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Music News

Sam Green Concert at Caulfield Town Hall

by the partae May 27, 2024

written by the partae

Sam Green and The Time Machine are set to enchant audiences with their soulful melodies and thought-provoking lyrics at the Caulfield Town Hall on June 9th. This promises to be an unforgettable musical experience that transcends boundaries and touches the hearts of all who attend.

About Sam Green

Sam Green, an established soul singer-songwriter with over 40 years of industry experience, has captivated audiences worldwide. His journey began at a young age, and with unwavering dedication, he has established himself as a true luminary on stage. Beyond music, Sam is also a visionary filmmaker known for creating captivating light-version earth-found films that transport viewers into a world of wonder. Additionally, he is a highly regarded inspirational author whose uplifting and motivational books resonate with readers from all walks of life.

Concert Details

Date: June 9, 2024
Venue: Caulfield Town Hall, Melbourne, Victoria, Australia
Time: Doors open at 7:00 PM
Tickets: Secure your tickets now for just $25, which includes a complimentary CD. Click here to purchase tickets ¹.

Sam Green’s Music

Sam proudly released new albums on April 9, 2024:

Heaven Knows We Care (Nine Tracks)
Bird Watching in Time (Performed by Sam Green and The Common Ground, 19 Tracks)
Soul Food for the Heart (Performed by Sam Green and The Time Machine, 21 Tracks)

You can listen to Sam Green’s soulful music on platforms such as Spotify and iHeartRadio.

Exclusive Books

Sam Green’s wisdom extends beyond music. His exclusive books, printed in Victoria, Australia, offer deep insights and provide readers with a roadmap to living in harmony and finding purpose in life.

Don’t Miss Out!

Secure your tickets now and immerse yourself in the harmonic odes to the soul that only Sam Green can deliver. Book online and be part of this extraordinary musical event at Caulfield Town Hall ².

May 27, 2024 0 comments

Rediscovering Connection: Bae Baracus on ‘Lost Touch

by the partae May 25, 2024

written by the partae

Your new song “Lost Touch” dives deep into post-punk vibes and heavy themes of anxiety and emotional pain. Can you tell us what inspired this track and what it means to you personally?

Dolly: The world is in a lot of turmoil and it’s taking its toll on us all. Part of that turmoil is social disconnection, people are losing meaning, losing a sense of belonging. “Loneliness Epidemic” is a term you hear a lot now. Even if you don’t feel it, you’re affected by it.

Lin: This was the first track we wrote after a break of over a year. Clef started jamming the chords on the guitar, and I quickly built a beat around it so I could then switch to laying down some keys. We work fast in the studio, and while we were doing that, Dolly was singing ideas straight down, through a vintage echo unit. I kept that echo track in the song, as it had this kind of claustrophobic “locked in a box” sound to it, which seemed in keeping with the theme of the song.

Celf: The riff was the first thing that came out when we hit record. The drive and the grit I think inspired the moodiness of the track, but to me what stands out is how much it captures in few words. I often think about what it means to be real, to be me, if there even is such a thing as “real” versus unreal, fictional, tangible. So I get a lot from the lyrics, but it was Dolly who wrote them, haha.

The video for “Lost Touch” just dropped on YouTube via Boomsmack Records. What was the creative process behind the video, and how does it add to the song’s message?

Dolly: French cinema has done amazing things with visuals since the beginning. We used scenes from Feuillade’s Les Vampires where a woman playing a vampire becomes a victim to demonstrate losing connection, losing touch with who you thought you were.

Lin: We put the live performance take down while we were in a rehearsal for our debut show.. Our time together as a band is always brief, and I was like “let’s get a couple of quick takes for the video”. I love what Dolly did with the edit, interspersing us with that great vintage footage.

Clef: Dolly made the video too and it’s smashing! DIY and juxtaposed with classic footage, super cool. The video has very good use of the Kuleshov effect, where juxtaposed and unrelated video elements played in sequence communicate an emotional state.

Your new album “Release” is set to drop on May 31st. How does this album build on your previous work, and what can fans expect in terms of new sounds and themes?

Lin: For me, this album shows an evolution with us feeling even more comfortable leaning into our moodier vibe, which is there is some of our earlier tracks, if you dig, but more at the forefront here. While there’s still tracks to make you dance on this new record, we’ve drawn more on edgier guitar tones and post-punk moods, blending with our signature synths and love of electronic music.

Clef: The album was made much the same way as our EPs, recorded in a weekend and perfected by Lin, Dolly and I in small steps afterward. I moved away for a year and wasn’t sure I was coming back, but decided eventually that I had to be home. I think the songs on this album were less concerned about what the Bae sound was, which is why it sounds the most authentically Bae to date. I like that we can explore so many sonic avenues.

Dolly: An intentionally darker mood than previous Bae Baracus records, ‘Release’ explores the double-edged themes of liberation and the ennui that accompanies it. Like a 3am coffee, the album is both energetic and angst-ridden. Filled with nocturnal post-punk dance, it abandons all hope of sleep and embraces the night.

Clef created a unique collage for the album cover of “Release.” Can you walk us through the inspiration and creation process behind this artwork, and how it ties into the album’s themes?

Celf: I wanted to make a cover that was a physical piece of art rather than a digital one. When I make a piece of art, I tend to land on a process that is very stream of consciousness. My ADD went full hyper focus on this one, and I ended up making the whole thing in about 6 hours, starting around 8pm. I asked Lin and Dolly to send me personal photos and I decided whatever I got would be my full collage palette. The result is weird, but satisfying to look at. And now the collage is being de-constructed for art’ sake!

Lin: We knew we wanted something special for this album’s cover, and when Clef suggested he do a collage, Dolly and I were totally up for it. I love what he did, it’s so unique and feels really meaningful.

After “Release” hits the shelves, what’s next for Bae Baracus? Any upcoming tours, collabs, or projects you’re keen to share with your fans?

Dolly: We have another video coming out for ‘Move into the Sea’ – the final track on Release. As for tours, we’re really a studio project but we will be doing a super rare one off hometown show in August.

Lin: When this album drops, we’ll have a total 21 songs in our repertoire, not bad for a band who’ve only been in the studio a total of less than 3 weeks together! We recently played our first show and people absolutely loved it, so the focus will be a switch to live shows. Between us, we have a lot of commitments with day jobs and families, so while a full blown tour might not be on the table just yet, we’re definitely up for one-off shows when we can.

Clef: We have a gig in the summer to celebrate the release of ‘Release’, and from there who knows! I think it’d be cool to play a city show at some point, lots of travel and timing to consider. But Bae is strong!

“Lost Touch” delves into feeling disconnected and finding your way back to yourself. How does this track reflect your band’s evolution and current artistic direction?

Dolly: ‘Release’ is darker, as said. But Bae doesn’t stay on the same trajectory for long. We zig, then we zag. You’ll see with our next video, which goes in a very direction from ‘Lost Touch’.

Clef: Interesting question. I am deeply concerned about the spirit of artistry in the music industry these days, because it feels as though more and more of what I see is for feeding the algorithm. But it’s so much worse than trying to be popular or a hit, because obviously artists have egos and want to see their art exist, but this current age is more like the music CAN’T exist without being referential, nostalgic, captivating, technically and proficiently excellent and visionary. It’s like the bar has gotten so high it’s almost inhuman. And yet, the AI machines are getting exponentially better at making music that sounds like human music. So, how do we connect with art on a meaningful level? Is meaning still meaningful? My only answer to this is to wave off the question and keep playing, because it’s fun and I know how to do it.

The themes of “Lost Touch” speak to the disconnection we feel in today’s interconnected world. How do you reckon your audience will resonate with these themes, and what message do you hope they take away from the song?

Clef: I think the audience will see or hear what they want to see or hear in the song. If there’s someone out there who listens to this song 1,000 times in a row because they think it’s a love song, I’m here for that interpretation!

Dolly: I’ve no doubt that it will resonate with many of those who hear it. The simple message to take away from the song is “I see you. You’re not alone in your loneliness.”

Socials:

FB: https://www.facebook.com/baebaracus

IG: https://www.instagram.com/baebaracus/

X: https://x.com/BaeBaracus

May 25, 2024 0 comments

Music News

Sam Blacky Joins Forces With Niniola On ‘Ronaldinho’

by the partae May 25, 2024

written by the partae

Artists: Sam Blacky, Niniola
Title: Ronaldinho
Label: Easier Said

Download / Stream

Powerhouse LA-based DJ/producer Sam Blacky partners with Grammy-nominated African singer-songwriter hailing from Nigeria, Niniola, for their new single “Ronaldinho,” which celebrates the former’s love for afro house and the latter’s Nigerian history in a dynamic, soulful sonic journey. Sam has long loved pushing the boundaries of dance music and breaking music genres’ molds, and over the past few years, it’s become apparent that her true passion lies in creating globally-inspired, dance-worthy records. “Ronaldinho” is a shining example of this with its undulating, deep basslines, percussive instrumentals, and ethereal melodies courtesy of Sam, while Niniola‘s shining vocals truly turn the song into a spiritual listening experience. With the summer festival season just heating up, “Ronaldinho” is about to be heard on the beach, the festival stage, and the club dance floors around the world. The track is out now on Easier Said, which finds Sam exercising her artistic freedom by once again joining a formidable roster of forward-thinking artists such as Barclay Crenshaw, Life on Planets, Maya Jane Coles, Party Pupils, and Todd Terry.

“As the years have passed, my passion has become more and more integrated with what we know as afro house. When the opportunity came up to work with one of the original, most iconic singers in that realm, all the way from Nigeria, there was no question. I heard what Niniola had done with the vocals for Ronaldinho and knew I had to make this song with her. Having someone who is such an amazing storyteller, with such an incredible voice, who has lived this life through and through brings an entirely different message and meaning to the music.” – Sam Blacky

Sam Blacky

Sam Blacky is a multitalented DJ, Producer, and Cultural Icon from San Diego, USA. She spent several years in Australia, where she first fell in love with producing music and performing live. Since moving back to the US, music, performing, and fashion have taken a front seat in her life. Performing since 2017, she’s graced the stages from Mexico to Ibiza, Bali to Europe, and some of the world’s premier electronic music festivals and clubs. Since her first self-released EP in 2021, Sam has released on esteemed labels such as Repopulate Mars, Terms & Conditions, Easier Said, Thrive Music, and Hood Politics. Her standout remix of “Gaslight” for Grammy-nominated Inji was a viral sensation. Sam‘s signature style of blending Afro-House, Latin House, and everything in between is connecting with global audiences and has earned her the coveted 1001 Tracklists‘ “Future of Dance” producer list two years in a row. Her latest release – “Amor,” was remixed by Brazilian producer Illusionize and cemented her place worldwide as a one to watch.

Sam Blacky‘s forthcoming dates:

May 26 – Brooklyn, NY – We Belong Here
Jun 05 – Los Angeles, CA – Academy LA
Jun 08 – Montréal, QC – New City Gas
Jun 22 – San Diego, CA – Horizon Music Festival
Jun 23 – Long Beach, CA – Day Trip Festival
Jul 06 – Kristiansand, NO – Palmesus Festival

Niniola

Niniola participated in several social activities and competitions. She finished third runner-up in the sixth season of Project Fame West Africa. Niniola released her debut single – “Ibadi,” on 19 March 2014. The song received positive reviews, topped national music charts, and gained extensive airplay. Her singles “Ibadi” and “Gbowode” were included in the soundtrack for season 2 of “Gidi Up.” Niniola was nominated in the Most Promising Act to Watch category at the 2015 Nigeria Entertainment Awards. In 2017, Niniola went on to release another single titled “Maradona,” which went on to become a global hit. “Maradona” enjoyed a good 13 weeks on the South African charts and was at the No.1 spot for over 6 weeks. It also earned Niniola a BET Awards and SAMA nominations. Since then, Niniola has gone on to receive nods from international heavyweights like Drake, Timbaland, and others. In 2019, elements of the single were sampled on “The Lion King: The Gift Album” by Beyoncé on the track “Find Your Way Back,” where she also appeared as a songwriter and composer of the song, which has gone on to get Niniola a Grammy nomination. In April 2020 and later in June 2021, she received her 1st, 2nd Grammy nomination certificate for her work as a composer. In June 2021, she’s got inducted into the Grammy Recording Academy Class of 2021. In July 2021, Niniola‘s single, “Maradona” was certified gold in South Africa by the Recording Industry of South Africa RISA.

More info on Sam Blacky / Niniola / Easier Said:

May 25, 2024 0 comments

Music News

Dani Nash ‘Ordinary Love’ and ‘Anything At All’ Premiere

by the partae May 24, 2024

written by the partae

Toronto’s very own Dani Nash has unveiled her latest musical offerings with the release of two captivating singles: “Ordinary Love” and “Anything At All”.

Nash’s profound dedication to music has propelled her into a revered figure within Toronto’s vibrant music scene. Her journey has been marked by numerous collaborations, tours, and recordings alongside fellow artists. With over a decade of experience, she has showcased her exceptional talent as a drummer and multi-instrumentalist, gracing stages with renowned Canadian acts such as Sarah Harmer, Andy Shauf, and Fefe Dobson. Most notably, she has recently joined forces with Toronto’s own JULY TALK as their esteemed 6th member.

Beyond her instrumental prowess, Nash has established herself as a formidable songwriter, stepping out from behind the drum kit to release a critically acclaimed self-titled album in March 2022. Garnering praise and widespread radio airplay, her album has been lauded by Exclaim! magazine as “the perfect end theme to a John Hughes film.”

Continuing her artistic evolution, Nash’s upcoming double feature single release delves into themes of nostalgia intertwined with the nuanced experiences of the queer community, offering a poignant follow-up to her previous work.

https://www.daninash.com/

May 24, 2024 0 comments

Music News

R3HAB and Da Tweekaz Officially Release on Tomorrowland Music

by the partae May 24, 2024

written by the partae

Artists: R3HAB, Da Tweekaz
Title: My Girl
Label: Tomorrowland Music

Download / Stream

Multi-platinum DJ and producer R3HAB and famed Norwegian hardstyle duo Da Tweekaz combine their forces for the new collaborative single “My Girl” which breaks genre barriers with its dance-pop-hardstyle fusion, which keeps owning the dancefloors across the globe since 2023. Uniting for the first time ever, the boys deliver an explosive production with true rave energy courtesy of R3HAB and hardstyle-influenced beats from Da Tweekaz, making for a memorable debut collaboration and a guaranteed crowd-pleaser just in time for the summer festival season. “My Girl” first premiered last summer at Tomorrowland 2023 and has since become one of the most notable IDs in R3HAB‘s and Da Tweekaz‘s epic performances. The track is finally out now on Tomorrowland Music for the entire world to enjoy.

“After months of finessing the track at the world’s biggest stages, Da Tweekaz and I are happy to share our festival banger ‘My Girl.’ We premiered it together onstage at Tomorrowland 2023 mainstage and now feels like the perfect time to release it ahead of the upcoming festival season. The hardstyle energy is a bit more powerful than my recent releases, and it’s been a big hit with my fans. Hope you love it.” – R3HAB

“We’ve been playing this tune since last summer and it still goes off every single time. Now that this year’s summer is about to start, it’s the perfect moment to finally release this absolute party starter together with our buddy R3HAB on Tomorrowland Music, which we are beyond excited about.” – Da Tweekaz

R3HAB

Multi-platinum DJ and producer Fadil El Ghoul, better known as R3HAB, has been trailblazing his way through dance music for the past fifteen years. From his breakthrough remixes for Rihanna, Drake, Taylor Swift, and Calvin Harris to anthems such as Platinum-certified “All Around The World (La La La)” and “Lullaby,” to his collaborations with the likes of Ava Max, ZAYN, Luis Fonsi, Sean Paul, and more, R3HAB has proven to be one of the most forward-thinking artists in the game. His work has collected over 11 billion streams to date, including more than 1.2B in 2023 alone. R3HAB founded his label CYB3RPVNK in 2016, which has passed 4B streams across platforms since its inception. R3HAB continues to evolve and diversify his sound by working with artists around the globe, pushing the boundaries of dance music as he collaborates across genres and languages. He is Spotify’s Most Discovered Artist, one of Spotify’s top 350 most streamed artists, ranked #14 on the prestigious DJ Mag’s Top 100 DJs chart, and has earned over 80 Diamond, Platinum, and Gold certificates. R3HAB has embarked on multiple sold-out worldwide tours and was the first dance music artist to sell out 15 consecutive shows in China. On top of that, he performed at the world’s top festivals, such as EDC, Ultra Music Festival, Tomorrowland, Balaton Sound, Coachella, Summer Sonic Festival, DWP Jakarta. With his combination of innate artistry and innovative attitude, R3HAB has earned his place as a household name in dance music.

Da Tweekaz

Kenth Kvien and Marcus Nordli, aka Da Tweekaz, are a Norwegian hardstyle duo. These two incredibly talented guys are especially known for being the ultimate party starters with their uplifting, contagious, and unique energy. When not behind the decks or in the studio, you can probably catch them partying in the front with their fans. From intimate clubs to huge festivals, you can always count on them to bring the party to life. Da Tweekaz have taken the world by storm, collaborating with top-tier artists both within and outside of the Hard EDM genre, racking up tens of millions of streams. Some of their countless hits include “Jagermeister” & “How Far I’ll Go” and remixes of huge songs such as “On My Way” by fellow Norwegian Alan Walker. When the pandemic hit in 2020, the boys came up with “Tweeka TV” so they could stay connected and bring joy to their fans through a hard time. Up to 15,000 viewers tuned in every week to watch the boys with their signature sunglasses on, Jagermeister on tap & lots of special guest appearances. With such success with the show, the duo has continued to run the show every month, even as life has returned to normal. With tours around the world and stages on every continent, there is no stopping this one of a kind duo. Da Tweekaz are regulars at some of the biggest events worldwide, including EDC, World Club Dome, Reverze, Defqon.1, and twice playing Mainstage at Tomorrowland. There’s no stopping this power duo as their passion spreads on stage to electrify any event.

Tomorrowland Music

Tomorrowland has expanded the family with its own music label: Tomorrowland Music. Tomorrowland Music is a dedicated music division within Tomorrowland, collaborating closely with both artists and labels, supporting them in all their recording and release activities. Tomorrowland Music has partnered with Virgin Distribution and Virgin Records. As part of the Universal Music Group, Virgin has been one of the industry leaders in music distribution and independent record labels for many years. Tomorrowland Music is delighted to be working closely with Virgin and looking forward to taking the label to a higher level together. Stay tuned for a stellar line-up of renowned artists from all different levels who can’t wait to release their music on Tomorrowland Music, encompassing a multitude of genres.

More info on R3HAB / Da Tweekaz / Tomorrowland Music:

May 24, 2024 0 comments

Music News

Matt Hawk Challenges Listeners with “SKELETON”

by the partae May 24, 2024

written by the partae

Artist: Matt Hawk
Title: SKELETON
Label: OneHundred/Spinnin’ Records

Download / Stream

Danish artist and the “Car Music” movement foreman Matt Hawk returns with his newest release – “SKELETON,” a unique heater with both emotive and hard-hitting elements. Opening with ominous melodies that meld into a deep, undulating bassline with dark synths and menacing vocals throughout, Hawk steps out on a ledge with the driving style of the track while staying in his element of the “Car Music” genre. “SKELETON” is both low-fi urban and also bass-heavy EDM influenced, making it a versatile record that will also make the listener feel the darkness behind the lyrics while amping up the energy a few notches. Hawk previously released “Hood To The Hills” with his fellow Danish partner in crime – HEDEGAARD, back in March, and “SKELETON” is another strong track from this talented artist. Read on to see what Matt had to say about his latest release:

“The process was a bit different than usual, which ended in a very interesting result. While it exists within the familiar universe of my musical style of low-tempo EDM/urban sound, the production of ‘SKELETON‘ drives the energy forward, where the theme and message touch a more emotional journey and invite the listener to visit sublayers of the mind. It was important for me to maintain a recognizable signature in my music while experimenting with new sounds and moods. The result is a single that challenges the listener – and is different in expression.” – Matt Hawk

Matt Hawk, the next big star in Car Music, is all about minimalism and genre clashes – two things that make him stand out from other DJs. The 33-year-old art director from Aalborg, Denmark, started dreaming of a music career in his teens when he began mixing styles and genres in his creation of new and unique productions. Today, his dream has come true, and he is producing hits with Denmark‘s most prominent DJs. In collaboration with HEDEGAARD, Matt Hawk has produced and released the single “SA-MY-D,” which is closing in on 8 million streams on Spotify alone, while their joint remix of the rap classic “Ni**as in Paris” has surpassed the 4,5 million stream mark on the platform. A constant curiosity and the untamable urge to create means that he is, again and again, which has never been combined before. On the single “SYMPHONY,” he reworked Beethoven‘s classic “Symphony no. 5,” generating an output that contains a magical combination of Nate Dogg-sounding vocals combined with all the best elements from the heavy club universe of the Car Music genre. It debuted on the weekly QQ Music EDM Chart in China as no. 21 and has amassed more than 4,5 million streams on Spotify since then, reaching 1 million streams within the first 40 days in the market. The follow-up single, “GANG GANG,” was also built on a Beethoven sample from the classical masterpiece “Für Elise.” The latest single, “OneHundred,” was created with his label buddies HEDEGAARD and CANCUN? and was produced without the use of samples. The single reached 1 million streams within the first 20 days in the market and became Matt Hawk‘s first Top 20 single on the QQ Music EDM Chart in China, debuting as no. 17. His latest release, “Hood To The Hills,” also went in Top 20 on QQ Music EDM Chart.

More info on Matt Hawk / OneHundred:

May 24, 2024 0 comments

Festival News Music News

Empire Of The Sun: Ask That God Australian Tour Oct-Nov

by the partae May 24, 2024

written by the partae

Australian alt-electro pioneers Empire of the Sun confirm Ask That God Australian Tour

Playing Sydney, Melbourne, Brisbane and Perth this Oct & Nov

Anthemic smash hits include ‘Walking On A Dream’, ‘Alive’, ‘We Are The People’, ‘High And Low’, ‘Half Mast’ and ‘Standing On The Shore’

Frontier Member presale kicks off Tuesday 28 May 12noon local time ahead of tickets going on sale Thursday 30 May from 1pm local time

Tour and ticket information frontiertouring.com/empireofthesun

New album Ask That God featuring the singles ‘Changes’ and ‘Music On The Radio’ released Fri 26 Jul via EMI Music Australia, pre-order here

Frontier Touring are psyched to announce the multi-platinum astral wizards of electro-pop, Australia’s own, Empire of the Sun ‘Ask That God’ Tour for this October & November.

The visionary Empire of the Sun return with a kaleidoscopic holistic live show kicking off at the Hordern Pavilion, Sydney on Thursday 24 October, before Sidney Myer Music Bowl, Melbourne on Saturday 26 October then onto Riverstage, Brisbane on Tuesday 29 October before a west coast show at Red Hill Auditorium, Perth on Friday 1 November.

Frontier Member presale kicks off Tuesday 28 May 12noon local time ahead of tickets going on sale Thursday 30 May from 1pm local time. Tour and ticket information frontiertouring.com/empireofthesun

On Friday 26 July, Empire of the Sun – Emperor Steele (Luke Steele of The Sleepy Jackson) and Lord Littlemore (Nick Littlemore of PNAU) – release their fourth studio album and first album in eight years with Ask That God. The new album features the propulsive first single ‘Changes’ and the hypnotic disco laced groove of the addictive second single ‘Music On The Radio’. Ask That God released via EMI Music Australia, pre-order here.

Don’t miss the electrifying Empire of the Sun this October and November!

EMPIRE OF THE SUN
ASK THAT GOD AUSTRALIAN TOUR
OCTOBER & NOVEMBER 2024
Presented by Frontier Touring

FRONTIER MEMBER PRESALE
via frontiertouring.com/empireofthesun
Runs 24 hours from: Tuesday 28 May (12noon local)
or until presale allocation exhausted

TICKETS ON SALE
Begins: Thursday 30 May (1pm local)

Thursday 24 October
Hordern Pavilion | Sydney, NSW
Lic. All Ages
On sale: Thursday 30 May (1pm local)
ticketek.com.au

Saturday 26 October
Sidney Myer Music Bowl | Melbourne, VIC
Lic. All Ages
On sale: Thursday 30 May (1pm local)
ticketek.com.au

Tuesday 29 October
Riverstage | Brisbane, QLD
Lic. All Ages
On sale: Thursday 30 May (1pm local)
ticketmaster.com.au

Friday 1 November
Red Hill Auditorium | Perth, WA
Licensed 13+*
On sale: Thursday 30 May (1pm local)
moshtix.com.au

May 24, 2024 0 comments

Festival News Music News

CROWDED HOUSE AUS AND NZ ‘GRAVITY STAIRS’ TOUR

by the partae May 24, 2024

written by the partae

Multi-platinum selling rock band Crowded House have announced their 2024 Australia and New Zealand – ‘Gravity Stairs‘ Tour – in support of their new album which will be released Friday, May 31 – Pre-save/Pre-order HERE. The highly anticipated ‘Gravity Stairs’ Tour kicks off Saturday, November 9 in Wellington and wraps Saturday, December 14 in Meanjin/Brisbane. Tickets will be available to the general public on Thursday, May 30 at 12pm local time. Please visit www.crowdedhouse.com for all details.

Neil Finn explains, “So looking forward to getting amongst our people having practiced on the northern hemisphere for a few months. The band will be running hot and we can’t wait to sing with you and elevate our collective spirits. Sing it if you want to be a part of Some Greater Plan.”

Produced by the band with Steven Schram (Paul Kelly, San Cisco), ‘Gravity Stairs’ shows Crowded House in its current incarnation — Neil Finn, Nick Seymour, Mitchell Froom, and Finn’s sons Elroy and Liam.

Speaking about the album title ‘Gravity Stairs’, Neil says the name was inspired by an unnaturally heavy stone staircase near where Neil vacations. “The Gravity Stairs are symbolic of the struggle to ascend, acknowledging the opposing forces of weight on the mechanics of living. It’s an act of will every day.”

Crowded House have sold over 15 million records worldwide as well as earning 13 ARIA Awards, an MTV VMA, and a BRIT Award, the band have generated billions of streams, consistently sold out tours on multiple continents and have been captivating audiences for nearly four decades.

Originally founded by Neil Finn, Nick Seymour, and the late Paul Hester, the group’s self-titled debut in 1986 went platinum, uplifted by iconic smashes ‘Something So Strong‘ and ‘Don’t Dream It’s Over‘ which have been covered by everyone from Miley Cyrus and Ariana Grande to U2, among others.

In 1996, the group delivered a legendary performance to an audience of over 150,000 on the steps of the Sydney Opera House, beginning a hiatus that finished in the wake of Paul’s passing in 2005. This led to albums ‘Time on Earth‘ (2007) and ‘Intriguer‘ (2010) and a return to the Sydney Opera House for three unforgettable nights.

2018 saw Neil join Fleetwood Mac as a full-time member, canvasing the globe on a massive world tour. Two years later, he and Nick led another era of Crowded House, forming the band’s current lineup. They issued their first full-length offering in eleven years, the unanimously acclaimed ‘Dreamers Are Waiting‘ (2021), and the band leapt into a rapturous world tour in support.

From joining his brother Tim in the New Wave favourites Split Enz to leading Crowded House to his numerous solo efforts, Neil’s varied body of work is connected by his knack for penning meticulous, indelible melodies and impressionistic lyrics that demand multiple listens. It’s earned him devoted fans all over the globe.

General Public On-sale: Thursday, May 30 12pm local time

‘Gravity Stairs’ will be available worldwide on Friday, May 31, via BMG
Pre-save/Pre-order HERE

CROWDED HOUSE

‘GRAVITY STAIRS’ AUSTRALIA & NEW ZEALAND TOUR

Tickets available at crowdedhouse.com

SAT 9 NOV | TSB ARENA, WELLINGTON NZ
TUE 12 NOV | TOWN HALL, DUNEDIN NZ
WED 13 NOV | WOLFBROOK ARENA, CHRISTCHURCH NZ
TUE 19 NOV | REGENT ON BROADWAY, PALMERSTON NORTH NZ
WED 20 NOV | MERCURY BAYPARK ARENA, TAURANGA NZ
FRI 22 NOV | GLOBOX ARENA, CLAUDELANDS, HAMILTON NZ
SAT 23 NOV | SPARK ARENA, AUCKLAND NZ
FRI 29 NOV | KINGS PARK & BOTANIC GARDEN, BOORLOO/PERTH WA
WED 4 DEC | OPERA HOUSE FORECOURT, EORA/SYDNEY NSW
THU 5 DEC | OPERA HOUSE FORECOURT, EORA/SYDNEY NSW
TU 10 DEC | ROD LAVER ARENA, NAARM/MELBOURNE VIC
FRI 13 DEC | ENTERTAINMENT CENTRE, MULUBINBA/NEWCASTLE NSW
SAT 14 DEC | ENTERTAINMENT CENTRE, MEANJIN/BRISBANE QLD

Gravity Stairs’ Track Listing:

1. ‘Magic Piano’
2. ‘Teenage Summer’
3. ‘The Howl’
4. ‘All That I Can Ever Own’
5. ‘Oh Hi’
6. ‘Some Greater Plan (for Claire)’
7. ‘Black Water, White Circle’
8. ‘Blurry Grass’
9. ‘I Can’t Keep Up With You’
10. ‘Thirsty’
11. ‘Night Song’

May 24, 2024 0 comments

Festival News Music News

Canadian indie-folk artist DONOVAN WOODS announces first Australian Tour

by the partae May 24, 2024

written by the partae

Photo by Brittany Farhart

Following the announcement of his seventh studio album ‘Things Were Never Good If They’re Not Good Now’ (set for release on the 12th of July via End Times Music), Canadian artist Donovan Woods has shared the announcement of his first trip down under; with a 7 date tour on Australian shores set for June 2024.

The Juno award-winning singer/songwriter will be hitting stages in Perth, Adelaide, Melbourne, Newcastle, Sydney and Brisbane this year – with supports yet to be announced. Throughout his distinguished career, Donovan Woods has built a devoted following who cling to the songwriter’s every word. Never one to mince them, Woods is one of music’s most vulnerable storytellers and on his forthcoming studio album, Donovan takes that a step further.

Honest and unflinching, on Things Were Never Good If They’re Not Good Now Woods takes a long look inside and isn’t necessarily thrilled with what he sees. For an artist who isn’t afraid to bear his soul, this is as emotionally gritty as he has ever been. Long known as a masterful storyteller, Woods is at his absolute best on Things Were Never Good If They’re Not Good Now.

Since he released his first album a decade ago, Donovan Woods’ blend of folk, country and pop has resonated with audiences all over the world. In recent years, the acclaimed, award-winning singer-songwriter has seen his profile grow with his breakthrough album, Without People. Touring behind (2020’s) Without People saw Woods play to his largest audiences to date, including a stint opening for New Jersey-based retro rockers Gaslight Anthem on their recent reunion tour.

He currently sports an impressive 741k+ monthly listeners on Spotify, with over 105m streams for his track ‘Portland, Maine’ (which was featured on season 1 of The CW’s ‘Legacies’, and was originally recorded and performed by Tim Mcgraw).

Donovan is partnering with Support Act for the tour and donating $1 for every ticket sold, supporting music industry professionals across the country with crisis relief, mental health and wellbeing support. With a big year in front of him in the lead up to and following the release of his upcoming LP, these intimate shows in June are not to be missed!

DONOVAN WOODS LIVING WELL TOUR

TICKETS

Thursday 13th of June – Milk Bar, Perth WA
Friday, 14th of June – Jive, Adelaide SA
Saturday, 15th of June – Northcote Social Club, Melbourne VIC
Sunday, 16th of June – Sooki Lounge, Belgrave VIC
Thursday, 20th of June – Stag & Hunter Hotel, Newcastle NSW
Friday 21st of June – The Great Club, Sydney NSW
Saturday 22nd of June – Black Bear Lodge, Brisbane QLD

PRAISE

“There are very few writers who can make you laugh and break your heart in the same song.”
NPR Music

“Everyone has their favorites, but this guy should be everyone’s favorite right now because he sounds like Donovan Woods and not like everyone else and writes to beat the devil…”
No Depression

“Woods makes memorable hooks and melodies out of heartbreak, jealousy, and loneliness that feel so obvious, so natural, casual listeners may not stop to appreciate just how gifted he is His talent truly shines on Hard Settle, Ain’t Troubled, an album easy to love and hard to forget”
Quick Before It Melts

“NNNN – Donovan Woods has built a career on melancholia, crafting wistful songs that tug at the heartstrings of anyone who’s had feelings about partners, ex-partners, where you’re from, where you shouldn’t have gone. His fourth album follows in those footsteps, but with the assured sharpness of an old pro. Hard Settle, Ain’t Troubled is his most solid album in a catalogue full of them.”
Now Magazine

“Sparse and intimate, Donovan Woods… feels like you’ve joined him in a closet full of winter coats so that he can whisper a few anecdotes that belong in your ears only.”
Exclaim

Donovan Woods: Website | Instagram | Facebook | Youtube

May 24, 2024 0 comments

Music News

Slinkee Minx – ‘This Is Your Night’, ready to electrify the dancefloor

by the partae May 23, 2024

written by the partae

Australian noughties dance-pop icons Slinkee Minx are set to drop their first major release for 2024 – ‘This Is Your Night’, a modern spin on a classic 90s club anthem. This explosive radio-friendly release unleashes fresh flirty vibes to the dancefloor and once again showcases why Slinkee Minx remain one of Australia’s best and most enduring female dance music acts.

Few have the history or street cred to bring reworked club anthems like ‘This Is Your Night’ to a new generation of music lovers. Collaborating with legendary Aria award-winning producer James Ash (Rogue Traders), ‘This Is Your Night’ fuses some of the song’s original sounds, with silky upbeat vocals, punchy piano synths, exhilarating drops and an insatiable beat that will get stuck in your head for days! The result is quintessential Slinkee Minx – a signature sound fans have loved since they launched onto the scene two decades ago.

Part of the golden era of dance music in the early 2000s, Slinkee Minx have had multiple successive top ten dance hits both in Australia and internationally, including their unforgettable smash ‘Summer Rain’, continuing to amass millions of music streams worldwide.

Loved equally for their original music and on-point interpretations, ‘This Is Your Night’ is sure to be another Slinkee Minx dancefloor filler!

PLAY/LISTEN

https://www.linktr.ee/slinkeeminx

https://www.facebook.com/slinkeeminx

https://www.instagram.com/slinkeeminx

May 23, 2024 0 comments

Music News

Tasmania’s MIDDLE PALMS return with ‘FINGERS’

by the partae May 23, 2024

written by the partae

Photo by: Matt Sherlock

Off the back of their widely successful 2023 single ‘Talk Too Much’, vibrant 4-piece indie-pop-rock ensemble from Hobart, ‘Middle Palms’, today return with their latest single, ‘Fingers’. Inspired by the energy of Australian indie-rock music, ‘Fingers’ explores the difficulties of accepting a relationship with unreciprocated love.

Having quickly amassed north of 40k streams on their recent single, the young band returned to the drawing board to get started on what is likely to be a sensational hit in ‘Fingers’. Drawing inspiration from artists like Spacey Jane, and Ocean Alley, Middle Palms have spent the last few years carving out their own unique sound and connecting with a growing fanbase.

Recorded entirely at their home studio in Hobart (with the exception of the drums), Middle Palms commissioned lead singer Sam’s sister, Erin Sherlock to mix ‘Fingers’, which would go on to be mastered by her friend Thomas Fernando. Musically, the hardship expressed through the lyrics is contrasted beautifully with warm textures and stunning melodies throughout the track resulting in an utterly engaging listening experience.

“The metaphor of “fingers” depicts the mental state of the character as they move forward from the situation.”

MIDDLE PALMS

PRAISE

“Middle Palms’ sound is like baby Spacey Jane with their own original twist! <3 Sounding authentic and beautiful!”

Anika Luna – Triple J

“Mad Style!”

Lime Cordiale

Fingers is out now!

Middle Palms: Facebook | Instagram | YouTube | TikTok | Triple J Unearthed

May 23, 2024 0 comments

Festival News Music News

INTEL CORE ULTRA AI STUDIO LAUNCHES IN MELBOURNE CENTRAL – Thursday 23 May 2024

by the partae May 23, 2024

written by the partae

Intel Core Ultra AI Studio

Thursday 23 May 2024

Melbourne Central, Cnr LaTrobe and Swanston Streets, Melbourne VIC 3000

from 12pm – 8pm

Intel has launched the next generation of processors – Intel® Core™ Ultra, featuring new AI experiences, immersive graphics, and optimal battery life. The brand is proud to announce Intel Core Ultra AI Studio a special event designed to showcase how the power of AI in a creative world can enhance and not overtake talent works.

Tapping into an industry inherently connected to premium technological and software advancements, the Australian creative industry and community, Intel will be hosting an industry showcase event, Intel Core Ultra AI Studio that will play host to a series of workshops delivered by three established talents. Each is well known and highly regarded for their credibility in the creative world and will openly discuss and share their own anecdotal insights.

Of note, attending guests of the Intel Core Ultra AI Studio will be treated to an appearance from headlining beatmaker and Creative director, Ta-Ku, known for quietly becoming one of the most influential and sought-after beatmakers of the 2010s due to his inventive, emotion-rich style. His projects have attracted a cult following and he has performed for triple j’s Like A Version and NPR’s Tiny Desk Concert and has sold out headline shows across the world including a stop at the iconic Sydney Opera House. Ta-Ku will be hosting a workshop that explores AI as an aide for the next wave of Creative directors.

“I’m looking forward to demonstrating Intel’s AI PCs, they are designed for the AI tools that help bring your ideas to life. While nothing will ever replace human creativity – I’m a big advocate for embracing tools that can help us create more freely, efficiently & open the doors for those who are intimidated with a career path of an artist.” Said, Ta-Ku.

In addition, Intel welcomes workshop hosts:

Ninajirachi

Theme: Music Production

Workshop: Making one of-a-kind music better with AI.

Credentials: Experienced in workshop hosting via APRA SongMakers, MusicNSW sessions, an Official Ableton ambassador and school visits. Has partnered with music tech products, Unyoked and more.

Demas Rusli

Theme: Photography

Workshop: Lights, Camera, AI: Street photography elevated with AI.

Credentials: One of Australia’s most-followed photographers on social media. Trusted partner and collaborator to major brands and events.

The Intel Core Ultra AI Studio event is taking place on Thursday 23 May, at Melbourne Central.

For more information on the Intel Core Ultra Processor and the wider range of Intel products, please visit: https://www.intel.com/content/www/us/en/homepage.html

May 23, 2024 0 comments

Music Interviews Music News

Gloam Discusses Growth and Change in ‘Hinder’

by the partae May 23, 2024

written by the partae

What inspired the theme of growth, progress, and navigating change in your latest single, “Hinder”?

I’d say that the song itself kind of sparked that. Our creative process is heavily a music-first, vocals-second kind of process. So essentially, I listened to the song on repeat (after Oli and I had workshopped it to where it is now) for a while, trying different melodies over different sections, and deciding what felt right. Before long, I had begun associating certain feelings and memories to the track, which then began to influence the words that ended up being sung on the track. Overall, I wouldn’t say there was a moment where I decided “This is what the song is about,” more of an overarching theme that I sort of connected to these emotions after the fact.

Can you elaborate on the internal conflicts portrayed in “Hinder” that hinder the actualization of self-fulfillment?

It’s tricky to put my finger and explicitly say it was ‘this’ or ‘that’, but I’d say it mostly refers to the stagnancy that comes as a consequence of anxiety and depression. it’s easier to sit with what you have and where you are than it is to get up and create the change that you so badly know you’re craving.

How does “Hinder” differ thematically or musically from your previous work, such as your debut single “Merchant”?

Hinder features quite a fast and driving energy throughout the whole performance, which began as a core element in the songwriting process before there was even any drums or vocals attached. I feel like with this track there was less focus on having a big contrast in dynamics within the song, and more emphasis placed on making a fun, driving, high energy piece of music.

Could you share any anecdotes or stories from the creation process of “Hinder,” particularly regarding its lyrical development?

I wouldn’t say that there was any particularly noteworthy moments in writing the lyrical content for Hinder, so apologies for that. However, I did find myself questioning myself and whether the lyrics I was writing down may have been too cryptic to make any linear sense to listeners. But I guess some self-assurance came from the self-reminder that this is Gloam’s artform, and there is little to no obligation to typical song conventions. I would encourage any other songwriters or artists to take the same mindset; it was quite liberating and really feels as though once you do away with writing to certain deliverables, true creativity starts to occur. At least that has been my experience thus far.

What role does introspection play in your songwriting process, especially when addressing themes as complex as fear, discomfort, and personal growth?

I would say, it plays quite a vague role. I’ll rarely have a specific time, object, or event in mind when writing lyrics. Quite often they tend to be very abstract, with contemplation seeing them revised. It is usually at this step in the process; when I have a clearer idea about how I feel about the songs and what they mean to me, that I’ll attach any sort of meaning or theme to the tracks. This very much applies to the songwriting process of Hinder.

You mentioned drawing inspiration from shoegaze icons like Slowdive and Whirr. How do you infuse your own unique style into the genre, as showcased in “Hinder”?

While we’ve drawn inspiration from lots of the big names in post-rock and shoegaze, we’ve also taken influence from a wide range of bands outside these genres. Oli spent a decent chuck of time around writing and editing the first demos of “Hinder” listening to Death Metal and Post-Black Metal bands such as Suffering Hour and Deafheaven, and I think an amalgamation of all sorts of different sounds make their way into our tunes and help shape our sound in strange ways.

“Hinder” was mixed and mastered by long-time collaborator Cameron Murphy at Opaque Studios. How does Murphy’s involvement contribute to the final sound of the track?

Cam’s input, I feel, is likely to be quickly overlooked. I think we all feel quite ‘new’ to being musicians, in the sense that we aren’t conforming to anything typical of a genre or ‘scene’; we’re writing to a taste that we haven’t done before and is everchanging. Consequently, this can blur the lines between what’s working and what’s not working. Cam has been a great filter along the process to bluntly tell us what is, and what isn’t working. Of course, with a grain of salt though. He’s always on board with our wild ideas, drawing from an array of references that you mightn’t typically put together.

With only a brief tenure on the live circuit, how do you feel your experiences sharing the stage with international and local acts have influenced your musical journey and the sound of Gloam?

The live performance experiences we’ve had over the last couple years have shaped our ambition and drive in huge ways, and have been quite essential in keeping the Gloam music-machine rolling. We’ve been able to experiment and hone into our sound and performance, as well as learn and take inspiration from some really great bands. Big touring groups like Touché Amore, Deafheaven and Movements have been incredible to share the stage with, and have felt like a masterclass in high energy performance and positive attitude, not to mention attention to detail. Though in saying that, I think we have also learnt just as much from these big international support opportunities as we have from the local bands in the Perth scene. Getting to see how bands around us are growing and shaping their live performances has been hugely motivating and exciting, and is often what pushes us to work harder on how we present and perform our music.

“Hinder” debuted on triple j Unearthed TOPS, showcasing your unique blend of ethereal soundscapes and relatable lyrical theming. How important is it for Gloam to connect with listeners through both musical and lyrical elements?

Strangely enough, I feel that the music is the most powerful vessel in any existing Gloam song, by quite a margin. Because the feeling of each song largely determines the lyrics that follow, it becomes the beacon of the track. We expect that the listener resonates more with the soundscape of the tracks, rather than the literal words being sung.

Can fans expect a similar thematic approach in your upcoming releases, or do you plan to explore new territory with your music?

One of the main takeaways for us from this last writing and recording process is how exciting and rewarding it is to venture into new territory musically. Now that we have established ourselves with a solid foundation in our sound, it’s going to be really exciting to see where we can take it, as well as discovering new tools and strategies to get us there.

How does the process of crafting a single like “Hinder” inform or influence the direction of your future releases and overall musical evolution as a band?

I would say it doesn’t really. We have an EP coming out later in the year which includes “Hinder.” This full record feels a lot more creatively ambitious than what we’ve done previously, some songs sounding similar to Hinder, or our previous self-titled EP and others being far more left-of-centre. Moving forward from this upcoming record, writing has already begun and I think we’re collectively embracing our experimental tendencies a lot more, not just in the songwriting area but with varied tunings, keys and guitar pedals. We’re excited about the musical journey ahead!

Finally, what message or feeling do you hope listeners take away from “Hinder,” and how does it fit into the larger narrative or vision for Gloam’s music?

I think, that we’d hope our listeners feel a sense of calmness after listening to this track (or any of our music). Hinder is a melancholy song that we all feel very at-peace with when performed live and throughout the recording process, despite it’s heavy overtones and distorted characteristics. I don’t think I’d hope our listeners take away any specific message, I’d like to think that they might associate their own message or lesson from the track – something I personally love about consuming music.

https://www.instagram.com/gloam.band/

May 23, 2024 0 comments

Festival News Music News

TESTAMENT 2024 – A Testament Legend of 90s & 00s club culture

by the partae May 21, 2024

written by the partae

Ministry of Sound Testament. Australia & NZ National Tour.

7 cities. 12 shows. 2 weekends. August 30 – September 8, 2024.

After an incredible national tour in 2023, Ministry of Sound are journeying back to the underground this August with their biggest tour yet. Presented over two specially curated sessions (90s & 00s) across 7 cities, Testament celebrates the golden era of clubbing, taking over venues, clubs and warehouse spaces where dance music fuelled generations of unity on the dancefloor.

From August 30 – Sep 8, 202 TESTAMENT reignites a passion for vibrant late-night cities and club cultures across the country. Returning to some of our most loved dancefloors, the 2024 tour sees the addition of some exciting new spaces, including the truly epic White Bay Power Station, which is opening its doors for the first time to a large-scale music event of this kind, Felons Barrel Hall for Brisbane, a day session at The Court in Perth and an additional tour stop to the Sunshine Coast – along with The Timberyard [Melbourne], The Studio [Auckland], Miami Marketta [Gold Coast].

With an incredible lineup of the most significant global names of the era, Testament dives deep into the music, the people, the places & the crews who made the 90s & 00s such an iconic era for all of us who know what ‘proper clubbing’ really means.

From Australia’s acid house infancy to the many reinventions of rave through the 90s and the peak of 00s nightlife, Ministry of Sound will be showcasing an iconic lineup of global legends, whose influence is woven into the fabric of modern club life. Headliners include the godfather of acid rave Danny Rampling (UK), house music pioneer Judge Jules (UK), and legendary DJ/producer Seb Fontaine (UK) – all bringing their 90s mastery.

Session Two celebrates sweaty hedonistic 00s dancefloors; with Dutch heavyweight Laidback Luke (NL), big room house maestro Mousse T. (GER), and English electronic dance music duo X-Press 2 (UK) taking the helm.

Adding to the lineup are a huge suite of local talent PLUS Ministry of Sound’s Australian legends – John Course, Mark Dynamix & Dirty South – who between them compiled and mixed album titles which went on to sell millions of copies through the decades across The Annual, Sessions, Clubbers Guide and more. Joining the tour once again will be dancefloor favourite & party icon Minx.

TICKETING INFO:

FOR PRE-SALE REGISTRATION, TICKETS & INFO

https://tmrw.to/mostestament24

PRE-SALE REGISTRATIONS CLOSE

Tuesday 21^st May 11:59pm (AEST)

MINISTRY OF SOUND PRE-SALE

Wednesday 22^nd May, 12:00pm (AEST)

GENERAL ADMISSION TICKETS ON SALE

Thursday 23^rd May, 12:00pm (AEST)

TESTAMENT 2024 AUS/NZ TOUR DATES:

Friday 30^th August – Studio the Venue, Auckland (90s)

Friday 30^th August – Metro City, Perth (00s)

Saturday 31^st August – White Bay Power Station, Sydney (00s)

Saturday 31^st August – The Timber Yard, Melbourne (90s)

Sunday 1^st September – Felons Barrel Hall, Brisbane (00s)

Sunday 1^st September – Miami Marketta, Gold Coast (90s)

Friday 6^th September – Felons Barrel Hall, Brisbane (90s)

Friday 6^th September – Studio the Venue, Auckland (00s)

Saturday 7^th September – The Timber Yard, Melbourne (00s)

Saturday 7^th September – White Bay Power Station, Sydney (90s)

Sunday 8^th September – The Court, Perth (90s)

Sunday 8^th September – The Station, Sunshine Coast (00s)

TESTAMENT 2024 LINE-UP:

A-Z

Danny Rampling

Judge Jules

Laidback Luke

Mousse T.

Seb Fontaine

X-Press 2

+ National local lineup

Dirty South

John Course

Mark Dynamix

Minx

PLUS OVER 70 LOCAL LEGENDS ACROSS THE TOUR

For more information, go to:

Website: https://ministryofsound.tmrw.to/testament

Facebook: @MoSAUEventsTMRW // @tmrwmusicagency

Instagram: @ministryofsoundau_tmrw // @tmrwagency_

May 21, 2024 0 comments

Fashion & Culture Festival News Music News

The Great Southern Slam returning to Adelaide, June 8-10

by the partae May 21, 2024

written by the partae

The world’s biggest roller derby tournament is returning to Adelaide. That’s right – The Great Southern Slam (TGSS) 2024 is a go! Strap yourself in for three days of hard hits, quick feet, and endless good times as the biennial competition returns to the Adelaide Showground over the June long weekend.

From June 8-10, 2024, local, national, and international derby teams will converge on the Adelaide Showground from every corner of Australia and New Zealand to battle it out on the track once more, with 45 teams will competing in 65 games across three divisions.

Hosted by Adelaide Roller Derby, the event will also double as a showcase for local artisans and world-wide skate brands alike, with a marketplace featuring stalls from Adelaide’s “Craft Queen” Calamity Tash to internationally popular skate company Riedell Skates.

To add to the excitement, this year the2024 TGSS Division 1 will act as the inaugural Women’s Flat Track DerbyAssociation (WFTDA) Regional Championships for the Oceania Region, with two teams set to go through to the World Championships held in Portland, Oregon USA in November.

WFTDA, the umbrella organisation for roller derby internationally, launched a new rankings system in June 2023 to create a regionally based competitive structure, with TGSS receiving recognition as the preeminent tournament in the Oceania region. The region, comprised of Australia and New Zealand, was allocated two spots in the Global Championships, meaning that the top two teams from TGSS will earn themselves a ticket to the Global Champs to be held in Portland, Oregon in November of this year.

The current top five teams vying for the coveted tickets are the respective A teams from Victorian Roller Derby League (VRDL), Brisbane City Rollers (BCR), Sun State Roller Derby (SUN), Adelaide Roller Derby (ADRD), and Perth Roller Derby (VRDL). As the seventh-ranked team internationally, VRDL are the tournament favourites, but homegrown hopefuls ADRD will be looking to repeat their TGSS 2022 results, where they placed second.

ADRD skater and TGSS committee member Alex Knopoff – who plays under the alias ‘Rage Ruthless’ – said: “Adelaide Roller Derby is so excited to be hosting The Great Southern Slam once again. Fifteen years on from our first tournament, TGSS is the must-attend event of the Australia/New Zealand roller derby calendar and it’s fantastic to have that recognised internationally through being selected as the WFTDA Regional Championship for Oceania.

“Putting on a tournament of this scale is a massive undertaking that is only possible due to the hard work of a small group of volunteers – it’s truly a labour of love. On top of that, many of us are also participants, with both our A and B teams in this year’s competition. We (the A team) have been training hard and we’re really hoping to place in the top two to earn our ticket to World Champs.”

Hosted by Adelaide Roller Derby and held at the Adelaide Showground in the heart of South Australia, The GreatSouthern Slam is a biennial roller derby tournament that has attracted over5000 athletes and spectators over the June long weekend. Roller derby is played worldwide, with The Great Southern Slam the centrepiece of competition in Australia!

Spectators are welcome with pre-sale weekend passes now available via Humanitix for $65 + booking fee. Day passes are available online and at the door for $25 for Saturday and Sunday, and $35 for the Finals on Monday. Under-12 tickets start at just $10 a day.

The Great Southern Slam 2024

June 8-10 2024

Adelaide Showground, South Australia, Australia

For more information, head to the website greatsouthernslam.com.au

May 21, 2024 0 comments

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The Great Southern Slam returning to Adelaide, June 8-10