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Interview: Midnight Engine – FREZYA on Building ‘FURTIVA’ as a Cinematic Getaway

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Interview: Felsmann + Tiley – Scoring the Absurdity of Modern Existence

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Benee – Liberty Hall – 11/02/26

February 12, 2026

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Laneway Festival Sydney 2026 – Crowds flood Centennial Park to get a...

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Sweat, Sound, Sunshine – Laneway Gold Coast 2026

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Monthly Archives

May 2020

Tyne-James Organ returns in 2020 with arguably the biggest song of his career (so far) titled Hold Me Back. It is the first taste of new music from the 24-year-old Wollongong born singer songwriter since the release of his 2019 debut EP Persevere (Dew Process / UMA). The raw and formidable rock track was inspired by the Me Too Movement, and his own interactions with misogyny in the night clubs of his new home of Melbourne, the song fully displays the working class grit and sense of justice Tyne was raised on, as well as the sensitive and sensible man he’s grown into. It’s an outstanding song with a powerful message, and one that is likely to catapult his career to a global stage. "On a night out with friends, I witnessed a confronting and horrible incident of harassment against one of the female friends I was with. Seeing my friend be assaulted like that and seeing how it affected her really shocked me.  We confronted the perpetrator and got him barred from the club. But knowing that so many women go through this experience, I just couldn't shake the sense of anger within me, and this song was written shortly after that awful night.  I'm aware I'm coming from an outsider's perspective, and I hope to approach the topic with the utmost sensitivity for those who have suffered the effects of this type of violence. I'm calling it out - men need to stop treating women like this, it's not OK, and it's not good enough to turn a blind eye.  This is 'Hold Me Back'. I feel honoured to be able to share this song. A portion of proceeds from sales/streams will go towards the White Ribbon foundation." Tyne has been an artist on the rise since the 2017 release of  Watch You Go, a detailed account of the death of his father, Rikki, in 2016. It was a song that was equally flowing with grief and joy, as Tyne, a kid from the raw, Northern suburbs of the former steel city Wollongong, pursued not only his dreams to become a professional musician, but his desire to achieve catharsis and find meaning in his father’s untimely passing. Tyne continued his journey towards closure by encouraging discussions of loss and grief in the media as his profile continued to grow and in 2018 he released follow up single Graceful, and with it showed off the next huge step in his artistic development. Graceful proved to be a major turning point in his fledgling career, leading to sold out national solo tours and support slots for the likes of big name acts including Jake Bugg, Lime Cordiale, and Middle Kids, as well as performing as part of his good friend and label mate Mallrat’s live show, including her momentous Splendour In The Grass 2018 set. 2019 saw the release of his debut EP Persevere, spearheaded by the barnstorming single Something New. By now Organ had grown from the surfer-songwriter from the NSW South Coast, into a fully-formed frontman with swagger, a voice as powerful in its deeper register as its highest falsetto, and three songs that had burned bright on national radio on high rotation for 18 months. This time he returned to perform at Splendour in the Grass on his own steam, packing out the country’s premiere festival stage with thousands of his own fans. With a larger release planned for later this year Hold Me Back comes at an exciting time for Tyne-James Organ as he sits on the edge of global domination. Watch this space! TYNEJAMESORGAN.COM FACEBOOK INSTAGRAM
Music News

TYNE-JAMES ORGAN RETURNS WITH NEW SINGLE HOLD ME BACK

by the partae May 20, 2020
written by the partae

Tyne-James Organ returns in 2020 with arguably the biggest song of his career (so far) titled Hold Me Back. It is the first taste of new music from the 24-year-old Wollongong born singer songwriter since the release of his 2019 debut EP Persevere (Dew Process / UMA).

The raw and formidable rock track was inspired by the Me Too Movement, and his own interactions with misogyny in the night clubs of his new home of Melbourne, the song fully displays the working class grit and sense of justice Tyne was raised on, as well as the sensitive and sensible man he’s grown into. It’s an outstanding song with a powerful message, and one that is likely to catapult his career to a global stage.

“On a night out with friends, I witnessed a confronting and horrible incident of harassment against one of the female friends I was with. Seeing my friend be assaulted like that and seeing how it affected her really shocked me.  We confronted the perpetrator and got him barred from the club. But knowing that so many women go through this experience, I just couldn’t shake the sense of anger within me, and this song was written shortly after that awful night.

I’m aware I’m coming from an outsider’s perspective, and I hope to approach the topic with the utmost sensitivity for those who have suffered the effects of this type of violence. I’m calling it out – men need to stop treating women like this, it’s not OK, and it’s not good enough to turn a blind eye.

This is ‘Hold Me Back’. I feel honoured to be able to share this song. A portion of proceeds from sales/streams will go towards the White Ribbon foundation.”

Tyne has been an artist on the rise since the 2017 release of  Watch You Go, a detailed account of the death of his father, Rikki, in 2016. It was a song that was equally flowing with grief and joy, as Tyne, a kid from the raw, Northern suburbs of the former steel city Wollongong, pursued not only his dreams to become a professional musician, but his desire to achieve catharsis and find meaning in his father’s untimely passing.

Tyne continued his journey towards closure by encouraging discussions of loss and grief in the media as his profile continued to grow and in 2018 he released follow up single Graceful, and with it showed off the next huge step in his artistic development. Graceful proved to be a major turning point in his fledgling career, leading to sold out national solo tours and support slots for the likes of big name acts including Jake Bugg, Lime Cordiale, and Middle Kids, as well as performing as part of his good friend and label mate Mallrat’s live show, including her momentous Splendour In The Grass 2018 set.

2019 saw the release of his debut EP Persevere, spearheaded by the barnstorming single Something New. By now Organ had grown from the surfer-songwriter from the NSW South Coast, into a fully-formed frontman with swagger, a voice as powerful in its deeper register as its highest falsetto, and three songs that had burned bright on national radio on high rotation for 18 months. This time he returned to perform at Splendour in the Grass on his own steam, packing out the country’s premiere festival stage with thousands of his own fans.

With a larger release planned for later this year Hold Me Back comes at an exciting time for Tyne-James Organ as he sits on the edge of global domination. Watch this space!

TYNEJAMESORGAN.COM

FACEBOOK

INSTAGRAM

May 20, 2020 0 comments
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Festival NewsMusic News

Delivered, Live Episode 8 – Saturday, May 23rd

by the partae May 20, 2020
written by the partae

After filling Australians’ weekend with music this past Saturday and Sunday, both via Delivered, Live’s Episode 7 and the epic Recharge Festival, the program returns this week, bringing you more entertainment, and continuing to help generate an income for people in the music industry. To date, Delivered Live has injected over $420,000 back into the live music economy, with over 165 musicians, plus comedians, crew members, agents, managers, backline companies and venues all receiving a share of funds.

Viewers can help support the artists on the show, as well as local live music crew and venues by buying a ticket from as little as $10 HERE

As well as Delivered, Live, this past weekend saw the inaugural Recharge Festival, (headlined by Tones & I, Missy Higgins and Archie Roach), on Sunday which sold over 1894 tickets, to 33,000 viewers, creating over $48,000in ticket revenue (with a virtual farmers market consisting of 120 stalls selling in excess of 1000 products, which will be delivered by Gig Power road crew – employing otherwise out of work road and production personnel).

This week’s episode of Delivered, Live brings acclaimed singer songwriter Mo’Ju, Hoodoo Gurus and The Victims front man Dave Faulkner, and regional heroes Raised By Eagles.

Recapping the week that was, will be Sami Shah at the desk, plus comedian Zoe Coombs Marr, and as always the show will feature an expert panel discussion hosted by Myf Warhurst– all brought to you by host with the most, Henry Wagons!

Delivered, Live episodes are free to watch, but tickets are available for purchase and funds will be going back into the pockets of the artists and comedians performing on the show, as well as to their nominated venue and crew member of choice, helping to replace some of the live income they have lost.

For this week’s event the recipients of those funds are as follows:
Raised By Eagles nominates – Tanswells Commerical Hotel, Beechworth &
Dave Faulkner nominates –  The Tote and Ross Molloy
Mo’Ju nominates – The Evelyn and Lara Soulio

Delivered, Live Episode 8, Saturday 23rd May at 7.30pm
Raised By Eagles
Dave Faulkner
Mo’Ju
Zoe Coombs Marr
Sami Shah
– Hosted by Henry Wagons

Producers The Handshake Agency thanks its sponsors for getting on board this first event – Victorian Government, The Music, Oztix, Small Time Group, Young Henry’s ,Harry The Hirer.

Tix can be purchased here
Delivered, Live can be viewed here

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May 20, 2020 0 comments
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A New Zealand-based answer to Winston Surfshirt or Rex Orange County, Balu Brigada make music that’s so warm and smooth you’ll want to take a bath in it. . – Happy Mag, 2020 New Zealand’s Balu Brigada release ‘nice to have someone to miss’ - the second single off their upcoming EP, following their late 2019 track ‘medicine’.   Underpinned by their signature groove, "nice to have someone to miss" is a dreamscape of hazy production and yearning falsetto. Tracing the paradoxical pleasure in missing someone. ‘It’s really just acknowledging that it’s a luxury to have something that meant enough to you that you miss it when it’s gone.’ – Balu Brigada Balu Brigada are an alt-pop duo from New Zealand, made up of multi-instrumentalist writer/producer brothers, Henry and Pierre Beasley. The pair started making music together young, when a 12-year-old Henry capitalised on his Older Brother status by appointing himself lead-guitarist and forcing Pierre to learn bass. They spent the next few years teaching themselves production, songwriting and a handful of instruments, before officially forming Balu Brigada when Pierre was old enough to pass as 18 and play in bars.    Before anyone else asks, the band name has its origins in the Jungle Book’s character Baloo - “the ultimate chiller,” according to the boys. This morphed into Balu Brigada when they wisely decided they didn’t want to get sued by Disney.     As a multi-talented duo, they have a hand in every aspect of Balu’s output. The duo dropped their Almost Feel Good mixtape in 2019, showcasing their ability to skate genres and pull from a broad range of influences, from Clairo to the Gorillaz to Tyler the Creator. Funk-inflected basslines glide under R&B beats, with lyrics relatable to any young person figuring themselves out  - whether they’re navigating a long-distance relationship over Skype or dining out alone on Christmas Day.   Their next EP, Funk Boiz, is set to drop later this year and is the duo’s most cohesive statement to date. It’s as suited to a lazy day in the sun with mates as it is to dancing in the kitchen at 2am, and cements Balu Brigada’s place as the best duo out of New Zealand since Flight of the Conchords. Balu Brigada 'nice to have someone to miss' | Single OUT NOW (INDEPENDENT) CONNECT ONLINE WITH BALU BRIGADA
Music News

INTRODUCING BALU BRIGADA WITH SINGLE ‘nice to have someone to miss’

by the partae May 20, 2020
written by the partae

A New Zealand-based answer to Winston Surfshirt or Rex Orange County, Balu Brigada make music that’s so warm and smooth you’ll want to take a bath in it.
. – Happy Mag, 2020

New Zealand’s Balu Brigada release ‘nice to have someone to miss’ – the second single off their upcoming EP, following their late 2019 track ‘medicine’.

Underpinned by their signature groove, “nice to have someone to miss” is a dreamscape of hazy production and yearning falsetto. Tracing the paradoxical pleasure in missing someone. ‘It’s really just acknowledging that it’s a luxury to have something that meant enough to you that you miss it when it’s gone.’ – Balu Brigada

Balu Brigada are an alt-pop duo from New Zealand, made up of multi-instrumentalist writer/producer brothers, Henry and Pierre Beasley. The pair started making music together young, when a 12-year-old Henry capitalised on his Older Brother status by appointing himself lead-guitarist and forcing Pierre to learn bass. They spent the next few years teaching themselves production, songwriting and a handful of instruments, before officially forming Balu Brigada when Pierre was old enough to pass as 18 and play in bars.

Before anyone else asks, the band name has its origins in the Jungle Book’s character Baloo – “the ultimate chiller,” according to the boys. This morphed into Balu Brigada when they wisely decided they didn’t want to get sued by Disney.

As a multi-talented duo, they have a hand in every aspect of Balu’s output. The duo dropped their Almost Feel Good mixtape in 2019, showcasing their ability to skate genres and pull from a broad range of influences, from Clairo to the Gorillaz to Tyler the Creator. Funk-inflected basslines glide under R&B beats, with lyrics relatable to any young person figuring themselves out  – whether they’re navigating a long-distance relationship over Skype or dining out alone on Christmas Day.

Their next EP, Funk Boiz, is set to drop later this year and is the duo’s most cohesive statement to date. It’s as suited to a lazy day in the sun with mates as it is to dancing in the kitchen at 2am, and cements Balu Brigada’s place as the best duo out of New Zealand since Flight of the Conchords.

Balu Brigada
‘nice to have someone to miss’ | Single
OUT NOW
(INDEPENDENT)
CONNECT ONLINE WITH BALU BRIGADA
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May 20, 2020 0 comments
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Music News

You’ve seen MorningMaxwell You’ve seen MorningMovewell You’ve seen MorningSantawell Have you seen… … MorningMaloneWell?

by the partae May 20, 2020
written by the partae

To celebrate the release of MorningMaxwell’s new single ‘Complications’, MorningMaxwell will be conducting a 2-week campaign with the Partae celebrating the topline over alternative beats (One new beat a day) from samples the legend has recorded around his house.

www.soundcloud.com/morningmaxwell
www.facebook.com/morningmaxwell
May 20, 2020 0 comments
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Where are you currently based?  Sydney. Marrickville. Coogee. Ashfield. All bases are loaded.  What's been happening recently?  Our debut single If I Knew has landed and we’re very glad that we get to share something new and exciting. On the back of that we’ve been finishing clips, building websites, and all the associated behind the scenes stuff that you need to do to be a band.  Your new single 'If I Knew' is out now, what influenced the sound and songwriting for this track?  We’d gone into the studio on a Saturday morning, and by Sunday afternoon we had the beds down for 10 songs. If I Knew was almost an afterthought, and made it 11. After waiting so long to record an album, the sound of If I Knew is the sound of us making a jubilant, celebratory, messy noise and loving every minute of it. We kept getting to the same point in the song and grinding to a halt, but each time we honed the emerging vision and got closer and closer to nailing that down. The ‘train track riding’ rhythm of the guitar only came out as we were doing the early takes, so each time we stopped it was a chance to really capture that seat of your pants chaos and energy of a song still forming. We’d played the Sebadoh song Magnet’s Coil in the studio, just as a reference for the energy we wanted to capture, and we feel like we got that, and possibly more. The recording is the sound of three friends celebrating the sheer joy of playing together, trusting each other, and having a tonne of fun on the way.  Once the beds were down we did some guitar doubling, and then for the outro, added the duelling guitar lines and counter vocal melody. Josh sang lead and Eliot sang killer harmonies that really kick the song into another realm. Nick joked that what had started sounding like the Verlaines had ended up sounding like the 3Ds.  How did you go about writing If I Knew?  The song had been kicking around for a while - in its previous incarnation it had a feel like Iggy Pop’s the Passenger - so much so that we’d do the La La La bits at the end. It had almost been dead and buried but some songs dig in their hooks and don’t let go. The week before we were due to go in and record we started messing around with an alternate time signature and an alternate feel, but it really wasn’t until we got into the studio that the song found its way. Watching Wilco tear apart songs in the doco I Am Trying To Break Your Heart, and the love of jamming through different incarnations of an idea gave us the freedom to just try different things, which is a real theme across the whole album. If an idea worked it stayed. If it didn’t, it left.  Lyrically, the song was also a rebuild, with the final lyrics only being completed on the morning the vocals were recorded. It had been another song about escape - but nothing that had been particularly coherent. Whilst that would have been something we’d settled on in the past, the opportunity to record doesn’t happen often enough for us to just waste the chance, so we set about tweaking, tuning and weaving a narrative in the verses, and leaving the chorus untouched. It’s now a song marking how lucky we are to have people in our lives who encourage us to play music, and to be there through all the twists and turns of a long partnership. So in a small way, it’s still a song about escape - that we get to play in a band and live in an alternate universe that’s not plagued by the logistics of jobs, and kids and dishes. It was also a chance to sing in honour of a Fugazi first date.  Where and when did you record/produce/master and who with?  If I Knew is the first single from our debut album You Don’t Have Time To Stay Lost. We recorded the whole album with Tim Kevin, whom Nick had played alongside in Knievel, and we’d all known to varying degrees through mutual friends. Tim has recorded Youth Group, Holly Throsby, Peabody, Toby Martin, Buddy Glass and stacks of other great records that we really loved. His Tempe River Studios is not in Tempe, but it’s close to the Cooks River and is located in a building adjacent to an old Holden Factory. It has great lino floors, and a hallway that people occasionally walk through as you’re tracking. We can and will always recommend people work with Tim - he’s talented, patient, kind and diplomatic - all qualities a great producer/engineer needs. We started recording in late 2018, and we mixed in 2019. The album was then mastered by JJ Golden in California. JJ’s a second generation mastering engineer, who has mastered albums by Sharon Jones and The Dap Kings, Soundgarden, Neko Case, Calexico and loads of others.  What programs/instruments did you use? The sessions were recorded using Pro Tools, with a stack of analog gear to warm things up at all stages. Tim has some beautiful ribbon mics, a collection of fine sonic toys, and some great tricks up his sleeve. Josh played a 1960s Fender Jaguar throughout the whole record, and it ran split through an old cream piggy back Bandmaster and a Vibrolux. He used the amp in Tim’s Ferrograph Tape Machine for the breaking up slide sound, and his Princeton amp to run a Hotcake through for the other outdo line. Nick played a very fetching green DW kit with Meinl cymbals, and had a second floor tom that feels like a truck veering off a highway when hit. Eliot played a Fender Jazz Bass running straight into a DI and then re-amped through a Hi Watt Head and speaker box with a touch of fuzz.   How did you approach the recording process and did the single turn out as you first imagined? Across the album we had an almost even split between songs we knew really well, and songs we didn’t. Consequently, there was a real sense of tension and of exploration. By the time we hit Sunday night, and If I Knew, we were really firing on the enthusiasm and confidence we’d built up over a weekend of tightrope walking. Everything we knew was going to work had, and the stuff we hadn’t know would work had locked into place too. It was one massive exercise in trusting ourselves, and each-other.  We were also safe in the knowledge that if it something didn’t work, it really didn’t matter. This was all about having fun, recording some tunes and making good on a promise we’d made to  each other a long time ago.  In terms of If I Knew, it turned out WAY better than we had imagined. Just before we mastered it, Eliot made the call to kick the song off with the snare roll it now starts with, and that was that.  What do you like to do away from music? Hang out with our partners, our kids, our friends, our pets. Laugh, and love. Watch films. Eat cheese. Try not to despair when reading the news. Go swimming. Go walking. Talk politics. Talk music. Read books. Rediscover hope.  Who are you listening to at the moment?  Big Thief. The Beths. Field Music. King Gizzard. Talking Heads. Aldous Harding. Tropical Fuck Storm.  What's planned for 2020?  Ha! Who could have planned for 2020? Our plan is to (hopefully) release three more singles, and then our debut album You Don’t Have Time To Stay Lost in August.  Favourite food and place to hangout? Vietnamese. Mexican. Thai. Home. In a rehearsal room. In a cinema.   https://linktr.ee/theelectorate https://www.theelectorate.com.au/ https://www.facebook.com/theelectorateband/ https://www.instagram.com/theelectorate/ https://twitter.com/electoratemusic https://theelectorate.bandcamp.com/
Music InterviewsMusic News

The Electorate

by the partae May 20, 2020
written by the partae

Where are you currently based? 

Sydney. Marrickville. Coogee. Ashfield. All bases are loaded. 

What’s been happening recently? 

Our debut single If I Knew has landed and we’re very glad that we get to share something new and exciting. On the back of that we’ve been finishing clips, building websites, and all the associated behind the scenes stuff that you need to do to be a band. 

Your new single ‘If I Knew’ is out now, what influenced the sound and songwriting for this track? 

We’d gone into the studio on a Saturday morning, and by Sunday afternoon we had the beds down for 10 songs. If I Knew was almost an afterthought, and made it 11. After waiting so long to record an album, the sound of If I Knew is the sound of us making a jubilant, celebratory, messy noise and loving every minute of it. We kept getting to the same point in the song and grinding to a halt, but each time we honed the emerging vision and got closer and closer to nailing that down. The ‘train track riding’ rhythm of the guitar only came out as we were doing the early takes, so each time we stopped it was a chance to really capture that seat of your pants chaos and energy of a song still forming. We’d played the Sebadoh song Magnet’s Coil in the studio, just as a reference for the energy we wanted to capture, and we feel like we got that, and possibly more. The recording is the sound of three friends celebrating the sheer joy of playing together, trusting each other, and having a tonne of fun on the way. 

Once the beds were down we did some guitar doubling, and then for the outro, added the duelling guitar lines and counter vocal melody. Josh sang lead and Eliot sang killer harmonies that really kick the song into another realm. Nick joked that what had started sounding like the Verlaines had ended up sounding like the 3Ds. 

How did you go about writing If I Knew? 

The song had been kicking around for a while – in its previous incarnation it had a feel like Iggy Pop’s the Passenger – so much so that we’d do the La La La bits at the end. It had almost been dead and buried but some songs dig in their hooks and don’t let go. The week before we were due to go in and record we started messing around with an alternate time signature and an alternate feel, but it really wasn’t until we got into the studio that the song found its way. Watching Wilco tear apart songs in the doco I Am Trying To Break Your Heart, and the love of jamming through different incarnations of an idea gave us the freedom to just try different things, which is a real theme across the whole album. If an idea worked it stayed. If it didn’t, it left. 

Lyrically, the song was also a rebuild, with the final lyrics only being completed on the morning the vocals were recorded. It had been another song about escape – but nothing that had been particularly coherent. Whilst that would have been something we’d settled on in the past, the opportunity to record doesn’t happen often enough for us to just waste the chance, so we set about tweaking, tuning and weaving a narrative in the verses, and leaving the chorus untouched. It’s now a song marking how lucky we are to have people in our lives who encourage us to play music, and to be there through all the twists and turns of a long partnership. So in a small way, it’s still a song about escape – that we get to play in a band and live in an alternate universe that’s not plagued by the logistics of jobs, and kids and dishes. It was also a chance to sing in honour of a Fugazi first date. 

Where and when did you record/produce/master and who with? 

If I Knew is the first single from our debut album You Don’t Have Time To Stay Lost. We recorded the whole album with Tim Kevin, whom Nick had played alongside in Knievel, and we’d all known to varying degrees through mutual friends. Tim has recorded Youth Group, Holly Throsby, Peabody, Toby Martin, Buddy Glass and stacks of other great records that we really loved. His Tempe River Studios is not in Tempe, but it’s close to the Cooks River and is located in a building adjacent to an old Holden Factory. It has great lino floors, and a hallway that people occasionally walk through as you’re tracking. We can and will always recommend people work with Tim – he’s talented, patient, kind and diplomatic – all qualities a great producer/engineer needs. We started recording in late 2018, and we mixed in 2019. The album was then mastered by JJ Golden in California. JJ’s a second generation mastering engineer, who has mastered albums by Sharon Jones and The Dap Kings, Soundgarden, Neko Case, Calexico and loads of others. 

What programs/instruments did you use?

The sessions were recorded using Pro Tools, with a stack of analog gear to warm things up at all stages. Tim has some beautiful ribbon mics, a collection of fine sonic toys, and some great tricks up his sleeve. Josh played a 1960s Fender Jaguar throughout the whole record, and it ran split through an old cream piggy back Bandmaster and a Vibrolux. He used the amp in Tim’s Ferrograph Tape Machine for the breaking up slide sound, and his Princeton amp to run a Hotcake through for the other outdo line. Nick played a very fetching green DW kit with Meinl cymbals, and had a second floor tom that feels like a truck veering off a highway when hit. Eliot played a Fender Jazz Bass running straight into a DI and then re-amped through a Hi Watt Head and speaker box with a touch of fuzz.  

How did you approach the recording process and did the single turn out as you first imagined?

Across the album we had an almost even split between songs we knew really well, and songs we didn’t. Consequently, there was a real sense of tension and of exploration. By the time we hit Sunday night, and If I Knew, we were really firing on the enthusiasm and confidence we’d built up over a weekend of tightrope walking. Everything we knew was going to work had, and the stuff we hadn’t know would work had locked into place too. It was one massive exercise in trusting ourselves, and each-other.  We were also safe in the knowledge that if it something didn’t work, it really didn’t matter. This was all about having fun, recording some tunes and making good on a promise we’d made to  each other a long time ago. 

In terms of If I Knew, it turned out WAY better than we had imagined. Just before we mastered it, Eliot made the call to kick the song off with the snare roll it now starts with, and that was that. 

What do you like to do away from music?

Hang out with our partners, our kids, our friends, our pets. Laugh, and love. Watch films. Eat cheese. Try not to despair when reading the news. Go swimming. Go walking. Talk politics. Talk music. Read books. Rediscover hope.

Who are you listening to at the moment? 

Big Thief. The Beths. Field Music. King Gizzard. Talking Heads. Aldous Harding. Tropical Fuck Storm. 

What’s planned for 2020? 

Ha! Who could have planned for 2020? Our plan is to (hopefully) release three more singles, and then our debut album You Don’t Have Time To Stay Lost in August. 

Favourite food and place to hangout?

Vietnamese. Mexican. Thai. Home. In a rehearsal room. In a cinema.  

 

https://linktr.ee/theelectorate

https://www.theelectorate.com.au/

https://www.facebook.com/theelectorateband/

https://www.instagram.com/theelectorate/

https://twitter.com/electoratemusic

https://theelectorate.bandcamp.com/

May 20, 2020 0 comments
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Music News

Agorai announces new single ‘3 Letters’

by the partae May 20, 2020
written by the partae
Agoria returns to his Sapiens label with a fantastic new EP that comes with remixes from Stereocalypse and andhim. 

Agoria is in the middle of a real purple patch that includes his original soundtrack for French comedy Lucky, as well as a busy run of shows such as Unlimited Festival, DGTL in Amsterdam, Brazil and Chile and Kappa Futur, and brand new EPs including this one on his own Sapiens label. The long time French electronic icon also recently finished his critically acclaimed debut solo art show during Art Basel Miami at Scope, curated by Santiago Guggenheim and shows now signs of slowing down. ‘3 Letters’ is a perfectly emotive pop-dance track with catchy finger clicks and warm, summery chords complete with a pained vocal sample rising out up top. It is a heavenly groove and one that stays long in the memory.

 

Stereocalypse is an Italian duo that has found great success on labels like Innervisions and they re-work that track into something more suited to the club, with edgy snares and a tense lead synth line that eventually explodes in cosmic fashion to take you on a real trip. Enduring German house specialists andhim then step up with an S Computer Love Mix that flips the track into something futuristic and spaced out, with far-sighted pads and pixelated melodies lighting up the whole track with real colour. An Instrumental is also included and strips out the vocal for a more direct impact. This is another standout single from this long time French wizard.

Agoria – 3 Letters
Agoria – 3 Letters (Radio Edit)
Agoria – 3 Letters (Stereocalypse Remix)
Agoria – 3 Letters (andhim S Computer Love Mix Instrumental)
Agoria – 3 Letters (andhim S Computer Love Mix)
 
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May 20, 2020 0 comments
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A PORTRAIT OF AN UGLY MAN OUT JUNE 26 ON EPITAPH RECORDS   Remo Drive have unleashed their new video and second single, “Ode to Joy 2”.  Written over the span of a few years, vocalist Erik Paulson explains, “the lyrics were inspired by the excess I perceived around me as I transitioned from being a college student into touring full time. Most people who’ve done either can confirm that many social interactions are built around having a drink or smoking weed. Once the honeymoon period of exploration was over for me, I became frustrated with the omnipresence of drugs and alcohol and wanted to write about it... Oh what fun it is laughing at nothing, by this age we all have it down.. When I wrote the final version of the lyrics, I tried to connect with how I think when I’m drunk. I always feel as though I’m loving and hating every second of it. This song captures that same ambivalence.” With its acrobatic guitar work, deeply self-referential lyrics and off-the-walls energy, Remo Drive’s upcoming album A Portrait of an Ugly Man calls back to the dextrous, eccentric sound that helped the band – brothers Erik (vocals, guitar) and Stephen (bass) Paulson – explode onto the scene back in 2017.   Self-produced and mixed, A Portrait of an Ugly Man feels all at once familiar and fresh. Taking shape in their parent’s basement in Minnesota, the space breathed a looseness into the songs, while the freedom of the sessions left the band able to explore the next evolution of their sound.   A slice of tremolo-heavy classic rock filtered through the lens of the gunslinging American West, A Portrait of an Ugly Man finds them truly in their element – both physically and sonically. Whereas the Paulsons filtered their buoyant songwriting through the concise lens of storytellers like Bruce Springsteen and The Killers on Natural, Everyday Degradation, A Portrait of an Ugly Man is more spontaneous, bolstered by the same charm and levity that made their debut, Greatest Hits, such an underground favorite.   The loathsomeness Paulson explores on the album certainly reflect less glamorous aspects of both his psyche and that of others, but when they’re cut with his quick wit and self-deprecation, they seem less like an actual indictment and more of an embrace of all of life’s imperfection and absurdity. In turning the mirror back at themselves in this way, Remo Drive have learned a lot about who they really are: A Portrait of an Ugly Man is an album that doesn’t seek to minimize important subjects like mental health or self-worth, but rather welcome them in and accept them as part of what it means to be human. REMO DRIVE - A PORTRAIT OF AN UGLY MAN - OUT FRIDAY JUNE 26   A Portrait of an Ugly Man Track Listing:   1 - A Guide To Live By 2 - Star Worship 3 - Dead Man 4 - If I’ve Ever Looked Too Deep In Thought 5 - The Ugly Man Sings 6 - True Romance Lives 7 - Ode to Joy 2 8 - The Night I Kidnapped Remo Drive 9 - A Flower and a Weed 10 - Easy as That  
Music News

REMO DRIVE RELEASE NEW SINGLE AND VIDEO ‘ODE TO JOY 2’

by the partae May 19, 2020
written by the partae

A PORTRAIT OF AN UGLY MAN
OUT JUNE 26 ON EPITAPH RECORDS

Remo Drive have unleashed their new video and second single, “Ode to Joy 2”.  Written over the span of a few years, vocalist Erik Paulson explains, “the lyrics were inspired by the excess I perceived around me as I transitioned from being a college student into touring full time. Most people who’ve done either can confirm that many social interactions are built around having a drink or smoking weed. Once the honeymoon period of exploration was over for me, I became frustrated with the omnipresence of drugs and alcohol and wanted to write about it… Oh what fun it is laughing at nothing, by this age we all have it down.. When I wrote the final version of the lyrics, I tried to connect with how I think when I’m drunk. I always feel as though I’m loving and hating every second of it. This song captures that same ambivalence.”

With its acrobatic guitar work, deeply self-referential lyrics and off-the-walls energy, Remo Drive’s upcoming album A Portrait of an Ugly Man calls back to the dextrous, eccentric sound that helped the band – brothers Erik (vocals, guitar) and Stephen (bass) Paulson – explode onto the scene back in 2017.

Self-produced and mixed, A Portrait of an Ugly Man feels all at once familiar and fresh. Taking shape in their parent’s basement in Minnesota, the space breathed a looseness into the songs, while the freedom of the sessions left the band able to explore the next evolution of their sound.

A slice of tremolo-heavy classic rock filtered through the lens of the gunslinging American West, A Portrait of an Ugly Man finds them truly in their element – both physically and sonically. Whereas the Paulsons filtered their buoyant songwriting through the concise lens of storytellers like Bruce Springsteen and The Killers on Natural, Everyday Degradation, A Portrait of an Ugly Man is more spontaneous, bolstered by the same charm and levity that made their debut, Greatest Hits, such an underground favorite.

The loathsomeness Paulson explores on the album certainly reflect less glamorous aspects of both his psyche and that of others, but when they’re cut with his quick wit and self-deprecation, they seem less like an actual indictment and more of an embrace of all of life’s imperfection and absurdity. In turning the mirror back at themselves in this way, Remo Drive have learned a lot about who they really are: A Portrait of an Ugly Man is an album that doesn’t seek to minimize important subjects like mental health or self-worth, but rather welcome them in and accept them as part of what it means to be human.

REMO DRIVE – A PORTRAIT OF AN UGLY MAN – OUT FRIDAY JUNE 26

A Portrait of an Ugly Man Track Listing:

1 – A Guide To Live By
2 – Star Worship
3 – Dead Man
4 – If I’ve Ever Looked Too Deep In Thought
5 – The Ugly Man Sings
6 – True Romance Lives
7 – Ode to Joy 2
8 – The Night I Kidnapped Remo Drive
9 – A Flower and a Weed
10 – Easy as That

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May 19, 2020 0 comments
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Where are you currently based? Kalindy and I both live in Preston in Melbourne! Right in between the markets and Northland. How did you first start playing music? I started playing guitar in high school but very badly... I think Kalindy and I both started bands we actually loved - before meeting each other - in Sydney in around 2006/2007. We'd end up playing at the same warehouse parties and became friends that way. We started playing as Hearts and Rockets in 2016 just for fun - and are still having heaps of fun doing it. What's been happening recently? We've been working on some new songs, we only really just released 'You Don't Know What You Have Until You've Had Enough' two months ago and the video clip only about a month ago, so lots of work on that! You've recently released a remix of your single 'You Don't Know What You Have Until You've Had Enough' what influenced the sound and songwriting for this track? Kalindy woke up singing the chorus in the middle of the night one night, and had to make it a song. We released it on a split 7" with Zig Zag and I reckon just even that arrangement influenced how it sounds. The song had started off completely differently, then when we knew it would be being released alongside theirs we changed it and it was for the better! The theme of the song kind of stayed the same, though - it's about how shitty people can be, just in general public interactions like shopping centres. It was written before the COVID-19 crisis, too, so that stuff is next level now. Where and when did you record/produce/master and who did you work with? We're lucky that we can record at home - not having a drum kit helps with that. I engineer all of Hearts and Rockets' recordings, but we always get someone else to mix and master them. For this single, Matt Chow mixed and mastered it, as he was doing Zig Zag's single and knows our band really well. He's done live sound for us countless times, including our first show ever! We're really happy with the end result, and he even went ahead and recorded some live drums for the mix which sound amazing. Matt plays in Shepparton Airplane and Tankerville, two great Melbourne bands. Please tell is about how the track came to be remixed and the process that took place: It actually just came from a throwaway comment on a Facebook thread - I suggested that people could get the stems from us and make a remix if they wanted to, and a bunch of people said they were keen to do so. We ended up with 4 being finished and sent to us so we thought it was a good opportunity to do an EP. Each artist did their own remix and aded their own sound, and Mino Peric mastered the EP for us. Is the result what you originally expected? It was different than I expected it to be, but better than I expected it to be! I guess that's why we thought it would be worthwhile releasing it. The artists involved are some of our favourite Melbourne musicians, so it makes sense that they turned out great, but the 4 takes here are all so fresh and cool and different - not only from each other, but from the original song. The launch at BMF was cancelled but you launched online, how was this experience? It was so devastating when Brunswick Music Festival was cancelled - it was definitely the right decision by the festival, it was all happening right at the point where COVID-19 was spreading far too quickly, and tours and shows were starting to get cancelled left, right and centre. We had already pressed the record and made badges and printed t-shirts and had put so much into the single's release, that we really didn't want to just let that momentum go. So we decided to host live sets on the same night that the launch was supposed to be happening. Zig Zag did there's from their backyard, and we followed with a set from our loungeroom. It was one of the first - if not the first - weekend that people had really started to stay home so we had a nice collection of people watching and commenting, and it coincided with the first Friday that Bandcamp waived their fees, so we were also able to sell a bunch of records and merch! Who are you listening to at the moment? I can't get enough of Primo!'s track Comedy Show, and Mystery Guest's album Octagon City rules. Kalindy's still stuck into her faves Siouxsie and the Banshees and disco! She's big into Betty Davis Eyes at the moment. What do you like to do away from music? I run the label that we release music on, Psychic Hysteria, am a freelance publicist, booker and photographer, and work part time and broadcast at a community radio station so that's most of my time done. Kalindy is a freelance illustrator, designer and photographer. Aside from that, we both like riding bikes, gardening and cooking. What's planned for 2020, any new music on the way? We do have new music coming! We're about to announce the launch for our next single, which will be happening June 20 as part of an online music festival that's yet to be announced... The song is called Milk Bar and will also have a video clip. Favourite food and place to hangout? Inside for the moment still, but otherwise we're pretty low key with eating food out. If we do, it's usually at Tonkin on Smith Street, it's amazing. The sushi place in Northland is better than most fancy Japanese restaurants I've tried! https://open.spotify.com/artist/5wPyyPDBkCDn554i6klScd?si=N5omhBfHR7yo8_-mqMvR5w https://heartsandrockets.bandcamp.com http://www.facebook.com/heartsandrocketsband http://instagram.com/heartsandrocketsband https://youtu.be/WbMz596P3eE
Music InterviewsMusic News

Heart And Rockets Interview

by the partae May 19, 2020
written by the partae

Where are you currently based?

Kalindy and I both live in Preston in Melbourne! Right in between the markets and Northland.

How did you first start playing music?I started playing guitar in high school but very badly… I think Kalindy and I both started bands we actually loved – before meeting each other – in Sydney in around 2006/2007. We’d end up playing at the same warehouse parties and became friends that way. We started playing as Hearts and Rockets in 2016 just for fun – and are still having heaps of fun doing it.

What’s been happening recently?

We’ve been working on some new songs, we only really just released ‘You Don’t Know What You Have Until You’ve Had Enough’ two months ago and the video clip only about a month ago, so lots of work on that!

You’ve recently released a remix of your single ‘You Don’t Know What You Have Until You’ve Had Enough’ what influenced the sound and songwriting for this track?

Kalindy woke up singing the chorus in the middle of the night one night, and had to make it a song. We released it on a split 7″ with Zig Zag and I reckon just even that arrangement influenced how it sounds. The song had started off completely differently, then when we knew it would be being released alongside theirs we changed it and it was for the better! The theme of the song kind of stayed the same, though – it’s about how shitty people can be, just in general public interactions like shopping centres. It was written before the COVID-19 crisis, too, so that stuff is next level now.

Where and when did you record/produce/master and who did you work with?

We’re lucky that we can record at home – not having a drum kit helps with that. I engineer all of Hearts and Rockets’ recordings, but we always get someone else to mix and master them. For this single, Matt Chow mixed and mastered it, as he was doing Zig Zag’s single and knows our band really well. He’s done live sound for us countless times, including our first show ever! We’re really happy with the end result, and he even went ahead and recorded some live drums for the mix which sound amazing. Matt plays in Shepparton Airplane and Tankerville, two great Melbourne bands.

Please tell is about how the track came to be remixed and the process that took place:

It actually just came from a throwaway comment on a Facebook thread – I suggested that people could get the stems from us and make a remix if they wanted to, and a bunch of people said they were keen to do so. We ended up with 4 being finished and sent to us so we thought it was a good opportunity to do an EP. Each artist did their own remix and aded their own sound, and Mino Peric mastered the EP for us.Is the result what you originally expected?

It was different than I expected it to be, but better than I expected it to be! I guess that’s why we thought it would be worthwhile releasing it. The artists involved are some of our favourite Melbourne musicians, so it makes sense that they turned out great, but the 4 takes here are all so fresh and cool and different – not only from each other, but from the original song.

The launch at BMF was cancelled but you launched online, how was this experience?

It was so devastating when Brunswick Music Festival was cancelled – it was definitely the right decision by the festival, it was all happening right at the point where COVID-19 was spreading far too quickly, and tours and shows were starting to get cancelled left, right and centre. We had already pressed the record and made badges and printed t-shirts and had put so much into the single’s release, that we really didn’t want to just let that momentum go. So we decided to host live sets on the same night that the launch was supposed to be happening. Zig Zag did there’s from their backyard, and we followed with a set from our loungeroom. It was one of the first – if not the first – weekend that people had really started to stay home so we had a nice collection of people watching and commenting, and it coincided with the first Friday that Bandcamp waived their fees, so we were also able to sell a bunch of records and merch!

Who are you listening to at the moment?

I can’t get enough of Primo!’s track Comedy Show, and Mystery Guest’s album Octagon City rules. Kalindy’s still stuck into her faves Siouxsie and the Banshees and disco! She’s big into Betty Davis Eyes at the moment.

What do you like to do away from music?

I run the label that we release music on, Psychic Hysteria, am a freelance publicist, booker and photographer, and work part time and broadcast at a community radio station so that’s most of my time done. Kalindy is a freelance illustrator, designer and photographer. Aside from that, we both like riding bikes, gardening and cooking.

What’s planned for 2020, any new music on the way?

We do have new music coming! We’re about to announce the launch for our next single, which will be happening June 20 as part of an online music festival that’s yet to be announced… The song is called Milk Bar and will also have a video clip.

Favourite food and place to hangout?

Inside for the moment still, but otherwise we’re pretty low key with eating food out. If we do, it’s usually at Tonkin on Smith Street, it’s amazing. The sushi place in Northland is better than most fancy Japanese restaurants I’ve tried!
https://heartsandrockets.bandcamp.com
http://www.facebook.com/heartsandrocketsband
http://instagram.com/heartsandrocketsband
https://youtu.be/WbMz596P3eE
https://open.spotify.com/artist/5wPyyPDBkCDn554i6klScd?si=N5omhBfHR7yo8_-mqMvR5w
May 19, 2020 0 comments
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Complications - MorningMaxwell - MorningScratchwell I scratched that beat and the beat got thicker.
Music News

Complications – MorningMaxwell – MorningScratchwell I scratched that beat and the beat got thicker.

by the partae May 19, 2020
written by the partae

To celebrate the release of MorningMaxwell’s new single ‘Complications’, MorningMaxwell will be conducting a 2-week campaign with the Partae celebrating the topline over alternative beats (One new beat a day) from samples the legend has recorded around his house.

May 19, 2020 0 comments
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New Song Debuts on Eurovision: Europe Shine a Light, Out On DSPs Listen HERE “I’m like a bird in a cage and I’m going cuckoo…” Global quirk-pop master and Eurovision champ (2018 with “Toy”) Netta is back with her new song “Cuckoo”, a devastating heartbreaker of a ballad that feels eerily poignant given the state of the world currently. The song debuted as a part of Eurovision: Europe Shine A Light which aired in Australia and a further 45 countries on Saturday  and included a touching video of Netta performing the track with a custom-made music box. Also released now on DSPs is the official studio recording “Cuckoo”, which will also appear on the forthcoming EP, out this summer via S-Curve Records/BMG. A noticeable shift for the Israeli artist/composer/songwriter who has made a name for herself (and notched over 1 billion streams globally!) for her bombastic, colorful and high-adrenaline pop, “Cuckoo” is a soulful ballad about feeling self-awarely stuck in a stalled relationship. Whether over heartbreak or feeling emotionally disconnected during this current pandemic, the choral refrain is melancholic brilliance: “I’m like a bird in a cage and I’m going cuckoo”. “This song was written about the feeling of being stuck in a loop, that you don’t know if you created yourself or someone else built for you. We decided to recreate this feeling with a music box. We worked over three months to build a custom-made music box, which was very tricky, because it’s an instrument that was manufactured by hand back in the 16th century. I’ve had this image stuck in my mind for a long time - a ballerina stuck inside a jewelry box, spinning around forever in a loop. Just like I’m afraid I might be,” said Netta. “Cuckoo is my confession. It reveals a vulnerable side of me, which I’ve never let anyone see before. I am in a place where everything happened to me really fast, and I can’t help but doubt.”  Listen to Netta on Switched On Pop earlier this week HERE discussing her personal journey as an artist and what it takes to make the perfect Eurovision song. She also recently was spotlighted by BUST who called her the “soulful singer creating escapist videos you didn’t know you needed” and Hey Alma who praised her as a “role model”. She will also be Facebook’s “Artist Of The Day” on May 18th. Check out Netta’s on-the-spot ingenuity in this recent video for iHeartRadio where she covers hits by Eiffel 65, Flo Rida, and Soulja Boy’Tell Em. NETTA ONLINE YOUTUBE | INSTAGRAM | TWITTER | FACEBOOK | TIKTOK 
Music News

EUROVISION CHAMP NETTA CONJURES UP HEARTBREAKING BRILLIANCE ON “CUCKOO”

by the partae May 19, 2020
written by the partae

New Song Debuts on Eurovision: Europe Shine a Light, Out On DSPs Listen HERE

“I’m like a bird in a cage and I’m going cuckoo…”

Global quirk-pop master and Eurovision champ (2018 with “Toy”) Netta is back with her new song “Cuckoo”, a devastating heartbreaker of a ballad that feels eerily poignant given the state of the world currently. The song debuted as a part of Eurovision: Europe Shine A Light which aired in Australia and a further 45 countries on Saturday  and included a touching video of Netta performing the track with a custom-made music box. Also released now on DSPs is the official studio recording “Cuckoo”, which will also appear on the forthcoming EP, out this summer via S-Curve Records/BMG.

A noticeable shift for the Israeli artist/composer/songwriter who has made a name for herself (and notched over 1 billion streams globally!) for her bombastic, colorful and high-adrenaline pop, “Cuckoo” is a soulful ballad about feeling self-awarely stuck in a stalled relationship.

Whether over heartbreak or feeling emotionally disconnected during this current pandemic, the choral refrain is melancholic brilliance: “I’m like a bird in a cage and I’m going cuckoo”.

“This song was written about the feeling of being stuck in a loop, that you don’t know if you created yourself or someone else built for you. We decided to recreate this feeling with a music box. We worked over three months to build a custom-made music box, which was very tricky, because it’s an instrument that was manufactured by hand back in the 16th century. I’ve had this image stuck in my mind for a long time – a ballerina stuck inside a jewelry box, spinning around forever in a loop. Just like I’m afraid I might be,” said Netta. “Cuckoo is my confession. It reveals a vulnerable side of me, which I’ve never let anyone see before. I am in a place where everything happened to me really fast, and I can’t help but doubt.”

Listen to Netta on Switched On Pop earlier this week HERE discussing her personal journey as an artist and what it takes to make the perfect Eurovision song. She also recently was spotlighted by BUST who called her the “soulful singer creating escapist videos you didn’t know you needed” and Hey Alma who praised her as a “role model”. She will also be Facebook’s “Artist Of The Day” on May 18th.

Check out Netta’s on-the-spot ingenuity in this recent video for iHeartRadio where she covers hits by Eiffel 65, Flo Rida, and Soulja Boy’Tell Em.

NETTA ONLINE

YOUTUBE | INSTAGRAM | TWITTER | FACEBOOK | TIKTOK

May 19, 2020 0 comments
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Homebrew is your one stop shop for local and independent music. They genre hop through garage, funk, indie, acoustic, jazz, soul, and the in-betweens and the show on airs on Mondays at 3pm. PBS Radio Festival 2020: You Can't Stop The Music May 18 – May 31 2020 From Monday 18 May to Sunday 31 May you can join up or renew your annual PBS membership, or simply make a donation via the PBS website, during the station’s biggest online and on air fundraiser of the year. Tune into 106.7FM to catch tales from PBS’ past, cherished memories, guest appearances and your favourite PBS presenters sharing their thoughts on the many, many benefits of being a PBS member including, of course, a treasure trove of prizes. For the full list of daily prizes or to join head over to www.pbsfm.org.au If you are having trouble renewing online, you can email info@pbsfm.org.au or try calling (03) 8415 1067 between 10am-6pm Monday to Friday and PBS will do their best to answer your call
Festival NewsMusic News

PBS Homebrew x The Partae Playlist – Maddy and Kurt

by the partae May 19, 2020
written by the partae
 HOMEBREW x THE PARTAE PLAYLIST

Homebrew is a long-running PBS program representing independent artists from Australia and New Zealand. Maddy and Kurt genre hop through stacks of new releases and old favourites every Monday afternoon at 3pm.Maddy Mac and Kurt are both really committed to local and Australian music and finding themselves at as many live gigs as possible.

 

“With fewer gigs and sponsors contributing to the station and the arts sector taking a huge hit, making sure that bands can still be heard and supported means a lot to us, and we feel so lucky to be able to do so on Homebrew! You can help us keep going by signing up as a member now.”

MADDY

  • Simona Castricum – Supertough feat. M8triachy

Solid, euphoric dance beats that bring the juicy joy, and a most sexy video clip

  1. Nardean – aux chord

Hot hip-hop from Sydney’s West sung loud and proud, ‘I feel like an aux chord, how I’m fittin all these stereotypes’

  1. Frank Yamma – Beginning of the Day (Haus Bilal remix)

Frank’s voice is always stunning, and I love the layers in this piece – adding electronic elements, percussion patches, harmonies, field recordings. That might sound busy, but it combines so well.

  1. Chitra – Leaving

I find myself humming the chorus quite.a.lot. Guitar lines that will waft you off into the sunset.

  1. Junior Fiction – Same Dream

A great fun slice of power pop – off-kilter guitars, an element of mania, great deep voice.

KURT
1. Mystery Guest – Alibi

 

There’s just something completely mesmerising about Melbourne via Adelaide duo Mystery Guest, and their song Alibi has been swimming around my head since I first heard it in 2019. I caught a live set early on in their live game and was instantly a fan, though I had seen both members play live previously in other killer bands, including Peak Twins and Prefect (formerly Bitch Prefect). Mystery Guest is a unique mix of catchy hooks, hypnotising vocals, danceability and clever production, without any pretension and without things getting too complicated. Their debut album, Octagon City, is flawless. I highly recommend checking out a live set, when that’s a thing again.

 

  1. The Native Cats – Run With The Roses

The Native Cats is another duo, and another one that needs to be seen live to completely understand why they’re so incredibly special. I’ve always been a fan of (The Native Cats’ singer and programmer) Chloe Alison Escott’s music, and while my focus is rarely on lyrics when I’m listening to music, she’s one of my all-time favourite lyricists. Again, it’s the simplicity of these songs that is key – it’s not basic, but these two pick a theme and run with it, and I like that a lot. Run With The Roses is off The Native Cats’ latest 7”, Two Creation Myths, which also features the great b-side, Sanremo.

 

  1. SuperEgo – Outer Body Stranger feat. Sampa the Great

SuperEgo is a collective of producers, rappers, singers and multi-instrumentalists based in Fremantle, originally making a name for themselves as POW! Negro. They changed their name in 2018 coinciding with a more collaborative approach to themes that the group were expressing through their lyrics and music. Their 7-track EP, Nautilus, is an exceptional debut, but the standout track is Outer Body Stranger, in no small way thanks to the contribution from Sampa the Great. Everything she touches turns to gold.

 

  1. NGAIIRE – Boom

NGAIIRE’s singles have always been strong, but for me Boom is timeless. It’s a perfect R n’ B track on par with or better than anything else like it happening around the world right now, and I could easily have this track on a loop for life. Boom makes me really excited to see what she does next. While Boom will be hard to top, I reckon NGAIIRE is only just getting started.

  1. CB Radio – Time Goes Slow feat. Kahlia Parker

CB Radio, the solo project of Carsten Bruhn, is dropping album-length, home-recorded demos relentlessly via Bandcamp, and it’s a wild ride following the trajectory. His songwriting is succinct and smart, but I can’t go past the contagious belter, Time Goes Slow. Time Goes Slow features Carsten’s partner (and his partner in running Roolette Records) Kahlia Parker, who was on guitar and vocals in much-missed Melbourne 3-piece Girl Germs. I’d love to see this power pop hit machine be the new direction for CB Radio, but I know that he’ll continue to surprise us with future releases, and I’m OK with that.

https://cbradiomusic.bandcamp.com/

Homebrew is your one stop shop for local and independent music. They genre hop through garage, funk, indie, acoustic, jazz, soul, and the in-betweens and the show on airs on Mondays at 3pm.
PBS Radio Festival 2020: You Can’t Stop The Music
May 18 – May 31 2020
From Monday 18 May to Sunday 31 May you can join up or renew your annual PBS membership, or simply make a donation via the PBS website, during the station’s biggest online and on air fundraiser of the year. Tune into 106.7FM to catch tales from PBS’ past, cherished memories, guest appearances and your favourite PBS presenters sharing their thoughts on the many, many benefits of being a PBS member including, of course, a treasure trove of prizes.
For the full list of daily prizes or to join head over to www.pbsfm.org.au

If you are having trouble renewing online, you can email info@pbsfm.org.au or try calling (03) 8415 1067 between 10am-6pm Monday to Friday and PBS will do their best to answer your call
May 19, 2020 0 comments
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Music News

Hearts and Rockets – Had Enough Remixed

by the partae May 19, 2020
written by the partae

Melbourne brat-wave band Hearts and Rockets recently released their single, You Don’t Know What You Have Until You’ve Had Enough, on one side of a split 7″ with Zig Zag in March via Roolette Records and Psychic Hysteria. They followed it up with a killer video clip which has since been seen on Rage. Now, four of the band’s contemporaries have re-imagined the track for this special digital only remix EP – Had Enough Remixed.

Available for download now at heartsandrockets.bandcamp.com (pay what you feel) and across all digital and streaming services, the EP features remixes by Pat Telfer (Mystery Guest, Isolation Improvisation Collective), Mino Peric (No Sister), Jimmy Cass and USER, and the EP was mastered by Mino Peric.

 

https://heartsandrockets.bandcamp.com

http://www.facebook.com/heartsandrocketsband

http://instagram.com/heartsandrocketsband

https://youtu.be/WbMz596P3eE

May 19, 2020 0 comments
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Where are you currently based? Brisbane How did you first start playing music?   During school holidays, my family would go and work on my Grandfather's farm in Nothern NSW. Having just bought a new laptop and not having any internet access in the area, GarageBand never stood a chance. I would catch my family while they were sitting around the TV and play them my demos and because they are incredibly polite, they said they were good!  What's been happening recently? I have just purchased some very sexy studio monitors and am setting up a small home studio to begin writing an EP for release in early 2021. I have also been really excited to find some other Australian artists to work with, either as a feature or to co-produce. How did you come to be a part of the local music scene? I started making connections through university - becoming friends with wonderfully talented singers, mixing engineers and learning the basics of production on Ableton during tutorials. Since then my tutors and my manager have helped expand my horizons and meet some fantastic artists from around Australia. This is super exciting and I am looking forward to working with as many people as I can! Your new single 'Shake You Off' is out now, what influenced the sound and songwriting for this track? I was really loving the amazing music coming out from Golden Vessel and wanted to create a similar sort of electronic pop track with some toplines that you could sing/rap along to at home! For the chorus, I wanted an off-kilter sort of Flume'esque synth sound and reworked the original synth line to create the organic sounding lead synth in the final version. The song is about two friends who become more than friends, leading to love, happiness but eventually ends in trouble.  Where and when did you record and who with? The track was recorded over a few months at the end of 2019 and early 2020. Although Lucie lives in Brisbane, she was actually on a student exchange studying music in Los Angeles at the time and had to record her vocals in her bedroom. While we would normally record at my University's recording studio, COVID-19 meant we needed to find an alternative. For Declan's (Zeplyn) verse, we recorded in a closet at my house on a disgustingly hot day and although the conditions were dreadful, it resulted in a great performance! What programs/instruments did you use? I produced Shake You Off on Ableton and used a Launchkey Mini as my main MIDI controller for all the synths you hear in the track. All the drums are one-shots I have arranged to create the playful yet heavy beat.  Who are you listening to at the moment? So much fantastic music has come out recently. I've been listening to new tracks from Young Franco, Yb., Yuto and have had the Vallis Alps Remix of Matt Maeson's - Hallucinogenics on repeat for the last week.  What do you like to do away from music? I'm currently having fun completing my Honours thesis at the Queensland University of Technology for Industrial Design. I am looking into making entry lines for music festivals faster and more enjoyable! For work, I help design unmanned ground vehicles (UGVs), drones, robots, and do some data labeling to help improve machine vision systems for autonomous navigation - all very interesting to work on! Who would you love to work with? I would be absolutely thrilled to work with Emerson Lief, Upsidedownhead, Luboku and Jadu Heart - all have amazing styles and I think working with them would result in some really unique and fun music! What's planned for 2020? I am hoping to keep experimenting with sounds and styles this year, releasing a few more singles in preparation for an EP in early 2021. I am also trying to collaborate with more local artists and keep working my way into the wider Australian music scene! Favourite food and place to hangout? My favourite food is anything Mexican - burritos, nachos... the lot. My favourite place to hang out is in the Z9 music building at QUT. With so many amazing artists in the one space, it's got a fantastic energy about it, not to mention the great equipment! https://open.spotify.com/album/0nWXImF5S5VYrmnM1Avxak Stream Link: https://gyro.lnk.to/ShakeYouOff Instagram: https://www.instagram.com/presentingmagnus/ Facebook: https://www.facebook.com/presentingmagnus/
Music InterviewsMusic News

Presenting Magnus Interview

by the partae May 19, 2020
written by the partae
Where are you currently based?
Brisbane
 
How did you first start playing music?

During school holidays, my family would go and work on my Grandfather’s farm in Nothern NSW. Having just bought a new laptop and not having any internet access in the area, GarageBand never stood a chance. I would catch my family while they were sitting around the TV and play them my demos and because they are incredibly polite, they said they were good!

What’s been happening recently?

I have just purchased some very sexy studio monitors and am setting up a small home studio to begin writing an EP for release in early 2021. I have also been really excited to find some other Australian artists to work with, either as a feature or to co-produce.

How did you come to be a part of the local music scene?
I started making connections through university – becoming friends with wonderfully talented singers, mixing engineers and learning the basics of production on Ableton during tutorials. Since then my tutors and my manager have helped expand my horizons and meet some fantastic artists from around Australia. This is super exciting and I am looking forward to working with as many people as I can!
 
Your new single ‘Shake You Off’ is out now, what influenced the sound and songwriting for this track?

I was really loving the amazing music coming out from Golden Vessel and wanted to create a similar sort of electronic pop track with some toplines that you could sing/rap along to at home! For the chorus, I wanted an off-kilter sort of Flume’esque synth sound and reworked the original synth line to create the organic sounding lead synth in the final version. The song is about two friends who become more than friends, leading to love, happiness but eventually ends in trouble.

Where and when did you record and who with?

The track was recorded over a few months at the end of 2019 and early 2020. Although Lucie lives in Brisbane, she was actually on a student exchange studying music in Los Angeles at the time and had to record her vocals in her bedroom. While we would normally record at my University’s recording studio, COVID-19 meant we needed to find an alternative. For Declan’s (Zeplyn) verse, we recorded in a closet at my house on a disgustingly hot day and although the conditions were dreadful, it resulted in a great performance!

What programs/instruments did you use?
I produced Shake You Off on Ableton and used a Launchkey Mini as my main MIDI controller for all the synths you hear in the track. All the drums are one-shots I have arranged to create the playful yet heavy beat.
 
Who are you listening to at the moment?
So much fantastic music has come out recently. I’ve been listening to new tracks from Young Franco, Yb., Yuto and have had the Vallis Alps Remix of Matt Maeson’s – Hallucinogenics on repeat for the last week. 
 
What do you like to do away from music?
I’m currently having fun completing my Honours thesis at the Queensland University of Technology for Industrial Design. I am looking into making entry lines for music festivals faster and more enjoyable! For work, I help design unmanned ground vehicles (UGVs), drones, robots, and do some data labeling to help improve machine vision systems for autonomous navigation – all very interesting to work on!
 
Who would you love to work with?

I would be absolutely thrilled to work with Emerson Lief, Upsidedownhead, Luboku and Jadu Heart – all have amazing styles and I think working with them would result in some really unique and fun music!

What’s planned for 2020?

I am hoping to keep experimenting with sounds and styles this year, releasing a few more singles in preparation for an EP in early 2021. I am also trying to collaborate with more local artists and keep working my way into the wider Australian music scene!

Favourite food and place to hangout?
My favourite food is anything Mexican – burritos, nachos… the lot. My favourite place to hang out is in the Z9 music building at QUT. With so many amazing artists in the one space, it’s got a fantastic energy about it, not to mention the great equipment!

Stream Link: https://gyro.lnk.to/ShakeYouOff

Instagram: https://www.instagram.com/presentingmagnus/

Facebook: https://www.facebook.com/presentingmagnus/

May 19, 2020 0 comments
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To celebrate the release of MorningMaxwell’s new single ‘Complications’, MorningMaxwell will be conducting a 2-week campaign with the Partae celebrating the topline over alternative beats (One new beat a day) from samples the legend has recorded around his house.
Music News

Complications – MorningMaxwell – MorningBeatboxWell Have you ever seen a topless music producer create a beat? Have you ever heard such a soulful topline?

by the partae May 19, 2020
written by the partae

To celebrate the release of MorningMaxwell’s new single ‘Complications’, MorningMaxwell will be conducting a 2-week campaign with the Partae celebrating the topline over alternative beats (One new beat a day) from samples the legend has recorded around his house.

May 19, 2020 0 comments
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THE ELECTORATE
Music News

THE ELECTORATE Release ‘If I Knew’

by the partae May 18, 2020
written by the partae

AND SHARE “IF I KNEW” VIDEO
The Electorate are Eliot Fish, Nick Kennedy and Joshua Morris. “If I Knew” is the debut single from The Electorate, released Friday 15th May and taken from their forthcoming LP “You Don’t Have Time To Stay Lost”, out soon on Templebear Records, and distributed by MGM. The album was recorded by Tim Kevin at his Tempe River Studios and mastered by JJ Golden in California. 
 
Tim Kevin and Nick Kennedy had played alongside each other in Knievel, and his production work with Youth Group, Holly Throsby, Peabody, Toby Martin and Buddy Glass were well loved by the band. The Electorate started recording with Tim, and by the end of a weekend had the beds down for 10 songs; debut single “If I Knew”, would make it 11. 
 
“If I Knew was the last song recorded for the album – something we’d waited a long time to do.” says Joshua. “We’d ripped the song apart the week before we recorded it, so it was still fresh, and frantic when we did. Each take got us closer to the song being right, but the end of the three of us recording our debut. Do we keep getting it wrong so we can keep having fun?” he asked.
 
The lyrics reference Fugazi, Built To Spill, and two locations – a South Coast caravan and the Mexican city of Oaxaca, which feature in the video clip culled together from footage of a Mexican bus ride and some kids playing on the south coast of NSW. 
 

The Electorateoriginally formed as school kids with a love of melody, contortion and the energy of skewed pop. They played as The Templebears, kicking around the traps and releasing EPs but as they prepared to record their debut, they splintered. The individual members went off to play in bands like Big Heavy Stuff, The Apartments, Knievel, Atticus, Reality Instructors, Imperial Broads. They re-assembled for a one off gig and got sucked back into the universe their songs had created, and set about recording the album they were always meant to make.

The Electorate release “If I Knew” on Friday 15th May on Apple Music, Spotify and is distributed by MGM and found here. It’s the first single from The Electorate’s forthcoming debut LP, “You Don’t Have Time To Stay Lost”.
https://linktr.ee/theelectorate
https://www.theelectorate.com.au/
https://www.facebook.com/theelectorateband/
https://www.instagram.com/theelectorate/
https://twitter.com/electoratemusic
https://theelectorate.bandcamp.com/
The Electorate Facebook | Instagram
May 18, 2020 0 comments
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