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Stay connected with Luke Hemmings:
Instagram | Facebook | Twitter
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Stay connected with Luke Hemmings:
Instagram | Facebook | Twitter
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DMY
Oscar Jerome & Ben Hauke – ‘No Need’
Out Now
Genre-bending trailblazer Oscar Jerome, teams up with South East London DJ and sonic experimenter, Ben Hauke for ‘No Need’, out today via DMY. The pair come together again following a collaboration in 2019, for Oscar’s release ‘Gravitate’ and took the opportunity during 2020’s lockdowns to reignite their creative output as a duo. The release blends Jerome’s jazz, soul and guitar elements with Hauke’s influences from house, broken beat and 90’s hip-hop, across the luminous 2-track EP.
Oscar Jerome comes off the back of his 2020 breakthrough debut album ‘Breathe Deep’ which featured Lianne La Havas and picked up glowing endorsements from across the music industry. Jerome was labelled as The Guardian’s ‘One To Watch’ as well receiving frequent support and playlisting across the likes of 6 Music, Radio1 and 1Xtra, for his unique ability to supply absorbing grooves alongside arresting & poignant lyrics.
An in-demand singer-songwriter and former member of Afrobeat collective, Kokoroko, he’s established himself as a key player in not only South London’s burgeoning contemporary Jazz scene, but the global stage too. Performing at festivals such as PukkelPop, GALA Festival and Turning Tides, the London native also lines up a 20-date UK & EU tour this autumn.
Talented South East-London based producer, DJ and composer Ben Hauke has made a name for himself with releases on labels such as Far Out Recordings, Cooperation Records and YAM Records, whilst finding a consistent home on his own Woop Records. Recent release ‘ONE YEAR DANCE’, was added to 6 Music’s playlist and received heavy support across stations such as Rinse FM, NTS and Balamii. Touting a distinctive sound that can be applied to a multitude of genres, Hauke isn’t afraid to express himself and effortlessly moves across spaces, such as jazz, breaks, garage and acid.
With jazz inflicted percussion and Jerome’s ethereal voice, title track ‘No Need’ kicks off the EP, bringing in wider house elements through Hauke’s intricate production. ‘Cosmic Egg’ ventures into more experimental territories, with Jerome painting a picture above the pulsating hip-hop beat.
Dripping in each other’s signature sounds, Jerome and Hauke perfectly compliment one another’s styles on the release. From floating vocals and jazz guitar riffs, to solid production and subtle instrumentation they supply an example of how to collaborate across a number of styles. Moving further to cement their positions in their respective fields, displaying their ability to create rich sounds and tapestries with incredible breadth.
Oscar Jerome & Ben Hauke’s ‘No Need’ EP is available now via DMY.
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In addition to McCartney’s appearance as carrot and celery cruncher-in-chief on Receptacle For The Respectable, Super Furry Animals added one more hero to the list of album credits as Velvet Underground’s John Cale took up the piano on Presidential Suite.
So vast is the BMG reissue of Rings Around The World that the digital version will be split over two, separate release dates. All physical versions and the first digital instalment will be released on Fri 3 September 2021, with a second digital collection being made available three weeks later on Fri 24 September 2021.
Notably the first ever studio album to be produced in 5.1 Surround Sound, as a visual album and released on DVD allowing Playstation gamers to effortlessly switch to listening to the album, Super Furry Animals tested both the tolerances of modern technology and the purse strings of their record label at the time, Sony/Epic. Hiring four-time Grammy Award-winning, Run DMC and Public Enemy Producer, Chris Shaw and heading for a string of high-spec, residential studios, the band set out to reach for their furthest and wildest musical ambitions.
The Rings Around The World adventure is notable for being central to the Furries’ American odyssey. They, Shaw and engineer Eric Tew completed the estimated, final third of the record at Bearsville Studios on the lip of Woodstock, New York State, sessions that began after the band were left at the roadside by an out-of-patience, conservative husband and wife driving team, following a nine-date club tour from Hoboken to Boston. The following weeks featured baby bears, fireflies and paranoid, Blair Witch Project-reminiscent forest walks.
The widespread, positive response to the record after release on Mon 23 July 2001, which also included the sunlit, countrified splendour of Run! Christian, Run! and third single, It’s Not The End Of The World, not only gained the band more ground and bigger shows in the US, but a 2001 Mercury Prize-nomination, putting the band onstage for the awards party on a notable Tue 11 September 2001. The band returned to the States in 2002 for two, coast-to-coast US Tours following the critical and commercial success of the album across the Atlantic.
With updated packaging featuring original artwork and sleeve notes by music journalist, Keith Cameron, the announced track listing for the 2021 remastered release of Super Furry Animals’ Rings Around The World is as follows:
2 x 180g Vinyl
A1. Alternate Route To Vulcan Street
A2. Sidewalk Serfer Girl
A3. (Drawing) Rings Around The World
B1. It’s Not The End Of The World?
B2. Receptacle For The Respectable
B3. Touch Sensitive
B4. Shoot Doris Day
C1. Miniature
C2. No Sympathy
C3. Juxtapozed With U
D1. Presidential Suite
D2. Run! Christian, Run!
D3. Fragile Happiness
1 x CD Edition
Rings Around The World – Original Album, 2021 Remaster
3 x CD Edition
Disc 1
1. Alternate Route To Vulcan Street
2. Sidewalk Serfer Girl
3. (Drawing) Rings Around The World
4. It’s Not The End Of The World?
5. Receptacle For The Respectable
6. Touch Sensitive
7. Shoot Doris Day
8. Miniature
9. No Sympathy
10. Juxtapozed With U
11. Presidential Suite
12. Run! Christian, Run!
13. Fragile Happiness
B-Sides
14. Tradewinds
15. The Roman Road
16. Happiness Is A Worn Pun
17. Patience
18. Edam Anchorman
19. All The Shit U Do
Disc 2:
B-Sides Continued
1. Gypsy Space Muffin
Unfinished Outtakes from LP Sessions
2. John Spex*
3. Miami Vice*
4. Sanitised (Rough Mix)*
5. Chihuahua (Unfinished, Rough Mix)*
Demos 1998 – 2000
6. (Drawing) Rings Around The World #1*
7. (Drawing) Rings Around The World #2*
8. (Drawing) Rings Around The World #3*
9. No Sympathy*
10. Tradewinds*
11. Receptacle For The Respectable #1*
12. Receptacle For The Respectable #2*
13. Happiness Is A Worn Pun*
14. Sidewalk Serfer Girl*
15. Presidential Suite*
16. The Roman Road*
17. Patience #2*
18. Shoot Doris Day*
19. Edam Anchorman*
20. Sanitised*
21. Fragile Happiness*
Disc 3: Remixes
1. Alternate Route To Vulcan Street (Bench Remix)*
2. Sidewalk Serfer Girl (Catatonia Remix)*
3. (Drawing) Rings Around The World (Happy Chapel Remix)*
4. It’s Not The End Of The World? (Force Unknown Remix)*
5. Receptacle For The Respectable (Destructable Mix)*
6. Touch Sensitive (Force Unknown Remix)*
7. Shoot Doris Day (Wauvenfold Remix)*
8. Miniature (Goem Remix)*
9. No Sympathy (Kid 606 Remix)*
10. Juxtapozed With U (SFA Remix)*
11. Presidential Suite (High Llamas Remix)*
12. Run! Christian, Run! (Massimo Remix)*
13. Fragile Happiness (Brave Captain Remix)*
*Previously unreleased
All of the tracks for the 2021 reissue have been remastered by Donal Whelan at Hafod Mastering in the Vale of Glamorgan with Furries archivist, Kliph Scurlock taking a deep dive into the vaults once again to bring so many unheard tracks to light.
The Super Furry Animals were and remain the multi-instrumental Huw Bunford, Cian Ciarán, Daf Ieuan, Guto Pryce and Gruff Rhys.
Release Information:
Super Furry Animals: Rings Around The World (20th Anniversary Deluxe Edition)
Release Date: Fri 3 September 2021
Formats: Heavyweight 180g 2 LP Vinyl / 1 Disc CD / 3 x Disc Expanded CD / Digital
Label: BMG
Connect with Super Furry Animals at:
Twitter www.twitter.com/superfurry
Facebook: https://www.facebook.com/
Instagram: https://www.instagram.com/
SHARES NEW TRACK
“WILD WILD WEST”
WATCH | LISTEN
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Potato cakes but they don’t exist in Canada. So probably coffee. Best coffee in Vancouver is at this little window on the east side, called Iktsuarpok. Favourite place to hang out is the North Shore Mountains.
What is your name and role within Chutney?
Cal Hughes, lead guitarist of Chutney.
Where are you currently based?
I live in Burleigh Heads in our hometown of the Gold Coast, QLD.
How did you first start playing music and how did Chutney form?
I began playing music from a very young age, playing cello, trumpet and bass guitar within the different classical and jazz bands in primary/ high school – I began teaching myself guitar when I was twelve so I could start making music that better reflected my personal tastes, and formed Chutney with Matt & Pat in mid-2019 after playing in a variety of different bands throughout our early twenties. Matt and I were playing in another local GC band Hot Coffee when Matt began writing a collection of rock songs that didn’t quite fit the electronic/hip-hop sound that Hot Coffee was known for, and I was very keen to form a new group that featured myself on guitar and matched the guitar-driven indie rock that the two of us primarily listened to – we quickly recruited Pat into the mix and began to write Matt’s songs into full band arrangements when we realised we had something special brewing. Andy was added as the final piece of the puzzle on drums and it’s been full speed ahead since then.
What’s been happening recently?
Working hard on new releases! As consumers of music ourselves we understand how hungry the public is for new music and we have been focussing on finding the line between quality over quantity – providing artistically consistent music while still keeping the momentum rolling from release to release. With this in mind, we are planning for two further releases by the end of the year, as well as maintaining our live performance output with a number of significant headline and support slots over the coming months.
Your latest single ‘Talk’ is out now, what influenced the sound and songwriting?
The sound of this track is what we consider the quintessential “Chutney” sound – riffy, bass-driven verses transitioning into a layered guitar-led breakdown, and culminating with a euphoric and atmospheric chorus with soaring, singalong vocals. In terms of the vocal approach, Matt opted for hip-hop laced verses to match the high energy feel, before kicking into the harmony-laden melodies of the pre-chorus and choruses.
In terms of the lyrical content, Talk is about looking out for your mates when they’re having a hard time – about how everyone has struggles from time to time, and how you are so much more important than you may ever realise. It is a song about mental health and the importance of leaning on those close to you in times of need. We wanted to create an uplifting, euphoric song that tackles sensitive subject matters while providing a positive ending – your mates will always be there for you, and having that talk is the first step to making a positive change.
How did you go about writing Talk?
The song began with Pat writing the bass riff that is featured heavily throughout the song, and Matt writing out the chordal arrangement and vocal melodies on his acoustic guitar with this riff in mind. The track then fell into my lap to build out the song in terms of forming a fully-fledged band arrangement, and I added a number of guitar elements which took the song from the hip-hoppy Gorillaz feel that the original demo takes on into more of that guitar-driven Chutney sound. Andy then provided the rhythmic energy that makes the track so dynamic, adding in a diverse drum part with multiple feel changes that gives the song its motor.
Where and when did you record/produce/master and who with?
The track was recorded at Lovestreet Studios on the Gold Coast and produced by our longtime collaborator Scotty French, whom we view as such a valuable contributor to our sound and output to date. Mastering was handled by Matt Bartlem who did an unbelievable job at making the track sound exactly as we wanted it, giving it a huge and raw sound while still maintaining the polish.
How did you approach the recording process?
The recording process for this track was quite seamless, which was surprising as we had only written the song about a month prior to recording – generally with our previous recordings we’ve had the song in the tank for months and months before getting into the studio and laying it down, but with Talk we knew from the moment we wrote it that it was going to be the next single. I have been guilty in the past of entering the studio with guitar solos and lead lines not yet written and improvising my parts while the recording tape is running, but for Talk we ensured that all of our parts were written prior to entering the studio, and it made a drastic difference in terms of efficiency and ultimately, quality.
What or who inspired the concept for the music video?
The concept for the music video was championed by Andy who took on the role of co-director as well as writer for the clip. The story of Matt waking in an unfamiliar location after a big night out and navigating his way throughout the day is not dissimilar to some of the situations that all four of us in the band have found ourselves in following our many wild nights together, and we wanted to represent our hometown of the Gold Coast with the locations used throughout the clip.
The clip opens with Matt waking up on the beach at sunrise after a big night out, and continues to follow him as he navigates the day without a cent to his name and one goal: get to the gig. Showing that even with a rough start, you can still make a day your own with the right attitude.
Where and when did you film?
The video was filmed over the course of one day in May and featured a number of locally-loved GC locations such as Alfred’s Apartment and Seven & One Studios in Mermaid Beach, and Mo’s Desert Clubhouse in Burleigh Heads.
What did you find most challenging and rewarding during the creation of the video?
The clip was filmed, directed and edited by Nick Stevens of Fastback Studios and he was incredible in terms of his creativity, professionalism and ease to work with. The bulk of the performing within the clip was placed upon Matt, and as he is naturally very comfortable in front of the camera everything moved along smoothly. We also recruited the services of a number of our friends to take part in the video as extras, and they were all so helpful and generous with their time – we are forever grateful to everyone who contributes their time and energy whenever required.
Please tell us about any upcoming live shows.
We just played a headline sold out capacity crowd at Burleigh Bazaar for our single launch last Saturday which was amazing, and have a number of exciting support slots upcoming, including:
We are also booked for two very exciting festivals; firstly, we are headlining the Brisbane Indie Winter Project at The Zoo on 13th August, and later in the year we are very excited to be playing as a part of the Gold Coast’s Springtime Festival alongside heavy hitters such as Ball Park Music, Ruel, Hermitude and Sycco in September.
Who are you listening to at the moment?
I personally have been listening at length to Puma Blue’s ‘A Late Night Special’ live album, Arlo Parks and Big Red Machine’s new releases, and local Aussie’s Eliza & The Delusionals and Eluera.
What do you like to do away from music?
I love to watch and play sport with my mates, drink beers and enjoy the Gold Coast sunshine.
What’s planned for the remainder of 2021?
We will be playing a number of exciting support shows as previously mentioned, as well as getting our first taste of big festival slots and putting together a few more big headline shows to compliment our upcoming two releases which we’ve scheduled to drop before the end of the year.
Favourite food and place to hangout?
I’m a sucker for a steak sandwich and schooner at my local Burleigh Hotel or Nobby’s Beach Surf Club, and the yakitori and ramen at Iku in Burleigh is unbeatable.
KeAloha has released her new single “2Lips” an indie folk-pop gem that reaches into the artistic influences of her heritage. Through her gifts as a singer, songwriter, multi-instrumentalist, and dancer, KeAloha invites us into the moments of liberation that we find when we hold ourselves, eachother, and our complex intersections with tenderness, solidarity, and pride. KeAloha is a mixed race femme with chronic illness disability, whose blood carries legacies of Polynesian navigators and dancers, Lheidli trappers and medicine people, Irish farmer-settlers, and Chinese immigrants. Her music is a vessel for her to build relationships and understanding with the many identities she holds. A usual suspect in Vancouver’s RnB, Latinx, jazz, fusion, Hip Hop, Neo-Soul, Folk, and Pop scenes, KeAloha is committed to shaping her career and community through reciprocity for the people and music-cultures who inspire her.