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Music News

THE TESKEY BROTHERS LIVE AT THE FORUM DEBUTS AT #1 ON THE ARIA ALBUM CHART
Music News

THE TESKEY BROTHERS LIVE AT THE FORUM DEBUTS AT #1 ON THE ARIA ALBUM CHART

by the partae May 25, 2020
written by the partae
LIVE AT THE FORUM – ARIA CHART DEBUTS:
#1 ARIA Album Chart
#1 ARIA Australian Album Chart
#1 ARIA Vinyl Album Chart
#1 ARIA Digital Album Chart

Ivy League Records are extremely elated to announce that Live At The Forum, the incredible new live album from The Teskey Brothers, has debuted at #1 on the ARIA Album Chart! In a time where gigs and tours have been put on hold indefinitely, the live album – featuring songs from the band’s two critically acclaimed albums, Run Home Slow (2019) and Half Mile Harvest (2017), as well as a special cover of John Lennon’s ‘Jealous Guy’, is the first live album to go number 1 by an Australian band since 1992’s AC/DC Live.
“We are completely gobsmacked to reach the number one spot. I guess it just goes to show how much everyone misses attending gigs right now!” – Josh Teskey
In the tradition of some of history’s greatest live records (James Brown, Woodstock, Donny Hathaway, The Who), the band undertook the arduous task of recording to analogue tape, during their sold-out four-night stand at the beloved Melbourne venue last November.

Accompanying the live album has been the band’s ‘Stay Home Slow’ virtual tour – where in lieu of live shows, the band released a series of live videos from The Forum and a behind-the-scenes documentary of the live album recording experience. The 16-minute video includes performances from the night, musings from the band members and a glimpse into the ambitious (and triumphant!) recording process.

Last night the band also performed a stunning set for The State Of Music, which you can watch back here.

Alongside the CD & digital release, the live album is available on 180g double-blue gatefold vinyl. A limited version (with a different front cover) is also available exclusively to indie record stores.

In further great news, the band’s track ‘So Caught Up’ took out first place in the International Song-writing Competition in the AAA (Adult Album Alternative) category and they have been nominated for three APRA Awards – including Breakthrough Songwriter Of The Year, Most Performed Blues & Roots Work and Song Of The Year (for ‘I Get Up’). The ceremony will be streamed live on May 26.

The decision to release a live album was a natural one for The Teskey Brothers, who’ve spent the past few years captivating audiences around the world. Their non-stop touring schedule has included sold-out shows across Australia & NZ (20+ sold-out dates in 2019 alone), New York, LA, San Francisco, Denver, Toronto, London, Dublin, Manchester, Glasgow, Paris, Amsterdam, Zurich and more. The band have also played to mammoth crowds at festivals such as Latitude Festival (UK), Firefly (US), North Sea Jazz (Netherlands), Bonnaroo (US), and at home, Splendour in the Grass, Meredith Music Festival & Byron Bay’s Bluesfest, to name a few.

2019 was an incredible year for the Warrandyte four-piece. The timeless Run Home Slow captured the hearts of music fans and critics across the world, earning the band three ARIA Awards (alongside a breathtaking performance of ‘Rain’ at the event), four Music Victoria Awards and a Grammy Nomination for Best Engineered Album, Non-Classical, recognising Paul Butler & Sam Teskey as the album engineers along with Melbourne’s Joe Carra as mastering engineer.

Run Home Slow debuted at #2 on the ARIA Album chart in August and stayed in the top 7 for four consecutive weeks, a testament to the dedication of their loyal and new fans alike. Release week also saw Run Home Slow and their debut, Half Mile Harvest sit at #1 and #2 respectively on the iTunes Album Chart & this week both those releases also feature in the ARIA album chart at #20 and #77!

Congratulations, The Teskey Brothers!

The Teskey Brothers are: 
Josh Teskey – vocals & rhythm guitar
Sam Teskey – lead guitar
Brendan Love – bass guitar
Liam Gough – drums

Download The Teskey Brothers GIFs here.

Live At The Forum
The Teskey Brothers

Album out now through Ivy League Records
Available to buy/stream here

Live At The Forum tracklist:
1. Let Me Let You Down
2. Carry You
3. Crying Shame
4. Say You’ll Do
5. So Caught Up
6. I Get Up
7. Rain
8. Jealous Guy
9. San Francisco
10. Honeymoon
11. Paint My Heart
12. Louisa
13. Pain & Misery
14. Hold Me

THE TESKEY BROTHERS

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May 25, 2020 0 comments
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Parkway Drive have rescheduled their upcoming Australian Tour. The Viva The Underdogs Australian Revolution Tour, originally scheduled for June 2020, will now take place in July 2021 with special guests Hatebreed and Every Time I Die.   Message from Parkway Drive   To all our Aussie fans,  It may come as no surprise to you that the Viva The Underdogs Australian Revolution Tour will need to be postponed. Given the current situation with Coronavirus (COVID-19) and the various restrictions State and Federal Governments have put in place, it is literally impossible for the tour to go on in June 2020.  We have rescheduled the shows for July 2021 and are stoked that both Hatebreed and Every Time I Die will still be joining us then. Thank you for your patience in these testing times and we promise it will be worth the wait when this tour gets back up and running next year. Stay safe, PWD  RESIST + TRIPLE J PRESENT PARKWAY DRIVE VIVA THE UNDERDOGS AUSTRALIAN REVOLUTION 2021 WITH SPECIAL GUESTS HATEBREED + EVERY TIME I DIE Tickets on sale now Thursday July 1 Riverstage, Brisbane Tickets available from Ticketmaster Saturday July 3 Qudos Bank Arena, Sydney Tickets available from Ticketek Friday July 9 Melbourne Arena, Melbourne Tickets available from Ticketek   Saturday July 10 AEC Theatre, Adelaide Tickets available from Ticketek Tuesday July 13 HBF Stadium, Perth Tickets available from Ticketmaster
Festival NewsMusic News

PARKWAY DRIVE RESCHEDULE AUSTRALIAN HEADLINING TOUR

by the partae May 25, 2020
written by the partae

Parkway Drive have rescheduled their upcoming Australian Tour. The Viva The Underdogs Australian Revolution Tour, originally scheduled for June 2020, will now take place in July 2021 with special guests Hatebreed and Every Time I Die.

Message from Parkway Drive

To all our Aussie fans, 

It may come as no surprise to you that the Viva The Underdogs Australian Revolution Tour will need to be postponed. Given the current situation with Coronavirus (COVID-19) and the various restrictions State and Federal Governments have put in place, it is literally impossible for the tour to go on in June 2020. 

We have rescheduled the shows for July 2021 and are stoked that both Hatebreed and Every Time I Die will still be joining us then.

Thank you for your patience in these testing times and we promise it will be worth the wait when this tour gets back up and running next year.

Stay safe, PWD 

RESIST + TRIPLE J PRESENT

PARKWAY DRIVE

VIVA THE UNDERDOGS

AUSTRALIAN REVOLUTION 2021

WITH SPECIAL GUESTS HATEBREED + EVERY TIME I DIE

Tickets on sale now

Thursday July 1
Riverstage, Brisbane
Tickets available from Ticketmaster

Saturday July 3
Qudos Bank Arena, Sydney
Tickets available from Ticketek

Friday July 9
Melbourne Arena, Melbourne
Tickets available from Ticketek

Saturday July 10
AEC Theatre, Adelaide
Tickets available from Ticketek

Tuesday July 13
HBF Stadium, Perth
Tickets available from Ticketmaster

May 25, 2020 0 comments
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Music News

Complications – MorningMaxwell – MorningAliWell Everyone likes to beat one out from time to time; I beated one out all over my topline

by the partae May 23, 2020
written by the partae

To celebrate the release of MorningMaxwell’s new single ‘Complications’, MorningMaxwell will be conducting a 2-week campaign with the Partae celebrating the topline over alternative beats (One new beat a day) from samples the legend has recorded around his house.

May 23, 2020 0 comments
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Kaskade and Project 46 once again joined forces for their new track "Chains," a cathartic sonic journey through the myriad of emotions that are so prevalent in our lives today. It begins with angelic vocals crooning the line "Running out of ways to run away, I cover it up, but I can't escape," setting the stage for a progression of gentle melodies and rolling basslines into a bouncy, big-room influenced climax. "Chains" pulls at the heartstrings of anyone who has felt trapped or restrained in life, either by others or themselves. By the time the track's drop comes, it's as if the chains themselves have been released, and the weight has been lifted. "Chains" is Kaskade & Project 46's follow up single to 2013's "Last Chance," the opening track from Kaskade's "Atmosphere" album and Project 46's most-streamed single to date. As a household name in electronic music for nearly two decades, Kaskade needs no introduction. His list of achievements is a mile long: 11 studio albums, 7 GRAMMY nominations, the first solo electronic dance artist to sell out both Navy Pier in Chicago and the Staples Center in Los Angeles, the first DJ to ever secure a Las Vegas residency, and the first electronic artist to headline Coachella. Less tangible but even more important has been his influence on dance music tastes and culture for generations of listeners. Often Kaskade is one of the artists who introduced now-veteran listeners to the genre, and such fans are usually fans for life. In 2019, he worked with multi-award winner Meghan Trainor on "With You" and Gorgon City on "Go Slow," among solo releases, such as "My Light," "Come On," and official remixes for the likes of Alicia Keys, Jennifer Lopez, and Gwen Stefani earlier. Canadian duo Ryan Henderson and Thomas Shaw, better known as Project 46, is known for their melodic, progressive sound that never fails to inspire and uplift listeners. They began Project 46 in 2011 and were active until 2016, with releases on Ultra Records, Monstercat, Armada, Mixmash, and collaborations such as "Last Chance" with Kaskade, "Collide" with Laidback Luke, "Crime" with Avicii, "Daphne" with Paul Oakenfold, and "Home" with Feenixpawl, to name a few. 2020 marks the comeback of Project 46, and we are looking forward to more beautiful, vocal-driven dance tracks coming from the talented duo later this year! https://open.spotify.com/track/7wMABXUD4FxX66u3eG1ax8 https://soundcloud.com/kaskade/chains-with-project-46 More info on Kaskade / Project 46 / Arkade: Kaskade: Facebook | Instagram | Twitter | Spotify Project 46: Facebook | Soundcloud | Twitter | Spotify Arkade: Facebook | Instagram | Twitter | YouTube
Music News

Kaskade & Project 46 team up on “Chains” (a follow-up to their 2013 hit “Last Chance”) out now

by the partae May 23, 2020
written by the partae


Kaskade and Project 46 once again joined forces for their new track “Chains,” a cathartic sonic journey through the myriad of emotions that are so prevalent in our lives today. It begins with angelic vocals crooning the line “Running out of ways to run away, I cover it up, but I can’t escape,” setting the stage for a progression of gentle melodies and rolling basslines into a bouncy, big-room influenced climax. “Chains” pulls at the heartstrings of anyone who has felt trapped or restrained in life, either by others or themselves. By the time the track’s drop comes, it’s as if the chains themselves have been released, and the weight has been lifted. “Chains” is Kaskade & Project 46’s follow up single to 2013’s “Last Chance,” the opening track from Kaskade’s “Atmosphere” album and Project 46’s most-streamed single to date.

As a household name in electronic music for nearly two decades, Kaskade needs no introduction. His list of achievements is a mile long: 11 studio albums, 7 GRAMMY nominations, the first solo electronic dance artist to sell out both Navy Pier in Chicago and the Staples Center in Los Angeles, the first DJ to ever secure a Las Vegas residency, and the first electronic artist to headline Coachella. Less tangible but even more important has been his influence on dance music tastes and culture for generations of listeners. Often Kaskade is one of the artists who introduced now-veteran listeners to the genre, and such fans are usually fans for life. In 2019, he worked with multi-award winner Meghan Trainor on “With You” and Gorgon City on “Go Slow,” among solo releases, such as “My Light,” “Come On,” and official remixes for the likes of Alicia Keys, Jennifer Lopez, and Gwen Stefani earlier.

Canadian duo Ryan Henderson and Thomas Shaw, better known as Project 46, is known for their melodic, progressive sound that never fails to inspire and uplift listeners. They began Project 46 in 2011 and were active until 2016, with releases on Ultra Records, Monstercat, Armada, Mixmash, and collaborations such as “Last Chance” with Kaskade, “Collide” with Laidback Luke, “Crime” with Avicii, “Daphne” with Paul Oakenfold, and “Home” with Feenixpawl, to name a few. 2020 marks the comeback of Project 46, and we are looking forward to more beautiful, vocal-driven dance tracks coming from the talented duo later this year!

 

More info on Kaskade / Project 46 / Arkade:
 

Kaskade: Facebook | Instagram | Twitter | Spotify
Project 46: Facebook | Soundcloud | Twitter | Spotify
Arkade: Facebook | Instagram | Twitter | YouTube

 

May 23, 2020 0 comments
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Music News

LEGENDARY JERSEY PRODUCER HARRY ‘CHOO CHOO’ ROMERO REMIXES JOY CLUB ‘IN THE NIGHT’ TO MAXIMUM HOUSE EFFECT

by the partae May 22, 2020
written by the partae

JOIN THE JOY CLUB

Inspired by the changing decades of Dance Culture and widely regarded as an original cornerstone house and TECHNO legend (we don’t use that title flippantly), the Jersey DJ Harry ‘Choo Choo’ Romero remixes Joy Club’s ‘In The Night’. Giving it a distinct stomping underground and fluid house rerub, Romero treads a fine line between house and techno – something of a signature sound for the internationally respected artist.

This is Harry Romero at his best – stripped down tough and bouncy house groves, a track that oozes quality, much like the artist himself who has released classic club cuts like ‘Tania’, ‘Night @ The Black’ and ‘I Go Back’ with Robert Owens. He has also worked for decades with Erick Morillo’s Subliminal label, has released on many imprints including Crosstown Rebels and Hot Creations, and is supported by almost every DJ from Luciano to Danny Tenaglia and everyone in-between.

The Joy Club ‘In The Night’ original continues to grow with over 3.5 million streams across all platforms to date, received support from BBC Radio 1 and Kiss FM and is included in a host of influential power playlists across Spotify and Apple Music. With a new colourful and fun video to drop in the coming weeks, this track is capturing the imagination of the masses.
 
Joy Club ‘In The Night’ Harry Romero Mix is out now Virgin EMI

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May 22, 2020 0 comments
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KKYIV-BASED ELECTRONIC ARTIST, KOLOAH, UNVEILS ‘BORDERLINES’ EP WITH NEW MUSIC VIDEO 'ELYSIUM' RELEASED VIA THE NEWLY FOUNDED, KYIV LABEL, 1000XXPLACE
Music News

KKYIV-BASED ELECTRONIC ARTIST, KOLOAH, UNVEILS ‘BORDERLINES’ EP WITH NEW MUSIC VIDEO ‘ELYSIUM’ RELEASED VIA THE NEWLY FOUNDED, KYIV LABEL, 1000XXPLACE

by the partae May 22, 2020
written by the partae

KKYIV-BASED ELECTRONIC ARTIST, KOLOAH, UNVEILS ‘BORDERLINES’ EP  WITH
NEW MUSIC VIDEO ‘ELYSIUM’

RELEASED VIA THE NEWLY FOUNDED,
KYIV LABEL, 1000XXPLACE

Kyiv-based producer and rave hero Koloah has been a hugely influential figure in his local scene for more than a decade, responsible for pushing the reputation of Kyiv’s rave culture to a global scale. Producing music under a number of different guises, his music has always spoken of the raw energy that runs through the Kyiv underground. He now lands with his brand new ‘Borderlines’ EP on newly founded Kyiv label, 1000xxPlace (Thousand Kisses Place), that focuses on pushing breakbeat in varying forms. Koloah’s first outing on the label follows the strong debut of label co-founder, Hidden Element with ‘Comparisons’ EP.

Taking inspiration from Greek mythology and his own observations of our planet, Koloah explores the existence and often blurred function of ‘Borderlines’ on his new EP. Offering a transcendent message of mindfulness, punctuated by contrasting eerie breakbeats and bright textures.

“I’ve been thinking about borderlines a lot lately. The lines that separate the world, separating good and evil, separating life and death; why some of them are thinner than others. How crucial it is to get rid of some boundaries and accept others, in order to evolve and improve your creative freedom.”
Koloah

Emerging with airy melodies, iridescent arpeggios and near-meditative breakbeat on ‘Elysium’, Koloah plays with the Ancient Greek idea of ‘Paradise’, before delving into otherworldly club-centered moods on ‘Borderline’ with misty synths and dense rhythms. Elsewhere, the suspenseful ‘Deep Blue’, brings together heady beats and glistening synth sequences, whilst ‘Stelakis’ offers a playful collage of glitched percussive sounds and idyllic notes.

Escaping genre boundaries throughout ‘Borderlines’ EP, the work of Koloah is complimented by two remixes from comrades Hidden Element and Nocow. Label co-founder, Hidden Element serves up a hearty 136 BPM hardcore rework of title track, ‘Borderline’; bringing in sure UK bass and jungle influence. From Russia, Gost Zvuk crews Nocow closes out the EP with a thick electro mix of ‘Deep Blue’.

Seeking to push his musical vision further than ever before, the tracks encased within Koloah’s ‘Borderlines’ EP stand as both a collection of club-ready hitters and pieces of sonic storytelling.

Koloah’s ‘Borderlines’ EP is out now on 1000xxPlace

Connect with Koloah
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May 22, 2020 0 comments
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R3HAB teamed up with British pop sensation HRVY for his new single "Be Okay," a dance-pop gem that is sure to lift your spirits. With organic, breezy melodies that softly roll into a groovy breakdown, "Be Okay" evokes images of those times spent with loved ones and friends old and new that can seem so far away given the current state of the world. HRVY's soulful vocals give the heartfelt lyrics life, and the track's accompanying music video is just the type of feel-good content we need right now. The song sends a simple and yet powerful message - that we're all in this together, and everything is truly going to be okay. R3HAB and HRVY weight in on the new single below:  "When Harvey reached out to me, I sent him the song, and he recorded his vocals in no time. From the first time I heard it, I knew we had something special to give to our fans. I hope they like the end result as much as we do, and 'Be okay' will make the quarantine period more bearable for everyone who listens to it." - R3HAB "I heard this song months before I recorded it, and it put a smile on my face. I reached out to R3HAB to be on the song and recorded it to see how I sounded. Everyone really liked it, so I'm super excited to see "Be Okay" coming out. I hope this puts a smile on everyone's face during quarantine, excited for the video too, as its a homage to the fans." - HRVY Over the last eight years, the Dutch/Moroccan artist Fadil El Ghoul - better known as R3HAB - has established himself as a leader at the forefront of modern electronic music. His talent has been called the "future of the craft" by the likes of Forbes and Billboard, and he's circuited the globe's best clubs and festivals, all without the backing of a formal record label. In 2017, R3HAB independently released his debut album "Trouble" through his imprint CYB3RPVNK, which amassed over a half-billion streams globally and officially placed R3HAB among electronic music's heavy hitters. He made number 14 on DJ Mag's Top 100 list in 2019, topping the charts with tracks like "Lullaby" and "Hold On Tight," while his sophomore album "The Wave," revealing more complex, emotional and experimental layers of himself, has amassed over 250 million streams on Spotify alone. In 2019 R3HAB's "All Around The World" with A Touch of Class quickly became his biggest ever record already topping 200M streams across platforms and achieving gold & platinum status in 8 countries. It was followed by "Flames," R3HAB's collaboration with ZAYN. Stay tuned to see what this ever-evolving artist has up his sleeve next! More info on R3HAB / HRVY / CYB3RPVNK: R3HAB: Facebook | Instagram | Twitter | Spotify HRVY: Facebook | Instagram | Twitter | Spotify CYB3RPVNK: Website | Youtube
Music News

R3HAB and Teen Choice Awards nominee HRVY team up on hopeful “Be Okay”

by the partae May 22, 2020
written by the partae

R3HAB teamed up with British pop sensation HRVY for his new single “Be Okay,” a dance-pop gem that is sure to lift your spirits. With organic, breezy melodies that softly roll into a groovy breakdown, “Be Okay” evokes images of those times spent with loved ones and friends old and new that can seem so far away given the current state of the world. HRVY‘s soulful vocals give the heartfelt lyrics life, and the track’s accompanying music video is just the type of feel-good content we need right now. The song sends a simple and yet powerful message – that we’re all in this together, and everything is truly going to be okay. R3HAB and HRVY weight in on the new single below:

“When Harvey reached out to me, I sent him the song, and he recorded his vocals in no time. From the first time I heard it, I knew we had something special to give to our fans. I hope they like the end result as much as we do, and ‘Be okay‘ will make the quarantine period more bearable for everyone who listens to it.” – R3HAB

“I heard this song months before I recorded it, and it put a smile on my face. I reached out to R3HAB to be on the song and recorded it to see how I sounded. Everyone really liked it, so I’m super excited to see “Be Okay” coming out. I hope this puts a smile on everyone’s face during quarantine, excited for the video too, as its a homage to the fans.” – HRVY

Over the last eight years, the Dutch/Moroccan artist Fadil El Ghoul – better known as R3HAB – has established himself as a leader at the forefront of modern electronic music. His talent has been called the “future of the craft” by the likes of Forbes and Billboard, and he’s circuited the globe’s best clubs and festivals, all without the backing of a formal record label. In 2017, R3HAB independently released his debut album “Trouble” through his imprint CYB3RPVNK, which amassed over a half-billion streams globally and officially placed R3HAB among electronic music’s heavy hitters. He made number 14 on DJ Mag’s Top 100 list in 2019, topping the charts with tracks like “Lullaby” and “Hold On Tight,” while his sophomore album “The Wave,” revealing more complex, emotional and experimental layers of himself, has amassed over 250 million streams on Spotify alone. In 2019 R3HAB‘s “All Around The World” with A Touch of Class quickly became his biggest ever record already topping 200M streams across platforms and achieving gold & platinum status in 8 countries. It was followed by “Flames,” R3HAB‘s collaboration with ZAYN. Stay tuned to see what this ever-evolving artist has up his sleeve next!

More info on R3HAB / HRVY / CYB3RPVNK:
 

R3HAB: Facebook | Instagram | Twitter | Spotify
HRVY: Facebook
 | Instagram | Twitter | Spotify
CYB3RPVNK: Website
 | Youtube
May 22, 2020 0 comments
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Vato Gonzalez and Thom Bold collaborate on dirty house gem 'Street Riddim' Out now via Heldeep Records
Music News

Vato Gonzalez and Thom Bold collaborate on dirty house gem ‘Street Riddim’ Out now via Heldeep Records

by the partae May 22, 2020
written by the partae

After a year and a half hiatus, Vato Gonzalez is back with the long-awaited dirty house gem ‘Street Riddim’ featuring Thom Bold, out now on Heldeep Records.

One of dance music’s veterans, Vato Gonzalez has a knack for delivering dazzling dance tracks that never fail to resonate with his fans. ‘Street Riddim’ continues to show Vato’s ever-evolving sound while his signature ‘Riddim’ tag shines through as a key part of his beloved brand.

Taking elements from dirty house, ‘Street Riddim’ sees Vato Gonzalez and Thom Bold combine their dancing genius to create this dark and mysterious track sure to get heart rates up and heads bobbing. As the track starts off, an accelerating snare roll gets the heart rate up. Vocals join in, introducing the symbolic sentence ‘I know that in the street it’s pumping’ before a clean drop is completed with a heavy bass that perfects the track.

‘Street Riddim’ has been a native to Vato Gonzalez’ sets and is the highly-anticipated follow up to ‘Bump & Grind’. It sees Vato become a more stern part of the Heldeep Family and promises even more solid material to come. His signature ‘riddims’ have led to more than 2000 gigs worldwide in the last decade, ranging from several editions of Tomorrowland to touring Europe, the US, and Asia. Receiving support from the likes of Martin Garrix, Don Diablo, and David Guetta, Thom Bold’s ability to mix thick house tracks with his eclectic vision was the perfect addition to ‘Street Riddim’.

Vato Gonzalez & Thom Bold ‘Street Riddim’ is out now on Heldeep Records

About Heldeep Records:

International superstar Oliver Heldens founded Heldeep Records to create a platform to showcase the new music of budding producers after receiving 1000s of demos. Since 2014, Heldeep Records has grown from a modest imprint into a fully-fledged label, featuring respected mainstay acts like ALOK, Chocolate Puma, & Dada Life as well as hosting stages at leading festivals across the globe like Tomorrowland, Mysteryland, Electric Forest, Spring Awakening Music Festival and South West Four. Heldeep artists are showcased weekly on Heldeep Radio, which is syndicated across 91 stations, in 66 countries and reaches 118 million people a week.

CONNECT W/ VATO GONZALEZ
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CONNECT W/ THOM BOLD
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May 22, 2020 0 comments
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Giantess Release Indie Masterwork "Big Woman"
Music News

Giantess Release Indie Masterwork “Big Woman”

by the partae May 22, 2020
written by the partae

Wellington, New Zealand based Giantess create dark indie pop with alluring vocals, pounding rhythms, and surprisingly heavy riffs bubbling underneath the surface.  Heart-songs that are steeped in floods and fires, rendered out of the bones of witch-rock outfit HEX.  Giantess released their debut album ‘Big Woman’ on the 14th of May 2020.

Following up the singles “The News”  and “Gone, Gone Golden” the new full-length “Big Woman” features the third single “Good Looking Girls”.

 

Kiki explains the record

“Big Woman’ is a breakup album, an endeavour into deep feeling, and a paean to growing up in a world that only wants you to shrink. Written and recorded over two gruelling years, ‘Big Woman’ charts the course of grief through to vision, braiding together feminine rage, ecology, ethics, and hope.

History

From 2015 – 2018 HEX toured throughout New Zealand, Australia, and the USA, opening for major acts including Dinosaur Jr, Shonen Knife and The Kills. 

The ep ‘Calling to the Universe’ (May 2016) and recent album ‘The Hill Temple’ (February 2018) were both critically well received, garnering extensive support from College Radio across Australasia and the U.S. The band was featured on NPR, Billboard Magazine. in the Chicago Tribune and Noisey.

 

May 22, 2020 0 comments
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RED AXES RELEASE VIDEO FOR ‘MOONLIGHT RIDE’ A TRIBUTE TO THEIR LATE FRIEND & ISRAELI MUSICIAN, CHARLIE MEGIRA
Music News

RED AXES RELEASE VIDEO FOR ‘MOONLIGHT RIDE’ A TRIBUTE TO THEIR LATE FRIEND & ISRAELI MUSICIAN, CHARLIE MEGIRA

by the partae May 22, 2020
written by the partae

DARK ENTRIES RECORDS
RED AXES – ‘MOONLIGHT RIDE’ VIDEO
OUT NOW

Celebrating ten years together, Red Axes recently unveiled their self-titled LP. Released via Dark Entries Records, the Tel-Aviv duo now take the opportunity, post-release, to present a new music video for album track ‘Moonlight Ride’ paying tribute to their late friend and musician, Charlie Megira.

Since meeting Charlie Megira in 2011, Red Axes recall him as an inspirational guitarist with whom they shared a deep appreciation for the music of American proto-punk artist, Alan Vega. ‘Moonlight Ride’ was written as a homage to Alan Vega’s ‘Fireball’, featuring bluesy rock n roll riffs and the signature electronic mutations of Red Axes’.

Directed by documentary filmmaker and ex-music journalist, Boaz Goldberg, the video for ‘Moonlight Ride’ draws from Goldberg’s rich library of source material, having spent over a decade documenting Israel’s alternative music scene. Photographs and VHS clips of Megira, recorded by Goldberg for his feature documentary ‘Tomorrow’s Gone’ (2019) create a visual representation of Charlie Megira and his flamboyant energy. Whilst the pink hued lyrics overlaid, pay tribute to footage of an old Alan Vega performance, comprising an emotive tribute from Red Axes to their dear friend.

 ״To my ears, Moonlight Ride is a perfect tribute to Charlie Megira. It’s a song that manages to stay in the Rock-N-Roll zones through Charlie’s lesser-known side, which is his fascination for Spacemen 3, Alan Vega & Top of The Pops Glam Rock. Most of the shots I put into the clip is stuff I didn’t put in the movie. My ambition was to create a visual puzzle that brings up the unique energy of this song. It was also a huge proposition to do a collaboration with Red Axes, Thee Red Axes, beloved electronic-oriented duo who also digs-hard the hardcore of late Kim Fowley stuff haha! The idea to paint the subtitles in pink-red is an inspiration I took from an old VHS gig of Alan Vega, that I’m sure Charlie binged a lot before tattooing ‘Alan Vega’ on his arm. ״ Boaz Goldberg

Red Axes video for ‘Moonlight’ is out now. Watch here

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May 22, 2020 0 comments
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PRAISE FOR HEARTEYES Joyride The Stars FBi Radio Album Of The Week “Purveyor of melodic 90s house/contemporary pop and procurer of emotions” Oyster "Even Headbangers Get The Blues is a document of pop reverence" The Saturday Paper "Heralding a more genreless future" PAPER Magazine "Hearteyes can do no wrong" Dave Ruby Howe, triple j Unearthed Today Sydney artist Hearteyes shares new single 'Drunk On The Roof', a tender pop track laced in nostalgia and regret. Premiered on triple j Unearthed, this is the first single to be released from Hearteyes' forthcoming record, Rock Album, out later this year. Listen HERE.  Rock Album is Maurice Santiago's third release under Hearteyes, following Even Headbangers Get The Blues and last year's Joyride The Stars mixtape. Where Headbangers and Joyride were spawned from restless frustration, Rock Album reflect's Santiago's transition from producer to artist with clarity and confidence.  Speaking on the record, Santiago shares: "I'm continuing to perpetuate the notion that genre is redundant going forward - hence the title 'Rock Album' being tongue-in-cheek, rather than matter of fact. The sound is more concentrated and focussed, and lends itself to 'rock music' but there will always be my standard tropes of lofi, leftfield and off-kilter production that subverts typical conventions of rock music/indie. If I can get people arguing "this isn't rock music", I've done my job." Referencing the pop rock of Skye Ferreira and shapeshifting ability of The 1975 on 'Drunk On The Roof', the sonic footnotes of Rock Album do not stop there, marking the entangled scenes of the Sydney music community. Whether it is referencing the lo-fi hip-hop world of Brockhampton, indicative of his work as a beat-maker; the Rina Sawayama-esque nods to playing in hardcore bands as a teenager; or the hard-fast electro of Charli XCX and warehouse raves. Hearteyes marries it all with considered production, auto-tune and for the first time, acoustic guitars.    'Drunk On The Roof' by Hearteyes is out now, buy/stream it here. Stay connected with Hearteyes: Spotify | Instagram | Soundcloud | Bandcamp
Music News

HEARTEYES DROPS EMOTIVE NEW SINGLE ‘DRUNK ON THE ROOF’ ANNOUNCES FORTHCOMING LP ROCK ALBUM

by the partae May 22, 2020
written by the partae

PRAISE FOR HEARTEYES

Joyride The Stars
FBi Radio Album Of The Week

“Purveyor of melodic 90s house/contemporary pop and procurer of emotions”
Oyster

“Even Headbangers Get The Blues is a document of pop reverence”
The Saturday Paper

“Heralding a more genreless future”
PAPER Magazine

“Hearteyes can do no wrong”
Dave Ruby Howe, triple j Unearthed

Today Sydney artist Hearteyes shares new single ‘Drunk On The Roof‘, a tender pop track laced in nostalgia and regret. Premiered on triple j Unearthed, this is the first single to be released from Hearteyes’ forthcoming record, Rock Album, out later this year. Listen HERE. 

Rock Album is Maurice Santiago’s third release under Hearteyes, following Even Headbangers Get The Blues and last year’s Joyride The Stars mixtape. Where Headbangers and Joyride were spawned from restless frustration, Rock Album reflect’s Santiago’s transition from producer to artist with clarity and confidence.

Speaking on the record, Santiago shares: “I’m continuing to perpetuate the notion that genre is redundant going forward – hence the title ‘Rock Album’ being tongue-in-cheek, rather than matter of fact. The sound is more concentrated and focussed, and lends itself to ‘rock music’ but there will always be my standard tropes of lofi, leftfield and off-kilter production that subverts typical conventions of rock music/indie. If I can get people arguing “this isn’t rock music”, I’ve done my job.”

Referencing the pop rock of Skye Ferreira and shapeshifting ability of The 1975 on ‘Drunk On The Roof‘, the sonic footnotes of Rock Album do not stop there, marking the entangled scenes of the Sydney music community. Whether it is referencing the lo-fi hip-hop world of Brockhampton, indicative of his work as a beat-maker; the Rina Sawayama-esque nods to playing in hardcore bands as a teenager; or the hard-fast electro of Charli XCX and warehouse raves. Hearteyes marries it all with considered production, auto-tune and for the first time, acoustic guitars.

‘Drunk On The Roof‘ by Hearteyes is out now, buy/stream it here.

Stay connected with Hearteyes:
Spotify | Instagram | Soundcloud | Bandcamp

May 22, 2020 0 comments
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HUCK HASTINGS TAKES SOLACE IN 'ANTHEM FOR THE END OF THE WORLD'
Music News

HUCK HASTINGS TAKES SOLACE IN ‘ANTHEM FOR THE END OF THE WORLD’

by the partae May 22, 2020
written by the partae

“Huck Hastings makes pop music with a purpose, he just knows how to dig down at those inner emotions and still create a toe tapping ear-worm at the same time” – FBI RADIO

“This Australian artist has a handle on words that I’ve come to envy, and while I’m not oft to immerse myself into idolatry, we’re coming close.” – INDIE HAPPY HOUR

Arriving with an appropriately ominous title ‘Anthem for the End of the World’ is the third release from Sydney melancholic strummer Huck Hastings and his forthcoming EP.

In a bid to make the apocalypse that bit more cinematic ‘Anthem for the End of the World’ explores the bushfire dystopia and questions of existence through delicate and honest lyrics. Paired with jangly guitar and a sombre bassline the track somehow seems both melancholic and uplifting. Of the track Hastings describes “I like the idea of it being kind of Apocalypse prom music.” Produced by Tim Carr (Matt Corby, Julia Stone) and featuring backing vocals from Ainsley Farrel the production is only the bed upon which Hastings shares candid musings through vulnerable lyrics that resonate further after every listen.

This knack for thoughtfully penning his observations and wrapping them in an infectious folk-pop tune echoes throughout his recent releases. Signalling his recent artistic growth ‘Hey Babe’ arrived in October 2019 alongside a Wes Anderson-esque clip and was swiftly added to rotation on FBi Radio and was named in their Independent Artist of the Week series. Follow up ‘Soft – An Epilogue’ enjoyed further airplay and was added to Woolworths radio.

Honing his direction in underground corners and brightly lit stages around Sydney, Huck Hastings has crafted out a distinctive sound in an crowded genre. Also fronting Sydney trio Hollow States, he’s opened for the likes of Olympia and graced the TedXYouth stage.

HUCK HASTINGS
‘Anthem for the End of the World’
OUT NOW

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May 22, 2020 0 comments
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THE BOUNCING SOULS SIGN TO PURE NOISE RECORDS
Music News

The Bouncing Souls Sign To Pure Noise Records & Release New Song ‘World On Fire’

by the partae May 22, 2020
written by the partae

New Jersey punk legends, The Bouncing Souls, have announced that they’ve joined the Pure Noise Records roster, and to mark the occasion the band have shared a brand new song World On Fire. Produced by Will Yip (The Menzingers, Tigers Jaw, Turnstile) World On Fire offers a taste of what’s to come for the long-running band. The Bouncing Souls have always excelled at bringing classic power pop and rock & roll influences to their energetic punk foundation, and the new single effortlessly nods to stripped down, timeless songwriting while providing the kind of soaring chorus that fans of the band have come to know and love.

Guitarist Pete Steinkopf discussed the new song, saying, “We were in the studio when the pandemic was just beginning to get a head of steam. There were so many question marks and no one really knew what was going on, this song came out of that moment. It came out of the question marks and the not knowing. This is a song to acknowledge how upside down the world seems to be in these times, and it’s a song about keeping the light in sight.”

Last year The Bouncing Souls celebrated their 30th anniversary as a band with the release of the Crucial Moments EP proving once again why they’re one of the most respected and beloved bands in punk rock. Never ones to rest on their laurels, 2020 will see more music from The Bouncing Souls coming soon from their new partnership with Pure Noise Records. Keep an eye out for updates.
May 22, 2020 0 comments
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GUARD RELEASES DARK DANCE TRACK 'GASLIGHT' + ANNOUNCES DEBUT ALBUM THE IDENTIFIED PATIENT
Music News

GUARD RELEASES DARK DANCE TRACK ‘GASLIGHT’ + ANNOUNCES DEBUT ALBUM THE IDENTIFIED PATIENT

by the partae May 22, 2020
written by the partae

“With his enterprising nature, and some serious production chops, we can see Guard doing pretty well for himself.”
– Tone Deaf

”…a trippy electro-pop wonderland”
– Music Feeds

“The future of pop music is here, so jump on board early”
– Pilerats

Fearlessly honest, self-proclaimed meme lord-cross-pop star Guard unleashes his kindling new single ‘Gaslight’, premiered via triple j’s Unearthed TOPS. Guard also announces today his debut full-length album The Identified Patient is set for release June 26th.

A slight pivot from his slow-burning electronic pop, though still staying true to his unique brand of melancholic, glitchy PC sampling; ‘Gaslight’ whilst a seemingly upbeat dance track, is juxtaposed with a dark narrative. The song was inspired by Guard’s personal experiences and written in retrospect of a harrowing period of his life. “Through therapy, I was able to understand that trauma had led me to this moment & if I do not break the cycle, I am just heading for a life of constant re-traumatisation, fated to repeat the same dysfunctional mistakes. Understanding what gaslighting is, really changed my perspective on a lot of things,” retells Guard.

Previously spending time in LA signed to a label, ‘Gaslight’ follows a string of successful independent releases from earlier this year. Guard, who now resides in Melbourne, marks a huge career milestone by announcing the debut of his first album The Identified Patient. The album is a storybook of healing after a relationship that led him to find self-acceptance. “I feel that those who appreciate conceptual pop will understand my message and symbolism. I see my music as performative art through which I am exploring the theme of trauma. I hope that avid pop listeners find something to hook onto in my project,” says Guard. Whilst the album carries the weight of deep issues, its the explorative and cathartic nature of the body of work he hopes will help others experiencing similar. Guard explains: “It is an extension of who I am. I am an artist and I am expressing my views & healing my trauma. I love that I am able to offer healing to those who relate to my experiences. I love releasing music.”

Since starting out, Guard has been praised by tastemakers both nationally and internationally, garnering acclaim from the likes of Billboard, Paper Magazine,  V magazine, Tone Deaf, Pilerats, Music Feeds and Project U, as well as radio stations triple j and triple j’s Unearthed. His past single ‘Pineapple Express’ has amassed over 3 million streams and ‘Phantom’, ‘Wine N Die’ and ‘Martyr’ have been added to Spotify editorial playlists Chill af, Study Zone, Indie Arrivals & Pop Edge. Experience the catharsis and join Guard on his exciting new chapter.

‘Gaslight’ is out NOW. Guard’s debut album The Identified Patient is out Friday 26 June.

CONNECT ONLINE WITH GUARD
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May 22, 2020 0 comments
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BOOTLEG RASCAL
Festival NewsMusic News

BOOTLEG RASCAL UNVEIL SANGUINE NEW SINGLE ‘WE INDEPENDENT’

by the partae May 22, 2020
written by the partae

PRAISE FOR ‘WE INDEPENDENT’

“It’s always a good time mixing it with you guys and this one will get anyone in a good mood”.
Declan Byrne – triple j (AUS)

“Bootlegs delivering an ode to self-reliance and defiance. Good rhyme, better song”.
Dave Ruby Howe – triple j Unearthed (AUS)

Added to Spotify’s ‘New Music Friday (AU/NZ)’ and ‘Indie Arrivals’ playlists

Featured by NME Magazine


Bootleg Rascal have just revealed their spaced out and infectious new single ‘We Independent’ – produced by the band themselves and long-time collaborator Ian Pritchett (Boo Seeka, Kim Churchill, Angus and Julia Stone), and Simon Dobson (Little May, STUPID BABY).

‘We Independent’ continues down the path of sonic exploration the duo has been carving out since the revamp of the project in mid-2019. Opening with a groove-laden progression, the lush vocals of front man Carlos Lara lead into an endearing sing-a-long chorus, that soars with its combination of resounding drums, steadfast bass, jangly guitars and hypnotic brass.

“’We Independent’ is a track we wrote inspired by starting to remove ourselves from a toxic situation”, says guitarist Jimmy Young. “Initially, we were unsure how to break away from it, but sometimes you have to say enough is enough and follow your intuition. We’re so glad we took that leap of faith and couldn’t be heading in a better direction because of taking that risk”.

While the band is forced off the road, Lara and Young are currently in the studio working on a forthcoming staggered EP titled ‘Collaborations of Very Isolated Delinquents “19’, where from May through till September, the group will release a new track each month, with ‘We Independent’ being the first offering. The band’s most recent single ‘Lonely Times‘ will also feature on the record.

“While we can’t tour, Jim and myself thought it could be cool to set ourselves a challenge of dropping a new track each month and tie it all into a conceptual EP,” says Lara. “The record is set to be heavily influenced by what’s currently happening in the world”.

After restrictions imposed by the Australian government, the band were forced to reschedule their East Coast capital city shows to mid-late September 2020, while their performance at Big Pineapple Music Festival has been moved to Saturday 21 November.

Since their mid-2013 inception, Bootleg Rascal have released a slew of singles, an EP and two albums, all warmly received by critics and fans around the world. Multiple tracks have been added to Spotify and Apple Music playlists, high rotation on triple j and they’ve performed on the stations esteemed ‘Like a Version’ segment.

The band have continually traversed the globe playing multiple sold out headline shows in France, UK, Holland, Germany, New Zealand and Australia, and performed sold out shows in the USA. They’ve also regularly appeared on major Australian festivals including Falls Festival, The Big Pineapple Festival, Lost Paradise, Hills are Alive, Festival of the Sun and Party in the Paddock.

‘We Independent’ is out now


Click to stream ‘We Independent’

 BOOTLEG RASCAL
RESCHEDULED TOUR DATES

Tickets on-sale now via www.bootlegrascal.com

FRI 18 SEP | HOWLER, MELBOURNE VIC
w/ SCABZ
FRI 25 SEP | MARRICKVILLE BOWLS CLUB, SYDNEY NSW
w/ SCABZ
SAT 26 SEP | WOOLLY MAMMOTH, BRISBANE QLD
w/ SCABZ
SAT 21 NOV | BIG PINEAPPLE MUSIC FESTIVAL, SUNSHINE COAST QLD
w/ Hilltop Hoods and DUNE RATS

FOLLOW BOOTLEG RASCAL

FACEBOOK | TWITTER | INSTAGRAM | SOUNDCLOUD | SPOTIFY | APPLE MUSIC

May 22, 2020 0 comments
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