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Groundbreaking EPIZODE festival is set for an epic comeback to Vietnam’s blissful Phú Quốc island for its fifth edition, from December 29th 2020 to January 10th 2021. This carefully curated 12-day experience entitled EPIZODE5: EPILOGUE will, once again, bring non-stop programe of premier electronic music, magical sunsets and various daytime activities in awe-inspiring artistic settings. The first wave of lineup introduces global heavyweights including RICARDO VILLALOBOS, BINH, DEBORAH DE LUCA, DUBFIRE, GOLDIE, GUTI, HECTOR, LOCO DICE and WAFF. They will be accompanied by some of the most exciting international and regional acts, such as ABELLE, CHKLTE, DAVID GTRONIC, E/TAPE, JAVIER CARBALLO, LOUISE CHEN, MAHONY, OUISSAM, ROUSTAM, SUNJU HARGUN and YAYA. These incredible artists will be performing at mind-blowing stages placed among the art installations on the beach while bringing the most electric vibes that EPIZODE is well known for.
First up is legendary RICARDO VILLALOBOS who will be making his return to Epizode, followed by Perlon powerhouse BINH. Italian techno lady DEBORAH DE LUCA will make her long awaited Epizode debut, while the SCI+TEC label boss DUBFIRE will drive us through his signature shades of techno. Dnb legend GOLDIE will be dropping his superb broken beats, followed by the sexy vibes of the Argentinian star GUTI. Vatos Locos head honcho HECTOR will be throwing some contagious sound, Desolat owner LOCO DICE will be in charge of his high-octane sound that always burns the beach down while the Circoloco resident wAFF will be bringing his funky grooves.
Leader of the iconic Russian art collective Arma 17, ABELLE, will bring her acid-laced house. DAVID GTRONIC will bring his emotional rhythms and signature percussive sound, accompanied by the grooves of JAVIER CARBALLO and CHKLTE’s vibrant musical blooms. Half Taiwanese-half French rising star LOUISE CHEN will be performing at Epizode for the first time, along with the Berlin based ambient artist E/TAPE. Next up are the infamous Sunwaves festival resident MAHONY, Miami based yet internationally praised All Inn’s artist ROUSTAM and Tamango records’ label boss YAYA. Owner of the iconic Hanoi’s club Savage, OUISSAM and Thailand born, yet internationally acclaimed SUNJU HARGUN, will be making their returns as well.
While helping the Asian music scene drive forward, EPIZODE has, in only four years, made an impressive mark internationally. With the vision to unite people from around the globe, the festival became an unmissable NYE getaway for music and art lovers, global adventurers and professionals from the music industry. Located in Vietnam’s blissful Phú Quốc island, Epizode is a truly memorable place to be. From white beaches, lush emerald jungles to hypnotizing sunsets and boutique accommodation, the natural beauty of this tropical hideaway is matched only by the magical musical spirit that’s helped create such an immersive festival experience.
The 12 day Early Bird Multi-Passes are available at €158. Tickets can be purchased online via Epizode website: www.epizode.asia
More information on the following links.
Please note, these URLs are new so please, use the ones below when tagging Epizode.
Epizode Website (www.epizode.asia)
Epizode Facebook (@epizode.festival)
Epizode Instagram (@epizode.festival)
Where are you currently based and what is the music scene like there?
Im currently living in Coffs Harbour due to Covid 19 and honestly Im not too sure what the scene is like here I have not had much time to go suss it out, but I hear good things about it so hopefully once restrictions have eased I can get amongst it !
In my bedroom free styling to youtube beats is how I started off which has slowly progressed into me making music full time.
A big influence from this track was actually the producer Jaguar Kevins, he makes a genre of beats called boom trap its so dope that when I heard this beat I finished writing within an hour. As far as the songwriting process went I didn’t really have a specific idea in mind I just wrote bars that were on my mind recently.
What do you like to do away from music?
Ive been working a lot recently which is good because it means I have more money to reinvest into my music but other than that I love the beach, I love staying active and fit and I do not mind a couple of drinks or 20.
What’s planned for the remainder of 2020?
I just wanna keep growing as an artist and a person while dropping good music that helps people!
100% Greek street in Labrador on the Gold Coast, they have the best pita club sand-which I have ever had. My favourite place to hangout though would have to be Justin Lane.
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Image: Wyatt Clough
After the release of their ninth studio album A Beautiful Place To Drown in March, hardcore legends Silverstein are back with an alternate version of album track ‘Where Are You‘, recorded during the sessions of the record.
The original track exemplifies the album’s expert blend of aggression and modern production flourishes, while this new take strips back the distortion to emphasise the melodies at the core of Silverstein’s songwriting.
It comes alongside the announce of a special livestream event on July 19 (6am AEST Monday July 20) captured through professional video and audio. Tickets and more details available here.
2020 finds the five-piece celebrating their 20th anniversary as a band and while worldwide tour plans have been postponed, the band have been staying busy and recently shared their Quaranstein video. Featuring performances of five classic songs from across their catalog along with guest appearances and more, the performances are now available as a digital EP with all proceeds going to the NAACP and Black Legal Action Centre.
Arguably one of the most consistently active, influential, and crowd-pleasing bands in their arena, Silverstein break out into daring new territory on their latest record A Beautiful Place To Drown. Their boundary pushing spirit is on full display on the album’s multiple high-profile collabs – ranging from Princess Nokia and Underoath’s Aaron Gillespie, Beartooth’s Caleb Shomo, Simple Plan’s Pierre Bouvier, and more – indicative of the band’s wide-reaching impact and their ability to reach listeners in all worlds of music.
Lyrically, the album explores the mental duress that seems to be inextricable from the personal and societal challenges of modern life, often focusing on external perspectives and even political elements without losing the band’s trademark intimacy. Overall A Beautiful Place To Drown is built to please old fans and new ones alike, and proves exactly why Silverstein remain a vital and powerful voice in alternative music and beyond.
PRAISE FOR ‘A BEAUTIFUL PLACE TO DROWN’
“…even so many years on, Silverstein still sounds the best they ever have…” NYLON
“[Silverstein] have risen from their underground roots to the top of the emo and post-hardcore genre…” Billboard
“Silverstein effortlessly create a blended sound while staying true to their roots…” Alternative Press
SUPPORT FOR ‘JUNGLE TRAIN’
“‘It’s beautifully shot, and the contrast between the two lifestyles is stark and effective. The flute samples in ‘Jungle Train’ and the vocals of Little Green are a dreamy combination.”
– The AU Review (AUS)
“The kind of collab that just really fits together so nicely. Lamalo are in their element when they’re giving us fluid house grooves and with Little Green, they’ve only topped things up with her hypnotic, jazzy vibes.” – 4/5 stars
– Dave Ruby Howe – triple j (AUS)
“Lamalo infuse this brooding electronic sound with mannerisms intertwined from disco, funk, jazz and beyond; each sound they approach seemingly being a new direction that takes them somewhere unexplored and yet despite that, they manage to knock it out of the park every single time without fault.”
– Pilerats (AUS)
Following on from the release of their critically praised single ‘Jungle Train’ featuring Little Green, Sydney-based producer duo Lamalo have returned with the accompanying video clip – shot and directed by Milan Nikolich.
Shot across Revesby Station and a farm in Sydney’s North West, the clip features a narrative of a woman who is shackled by her mundane reality and 9-5 job. Filmed with a camera used on the set of Mad Max: Fury Road, the video flows effortlessly from sterile metropolitan spaces, to lush natural surroundings, highlighting the main characters’ desire for escape and freedom.
Lamalo talks about the inspiration behind the clip:
“The video explores liberation from an uninspiring work life. The clip follows a woman (played by Amy) as she travels to work in the early hours of the morning dreaming about a utopian existence, becoming one with nature and with music. Amy was planning to be barefoot in the farm section of the shoot, however the area was crawling with bull ants. We had to scour the ground, prepare the leaves that she was going to dance on and then shoot really quickly to minimise the risk.”
Since release, the track has been widely embraced by triple j Unearthed, Pilerats, Acid Stag, Surviving the Golden Age (USA) and The Soundcheck. Previous singles have been strongly supported by Spotify, including an entry in the Spotify AU Viral Chart, with their single ‘Outside’ amassing nearly two million streams. They’ve also been featured on triple j, FBi Radio, Purple Sneakers, Discobelle (SWE), Project U and The Music.
In the live arena the duo has supported contemporaries The Kite String Tangle, Midnight Pool Party and Dekleyn, as well as playing boutique festivals Rabbits Eat Lettuce, Red Deer Arts and Music Festival and The Grass is Greener.
Lamalo is made up of classically trained, multi-instrumentalists Michiya Nagai and Yossi Cascun. Since their inception in 2016, the duo has been blending energetic electronica, sophisticated textures and groovy polyrhythms, across a discography that spans two EP’s and five singles.
‘Jungle Train’ feat. Little Green is available worldwide now
FACEBOOK | TWITTER | INSTAGRAM | SOUNDCLOUD | SPOTIFY | APPLE MUSIC
TICKTES: https://moshtix.com.au/v2/event/hockey-dad-alive-at-the-drive-in-album-release-2nd-show/120998
One Month to go until Hockey Dad Alive At The Drive-In comes to Bulli Showgrounds! Join HD & The Pinheads on August 1 after their first night SOLD OUT!
Where are you currently based?
Australia, Melbourne
How did you first start playing music?
Mum said I would not shut up singing around the house.
Your new EP Normality will be released in September, what has influenced the sound and songwriting?
Busking on the streets. I didn’t want to take all my gear out, so I just decided to use my voice for everything instead, this project was created in Bourke St, Melbourne. I wanted to share the message that voices are powerful when they come together. And in these difficult times, I feel that our collective voices will be what sees us through. I named the EP Normality because it’s everything opposite to normal and I was also questioning my life a lot at the time such as:
What is a normal life?
Why are certain things normalised and other things aren’t?
What’s the normal way of going through depression or how do I act normal, what does that look like to society?
How did you go about writing the music?
I wrote this EP in 3 days using just my voice. This process was based on trust. Trust in myself to express whatever needed to come out through my voice. The songs are exactly how I first wrote them, I never changed anything. By producing an EP created only by vocals, I wanted to challenge the pre-conceived notion of what makes ‘normal’ music. I tried to make my voice do all the parts instruments would.
Where and when did you record?
I recorded this EP with Jimmy Alexander (Death Youth Records, Awaken I am) in his Gisborne studio. He is honestly the greatest human I have ever met. I’ve never felt so comfortable with someone in a studio before. He knew what my voice was capable of, so he would always push me to get the best takes. So young but one of the kindest, talented professionals I have ever worked with. I can’t thank him enough for everything he did for me and understanding my weird ideas for this EP.
I actually wrote this back in January 2018 but I didn’t have the confidence or funds to complete/ release it. I was also in fear, I thought it would be too weird and different but that was the whole point of the EP; what is normal? I was in a bit of fear and I was having the worst year I’ve ever had with my mental health, so I waited. Then all the film clip ideas came to me and the City of Melbourne COVID 19 Grant got me over the line and gave me the encouragement I needed to finish, release and believe that my concept was good.
How did you approach the recording process?
Ha! Jimmy was a legend and a great listener. It’s pretty weird for someone to walk into a session and go, “okay so here’s the bass, I’m gonna sing it.” We broke down all the sections and started one bit at a time. Usually it was me beatboxing drums first and singing bass sounds, then I’d start layering the harmonies which would make up the chords like a guitar or piano followed by extra parts, lead vocals and harmonies. The hardest song was My Hymn; it’s got a triplet feel so the melody’s rhythm isn’t so easy to sing over it.
What programs did you use to record/produce?
We swapped programmes; bit of logic, bit of pro tools, bit of reaper. I use a Roland RC 505, Voice Live 3 and a SE electronics mic when I’m live but we used a whole bunch of other instruments in the studio.
What do you have planned for the Normality EP?
4 film clips supported by the City of Melbourne COVID 19 Arts Grant, Behind the Scenes and a live Isolation gig online July 25th, maybe some mini 20 ppl gigs depending on Covid.
June 29th Vocal introduction + film clip
July 14th My Hymn single + film clip
Interlude
August 5th Normality single + film clip
Full EP will be available online with a bonus track in September.
‘Normality’ is the lead single coming out in August along with a film clip, how did the concept for that video happen?
I put a post out to my followers on Instagram and said, “Hey if you want to be in a film clip, rock up at this cafe called Onyx at this time in the most unusual outfit you can but still be yourself!” I was so anxious no one was going to come. I left it up to the universe. All my friends slowly kept bailing, so I literally had no idea who was coming. Then BAM all these amazing people who have been following my music arrived to hang out and be part of an amazing night. I was so grateful I just wanted to include everyone as an open invite, make it community based. We had kids, adults, teenagers and even twins from all walks of life come. Basically, the music video starts with me bored in a normal cafe job and then I jump over the counter into the ideal world which is much more fun, much different and what we considered normal. I can’t wait for this one to come out!
What was the most challenging part?
I wanted to pour milk all over myself because one of my lyrics is “Off milk you drunk it twice”, that was my first idea, a dream became a reality that day! We only had one chance to get it right, so I didn’t have room for error and the milk was HEAVY to hold!
Your new music video ‘Writing Machine’ is out now, how did the concept for the video come about?
I wanted the clip to emulate how humanity is becoming so addicted to technology. It is so hard to get someone’s attention in real life and it is crazy how much we judge someone we don’t know or believe whatever’s written on a screen. We forget there is a living human being with feelings and a beating heart on the other side of what we are looking at.
Where did you film and who with?
I worked with Good Gravy Media (Dylan and Liam) for all the Normality EP film clips, locations included in Coburg, Brunswick, Melbourne and Cheltenham.
I had Tim Knowles, Ellen Burbidge, Yash Fernando, Tayla Muir and Zandria play the characters in Writing Machine. They all come from an acting or singing background and they absolutely smashed it. Let’s not forget Clarissa Williams (Clarissa Williams Make Up) who did my make up for all clips, plus she was beautifully pregnant on set. Then Dimitri Cherkassski and Tara also jumped on board to help! They were the BEST crew and I was so honoured that they even wanted to work with me! Couldn’t have done it without them, I was very lucky!
What did you find most challenging and rewarding throughout the process?
The funniest part of filming Writing Machine was taking their technology away, I directed; “I want you to remember that feeling you get when you think you’ve either lost your phone or someone stole it and that manic chaos or anxiety that takes over.” They were SO good, I had to refrain myself from laughing because it was so real. Tay and Alex were attacking each other, Tim ripped the couch apart, Yash was tearing off his jacket and Ellen was throwing items around until they eventually had permission to turn on me! It was bloody amazing, if you ask me. I still start laugh thinking about it!
Who are you listening to at the moment?
I listen to everything. Erykah Badu, one of my favs. Drake, Beyonce, Ariana Grande (love). From our Melbourne scene I love Mojo Juju (Mo’Ju), P Unique who are legend humans too, my girl Sully just bought out some music and G Flip, she and I played in a band together for years in high school. I am proud of her.
What do you like to do away from music?
A lot of music away from music haha like busking and studio time. I love 20 minute runs, exercise! I make my own clothes from recycled materials which you see me wearing at festivals and photoshoots. I love Op-shops. I am also a teacher, a food lover and I hang a lot with my 83 year old best friend who is my Grandmother.
What’s planned for the remainder of 2020?
Normality for the rest of the year and I’ve written AN ALBUM for my band! I’m recording it with my best friend in the entire world Michael Cooper so I’ve already started planning that. It will be ready in 2021 and I’ve never been so excited. Brace yourself for it people!
Favourite food and place to hangout?
I go to Onyx Cafe on Reserve Rd, Cheltenham A LOT to eat which is actually where the Normality film clip was filmed! Best food and service! But, Japanese cuisine is my favourite food with a glass of Pinot Noir! You will also find me at Shujinku eating Ramen in the city!
Danny Serrano runs his own recording studio and label, Serrano’s Kitchen, and has worked for big labels such as Desolat, Truesoul, Circus Recordings, Saved Records and more over many years.
The new album finds him broadening his musical horizons across a wide variety of house and tech styles, and the new single is a fantastic taster.
‘Craft’ talks about the daily life of any person in this crazy world, trying to change something in his boring life. It is a track with a catchy vocal and deep melodies where the theme plays with the voice and the melody supports a killer groove dedicated to the dance floor.
The second single The Future and third single Bimba follow soon after and show off more melodic and progressive styles, proving Serrano is always maturing as an artist.
“If you support any of these on an upcoming stream please do let us know so we can highlight on socials of the label and artist”
01. Danny Serrano – Intro
02. Danny Serrano Feat.Lu – Bimba
03. Danny Serrano – Behind
10. Danny Serrano – Take Over
Where are you currently based and what is the music scene like there?
I am based in a tiny apartment in Brunswick in Melbourne at the moment. The music scene is usually very lively, Sydney Road is the main hub for music in Brunswick which is very close to where I live. There are heaps of bars that are very supportive of local bands and artists and they are always looking for people to play. No matter if you’re a solo artist or in a full swing band- there will be a venue accommodating and an audience ready!!
How did you first start playing music?
I started when I was quite young, like 5 or 6, as my Dad bought me a guitar and took me to lessons and made me learn Bob Dylan songs! I always had a guitar around and would play covers to friends and write my own songs. It wasn’t until a couple of years ago where I actually performed in public on a stage though. I did my first open mic in 2018 in New York and I just kept on performing since then.
What’s been happening recently?
I have recently released my second single this month so that’s been exciting. Aside from that, I have just been using this down time to keep writing and to fill up a book of songs I am really proud of- as I plan to record a second EP soon. I have also been rehearsing with my band so that when life goes back to normal, we are stage ready!
Your new single ‘Walk My Way’ received instant Triple J airplay and was added to Unearthed playlists in the the first week of release, Kingsmill even giving you a rare five-star review – how have things been for you since?
I have been really humbled by the response to be honest. I guess when you’ve been sitting on a song for a while you forget how good it felt when you first wrote it. I wrote it in Feb or March last year. I do remember when I first wrote the chorus, I had butterflies in my stomach – so that must be your body saying ooo this is exciting haha.
Things have been really exciting since its release and the support from Triple J. I have had a lot of lovely people messaging me and emailing me saying they’ve heard the song on triple J and that they really like it which is awesome. It seems to make people feel happy and care free so I am glad it has that effect on people.
What influenced the sound and songwriting for this track?
To be honest, I am not entirely sure what influenced the sound. I just started playing this chord progression and then fiddling around with the fingerstyle pattern and it just sounded fun and upbeat. Then I started strumming and the chorus just came out of my mouth fully formed. At the time, I was reading a bit of poetry about social class in 1950s America and I think that influenced the storyline of the verses. I liked the idea of chasing someone that you feel is superior to you or unattainable, whether that be due to wealth, looks or gender. You feel like they don’t see you, but really they have felt just as strongly about you the whole time. I think it’s a nice idea!!
Where and when did you record?
I recorded the single with Benjamin McCarthy in his Carlton home studio. We recorded it in June/July last year. So, I had it tucked away for almost a year before it was eventually released!
You have a forthcoming EP on the way ‘Faith, Sex and Skin’ what can we expect?
Yes, it is coming out next month which is really exciting! The majority of the EP is quite uplifting and upbeat, there is one slower song which is quite stripped back. It has some really nice strings in it to accompany the guitar. All the other songs are built up with percussion and subtle synth around a raw acoustic sound. Each song has its own story and message in it.
What is the predominant theme of the EP?
I would say the EP is all about self-acceptance and kindness. It’s also about acknowledging we are not perfect but there are little acts of selflessness that we can do each day to live happier and healthier lives as a whole human race. I also think all the songs touch on the beauty of being vulnerable and that taking risks holds many rewards.
What influenced the EP?
My own life experiences have definitely influenced the songs on the EP. I also think my writing has been influenced by travelling and watching different cultures and the way that different people interact. Also, my writing has been influenced by books and movies that have resonated with me, such as The Boy Who Harnessed The Wind and Jack Kerouac novels. My sound has been influenced by contemporary artists such as Thelma Plum, Gordi and Vance Joy as well as iconic artists such as Bob Dylan and The Beatles and Neil Diamond.
What equipment did you use to record?
I used my old Ibanez guitar for all the recordings. It’s a bit beaten and worn but it still has a nice earthy tone.
What do you have planned for this EP?
I would love to do a little launch tour around Victoria and New South Wales, but we are just going to have to wait and see what the restrictions allow. There will at least be a launch show at The Old Bar with my full band after the release, but I will have to keep my fingers crossed that it will be sooner rather than later!
Who are you listening to at the moment?
Oooo there so many great tracks coming out at the moment. I have been listening too Spacey Jane – they just put out a debut album which is really upbeat and fun. I have also been enjoying Ball Park Music – Day and Age and Noah Dillon – Mathew McConaughey. Lots of great new Aussie music!
What do you like to do away from music?
I use to be a very beachy person and spent most of my time surfing or ocean swimming. However, since moving to Melbourne, I have become a bit more of an indoor person – really enjoying just sitting at the library and reading or finding quirky little cafes and bars with my partner. Maybe I have just become lazier haha!
What’s planned for the remainder of 2020?
I am just going to be rehearsing a lot with my band to get our live show as tight as possible. I will be performing as much as I possibly can in this current climate! I will also be recording a few acoustic sessions with the Shoelace Creative team which I will post up on YouTube and socials. Then I will be recording my second EP in August and begin planning its release. So, I should be keeping quite busy!
Favourite food and place to hangout?
Great question! I really love Black Cat on Brunswick Street in Fitzroy. It’s a really nice bar with a relaxing vibe and comfy couches. Favourite food, I’d have to go for Kway Teow from Asian Kitchen Guy on Sydney Road- very yummmm and very cheap.
FB: https://www.facebook.com/harperbloommusic/
Insta: https://www.instagram.com/harperbloommusic/
Website: https://harperbloom.com/
“this one’s built for blasting with the windows down” BROOKLYN VEGAN
“they’re ready to start wooing new fans over the radio…Ode to Joy 2 almost sounds like an Arctic Monkeys ballad” CONSEQUENCE OF SOUND
“Star Worship continues on the indie-rock trend, a track that sounds more like Modest Mouse than Modern Baseball” UPROXX
“the soundtrack to donate our eardrums to for the rest of this bizarre year” AUPIUM
“more theatrical, Erik Paulson’s symphonic vocals soar over his brother Stephen’s funky bass line” FLOOD
“a strong vocal performance and energetic guitars” RIFF MAGAZINE
“Remo Drive are back and louder than ever” NEW NOISE MAGAZINE
Remo Drive sound larger than ever on their highly anticipated new album, A Portrait of an Ugly Man, out now on Epitaph Records. With its acrobatic guitar work, deeply self-referential lyrics and off-the-walls energy, the album calls back to the dextrous, eccentric sound that helped the band – brothers Erik (vocals, guitar) and Stephen (bass) Paulson – explode into the underground with their 2017 debut. Self-produced and mixed, A Portrait of an Ugly Man feels all at once familiar and fresh. Taking shape in their parent’s basement in Minnesota, the space breathed a looseness into the songs, while the freedom of the sessions left the band able to explore the next evolution of their sound.
A Portrait of an Ugly Man finds Remo Drive truly in their element – both physically and sonically. Whereas the Paulsons filtered their buoyant songwriting through the concise lens of storytellers like Bruce Springsteen and The Killers on their predecessor Natural, Everyday Degradation, A Portrait of an Ugly Man is more spontaneous, bolstered by the same charm and levity that made their debut, Greatest Hits, such an underground favourite.
The loathsomeness Paulson explores on the album certainly reflect less glamorous aspects of both his psyche and that of others, but when they’re cut with his quick wit and self-deprecation, they seem less like an actual indictment and more of an embrace of all of life’s imperfection and absurdity. In turning the mirror back at themselves in this way, Remo Drive have learned a lot about who they really are: A Portrait of an Ugly Man is an album that doesn’t seek to minimise important subjects like mental health or self-worth, but rather welcome them in and accept them as part of what it means to be human.
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Lastlings – Australian-Japanese siblings Amy and Josh Dowdle – unveil their ethereal new single ‘No Time’, the follow up to their previous offering, the much-loved ‘Take My Hand’.
Premiered on triple j’s Good Nights earlier this week and added to the station this morning, ‘No Time’ shines a light Lastlings’ signature, emotive lyricism and intricate, transportive pop soundscapes. The song arrives complete with an anime-style music video, inspired by the duo’s Japanese heritage and one of their favourite dystopian science fiction novels ‘Never Let Me Go’.
“‘No Time’ was inspired by Kazuo Ishiguro’s dystopian science fiction novel Never Let Me Go. As humans we know and understand that our life spans are limited, but of course it’s something that we push to the back of our minds. When we’re faced with this kind of knowledge, what do we do when we realise that we don’t have much longer? What are the things that quickly become matters of importance and what are the things we look back on that are really worthwhile?
“‘No Time’ is about releasing yourself from negative thoughts and growing from our disappointments and failures. It is also about living life to its fullest potential because as cliche as it may be, life really is short and everything happens for a reason.”
Director Joël Durand reveals that the idea behind ‘No Time’ is a chase between darkness and light. It’s a piece about fraternity, where a brother and sister together face their fear of passing time. The character designs refer to ‘Perfect Blue’ by Satoshi Kon; realistic animations and drawings used to deal with a mature subject. Durand also referenced an old comic book style, similar to Moebius’ work, for the animations. This cultural mix of Japanese and occidental styles can be seen as a reflection of Lastlings’ own heritage.
Upon signing to Liberation Records (ANZ) and Astralwerks (ROW) earlier this year, Lastlings revealed the dark electronic jam, ‘Take My Hand.’ Added to triple j rotation in Australia and popping up on a wave of Apple Music and Spotify playlists globally, the track also caught the attention of tastemaker acts Totally Enormous Extinct Dinosaurs and Torren Foot, who worked the original over into three fittingly eclectic remixes. Last month, Lastlings also kicked off RÜFÜS DU SOL’s debut Rose Ave Radio show on SiriusXM. Listen to Episode 1, here.
Self-taught musically, Josh and Amy have devoted the better part of five years to their craft, fine tuning their songwriting and production from their home in the hinterlands of Southern Queensland. Releasing two EPs to early acclaim, the duo found themselves having to make a choice between full-time music and allowing Amy, then sixteen, to focus on finishing high school. They resisted the pull of the industry until Amy finished school and are now working toward the release of their debut album.
The pair’s hypnotic live show has already seen them tour Australia and North America with RÜFÜS DU SOL, which included shows at Colorado’s Red Rocks and LA State Historic Park, as well as play major global festivals Coachella and Splendour in the Grass.
Stay tuned for more Lastlings updates very soon.
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Where are you currently based?
I have been living in Montreal for the past 8 years.
How did you first start playing music?
Basically, I was the singer in a band with some friends. I decided to start writing music to sing over and eventually I stopped singing and focused on producing.
Your new single ‘Never Really Get There’ is out now, what influenced the sound and songwriting?
There were no preconceived ideas, we just improvised in the studio one summer afternoon. We first started with the chords and then Jesse wrote some lyrics to it. There’s something both melancholic and festive in this song, we just captured that moment.
How did you go about writing Never Really Get There?
You’d have to ask Jesse, I had nothing to do with the lyrics. On the other hand, I can say that for me “Never Really Get There” represents a feeling of inability to listen to oneself, sometimes life diverts us from our essence.
The single Features Jesse Mac Cormack, how and why did Jesse come to be involved?
Jesse is a long time friend and collaborator. We like to make music together so it was natural for us to do this song together, nothing was planned. We’ve been collaborating for 4 years already on several different projects.
How was it working with Jesse?
It’s very intuitive and natural when we work together; we don’t really need to talk to each other, the music speaks for itself. I think our sensibilities complement each other very well, we have a lot of fun doing that.
The music video is directed by your sister Alex-Jeanna Dube, how was this experience?
It was the first time I collaborated with my sister on such an artistic project. It was really cool and easy. We’re only a year and a half apart in age, we’re like twins. We understand each other easily.
How did the concept for the music video come about?
For a long time, I had this idea of filming people through their windows dancing in their intimacy, in their world. I called my sister and she liked it right away, and she was able to tell a story using this concept.
Where and when did you film and what did you find most rewarding and challenging during the creation of the video?
The music video was shot entirely in Montreal and in confinement. Everything was filmed in just under a week in April. This video is a tour de force, to have managed to shoot it while everything was playing against us due to the lockdown is the greatest achievement for me. I also think that the casting is very much in the image of our city, I like its diversity. The most difficult thing was to respect the health regulations during the filming.
Who are you listening to at the moment?
I listen to a lot of Caribou, Amtrac and Khruangbin.
What do you like to do away from music?
I love to garden and take care of my dogs. But what I like most of all is playing hockey!
What’s planned for the remainder of 2020?
Lots of new music 😉
Favourite food and place to hangout?
I really like any kind of food, I really like food hahah. I love spending time at Jarry Park, I think it’s the most beautiful park in Montreal!
Date: 9th – 12th July
Location: Island of Pag, Croatia
Despite the current state of the world, a small brand with a strong local following decided to do what everyone else was afraid of doing, and that was to keep the good times rolling in a world filled with as many uncertainties as ever. So, coming out of lockdown, BSH Events had one goal, and one goal only, and that was to never stop dancing despite the music industry taking a massive hit, as most festivals around the world have been postponed until 2021.
The same island whose clubs on Zrce Beach have raised generations of ravers and party enthusiasts ever since the opening of Kalypso in 1987. The same club that will be hosting the official BSH Island Afterparties, along with the festival’s main venue Noa Beach Club, a club that literally stands on water, and features a newly built and already sold-out Noa Glamping Resort, whose luxurious villas with swimming pools and a breath-taking view of the Adriatic, will be accommodating the festival attendees. Throughout its younger history, the club has hosted reputable festivals such as Sonus and Hideout and had some of the world’s most famous artists perform there.
The artists ready to rock the house this summer’s BSH Island festival at Noa Beach Club are nothing short of spectacular, to say the least… The festival’s main headliners are international superstars, the likes of ARTBAT, Paco Osuna, Richy Ahmed, and Honey Dijon.
In addition to that, the festival’s opening will be headlined by Manchester-based brand, Kaluki, whose performances are in demand from Ibiza to Miami. On top of bringing us one of the headliners in Richy Ahmed, they are bringing along Pirate Copy, Joey Daniel, Ki Creighton, and BSH Events’ own, Pablo Panda. Kaluki are frequent guests at some of the most popular festivals such as Parklife in England, the BPM Festival held this year in Costa Rica, and many others. Their debut in Croatia could potentially mean more Ibiza based brands coming to Croatia.
ARTBAT
A Ukrainian DJ duo that has an admirable rise to fame in recent years. Its members, Artur & Batish are currently among the most successful DJs and enjoy global recognition. The key to their success lies in their unique production, which is highlighted by massive sounds and dark undertones. Their songs bring powerful energy to any venue, no matter a stadium or an underground garage. In addition to dominating many dance charts, their music is widely appreciated around the world, as they are frequent guests at many festivals in places such as Brazil, Germany, Ibiza, and the US.
PACO OSUNA
A Spanish DJ and producer of techno music. Since 1999, he has been a resident DJ at the famous Amnesia club in Ibiza. He was one of the first techno DJs to play in Ibiza and is considered to be a legend in the industry. He often performs in many German cities such as Berlin and Frankfurt, which hold some of his favorite venues to which he is always happy to return.
RICHY AHMED
A British DJ and producer, with a deep underlying passion for music and people, who understands the fundamentals of what makes a dance floor tick. A veteran of many summers spent in Ibiza and an original resident of Paradise at DC10, Richy has toured the world playing some of the finest clubs and festivals around, from Panorama Bar to Space Miami and Glastonbury to Tomorrowlands, Richy is no stranger to applying his infectious ability to get people dancing.
HONEY DIJON
