Hawkeye Reis, Ali Reyis has reemerged over the last few years with some of the most heartfelt, passionate and intricately written emo/pop-punk you’ll hear in 2023. ‘Glenfield 308 Semi Automatic’ is the latest cut, and is the third single from Ali this year.

Taking sonic notes from the likes of Dashboard Confessional, City and Color and John Floreani, Ali fuses elements of folk, country and blues into his own brand of emo – with some ridiculously catchy melodies, perfectly stacked harmonies and an infectious, hard hitting vocal delivery that elevates every lyric. Life balance is a struggle many musicians find themselves in; having to work tirelessly through the day at a job or study for a degree, and then spending whatever hours are left in the day playing gigs, preparing songs or working on releases. This is a feeling Ali Reyis knew all too well – and was the initial inspiration behind ‘Glenfield 308 Semi Automatic’. 

“This song was written sitting at Glenfield Train Station, in Western Sydney. I was on my way back from an Open Mic Night in the city to my university dorm in Campbelltown at the University of Western Sydney. It was freezing cold, almost midnight, and I had a lecture at 8am the next morning, totally defeated and dog tired. I had spread myself too thin, trying to finish uni as well as release and record songs, bumbling my way through both and not really committing to either. And then as the clock went to 00.00, I suddenly started laughing and smiling to myself, as I felt this huge rush of euphoria. I had a sense of conquest, of accomplishment, that regardless of the outcome, I was really pushing myself to go chase my dream of playing music.”
ALI REYIS 

Artwork by Ian Summers

As Hawkeye Reyis, Ali released 4 albums through 21 Studios in Brisbane, performing with the likes of A Swift Farewell, Grenade Jumper, Capitol Affair, Tim Fitz (Middle Kids), Gertie May, and receiving regular airplay from Fbi Radio and 2SER.

As Ali strived to reach the  next stage of his career, he found he was losing momentum so he headed over to Austin, Texas to try his hand in a different scene. During his time in Texas, Reyis built a relationship with the band Ritual Club (TX), an established Emo band themselves. Ritual Club were featured as the band behind Reis on the recording of ‘Glenfield 308 Semi Automatic’, along with some additional help from Jordan Brown As Self, another notable member of the Texas scene. The track was Mixed and Mastered at Overcast Recordings in Texas by Kieran Krebs (Virtue (US), Gold Steps (US), Finding September (US)) and features top notch production that perfectly accentuates the intricate guitar and vocal parts found throughout the track. 

PLAY/LISTEN

To celebrate the release of ‘Glenfield 308 Semi Automatic’, Ali Reyis will be performing at Whole Lotta Love in Melbourne on the 30th of September, with Gertie May lining up for support. 

TOUR DATES

Saturday September 30th – Whole Lotta Love Naarm/Melbourne, VIC  w/ Gertie May

PRAISE

“Ali Reyis’ Glenfield 308 Semi Automatic is not just a song; it’s a musical testament to the unwavering pursuit of one’s dreams, a journey that resonates with anyone who has ever dared to chase their passions.“

AAA BACKSTAGE

“Combining traditional blues one-man-one-guitar intimacy with the intensity of pop-punk lyrics, Hawkeye Reis is no stranger to the collision of two worlds.”

UNISOUNDS

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