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Monthly Archives

April 2022

Eats & DrinksMusic News

Joe Mungovan’s favourite pubs & cafes to visit in each city

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written by the partae

Byron Bay 

A mate took me out to Eltham pub the other day and it has a great menu, a great vibe and a great selection of beers…. And beer garden 😉

Sydney 

Low 302. So many memories here – all involving a stumble in after a show and having an absolute ball with my mates.

Brisbane

Bloodhound Bar A great pub with a music venue upstairs. Many a night on the red vinos were had at this bar in the valley.

Milton 

Can’t beat the Star Hotel – a simple, no frills, aussie pub. Doesn’t get any better.

Bulli 

Franks Wild Years – the perfect place to enjoy an afternoon drink and also browse through some records (might be able to find a copy of my record in there ;))

Melbourne 

Some Velvet Morning. A very cute little 40 seat venue I have played in a handful of times. Some of my first shows in Melbourne were at SVM.

Newcastle

The Ship Inn – great drinks, and even better playlist!

JOE MUNGOVAN ‘A FLOWER IN THE WEEDS’ ALBUM TOUR

Tickets on sale now

Thursday, April 14 – Oxford Arts Factory, Sydney, NSW 

Saturday, April 23 – Port Kembla – Port Kembla Festival

Friday, April 29 – Stag and Hunter, Newcastle, NSW

Saturday, April 30 –  Felons Barrel Hall, Brisbane, QLD

Sunday, May 1 -Beach Hotel, Byron Bay, NSW 

Sunday, 8 May – The Kazador, Kiama, NSW

Friday, 27 May – Milton Hotel, Milton, NSW

Joe’s debut Album: A FLOWER IN THE WEEDS is out now.

Official Website  | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed 

 

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Music News

Do You Want Me? Reckless Coast Wants to Know A Bold Single For A New Era

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With a sonic tonality like a spring-time magpie, the new Reckless Coast single “Do You Want Me?”, presents a modern euphoria that reminisces on Australian Rock nostalgia.

Released today on all platforms, “Do You Want Me” was originally born as a shout out for creatives stuck in a job they hate just to make ends meet, and was written on shift behind a bar by front man Jaeden Ogston:

“I was sick of it that night… running around collecting glasses, handling the TAB, trying to serve, all without any help in sight. I was often burnt out which affected my music, and I just wanted to focus on what I love. The thoughts going through my head on that shift pretty much wrote the song.”

“Do You Want Me?” serves up addictive melodic hooks for fans; delivered through an almost preaching styled vocal performance, atop of thundering rhythm and a gritty guitar groove. Whilst old-school inspirations are without a doubt present, Reckless Coast conveys the track in a completely contemporary form.

Stream “Do You Want Me?” here.

Hailing from along the East Coast of Australia, the now Brisbane based power trio previously known as Rude Rum renamed to Reckless Coast this year to signify a new era:

“The old name didn’t portray us properly… plus we’ve grown so much sonically and personally, so a fresh name was needed. We’re three kids who grew up on the coast, and love a good rock show… Reckless Coast sums us up perfectly”

With last year’s single “TALK” being the band’s most successful to date (alongside it’s sold-out Brisbane homecoming show), the power trio is rapidly becoming known for some of the most organic and energetic live shows in their local scene. Holding a love for groove fuelled rock adrenaline, Reckless Coast is held by no labels, and heroes a refreshing contemporary zest unique to them alone.

Catch Reckless Coast on tour:

April 27th: Mumbo Jumbo’s, Terrigal NSW

April 28th: Hamilton Station Hotel, Newcastle NSW

April 29th: MoshPit Bar, Sydney NSW

May 6th: Vinnies Dive Bar, Gold Coast QLD

May 20th: Eleven Dive Bar, Sunshine Coast QLD

May 21st: Tomcat, Brisbane QLD

Tickets are available here.

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Music News

SUPERBLOOM – THE BAND ARE ABOUT TO RELEASE THEIR FIFTH SINGLE, SMILE

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The North London based Alt-Rockers have taken the opportunity of time afforded by the pandemic, and are set to release their fifth single. Having shown their versatility with the launch of an acoustic track at the end of 2021, which received high praise from several music publications and coverage on Amazing Radio, the band have hit back with arguably their heaviest track to date. Smile is a Hard Rock song that boasts an abundance of progressive riffs and rhythmic curveballs. Front-man Robert James says, “Smile is definitely the most technical track we’ve written. It was one of the first songs we wrote together as a band, but we wanted to test ourselves by creating something that was rhythmically unorthodox. Our heavier, more progressive influences really shine through with this one”.

The band’s song-writing has primarily been moulded by a desire to modernise the distinct sound of 90s Rock. Thomas Mitchener of Broadfields Studio helps bring this vision to life through the use of chorus, fuzz and other vintage instrument effects associated with iconic bands like Soundgarden, as well as contemporary artists like Nothing But Thieves. Robert says “I can’t praise Tom’s production enough. I’ve never known an engineer so able to develop an idea from raw concept to accomplished reality so efficiently. As Superbloom is made up of two core members it’s invaluable having another creative person involved who gets what we’re trying to do, and has done from the moment we walked through the door”.

Superbloom have 6 further tracks recorded and ready to release, as well as a number of demos ready for the studio. The band plan to continue building momentum over the next year with regular releases, before the launch of their debut album. They’ll also be out on the road later this year to further promote their music.

Superbloom are:

Robert James – Vocals, Guitars and Others

Sam Lidington – Drums and Percussion

Instagram – https://www.instagram.com/superbloom.uk/

Facebook – https://www.facebook.com/superbloomuk

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Music News

Hot on the Heels of His Performance at Saudi Arabian Formula 1 in Jeddah, R3HAB Releases “My Pony,” A Dancefloor And Radio Friendly Soulful House-Pop Gem

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written by the partae

Artists: R3HAB
Title: My Pony
Label: CYBERPVNK / Universal Music Group
 

R3HAB has been on fire in the first quarter of 2022, and he’s only adding to the heat with his newest single – “My Pony.” Following his stellar collaborations from March with Dimitri Vegas & Like Mike and Armin van Buuren, as well as his stunning performance at Saudi Arabian Formula 1 Grand Prix in Jeddah, R3HAB switches gears to create a euphonious pop-house record, showcasing the Platinum artist’s signature groovy basslines, instrumental melodies, and his readiness to experiment with cheeky and feel-good vibes, as heard earlier on “Put Your Hands On My_” with Saucy Santana, released in February. With that impressive first three months into the new year, things are only expected to get bigger for R3HAB. Read on for his words on the newest release – “My Pony,” that’s sure to be a hit on the dancefloor and radio airwaves.

“I’m constantly experimenting with different styles and sounds. ‘My Pony‘ is a bit more bass-driven and laid back than my catalog so far, and I’m excited for the variety it brings. This record has been a long time coming, and I’m glad to finally share it. I’m sure ‘My Pony‘ will lift moods in the blink of an eye, and I can’t wait to play it live.” – R3HAB

Multi-Platinum DJ and producer Fadil El Ghoul, better known as R3HAB, has been trailblazing his way through dance music for the past fifteen years. From his breakthrough remixes for Rihanna, Drake, Taylor Swift, Calvin Harris, to anthems such as Platinum-certified “All Around The World (La La La)” and “Lullaby,” to his collaborations with the likes of Ava Max, ZAYN, Luis Fonsi, Sean Paul, and more, R3HAB has proven to be one of the most forward-thinking artists in the game. His work has collected over 8B streams to date, including 1.1B in 2021 alone. R3HAB founded his label CYB3RPVNK in 2016, which has passed 4B streams across platforms since its inception. R3HAB continues to evolve and diversify his sound by working with artists around the globe, pushing the boundaries of dance music as he collaborates across genres and languages. He is Spotify’s Most Discovered Artist, one of Spotify’s top 200 most streamed artists, ranked #12 on prestigious DJ Mag’s Top 100 DJs chart, and has earned over 70 Gold and Platinum certificates. R3HAB has embarked on multiple sold-out worldwide tours and was the first dance music artist to sell out 15 consecutive shows in China. On top of that, he performed at the world’s top festivals, such as EDC, Ultra Music Festival, Tomorrowland, Balaton Sound, Coachella, Summer Sonic Festival, DWP Jakarta. With his combination of innate artistry and innovative attitude, R3HAB has earned his place as a household name in dance music.

More info on R3HAB / CYB3RPVNK:
 

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Music News

PERTH’S SHELDON5D INTRODUCES HIMSELF WITH DEBUT SINGLE ‘RIDE WITH ME’

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For artist, producer and engineer Sheldon Nunes, music and creativity has run in his blood for years. Working out on the West Coast of Australia, he has been part of the burgeoning and thriving community of local musicians and producers putting on for their city and as an artist, Sheldon has been making his mark, releasing music as the enigmatic Sheldon5D.

Today, he announces the release of his first release for 2022, a dynamic track called ‘Ride With Me’. A song that fits in the same lane as music by artists including Kevin Abstract, DUCKWRTH and Jaden, ‘Ride With Me’ is a great example of the music still to come from this exciting artist as he looks down the barrel of a busy year.

The song itself, written and recorded by Sheldon at his studio in Perth, has great late night energy about it. A hazy dream that brings Sheldon5D’s unique flow and energy to the fore, ‘Ride With Me’ is an ode to intoxicating connections and looking to endless possibilities ahead.

“You got that fire in your eyes I see,
Gaze at the stars on full moon nights with me,
Yea and it’s looking like Magic.”

Teaming up with filmographer Leif Logie, Sheldon5D put the emotion of ‘Ride With Me’ to visuals, also released today. Soaring shots and close roaming footage of Sheldon5D matches the energy of the song; as he describes, keeping the authenticity of ‘Ride With Me’ and also that of himself as an artist, was key.

”Filming the music video was super fun and organic; I’ve been shooting content with Leif for a few months now and I love how he brings my ideas to life. I tried to not overthink everything and tried to keep it  as authentic as possible to me and the life I live.’
Sheldon5D

The release of ‘Ride With Me’ marks the beginning of a new chapter for Sheldon5D as he prepares to introduce more audiences in his own city and beyond to the music that defines him as an artist. With more in the pipeline to be revealed, Sheldon5D takes a confident stride forward with ‘Ride With Me’ – stay tuned for what’s to come!
”I wrote ‘Ride With Me’ late at night trying to capture all the feelings I have been going through in the last few years of my life. Through the ups and downs it’s hard to find a constant, but at the end of the day all we want is that somebody to spend our time with and give us that ”Unconditional Love”. 
The beat sets the mood straight away with smooth Trap Drums filled out with a dreamy atmospheric melody that captures a nostalgic and euphoric feeling. Music allows me to express myself in a way that I can’t describe in words. It allows me to be my true self and reveals all the sides of me that I wouldn’t be able to express without it.”
Sheldon5D
‘Ride Wit Me’ is released Wednesday, March 23rd
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Music News

SET THE RECORD soars above adversity to release debut album ‘TIME TO BREATHE’.

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Having faced a multitude of heartbreak & hardship in the time between releases, Brisbane pop-punk stalwarts Set The Record are back with a record that soars above all setbacks, seeing the quintet reach creative heights far greater than the sum of their parts. Produced by Troy Brady (The Amity Affliction, The Brave, Stateside), debut album ‘Time To Breathe’ is a hook-laden, & polished release that proves their place as a band that continues to strive for absolute success. Set The Record refuse to allow a single song omission from their recipe for catchy choruses, boppin’ rhythms and melodies that singer Angus Hiern delivers with pleasing, satisfying saccharine.

With ‘Time To Breathe’ out today, the band are also highlighting focus track ‘Give Me A Second’ to continue shedding light on the lyrical journey traversed throughout the record & shared across previous singles ‘Answer My Call’ & ‘Flashback’. The track builds with driven guitars and peaks Bec McCall’s desperate scream to be let back into the life of a partner he had fallen out with. ‘Give Me A Second’ is an anthemic pop-rock tune for anyone who has desired a second chance; a moment to right previous wrongs & misgivings, working to become a better person for those they love.

“‘Time To Breathe’ signifies a watershed moment for us, stepping out from the shadow of our youth to embrace a deeper, more honest side of ourselves. This release has been very considered… and it is very personal. Each of us have songs on there, or parts of songs that are real life. Whether that be heartbreak, falling in love… or looking at where you’ve come from or where you might be in your lives – it’s a release for all of us. We’ve put all of that into our music, so from that standpoint, it has more maturity and meaning to us as a band.” Bec McCall, Set The Record

“We played around a lot with our sound on this one. The track is about being shut out by an ex-partner, and the desperation to be close again, and it was important to us that the urgency and emotion builds throughout the track. We even got Bec on the mic screaming in the background on the bridge of this one. It’s got a lot of light and shade, and I think it’s a good representation of our more mature sound.” Ian Collins, Set The Record

Working with acclaimed producer Troy Brady in Buderim, QLD, the band were able to feel at home immediately, recording in their own state and close to all family & friends. This support allowed them to focus intently on the task at hand; creating a debut record that would encapsulate the Set The Record sound they’ve been intently shaping over the past 10 years. Bursting onto the scene with punchy performances and catchy, pop-punk infused tracks, the group found traction with their second EP ‘Above The World’ which trended at #1 on Twitter and led to radio play across the country. Future opportunities to share stages across Australia with The Red Jumpsuit Apparatus, The Maine, Relient K, & As It Is followed.

“We recorded it at the end of 2019, start of 2020 working with Troy Brady (ex Amity Affliction). Working with him enabled us to honor our pop-punk roots, but expand our sound into a more modern space, and I think we landed somewhere really awesome. This is the most excited I’ve been about one of our releases.” Bec McCall, Set The Record

 

With a new record in their back pocket & a fanbase envirograted by the continued growth of the band, Set The Record are eager & poised to strike Australia with raucous, sincere and catchy new music & performances, breathing a fresh onslaught of noise back into the live music scene.

PRAISE FOR SET THE RECORD

“Really enjoying this slice of soaring emo. Hits hard and flies high. Thanks folks!”

Steph Hughes, triple j Unearthed

“Youthful, syrupy-sweet vocals demonstrate the boys’ impressive vocal range (an octave higher, of course) in well-orchestrated harmonies, cheerfully offering teeny-bopper songs, which the band puts forth in an undeniably catchy, hooky manner.”

The Music

“This five-track EP is cleverly crafted to have an early 2000s band tinge to it… a testament to the band’s ability to create catchy and thought-triggering pop punk”

Kill Your Stereo 

‘Time To Breathe’ & ‘Give Me A Second’ is out Thursday, March 17th

Facebook | Instagram | Twitter | Triple J Unearthed | Website | YouTube

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Music News

Wilson Blackley releases new single ‘Repeat Love’ (Co-produced by Sensible J)

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Melbourne, Australia – “Alternative-soul’s pre-eminent shining star”, 19-year-old Wilson Blackley today releases his brand-new single Repeat Love which has been co-produced by Sensible J (REMI, Sampa the Great).

Having recently announced label, management, and booking agency signings with THAA Records, Ecstatic! Management and Select Music respectively, Wilson burst onto the Melbourne music scene late last year with his debut single Home (produced by Sam Teskey of the Teskey Brothers). Following his debut release Wilson received high praise from music media and notable tastemakers before going-on to sell-out his first headline show and soon after perform striking festival appearances at NYE on the Hill, Ocean Sounds and most-recently, Brunswick Music Festival.

On new single Repeat Love, Wilson takes on co-producer credits alongside the highly respected and creative two-time AMP (Australian Music Prize) winning producer, Sensible J.

Co-Producer Sensible J on working with Wilson Blackley on Repeat Love:

“Co-producing Repeat Love with Wilson was super easy, as he is so proficient on all instruments. A beautiful honest song. Wilson came to my studio and showed me isolated Stevie Wonder drum-tracks…. That’s all that needs to be said” – Sensible J

Wilson Blackley on the themes and inspiration for Repeat Love:

“Growing apart is a feeling that everyone can relate to. Whether it’s your friends, family or partners, I feel like everyone has had moments in their life of growing apart from the ones we love. I started out writing ‘Repeat Love’ the same way I write most songs. Pondering over melodic ideas for a few days walking down the street and humming to myself. The musical idea came first and then I started working on the lyrics. Most of the time I like to approach lyrics in a very metaphoric way but for “Repeat Love” saying exactly what came out the way it came out was the only way it worked.” – Wilson Blackley

Earlier in the year, Wilson Blackley headed to Melbourne’s renowned Bakehouse Studios to record two live tracks (debut single Home and new single Repeat Love) and talk about his approach to song writing:

Praise from Media:

“(Wilson is) fast becoming one of Melbourne’s alternative-soul’s pre-eminent shining-stars” – Australian Independent Record Labels’ Association

“This is gorgeous stuff. Fans of pure, soulful songwriters like Josh Teskey and Didirri need to get around Wilson Blackley.” – Dave Ruby Howe, triple j Unearthed

Wilson Blackley is an artist whose lyricism, musicianship, and artistry is far beyond his years, and possesses an innate ability to speak directly to the soul. It’s rare for an artist to release a debut single so powerful, but clearly, artists like Blackley are a rare breed.” – Tyler Jenke, Editor, Rolling Stone Australia

“Gorgeous pace, deft guitar execution, spot-on vocal nuance on ‘contemplay-shunnn’ and a wonderful reprise at the end with just enough violin to string us along. Hints of Teskey Brothers, Joe Cocker and Lucinda Williams. I look forward to hearing people chant “WILSON” during encores.” – Mikey Cahill, The Age/NME

Wilson Blackley’s next headline show 
Thursday 28th April  
Old Bar, Melbourne, VIC.

https://www.instagram.com/wilson_blackley/

https://www.facebook.com/WilsonBlackleyy

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Music InterviewsMusic News

Soft Powder

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What does it mean for you to have this collection of music out in the world after first introducing your sound across the first two EP projects and recent singles?

When I first started making songs for Soft Powder I kind of set myself a long term goal: to compose, produce, mix and release my own album. So honestly, I feel accomplished and kind of relieved. This album is the culmination of all of my influences and experiences, and I’m both excited and scared that it’s “out there” now. I’ve been sitting on some of these songs for a long time and now that I’ve got them off my chest I feel ready to write more music.

‘Somewhere Like Paradise’ – where did that name originate and what significance do you think it still holds with the album material today?

Over the last two years, the process of writing and recording the songs on the album became a means for me to escape from reality and find relief, and the creative process really helped me cope. The idea of escapism has always been a central theme in my songs because it’s something I’ve always relied on, and ‘Somewhere Like Paradise’ encapsulates this idea. The title track ‘Somewhere Like Paradise’ was actually one of the first songs I wrote for this album, and it set the tone for the rest of the record – it felt like the perfect name for the album as well. I think every song on the record has the same melancholic, escapist energy that ‘Somewhere Like Paradise’ evokes.

Is there any one particular track that sticks out as a current favourite (why?)

Hmm this is a really difficult question because it changes all the time. Each song is acutely personal and so they each resonate with me in different ways. However, the one song that I think represents the Soft Powder project the best is ‘Close Your Eyes’. I think it’s the dreamiest song I’ve written, and I like how it kind of has a meandering, hopeful energy, but it also feels somber and nostalgic. 

What did you learn about the way you approach music, as a result of making this album?

The main thing I learnt about the way I approach music is that if an idea doesn’t immediately feel good to me, it goes in the bin, despite how good it might sound. This is probably an inefficient and impulsive way of writing music, but I have to be really invested in the idea or the song I’m writing, otherwise the song won’t go anywhere.

Do you think you would have done anything different in terms of the production or artistic process?

I would have used less reverb. I usually get carried away when I’m writing and recording music, so I should probably get someone else to produce my next record so that there is another set of ears on the project.

Have you thought about how the album is going to be realised live – that’s exciting!

I have given it a little bit of thought, but I still can’t decide if I want to play with a live band, or if I want to try and do everything myself, or if I want to exist solely online and not play shows. I once saw Molly Nilsson perform and she just sang her vocals live with a CD player playing her backing tracks and I thought it was the coolest thing ever. I am conflicted and I need to think about this more! If/when I play shows, I want to incorporate more visual elements into the performance, as the album is as much a visual experience as it is a sonic one.

For people who might be coming to Soft Powder for the first time with tihs record – what do you hope people take away from it when it comes to learning about you?

Honestly, I don’t really want people to learn anything about me, but I’d really like people to experience the same relief and momentary escape from reality that I felt when I was writing the songs. I hope these songs are a source of comfort for listeners, and that the songs prompt their minds to wander.

Bandcamp | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed

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Festival NewsMusic News

SPIDERBAIT ANNOUNCE NATIONAL TOUR + NEW ALBUM CELEBRATING JANET ‘SOUNDS IN THE KEY OF J’ – OUT TODAY

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Photo credit – Giulia McGauran
 ANNOUNCE NATIONAL TOUR

NEW ALBUM CELEBRATING JANET
‘SOUNDS IN THE KEY OF J’ – OUT TODAY

MEDIA RELEASE:: FOR IMMEDIATE RELEASE, FRIDAY APRIL 8

Iconic Aussie band Spiderbait have today announced their national Tour In The Key of J, a run of unique and special shows dedicated entirely to celebrating the legacy of their revolutionary bass player Janet English, in support of their new album, Sounds in The Key of J, released today, alongside the official video for new single in nine years, My Car’s A UFO.

Their first headline tour since their sellout Ivy & The Big Apples tour in 2017, this distinctive set of shows will kick off in Tasmania at Albert Hall (Launceston) on June 3, before moving through Hobart, Sydney, Melbourne, Brisbane, Fremantle and finishing up in Adelaide at Hindley St Music Hall on August 20.  The band will also be appearing at Groovin The Moo Maitland, Canberra and Bendigo in April, and Valleyways Festival in Camden NSW in September.

There will be a Spiderbait, venue and box office database presale from Thursday 14 April 9am AEST before tickets go on sale to the general public on Thursday 21 April 9am AEST.

“Janet’s songs are special. And over the past 30 years she’s written so many beautiful ones, but also others that hit you like a lighting bolt. The Key of J Tour will be a unique show – like nothing we’ve done before – it’ll be us celebrating Janet’s work in Spiderbait, and also the release of the double album collection of her songs Sounds in the Key of J,” explains Kram. “We can’t wait for this tour to start and to perform so many of her songs live – for me personally, it’ll be very moving, and to quote Janet directly… fucken awesome!”

“Kram was going on about the compilation idea – and initially, I said ‘hell no’. I kinda said ‘OK’ to shut him up… And here we are!” jokes Janet. “It’s been a tough few years and music really got me through the lockdowns. I still can’t quite believe we’ll be out touring again soon and for the Tour In The Key of J, I’m super humbled and slightly terrified. I’ve missed that energy and that connection live music makes, being part of that exchange is one of the most amazing privileges.”

“So happy to have a tour coming up with my two best friends, especially to celebrate the Janet dynamic of our band,” adds Whitt.

The story of Spiderbait is an unlikely but heartwarming one – three friends from a small Australian country town taking on the music scene, and emerging triumphantly 30 years later, friendship intact, and now one of the biggest and best rock bands on the national landscape. Taking inspiration from far-reaching influences from all sides of the musical spectrum (everything from Slayer to The Bangles), Spiderbait took their fervent thrash-pop from their tiny hometown of Finley in NSW down to Melbourne and immersed themselves in the rich, fertile creative scene.  From there they quickly consolidated their status as national treasures, with their popularity spanning three decades with no signs of abating.  Spiderbait have released seven acclaimed albums, which have all racked up gold, platinum or double platinum status and have combined Australian sales of over one million units and over 500 million global streams.  They have also secured pretty much every accolade there is to achieve on the Australian scene, having taken home numerous ARIA Awards, chalked up a number one single with their cover of Leadbelly’s Black Betty in 2004, and were the first Australian act to top the prestigious triple j Hottest 100 with Buy Me A Pony in 1996.

Spiderbait is Janet English on bass, Kram on drums and lead vocals, and Whitt on guitar.

Tickets are on sale from Thursday 21 April at 9am AEST from www.spiderbait.net.au
The album Sounds In The Key of J is released today

SPIDERBAIT  – TOUR IN THE KEY OF J 2022 

FRI 3 JUN | ALBERT HALL, LAUNCESTON, TAS | 18+
Tickets available from www.oztix.com.au | 1300 762 545

SAT 4 JUN | UNI BAR, HOBART, TAS | 18+
Tickets available from www.oztix.com.au | 1300 762 545

FRI 8 JUL | THE METRO, SYDNEY, NSW | 18+
Tickets available from premier.ticketek.com.au | 132 489  | All Ticketek Outlets

FRI 15 JUL | NORTHCOTE THEATRE, MELBOURNE, VIC | 18+
Tickets available from www.moshtix.com.au | 1300 GET TIX | All Moshtix Outlets

FRI 5 AUG | PRINCESS THEATRE, BRISBANE, QLD | 18+
Tickets available from www.ticketmaster.com.au | All Ticketmaster Outlets

FRI 19 AUG | METROPOLIS, FREMANTLE, WA | 18+  
Tickets available from www.oztix.com.au | 1300 762 545

SAT 20 AUG | HINDLEY ST MUSIC HALL, ADELAIDE, SA | 18+
Tickets available from www.ticketmaster.com.au | All Ticketmaster Outlets
———————————————————
SPIDERBAIT also appearing at GROOVIN THE MOO FESTIVAL  | All Ages
SAT 20 APR  | MAITLAND  | SUN 24 APR  CANBERRA | SAT 30 BENDIGO  | ON SALE NOW
Tickets available from www.moshtix.com.au | 1300 GET TIX | All Moshtix Outlets

SAT 10 SEP  |  VALLEYWAYS  FESTIVAL CAMDEN NSW  | ON SALE NOW  18+
Tickets available from www.ticketek.com.au | 132 489  | All Ticketek Outlets

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Festival NewsMusic News

Amsterdam to host MET AMS, Europe’s first metaverse festival

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MET AMS is the first metaverse festival in Europe that looks at the metaverse through a cultural lens and will take place between the 14th and 17th of June in and around ‘de Gashouder’ on the Westergasterrein in Amsterdam

First conference names include digital fashion house The Fabricant and NFT projects Boss Beauties, HAPE, but also world-renowned artists such as Reuben Wu, Laya Mathikshara, and Rik Oostenbroek are included on the line-up

TICKETS HERE
New metaverse festival MET AMS is the first of its kind and combines a substantive conference for professionals with a range of cultural side events and evening entertainment for a diverse audience. During the four-day conference, professionals from the marketing, tech and crypto industry, as well as artists, musicians and fashion designers from the art and culture sectors, can attend networking events and participate in workshops. In addition, art routes, concerts and immersive installations make the subject of metaverse tangible and accessible to a wider audience.

Peter Meere Co-Founder of MET AMS: “Developments within Web3 are moving at a fast pace. Outside of Europe, there are many events and conferences that deal with the subject of the Metaverse. We want to ensure that Europe doesn’t lag behind. MET AMS is there to keep Europe informed and ahead of developments within tech, the metaverse, NFTs, and Web3.”

The metaverse through a cultural lens
MET AMS is the first metaverse festival in Europe that looks at the metaverse through a cultural lens. Metaverse events often attract tech enthusiasts, crypto fanatics and web3 enthusiasts, but MET AMS provides a broader audience with insight into what the metaverse means for topics such as art, music, fashion, and sustainability. The festival introduces visitors to various aspects of the metaverse. From how NFTs impact culture, education, and healthcare to other important topics such as diversity, inclusiveness, and privacy in this new Web3 era. The festival will bring the groundbreaking Web3 and metaverse technologies to life in a special way, allowing visitors to experience this new digital world for themselves firsthand.

Edmund Howard Co-Founder of MET AMS about the event: “There are many blockchain, tech and crypto events that are interesting for a limited number of people. The metaverse and everything that comes with it will have an impact on everyone’s lives in the future. That is why we’ve organized MET AMS and created an event that appeals to the masses.”

Immersive experiences
Brands, musicians and artists can show their own take of the metaverse through immersive experiences that they design and showcase themselves. These will include digital art exhibitions, light shows, virtual, -and augmented reality experiences that broaden the view of visitors and sharpen their senses. Rik Woldring Co-Founder of MET AMS about the event: “MET AMS offers young talents from the art, music, and tech world a stage. They can showcase their work and network to create great experiences with the most dynamic and innovative brands in this space.”
© HAPE
Regular and legendary tickets
Regular and legendary tickets are now available via www.met-ams.xyz. The tickets give you varying access to exclusive parts of the event, including the opening event and other networking events. After scanning at the entrance, visitors will be able to collect their NFT. To make this possible, MET AMS has partnered with GUTS who specialize in ticketing on the blockchain. Various highly acclaimed international and local artists will create the artwork for the NFTs. What the NFTs will look like will be revealed during the festival. During the festival there will be special NFT drops of which the proceeds will go to charity.

First names announced
Several brands, professionals and thought leaders from the tech, Metaverse, web3 and creative industry will help shape the first edition of MET AMS with their expertise and inspirational knowledge. Metaverse world The Sandbox, and NFT projects such as Boss Beauties, HAPE, and Cyberkongz will participate in the program. As well as thought leaders Zeneca and Krys Burnette and artists such as Reuben Wu, Laya Mathikshara, and Rik Oostenbroek will be present. Head over to the MET AMS website for more information and tickets.
CONNECT W/ MET AMS
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Fashion & CultureFestival News

NGV ANNOUNCEMENT: Top Arts 2022 now open at NGV Australia

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written by the partae

Identity, the natural world and the issues of today are explored by forty of Victoria’s most exciting emerging artists in this year’s Top Arts showcase. On display at the Ian Potter Centre: NGV Australia, the exhibition will present forty-seven works drawn from over 1,350 applications, in a range of media including drawing, painting, printmaking, sculpture, digital and mixed media.

Now in its 28th year, this year’s Top Arts exhibition highlights the resilience and creativity of young artists who completed their VCE studies during a global pandemic. Inspired by complex themes including isolation, societal pressures, injustice, time, home and the environment, the works on display offer an insight into the personal experiences of these young artists and the issues important to them.

Highlights from the exhibition include Arthur Foulkes’ painting A Party in the Closet depicting male figures dressed in feminine clothing emerging from a wooden closet, challenging gender stereotypes that restrain men from diverse expressions of self. Further exploring themes of identity and belonging, Amy Pham’s painting The Weight of Your World shows a plethora of hands surrounding her self-portrait, serving as a metaphor of the opinions of others that dictate how we act and live.

Daniel Ireland’s Breeze is a performance piece in which the artist, wearing a coat of blue and green tassels, dances in a contemporary and interpretive style to explore the beauty of freedom of nature and the threat humans pose to the environment. For Annie Zhang, immersing in the beauty of the Australian landscape provided deep inspiration for her oil painting Pastoral Xanadu: Outback Autumn which she painted based on a photo from a family trip. Similarly, Zara Blake used nature to assist in the creation of her series, capturing the image of feathers and horsehair on the surface of her clay forms in her work titled Ranges Close By.

Top Arts 2022 highlights the NGV’s strong commitment to arts education, as well as its role as a platform for emerging Victorian artists to express their diverse ideas, attitudes and beliefs. Tony Ellwood AM, Director, NGV said ‘In its 28th year, we are proud to shine a spotlight on the artists of tomorrow through the annual Top Arts exhibition. These young people are creative, resilient, and offer thoughtful and surprising reflections on themes that are both challenging and optimistic. This year’s Top Arts showcase will inspire other young people to use art and design to understand the world around them.’

Top Arts 2022 will be on display from 17 March – 24 July 2022 at The Ian Potter Centre: NGV Australia, Federation Square, Flinders St &, Russell St, Melbourne. Free entry. Further information is available via the NGV website: https://www.ngv.vic.gov.au/exhibition/top-arts-2022/

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Festival NewsMusic News

The Gardens of Babylon will host their debut Amsterdam music festival

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written by the partae
Date: May 14th
Location: NDSM wharf
Doors open: 12.00
On May 14th, The Gardens of Babylon will host its first Amsterdam music festival at Noorderlicht and NDSM in Noord with the likes of
Matthias Meyer, Yulia Niko, Robag Wruhme, Blond:ish, Stavroz [band], Kevin Valentine (live), Nasiri (live) and soundofoz amongst tens more.

After a long winter whirlwind of restrictions and lockdowns, and thus inevitable letdowns and setbacks, you may have found yourself in a deliberate state of hibernation.

It’s time to awaken from the slumber, after a period of transformation and change. Spring is here, summoning us to break free from our cocoons, emerging as colourful butterflies.
Transforming the NDSM wharf into a garden of vivid hues and inspiration, we invite you to wear your most colourful outfit to spread your wings and flutter freely.

Divided over three stages, you will find DJs, live bands, acts, immersive performances, speakers, spiritual activities, and much more.The first stage offers 12 hours of music from the likes of Kompakt associate Blond:ish, a full band show from Stavroz  who are known for injecting an overall ethnic, acoustic and organic vibe to electronic music, and electric back to back between Madmotormiquel and Sarah Wild. Also playing are Arabella Memdouh, Arabella Memdouh, Niv Ast [live] and the Kalaha Moon band.

Area 2 welcomes innovative talents from the worlds of house and techno including long time Watergate resident Matthias Meyer, the leftfield studio wizard and genre bending DJ Robag Wruhme and Berlin based Yulia Niko who releases on Damien Lazarus’ Rebellion imprint as well as a hybrid show from Garden City Movement and a set from Sinai.
Area 3 is Levantine House and welcomes soundofoz, live shows from Nasiri, Kevin Valentine and Nawras Altaky as well as more from Breath & Energy, Salmaan and Hamada’s Dabkeh.
Lineup
Area 1:
Arabella Memdouh
Kalaha Moon [band]
Dandara
Niv Ast [live]
Madmotormiquel b2b Sarah Wild
Stavroz [band]
Blond:ish
Area 2:
Sinai
Garden City Movement (hybrid)
Robag Wruhme
Yulia Niko
Matthias Meyer
Area 3 (Levantine House):
Breath & Energy
Salmaan
Nawras Altaky (live)
Hamada’s Dabkeh
Kevin Valentine (live)
Nasiri (live)
soundofoz
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Festival NewsMusic News

Hot Dub Rave Machine — Melbourne

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Announcing

Hot Dub Rave Machine — Melbourne 

Having consistently delivered the best party vibes around Australia and the world over the past ten years, Hot Dub Time Machine is back with a brand-new show celebrating the best in dance music from 1990-2022.

A full audio-visual experience, Hot Dub Rave Machine will be a two-hour journey through dance music history, featuring 100 of your favourite tunes from The Prodigy to Fisher, Faithless to Flume & Daft Punk to Darude.

Register for presale to secure your spot on the dancefloor

THE TIMBERYARD

The Timber Yard is a 6,000sqm Port Melbourne industrial warehouse space, comprising of both indoor and outdoor areas. The Timber Yard is a landmark Melbourne venue which has remained true to it’s heritage of second-hand timber storage and fabrication.

Click Here To Register

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Music News

Circle

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Where are you currently based?

Enmore, NSW, Australia. Which shares the same postcode as Newtown. Why do they make suburbs share postcodes sometimes? The lesser of the two always knows who they are and carry around an inferiority complex for the entire existence. I’m going to print some t-shirts that say Free Enmore and see where that gets us. 

What’s been happening recently?

Mostly it’s work and recalibrating to a new normal after lockdowns and the restrictions that impacted how we work. Anything related to music falls just a little outside of that so even though it’s ‘work’ I’m writing these answers at 6:12 am so that I can get to work on time! 

You have an album on the way, what influenced the sound and songwriting?

The sound wasn’t directly influenced by anyone or anything but it’s nothing new insofar as it’s an album driven primarily by simple acoustic guitar. The sound is a little different to works we’ve previously produced because the four track tape machine was front and center on every song. The songwriting itself all came about in a couple of weeks in December 2020 during a particularly dull lockdown period. 

How did you go about writing this album?

Songs that are easy to write are the most fun to write and also the easiest to finish. You seem to open a channel for truth (or at least relative truth) and it pours out of you. To keep with the water analogy, I’m still unsure how you control or if you even have any control of how open the tap is. These songs were easy to write and easy to finish and so hopefully honest and resonant. 

What does this forthcoming album mean to you?

Every song on the record is a person’s name and someone that is known quite well to us. Al, Lucy, Helen, Dan, Tam, Sid, Eddie, Katherine, Mac and Nadia. There’s a couple of less common names there but it’s interesting to point out that almost everyone has an Al or a Lucy or a Dan in their lives. They started as songs specific about the people but then grew and blossomed into archetypal concepts that we hope people can relate to and enjoy. 

Where and when did you record/produce/master and who did you work with?

The songs were all recorded at Enmore Audio during 2022. Because of the concept that we wanted everything to be tracked to cassette it was useful having Owen Pengliss here as recording engineer; he loves analog gear and was more than up for the challenge. Noah Church played quite a few of the electric guitars and whenever there’s drums that’s most likely Owen. We mixed the album as a team over several months and also mastered the tracks at Enmore Audio.    

What programs/equipment did you use?

A couple of our favorite mics were across pretty much everything. A Neumann M147 and an AKG c414 were up and ready to go at every tracking session. They went through one of either of our UA6167 channel strips and then straight into our four track Tascam. Those takes were then bounced and lined up in Pro Tools for mixing. 

Your sound has moved in a new direction, what prompted this?

It’s more of a concept sound inspired by the limitations of lockdown and something we just wanted to explore for a very long time. We’ll almost certainly go back to the production style found on Another 69 Love Songs Part 1. After all, we’ve committed ourselves to producing part 2 and 3 at some point! Of course if the world absolutely loves 

Who are you listening to at the moment?

Destroyer’s new album Labyrinthitis. Which after typing out for the first time I realise is a real word and after a quick Google search realise it’s a condition of the ear! I hope that doesn’t mean our good friend Destroyer has Labyrinthitis?! Anyway, an album well worth checking out. 

What’s planned for 2022?

Music wise, Circle has been collaborating with quite a few artists and we’re in two minds as to whether or not it’s okay to release some of these tunes while we’re in an album cycle. It can quite often be a two year cycle between writing a track and having the material out there in the world so tossing up the notion of a new paradigm where it’s totally okay to drop singles left and right regardless of the album cycle you might find yourself in. 

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