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Monthly Archives

December 2022

Festival NewsMusic News

Kaliopi & the Blues Messengers Debut Single Launch & Video Screening “When the Levee Breaks” George Lane Matinee show Dec. 10 3-6pm

by the partae December 5, 2022
written by the partae

Kaliopi is a Melbourne-based Greek-Australian Blues Artist, guitarist, and singer-songwriter who draws on the great blues tradition and the powerful blues women who made it their own.

Kaliopi and her band – the Blues Messengers – will soon launch the first single When the Levee Breaks and the video clip from their new studio album; and will be performing the album live at the launch. This will happen next Saturday December 10th from 3:00pm at the George Lane venue, which is at 1 George Lane, St Kilda. 

The recent Lismore floods inspired her to release ‘When the Levee Breaks’ as the first single from the new album. When the Levee Breaks is a country blues song written and first recorded by Memphis Minnie in 1929. The lyrics reflect experiences during the upheaval caused by the Great Mississippi Flood of 1927. Led Zeppelin re-worked the song on the 70’s.

“I’ve always been a passionate advocate for the underdog, marginalised peoples, women’s rights and so-called obligatory roles; so mixing that with issues of subordination, slavery and displacement resonates with gut wrenching feelings, ignites improvisation and hollering that’s healing in the blues…” Kaliopi says. The lyrics of these traditional tunes draw on timeless metaphors that resonate to this day – such as climate change. Specifically, within the Memphis Minnie repertoire Kaliopi’s band have recorded, includes themes around domestic violence, substance abuse, systemic corruption, prostitution, discrimination, and subordination.

info@doubletroublebluessessions.com
www.doubletroublebluessessions.com
www.kaliopi.com.au
www.facebook.com/doubletroublebluessessions
www.facebook.com/kaliopi.stavropoulos
December 5, 2022 0 comments
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Music InterviewsMusic News

Krumple Krink

by the partae December 4, 2022
written by the partae
Where are you currently based?

I’m living in Perth at the moment, gigging around the place and recording music where I can.

How did you first start playing music?

Since I was a young child, maybe about 7 years old, I had this dream. I had this goal in life that I wanted to achieve. I had this vision of becoming a doctor or a lawyer. However, my parents insisted that instead of pursuing law or medicine, that I should get a real job, and start playing music on the streets. So I began to busk in Perth. After finishing high school, I moved to London where I busked in cool spots like Leicester Square, Trafalgar Square and Piccadilly Circus. Busking there I met some amazing musicians, who really inspired me to pursue music and make something out of it.

What’s been happening recently?

During the summer, I like to return to the city of Perth and busk through the summer, so in between a few gigs here and there, that’s what I’ve mostly been up to recently. Other than that, I went down a YouTube rabbit hole the other day of free solo rock climbing, and the story of Alex Honnold. So I’ve been imagining how cool it would be to do that. But then I remember my crippling fear of heights, and my inability to rock climb, so I’ll stick to experiencing that through YouTube.

Your latest single ‘Connected To Disconnection’ is out now, what influenced the sound and songwriting?

The idea with this music was to start with a cool song and dress it up in a lot of sound layers to make something unique and out there. Imagine starting with a Margherita pizza (the main skeleton of the song) and then deciding to spice it up by putting spaghetti bolognese on top. Weird, yes. But probably delicious. That’s the kind of thinking that inspired this song, a weird combination of musical flavours all blending together to create ‘Connected To Disconnection’.

How did you go about writing Connected To Disconnection?

I started with the music, I can’t remember if the drums or the guitar came first. But I had that and at that point it had a bit of a RHCP feel in my opinion. I sat with the instrumental for a few listens and one of the themes that popped into my head was our societal addictions to our phones. I feel like most of my generation (myself included) have become very absorbed in this virtual world brought about by smartphones. At the same time, our phones are an amazing thing that give us tools that in the past could not be dreamed of. So they’re extremely harmful in some ways, but extremely helpful in other ways. That’s part of what I was trying to capture in the lyrics when writing the song. Funnily enough, I wrote the lyrics on my phone!

Where and when did you record/produce/master and who did you work with?

I recorded/produced the track at my home studios with the assistance of copious amounts of coffee. I did a lot of editing on the sound by myself and then I took the song to Rob Grant, at Poons Head Studios who mixed and mastered the song for me. He gave me a lot of guidance as well with the arrangement of the track, and making all the sounds blend in and stand out at the same time.

How did you approach the recording process?

I recorded everything several times (ALOT of takes) and then cut and pasted the best parts of each take to make the best possible take. I get carried away sometimes while recording and don’t take enough breaks, which is what I did while recording this song. I think that fatigue made me go into an almost zombie-like state of exhaustion, which I think added some of the vibe of the song. It’s meant to seem energetic and tired simultaneously. Like a zombie dancing erratically.

Please tell us about how the music video came about:

I wanted to express the music visually to go along with the song. I felt the best way to do this was with lights. I had two ideas for the music – fire flow artists or a cool lighting show. Me being my excessive self decided to go for both. I worked closely with the team to find a way to make this work and allow both aspects of the video to stand out.

Where and when did you film and who did you work with?

I filmed the video with Ward Media, I had Orion Audio Visual doing the lighting and laser show and finally the amazing Shelby Jewel and Charlotte Noonan as the flow artists for the video.

Who are you listening to at the moment?
DIET – Denzel Curry
New person, same old mistakes – Tame Impala
Take a Slice – Glass Animals
Body Paint – Arctic Monkeys
Goodbye Angels – RHCP

And much more!

What do you like to do away from music?

I don’t have much outside music, I usually shoot the breeze with friends and get up to whatever shenanigans arise. To me, who I’m with is more important than what I’m doing. I try to live my life surrounded by music as much as I can though, I want to dedicate my life to creating interesting and unique art, and sometimes that means sacrificing other fun adventures like travelling in order to hone in on my craft.

What’s planned for the remainder of 2022 going into 2023?

The end of the year gets quite hectic with gigs so I’m busy riding that out. Once 2023 comes around I’m looking to record a new album early in the year. I’ve also got some more songs ready to be released coming out on my debut EP.

Favourite food and place to hangout?

Favourite food would need to be sushi. During the summer I like to busk, and I’ll go into a cycle of eating nothing but sushi during this time. Shout out to Sushi Hub in Perth City for fuelling my busking season. Another favourite place to go is Yelo or Canteen in Trigg, great spots. I’m actually writing this at Yelo right now.

Triple J Unearthed | Facebook | Instagram | Youtube
December 4, 2022 0 comments
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Music News

Alan Walker Gives A Fresh Remix to R3HAB’s Iconic Hit “All Around The World” with A Touch Of Class, Celebrating The Original’s Half a Billion Spotify Streams and Over 30 Certifications

by the partae December 3, 2022
written by the partae

Artists: R3HAB vs A Touch Of Class
Title: All Around The World (Alan Walker Remix)
Label: Virgin Records/Universal Music

Download / Stream

R3HAB recruits his fellow heavyweight Alan Walker for a remix of his iconic hit “All Around The World” with A Touch Of Class from 2019, which remains R3HAB‘s most streamed and most certified release to date. It’s a tough act to follow, but the one and only Alan Walker puts a fresh spin on it. Walker honors the original’s disco influence and layers in some groovy, euphoric melodies and an energetic breakdown. “All Around The World” first became a hit with A Touch of Class‘s release in 2000, and with the return of everything early-aughts, this is the perfect time for a revival so that the hit can rule clubs and festivals around the world (literally) once again. It’s out on Virgin Records/Universal Music and celebrates half a billion streams of the original version on Spotify alone, with 30 platinum certifications globally and a brand new gold plaque in the US, confirmed a few days ago. Read below what R3HAB and Alan had to say about the opportunity to remix the track:

“My single ‘All Around The World‘ recently racked up half a billion streams on Spotify. This is an incredible milestone in my career, and I’m extremely grateful. To celebrate, I’ve asked Alan Walker to work on a new version. Alan is a pioneer, and I’m glad that I trusted him with this as he came up with a refreshing and surprising take. I hope both our fans will like this new approach and will celebrate with us all around the world.” – R3HAB

“When R3HAB asked me to make a remix of this classic, I had to jump on it. I hope my remix gets the Walkers around the world in a party mood, and create new amazing memories on it.” – Alan Walker

R3HAB

Multi-Platinum DJ and producer Fadil El Ghoul, better known as R3HAB, has been trailblazing his way through dance music for the past fifteen years. From his breakthrough remixes for Rihanna, Drake, Taylor Swift, Calvin Harris, to anthems such as Platinum-certified “All Around The World (La La La)” and “Lullaby,” to his collaborations with the likes of Ava Max, ZAYN, Luis Fonsi, Sean Paul, and more, R3HAB has proven to be one of the most forward-thinking artists in the game. His work has collected over 8B streams to date, including 1.1B in 2021 alone. R3HAB founded his label CYB3RPVNK in 2016, which has passed 4B streams across platforms since its inception. He is Spotify’s Most Discovered Artist, one of Spotify’s top 200 most streamed artists, ranked #13 on prestigious DJ Mag’s Top 100 DJs chart, and has earned over 70 Gold and Platinum certificates. On top of that, he performed at the world’s top festivals, such as EDC, Ultra Music Festival, Tomorrowland, Balaton Sound, Coachella, Summer Sonic Festival, DWP Jakarta. With his combination of innate artistry and innovative attitude, R3HAB has earned his place as a household name in dance music.

Alan Walker

Continuously delivering thumping beats and hypnotic records, 25-year old Norwegian DJ and Producer Alan Walker is truly a force to be reckoned with. With over 115M followers across his social platforms, 8.7B YouTube views, and over 50B audio and video streams, the young artist from Bergen, Norway is nowhere near kicking his feet up anytime soon. Alan Walker arrived on the music scene in late 2015 with his debut hit single “Faded,” garnering over a 1,3B Spotify streams and a massive 2,9B YouTube video views. Being the 19th most-watched music video on YouTube, the single also left him with a BRIT awards nomination for Song of the Year, as well as a Norwegian Grammy win in the same category. After building a massive social-following and releasing a string of successful singles like “Alone” and “Darkside,” collaborating with artists like Ava Max, Noah Cyrus, Sia, Bruno Mars and Coldplay, the chart-topping debut album “Different World” arrived in late 2018, amassing over 3,2B streams on Spotify. While holding a pristine track record, Alan has played over 700 headlining shows and festivals to date, including Coachella and Tomorrowland, in addition to selling out his worldwide arena tours Aviation Tour and ongoing Walkerverse Tour. In 2022 Alan released his third album, Walkerverse, pt. I & II. For 2022 he is upping the ante with astonishing new music and visuals, so buckle up, cause he’s just getting started.

More info on R3HAB / Alan Walker:

R3HAB: Facebook | Instagram | Twitter | Spotify
Alan Walker: Facebook
 | Instagram | Twitter | Spotify
December 3, 2022 0 comments
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Music News

BLVD. Releases His 2nd Studio Album “Globo” – a World Cup Themed Body of Work Featuring Guaynaa, R.City, Dylan Fuentes, and more. Out Now on Purple Fly

by the partae December 3, 2022
written by the partae

Artists: BLVD.
Title: Globo
Label: Purple Fly

Download / Stream

BLVD. gets the honor of debuting his second album, “Globo” especially for the World Cup in Qatar this and next month, the world’s biggest sporting event. Featuring tracks with global influences to represent BLVD. himself’s appreciation for football/soccer and the amalgamation of nations at this year’s cup, “Globo” is a sonic journey full of dancefloor-friendly and pop-oriented tunes to rock on the field and off. The album starts off strong with the Latin, booty-shaking “Barra Barra” with El Tuox and progresses to encompass tracks like the Afro-Caribbean-inspired “Feel The Love” for easy listening, to the upbeat melodies of “Take It Home” with Hadar Adora and “House Divided,” featuring Otis Kane & Kiddo A.I., and the inspiring notes of “Giants” with Marquise Fair. Fans can look forward to hearing all songs from the album throughout the entire World Cup tournament between Nov 20 and Dec 18. It also features some of today’s hottest artists, such as Guaynaa, R. City, Dylan Fuentes, & more. It will be played at the stadiums throughout the tournament that spans from November 20th – December 18th. Read on for what BLVD. had to say about this exciting project:

“I am releasing my second album titled “GLOBO” which is entirely focused on the upcoming football/soccer World Cup that will be held in Qatar this November. The inspiration behind the album dates back many years. I was born in London, England, and have had a massive passion for the sport from a very young age. I’ve always liked conceptualizing my projects around communal themes such as sports. The World Cup is something that happens once every four years, and there hasn’t really been a ‘World Cup‘ album made by an artist before, so I decided to take on the grand challenge of creating one. It was an unbelievably difficult project, yet extremely fulfilling and emotional. I am blessed and grateful to have worked with so much talent from around the world to give the project what it deserves. The album has vast influences from different regions such as Latin America, North America, the Middle East, Africa, Europe, & Asia. I hope that this album connects with you and the rest of the world as it is immensely special to me!” – BLVD.

BLVD.

Dynamic producer BLVD. usually specializes in raw and gritty bass/trap-infused music to embody the hard asphalt of his namesake; even early on in his career, he garnered support from industry tastemakers and fans alike and continues to push musical boundaries with every track. His popular single “Lights Out” has amassed over 5.7M streams on Spotify to date. BLVD. earlier collaborated with several amazing artists from around the globe, such as Shaquille O’Neal and Laidback Luke. On “Globo” first up is Puerto Rican rapper and singer Guaynna, best known for the song “ReBoTa” (212M streams on Spotify), which became his first song to reach the Billboard Hot Latin Songs chart in April 2019. He has had releases on such labels as Universal Music Latino, Republic Records, and Interscope Records. “Globo” also features Virgin Islands duo R.City, whose hit single “Locked Away” feat. Adam Levine (759M streams on Spotify) charted on the Billboard Hot 100. Their music has previously found a home on labels such as Universal Music, Warner Bros. Records, Interscope Records, Kemosabe Records, RCA Records, Columbia. R. City have written many hit songs for Jamaican and American artists such as Sean Kingston, Miley Cyrus, Nicki Minaj, and Rihanna, among others. Colombian singer Dylan Fuentes has collaborated with music greats such as Myke Towers, Lennox, Justin Quiles, Llane, Tainy, Mau y Ricky, Alvaro Diaz, Cazzu, and recently made his Anglo debut with his collaboration “Drown In Me” alongside Discrete, Ouse, and Kiesza. His biggest hits include “Ajena” (60M streams on Spotify) with Myke Towers, “Mente” (9.4M streams on Spotify) with Tainy and Mau y Ricky, which ranked #1 on the radio in Colombia, Chile, and Spain, and “Tu Amiga” (21M streams on Spotify) with Tainy, Lennox, Justin Quiles, and Llane. Dylan has also highlighted his acting talent in his role as a lead actor in the hit Netflix series “Siempre Bruja” (Always A Witch), for which he also performed on the original soundtrack.

Purple Fly

Purple Fly is an independent imprint utilizing cryptocurrency’s hottest frontier as a platform for the spectrum of electronic music. The label’s goal is to support collaborations of all forms of art, connecting music and stunning visuals for an immersive experience that spans the sonic realms of trance to trap. Purple Fly releases NFT directly on its official website with each music drop, enabling artists to have access to direct support from their fan base while expressing their creativity. The label’s catalog includes original releases from the likes of BLVD., Laidback Luke, Sevenn, Stafford Brothers, Diego Miranda, DJ Soda, and more.

More info on BLVD. / Purple Fly:

BLVD.: Facebook | Instagram | Twitter | Spotify
Purple Fly: Facebook
 | Instagram | Twitter | Website
December 3, 2022 0 comments
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Music InterviewsMusic News

Barley Passable Interview with The Partae

by the partae December 2, 2022
written by the partae
Where are you currently based?

We are currently both based in Sydney on the Northern beaches which are where we have our studio as well.

How did you first start playing music?

It’s different for both of us but generally, we both started playing instruments really young. Kai started playing Bass and Guitar at around 8 and Davy started with piano super young at 5. Our parents are all avid music listeners and encouraged us both to play.

What’s been happening recently?

We have just been working really hard! Right now we are in the car to Byron to do some shows for Schoolies which will be fun and just probably pretty rock n roll.  We also just got off shooting the music video for ‘Til I Say So with our close friend and director Jarad Travers and we are literally right now looking at some of the frames and we are so stoked. Just constantly trying to improve our productivity and shows to make it the best it can be and different for both listeners and us at every one.

Your latest single ‘Til I Say So ft Betty is out on November 28, what influenced the sound and songwriting?

We always pull from everything we are listening to and also our own individual backgrounds in music and this was no different with ‘Til I Say So. Davy was in isolation when he started the track so he spent lots of time just trying to find the right mood in that loop he made. Maybe that influenced the cruisey nature of the song by him being in isolation, we honestly haven’t really thought about it too much.

How did you go about writing ‘Til I Say So?

It started off with Davy making a loop that ended up being the verse/chorus section and we both came together and finished off the instrumental. In the past, we have done this and then spent ages almost inorganically adding the vocals but this time around we just had this feeling that someone else might be better suited to singing on this track. We had recently played with and seen Betty play so she was fresh on our minds she is just an incredible vocalist and friend so we knew it would work with her voice.

You worked with Betty on this track, how did this come about and why did you choose to work with Betty?

The Sydney crew is generally pretty damn small once you start playing shows so we knew her and know her band as well. We had played and been to one of her shows super recently and so she was just on our minds. her voice is silky smooth and has lots of souls so with the instrumental we knew they pair together nicely.

How was it working with Betty?

It was such a pleasure, it felt like the perfect collaboration experience – which is crazy considering it was our first one. The song came out in literally one session over a day and then it was done besides finishing off some of the vocal passes. She is an amazingly kind and generous person so just being in a room with someone like that, even if what your doing isn’t productive is always a treat, and this felt super productive.

Where and when did you record/produce/master and who did you work with?

So we did all the recording and production from our home studio on the Northern Beaches. Mixing & Mastering are skills that we don’t have a clue about and feel like mystical arts so for those we sourced Matt and Riley who also happen to play in an awesome band called Ivey and for the master we had the wizard Wayne at Suture Mastering.

Please tell us about any upcoming gigs and the schoolie’s parties thus far:

So we are just on the way to the schoolie’s party, feels pretty funny when we mention playing at schoolies but it’s honestly such a fun crowd to play to, as we did it last year as well. We can’t wait to do two shows there at Byron Bay Beach Hotel as we are also staying in the area and doing some writing too. We then have Sunsets Festival on the Northern Beaches on the 3rd, a show with Ivey for their beautiful event called Adam’s Day in the Gold Coast on the 15th and our 2nd ever-headline show on the 23rd at Oxford Art Factory.

Who are you listening to at the moment?
As we are currently driving up to Byron let us just clue you in on what we literally have been listening to today:
— Warmduscher – at the Hotspot Remixed – EP
— Mac Demarco (we pretty much did it all, it’s so nice to drive to)
— Toro Y Moi – Outer Peace

— John Carpenter – Lost Themes album

You have an upcoming single launch at OAF Gallery in Sydney on Dec 23, what can we expect?

The usual level of high energy and some pretty crazy creative stuff. Every set we change it but since this show is special to us we are changing and redoing the whole thing. The way we play our set limits us in a good way so when we perform our songs it’s almost like a remix of the actual track. We have an awesome lineup of artists playing along with us so we really want to make it into a proper night. Also, we may or may not be making a plinth.

What’s planned for the remainder of 2022 going into 2023?

So we are keeping ourselves pretty damn busy for the rest of the month with playing live and just getting out and amongst it through the summer season. Besides playing live we will be working on editing and finishing off the music video for ‘Til I Say So and having a bit of a viewing party/just party when that comes out too and everyone is invited to drink champagne and come hang <3

Favorite food and place to hang out?

We are absolute suckers for Japanese food, and honestly, we are pretty local to the amazing Jipang in manly. We constantly find ourselves getting the chicken cutlet curry from there, it’s the perfect studio food.

https://linktr.ee/Barley_Passable

https://www.barleypassable.com/about
December 2, 2022 0 comments
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Festival NewsMusic News

Millencolin, Drastic Park, Something Something Explosion – 170 Russell, Melbourne

by the partae December 2, 2022
written by the partae
Photography: Louie Mosscrop – Words: Chris Brooks
Melbourne three piece Something Something Explosion opened the night with a raging set to an enthusiastic Melbourne crowd. Lead singer Grace Drummond lit the stage up with her powerful vox and the band powered through putting on an explosive, energetic show. Drastic Park followed with a pop punk extravaganza, very reminiscent of late 90’s early 2000’s punk period.
Swedish legends Millencolin hit the stage playing to an eagerly and very packed 170 Russell.  Playing with the ease of true professionals of punk, Millencolin played all the fans’ hits, Bullion and Fox, SOS and a solo version of Pepper and Penguins and Polarbears to name a few.  Millencolin are as relevant today as when they started 30 years ago, still killing it live after a lengthy period playing as one of the Earth’s great punk bands.

 

 

December 2, 2022 0 comments
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Music News

Sophie Castriota returns with ‘TELL IT STR8’

by the partae December 2, 2022
written by the partae
A straightforward statement track claiming her position in Australia’s thriving hip hop scene.
Coming off the success of her last few releases, Sophie continues to gain recognition for herself, even after having a two year career break.

https://music.youtube.com/watch?v=TzzF7qFvnXw&feature=share

https://music.apple.com/au/album/tell-it-str8/1653541869?i=1653541875

 

 

December 2, 2022 0 comments
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Festival NewsMusic InterviewsMusic News

Chris Cuffaro

by the partae December 2, 2022
written by the partae

You’re currently visiting from LA, how has your trip back been so far?

This trip to Australia is like ALL my trips to Australia… GREAT!  I love it here and have been coming here since 1988.  I love my friends, the city, the food, the fun and of course the banana bread. 

 

How did you originally get into photography?

That’s a long story, but here’s the short version… I saw the movie Funny Face when I was 10 years old.  I loved Audrey Hepburn and Fred Astaire.  I saw him playing a photographer and I said I want to do that for the rest of my life!  I fell in love with photography after I shot my first roil at 10 and started my business at 12.  Photography has given me the best life ever and I can prove it… I got the photos!

 

You’re launching your Greatest Hits exhibition next week at Room 205, 205 Oxford Street, Darlinghurst, Sydney December 7 – 11, 2022 – what can we expect to see?

This is gonna be super fun.  This is my 3rd exhibition here in Sydney!!!  The first one was Greatest Hits: George Michael in 2018.  In 2019 I did Greatest Hits: Grunge and Greatest Hits: Michael Hutchence.  I love Australia and sharing my two biggest passions… music and photography.  This exhibition is ALL about 30+ years of Music Photography… it’s the best of my best covering ALL genres of music.  I want people to see that I’ve done it all and more.  Behind the Gallery and I have come up with some fun and entertaining events for the 5 days.  It’s more than an exhibition, it’s ALL about celebrating!

 

How and why did the Greatest Hits exhibition come about?

It’s been 3 years since I was in Sydney cuz of life and the world.  I wanted to get back ASAP and have some fun.  I felt it was the right time to share my “Best Of’s”!  I talked to my friends, asked for some help and started moving forward back in August to make Greatest Hits happen.

 

The exhibition is running over a few days, which music artists are performing and when are they playing?

The schedule is great!  The basics… 

 

SCHEDULE:

December 7th, Wednesday – Opening Night from 7-10pm

December 8th, Thursday – MMAD Performance night with Ella Powell and D Minor from 7pm to 8pm.

December 9th, Friday – Photo Talk hosted by photographer Peter Collie from 7pm to 9pm.

December 10th, Saturday – Artist Talk hosted by Michelle Grace Hunder & performance with Sam Baker from 1pm to 4pm.

December 11th, Sunday – Closing day.  12pm to 3pm

 

You worked with the late/great Michael Hutchence, what was that experience like?

I get asked this a lot in Australia.  Simply put… GREAT!  He was the best of the best.  We had a blast shooting the first time in 1988 and the second in 1993.  He was ALL that and more.  He made me look good.

 

Who are you listening to at the moment?

My favs these days are Lauren Ruth Ward, The Struts, Sam Baker, Siiickbrain, Grandson, Isabella Amarga and ALL my old High School music… which is 70’s R&B & funk!

 

What do you like to do away from photography?

Rest and sleep.  I’m a workaholic.  I’m blessed to do what I love and love what I do.  I’m not getting any younger and I have so much more that I need to do.  Creating is everything to me, not matter what the medium is.  Go big or go home!

 

What’s planned for 2023 and beyond?

Well, after Australia I leave for New Zealand and I’m having Greatest Hits in Auckland this February!!!  My first time ever in NZ and I’m SO excited.  I can NOT wait to share my passion with New Zealand.

 

Favourite food and place to hangout in Sydney?

This is tough!!!  First and foremost… Banana Bread at Gusto!  I always stay in Bondi Beach when I’m here.  It’s my home away from home.  The people, the food, the energy and course the beach!!!  I wish I lived here cuz I probably would live 10 years longer.  🙂

 

 

Socials – @chriscuffaro

Insta – @thecuffarophoto

December 2, 2022 0 comments
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Festival NewsMusic InterviewsMusic News

GEOFF ACHISON TALKS ABOUT DOUBLE FEATURE SHOW DEC 18 ZIGGY POPS WITH JIMI HOCKING FOR DOUBLE TROUBLE BLUES SESSIONS

by the partae December 2, 2022
written by the partae

1 What’s it like as an established muso with his own distinctive style to pair up with an artist who likewise has his own profile and following?

Live music events can fill you with inspiration in all sorts of ways. If you’re a musician witnessing a great performance it pushes you to want to emulate the playing style, or to write music as good as what you’re hearing in that moment. For me I also get to feeling like I want to get in amongst it and be in that band, or to trade licks with that great player. Jimi is one of those players. He pushes me, kicks my arse to play the best I can. 

 

2 Is it possible to preserve your own artistic identity and flavour when playing with and alongside your `opposite number?’ Can we expect you to shed some of your unique recent experiences (Kings of Kings) in your solo set prior to the all-in jam?

One of the things you learn along the way is to always play it your way. This may be especially true when it comes to playing the blues. The whole aim is finding your own voice so there is never any point in trying to outplay another performer at their game. Yeah, I recently had the chance to share the stage with the great Dave Hole & Shane Pacey playing some classic blues songs. I had Dave Hole standing right next to me every night and I can tell you, those gigs were some of the best guitar lessons I’ve ever had… but whenever it comes my turn to play, I dig deep and do my thing the best I know how.

 

3 I’m guessing some friendly rivalry would play out as well in that shared space? Particularly with you both leading the jam. How do you expect to manage and lead Kaliopi & the Blues Messengers during the jam?

Jimi & I enjoy the bitchy banter we get into. It’s even funnier to us if anyone thinks we’re serious. It started when we were playing some of our first gigs together and you’d occasionally overhear comments along the lines of ‘Jimi’s gonna wipe the floor with him tonight’ or some such thing. We decided it was actually more fun to play up to that idea of us competing for some sort of guitarist supremacy and we started calling those gigs our ‘Guitar Showdown’. The music is always our focus – but be prepared for a battle of wits between songs. Oh, and the jam set? The best thing about those moments is that they are very loosely planned, if planned at all. I am careful not to think too hard about what might happen then lest we spoil the magic! 

 

4 You’ve been paired with each other before – how might your upcoming gig for Double Trouble Blues Sessions be different or similar? What can your followers expect or is it always a case of `expect the unexpected’?

This is a different format to our Showdown gigs. The difference is that we’ll each to showcasing our solo material which highlights our individual styles. The similarity is that we’ll end up on stage together with a cracking band backing us up and trading licks on electric guitars. Add Kaliopi to the mix and suddenly we shall have a triple guitar threat… but of course only one can reign supreme. Who shall it be? Whom shalt doff this coveted crown?

 

www.doubletroublebluessessions.com
www.facebook.com/doubletroublebluessessions

 

December 2, 2022 0 comments
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Fashion & CultureFestival NewsMusic News

LEGENDARY PHOTOGRAPHER CHRIS CUFFARO RETURNS TO AUSTRALIA FOR GREATEST HITS EXHIBITION

by the partae December 1, 2022
written by the partae

OPENS DECEMBER 7 AT BEHIND THE GALLERY – 205 OXFORD ST, DARLINGHURST

“I’ve done what I love for over 40 years now. I have a million stories and the photos to prove it.”

Sydney, 22 November, 2022:  LA based photographer, CHRIS CUFFARO has returned to Australia bags packed and overflowing with some of his most iconic photos, for a must see pop-up exhibition CHRIS CUFFARO: GREATEST HITS.  The collection showcases some of his best work with artists spanning all genres of music and capturing era-defining visual stories.

Celebrating 30 years of music photography, the GREATEST HITS exhibition will include photos of Nirvana, Daniel Johns, Michael Hutchence, Iggy Pop, George Michael, Scott Weiland, Fiona Apple, Morrissey, Limp Bizkit, Korn, Eddie Van Halen and more.

Opening Wednesday, December 7 through to December 11 at Room 205 in Darlinghurst, fans of music, photography and pop culture will be able to get up close and personal with Chris and some of the world’s most globally recognised musicians via his stunning and raw photos.   Over five days the exhibition programme will include music, artists talk, workshops and more. 

Cuffaro has been shooting artists for the past 30+ years and has no intention of slowing down, he says: “I couldn’t wait to come back to Australia, I love it here.  After the boarders opened again, I felt like it was time to celebrate my greatest loves: photography and music. I’ve created a project that share these passions and I’ve narrowed it down and chosen the best of the best, selecting these iconic images from my massive catalogue of music photography. These are my Greatest Hits!  Most people will recognise these artists and finally know who shot them. This pop-up project is my way of saying thank you to everyone I’ve worked with over the years who helped me live my dream”.

This latest Australian exhibition, presented by Behind the Gallery, follows on from his 2019 Greatest Hits: Michael Hutchence and Greatest Hits: Grunge at Blender Gallery.  In 2018 he presented his sold-out Greatest Hits: George Michael at Black Eye Gallery.

Behind the Gallery

Behind The Gallery is an online gallery that creates unique pop-up gallery experiences. We are specialising in Fine Art Music Photography, Popular Culture and will be introducing you to new photographers and artists with exclusive photography.

For more information visit Chris Cuffaro: Greatest Hits here

All photos are available to purchase.

Follow Chris Cuffaro here:

Insta

Twitter

Facebook

#CuffaroHits 

Chris Cuffaro GREATEST HITS:

Room 205, 205 Oxford Street, Darlinghurst, Sydney

December 7 – 11, 2022

December 1, 2022 0 comments
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Music InterviewsMusic News

Maggie Slater

by the partae December 1, 2022
written by the partae

Where are you currently based?
I’m split between Far North Queensland and Melbourne. I study a Bachelor of Arts (majoring in Politics and Creative Writing) and a Diploma of Languages (French) at the University of Melbourne so I’m down here during the semester but always head home when I’m on break. I’m also about to leave for exchange in Montreal for 6-12 months.

What’s your thought’s of Melbourne after being in QLD?
The two biggest shifts have been the 1. the weather (I adore the cold, hence Montreal, so I love getting to layer up) which was honestly one of my main reasons for leaving, I love a lot about FNQ but I HATE constantly being sticky and 2. the energy, there’s just always something happening (particularly for a young queer person, options for things to do in Cairns at night are pretty limited). It’s pretty much the inverse to FNQ which is indefinitely on holiday-time. I do really miss swimming though, particularly in freshwater. It grounds me in a way like no other.

How did you first start playing music?
I was always interested in music growing up but it was around 15 that I started writing songs. I’d taken guitar and piano lessons on and off since I was like 8 or so but nothing really stuck and I just ended up teaching myself ukulele and then guitar in my room (the first songs I remember learning were Fifteen by Taylor Swift and I Won’t Say That I’m Okay by Front Porch Step). I’d gotten pretty big into writing poetry around this time and so songwriting came quite naturally. It really was hugely therapeutic for me when struggling with mental illness for the first time in my life and a really awesome creative outlet during the horrors of highschool.

What’s been happening recently?
I just put out a single! I recorded ‘Pulp’ back in May so it’s so surreal to finally have it out, I’ve never done a release like this before, it’s been such an intense and inspiring release process. I’m surrounded by the most incredible group of creatives in Melbourne and everybody put so much effort and love into helping me elevate the release with their own artforms. The music video, artwork and photography are so incredible and beautiful, I’m so proud of what we’ve all made together. I also recently recorded my next single with Mark Myers at Mountain Kauri Studios while I was back home for my little brother’s graduation. Outside of music I was just in a VCA grad film called Napalm Roses by Jyo Miyaji (which was such an exciting experience) and have been working on pieces for my university’s magazine Farrago where I’m a staff writer.

Your latest single ‘Pulp’ is out now, what influenced the sound and songwriting?

I was going back through old voice memos that other day and found a version of ‘Pulp’ I totally forgot had existed. The song had started in the second person, directed towards this loser one of my best friends was seeing, who treated her terribly and was completely blind to how lucky he was to be with her. It then morphed into being about me wanting to get over this incessant desire for another intense romantic relationship after a break-up. I think both of these versions created an important foundation for what the song came to be. The final version of the lyrics was written right after I’d spent two nights up til 4am reading Gone Girl so I was really channelling that imagery and energy into my own feelings about some of my first relationships.

The lyrics were the main thing that were in flux for a bit but the structure has been pretty similar from the get go. It was originally written in open D tuning (as were probably a few too many songs after it) but my lead guitarist Tom suggested we change it so we didn’t have to retune during the set. In hindsight I’m so glad we did this because as much as I love a twinkly open chord, this song needs power chords. The sound came about after tireless attempts at pushing myself to create a real rock song. Lyrics have always been my main focus and I think because of this it’s been hard for me in the past to really push things instrumentally to a place that’s more similar to the kind of music I usually listen to. WAAX was a huge inspiration for this. I actually saw them at Gilligan’s in Cairns in 2019 and got to briefly share the mic with Maz during ‘Labrador’. I truly think that unlocked something in me. I did still want to balance this side of things with delicacy and softness (which I think I was able to do in the verses) so ‘High’ by Slow Pulp was a really helpful framework for this. I’ve actually made a playlist of songs that inspired/go well alongside ‘Pulp’ which you can check out here: https://open.spotify.com/playlist/6swB1kWg2FVLYxA6SEnDXD?si=2725e75a9e284dfe

How did you go about writing Pulp?
‘Pulp’ was written late at night on an acoustic guitar in my childhood bedroom that I was forced to return to during the first set of lockdowns in 2022. I could feel in the drive of the chorus that this was going to be a heavier song. When I brought it to the band room Tom and Noah helped me build it up instrumentally and we eventually recorded a Garageband demo that came to be the blueprint for the final recording.When it came to writing the music video it really started from a conversation I had with my housemate Ella Parkinson one night. She really related to the song after hearing it for the first time as she’d had a very similar experience to me in her first relationship. We were drinking tea and going over these shared experiences and vignettes, then things just kind of went from there. We really wanted to capture the ups and downs of these turbulent, chaotic, and toxic early relationships and their often very consuming, addictive and destructive nature and to capture the kind of innocent nuance of these dynamics that are often undiscussed.

What does this single mean to you?
The power and intensity of what ‘Pulp’ means to me has been building and changing ever since I wrote it. ‘Making space for feminine frustration’ has been thrown around a lot throughout the campaign so far but it’s so true. Seeing all my femme friends in the front row at the launch screaming the words and moshing as hard as they could really sealed this idea in for me. This single is about allowing ourselves to take up space, to be at the front, to yell, to move however we want, to be angry and sad and not have one invalidate the other. Without overexplaining anything, something we really wanted to capture in the music video was loss of self. ‘Pulp’ is about finding yourself again, grieving that loss, reorienting yourself, and feeling confident that next time you’ll know your worth and fight back as hard as you can.

Where and when did you record/produce/master and who did you work with?
‘Pulp’ was produced by Jason Millhouse at Recordworks in Brisbane (such a cool studio, Jason has an insane amount of pinball machines) and mastered by Paul Blakey. My drummer from Cairns, Noah Gillespie, is currently studying at the Con in Brissy so he was able to come in and track drums for me which was brilliant. The music video was shot at home (and in the street) in Brunswick. It was a huge collaboration with all my best friends. Ella co-produced the video with me and our friend Hugo who’s studying Film and TV at VCA directed it. Ella also handmade all the miniatures of the band and I that you see at the start and end of the video. Nina Lengauer, Soph Fitzgerald and Clem McNabb also helped out with production design. Rose Freeman and Ruby Benedict did costuming for the band scenes. Reide Marshall, Finn Lohmann, Tige Sixel-Miller, MJ Kim and Thomas Strohfeldt performed alongside me and Lux Newman designed the absolutely beautiful animations.

How did you approach the recording process?
I’ve been insanely lucky to have been a part of the BIG SKY GIRLS (founded by Deb Suckling and Craig Spann) mentorship program which has pushed and supported me in ways that I never could have imagined, one of which was making ‘Pulp’. I was made aware of Jason’s work through Deb as he recorded her latest album. I loved the electricity and 90s feel that Deb’s album had and thought it was a perfect fit for what I wanted to do with ‘Pulp’. After a disheartening amount of rejection from arts grants BIG SKY GIRLS generously sponsored my recording with Jason.We recorded the track in a day, using the demo (for structure and arrangement – although Noah did whip out some cool new stuff on the spot that day like the pause in the second chorus and the tom work in the pre-chorus) and a recent live recording (for energy) to find our way to the final takes. Deb and Craig were a massive help in filling out the last choruses with powerful guitar noise and layers.

Who are your musical influences?
It’s honestly mostly just whoever I’ve been listening to most when I sit down to write but here’s a couple of key ones.

1. Wolf Alice: one of my all-time favourite bands. Their versatility is so incredible, and I will never not be in awe of the soundscapes they create. The things that Ellie Rowsell does with her voice and her use of vocal effects has been super inspiring to me.I actually had tickets to see them at the Forum in March but wrote the day down wrong in my diary. Heart shattering. I’m still trying to work up to listening through Blue Weekend without hating myself.

2. Phoebe Bridgers: I mean come on, the vulnerability, the sounds, the depth and care and thought put into every single line and sound, insane. Punisher is an absolute masterpiece. Arguably one of the best lyricists of our generation, that woman is on the pulse. I worship everything she does.

3. Soccer Mommy: An absolute comfort and anytime go to for me. Another super versatile artist, in writing these I think I’ve come to realise how impressed and inspired I am by artists who are constantly evolving and trying new things. I really feel like I’ve grown alongside Soccer Mommy, I think it’s partly because the timing of her different musical eras has really coincided with my own which has built this kind of intimacy in my brain. An incredible guitarist and builds such beautiful worlds within her songs. She’s also just so funny? Also, a huge reason (along with Wolf Alice) as to why I found a synth player for my band.

4. Snail Mail: Lush is such a memorable album for me, it was a real eye-opener to start thinking about guitars in a way that wasn’t just as a means to write a song but as a means for creativity and expression in their own right. One of the first queer artists who really resonated with me, and I was also just very in love with Lindsay Jordan as a 17-year-old (totally not the reason I got a Jag in the first place…)

5. Julia Jacklin: Australia’s angel. Saw her recently at a show in regional VIC with some of my closest female friends, we all took turns bawling our eyes out (mine was also so impressed, albeit it unsurprised) by how she had the entire audience memorized with just her guitar and voice. Her new album is so gorgeous. Constantly amazed by her ability to address such heavy themes in such a nuanced and beautiful way.

Favourite artists at the moment?
Right at this moment I’m listening to Car Seat Headrest. Lala Lala, my bloody valentine, Phoebe Bridgers (always), Djo, Soccer Mommy (her new album is amazing, so cut I won’t be around for the Aus tour), Wet Leg, Julia Jacklin, the 1975 (two more great new albums), Wolf Alice (another always), feeble little horse

What’s planned for the remainder of 2022 going into 2023?
At the moment I’m just trying to wind down from a really intense exam period. Other than another short film that I’m involved in next week and a couple of upcoming house party gigs I’m probably just going to take the next month before I leave as slow as possible and spend the rest of time in Melbourne enjoying the warmth and being around the people I love. As for 2023, I’ll be getting started on plans for the new single I’ve recorded and hopefully try and get some funding together to finish off a more complete body of work.

Favourite food and place to hangout?
God, so hard. A solid veggie burrito is such a fail safe but also nothing beats fresh sushi??? I can’t pick. As for hangout spots, if we’re not at our place or the pool, you’re most likely to find my friends and I at the Retreat Hotel. Best beer garden in Melbourne, so many fairy lights.

Triple J Unearthed | Facebook | Instagram | Youtube

December 1, 2022 0 comments
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Beck announces Melbourne & Sydney headline shows

by the partae December 1, 2022
written by the partae

Touring April 2023

Frontier Touring are delighted to announce2022 Rock & Roll Hall of Fame nominee and eight-time Grammy-winner Beck will perform two intimate and unique acoustic shows in Melbourne and Sydney in April 2023.

Delving deep into his acoustic roots, these special performances will highlight the pure songcraft of Beck’s standards and rarities, his unparalleled versatility on show at his first Australia headline shows in five years. Beck will perform at Melbourne’s Palais Theatre on Monday 3 April, and Sydney’s Aware Super Theatre on Thursday 6 April, before heading north for a set at Byron Bay’s Bluesfest.

‘One of modern rock’s best storytellers … his range is extraordinary. Palpably thrilling… a night to savour’ – Sphere (London)
​
​
‘Remarkably loose, playful… two hours of Beck in a way we’d never seen him before. Material ranged from extreme rarities to an unreleased new song, to never-before-played covers, all interspersed with legitimately hilarious storytelling and thought bubbles’ – Austin Chronicle

‘The Golden Age’, ‘Debra’, ‘Rowboat’, ‘Heart Is A Drum’, ‘Nobody’s Fault But My Own’, ‘Lost Cause’, ‘Sissyneck’, ‘Say Goodbye’, ‘Guess I’m Doing Fine’, ‘Pay No Mind’… Beck’s solo sets earlier in 2022 (in Paris, London, Nashville, and Austin) included songs from across his extraordinary catalogue.

Tickets will go sale Wednesday 7 December (11am AEDT) via frontiertouring.com/beck.Frontier Members can access the Members pre-sale, which starts Monday 5 December (11am AEDT) – see website for details.

Beck

Beck

As the title of his most recent album Hyperspace might imply, Beck has travelled light years from his emergence as a reluctant generational spokesperson when ‘Loser’ exploded from a rejected 1992 demo into a ubiquitous 1994 smash. In the decades since, his singular career has seen him explore all genres and eras of music, blurring boundaries and blazing a path into the future while foraging through the past.

Beginning with his 1994 debut Mellow Gold, Beck’s creative evolution has always progressed at an exponential rate. From 1996’s multi-platinum cultural touchstone Odelay to 1998’s world-tripping Mutations and the florescent funk of 1999’s Midnite Vultures, 2002’s sombre Sea Change, 2005’s platinum tour de force Guero and 2006’s sprawling The Information, 2008’s acclaimed Modern Guilt, 2014’s Album of the Year Grammy winner Morning Phase, the “euphoric blast of experimental pop” (Rolling Stone) that was 2017’s Colors and his 2019 “best in a decade” (People) Hyperspace… No Beck record has ever sounded like its predecessor – though The New York Times notes a consistent thread: “Though Beck’s records through the years have tended toward maximalism, a kind of meticulous sonic gorgeousness, melody remains central to his art.”

With a peerless career and revelatory live shows, don’t miss the critically acclaimed Beck – live on stage next autumn.

BECK
​AUSTRALIAN TOUR
​APRIL 2023

​Presented by Frontier Touring


FRONTIER MEMBERS PRE-SALE
​
via frontiertouring.com/beck
​Runs 24 hours from: Monday 5 December (11am AEDT)
​
or until pre-sale allocation exhausted

GENERAL PUBLIC ON SALE
​Begins: Wednesday 7 December (11am AEDT)


Monday 3 April
​Palais Theatre, Melbourne, VIC

​Licensed. All Ages
​ticketmaster.com.au

Thursday 6 April
​Aware Super Theatre, Sydney, NSW

​Licensed. All Ages
​ticketek.com.au


Also performing at Bluesfest on Friday 7 April (*not a Frontier Touring show – see www.bluesfest.com.au)


Patrons are advised to purchase tickets only through authorised ticket sellers. We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

www.beck.com | facebook.com/Beck
​Twitter: 
@Beck | Instagram: @Beck
​
Spotify | YouTube | iTunes

 

December 1, 2022 0 comments
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HEAPS GOOD Adds G Flip, CC:DISCO!, Pretty Girl and more to the lineup!

by the partae December 1, 2022
written by the partae
Tickets on sale now!
It’s December and the countdown to the new year is officially on. To help you welcome 2023 with open arms, Adelaide’s HEAPS GOOD has added a bunch of talent to its already stacked lineup!

Leading the expansion is none other than Aussie legend G Flip, while dance music queens CC:DISCO! and Pretty Girl get ready to take over HEAPS GOOD’s carefully curated Bottlebrush Stage, a warehouse style stage designed especially for the ultimate electronic music experience.

Throw in a couple of Adelaidean faves, Mum Thinks Blue and Claude, alongside previously announced heavy-hitters like Arctic Monkeys, Peggy Gou, CHVRCHES, Jamie xx, Ocean Alley and Spacey Jane, and you’ve got yourself one heaps good party mix!

The festival will take place across two massive stages, with the main Eucalyptus Stage playing host to headliners Arctic Monkeys. A short trip across the grounds will find attendees at the Bottlebrush Stage, partying with the likes of Peggy Gou, Jamie xx and more. Get your dancing shoes on because the inaugural HEAPS GOOD has something for everyone. Check out the full lineup below…

Melbourne-born and LA based artist, producer & drummer G Flip has won the hearts of fans and media both in Australia and abroad, scoring support from Rolling Stone, Pitchfork, NME and The FADER, among others. Their 2019 debut album has amassed more than 180 million streams to date and debuted #1 on the vinyl charts and #6 on the overall charts. Their live show has seen them play all over the world at festivals, venues and on sold out U.S tours supporting Fletcher and K.Flay. Authentic, relatable and always energetic, G Flip is a bona fide powerhouse. Catch them when they hit HEAPS GOOD hot off co-hosting the 2022 ARIA Awards!

Keen for a boogie? Then you’re in luck, with some of the Australia’s best electronic acts joining HEAPS GOOD’s already incredible lineup of dancefloor ignitors at the Bottlebrush Stage. Get ready to groove when DJ, radio host, label head and party promoter CC:DISCO lights up the dancefloor with her with her joyous tunes. Don’t miss rising star Pretty Girl’s incredible set that packs an emotional punch with her sentient, warm-blooded mixes that leave you reeling for more.

Kick off the festival with triple j Unearthed winners Mum Thinks Blue as they bring their upbeat and energetic live show to the stage, and get down to the familiar sounds of Claude – the Adelaide mainstay that is quickly making a name for herself with her dynamic and captivating sets.

The one day festival will take place on Friday 6 June at the oh-so convenient city location of Adelaide Showground, perfectly timed post New Year’s Eve celebrations so you’re recovered, feeling fresh and ready to kick off 2023 the right way! So whaddya waiting for? Tickets to HEAPS GOOD are on sale now. Hop to it!

HEAPS GOOD
Friday 6 January 2023
heapsgoodfest.com

ARCTIC MONKEYS
PEGGY GOU
CHVRCHES
JAMIE XX
OCEAN ALLEY
SPACEY JANE
G FLIP *JUST ADDED
PINKPANTHERESS
CC:DISCO! *JUST ADDED
YOUNG FRANCO
KING STINGRAY
PEACH PRC
EBONY BOADU
PRETTY GIRL *JUST ADDED
MUM THINKS BLUE *JUST ADDED
CLAUDE *JUST ADDED

Tickets on sale now!

FACEBOOK | INSTAGRAM | SNAPCHAT | TIKTOK

December 1, 2022 0 comments
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Tickets for Tinlicker’s live tour are on sale now

by the partae December 1, 2022
written by the partae

Tinlicker — Australia 2023 ️

Tickets are now on sale for Tinlicker’s Live Australian Tour.

Bringing their iconic live show to Australian shores for the very first time, the Dutch duo will be showcasing their unique progressive sound in its truest form.

Presale demand was huge, with first release selling out in minutes, so secure your tickets now!

GET TICKETS

December 1, 2022 0 comments
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Music News

AUSTRALIAN HIP HOP ARTISTS AT THE FOREFRONT OF SPECIAL COLLABORATION WITH GLOBAL GIANT NBA® 2K23

by the partae December 1, 2022
written by the partae

Today, NBA® 2K23 the latest iteration of the NBA video game simulation and Universal Music Australia announced a  special partnership with Australian recording artists; Chillinit, Sahxl and Barkaa. The exciting collaboration titled Court in Session is a unique musical performance series that puts Australia’s best hip-hop artists alongside the beats inspired by the self-expression of the basketball players within the basketball video game, NBA 2K23.

For over 20 years the soundtrack has become an annual ‘greatest hits’ of today’s top hip-hop artists, and today the brand further substantiates its footing in the local Hip Hop scene with the launch of its new cultural platform, Court in Session.

 

Stood upon a basketball court (their stage), today’s most exciting Hip Hop artists will perform a bespoke track inspired by the game. Performing alongside huge vertical screens that sync game footage to the beats, the artists will MC over unique beats inspired by in-game sound effects. Ball bounces become beats, bleacher stomps become heavy drums and shoe squeaks become record scratches across the three original tracks.

The music videos have been directed by acclaimed twice ARIA-nominated music video and commercial director, Gabriel Gasparinatos. Gabriel has recently directed films and commercials for Adidas, Beats by Dre, Spotify, Google and the A-Leagues.

Gabriel said, “It’s been so fun getting back to my rap video roots on this project, it’s highly technical with massive LED screens, an enormous lighting set and motion control rigs but working with DOP Tyson Perkins and bolt operator Max Pepper from Cinoptix on it has been super rewarding. Pulling inspiration from 2K gameplay highlight reels and modern rap clip sensibilities we had a blast pulling these individual videos together. It’s so cool to see such exciting, global brands willing to invest in & give a platform to Australian hip hop artists.”

NBA 2K23 offers an authentic and true-to-life gameplay with best-in-class visual presentation, improved player AI, up-to-date rosters and historic teams, the game has never felt more real and complete than it does in NBA 2K. The original music from Australian artists will also be available via all streaming platforms from today.

“We are thrilled to be partnering with such great local talent and to be able to be facilitators of taking them to a global audience through our game,” said David Kelley at 2K Games. “NBA 2K has always prided itself in being central to Hip Hop culture and with Court in Session in collaboration with BRING, we are proud to have created a platform that majestically combines our game, Hip Hop and basketball in a truly authentic & ownable way to appeal to a new audience.”

One of the most dominative names in the Hip Hop community is Sydney rapper Chillinit, who has thrived on building his career through social media platforms to become one of the country’s most prominent rappers with his 420Family. With an ARIA Gold album, two Double Platinum and eight Gold singles under his belt plus over 423M streams, ChillinIt is one of Australia’s most decorated artists.

The Court in Session campaign was extremely attractive to the young rapper who has always promoted his music in a non-traditional forum.

“I have always been a huge fan of the NBA and the video game, as a kid I would play for hours, then fast forward years later to see my own billboard within the game while I play with my own little brothers is surreal.


It’s been such an honour to work with the team at 2K and to be a part of a game that I genuinely love and grew up playing. I can’t thank the team enough and can’t wait to welcome you all to the 2K with

‘Big Swish’,” said Chillinit.

 

Also joining the collaboration is 19-year-old vocal prince, Sahxl who has been primed as one of Australia’s next breakout stars, teetering the line between R&B and Hip-Hop with brazen conviction, honest story-telling, and undeniable melodies.  At the age of 13, Sahxl caught the attention of APRA Billion Stream award-winning producer Khaled Rohaim (Rihanna, Polo G, The Kid LAROI, OneFour) and has been steadily ascending since.

On the collaboration, Sahxl says, “When I collab with brands, it has to be authentic. I play NBA 2K all the time in the studio, so for me this project just made sense. It was a bit of a challenge producing the beat with my producer Sid Mallick, as it was our first-time using basketball sound effects to put together a song, so it was a really different process. The final track sounded dope though, and it was fun experimenting with new experiences and themes to help this song come together. It was a pleasure being invited!”

 

Hailed “the new matriarch of Australian rap” by GQ Magazine, Barkaa is a Malyangapa, Barkindji woman from Western New South Wales, now living in South West Sydney on Gandangara land. Music to Barkaa has been part of her journey to express herself, the truth and issues impacting First Nations people. Since her 2020 debut single, “For My Tittas”, Barkaa has swiftly climbed to the top as one of Australia’s most respected voices, named as one of the top rappers in the country by triple j and Red Bull respectively.  Most recently, Barkaa was announced as part of The #YouTubeBlack Voices Class of 2022, appearing on billboards across Times Square and Los Angeles, Barkaa’s star power is fast rising.

“The song “Ball On ‘Em” is a track that I wrote that was intended on amping people up and a shout out to haters that they couldn’t stop nothing. Referencing brother Patty Mills this is dedicated to him for defying all odds, somebody we as a First Nations community are constantly inspired by and in awe of. The lyric “pass it to them young ones, they gon’ run the game strong” is saying that this is and has always been bigger than us… We got to pass that torch over to our youth when our time is up and know that our future is in good hands, I’ve got to give a massive shout out to Rhyan Clapham (DOBBY) for going ham on the beat, we had so much fun in the studio working on this track,” said, Barkaa.

The original tracks from each artist will be featured in the NBA 2K23 video game along with the release of their individual music videos and singles to support the global campaign.

Developed by Visual Concepts, NBA 2K23 is rated PG by the Australian Classification Board. For more information on NBA 2K23, please visit https://nba.2k.com/2k23/.

Visual Concepts is a 2K studio. 2K is a wholly owned publishing label of Take-Two Interactive Software, Inc. (NASDAQ: TTWO).

Follow NBA 2K on TikTok, Instagram, Twitter, YouTube, and Facebook for the latest NBA 2K23 news.

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