NOFX / FRANK TURNER
SPLIT COVERS ALBUM
‘WEST COAST VS. WESSEX’
OUT JULY 31, 2020
Today Frank Turner releases a new version of NOFX’s ‘Falling In Love’, the latest single to emerge from forthcoming split covers album ‘West Coast Vs. Wessex’. Due for release via Fat Mike’s own Fat Wreck Chords label on July 31, 2020, the project brings together for the first time ever the long-running Los Angeles punks and the London-based singer and ex-Million Dead frontman, for many years now both friends and fans of each other’s music.
Turner’s new interpretation of ‘Falling In Love’ takes the album closer from NOFX’s 1997 album So Long And Thanks For All The Shoes into stark, affecting territory with a near unrecognisable vocal. Speaking about the approach behind his version of the track, Turner notes; “When Mike asked me to do a covers split with NOFX, I was blown away, and immediately knew that one of the songs I’d do would be ‘Falling In Love’. I’ve long thought it was one of his best compositions, it’s a beautiful lyric and melody, and I wanted to come at the song in a way that would lay that bare and highlight the beauty of the writing. I think it came out pretty good.”
It’s not often the leader of one of your favourite bands ask you to do a split album, one where his band covers the songs you’ve written. It’s the enviable situation Frank found himself in last year, when Fat Mike approached him to propose just that. The fruits of this project, ‘West Coast Vs. Wessex’, captures NOFX filtering five songs from Turner’s sizeable solo back catalogue through their singular sensibility, with Turner reciprocating to record five of his personal favourites from NOFX’s 37-years-and-counting career. But these aren’t simply double-time versions of Turner’s folk-punk tunes or acoustic re-workings of NOFX’s iconic SoCal punk anthems – both took time to play with the possibilities each other’s music presented.
“I listened to all his records, and I picked the ones that I thought I could make more interesting,” notes Fat Mike. “What I did is change a lot of chords. Frank, he beats me in the singing department. So I can’t sing better than he can, but I can maybe throw in a melody here or there or chord that he hadn’t thought of.” Turner took a similar approach. “I didn’t want to just do straight covers of anything. I wanted to try and pick songs where I felt like me and my band could bring something different to the table,” he says. “But it did strike me that it would be cool to demonstrate to the casual NOFX fan, who doesn’t know who I am, that I am actually a fan. I didn’t just go to Spotify and pick the five most-listened-to songs.” For the record, only one of his choices appears on Spotify’s top five for NOFX: ‘Bob’, which Turner here transforms into a wistful country song.
“Everything he picked was from the ’90s, so I took that as it’s okay to mostly do his early stuff too,” says Fat Mike, who channeled ‘90s NOFX for their interpretations, transforming ‘Thatcher F*cked The Kids’ into a jaunty companion to ‘Philthy Phil Philanthropist’. Turner and his band, The Sleeping Souls, recorded their songs between their rehearsal space and during tour commitments, whilst NOFX recorded at Fat Mike’s Six Floggs studio, with production by the D-Composers (Fat Mike, Johnny Carey, BAZ Bastien, Yotam Ben Horin).
In ‘West Coast Vs. Wessex’, the Frank Turner-Fat Mike Mutual Admiration Society has produced 10 hooky re-imaginings of each others’ music – the novelty may pique listeners’ curiosity, but it’s the songs that will keep them coming back.