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Monthly Archives

December 2018

Nathan Ball
Music News

Nathan Ball – Sold-Out Australian Tour Supporting Ziggy Alberts

by the partae December 20, 2018
written by the partae

London-based indie artist Nathan Ball will return to Australia in January 2019, supporting Ziggy Alberts on a sold-out 24-date national tour.

Nathan Ball’s new forthcoming single ‘Call It Love’ will be available worldwide on Friday January 18

NATHAN BALL
AUSTRALIAN TOUR DATES
Supporting Ziggy Alberts 

FRI 4 JAN | BELLINGEN MEMORIAL HALL, BELLINGEN NSW ** SOLD OUT **
SAT 5 JAN | 
THE CAMBRIDGE, NEWCASTLE NSW ** SOLD OUT **
WED 9 JAN | 
THE RHYTHM HUT, GOSFORD NSW ** SOLD OUT **
THU 10 JAN | 
WAVES, WOLLONGONG NSW ** SOLD OUT **
SAT 12 JAN | 
CLUB SAPPHIRE, MERIMBULA NSW ** SOLD OUT **
SUN 13 JAN | 
MOLO LIVE, CANBERRA ACT ** SOLD OUT **
TUE 15 JAN | 
THE CUBE, WODONGA NSW ** SOLD OUT **
WED 16 JAN | 
SOOKI LOUNGE, BELGRAVE VIC ** SOLD OUT **
SAT 19 JAN | 
SOUTHERN PENINSULA ART CENTRE, RYE VIC ** SOLD OUT **
SUN 20 JAN | 
WESTERNPORT HOTEL, SAN REMO VIC ** SOLD OUT **
THU 24 JAN | 
THEATRE ROYAL, CASTLEMAINE VIC ** SOLD OUT **
FRI 25 JAN | 
TORQUAY HOTEL, TORQUAY VIC ** SOLD OUT **
SUN 27 JAN | 
GRANT PAVILION, TORQUAY VIC ** SOLD OUT **
FRI 1 FEB | 
WHALERS HOTEL, WARRNAMBOOL VIC ** SOLD OUT **
FRI 8 FEB | 
GOLDEN HILL STEINER SCHOOL, GOLDEN HILL WA ** SOLD OUT **
SAT 9 FEB | 
SETTLERS TAVERN, MARGARET RIVER WA ** SOLD OUT **
SUN 10 FEB | 
YALLINGUP HOTEL, YALLINGUP WA ** SOLD OUT **
THU 14 FEB | 
FREMANTLE TOWN HALL, FREMANTLE WA ** SOLD OUT **
FRI 15 FEB | 
BADLANDS, PERTH WA ** SOLD OUT **
FRI 22 FEB | 
FESTIVAL HALL, MELBOURNE VIC ** SOLD OUT **
SAT 23 FEB | 
THE ROUNDHOUSE, SYDNEY NSW ** SOLD OUT **
FRI 1 MAR | 
THE TRIFFID, BRISBANE QLD ** SOLD OUT **
SAT 2 MAR | 
THE TIVOLI, BRISBANE QLD ** SOLD OUT **
SUN 3 MAR | 
BYRON BAY BREWERY, BYRON BAY NSW ** SOLD OUT **


FOLLOW NATHAN BALL

FACEBOOK | TWITTER | INSTAGRAM | SOUNDCLOUD | SPOTIFY | APPLE MUSIC

 

December 20, 2018 0 comments
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Harker
Music News

HARKER Share Lyric Video for ‘Nancy Downs’ & Announce Japan Tour Dates

by the partae December 20, 2018
written by the partae

Announce Japanese Tour Dates For 2019

Debut Album ‘No Discordance’ Out Now

What The Press Have Said: 

“Nothing short of magical” – Punktastic

“You’re unlikely to find a UK punk album that hits this hard” – The Soundboard

“Harker are gifted and their music highlights punk at its best” – Punkanormal Activity

Brighton punks Harker have shared a new music video today for their single ‘Nancy Downs’. The track is taken off of the band’s debut album No Discordance, out now through Disconnect Disconnect, Shield Recordings and Wiretap Records.

Commenting on the meaning behind the song and its video, vocalist and guitarist Mark Boniface said: “Lyrically the song is about facing your problems head on instead of digging holes and burying your head in the sand. This video is a throwback to the days of VHS – where the B movie ruled, and a trip to the rental store meant either finding a total gem or bomb. The footage is taken from ‘Mystics in Bali’ an 80s public domain Indonesian film we’ve been particularly obsessed with lately. We cut with scenes from the film, we’ve overlaid the lyrics on top with the best classic VHS font we could find”. 

Harker have also revealed details of a series of Japanese tour dates beginning in March 2019. The tour will bring the quartet to venues in Yokohama, Shimokitazawa, Uguisudani & Nagoya in support of ‘No Discordance’ which was given a Japanese release through Fixing A Hole Records in February of this year.

Building on previous EP’s, the album has received rave reviews for its amped-up take on the Midwestern punk rock of bands like The Get Up Kids and Jimmy Eat World. Harker go at it hard and their sharp guitar-led anthems have as much to say instrumentally as they do lyrically, drawing comparisons to not only pop-punk favourites but also the more seasoned influences of artists like Husker Du, Buffalo Tom, and Dinosaur Jnr.

Tour dates
22/03 Yokohama Studio Olive
23/03 Shimokitazawa ERA
24/03 Uguisudani Whats Up
25/03 Nagoya Studio 246

Harker – ‘No Discordance’ is out now and available on CD, LP and digital download: http://www.hrkr.co.uk

HARKER online:
Facebook: https://www.facebook.com/HRKRUK/
Twitter: https://twitter.com/HRKRUK
Instagram: https://www.instagram.com/hrkruk/
Web: http://www.hrkr.co.uk/
Spotify: https://spoti.fi/2FbM9QA

 

December 20, 2018 0 comments
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The Mamas
Festival NewsMusic News

THE MAMAS ANNOUNCE 2019 ‘JUICY’ TOUR

by the partae December 20, 2018
written by the partae

Do you find yourself craving any of the following?

– Milk
– Discipline
– Being asked if you’re warm enough
– Squashy hugs
– Being smacked in the head

You probably answered ‘yes’ to all the above, and we’ve got you sorted. The Mamas are an eight-piece soul, RnB and funky fem-hop outfit from Melbourne, led by four of the sassiest vocalists you’ll ever meet. Equal parts fabulous and fearsome, they’ve been disciplining and nurturing audiences around Melbourne for the past two years, becoming known for their sequin-studded shows and their knack for toeing the line between hard-hitting social commentary and outrageous comedy.

Following the release of their debut EP ‘Juicy’, The Mamas are poised to embark on their first ever interstate tour, beginning in their hometown of Melbourne before continuing on to Canberra, Sydney, Lismore, Byron Bay and Brisbane. If ‘Juicy’ is
anything to go by, you can expect alarming sensuality, disarming humour, timeless melodies, four part harmonies, and good, old-fashioned maternal wisdom.

“The Juicy Tour is one of the biggest, exciting things we’ve done as a self-managed, independent band, and we can’t wait! Tell your family, tell your friends and put the kettle on, because your mums and dads are COMING!”
Need some motherly advice? Need a good smack in the head? The Mamas will sort you out.

Catch them on tour in a city near you in January.

The Juicy Tour 2019

January 5th at Cherry Bar, Melbourne
January 10th at Smith’s Alternative, Canberra
January 12th at Golden Age Cinema and Bar, Sydney
January 13th at Red Bar, Sydney
January 16th at Dusty Attic, Lismore
January 17th at Treehouse on Belongil, Byron
January 18th at The Brightside, Brisbane

Listen to ‘Juicy’:

Spotify: https://spoti.fi/2rlJ1wp
Bandcamp: https://bit.ly/2SML0Fm
Apple Music: https://apple.co/2TZuh3i
iTunes: https://apple.co/2QuNxqc
Google Play: https://bit.ly/2SmtB6p
Amazon Music: https://amzn.to/2E6oFPZ

Keep up to date with behind-the-scenes antics, tour shenanigans and more by following The Mamas on facebook and instagram (@themamasmusic).

December 20, 2018 0 comments
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Kay Proudlove
Music News

Kay Proudlove delivers quirky video for ‘Giftcard’

by the partae December 20, 2018
written by the partae

With a remarkably agile, soul-bearing voice and a wry sense of humour, witty local indie-folk singer-songwriter Kay Proudlove has always written songs driven by narrative and powered by her love for the art of observation, ‘Giftcard’, is no different. Covering everything from the financial and social stresses of Santa’s impending visit, to the joy of witnessing pure human connection and of course, those thoughtful and not-so-thoughtful gifts – “surprise, it’s a gift card”, this track a song about the mixed feelings of the festive season that we can all relate to.

Enlisting director and editor Tim Winterflood, Kay and Tim worked together on concocting their quirky festive masterpiece with the hope of bringing Christmas cheer to those young and old – “I have Kay to thank for the video’s concept, her and I worked quite closely on it leading up to the shoot. My main focus was to keep it lighthearted and cheeky during the overlaid shots. In a way, we were lucky because the awkwardness kind of came naturally because we were mostly filming in public places with plenty of bystanders milling around.”  – Tim Winterflood

 “I told Tim that I wanted the music video for Giftcard to be as awkward as Christmas sometimes is, and he really came up with the goods. I actually got a lot of compliments on the jacket while we were shooting. I like how we ended up creating this journey from all of the tacky, over the top parts of Christmas to the Tree farm, which was really natural and beautiful.” – Kay Proudlove

Having graced the stages of the likes of Woodford Folk Festival, By The Banks Music Festival, Jamberoo Music Festival, as well as supporting artists such as Shaun Kirk,Tom Lee-Richards, Caiti Baker, Stevie Jean, The Northern Folk and more. Join Kay as she spreads her holiday cheer over the summer with shows in her hometown of Wollongong, Tasmania at Summer Meadow Music and Cygnet Folk Festival, before she returns to NSW for the Illawarra Folk Festival and a show at Rad Bar.

Upcoming Shows:
Monday 31 December
19-twenty NYE Party
Shoalhaven Heads Bowling and Recreation Club
Shoalhaven Heads, NSW
Tickets

Sunday 6 January
Summer Meadow Music
Marakoopa Cafe, Mole Creek, Tasmania
with Bruce Watson (Australian Folk Icon), Kenta Hayashi (Japanese Loop Pedal), Midnight Messengers (Tasmanian Reggae band)
Tickets

Friday 11 January – Sunday 13 January
Cygnet Folk Festival
Cygnet, Tasmania
Tickets

Saturday 19 January
Illawarra Folk Festival
Bulli, NSW
Tickets

Wednesday 23 January
Rad Bar, Wollongong
supporting Wolf and Willow + Rob Edwards
Tickets

‘Giftcard’ is out now via Ditto
Bandcamp // iTunes // Apple Music // Spotify // Google Play

December 20, 2018 0 comments
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Duendita
Music InterviewsMusic News

Duendita

by the partae December 20, 2018
written by the partae
Where are you currently based and what is the music scene like there?

i’m currently in Berlin. there is music from all over the world here and lots of physical spaces to occupy and share art. there are many different artists here busking, working with artificial intelligence, throwing 20 hour long house concerts… it’s a beautiful place.

 

You’ve just completed your European tour as support for JMSN, how was this experience?

very special, sacred… and affirming. i feel fed.

 

What did you find most challenging and rewarding about the tour?

the most challenging aspect of tour was learning how to depend on myself and trust in my art. sometimes i felt like i didn’t belong, but now i want to move with more conviction.

 

Your EP ‘direct line to My Creator’ is out now, where and when did you record?

direct line to My Creator was recorded over the past two years in New York City.

 

What influenced the sound and songwriting for this EP?
the project started off as demos i wrote and produced. my friend Ezra O.S.T. and i began to edit the ideas more, over a long period of time. 

i was dealing with a lot of pain from when i was younger and i think that innocent sorrow is the spirit holding the tracks together. the lyrics refer to both specific lived experiences and things i would learn in time.

 

Who did you release with?

it was independently released 🙂

 

How do you usually go about writing music?

the idea comes, teases me and i go after it. i may be practicing or setting time aside to be creative. or doing the complete opposite… on my bike, birdwatching or eating falafel. it’s a surprise.

 

How did you first start playing music?

i’ve sung since i was a child and studied choral music for a long time. sometime in middle school, i started writing poetry and songs.

 

Please tell us about the meaning behind your single ‘blue hands’ :

blue hands is about the paranoia police violence has given me.

 

You’ve just been named Soundcloud’s ‘Artist to Watch’ how did this come about and how has it affected your musical career?

Soundcloud was my first outlet for releasing music, it’s also where i’ve met most of my collaborators. i love them for that. i’m happy to be an artist to watch 🙂

 

You have also been selected in the first fifty for the UK’s biggest tastemaker festival The Great Escape, what does this mean to you?

it means… another opportunity to share and grow!

 

What do you have planned for 2019?

birdwatching, therapy, smoothies, good bud, long hikes, small gigs and studio time until festival season.

 

Besides certain religious references I hear that you write everything in lowercase, why is this the case?

hmmm… not sure. it kind of is a religious thing. just how i’d like to express myself.

 

What do you like to do away from music?

birdwatch and go dancing!

 

Favourite food and place to hangout?
i love to eat doubles when i’m in nyc… they’re a Trinidadian street food, chickpea chana between two pieces of dough, with peppers and sweet tamarind sauce … go to Jen’s Roti Shop on Flatbush Ave.
i love to hang out at Baketown 🙂
https://www.facebook.com/duendita95/
December 20, 2018 0 comments
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Hemi
Music News

Hemi – “C’est La Vie” + Nachtbraker remix! (Deep-house)

by the partae December 20, 2018
written by the partae
Istanbul based DJ / producer Hemi is pleased to announce details of a brand new club track ‘C’est la Vie’ due this December via his own label High Above The Ground and features a deep groove remix by Amsterdam based producer Nachtbraker.
Hemi says: “C’est la vie is first of all nothing but the groove! But obviously as the name states, it’s about life and energetic moments!”
After releasing releases from acclaimed labels such as Discotexas and NDYD, Hemi returns to his home turf and puts out his 4th EP, “C’est la Vie” from his own label High Above the Ground! The groove and funk dominated house gem is accompanied by the amazing Nachtbraker’s deep and lush yet powerful and thriving touch to the original.

Energy guaranteed, disco blended Hemi’s 4th EP out from High Above the Ground will be on 17th December including a remix from Nachtbraker!

https://facebook.com/hemimusik
https://soundcloud.com/hemiishemi

https://facebook.com/nachtbrakermusic/
https://soundcloud.com/nachtbraker

https://facebook.com/highabovethegroundmusik/
https://soundcloud.com/highabovethegroundmusik/

artwork by Emin Can Eren
mastering by Rob Small

December 20, 2018 0 comments
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The Gooch Palms
Music InterviewsMusic News

The Gooch Palms

by the partae December 19, 2018
written by the partae

What is your name and role within The Gooch Palms?

Hey I’m Kat, I play drums and do some singing

You’re originally from Newcastle and now based in LA, what’s the music scene like in LA at the moment?

We moved back from LA around a year ago, it was awesome but we felt we were neglecting Australia a bit so decided to move back. We haven’t been back to the US this year but before we left the LA scene was awesome, so many great bands, there was always a local show to go to. But we’ll be heading back early next year for a big US tour around SXSW.

Who are your favourite acts from Newcastle?

Raave Tapes of course! Also loving some of the young bands right now like Milky Threads, Fritz and Surf Trash. It’s a great scene in Newcastle, all the bands are great!

How and why did you end up moving to LA?

We just decided one day to do it. We always enjoyed touring the US so we decided to sell everything we owned except our instruments and move to America. We didn’t know where we’d live, we planned on just heading over for a tour and settling where ever we found a place that we liked. But about a month before we left our friend posted about a room in his house for rent in Los Angeles and we asked if we could take it and he said yes and that was how we ended up there. It worked out great though, LA has such a welcoming scene and we had so many musician friends living there so it was a pretty smooth and super fun transition. We’ll definitely spend more time in Los Angeles in the future, might end up living back there again! Who knows!

How did the Gooch Palms form and how did you come up with the band name?

We started the band in preschool when we were about one and a half years old. The only word Leroy could say was “gooch” and the only word I could say was “palms” so that’s how we decided on the band name. All our first songs were also called Gooch Palms and we just sang about ourselves!

You’ve just finished an Australian tour with RAAVE TAPES, what did you most enjoy and also find most challenging with this tour?

It’s great touring with a support band, especially when you’re friends. It’s nice to see the same faces when you get to the venue each day. And they are so fun live. The only challenging thing was not playing more shows. That tour was only a few shows and we love playing so it would have been sweet to play a bunch more shows with them.

Your latest single Summertime dropped a few weeks ago, where and when did you record it?

We’ve recorded a new album and have released three tracks so far, Busy Bleeding, Marfa Lights and most recently Summertime. We recorded some at our house in LA last year, some at The Grove on the Central Coast with Dylan Adams and then finished it all up at Dylan’s studio in Coogee a few months ago. Now we’re just releasing singles and waiting for the perfect time to drop the album!

What influenced the sound and songwriting for this track?

Summertime was written a few days before we went into the studio at The Grove and didn’t have lyrics at the time. I went into a small office and wrote some lyrics after Leroy and I had a chat about the vibe of the song, we decided we wanted to call it Summertime and give it a summery vibe. So I just plopped down some lyrics and ran them by Leroy and we were like “yeah that will do”. Leroy was going to sing it but was struggling with the phrasing so I quickly grabbed a mic and went back to the small office and quietly sang it straight into the computer as a guide track. When I took it back Leroy and Dylan really liked the way it sounded and they thought I should sing it. We all agreed it sounded completely different to the original way we intended and almost sounded a bit French so I changed some of the lyrics to French (thanks Google Translate!!!) and learnt how to say them, I had to write it all out frenetically, and laid down the vocal. We used a really old accordion organ (don’t know if that’s what it’s called) to bring the end of the song home. Leroy played it and it was starting to heat up so he only had one opportunity to get it right. By the end of the first take the organ was smoking! But we got the take and it really added to the french vibe of the song. It was only supposed to be an album track but it turned out great so we released it as a single.

How do you usually go about writing music and lyrics and then turn them into songs?

Leroy generally writes the guitar part and then we work on a melody and then get a vibe for the song and talk about what subject matter or lyric content might go with the song and then jot down some ideas. The ideas usually change a few times but we settle on some solid lyrics and then build the music section with guitars and drums and then record it as a demo. Some demos don’t ever see the light of day but the ones that do end up being recorded properly and being released!

Who are you listening to at the moment?

We’re currently listening to a band from Sweden called Viagra Boys on repeat!

What do you like to do outside of music?

Leroy surfs, I like to go to the beach too. We like seeing other bands play and hanging out with friends. Love a cold beer down the pub and do karaoke when ever possible.

You’ll be playing at the Best Night Ever on the 29th of December on the Gold Coast along with RAAVE TAPES, DZ Deathrays, Dune Rats and a heap of other rad bands, any idea of what can we expect on the night from this killer line up?

It will be one epic show. All the bands are awesome and we’re also all friends so it will be one giant party on and off stage! We may just get a few of our pals from the other bands up for a song as well!!! But I expect it to be a very fun night!

What do you have planned for the remainder of 2018 going into 2019?

Apart from playing Best Night Ever the rest of the year is going to be pretty chill for us. We usually play NYE but have taken this year off so just planning on partying our way into 2019! We are heading back to the US early in the new year and will be hitting up Europe and of course a big Aussie tour. And dropping the new album some time in the near future!

Favourite food and place to hangout?

Pizza in bed!!!

 

 

Facebook | LINK                   Instagram | LINK                      Website | LINK
December 19, 2018 0 comments
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Super Drama
Music InterviewsMusic News

Super Drama

by the partae December 19, 2018
written by the partae
What is your name and role within Super Drama?

There’s two of us, Jon and Jerome and we both produce and dj as Super Drama.

Where are you currently based and what is the music like there?

We are based in London. East London to be precise. The music round here is very varied and there’s always people pushing the newest sounds around.

How did you first start playing music?

We both have been djing for a very long time now though started as Super Drama in August 2016. It’s been a great two years so far.

How did Super Drama form?

We had been talking about making music together for a very long time, decided to finally make a tune together and it ended up being our first track “Drama Theme” which set the tone for the beginning of Super Drama.

What have your highlights been of 2018?

There’s been a few so far, playing in different countries has been really fun, getting all of our music heard by lots of different people and then all of our mates being super into it has been the best part I reckon.

What have you been working on recently?

We have been finishing an e.p that we are really hyped for everyone to hear. Also have a new single on our label Super Drama Records really soon with a real exciting remix but it’s top secret for now.

Who are you listening to at the moment?

Josh Caffé “The Adventures of Mr Freek”.

What programs/instruments do you use?

Logic Pro and a whole load of drum machines.

Who or what influences your style?

Everything and anything. Our friends definitely influence us for sure and their opinion means a lot to us.

How would you describe your music?

Techno that can go anywhere. From Italo to Ballroom to whatever.

What do you like to do away from music?

Just make the most of London and see our friends. Also world domination.

What do you have planned for 2019?

Just to keep the momentum going, play more gigs and meet new people.

When and where are you playing next?

Our next sets are New Years eve where we’re playing Little Gay Brother and then New Years day at Adonis.

Favourite food and place to hangout?

We love to go down to Chinatown and eat our body weight in rice and noodles.

 

December 19, 2018 0 comments
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Iris Gold
Music InterviewsMusic News

Iris Gold

by the partae December 19, 2018
written by the partae

Where are you currently based and what is the music scene like there?

In Copenhagen. The live Music scene is pretty diverse. So many different styles and types of Artists to check out.
Overall i would say the danes are very into anything 90’s. 90’s r&b and fashion are a Big thing, just Like the rest of the World i guess.

Please tell us about your upbringing and how it has effected your life and music:

I grew up in hippy communes and was always around a quite diverse mix of people. I gravitated towards the more 70’s phychedelic vibes and OL School hip hop, so when i started doing Music it seemed pretty logical to fuse the Two.

How did you first start playing music?

I started reciting poems and little raps from the Time i could talk.
I had a very vivid imagination and i would tell alot of funky stories about other planets i visited in my mind, and these stories later became songs.
My favorite hashtag is #planetcool which is Where i spent most my time in my stories. Its a wonderful World of loveliness Never loneliness.

Who are you listening to at the moment?

kelela, Benji flow, The Internet, kendrick lamar, afrikan boy, kojey radical, The Confect

What or who influences your sound and songwriting?

Probably my uncle who is a fantastic rapper and Who taught me How to flow nicer.
Also the Beatles, childish gambino, lauryn Hill, Anderson paak, Beck and On my latest track “keep the light On” Anita baker.

What have your highlights been of 2018?

So many! But performing at Roskilde festival was dope! So many people Going crazy and vibing together was amazing.
Doing my first ever Tour in Denmark, which was my first Tour anywhere tbh haha.
Going to Ghana and shooting my video with my homeboy manifest for “Roll it out” was life changing. I had the Best time ever!
Meeting my idol lauryn Hill and learning How to cook dal properly.

What do you have planned for 2019?

Ooh i got another single release beginning of the year and then my debut album in the middle of the year.
Alot of live shows.

What do you like to do away from music?

I looove tea. I have so much tea. Im gonna drink alot of tea over Christmas.
I even have an “iris gold – Color trip” tea, made especially for me by this very fancy tea Maker in Denmark.

What programs/instruments do you use?

Erm garage band and my pen and paper. Not very exciting boooh

When and where are you playing next?

Im doing a few tv things now towards Christmas, which i guess Will be online.
Then in january eurosonic festival in the netherlands and a mini Tour in austria and Hungary.
End of February i should have a gig i London actually.

Favourite food and place to hangout?

Haaaas to be my Aunty kates restaurant “kates joint” in Copenhagen. Best food ever. From all over the World. Jamaican, Indian, thai, South african, lebaneese…

https://www.youtube.com/watch?v=l1pYLvwQnAA
https://twitter.com/irisgoldmusic
https://www.instagram.com/irisgoldmusic/
https://www.facebook.com/irisgoldmusic/
https://soundcloud.com/irisgoldmusic
December 19, 2018 0 comments
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DANNY BONNICI & THANKYOU CITY
Festival NewsMusic News

Balance Music release The Golden Key, the latest project from artist Danny Bonnici in collaboration with Melbourne duo Thankyou City.

by the partae December 19, 2018
written by the partae

Danny Bonnici has been a key name in the Melbourne music scene for the past 14 years. Honing in on his ability to produce rich and emotive deep house with perfect execution, he has appeared on international record labels Global Underground, YK4, Vicious Vinyl and more.

His productions both collaborative and independent have earned him industry attention, gaining a Dance Music Award nomination and earning an Aria nomination with his 2003 track ‘Ride’ written collaboratively with Luke Chable. Working with modern electronic artists Kimbra and Bertie Blackman, his original work has even featured in sets by artists such as Sasha, John Digweed, and Herman Cattaneo.

Brothers Scott and Brent comprise the Melbourne based electronic duo that is Thankyou City. With over a decade of experience, the pair has been turning heads both with their mixing and their original productions, and have released works on Open Records and Sol Selectas record labels. This most recent release on Balance Records comes at the tail end of a year spent playing some of the most well-respected boutique techno festivals Australia has to offer, Chi Wah Wah Town, Babylon, and My Aeon.

Whether seeing them play a live set or listening to their latest compositions, Thankyou City has become synonymous with rich and well executed deep house music. This latest release from the pair sure to expand their career to new heights.

This debut collaboration from Danny Bonnici & Thankyou City is a beautifully constructed product of diverse musical backgrounds, and ultimately a symbol of the expansive creative talent within the city of Melbourne. 

The first track of the EP ‘Golden Key’ fuses tribal-esque organic percussion, with a ground shaking sub and soft expanding pads. The track has enough experimental elements to it to make it feel like a breath of fresh air, whilst still maintaining the key elements found in all good tech-house music.

‘Awakenings’ harbours these same key elements but feels much more alive, a stabbing arpeggiated synth weaving listeners through a wide percussive soundscape, a string ensemble, and widely dispersed sound effects.

Featuring a remix from Danny Bonnici’s longtime friend Luke Chable, the final track of the EP completely reshapes the opening track ‘Golden Key’, still featuring those mesmerising softer elements, but refocusing the track on the driving beat and the cleanliness of the percussive breaks.

This body of work overall features so many rich emotive elements, their careful selection of synthesizer upon complex chord progressions matches up perfectly with the heavier side of the tracks within the bass and the drums. It’s a succinct summary of how capable these artists are at creating feel-good dance music of continually high quality, this is arguably their best work yet.

Tracklist

1. Danny Bonnici & Thankyou City – Golden Key (Original Mix)
2. Danny Bonnici & Thankyou City – Awakenings (Original Mix)
3. Danny Bonnici & Thankyou City – Golden Key (Luke Chable Remix)

Danny Bonnici & Thankyou City’s ‘Golden Key’ is out now through Balance Music.

FIND DANNY BONNICI ONLINE:
Facebook
Soundcloud 
Instagram

FIND THANKYOU CITY ONLINE:
Facebook
Soundcloud 
Instagram

FIND BALANCE MUSIC ONLINE:

Official Website
Balance Record Label Facebook
Balance Series Facebook
Balance Series Soundcloud

December 19, 2018 0 comments
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Theus Mago and Local Suicide
Music News

Theus Mago and Local Suicide deliver a dark but infectious EP with ‘Komm Ins Loch’

by the partae December 19, 2018
written by the partae

After a hugely prolific year for the Local Suicide duo, which has brought us collaborations with names such as Low Manuel and Mijo as well as DJ sets across Europe and Asia, they are joining the Mexican label Duro with a three-track EP as a joint effort with the label’s owner Theus Mago. This Mexican producer comes off the back of a similarly hectic year, most recently releasing the ‘Inertials’ single and the acclaimed ‘Ella’ EP, featuring remixes from Arthur Johnson and Il Est Vilaine. This collaborative EP is a masterful blend of styles, merging Local Suicide’s characteristic catchy techno-disco sound with the darker notes typical of Theus Mago. His signature style is that of freeform, synth-driven, moody techno that brings together intricately interwoven influences from across the spectrum of electronic music, providing a perfect foil to Local Suicide’s infectious rhythms.

The original mix of the EP’s title track brings us straight into a snappy percussive beat offset by punchy synths, tempering the flowing grooves with deeper, more grounded vibes. Over the top we hear the invitation from Local Suicide’s Brax Moody to “komm mit mir ins Loch”, or “come into the hole with me”, an enigmatic message that calls for us to fall deeper into the world of sound that they are creating. This is followed up by a package of two remixes from Berlin-based producer and Aleph Music label owner Aeraand versatile Mexican techno producer Colossio. The former provides a rework that extracts the energy from the soaring highs of the track and redirects it into a far grittier and more driven number, whereas on the flipside Colossio delivers an interpretation that is jacked up to the max, creating a powerful and danceable tune.

This release is brought to us by Duro, the rapidly growing Mexican label responsible for some of the most exciting releases in Latin America over the last few years from artists such as Mijo, Bufi and Ambiance. Having already received plays from Solomun in his Tomorrowland set and Âme in his b2b set with Dixon at the Innervisions Off Sonar party in Barcelona, the anticipation for this release is high, and when it lands it will not disappoint. Local Suicide and Theus Mago’s ‘Komm Ins Loch’ EP will be released on the 18th of January 2019, and snippets are up now on Duro‘s SoundCloud channel for immediate news sharing.

Tracklist:
01. Komm Ins Loch
02. Komm Ins Loch (Aera Remix)
03. Komm Ins Loch (Colossio Remix)

Media Kit: https://we.tl/t-Ydgxl1j6lH

Local Suicide socials:
https://www.residentadvisor.net/dj/localsuicide
https://www.facebook.com/localsuicide/
https://soundcloud.com/localsuicide

Theus Mago socials:
https://www.residentadvisor.net/dj/theusmago
https://www.facebook.com/theusmago/
https://soundcloud.com/theusmago

DURO socials:
https://www.residentadvisor.net/record-label.aspx?id=13281
https://www.discogs.com/label/1039839-Duro
https://www.facebook.com/durolabel/
https://soundcloud.com/durolabel
http://durolabel.com/

December 19, 2018 0 comments
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GOLDEN FEATURES
Festival NewsMusic News

GOLDEN FEATURES DROPS TWO BRAND NEW REMIXES OF ‘WOODCUT FT. RROMARIN’

by the partae December 19, 2018
written by the partae

Adored electronic producer Golden Features (Tom Stell) has today released two brand new remixes of his latest single Woodcut (ft. Rromarin). The two new collaborations, can be heard here, and come courtesy of American producer Machinedrum and rising Australian future pop duo Kult Kyss which Rromarin makes up one half of. The original track is lifted from Golden Features’ critically acclaimed debut record SECT which was released in July this year ­– LISTEN HERE.

The two latest remixes follow the recently released Golden Features remix of Odesza’s Falls, and also the joint colab which saw Golden Features team up with Odesza to remix Memories That You Call feat. Monsoonsiren. Both of which can be heard, HERE and HERE.

2018 has been a standout year for Stell. His debut record SECT, a career defining body of work which cited influences ranging from post-punk to early Ed Banger-inspired sounds and aesthetic was named triple j feature album, received a rapturous reception from fans and critics and cemented his status as one of the country’s leading electronic producers.  Woodcut (feat Rromarin) which has reached one million streams since release follows on from SECT’s lead singles Falling Out and Worship which have amassed over 4.5 million and 3.9 million global streams respectively.

Shortly after the release his debut record, Golden Features brought to life the dark and dystopian world he had created on SECT to sold out shows at landmark venues including The Hordern Pavilion and The Forum in Melbourne on the SECT Australian tour. Having recently performed at Spilt Milk Festival, Golden Features will celebrate the New Year with performances at Lorne, Marion Bay, Byron Bay and Fremantle as part of this year’s Falls Festival – click here for ticket info.

GOLDEN FEATURES TOUR DATES

 

28TH – 31ST DECEMBER – FALLS FESTIVAL, LORNE

29TH – 31ST DECEMBER – FALLS FESTIVAL, MARION BAY

31ST DECEMBER – 2ND JANUARY – FALLS FESTIVAL, BYRON BAY

5TH – 6TH JANUARY – FALLS FESTIVAL, FREMANTLE

 

FOLLOW GOLDEN FEATURES
WEBSITE I SOUNDCLOUD I FACEBOOK I TWITTER | INSTAGRAM

December 19, 2018 0 comments
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JPEGMAFIA
Music News

JPEGMAFIA PERFORMS “THUG TEARS” TAKEN FROM ACCLAIMED 2018 ALBUM ‘VETERAN’ LIVE ON A COLORS SHOW

by the partae December 19, 2018
written by the partae

“JPEGMAFIA rules — he produces harder beats than anyone and raps with flesh-eating venom for the evil, the hypocritical, and the competition.” – FADER

“ODB at his most formless would be an impossible model for most artists in any century. For JPEG, it’s just the starting point.” – Pitchfork

“JPEGMAFIA makes murky lo-fi rap into something exciting” – Stereogum

Baltimore rapper and producer JPEGMAFIA serves up a volatile yet utterly captivating performance of his track “Thug Tears” for A Colors Show. Nest HQ wrote of the performance: “Backed in magenta, Peggy unleashes his popular fury to the lone mic in the studio. His aggressive and practically hysterical show is laced with his one-and-only talent of literally making you hear his pain”.

2018 has been a breakout year for JPEGMAFIA. Since dropping his latest album Veteran in January – which has garnered nearly 10 million combined streams to date – and releasing Backstreet Boys “cover”‘Millennium Freestyle’ in July and “Puff Daddy” in November – JPEG has become one of the most well-reviewed critical breakouts this year, with praise from the likes of Pitchfork, The FADER, The LA Timesand Interview Magazine, among other tastemakers.

Born in New York to Jamaican parents, JPEG spent the bulk of his childhood in East Flatbush, Brooklyn (deeply rooted in West Indian culture and black pride) and most of his mid-teens in deep south rural Alabama, bouncing from place to place due to rough circumstances at home.

After graduating high school, JPEG joined the military, deploying to different parts of the world, meeting fellow artists and adding new elements to his producing and rapping repertoire. Now based in Los Angeles, JPEGMAFIA’s sound is dark but not without a humour that makes things even more uncomfortable. His role as villain or satirist, hood protector or nihilist is intentionally hard to put one’s finger on.

CONNECT WITH JPEGMAFIA
December 19, 2018 0 comments
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Festival NewsMusic News

VBX Amsterdam confirm first shows of 2019 – Ricardo Villalobos, RPR Soundsystem, Spokenn, Ingi Visions, Benny Rodrigues & more

by the partae December 19, 2018
written by the partae
Christmas comes early with the news that leading underground promoters VBX will be hosting two more of their famous parties in the first part of 2019. Taking place at their favourite venues in Amsterdam, Shelter with the likes of Ricardo Villalobos, RPR Soundsystem, Ferro, Reiss, Ingi Visions and many more all providing the intriguing soundtracks.

VBX are known for throwing unique, carefully conceived parties in Amsterdam’s most atmospheric and important venues. As well as making a big mark at ADE each year with their much loved offerings and afterparties, they also host plenty of cosy, intimate parties for smaller crowds who like to get down.

First up in the New Year is Ricardo Villalobos and Ferro on 25th of January at Shelter Amsterdam, the immersive basement space that has been the site of many great VBX parties over the years. Almost a year ago the “shaman of techno” – after nearly 5 years off absence from the Amsterdam club circuit – brought his A-game to Shelter Amsterdam and mesmerized everybody in attendance. Teasing records for minutes on end before unleashing them in all their glory, cutting between techno, house, breaks and throwing perfectly timed curveballs with a flair of effortlessness. He ended up playing several hours longer than originally planned because he enjoyed himself so much. What’s more, Ricardo is now a regular VBX guest who always brings his unpredictable and excellent a-game, and assured resident Ferro knows exactly how to work his crowd.

Next up is the cult favourite minimal masters that are RPR Soundsystem, who bring their intricate and intoxicating rhythms to Room 1 of Warehouse Elementenstraat on the 15th of February. This venue is another regular haunt for VBX and a historic Amsterdam space with industrial halls and large immersive rooms that come alive with the VBX production. Joining RPR will be VBX resident duo Spokenn (Ferro and Reiss) to ensure to get the VBX vibes right on track. As well as this there be a delightful Room 2 takeover from fellow Dutch promoters and label Slapfunk, who will bring their tasteful grooves courtesy of head honcho’s Ingi Visions (Samuel Deep & Julian Alexander), Benny Rodrigues and Gene On Earth.

In true VBX fashion there will of course be the infamous after parties in place for both shows…the details of those will be announced closer to the time, but as always you know the Dutch promoters will not disappoint.

A definitive and exciting start to the year from VBX, who continue to be one of Europe’s leading underground promoters.

Tickets: https://www.residentadvisor.net/promoter.aspx?id=30291
Web: http://www.vbx.nu/l0pvlth5411l2fbqfyr7ue9ikiyk9c
FB: https://www.facebook.com/vbx.nu/
_____________________________
VBX w/ Ricardo Villalobos, Ferro
Ricardo Villalobos
Ferro
25.01
Shelter
_____________________________

VBX Afterhours

Info TBA
26.01
_____________________________
VBX w/ RPR Soundsystem, Spokenn (Ferro & Reiss) + More tba
ROOM 1:
RPR Soundsystem
Spokenn
ROOM 2 (Hosted by SlapFunk): 
Benny Rodrigues
Ingi Visions (Samuel Deep & Julian Alexander)
Gene On Earth
15.02
Warehouse Elementenstraat
_____________________________
VBX Afterhours
Info TBA
16.02
December 19, 2018 0 comments
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Algorythm - Marrakech
Music News

Algorythm – Marrakech Released 14th December 2018 on Planet X Recordings

by the partae December 19, 2018
written by the partae

Berlin-based producer, DJ and Neptune Records boss, Algorythm, weaves his melodic magic upon his captivating Marrakech EP.

The EP opens with Marrakech a rhythmic and driving track with industrial hints, culminating in an euphoric breakdown. This bleeds gently into Lima with its spacey sensibilities, chugging bassline and uplifting pads. On Tuscan, Algorythm creates a glitchy, dark and rolling techno number that delves into a deeper hypnotic section. Broken Glass closes the EP with ambient melody laced with dreamy synths and underpinned by a dubby bassline.

Algorythm is ending 2018 the same way he began it- with a mesmerising release that delicately balances light and dark. He released his Monodular EP in January on Curle Recordings, home to Agents Of Time, Efdemin and Tobias. The production wizard also heads up his own Neptune Records imprint, home to much of his output. As well as this, Algorythm, together with the Berlin collective that he is part of, has created a brand new label- Planet X Recordings. Named after the mysterious Planet X, the collective have new releases planned for next year with each one featuring a collaboration with different photographers that will culminate in an exhibition next summer.

Label: Planet X Recordings | Released: 14th December 2018 | Distribution: DigDis! | Cat no: X-101 1. Marrakech 2. Lima 3. Tuscan 4. Broken Glass

 

 

 

soundcloud.com/algorythm-official                   facebook.com/algorythmofficial

December 19, 2018 0 comments
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