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Monthly Archives

April 2018

Festival News

PITCHFORK MUSIC FESTIVAL PARIS announce first names: Bon Iver, Fever Ray, Mac DeMarco & Blood Orange. 1st, 2nd & 3rd November

by the partae April 5, 2018
written by the partae

The 8th edition of Pitchfork Music Festival Paris will take place on 1, 2 & 3 November 2018 at the Grande Halle de la Villette. Get ready for 3 days of heady musical action this Autumn in Paris!

Since 2011, the festival has made the Grande Halle de la Villette its home, right in the heart of Paris’ 19th arrondissement. Spread over 3 days, the festival offers music lovers a bold line-up that’s like no other, showcasing the best of the international indie scene.

We’re extremely excited to announce the first names: Bon Iver, whose beautiful melodies and delicately written songs we all know and love so well; the extravagant and unconventional Fever Ray, aka Karin Dreijer Andersson (one half of Swedish duo The Knife), who’s back with Plunge, her first album in 8 years; oddball eternal teenagerMac DeMarco brings his happy-go-lucky fragility; and finally, Devonté Hynes’ most indie-funk, R&B-pop alter-egoBlood Orange will be there, with his hotly anticipated new album up his sleeve.

Since 2016, Pitchfork Paris has spread its musical wings with Pitchfork Avant Garde. Spanning Paris’ Bastille neighbourhood, come discover the new indie guard over two nights of music, on 30 & 31 October.

Pitchfork Music Festival Paris is produced by Super Parisian booking and events agency, producing tours for French and International artists – and the American media Pitchfork.

— INFO

3-day pass on sale on April 5th ( €100 > €120 > €135) : http://www.digitick.com/index-css5-pitchforkfestival-pg1.html

Day tickets ( €45 > €50 > €55) : not on sale yet

Links:
Website : https://pitchforkmusicfestival.fr
Facebook Event : https://www.facebook.com/events/563715857336502/

April 5, 2018 0 comments
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Music News

The Gloomies New Single “Tiger” + Tour Dates with Cullen Omori

by the partae April 4, 2018
written by the partae

“TIGER“

HEAR: “Tiger”
https://open.spotify.com/album/56oIaP5whe8memsOaiyWww
https://itunes.apple.com/us/album/tiger-single/1365756103
https://soundcloud.com/thrillmerecords/the-gloomies-tiger/s-I8cjA

Today, California based indie-pop duo The Gloomies release their infectious new single “Tiger”.

Front man Andy Craig and drummer Chris Trombley began their music career together when they
met in 2013 and played in the band SACCO. They have since created songs that exhibit a layer of
fantastical and hypnotic themes. Towards of end of 2015, The Gloomies quickly gained notoriety
after releasing their debut single “LSD” from the likes of NME, Noisey, DIY, EW, among others. A
5-song EP entitled ‘Blackout’ featuring the noteworthy track “Fire Escape” soon followed in Spring 2016.
Late in 2017 the band released the single, “Space”, which features guest vocalist Madeline Follin (Cults).

Stay tuned for news about their long-awaited debut album..

Catch ’em on the road in May with Cullen Omori (Sub Pop).

Tour Dates:
5/3 San Pedro, CA @ Brouwerij West *
5/4 San Diego, CA @ Soda Bar *
5/5 Los Angeles, CA @ The Echo *
5/6 San Francisco, CA @ Cafe Du Nord *
5/8 Portland, OR @ Bunk Bar *
5/9 Seattle, WA @ LoFi *
5/10 Vancouver, BC @ Astoria *
5/12 Boise, ID @ Neurolux *
5/13 Salt Lake City, UT @ Kilby Court *
5/15 Denver, CO @ Lost Lake *
5/17 Tucson, AZ @ 191 Toole *
5/19 Phoenix, AZ @ Yucca Tap Room *

* w/ Cullen Omori

facebook.com/thegloomies
twitter.com/thegloomies
instagram.com/thegloomies
soundcloud.com/thegloomies

————————————

 

April 4, 2018 0 comments
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Festival News

Outside Lands Announces 2018 Lineup

by the partae April 4, 2018
written by the partae
THE WEEKND, FLORENCE + THE MACHINE AND JANET JACKSON
ALSO FEATURING
FUTURE, ODESZA, BECK, CARLY RAE JEPSEN, BON IVER, N.E.R.D, CHVRCHES, HUEY LEWIS & THE NEWS, DJ SNAKE, JAMES BLAKE, JESSIE WARE, JAMIE XX AND MORE
3-DAY GA & VIP PASSES ON SALE
THURSDAY, APRIL 5TH AT 10AM PT
Another Planet Entertainment, Superfly and Starr Hill are excited to unveil the lineup for Outside Lands 2018. Now in its 11th year, the festival will return to San Francisco’s historic Golden Gate Park on August 10-12th, once again showcasing a world class music, art and comedy lineup alongside the best of the Bay Area’s food, wine and beer. For the first time, Outside Lands is offering a 3-Day GA & VIP Layaway Plan option, allowing fans to pay for their passes in four installments. 3-Day GA and VIP Regular and Layaway Plan passes will go on sale this Thursday, April 5th at 10am PT, exclusively at http://sfoutsidelands.com. 3-Day GA prices start at $375 + fees and and 3-Day VIP prices start at $795 + fees. The festival has sold out in advance the past seven years and fans are encouraged to buy their tickets as soon as they’re on sale Thursday.
Leading the musical charge this year are powerhouse performers Janet Jackson, Florence + The Machine and The Weeknd. Outside Lands has again curated a forward-thinking lineup by combining the hottest new talent with artists like Sabrina Claudio, Kelela, Daniel Caesar, Tash Sultana and more, alongside crowd favorites like Beck, Bon Iver, CHVRCHES and musical legacy acts like Huey Lewis & The News. The full lineup – listed in full below – has something for everyone. Watch the lineup announcement video here: https://youtu.be/bXJ1LKDDhOw
As The Guardian wrote, Outside Lands fans “come for the music and stay for the food.” The festival’s 2018 culinary program will continue to expand and this year fans will have access to over 200 menu items from the best Bay Area restaurants, hundreds of Northern Californian wines and beers and a collection of the region’s best cocktail bars. Outside Lands’ distinct food and drink experiences that excite the senses will also return, including Taste of the Bay Area, Wine Lands, Beer Lands, The Back Wine, Cocktail Magic, and GastroMagic. The Outside Lands 2018 food and drink lineup will be announced soon. Please visit www.sfoutsidelands.com for updates.
Adding to the overall experience, Outsider Art, Eco Lands and The Barbary – named in honor of San Francisco’s Barbary Coast district and featuring the best of comedy and cabaret.
Outside Lands continues to be an environmental leader in the festival scene expanding its efforts to divert more waste than any other festival of its size. In 2017 an incredible 91% of last year’s waste was composed of reusable, recyclable, and compostable materials. As part of Outside Lands’ ongoing commitment to the local community, the festival has contributed over $20 million to the San Francisco Recreation & Park Department.
The confirmed Outside Lands 2018 lineup is below:
The Weeknd
Florence + The Machine
Janet Jackson
Future
Beck
ODESZA
Bon Iver
DJ Snake
Portugal. The Man
N.E.R.D
CHVRCHES
James Blake
Jamie xx
Huey Lewis & The News
Illenium
Mac DeMarco
Tycho
Father John Misty
Carly Rae Jepsen
Chromeo
The Internet
Jessie Ware
BØRNS
Gryffin
The Growlers
Tash Sultana
SOB X RBE
Big Gigantic
Broken Social Scene
Rainbow Kitten Surprise
Daniel Caesar
Perfume Genius
GoldLink
Chicano Batman
Jessie Reyez
LP
Rex Orange County
Sabrina Claudio
Margo Price
Kelela
Claptone
Mountain Goats
LAUV
Lizzo
Whethan
Smokepurpp
Quinn XCII
Poolside
Bahamas
Cuco
Amen Dunes
Shannon & The Clams
Aquilo
Dermot Kennedy
Pale Waves
Tyler Childers
Lucy Dacus
Mikky Ekko
Olivia O’Brien
Sasha Sloan
Gang Of Youths
Kailee Morgue
Freya Ridings
Caleborate
Durand Jones & The Indications
Nick Mulvey
GoGo Penguin
Jack Harlow
Knox Fortune
Monophonics
Kikagaku Moyo
Hot Flash Heat Wave
Sweet Plot
Dick Stusso
April 4, 2018 0 comments
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Music News

Stereo Sanctity JO PASSED – Share new single & video “Millennial Trash Blues”

by the partae April 4, 2018
written by the partae

With their debut LP Their Prime set for release May 25th worldwide via Sub Pop Records & Canada via Royal Mountain Records, Vancouver-based quartet Jo Passed are sharing the second single & video from the album with new track “Millennial Trash Blues”.

Director Justin Gradin offers this of the video: “A nightmare on the tip of an eyelash. An astrological garbage dump with burning snowflakes and a trap door.  A wild teen awake in someone else’s dream.”

Jo has been part of the DIY music scene since his late teens. Initially it was just him and his high school best friend Elliot Langford against the world. They were the “freaky music weirdos” and they began their own band projects. Jo was pretty sure that it would be two of them riding into the sunset – or maybe the gloom – together. Personal circumstances and the phenomenon of the late 20s return of Saturn (for those who believe in astrology) got in the way. Their band Sprïng called it a day. That’s where the life of Jo Passed began. The idea of a band dynamic is far more appealing to Jo than solo projects, and the current incarnation of Jo Passed feels like its most robust yet.

Jo, along with his friend and drummer Mac Lawrie, moved across the country from Vancouver to Montreal. The two would play shows in Montreal and eventually tour the far right corner of North America. Upon Jo’s return to the west coast, multi-instrumentalist Bella Bébé officially joined the band in January of 2016, expanding Jo Passed from trio to a full quartet. Multimedia artist Megan-Magdalena Bourne began working with Jo Passed on a video project for the song “Rage” (from the Out EP). This creative partnership would eventually lead to her taking on the role of bassist for the band.

When not geeking out over The Zombies, or Nirvana, or Johann Sebastian Bach… Bella, Mac, and Megan have worked with Jo to realize the live experience of Their Prime, following two Jo Passed EPs titled Up and Out.

Preorders for Their Prime are now available through Sub Pop and Royal Mountain Records. LP purchases in North America through https://megamart.subpop.com/releases/jo_passed/their_prime and select independent retailers will receive the limited Loser edition on clear vinyl (while supplies last). There will also be a T- shirt design available. The limited Loser edition will also be available in the UK/EU on clear vinyl from select independent retailers (while supplies last).

Their Prime is a record about identity and the loss of time that happens as a direct consequence of being in the city with nowhere to rent, no time outside of employment and no realistic expectations to live up to. It encompasses that fear of being beyond the glory years, the most creatively fruitful period of one’s life. Those years were lost to contemporary struggles for working relationships, home, identity and space. “It’s me owning my worst nightmare,” he admits. “A lot of the Jo Passed project has been about confronting fears. I was afraid to move away from Vancouver to Montreal on my own. Afraid to leave musical relationships I had. Afraid to bare the full responsibility of a project. I’ve been putting out records and not ones anyone’s necessarily heard. Being open about those fears is a good way of dealing with them. You end up at this point where you hit 30 and you’re like, ‘Oh what happened? Am I done? Did I not activate my main creative energy?’ It’s a ridiculous idea but 30 feels a little like 1000 in rock n roll terms.” You can hear the frustrations and the jitters in the crashing loud-and-quiet motifs throughout the album’s twelve tracks, which offer up a patchwork quilt of sound, similar to Faust’s IV or Fugazi’s Red Medicine.

Jo Passed live dates:
Apr. 14 – Victoria, BC – Lucky Bar
May 12 – Toronto, ON – The Garrison / CMW (Royal Mtn. Records showcase)
May 25 – Vancouver, BC – Red Gate Arts Society
May 27 – Oakland, CA – Starline Social Club
May 28 – Los Angeles, CA – Moroccan Lounge
May 30 – Phoenix, AZ – Valley Bar
May 31 – El Paso, TX – Lowbrow Palace
Jun. 01 – Austin, TX – The Sidewinder
Jun. 02 – Fort Worth, TX – MASS
Jun. 04 – Nashville, TN – The End
Jun. 05 – Durham, NC – The Pinhook
Jun. 06 – Washington, DC – DC9*
Jun. 07 – Philadelphia, PA – Boot & Saddle*
Jun. 09 – Allston, MA – Great Scott*
Jun. 10 – Providence, RI – Fete Music Hall*
Jun. 11 – Montreal, QC – Bar Le Ritz
Jun. 12 – Ottawa, ON – Makerspace North
Jun. 13 – Detroit, MI – Marble Bar*
Jun. 14 – Columbus, OH – Ace of Cups*
Jun. 15 – Cincinnati, OH – TBC*
Jun. 16 – Chicago, IL – Sleeping Village*
Jun. 17 – Milwaukee, WI – The Cactus Club*
Jun. 18 – St. Paul, MN – Turf Club*
Jun. 19 – Winnipeg, MB – The Good Will Social Club
Jun. 20 – Saskatoon, SK – Amigos
Jun. 21-23 – Calgary, AB – Sled Island Festival
Jun. 27 – Portland, OR – Mississippi Studios
Jun. 29 – Seattle, WA – Barboza
*w/ Dick Stusso

Their Prime artwork:

Their Prime tracklisting:
1. Left
2. MDM (video)
3. Glass
4. Undemo
5. Facetook
6. Repair
7. R.I.P.
8. Millennial Trash Blues
9. You, Prime
10. Sold
11. Another Nowhere
12. Places Please

Links:
Jo Passed on Bandcamp
Jo Passed on Facebook
Jo Passed on Twitter
Jo Passed on Instagram
Jo Passed on Sub Pop Records

April 4, 2018 0 comments
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Music News

Orchards Sign To Big Scary Monsters

by the partae April 3, 2018
written by the partae

Big Scary Monsters are delighted to announce that they have signed Brighton-based quartet ORCHARDS and will be revealing further details of new material over the coming months.

The band head out on tour with Minnesota trio Tiny Moving Parts across the EU and UK next month, and to celebrate the news of their signing are pleased to be streaming brand new track ‘Luv You 2’ which is released 4th April 2018via all good digital service providers.

Listen and share here: https://soundcloud.com/bsmrocks/luv-you-2/s-JZV5c

Commenting on the inspiration for the track, vocalist Lucy Evers said: “Most of the lyrics I write come to me in stages, but these words just flew out on to the paper. I penned the whole song within half an hour, just from one brief conversation with someone I was once friends with. We both fell in love with the same person, unbeknownst to each other at the time. I felt so inadequate in comparison to the other girls that this person was very obviously attracted to, but after a pep talk with my best friend I realised it wasn’t worth my energy and that if they didn’t want me well it was their loss, that I should rise above it and carry on regardless. 

“I’d totally forgotten about those emotions and how they made me feel because I was too busy trying to be a boss-ass bitch (I’m definitely not cool enough to say that), but after bumping into one of the girls it all came flooding back. My favourite lyric in the song is ‘I don’t hate you because she raised me right, it’s just a pity you didn’t put up a fight’. I take a lot of inspiration from the amazing women in my life and none of them raised me to be defeatist. That’s what this song’s about – patience, understanding and never giving up – just continuing to grow.”

Previously described as a “glittery gateway drug” and combining left-field experimentation with startlingly prescient pop sensibilities, Orchards are following in the footsteps of luminaries Everything Everything and Foals with their accessible take on the instrumental complexities and effects wizardry of mathrock stalwarts like Tera Melos and TTNG.

Having so far appeared at festivals including Handmade, TRUCK, YNOT and Alternative Escape, they have also performed as part of the global music series Sofar Sounds and have been featured on playlists curated by Spotify & Buzzfeed.

Support from local and national radio from the likes of BBC Introducing, Juice Radio and BBC Radio 6 Music has been backed up by critical praise from press including The Line of Best Fit, DIY, CLASH, DORK, Wonderland, Indie Shuffle and a whole host of Hype Machine blogs and influencers.

Further details of new music TBA

Orchards 2018 UK/EU Tour Dates + Festival Appearances

07.04.18 – Southampton – Joiners – UK *
08.04.18 – Nottingham – Bodega – UK *
09.04.18 – Newcastle – Think Tank – UK *
10.04.18 – Glasgow – Stereo – UK *
11.04.18 – Leeds – Key Club – UK *
12.04.18 – Cardiff – Clwb Ifor Bach – UK *
13.04.18 – London – The Dome – UK *
14.04.18 – Birmingham – The Asylum 2 – UK *
15.04.18 – Manchester – Deaf Institute – UK *
17.04.18 – Paris – Backstage – FR *
18.04.18 – Cologne – MTC – DE *
19.04.18 – Hamburg – HeadCRASH – DE *
20.04.18 – Trier – Luckys Luke – DE *
27.04.18 – Leicester – The Cookie – UK (supporting TTNG)
06.05.18 – Newcastle – Hit The North – UK
12.05.18 – Exeter  – Queer Punk Fest – UK
17–19.05.18 – Brighton – The Great Escape – UK
16.06.18 – Winchester – Winchestival – UK
20.06.18 – Orfu – Fishing On Orfu Festival – HUN
22.07.18 – Oxfordshire – TRUCK Festival – UK
17.08.18 – Bristol – ArcTanGent Festival – UK

* w/ Tiny Moving Parts

https://www.facebook.com/orchardslivehttps://www.youtube.com/c/orchardslivehttps://twitter.com/orchardslivehttps://orchardslive.bandcamp.comhttps://www.instagram.com/orchardslive

April 3, 2018 0 comments
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Music News

Teen Creeps Share New Single “Sidenote”

by the partae April 3, 2018
written by the partae

Today we’re excited to introduce you to Ghent-based trio Teen Creeps, who have just announced their debut album ‘Birthmarks‘ set for release April 6th. Combining a mixture of ’90s inspired alt rock with hard-hitting punk, the first single from the LP “Sidenote” is online now.

Speaking about the new track, singer-bass player Bert said “It’s about not fully committing to someone and getting nowhere because of it. Feeling something but holding it off because you don’t want to get hurt again. When I wrote the words I had just come out of a relationship and wasn’t ready yet for a new one. I met someone but things went sideways because of this.”

“The dancer in the video is Jules Jordens, an actor who is a friend of the band. He showed up with an entire dance routine that perfectly translates the vibe and energy of the song. Plus, watching him go at it brings smiles on our faces.”

Teen Creeps are a trio from Ghent. You may know drummer Ramses Van den Eede from weirdo rockers Hypochristmutreefuzz, singer-bass player Bert Vliegen from the slowcore bands Sophia and Horses or guitarist Joram De Bock from the former hardcore formation Deadender. But what the three do in Teen Creeps is something quite different.

They combine a mixture of alternative rock from the ‘90’s and punk that sounds both solid and melodious. The band itself describes its music laconically as ‘post-everything’, but you can clearly hear the influences of nineties bands Sonic Youth, Dinosaur Jr. and Jawbreaker. As well as those of contemporary bands like Cloud Nothings and Yuck.

“In fact, we usually play indie rock, but the kind of music to which the term originally referred in the ‘80’s and ‘90’s. That of bands like Superchunk and Archers or Loaf: guitar rock at the boundary between punk and melody. Not because we are nostalgic, but because we identify with the sound of that time. It is solid and energetic, but also melancholic and embodies lived experience. That is something that we are also striving for ourselves: it may ‘rock’, but we always put a lot of feeling into our music.”

Since its formation five years ago, Teen Creeps has performed as many shows as possible at home and abroad, appearing on stage at renowned festivals in the Benelux as Rock Herk, Absolutely Free Festival and Incubate. And playing clubs in Germany, France and Great Britain.

After an EP (2014) and a 7” (2015), Teen Creeps began work on their first full album. Their previous releases were all recorded in the rehearsal room, but for ‘Birthmarks’ they recorded in a real studio for the first time. The band went to London, where they worked with the producer Rory Attwell (Veronica Falls, The Vaccines, Yuck) at Lightship 95. A studio on a lightship anchored in the Thames.

“We got to know Rory when we were the opening act for his band Die! Die! Die! When it emerged that he had also worked as a producer on records of which we were fans, to us it seemed the perfect match. And indeed it was! The studio itself was a further reason for going to London. Because recording on a big, red boat naturally appeals to the imagination”, says guitarist Joram.

Through nine numbers, Teen Creeps adheres to its mixture of fuzzy guitars, melodious vocals and energetic drums on ‘Birthmarks’. But at the same time the band also pulls out all the stops. ‘Sidenote’ opens strongly, but is quickly followed by the poppy ‘Hindsight’. On ‘Mercury’, the bass guitar comes to the fore, and in ‘Good Intentions’ the tempo slows for the band’s best number so far. “We have tried to do new things within the framework in which we work. We remain true to ourselves, but we do not want to fall into repetition either”, says drummer Ramses.

Textually ‘Birthmarks’ has become a personal record, singer Bert explains. “It is an album about frustrations, shortcomings and disappointments. About misplaced hope and false expectations, about people hurting and being hurt and not being able to deal with it. Very personal for me, but that is something that I have learned with Teen Creeps: to make myself vulnerable in my texts. ‘Birthmarks’ contains the most honest lyrics that I have ever written. The title refers to events that you carry with you for the rest of your life, whether good or bad. Just as a birthmark is not necessarily beautiful or useful, it is forever.” 

‘Birthmarks‘ artwork:

‘Birthmark‘ tracklist:
1. Sidenote (video)
2. Hindsight
3. Mercury
4. Will
5. Good Intentions
6. Thread
7. Hemispheres
8. Unravel
9. Forging Kindness

Links:
Facebook
Bandcamp

April 3, 2018 0 comments
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Music News

Nana Adjoa Announces New EP + Unveils New Song “Honestly”

by the partae April 3, 2018
written by the partae
Photo Credit: Latoya van der Meeren
Nana Adjoa is the Dutch-Ghanaian singer-songwriter brimming with quiet confidence. Her new EP,  Down at The Root (Part 2) combines the warm, musical simplicity of great song-craft, with the bold, multi-layered palette of artists such as Beck or Little Dragon.
Released today is the first track from the new EP “Honestly“, the follow up to the gorgeous Down at The Root (Part 1). The song is a self-described “outsider track” that grew from its simple piano backing into an altogether more vibey affair. “I didn’t even think it was going to make the record because it felt so different from the rest,” Nana says. “I guess it’s about how people are scared of the possibility of something bad happening. And that fear is really strange because you don’t know what’s going to happen. You never know what’s going to happen.” As Nana herself is proving – eventually you just have to let go.
 
Click Here To Listen To “Honestly”
Who Is Nana Adjoa… 
Born in Amsterdam, Nana spent a portion of her childhood in the concrete environs of working class neighborhood the Bijlmer. “It’s not the nicest part,”she says with trademark modesty of an area described by the local chief of police as a ‘national disaster area’. Her father was a Ghanaian who’d came to Amsterdam in the 1980s, her mother Dutch (“very Dutch”). She describes her upbringing as fairly liberal until her parent’s divorce and their subsequent embrace of Christianity. ” The second part of my growing up was with some Christian values, but by this point I was getting to the age of making up my own mind,” she says. ” It was a bit ‘too late’ for me.” She speaks of a rift it cased in her family, with the Christians (Nana’s father, mother and brother) on one side and the non-Christians (Nana, her sister and the rest of the family) on the other.
Religion, along with questions about her own gender identity as well as growing up a half black person in a pretty white environment were all benchmarks that really shaped who Adjoa is and in turn her songwriting. “In fact, I think I still unconsciously use a lot of Christian ideas and metaphors in my music,” she adds.
Nana was accepted to study jazz (electric bass and double bass) at the prestigious Amsterdam Conservatory, however the reality wasn’t quite what she’d imagined.”It was very much like school,” she says, today. “We thought we wanted to go to the most difficult department, that we wanted to be the best, but it wasn’t a very fun experience.” A divide began to grow between the restrictive, theoretical compositions she was studying and the more melodic, free-flowing music she was playing outside.
Soon after she realized pursuing her own solo career and not academia was the direction for her she she formed a band and for the first time started recording her songs. The results are Down at The Root (Part 1) and Down at The Root (Part 2)
with Part 2.  
“It’s a really nice feeling when people actually listen to the music you created somewhere,” she says of an ever-growing fan base. “It’s still crazy.“
Follow Nana Adjoa:
Instagram | Twitter | Facebook | SoundCloud | Spotify | Apple
April 3, 2018 0 comments
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Music News

Matt Maeson New Track “Hallucinogenics Out Today, The Hearse EP Out April 27

by the partae April 3, 2018
written by the partae
Today, Virginia’s own Matt Maeson steps out with his first release of 2018, the lead single off his forthcoming EP, The Hearse, which will be released on Neon Gold / Atlantic Records on April 27, 2018. The song, entitled “Hallucinogenics,” and its accompanying video, which can be seen HERE, is a pitch black meditation on one’s own limits. Maeson told Billboard the song is about a dark time for him post tour. “I’d worked very hard to get my life back on track after years of bad decisions at that point…I was so drained and after everyone went home I stayed in Seattle to unwind,” Maeson says. “One of the nights I just kind of broke and made a lot of decisions that I regret.
Billboard observes, “Maeson’s raw voice captures the inner anguish he feels upon facing those decisions, washing away the thin veneer of the lightly strummed verse as the song pushes forward to a poignant chorus. The intense and honest confessional is tinged with a sense of optimism that could only exist with Maeson’s lucid reflection on the experience.”
LISTEN TO “HALLUCINOGENICS” HERE.
WATCH “HALLUCINOGENICS” HERE.
“Hallucinogenics” is a perfect indicator of all that makes Matt Maeson so damn striking on The Hearse, as well as his previous EP, Who Killed Matt Maeson. With songs that sit somewhere between Jeff Buckley’s hypnotic spellweaving and King Krule’s off-kilter sonics, Maeson takes familiar sounds in incredible new directions, redefining the idea of what the rambling guitar troubadour can be.
But how Maeson got to The Hearse is as fascinating as his songs: born into a minister family, he spent his youth in a family band, playing songs about salvation for inmates and at biker rallies across the country. He himself fell into drugs, and then into jail, eventually getting out and working construction for 12 hours a day while doing community service on his days off. Amidst it all, he continued writing songs, and soon began traveling the country with a notebook and a guitar, going back to play in the prisons where he started along with traditional music venues.
And now, upon the release of The Hearse, Maeson follows 2017 runs with Jaymes Young and Vallis Alps with his biggest tour to date opening for Bishop Briggs, as well as his major festival debuts at Bonnaroo, Lollapalooza, and Forecastle this summer. He will also be playing select headlining shows in celebration of The Hearse EP’s release this spring. Tour dates are:
4/27/18 Vancouver, BC @ Commodore Ballroom *
4/28/18 Seattle, WA @ The Showbox *
4/29/18 Portland, OR @ Crystal Ballroom *
5/1/18 Sacramento, CA @ Ace of Spades *
5/3/18 Santa Ana, CA @ The Observatory *
5/4/18 Los Angeles, CA @ The Fonda *
5/5/18 San Diego, CA @ The Observatory *
5/8/18 Denver, CO @ Ogden Theatre 8
5/10/18 Kansas City, MO @ The Truman *
5/11/18 Minneapolis, MN @ First Avenue *
5/12/18 Chicago, IL @ Virgin Hotel
5/15/18 Brooklyn, NY @ Baby’s All Right
5/26/18 Napa, CA @ Bottlerock Festival
6/6/18 Los Angeles, CA @ The Echo
6/9/18 Murfreesboro, TN @ Bonnaroo
7/14/18 Little Rock, AK @ Sloss Festival
7/15/18 Louisville, KY @ Forecastle Festival
8/3/18 Chicago, IL @ Lollapalooza
* – opening for Bishop Briggs
Tracklisting:
  1. Put It On Me
  2. Hallucinogenics
  3. The Hearse
  4. Cliffy
  5. Unconditional
  6. Mr. Rattlebone
Matt Maeson
Facebook | Twitter | Instagram | Youtube
April 3, 2018 0 comments
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Festival News

FYF Announces 15th Anniversary Festival Lineup

by the partae April 3, 2018
written by the partae
JULY 21 & 22, 2018
FYF Fest Announces lineup for 15th Anniversary Festival
Saturday: FLORENCE + THE MACHINE
Sunday: JANET JACKSON
And performances by
Future, The xx, My Bloody Valentine, St. Vincent, Kali Uchis, Daniel Caesar, Unknown Mortal Orchestra, Nina Kraviz, Rhye, Charlotte Gainsbourg, Yaeji + more
EXPOSITION PARK // DOWNTOWN LOS ANGELES, CA
PASSES ON SALE FRIDAY, APRIL 6th at 12pm PT
Los Angeles, CA – March 30th, 2018 – Celebrating the 15th year of what’s grown to be LA’s most vibrant, eclectic and lovingly curated music event, Goldenvoice has unveiled the line up for 2018’s highly anticipated FYF Fest. Having grown from a roaming party at various venues along Sunset Boulevard in Echo Park, FYF has blossomed into a world class event, drawing talent from around the globe and music lovers from across the country.
Global music icon, multiple GRAMMY® Award-winner and multi-platinum selling artist Janet Jackson, who appeared on site to support her friend and last year’s headliner, Missy Elliott, returns this summer at the top of this year’s bill for her only LA area performance. Florence + The Machine makes an eagerly-anticipated return to Los Angeles at the top of this year’s bill as well. The FYF 2018 lineup also sees a return to the festival by some previous year’s crowd favorites, like My Bloody Valentine (on their only west coast date of the year) and The Breeders, while marking FYF Fest debuts for many artists on the bill, such as Future, The XX, St. Vincent, Charlotte Gainsbourg (on her only west coast show of the year), and Kali Uchis.
The festival will include performances by (in alphabetical order):
Amber Mark
Bicep
Car Seat Headrest
Charlotte Gainsbourg
Courtesy
Cuco
Curtis Harding
Daniel Caesar
Daphni
Destroyer (solo)
Florence + the Machine
Future
Glassjaw
Janet Jackson
Jayda G
JPEGMAFIA
Kali Uchis
Lawrence Rothman
Lena Willikens
Lucy Dacus
Moodymann
Mount Kimbie
My Bloody Valentine
NEIL FRANCES
Nils Frahm
Nina Kraviz
Pachanga Boys
Palm
Prettiest Eyes
Protomartyr
Rhye
Roman Flügel
serpentwithfeet
Skating Polly
Skepta
St. Vincent
Stephen Malkmus & The Jicks
Sudan Archives
The Breeders
The Internet
The xx
U.S. Girls
Unknown Mortal Orchestra
Yaeji
Youth Code
Weekend and Single Day GA and VIP passes go on sale Friday, April 6th at 12pm PT. Pass pricing below. American Express® Card Members can purchase all passes before the general public beginning Tuesday April 3rd at 10am through Thursday April 5th at 10pm PT.
Since its humble beginnings as Fuck Yeah Fest, scattered around club venues in Echo Park, FYF Fest has excelled at providing Los Angeles music lovers with a festival as diverse as they are. The famously eclectic line-ups bring break-out stars of the moment together with established, beloved and iconic acts. Goldenvoice came on board as co-promoters in 2011 and are now the sole owners of the festival. Under their care, FYF grew into a two-day outdoor event and arrived at its current home of Exposition Park – with headliners The Strokes – in 2014. The following year saw the arrival of The Woods, which has quickly earned its place as a highlight of the festival and of LA’s dance music scene in general. The Woods features extended sets from DJs not usually found at U.S. festivals, as well as showcasing DJs from the local and international Queer scene. The festival’s growing global reputation has lured some of music’s most charismatic performers to Downtown Los Angeles, including Grace Jones, Yeah Yeah Yeahs, Kanye West, Morrissey, Erykah Badu, Grimes, LCD Soundsystem, Solange, Bjork, D’Angelo, My Bloody Valentine and Missy Elliott.
For FYF 15, Goldenvoice booker Jennifer Yacoubian is working hand in hand with CEO Paul Tollett and former FYF Presents team Dave Peterson and Emily Twombly, whose work in bringing the festival to fruition dates back to 2009. Together, they’ve crafted the dynamic and vibrant festival Los Angeles deserves.
“FYF has been a Los Angeles staple for the past 15 years (happy anniversary to us!), and a very special event with a diverse booking that is unique to the festival,” saysFYF/Goldenvoice booker Jennifer Yacoubian. “In the past 15 years, this festival has grown immensely with a strong team of women and men behind it to bring fans the best weekend of summer. And with incredible artists like Janet Jackson and Florence + The Machine topping this year’s bill, we are so psyched to have two badass women leading the roster as we head into FYF Fest 2018.”
For the fourth year in a row, FYF Fest has partnered with Plus 1 to donate $1 of every ticket sold to high impact organizations working to support the people in our communities who need it the most, both locally and globally. Through this partnership over the last 3 years, $135,000 has gone to organizations such as My Friends Place, Partners In Health, Be The Match, American Immigration Council and Skateistan, with FYF Fest’s 2018 charity partners to be announced shortly.
Additionally, FYF Fest’s long standing commitment to local artists and businesses continues to be a vital part of their overall programming, with art installations from Los Angeles artists, as well as food and beverage options from some of the city’s favorite restaurants, and so much more.
Pass Prices
2-Day GA: $249 + fees
2-VIP: $549 + fees
Saturday GA: $149 + fees
Sunday GA: $149 + fees
Official FYF Fest lineup poster: $20 + fees
PRAISE FOR FYF:
“The best LA weekend of the year” – Consequence of Sound
“FYF is now easily one of the best festival experiences in Southern California, if not the entire country.” – LA Weekly
“FYF Fest always brings one of the more impressive cross-genre lineups on the summer-festival scene” – Stereogum
“Simply the best summer music festival around” – Cosmopolitan
“What started as a small, one-day punk-indie concert has become a massive, highly anticipated weekend festival that is now rivaling Coachella” – PEOPLE.com
“something for everyone” – VIBE
“FYF has finally perfected the city festival” – Mixmag
FYF
Website * Facebook * Twitter * Instagram
#FYF2018
About Goldenvoice: Goldenvoice, creators of Coachella Valley Music & Arts Festival, Panorama Festival, Stagecoach: California’s Country Music Festival and Arroyo Seco Weekend also operates successful Los Angeles music venues including the Fonda Theatre, El Rey Theatre, and Shrine Auditorium. Beginning as an independent punk rock promoter in the early 1980s, Goldenvoice grew to be the preeminent alternative promoter in Southern California by forging strong relationships with both bands and music fans. Goldenvoice promotes over 1400 concerts a year in California, Nevada, Alaska, Arizona, Hawaii and Canada. They took over sole ownership of FYF in February 2018.
April 3, 2018 0 comments
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Festival News

Sasquatch! Music Festival Reveals 2018 Day-By-Day Schedule

by the partae April 3, 2018
written by the partae
Sasquatch! Music Festival, the annual Memorial Day Weekend celebration May 25 – 27th, has announced the day-by-day schedule for its incredible 2018 lineup. Set against the backdrop of the breathtaking Gorge Amphitheatre overlooking Washington’s Columbia River, this year’s festival was recently called “the lineup that saved us all: how the Sasquatch lineup restored hope in the music industry.”
In November, early-bird tickets were made available for the 2018 festival which are all sold-out, followed by the February announcement of the full lineup and general on sale. Single day tickets as well 4-packs of festival passes and single day tickets go on sale starting Today, April 2nd, at 10am (PST) at SasquatchFestival.com.
2018 Sasquatch! Music Festival Lineup Day-By-Day:
Friday, May 25
Bon Iver, David Byrne, Tyler The Creator, Vince Staples, Tash Sultana, Thundercat, Snakehips, Wolf Parade, Hippo Campus, Margo Price, Nao, Lemaitre, Whitney, Julien Baker, Pond, Hurray For The Riff Raff, Gang of Youths, Benjamin Clementine, Son Little, Giants In The Trees, Aquilo, The Garden, Jeff Rosenstock, The Suffers, Thunderpussy, CCFX, Taco
Saturday, May 26
Modest Mouse, Spoon, Explosions In The Sky, Grizzly Bear, TV On The Radio, Shakey Graves, Japandroids, Jai Wolf, Lizzo, Petit Biscuit, Sango, Pup, Girlpool, Curtis Harding, Tyler Childers, Pedro The Lion, Rostam, Algiers, White Reaper, Magic Sword, Escort, Jlin, Pickwick, Mimicking Birds, Wilderado, Polyrhythmics, Bread & Butter
Sunday, May 27
The National, Ray Lamontagne, Anderson .Paak & The Free Nationals, Neko Case, What So Not, Slowdive, Perfume Genius, Noname, Tune-Yards, Tokimonsta, Jacob Banks, Tank & The Bangas, Big Thief, Japanese Breakfast, (Sandy) Alex G, Chastity Belt, Typhoon, Dhani Harrison, Too Many Zooz, Oliver, Phoebe Bridgers, Soccer Mommy, Alex Lahey, Charly Bliss, Barclay Crenshaw, The Weather Station, Choir! Choir! Choir!
Single Day & 4-Pack Offers
On Sale April 2 at 10am at SasquatchFestival.com
SINGLE DAY Price is $129
4 pack festival pass $899
4 pack single day as $387
Standard camping is $59.50 for the weekend
Produced by Live Nation and Adam Zacks
April 3, 2018 0 comments
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Music News

OCEAN ALLEY announce supports on upcoming national tour; Second Melbourne show on sale now!

by the partae April 3, 2018
written by the partae

Sydney’s groovy, psych-rock six-piece Ocean Alley are thrilled to announce supports on their upcoming Australian tour, which recently expanded with a second and final show at The Forum in Melbourne on May 18. Kicking off later this month, the tour will feature New Zealand’s Tunes Of I nationally, plus a slew of stellar local acts added across each city.

Final tickets to remaining shows are on sale now via oceanalley.com.au.

Joining the lineup as national tour supports are Wellington sextet Tunes Of I, one of New Zealand’s most exciting up and coming roots acts, with a genre-defying sound that blends dub, rock, reggae, funk, soul and psychedelia. Funky, coastal chill-hop outfit Drop Legs and the warm sounds of psychedelic pop-rockers Sunrose will take over the stage for a night each in Brisbane, with spaced-out garage rockersThe Jim Mitchells opening the first Sydney performance and both shows in Melbourne. Groovy blues quartet Eagle Eye Jones will perform at the second Sydney show, and rounding out the bill in Fremantle are funk-infused indie-rockers Great Gable and indie-pop singer-songwriter Elli Schoen.

Hailing from Sydney’s Northern Beaches, six-piece Ocean Alley – Baden Donegal (vocals), Angus Goodwin (guitar), Nic Blom (bass), Lach Galbraith (keys/vocals), Mitch Galbraith (guitar) and Tom O’Brien (drums) – have captivated audiences around the country with their infectious melody lines and memorable blend of psychedelic-surf-rock, amassing 20+ million streams online and over 535,000+ monthly Spotify listeners. Their second LP Chiaroscuro, “12 tracks dripping in salty psychedelic surf-rock gold” (Pilerats) has received widespread acclaim, and with a stellar ARIA debut at #15 it’s clear“Ocean Alley’s biggest days are still ahead of them” (Life Without Andy).

triple j, 123 Agency and UNIFIED Music Group presents

OCEAN ALLEY
AUSTRALIAN ALBUM TOUR 2018
with special guests TUNES OF I (NZ)

Tickets are on sale now via oceanalley.com.au

Saturday 14 April – The Tivoli, Brisbane SOLD OUT
w/ Drop Legs
Sunday 15 April – The Tivoli, Brisbane SELLING FAST
w/ Sunrose
Wednesday 18 April – The Enmore, Sydney SELLING FAST
w/ The Jim Mitchells
Saturday 21 April – The Enmore, Sydney SOLD OUT
w/ Eagle Eye Jones
Friday 27 April – Groovin The Moo, Wayville
Saturday 28 April – Groovin The Moo, Maitland SOLD OUT
Sunday 29 April – Groovin The Moo, Canberra
Saturday 5 May – Groovin The Moo, Bendigo SOLD OUT
Sunday 6 May – Groovin The Moo, Townsville
Friday 11 May – Metropolis, Fremantle* SELLING FAST
w/ Great Gable & Elli Schoen
Saturday 12 May – Groovin The Moo, Bunbury
Friday 18 May – The Forum, Melbourne SELLING FAST
w/ The Jim Mitchells
Saturday 19 May – The Forum, Melbourne SOLD OUT
w/ The Jim Mitchells

*Tunes Of I not appearing

Follow Ocean Alley:
oceanalley.com.au
facebook.com/oceanalleyband
twitter.com/oceanalleyau
@oceanalleyband

April 3, 2018 0 comments
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Music Interviews

Albert Savage

by the partae April 3, 2018
written by the partae
Where are you currently based and what is the music scene like there?
 
New Jersey. The US of A.  The music scene here is really good.  We have a lot of talented people here in the North East, and a lot of music to listen to.  You just have to look for it.  I can’t say for other states, but it’s a little competitive in NJ.  Music I think is meant to build a musical community, it goes further when that is in play.  Lots of – this is mine, and this is also mine.  We don’t like that philosophy. We try to keep the big door open as much as other will allow us to, and share our accomplishments with our peers and fellow musicians.
 
What is your name and role within Albert Savage?
 
My name is Mike Frank, and I write, sing, and play guitar in the group.  I also bring the snacks. ? 


How did you first start playing music?
 
My Father bought home a guitar from a yard sale when I was a pup, and he played in a country band while I was growing up. So one could say he started all this and you can thank him for all of it.  I was always in pubs, and places when I was a kid.  I picked up on music at a young age. 
 
Pup, that is what they call a kid down under right?
 
You played festivals in the summer, did you have a favorite festival of the summer? If so, which and why?
 
I think all of them are our favorite.  Festival times are the times that you get to play for people wanting music in a big open setting.  Mad Summer Melt Down 17′ had some cool acts to be on a bill with, but so did all of the festivals. Kung Fu killed it.  We played 7 festivals last year, and we really got to meet some talented musicians in 2017.  Musikfest was good this past year because there was a baby grand piano we got to pull up and use.  I remember wondering who has to lug that thing around at the stage company?  I also remember not having two of the same socks at that show, and some how that effected my performance. 
 The band went to the video shoot with Relix magazine in NYC where you also recorded, how was this experience?
 
The experience is one that we all really kind of marked as a accomplishment.  Get into a major publication was on our band bucket list. Relix magazine started to cover recording the Grateful Dead back in the 70’s and just went on from there so, it was cool to be in a office with all the staff working in their nice office set up, you know, covering music and reporting on all these musical endeavors.  Setting up and playing in a office was weird to myself, I can’t speak for the rest of the band, but imagine you go into an office and a band sets up in a room surrounded by desks, and plays some music while you are drinking your morning coffee checking email.  I wish I had that at work.  I thought to myself this must be a cool place to come to work everyday.    
 
You played Musikfest in 2017, the biggest free music festival in the USA, how did you prepare for this gig and how was it playing such a massive festival?
 
We practiced a lot, and then some more, and then made a set list on a napkin 5 minutes before went on.  Musikfest is always a shot in the dark for some to get in.  Obviously you will get selected if you keep submitting, but it’s a process yearly.  We had to play on the street on their doorstep for a year to get some recognition.  What I mean by that is, there was a art studio we would play free demonstrations with the glass blowers, and we kind of got in through all of those shows for the glass guys.  We watched some awesome glass be created in front of us, while playing to a open bay door in Bethlehem Pa.  They must of heard it, cause they hired us for the festival.
 
How did all these festivals come about?
 
All the festivals came about by meeting the right people, and reaching out through websites with press kits.  A lot of sending, and little response in that world. For every 10 emails, if you get 1 back then you did well. These festivals are flooded with submissions year after year, and most the groups all have chops to back their requests to get on the stage.   One of our favorite promoters we met is Grateful Dick. He really helped us get into some other places, and out of Jersey for a hot minute.  I think once you are “in” with the Dick’s of the world, people like him enjoy bringing music to people and placing people together in bigger events.  It has to be cool to run a festival like Lockin. That is one festival we want to be at!  We would like to get out of the USA and play some festivals in other parts of the world, I think that is on the list.
 
Who are you listening to at the moment?
 
Medeski, Scofield, Martin, & Wood – A Go Go
 
Please tell us about your album?
 
The album “Savage on the High Seas” is on ITunes right now, and I don’t think to many people know about it.  So this is good. The recording session was a big accomplishment for the band in early 2017 because we did the whole CD in two days in a state of the art 24 track studio.  We recorded live in Asbury Park NJ, a place that Bruce Springsteen made famous back in the day. Although we sound nothing like him, it was cool to record our new record in the same town.  New Jersey bred musicians here…  
 
What equipment and programs did you use to record?
 
All of our own gear instrument wise was used. Guitars, Bass, Drums, Organ, Percussion.  We recorded digitally this time, through a 71 Neve Console.  The one like Dave Ghrol uses.  The last album was under my own bands name Mike Frank & Friends, and we recorded to 2″ tape.  The sound was fat.  That album “A Doorway Beyond” was mostly the same group.  It is a good listen as well.  Our engineer Tim, he did a good job of keeping us moving during the two 8 hour sessions.  Again, lots of practice is needed for the studio cause it can get expensive. 
 
What or who influences your songwriting?
 
The people in my life influence the thought process on the songs when I write.  “Are you gonna be on time today?”, is a lyric that I ask myself everyday at 5am.  There is a little inside joke of a story behind most the songs, and some are just straight up fiction that come from outer space.  I sit on my roof with a net, and scoop the songs out of the air.  Maybe it’s a little turbulence and change that are a factor as well, and sometimes our favorite groups pop in and out of our playing collectively.  The songs call for a internal perspective, that sounds kind of ambiguous and vague, but we all have a perspective.  Really it’s a mix of all of that.  Life influences the songs, so I suppose that is why it is the living art.  I like Jimi Hendrix, and Led Zepplin and good music is good music.  I like it all.  Panella likes Medeski, Martin & Wood and other rock like the Doors, and some other jazz stuff.  Steve and I always share the music of the Grateful Dead, and Phish, but he likes the funk a lot.  Gotta have that funk!  Todd is into the classic rock bands as well as jazz, and blues.  He attended music school, and knows the theory of it all pretty well, as does most of the band.  Sometimes I don’t know what I’m playing at all, and he’s like, “Son, this is actually what you are doing right here.”  I know the Who is one of his favorites.  Rakow draws on a lot of  golden classics as well, but turns anything on guitar into his own ripping guitar lines. He really has his own style.  All of these influences make our sound pretty unique.   
 
What do you like to do outside of music?
 
I know we all do our own thing outside of this little group.  Todd enjoys a good sailing trip on his boat, and spending time by his woodstove.  He collects corn cob pipes and enjoys a smoke with a glass of something good by the fire in these dark winter months.   At heart Todd loves his family time. Something about that just sound comfy.  Panella is very into the arts with his Glass projects. I swear he is never not busy, and is always on the move working with musicians who play hammond organs.  He knows Hammonds inside and out, and repairs them for touring acts.  The stuff Panella creates in his spare time is really awesome, and he teaches glass students on a regular basis.  if you meet him, and spend time with him, you will probably get recruited into assisting him in the shop.  Steve is a music fanatic, and attends open jams a lot to keep his chops up when it’s not hibernation time.  Even in his down time he likes to create.  Steve’s last project was a electrified wash board for when we play acoustically.  He hooked it up to a wah wah pedal, and well, it sounds like a wash board through a wah wah pedal.   Rakow brews beer in New Jersey at River Horse Brewing Co.  Although it is his Job, being the head brewer I think takes up a part of his social life as well with all the craft shows. We always have fun playing the brewery events.  I know he is very smart when it comes to electrical components too, I need my q-tron fixed, and I keep forgetting to ask him to fix it.  My self, I enjoy my garden, treasure hunting, and learning new skills for when the end of the world is upon us.  I grew so many tomatoes and veggies last year, I was giving them away.  I like cooking, and doing the family thing, and hanging out with my girl friend.
 
What do you have planned for the remainder of 2018?
 
We want to do some music videos this year, a bunch of music videos, obviously play shows and keep up the grind work.  How about a trip to Australia?  We’re all down to play down under.
 
Favorite food and place to hangout?
 
Pizza…. duhhhh!  What else is there? Sushi, nahh… I think sun flower seeds are the food most like the music industry.  A lot of work, and little pay off.  Strangely satisfying.   Do they make bags of pre-shelled sun flower seeds?  I’m just kidding there, I enjoy seeing people smile when we play.  That is what it’s all about.  The hang outs of local musicians and open mics are always fun to shoot the breeze.  I haven’t been to many lately, but that is going to change coming up here shortly.
 
I like to hang out in the garden and turn on the tunes, watch the bees and the butterflies do their thing.   It’s relaxing and people need more of that.  People need less artificial light and cubicles.  Kick off your shoes and let your feet be in the dirt for a minute.  Have some friends over and watch the plants grow, and eat together.  That is good for the soul.  If more people did this, we’d understand more about each other and less hungry.  All of it, music, art, socializing, reading, learning useful practical skills, sailing, that is what it’s all about.  You have to do your own thing to make music.
 
www.albertsavage.net
https://www.youtube.com/watch?v=YQTqWXpvPZo
https://www.youtube.com/watch?v=yHVFla44oT0
April 3, 2018 0 comments
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Music News

DREAMS’ Daniel Johns and Luke Steele reveal video for debut single ‘No One Defeats Us’

by the partae April 3, 2018
written by the partae

DREAMS   Photo Credit:  Jon Shoer

Announce headline shows in Sydney at VIVID LIVE

Following the release of the DREAMS single ‘No One Defeats Us’ comes its powerful, arresting video.  Shot earlier this year by DREAMS and Jon Shoer in Los Angeles, it features standout performances from Daniel and Luke against a backdrop befitting the explosive track.

DREAMS is a collaboration between Daniel Johns (aka Dr Dreams) and Luke Steele (aka Miracle), ‘No-one Defeats Us’ the first song the famous musical duo wrote together.

Daniel explains, “No One Defeats Us says lyrically what our goal is, it’s a journey into our vision of the future.”

“Dan and I excel and struggle on similar levels” says Luke. “We have so much passion and we are so ambitious. That song came from a time when we were beginning the band and we needed something deep. I wanted to build a gang – like a gang of the future. We want the band to be for the common man, the underdog, the homeless, the person who shows love to his neighbour.”

DREAMS will perform ‘No One Defeats Us’ live for the first time at COACHELLA Valley Music & Arts Festival on April 13 and 20. The only band ever to be booked for the festival before releasing any music, the duo is the highest-billed Australian band, promising to put on a truly unmissable performance.

Their premiere performance in Australia is at VIVID LIVE, Tuesday May 29 and Wednesday May 30 at the Sydney Opera House (Concert Hall).  Tickets available HERE.

ABOUT DREAMS:

Daniel Johns is best known as the front man of Silverchair whilst the enigmatic Luke Steele fronts Empire of The Sun and The Sleepy Jackson. The artists first met in 2004 when Luke’s band The Sleepy Jackson supported Silverchair on their sold-out Diorama tour, and Daniel recalls the connection between them was so instant that after the first show of that tour they played piano together backstage, and have basically never stopped.

With over ten million albums sold worldwide and an undefeatable twenty-nine ARIA Awards won between both of their respective acts, the pedigree of Daniel and Luke’s new collaboration is unquestionable.

Since Silverchair’s debut release ‘Tomorrow’ in 1994, Daniel has taken home a record twenty-one statues, the most of any Australian artist in ARIA history. Daniel has also won APRA Songwriter of the Year three times, and impressively, Silverchair is the only Australian act to have all of their studio albums, five in total, debut at #1 on the ARIA chart.

Sweeping the ARIAs clean in 2008 was Luke Steele’s Empire of the Sun, taking home gongs for Best Album, Best Single, Best Group and Best Pop Release. With a total of eight ARIAs and two APRA songwriting awards to date, along with two BRIT Award nominations, Empire of the Sun has gone from strength to strength internationally, including a spectacular sold out performance at Hollywood Bowl in 2015, in front of an audience of 17,000 US fans.

FOLLOW DREAMS:

Facebook

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Twitter

www.dreams.band

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MyListing is the most advanced directory theme made for WordPress. MyListing 2.0 improves and refines all aspects of the theme

 

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