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“Stunning musicality, judicious production and interesting songwriting.” – Double J
“Charlie Gradon’s talent is seemingly uncontainable.” – Life Without Andy
A nostalgic note brought to life with hazy visuals, Charlie Gradon today lifts the veil on the film clip for cathartic new single ‘Grieving’. The video comes ahead of his launch shows in Sydney and Melbourne this April.
Born in his bedroom studio, the triumphant track documents the moments of a bleak week where Charlie had a near death experience, a sick family member, an album lost and a band broken up. It’s a rolling ballad of change, uncertainty and excitement.
Since its release ‘Grieving’ has been embraced on the airwaves, reaching #3 on the AMRAP Metro Radio Charts along with adds on FBi Radio, 2SER and EDGE radio.
‘Grieving’ is the dreamy first track taken from his forthcoming sophomore EP out later this year which the multi-instrumentalist Gradon wrote, performed and produced entirely on his own.
This EP will follow 2018’s ‘Self Doubt’ which intrigued audiences and garnered on-air support from Double J and FBi Radio and had him named in The Music Writer’s Poll for ‘Song of the Year’.
Echoing this praise, he was recently a finalist in Happy Mag’s Needle in the Hay competition out of 2000 entries, and named in Life Without Andy’s Next Big Things for 2020.
Off the back of supporting Sydney’s Brightness, Charlie Gradon will take his passionate delivery from the four walls of his bedroom to the stage as he launches ‘Grieving’ in Sydney and Melbourne this April.
CHARLIE GRADON
‘GRIEVING’
OUT NOW
Friday, April 3rd
The Vanguard, Sydney
Friday, April 10th
The Grace Darling, Melbourne
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What is your name and role within Vetty Vials?
Vetty Vials – Vocals / Guitar / Boss lady.
Where are you currently based and what is the music scene like there?
I am currently based in South Sydney about 30 minutes out of Sydney CBD, the Sydney scene has had its difficulties over the past few years with venues closing due to lockout laws but it is still alive and well with some really great bands and solid supporters who are always keen to come out to shows.
How did you first start playing music?
I’ve been singing for as long as I can remember and started learning really basic guitar around the age of 12.
What’s been happening recently?
We just finished our album tour for “Conversations With Myself”, playing in Sydney, Adelaide, Canberra and Melbourne. It was an absolute blast!
Your debut album ‘Conversations With Myself’ is out now, what influenced the sound and songwriting?
My main inspiration for writing is life experience, the album itself is a combination of songs about feeling lost, dissecting relationships and navigating your 20s. I try to be brutally honest lyrically as that’s the type of thing that draws me in when I’m listening to music.
In terms of the sound, that comes from a variety of different places. When I start writing its generally on an acoustic guitar and the style could go either way. I’m backed by a powerhouse band of guys who have strong rock and punk influences which draws the songs to that heavier, faster direction. The album in itself has elements of both softer and heavier influences which I think is quite cool.
How did you go about writing the music?
Generally, the song writing process would start with me writing a song on acoustic and then coming to the band to get their input. I was lucky to change that up a lot on this record, Dust came from my guitarist Matt bringing the music to me and us then writing it together, and Pride was put together last minute between our Producer Antix and I. It changed the sound dramatically and I’m super happy with how these songs turned out.
Where and when did you record/produce?
The record was one of the first recordings completed in the new Def Wolf Studios in Kurnell back in August 2019 with Daniel Antix. I’ve known Antix for almost 10 years now and he is one of my closest friends, this record would not be what it is without his input. Regardless of the fact that he is an incredible producer, as a friend he knows how to push me to get the best result possible and I am incredibly grateful to have his stamp on all of my musical ventures.
How did you approach the recording process?
We tracked majority of the songs live which was really cool. We knocked out the bulk of the bass, drums, and rhythm guitar over two days and then looked at lead guitar and vocals.
One of my favourite memories is working with Antix (Producer) and Matt O’Keefe (Lead Guitar) on the lead parts after the live tracks were done. Even though we had the basis of what all the lead parts would look like prior to recording it wasn’t until we really started layering the guitars that the songs found their sound. There are so many cool unexpected things we came up with over those last couple of days that were never originally planned.
What did you find most challenging and rewarding during the creation of the album?
I was really up and down with my health around the time we were recording so I’d say the most challenging thing was pushing myself to sing to the best of my ability when my body was fighting against me. The most rewarding thing is the by far the finished product, I’m so proud of how far we have come as a band – and seeing the ongoing support from a growing following we have built nationally is just the icing on the cake!
What do you like to do away from music?
I love to travel, it’s a bonus when I can align it with gigs I want to see.
Who are you listening to at the moment?
Phoebe Bridgers, The Menzingers and Pinegrove are on high rotation for me at the moment.
You’ve just come off a Aussie Tour, how were the shows and what were a few highlights?
This tour was one of the greatest experiences I’ve ever had, every single show exceeded my expectations. The highlight has to be seeing so many familiar faces interstate. We have such an incredible network in Melbourne, Adelaide and Canberra and it’s always amazing to reconnect with people.
What’s planned for 2020?
Slowing down on the touring front and focusing on writing, I’ve got a few things in the works that I can’t wait to finish.
Favourite food and place to hang out?
Favourite food – Sushi
Place to hangout – anywhere were there are great live bands playing.
Image: Sam Wong
With breakneck anticipation mounting for details on their sophomore album release, Ocean Grove have finally let loose that Flip Phone Fantasy will drop on Friday March 13. The band are also offering another taste off the record with new track ‘THOUSAND GOLDEN PEOPLE‘ out today.
The reveal adds to the melting pot of flavours already lifted in the form of ‘ASK FOR THE ANTHEM‘, ‘SUNNY‘, ‘JUNKIE$‘ and ‘NEO‘. Ocean Grove frontman Dale Tanner explains the album was purposefully crafted to pivot between genres and influences, much like a classic mixtape of the flip phone era.
“Rather than an album that streamlines in one direction of genre, ‘Flip Phone Fantasy’ has the capacity to be someone’s very own mixtape from start to finish,” he says. “This record is the first of its kind, in that its sheer diversity will appeal to music listeners from all corners of the globe.”
Between the blistering chaos of opener ‘SUPERSTAR’, through to the dreamy haze of closer ‘FREAKS’, Flip Phone Fantasy ploughs through a thoughtfully complex series of moods and bends, refusing to sit still long enough to be categorised into anything other than pure “Oddworld” music. Whipped and beaten to life over the better part of two years, Ocean Grove – comprising Tanner, bassist Twiggy Hunter, drummer Sam Bassal and guitarist Matt Henley –were determined to see the vision for their second album become fully realised, meticulously self-producing every creative facet they would output.
Following the breakout success of their 2017 debut The Rhapsody Tapes, Flip Phone Fantasy is undoubtedly yet another defining moment for a band not afraid to harness the weird and wonderful aspects of themselves and the world they inhabit.
“The songs on the album have somewhat of a metaphorical undertone for the futuristic mirror image we hoped to embody by the end of the process. The album is a very intentional blue print for the changes we wanted to see in ourselves.” – Twiggy Hunter
After completing support duties for The Amity Affliction across Australia in January, the band now join the inimitable Crossfaith on their EU/UK tour.
Ocean Grove return to home soil just in time for the long-awaited grand reveal of Flip Phone Fantasy, out March 13 through UNFD.
PRE-ORDER ‘FLIP PHONE FANTASY’ HERE
TRACK LIST:
1. SUPERSTAR
2. NEO
3. SENSE AGAIN
4. SUNNY
5. THOUSAND GOLDEN PEOPLE
6. GUYS FROM THE GORD
7. SHIMMER
8. BABY COBRA
9. ASK FOR THE ANTHEM
10. SWAY
11. JUNKIE$
12. FREAKS
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unfdcentral.com
SUPPORT FOR ‘SHAME’
“A subtle approach to shoegaze-y post-punk that emphasises the pop nature of their songwriting without quietening down the layers of guitar and bass that form its backbone”.
– Pilerats (AUS)
Premiered on triple j’s Home & Hosed
Byron Bay-based indie-rock quartet SEASIDE have just unveiled their dreamy and dark new single ‘Shame’ – produced by the band themselves and mixed by Paul Pilsneniks (The Mars Volta, Boy & Bear, Silverchair).
‘Shame’ is a melancholic slice of lively post-punk that combines themes of dream-pop, garage-rock and shoegaze. Opening with reverb-soaked guitars, steadfast drums and fuzz-laden bass, the track maintains an unwavering and washed-out dynamic; a fitting foundation for the hypnotic melodies of front woman Darcy Dexter.
Dexter describes the motivation behind ‘Shame’:
“’Shame’ is about the people in power not listening to what we really need as a society, turning a blind eye when we need them most. It is a message that if we stand together, we are able to create a positive change”.
Previous singles have been widely embraced by the likes of Australian radio stations triple j, triple j Unearthed, FBi, 3RRR, PBS FM, 4ZZZ, 2XX FM, Bay FM and Edge Radio.
The tracks have also received strong support from tastemaker outlets Pilerats, Life Without Andy, The Revue (CAN) and Indie Obsessive (USA), and Spotify via their playlist’s New Music Friday (USA) and (AU/NZ), Front Left, Chilled Afternoon, Brekkie Time, The Office Stereo, Low Key Weekend, Australian Viral 50, Indie Arrivals and Gegen den Strom.
In the live arena, the group have toured Australia multiple times, selling out headline shows and sharing stages with Last Dinosaurs, Angus and Julia Stone, The Jungle Giants and Lime Cordiale, and also performing at mainstay festivals Splendour in the Grass, Party in the Paddock, Summersalt Festival, BIGSOUND Festival and Grampians.
In the coming weeks SEASIDE will reveal an accompanying music video for ‘Shame’.
‘Shame’ is available worldwide now
FOLLOW SEASIDE
Lineups for Circoloco and the OFFSónar Special have now been revealed plus confirmation WooMooN will host a takeover, joining a selection of parties from the most in demand labels and brands in the electronic music scene
Just Announced:
Circoloco:
&Me, Adam Port, Jamie Jones, Rampa, Seth Troxler, Sossa, The Martinez Brothers
OFFSónar Special:
Ann Clue, Boris Brejcha, Giorgia Angiuli live, Paul Kalkbrenner
WooMooN & Storytellers:
Lineup TBA
Already Announced:
Detroit Love:
Carl Craig, Inner City (Live), Mirko Loco, Moodymann, Octave One live, Flo Real
Exhale:
Amelie Lens, Dax J, Farrago, Kobosil, Rachel Lyn
Get Lost:
Acid Pauli, Art Department, Bedouin, Damian Lazarus, DJ Holographic, Dubfire, Felix Da Housecat, Guti, Magit Cacoon, Priku, Robag Wruhme, Serge Devant, Tibi Dabo, Tijana T, Yulia Niko
Drumcode:
Adam Beyer, Bart Skils, Cirez D, Enrico Sangiuliano, Ida Engberg, Joel Mull, Layton Giordani, Raxon, Victor Ruiz, Wehbba
Innervisions:
Agoria, Âme b2b Marcel Dettmann b2b Rødhåd, Âme Live, Daniel Avery b2b HAAi, Denis Horvat, Dixon, DJ Koze, Donna Leake, Dr. Rubinstein, Gerd Janson, Kia, Or:la b2b Roi Perez, Perel Live, Pional, Trikk
18TH – 21ST JUNE 2020 | POBLE ESPANYOL, BARCELONA
As OFFSónar prepares to return to the historic Poble Espanyol complex from 18th – 21st June, new announcements confirm the event series as summer’s most important party week for like-minded music lovers. Eight parties from a selection of electronic music’s most in demand labels and brands are programmed over the four days, with the latest announcement including lineups for this year’s Circoloco and OFFSónar Special plus confirmation of a WooMooN takeover, details of which are soon TBA. This year’s programme is as follows:
Thursday 18th June
Circoloco – Plaza Mayor
Just announced, Circoloco will return to Barcelona with another huge Ibiza-inspired bill that sees key family members Seth Troxler and The Martinez Brothers in attendance. True masters of their craft, both acts have been Circoloco regulars for many years now and have also linked up via their esteemed Tuskegee imprint. Island mainstay and Paradise founder Jamie Jones is also confirmed, plus Rampa and &ME – whose releases Terrace/Garden were issued through Circoloco – as well as Adam Port and Sossa.
Detroit Love – Monasterio
Carl Craig is poised to welcome fellow Detroit techno pioneers Inner City (live), Moodymann and Octave One (live) for his Detroit Love party this year. His friend and peer Mirko Loko will also join proceedings plus Viennese DJ Flo Real, with the party set to take over the stunning Monasterio venue that’s situated at the highest point of Poble Espanyol and boasts panoramic views across Barcelona.
Exhale – Carpa & Picnic
Continuing to push forward the new generation of techno, Amelie Lens will return to Carpa & Picnic with her lauded Exhale imprint. Joining her is Dax J, bringing his individual style of raw and uncompromising techno to the pine-filled outdoor space. Also confirmed is rising Belgian artist Farrago – having released their debut EP on Amelie’s LENSKE label in 2018 – as well as Kobosil and Modular Gang founder Rachel Lyn.
Friday 19th June
OFFSónar Special – Plaza Mayor
Further names have now been revealed for the 2020 OFFSónar Special, a techno throwdown between Paul Kalkbrenner and Boris Brejcha. The two provocateurs will welcome Italian producer and composer Giorgia Angiuli to perform live, showcasing her unique improvised dance music and ability to manipulate different synths and sounds, as well as Ann Clue, close friend of Brejcha and one of the founding members of the F*ckng Serious imprint.
WooMooN & Storytellers – Monasterio and Carpa & Picnic
As part of the latest announcement for OFFSónar 2020, WooMooN will be returning to the party series for another magical showcase that will be spread across two venues, Monasterio and Carpa & Picnic. The unique Ibiza-born party concept blends nomadic sounds and artists’ with art, nature, performances and lots more, so stay tuned for their OFFSónar lineup reveal…
Saturday 20th June
Get Lost – Monasterio, Carpa & Picnic, La Terrrazza
In an OFFSónar first, Saturday 20th June will see the European debut of Get Lost, led by the main-man himself Damian Lazarus. The party will takeover all three of Poble Espanyol’s iconic spaces (Monasterio, Carpa & Picnic, and La Terrazza) and sees an epic bill featuring Luciano, Felix Da Housecat, Bedouin, Acid Pauli and many more. Renowned for its bohemian atmosphere and immersive environments, Get Lost will bring an evening of hedonism to OFFSónar after stunning the likes of Miami, Los Angeles and Mexico City over the past 15 years, so its first ever outing in Europe is set to be nothing short of mesmerizing.
Drumcode – Plaza Mayor
The ever-influential Drumcode label will make its return to OFFSónar with some of the biggest international artists and upcoming acts in the modern techno scene in tow. Joining label boss Adam Beyer will be Cirez D, the darker, tech-nuanced alter ego of Eric Prydz, plus a host of Drumcode family and friends in Ida Engberg, Victor Ruiz, Bart Skils, Layton Giordani Joel Mull, Wehbba and Raxon.
Sunday 21st June
Innervisions – Poble Espanyol Takeover (Plaza Mayor, Monasterio, Carpa & Picnic)
Innervisions will take over all three venues within Poble Espanyol with no less than 20 artists confirmed for their showcase, bringing OFFSónar to a monumental close on Sunday 21st of June. The forward thinking bill includes an impressive series of b2b sets, including an unmissable b2b2b with Âme, Marcel Dettmann and Rødhåd, while innovative craftsman Daniel Avery will join forces with frequent DJing partner and eclectic selector HAAi, with Or:la and Roi Perez also teaming up. Agoria, DJ Koze, Gerd Janson, Donna Leake and Denis Horvat are also amongst those confirmed, with the finale party curated and capped off by label co-founders Dixon and Âme.
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They will join Madlib, Sister Sledge, Gilles Peterson, Jazzie B (Soul II Soul), Sudan Archives, Sadar Bahar, London African Gospel Choir pres. Graceland, Channel One, Laura Misch, Biig Piig, Greentea Peng, Charlotte dos Santos, Sasha Keable, SEED Ensemble, Charlie Bones (NTS) and more
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| NEW ARTIST ADDITIONS INCLUDE JACK BACK, COONE, BAAUER, TOKiMONSTA AND CRAY |
| DAVID GUETTA CLOSES OUT THE FESTIVAL FOR THE FIRST-TIME EVER AFTER 13 CONSECUTIVE ULTRA PERFORMANCES |
| ULTRA MAIN STAGE CLOSING SETS FROM MAJOR LAZER AND DJ SNAKE |
| REVEALED RECORDINGS STAGE CLOSES WITH 10 YEAR B10B ANNIVERSARY SET |
| A STATE OF TRANCE CLOSES WITH 10 YEAR ULTRA ANNIVERSARY SET |
| CURATED STAGES FROM GUD VIBRATIONS, RESISTANCE MEGASTRUCTURE, & STMPD RCRDS |
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With the 22nd annual Ultra Music Festival less than a month away, the Phase 3 lineup has been revealed, along with each stage’s daily chronological programming.
New additions include David Guetta’s underground alias Jack Back making his North American festival debut following the project’s 2018 relaunch, Ultra’s first proper hardstyle booking of Belgian powerhouse producer Coone, chart-topping, party-starter beatmaker Baauer, indie-electronic sound sculptor TOKiMONSTA, and singer-songwriter-producer triple-threat CRAY.
Both Revealed Recordings and A State Of Trance will be celebrating major decade milestones, with Revealed hitting its ten-year mark since the label launched, and A State Of Trance returning to the festival for its tenth consecutive Ultra showcase. Friday night will see ten Revealed Recordings artists playing back-to-back for a massive closing performance, and Saturday evening will be rounded out with a special collaborative set from a myriad of ASOT flag-bearers.
In addition to these new artist announcements, Ultra has also unveiled the day-by-day lineup for the festival’s six stages. The Ultra Main Stage is stacked with genre-crossing performances that range from the hard-hitting sounds of Martin Garrix and Afrojack, and trance offerings from Above & Beyond and Armin van Buuren, to sunset sets from Kygo and FISHER, and house stylings from Tchami and Oliver Heldens, capped off by stadium-smashing closing shows from Major Lazer, DJ Snake and David Guetta, respectively.
The Live Stage will play host to a plethora of dynamic performances, including Grammy award-winning Flume making his Ultra debut while he closes out the entire festival with an avant-garde showcase of drums, synths and a myriad of other instruments. Revered prince of darkness Gesaffelstein will close out the stage on Saturday, marking his first Miami performance since debuting his Vantablack VBx2 live show this spring which creates an illusion of infinite depth and blackness. Friday evening will be rounded out by Zedd presents The Orbit, which will see the three-time Grammy award-winner perform on an LED-backed orbiting structure that revolves on all sides of the producer.
The Ultra Worldwide Stage will kick off on Friday with a bass-in-your-face run of programming, featuring Jauz B2B NGHTMRE, Snails B2B Kill The Noise, Borgore, and more. Saturday’s ASOT showcase will celebrate a decade at the festival with sets from artists like Gareth Emery, in his first ASOT appearance since 2013, Tritonal, in their first ASOT appearance since 2013, Andrew Rayel, Aly & Fila, Ilan Bluestone and many more of Armin van Buuren’s trance cohorts. Sunday will see Malaa and DJ Snake close the festival with their first announced B2B of 2020, as well as sets from SLANDER B2B Kayzo, Space Jesus, Andy C and more.
The UMF Radio Stage will host three impressive label takeovers; Friday belongs to Revealed Recordings and will feature sets from Maddix, Deorro, and Mike Williams B2B Surprise Guest, Saturday will see STMPD RCRDS artists including Lost Frequencies, Matisse & Sadko B2B DubVision, and a surprise closing performance. While Sunday’s inaugural Gud Vibrations stage takeover will feature sets from Baauer, Subtronics, Peekaboo, 1788-L and many more.
Carl Cox has been curating his own stage at Ultra Music Festival since 2005, and this year his iconic RESISTANCE MegaStructure will expand to take place over all three days of the festival for the first time ever at Bayfront Park. Each night, Carl Cox will close out the festivities; on Friday as a B2B with Maceo Plex, on Saturday as a B3B alongside Jamie Jones and The Martinez Brothers, and on Sunday as a solo performance. Techno and house heavyweights including Richie Hawtin, Tale of Us, Adam Beyer ◻︎ Cirez D, Loco Dice, and Amelie Lens, who will be making her Ultra Music Festival debut, are only a few of many names that comprise the MegaStructure’s massive lineup.
RESISTANCE will also present a brand-new stage dubbed “The Cove” because of its unique waterfront positioning with Biscayne Bay to the east and Biscayne Boulevard to the west. This new stage, nestled perfectly under the palm trees in the heart of Downtown Miami, will capture the vibe and spirit of Resistance Island, and feature performances from the likes of Solardo, Pan-Pot, ARTBAT, CamelPhat, Reinier Zonneveld (LIVE) and Matador.
Check out the full daily schedules below.
Media applications are now open here
ULTRA MUSIC FESTIVAL 2020 – PHASE 3 DAILY PROGRAMMING ULTRA MAIN STAGE Friday, March 20 Major Lazer Above & Beyond Kygo KSHMR presents Dharma Frank Walker Fedde Le Grand
Saturday, March 21 DJ Snake Martin Garrix Afrojack Eric Prydz FISHER Tchami To Be Announced Laidback Luke Mykris Tommie Sunshine
Sunday, March 22 David Guetta Armin van Buuren Oliver Heldens Nicky Romero The Return of Dash Berlin Vini Vici J. Worra Young Bombs
LIVE STAGE Friday, March 20 Zedd presents The Orbit Boys Noize Whethan Ookay Goldfish
Saturday, March 21 Gesaffelstein Madeon Laserface by Gareth Emery TOKiMONSTA Krewella Afrobeta
Sunday, March 22 Flume Gryffin SOFI TUKKER AHZ
ULTRA WORLDWIDE STAGE Friday, March 20 Jauz B2B NGHTMRE Snails B2B Kill the Noise Borgore 4B B2B SAYMYNAME WHIPPED CREAM CRAY Perto
Saturday, March 21 (ASOT) ASOT 10 Year Ultra Anniversary Set Armin van Buuren Andrew Rayel Aly & Fila Ilan Bluestone Tritonal Gareth Emery Markus Schulz Sander van Doorn presents Purple Haze Ruben De Ronde Rodg
Sunday, March 22 Malaa B2B DJ Snake SLANDER B2B Kayzo Space Jesus Andy C Sub Focus Coone Hybrid Minds Logistics Metrik
UMF RADIO STAGE Friday, March 20 (Revealed 10 Year Anniversary) Revealed 10 Year B10B Anniversary Set Maddix Deorro Mike Williams B2B Special Guest Bassjackers B2B Dr Phunk Dannic B2B Sick Individuals Chocolate Puma Thomas Gold B2B Deniz Koyu
Saturday, March 21 (STMPD RCRDS) To Be Announced Lost Frequencies Chemical Surf Matisse & Sadko B2B DubVision Brooks B2B Julian Jordan TV Noise Cesqeaux Moksi Justin Mylo Osrin INFUZE Syn Cole
Sunday, March 22 (Gud Vibrations) 1788-L Peekaboo Subtronics To Be Announced Baauer Habstrakt Eptic Kompany WAVEDASH B2B Shadient Somnium Sound B2B Ubur NitePunk
RESISTANCE CARL COX MEGASTRUCTURE Friday, March 20 Carl Cox B2B Maceo Plex Carl Cox Tale Of Us ANNA Anfisa Letyago
Saturday, March 21 Carl Cox B3B Jamie Jones B3B The Martinez Brothers Richie Hawtin Loco Dice Eats Everything Enrico Sangiuliano Saytek LIVE Christopher Coe LIVE
Sunday, March 22 Carl Cox Adam Beyer ◻ Cirez D Amelie Lens Dubfire B3B Nicole Moudaber B3B Paco Osuna Hannes Bieger LIVE Brennen Grey
RESISTANCE THE COVE Friday, March 20 Solardo CamelPhat Nic Fanciulli Gorgon City Dom Dolla
Saturday, March 21 Pan-Pot Reinier Zonneveld LIVE Nastia Michael Bibi B2B Dennis Cruz Technasia B3B Hector B3B Carlo Lio POPOF Elio Riso
Sunday, March 22 ARTBAT Matador Jack Back Butch Rafa Barrios Rod B.
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What is your name and role within Fer Sher?
Benji: Guitar, production Ali: Vocals, lyrics, melodies, artwork Oscar: Bass Chris: Drums Yamin: Guitar
Where are you currently based and what is the music scene like there? We all live in and around Tio’tia:ke (Montreal). The music community here is great, you can find anything you’d possibly like if you look hard enough. There are also a decent amount of smaller venues and diy spots which really support newer artists like ourselves. We are also lucky to have a sizable French music scene that comes with its unique flavour, too. We feel quite fortunate to have our city in which to start a musical journey.
How did Fer Sher form?
Yamin, 26 at the time, had never been in a band. He and Aaron started writing guitar parts and were shortly joined by Jer on drums, both of whom had had touring and recording experience. The band was slowly pieced together with friends (but to us, also musical giants) coming and going (Aaron and Jer left amicably) for several years, during which time the conceptual foundations of what our sound was to be like were laid. Eventually everyone in the band was on the same page and we began recording thanks to Benji’s production wizardry and performing thanks to a finally solidified lineup.
What’s been happening recently?
We have written quite a long debut double-EP, “Family”, clocking in at about 30 minutes to be released in two halves this spring. From there we are excited to hit the road this summer and work on a full-length.
You have a new EP ‘Step Siblings’ coming out on Feb 26, what influenced the sound and songwriting?
Compositionally, one of the three songs, Shteve, was written over the course of several years and was a painstaking first attempt at finding ways to express catchiness and complexity simultaneously. The second song, Fork, was written mostly by Yamin but with crucial contributions by Benji, while the third song, Locked Drawers, saw an inverse in that Benji brought the main gist and Yamin added his
thoughts to it. So in the ways that the songs were created, they are very much like step siblings.
What influenced our sound the most was our attempt to emulate our favourite motifs and sounds, exploring musical and collaborative possibilities, and really trying to put as much of our vulnerable selves into the music and accompanying facets (production, artwork, merch, etc) as possible.
Vocally and lyrically, it’s a whole other story. When Ali arrived in early 2019 she brought with her conceptual, storytelling, and performance capacities that really shaped the music into the product it’s become. Our live shows took on theatrical and immersive components as Ali grew into her role as a singer without an instrument to hold (a first for her).
Please tell us about the stories, concepts and themes behind Step Siblings:
The lyrics each represent a character and a story that form the basis of the three songs. The storytelling is vague and non-linear because the lyrics follow that nagging train of thought that continually reflects back on events and tries to place them into a broader context. There’s the struggling friend who continually lies to everyone in a desperate attempt at self preservation, the victim of online stalking and abuse who becomes paralyzed in their day to day life and the artist struggling to toe the line between perfectionism and free expression. Every story, after exhaustive analysis, ends back up at the absurdity of interpersonal existence and the human condition. Because what story ever doesn’t?
How did you go about writing the music?
Guitars are really the driving force behind the song compositions at the moment. At the moment, there is a large emphasis on progression within songs. We really ask ourselves, “where is the song going?”. Yamin really frankenstein’s different parts together; all songs on the double-EP have tempo and time signature changes, nothing too technical but equally present throughout. Benji thinks more of cohesion with regards to mood and atmosphere between parts, and Chris confronts the challenge of when to groove and when to provide angularity. Bass is filled in next before Ali weaves her way through all-but completed tracks.
Where and when did you record/produce and who with?
All our material to date has been produced by our guitarist Ben, who actively records bands of all kinds in our area. Step Siblings was recorded throughout late 2019.
How did you approach the recording process?
Benji takes a natural and honest approach. There is no pitch correction on vocals or drum samples used in our music. It’s more fun to hear the breath of a singer or the scrape on guitar strings than to have something flawless.
What do you find most rewarding and challenging with the whole DIY approach?
The most challenging is the unpaid work. Benji and Ali work tirelessly with no compensation. The most rewarding is the pride and sense of accomplishment that come with having the entirety of a band created in-house. It takes our project beyond a conventional band and into the realm of art rock DIY
The band has a really theatrical live show that is a spectacle of its own, please tell us how your live started and has evolved:
The band was never intended to be more than a math-rock group, and we played with that mentality before Ali arrived. Having the stage on which to develop characters, crowd interaction, and pure focus on the singing without playing anything else opened up a door to the performance no one saw coming. We are now trying to evolve into a truly ensconcing experience, in which we hope that the meticulousness of the songwriting adequately backdrops the on-stage hijinks in a balanced and comprehensive concert-going adventure.
How do you prepare for live shows?
We try to meet as much as possible, which can be very difficult. Things outside the band in our lives are very hectic – engagement (!!!), immigration issues, full-time university studies, recording other local bands, beginning a career in architecture, and making time for our beloved friends and families are just some of the other things on our plates.
You also have a second EP ‘Identical Triplets’ coming out, please tell us more:
We had 6 songs ready to record when we planned these releases. With a closer look, the first three sounded really different from each other while the other three were pretty much the same idea expressed three different ways. This instantiated the concept of different family makeups, biological, adopted, chosen, etc., and really spoke to our appreciation for and celebration of our families. Identical Triplets became a conceptual opposite to Step Siblings and we are recording it as we speak.
Who are you listening to at the moment?
Yamin: Invalids Oscar: Mil-Spec Ben: Young Guv Ali: Cate Le Bon Chris: Circa Survive
What do you like to do away from music?
We all have varied hobbies. Oscar loves gaming and collecting vinyl, Ben’s always fixing up a guitar, amp or pedal. Yamin studies full-time, volunteers, and tries to prioritize his health. Ali likes crafting and cooking and playing outside. Chris likes watching animes & eating ramens whenever possible
What’s planned for 2020?
More music, more shows, and more ramen for Chris
Favourite food and place to hangout?
You can find us at the tiny local vietnamese restaurant, Pho Ici in Rosemont area of Montreal enjoying excellent banh mi, lovely pho, and/or our favourite beverage; taro bubble tea. Everything on the menu there is exquisite, the staff is so warm and inviting, and the tarot bubble tea puts all others to shame. It’s right next to our rehearsal space so many a meal and drink have been enjoyed there. 10/10 highly recommend.
https://fersher.bandcamp.com/album/step-siblings
The World’s Premier Electronic Music Cruise is Back on the West Coast!
Date: 15th – 18th October
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An amusement park at sea complete with racetrack, waterslides, mini-golf, aqua park, laser tag, and more.
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30+ unique restaurants and bars including Teppanyaki Hibachi, The District Brew House, Margaritaville, The Cellars (Michael Mondavi Family Wine Bar), Los Lobos Mexican Restaurant, The Humidor Cigar Lounge, Whisky and Mojito bars, Starbucks, Coco’s Sweets, and more.
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The award-winning “Jersey Boys” musical
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Single studio staterooms for GCFam sailing solo
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Built in 2018, the Bliss is the largest ship to ever sail from the West Coast!
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Hidden at the top of the NCL Bliss, The Haven exclusive enclave features luxurious accommodations via a variety of premium suite categories, as well as 24-hour butler service, and concierge service, plus a private sundeck, bar, and restaurant.
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Not only will Groove Cruise Cali Captains be treated to sets from top DJ/producers, but also unique experiences such as:
For the latest Groove Cruise updates, become a fan on Facebook and follow the event on Instagram and Twitter.
Tickets | Website | Video | Facebook | Instagram | Twitter |
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Picture credit: Shannon Stewart
“One of punk’s new emerging stars.” – Backyard Opera
“Wonderful songwriting that is both aggressive and tender.” – Tone Deaf
“They’ve transformed and blossomed into something remarkably special.” – Pilerats
Tickets on sale from www.slywithers.comThursday, May 14, Altar Bar – Hobart
Friday, May 15, Barwon Club – Geelong
Saturday, May 16, Howler – Melbourne
Thursday, May 21, Solbar – Maroochydore
Friday, May 22, Vinnie’s Dive Bar – Gold Coast
Saturday, May 23, The Brightside – Brisbane
Thursday, May 28, Newcastle Hotel – Newcastle
Friday, May 29, Crowbar – Sydney
Saturday, May 30, UC Hub – Canberra
Thursday, Jun 4, Jive – Adelaide
Friday, Jun 5, The Rosemount – Perth
Saturday, Jun 6, The River – Margaret River
Hot from releasing their booming latest single, ‘Explode Into View,’ Perth outfit Sly Withers have released a brand-new video for the track featuring behind-the-scenes studio footage of them recording the mighty new song.
‘Explode Into View’ has been heralded for taking the high bar the Perth four-piece set for themselves in 2019 and shattering it with an emotional blast, thanks to the stadium-sized production of the new cut. The new video, made with regular collaborator Tim Elphick (director of their previous videos for ‘Sad Guy’ and ‘Good Days, Bad Days’), captures footage from the studio sessions for the recording of the new single, highlighting how the band continue to approach making records the same as they always have – a bunch of mates loving to make music together – despite their exponentially growing audience and reputation.
Sly Withers’ career momentum only seemed to gather speed throughout the last 12 months, following the release of their breakout EP, Gravis, and particularly its killer single ‘Lately’ feat. Carla Geneve, their first release on stalwart indie label Dew Process. Sold out national tours, festival appearances and supports slots with rock and pop power houses alike – from Slowly Slowly to Amy Shark and Tones & I – has seen them capitalise on their high profile with the announcement they’ll appear on the bill at Splendour In The Grass for the first time this July.
Despite all that success, nothing for Sly Withers has changed on an elemental level. The same four members – Jono Mata (guitar / vox), Sam Blitvich (guitar / vox), Joel Neubecker (drums) and Shea Moriarty (bass) – using the same producer as Gravis (Matthew Templeman at his studio in Mount Hawthorn), they now have pulsating self-belief that can only be built on the back of hard work and a brotherhood forged in the trenches. The result is a towering new sound that is much, much greater than the sum of its parts, yet reflects the depth of the emotional core of the band and the love they share for the music they make together.
Speaking about ‘Explode Into View,’ Mata says, “”When I wrote this song I was on the brink of an exciting new relationship which, by no fault of either party, never came to fruition. Some things just aren’t meant to be, and sometimes irrational thinking gets the better of us. The song is about moving on with the feeling that things will never be as good as we imagined, that we seek closure we’ll never get, and how weeks, months and years down the track, a chance run-in or out of the blue text can send us spiralling out of logical thinking and right back to where we started. ‘Explode Into View’ is about finding moments of clarity in times of confusion.”
Shows for their national Explode Into View tour continue to sell at a rapid pace, and tickets are on sale now on sale from www.slywithers.com – get yours before you miss out.
Off the back of unleashing the evocative ‘Pride’ single earlier this year, Sydney songwriter Vetty Vials returns to continue the story, with the release of her debut studio record, Conversations With Myself. A record a long time in the making, Conversations With Myself captures the heart and essence of Vetty Vials and her band as they explore a strengthening band dynamic. For the songwriter herself, this album is a culmination of lessons learned and observations gained through navigating those crucial years of early adulthood.
Written over the last three years, Conversations With Myself shines with honesty and candid execution. Perspectives and standpoints change creatively and personally over time, and what Vetty Vials does with this album is wear her maturation and creative development on her sleeve. “I was lucky enough to co-write some of the songs on this record with Tim Maxwell from Loser; that really changed the writing process for me as it gave me a fresh perspective on changing some of my old habits and getting a new sound.” Vetty Vials
‘Pride’ proved an early example of the direction Conversations With Myself was to head in. Continuing to thread strong indie rock influences with pop-punk tenacity (‘Too Much To Ask’, ‘Nowhere Feels Like Home’), the record bursts with a very natural energy.
Fans of Vetty Vials first became aware of this young songwriter’s talent back with her debut EP I am okay, I promise in 2017 – this album is a fitting graduation. Across the course of eight tracks, Vetty Vials’ unique voice flourishes (‘Say’, ‘Tired’). “The line ‘Conversations with myself’ in the lead single ‘Tired’ stuck with me and became the inspiration for the record as a whole, because that’s essentially what songwriting is to me. Another way to get your feelings out when you feel no one will listen.” Vetty Vials
PRAISE FOR VETTY VIALS
“Hi-octane energy with plenty of heart and guts. Good combo all round, Vetty Vials!”
Triple J, Declan Byrne
“A dynamic blend of garage rock and nostalgic indie tones that at times recalls the punky shimmers of femme 90s alt rock with a glossy garage backdrop, and ultimately signals a confident step into some renewed sonic waters.”
The Soundcheck
“Slick and shiny, so smooth it’s like it’s running on rails. This is the sound of rock hair flailing, of hands raising, and of singing along into your hairbrush to the glorious chorus. Hackles, raised.”
The Underground Stage
“There is a raw and captivating presence in Vetty Vials which is hard to ignore.”
Happy Magazine
The release of Conversations With Myself this February coincides with a string of live shows Vetty Vials will be performing throughout Australia. A perfect opportunity to see this music realised in both acoustic and full band mode, the tour is just the beginning for Vetty and her band, ready to tackle 2020 hard.
