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Music News

Yukon Blonde Announce Fifth Studio LP 'Vindicator' And Share New Track
Music News

Yukon Blonde Announce Fifth Studio LP ‘Vindicator’ And Share New Track

by the partae September 9, 2020
written by the partae

After ten years since forming and five LPs in, Yukon Blonde have been characterized in a lot of different ways. They emerged as a guitar-heavy rock band with their debut self-titled LP in 2010 and by the release of On Blonde in 2015, Yukon Blonde were experimenting with slick, ‘80s inspired pop elements like those heard on the album’s driving hit single Saturday Night. More recently, on 2018’s Critical Hit, the Vancouver-based five-piece band turned their attention to mood making, largely ditching their guitars in favour of synths and drum machines to build danceable, multi-dimensional soundscapes.

With their fifth release, Vindicator, Yukon Blonde rewrite their story again. Jeffrey Innes (vocals/guitar/keys), Brandon Scott (vocals/guitar), Graham Jones (vocals/drums), James Younger (vocals/bass/keys), and Rebecca Gray (vocals/keys) douse keyboard melodies and relaxed grooves with psychedelic hues that are both playful and expansive.

PRE-ORDER VINDICATOR HERE

With singles In Love Again and Get Precious already racking up the plays around the globe, today the band are sharing another new single, You Were Mine. “We were all on Galiano island for this recording,” says Innes. “James brought the initial idea to the table, and after several hours of jamming, eating Scooby-snacks and drinking Churchill martinis, it started to fall apart in the most perfect way imaginable. I feel like this song somehow epitomizes the spirit of a successful collaboration in our band. Words like ‘compromise’ had no place in that session; everyone sings leads at some point, everyone plays everything. It’s certainly among our favourites from the record.”

From the opening track, Vindicator will immediately put you under a joyful spell and then never let you go. “We’re more mature and comfortable with ourselves now and we know that we can try something new even at this stage in our career,” explains Younger. “We completely deconstructed the narrative of the band and made the music that felt good at the moment.”

Vindicator is the first Yukon Blonde album written, recorded, and produced entirely by the band. It took shape in their jam space in East Vancouver, a cabin on Galiano Island, in a closet at Younger’s home, and in Innes’ kitchen. But this DIY ethos has always been the backbone of Yukon Blonde who are curious artists with a passion for honing their craft.

The in-house approach to Vindicator allowed Yukon Blonde to stretch themselves creatively and experiment with sounds and styles in ways they haven’t before. The band share vocal duties and Innes, the band’s primary songwriter, lets his lyrics, which touch on everything from love to redefining your relationship with social media, drive the shape of the songs.

Admittedly, making Vindicator by themselves was a creative risk but it’s one that’s paid off. Even the album title is a nod to how Yukon Blonde feel about the record’s outcome. As Innes notes, “You don’t really need to compete with yourself, you just need to challenge yourself.”

“It’s a very rewarding feeling taking control of yourself and your creative ambition,” adds Younger. “It’s something that you can ride high on because expectations were met and fulfilled and that’s a joyous thing.”

Follow Yukon Blonde:
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September 9, 2020 0 comments
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The State of Music – INTRODUCING streaming series has been carefully curated by Mushroom Group in partnership with the Victorian Government’s Victoria Together initiative Don’t miss Episode Three, airing this Friday 11 September at 7:30pm AEST on the Victoria Together Facebook, YouTube and website together.vic.gov.au Tune in to catch Archie Roach introduce DALLAS WOODS, Lime Cordiale introduce Nat Vazer and Daryl Braithwaite present Ella J Mushroom Group are pleased to announce the return of The State of Music - INTRODUCING this Friday 11 September. Episode Three will be viewable from 7:30pm AEST via the Victoria Together Facebook, YouTube and website. The four-part streaming series in partnership with Victorian Government supports and champions developing artists of all genres from right across Victoria.   This week, Iconic Indigenous singer-songwriter Archie Roach introduces DALLAS WOODS, an East Kimberly-bred, Melbourne based, rapper who at 26 years old has quickly become one of Australian hip-hop’s most hotly-tipped acts. Blending hard truths with tongue-in-cheek rhymes and clever punchlines is the DALLAS WOODS way, his distinct charisma shining through in latest single ‘If It Glitters It’s Gold’.   Chart-topping indie-pop duo Lime Cordiale introduce us to Melbournian songstress Nat Vazer. Charming audiences with her intimate guitar pop, Nat joined Lime Cordiale on the Victorian leg of their recent The Dirt Cheap tour, walking away with a slew of new fans. Her stunning debut single ‘Keep Away From Parks!’ was named a triple j Unearthed presenter favourite in 2018, with follow up ‘For A Moment’ hailed by Zan Rowe as “A woozy dollop of sunshine with a killer chorus hook.” Fast forward to 2020 and her latest single ‘Higher Places’ and debut LP Is This Offensive And Loud? have been praised by the likes of Rolling Stone Australia, NME Australia and The Music.   Rounding out Episode Three, Australian music royalty, Daryl Braithwaite, introduces audiences to 17-year-old singer-songwriter Ella J. Hailing from Geelong, the up-and-coming pop sensation showcases soulful vocals well beyond her years, her performance on INTRODUCING this week featuring Rob Amoruso. Her catchy songs, from debut single ‘Goodbye Player’ to her new release, ‘Woman (Oh La La)’, have quickly become fan favourites, garnering praise from tastemakers around the country.  The third instalment of INTRODUCING follows on from a stellar Episode Two which featured performances from indie-rocker Nancie Schipper introduced by Alex Lahey, 70’s inspired power-popper Pollyman introduced by You Am I frontman Tim Rogers and indie-popper Kee’ahn introduced by Vika & Linda. Stream Episode Two here. Episode Three of The State of Music – INTRODUCING streams this Friday 11 September from 7:30pm AEST via the Victoria Together Facebook, YouTube and website together.vic.gov.au.  THE STATE OF MUSIC INTRODUCING SERIES ARCHIE ROACH introduces DALLAS WOODS LIME CORDIALE introduces NAT VAZER DARYL BRAITHWAITE introduces ELLA J together.vic.gov.au facebook.com/victoriatogether instagram/victoriatogether YouTube #TheStateofMusic VICTORIA TOGETHER
Festival NewsMusic News

The State of Music – ‘INTRODUCING’ series | Episode Three airing this Friday 11 September

by the partae September 9, 2020
written by the partae
  • The State of Music – INTRODUCING streaming series has been carefully curated by Mushroom Group in partnership with the Victorian Government’s Victoria Together initiative
  • Don’t miss Episode Three, airing this Friday 11 September at 7:30pm AEST on the Victoria Together Facebook, YouTube and website together.vic.gov.au
  • Tune in to catch Archie Roach introduce DALLAS WOODS, Lime Cordiale introduce Nat Vazer and Daryl Braithwaite present Ella J
Mushroom Group are pleased to announce the return of The State of Music – INTRODUCING this Friday 11 September. Episode Three will be viewable from 7:30pm AEST via the Victoria Together Facebook, YouTube and website. The four-part streaming series in partnership with Victorian Government supports and champions developing artists of all genres from right across Victoria.

This week, Iconic Indigenous singer-songwriter Archie Roach introduces DALLAS WOODS, an East Kimberly-bred, Melbourne based, rapper who at 26 years old has quickly become one of Australian hip-hop’s most hotly-tipped acts. Blending hard truths with tongue-in-cheek rhymes and clever punchlines is the DALLAS WOODS way, his distinct charisma shining through in latest single ‘If It Glitters It’s Gold’.

Chart-topping indie-pop duo Lime Cordiale introduce us to Melbournian songstress Nat Vazer. Charming audiences with her intimate guitar pop, Nat joined Lime Cordiale on the Victorian leg of their recent The Dirt Cheap tour, walking away with a slew of new fans. Her stunning debut single ‘Keep Away From Parks!’ was named a triple j Unearthed presenter favourite in 2018, with follow up ‘For A Moment’ hailed by Zan Rowe as “A woozy dollop of sunshine with a killer chorus hook.” Fast forward to 2020 and her latest single ‘Higher Places’ and debut LP Is This Offensive And Loud? have been praised by the likes of Rolling Stone Australia, NME Australia and The Music.

Rounding out Episode Three, Australian music royalty, Daryl Braithwaite, introduces audiences to 17-year-old singer-songwriter Ella J. Hailing from Geelong, the up-and-coming pop sensation showcases soulful vocals well beyond her years, her performance on INTRODUCING this week featuring Rob Amoruso. Her catchy songs, from debut single ‘Goodbye Player’ to her new release, ‘Woman (Oh La La)’, have quickly become fan favourites, garnering praise from tastemakers around the country.

The third instalment of INTRODUCING follows on from a stellar Episode Two which featured performances from indie-rocker Nancie Schipper introduced by Alex Lahey, 70’s inspired power-popper Pollyman introduced by You Am I frontman Tim Rogers and indie-popper Kee’ahn introduced by Vika & Linda. Stream Episode Two here.

Episode Three of The State of Music – INTRODUCING streams this Friday 11 September from 7:30pm AEST via the Victoria Together Facebook, YouTube and website together.vic.gov.au.

THE STATE OF MUSIC
INTRODUCING SERIES

ARCHIE ROACH introduces DALLAS WOODS

LIME CORDIALE introduces NAT VAZER

DARYL BRAITHWAITE introduces ELLA J

together.vic.gov.au
facebook.com/victoriatogether
instagram/victoriatogether
YouTube
#TheStateofMusic

VICTORIA TOGETHER
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THE RUBENS RELEASE NEW SINGLE 'TIME OF MY LIFE'
Music News

THE RUBENS RELEASE NEW SINGLE ‘TIME OF MY LIFE’

by the partae September 9, 2020
written by the partae
  • The Rubens release new single ‘Time Of My Life’ following triple j Good Nights premiere
  • Previous hit single ‘Life in Life’ is now certified Double Platinum with over 30 million streams, making it one of the biggest domestic singles of the last 12 months
  • ‘Live In Life’ has spent 8 months and counting in both Spotify’s Hot Hits Australia & Apple Music’s Today’s Hits. In Spotify’s Hot Hits Australia it spent 3 weeks at #1, 3 months in the top 10 and is currently the second longest standing song in the playlist
  • The Rubens will head out on their biggest Australian tour to date in April 2021
Ivy League Records is proud to release ‘Time Of My Life’, the powerful new single from Menangle’s favourite sons, The Rubens.
Listen to ‘Time Of My Life’ HERE
A song full of hopeful introspection and boasting one of the biggest hooks in the band’s catalogue to date, ‘Time Of My Life’ finds the band musing over the ramifications of time and perspective – the dance between ‘what could’ve been’ and ‘what still could be’, ultimately choosing to overcome fear and embrace the future for all its unknowns, a sentiment that feels particularly timely to the five-piece:
“We wrote this track in a much simpler time, yet the hopefulness of this song feels so relevant and important to right now. Our inbox has been flooded by young people (particularly those about to graduate year 12) feeling really confused and apprehensive about the future, when this should be the time of their lives – so we hope this song helps those people feel heard, supported and inspired knowing there’s still so much to come and to look forward to.” – The Rubens

‘Time Of My Life’ follows recent singles ‘Heavy Weather’ and the band’s summer hit, ‘Live In Life’ – now certified Double Platinum! Undeniably one of the biggest domestic singles of the last 12 months, ‘Live In Life’ has amassed 30+ million streams across platforms, spent close to two months in the top 3 of Spotify’s Hot Hits Australia playlist, including 3 weeks at #1 and has become a staple of the playlist over the last 8 months. ‘Live in Life’ has also spent 8 months on Apple Music’s Todays Hits and has been Shazamed 100,000+ times in Australia alone.

The second postponement of the band’s ‘Live In Life’ tour, their biggest headline tour to date, was announced last month due to COVID-19 (originally scheduled from May – July, then Sept – Dec). The new dates, taking place from April – June, 2021, will see the NSW band play metro cities for the first time since their 2018 LO LA RU album shows, across venues such as Fortitude Music Hall (Bris), Freo.Social (Freo), The Forum (Melb), and the Enmore Theatre (Syd). After having embarked on 3 regional tours in the past 18 months, the band will be revisiting some old regional favourites as well as some towns they’ve never played before, including Bundaberg, Warrnambool, Shepparton and more.

Stay tuned for more incredibly exciting news from The Rubens.

‘Time Of My Life’
The Rubens

Single out now through Ivy League Records

Available to buy/stream here

THE RUBENS
‘LIVE IN LIFE’ AUSTRALIAN TOUR 2021

Supported by Alice Ivy 

Sat-Apr-03-21 – Crooked River Winery – Gerringong, NSW
Thu-Apr-08-21 – Fortitude Music Hall – Brisbane, QLD
Fri-Apr-09-21- Moncrieff Entertainment – Bundaberg, QLD
Sat-Apr-10-21 – Highfields Tavern – Toowoomba, QLD
Fri-Apr-16-21 – Enmore Theatre – Sydney, NSW
Sat-Apr-17-21 – Bar On The Hill – Newcastle, NSW
Wed-Apr-28-21 – Riverlinks Westside – Shepparton, VIC
Fri-Apr-30-21 – Melbourne, VIC    Forum
Wed-May-05-21 – Whitestar Hotel – Albany, WA
Thu-May-06-21 – The River – Margaret River, WA
Fri-May-07-21 – Freo Social – Fremantle, WA
Sun-May-09-21 – Wintersun Hotel – Bluff Point, WA
Fri-May-14-21 – The Gap View Hotel – Alice Springs, NT
Thu-May-20-21 – Altar Bar – Hobart, TAS
Fri-May-21-21 – Altar Bar – Hobart, TAS
Sat-May-22-21 – Saloon Bar – Launceston, TAS
Sun-May-23-21 – Forth Pub – Forth, TAS
Wed-May-26-21 – The Leichardt Hotel – Rockhampton, QLD
Thu-May-27-21 – Seabreeze – Mackay, QLD
Fri-May-28-21 – Otherwise Bar – Townsville, QLD
Sat-May-29-21 – Tanks Arts Centre – Cairns, QLD
Wed-Jun-09-21 – Beer Deluxe – Albury, NSW
Thu-Jun-10-21 – The Whalers Hotel – Warrnambool, VIC
Fri-Jun-11-21 – Torquay Hotel – Torquay, VIC

A drawing of a cartoon character

Description automatically generated

The Rubens have done their best to honour the re-routing. Fans in Adelaide, Canberra & Bendigo – watch this space, more news to come!

The Rubens understand that it’s an extremely tough time for fans. For anyone who has previously bought tickets and wish to know their ticketing options, all ticketing & information can be found at therubensmusic.com .

THE RUBENS

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September 9, 2020 0 comments
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Praise for Phil Stack & Colourful, Noisy… “In his debut solo album, (Phil) flexes his artistic brilliance, from jazz piano-laden ballads (The Centreline) and exuberant rock-infused pop (Tradin Up), to The Long Game, a heart-wrenching orchestral masterpiece tempered by an unassuming '90s grunge flow…” – Sydney Morning Herald   “The man, it turns out, can really sing” ★★★★ Sydney Morning Herald    Australian multi-instrumentalist and singer-songwriter PHIL STACK today announces he will perform two album launch concerts – 6pm and 8:45pm – at Sydney’s Mary’s Underground on Thursday 15 October, complete with his four-piece band. Tickets are on sale now at Moshtix.com.au   The shows take place in celebration of Phil’s just-released debut album, Colourful, Noisy, his first new solo music in almost five years.   Recorded between Camperdown’s Free Energy Device Studios and Phil’s own bush studio, the stunning debut sees Stack playing multiple instruments across seven tracks, his captivating vocal gutsy on current single ‘The Centreline’ and soaring on album closer ‘Celebrate Life’.   Mixed by former Thirsty Merc bandmate Sean Carey (Cat Stevens, Daniel Johns) and Richie Belkner (Boy George, Missy Higgins, Tim Minchin), Colourful, Noisy has garnered praise from fans and critics alike.    “… the record is a cascading meditation on the perils of being alive” – Sydney Morning Herald   Perhaps best known for his work as a founding member and bassist of 5 x ARIA Nominated, multi-platinum selling rock outfit Thirsty Merc, Phil Stack is a rare breed of artist who seamlessly traverses genres from jazz to rock, equally at ease delivering tender ballads and exuberant pop gems.   A force of nature on the double bass, Stack attacks the instrument with an energy, vigour and passion almost unparalleled. He has played with music luminaries including James Morrison, Michael Buble, Keith Urban, Tina Arena, Benji Madden and Wynton Marsalis, and has recorded with You Am I, Ian Moss, The Whitlams, Katie Noonan and more.    Joining Phil on both shows is beloved local artist and former Leonardo’s Bride frontwoman, Abby Dobson. With one of the most distinctive voices in Australian music, and a beautiful solo album It’s Okay, Sweetheart released last year, Abby will be raring to warm Sydney audiences next month.   On 15 October, Phil and his band will treat audiences to songs from his 2015 EP Lap Around The Sun, and will performs songs from the brand new Colourful, Noisy album live for the very first time. LISTEN TO PHIL STACK’S COLOURFUL, NOISY ALBUM HERE  WATCH ‘THE CENTRELINE’ MUSIC VIDEO HERE  DOWNLOAD PRESS ASSETS HERE     PHIL STACK | COLOURFUL, NOISY ALBUM LAUNCH CONCERTS With Special Guest Abby Dobson Information at marysunderground.com   SYDNEY Thursday 15 October – Mary’s Underground Early show – 6pm Late show – 8:45pm Tickets from Moshtix.com.au     Instagram | Facebook | YouTube | Spotify | Apple Music | Bandcamp
Music News

PHIL STACK ANNOUNCES SYDNEY ALBUM LAUNCH SHOWS 15 OCTOBER AT MARY’S UNDERGROUND WITH SPECIAL GUEST ABBY DOBSON TICKETS ON SALE NOW + DEBUT ALBUM – COLOURFUL, NOISY – OUT NOW! GET IT HERE

by the partae September 9, 2020
written by the partae

Praise for Phil Stack & Colourful, Noisy…

“In his debut solo album, (Phil) flexes his artistic brilliance, from jazz piano-laden ballads (The Centreline) and exuberant rock-infused pop (Tradin Up), to The Long Game, a heart-wrenching orchestral masterpiece tempered by an unassuming ’90s grunge flow…”
– 
Sydney Morning Herald

“The man, it turns out, can really sing” ★★★★ Sydney Morning Herald

Australian multi-instrumentalist and singer-songwriter PHIL STACK today announces he will perform two album launch concerts – 6pm and 8:45pm – at Sydney’s Mary’s Underground on Thursday 15 October, complete with his four-piece band.
Tickets are on sale now at Moshtix.com.au

The shows take place in celebration of Phil’s just-released debut album, Colourful, Noisy, his first new solo music in almost five years.

Recorded between Camperdown’s Free Energy Device Studios and Phil’s own bush studio, the stunning debut sees Stack playing multiple instruments across seven tracks, his captivating vocal gutsy on current single ‘The Centreline’ and soaring on album closer ‘Celebrate Life’.

Mixed by former Thirsty Merc bandmate Sean Carey (Cat Stevens, Daniel Johns) and Richie Belkner (Boy George, Missy Higgins, Tim Minchin), Colourful, Noisy has garnered praise from fans and critics alike.

“… the record is a cascading meditation on the perils of being alive” – Sydney Morning Herald

Perhaps best known for his work as a founding member and bassist of 5 x ARIA Nominated, multi-platinum selling rock outfit Thirsty Merc, Phil Stack is a rare breed of artist who seamlessly traverses genres from jazz to rock, equally at ease delivering tender ballads and exuberant pop gems.

A force of nature on the double bass, Stack attacks the instrument with an energy, vigour and passion almost unparalleled. He has played with music luminaries including James Morrison, Michael Buble, Keith Urban, Tina Arena, Benji Madden and Wynton Marsalis, and has recorded with You Am I, Ian Moss, The Whitlams, Katie Noonan and more.

Joining Phil on both shows is beloved local artist and former Leonardo’s Bride frontwoman, Abby Dobson. With one of the most distinctive voices in Australian music, and a beautiful solo album It’s Okay, Sweetheart released last year, Abby will be raring to warm Sydney audiences next month.

On 15 October, Phil and his band will treat audiences to songs from his 2015 EP Lap Around The Sun, and will performs songs from the brand new Colourful, Noisy album live for the very first time.

LISTEN TO PHIL STACK’S COLOURFUL, NOISY ALBUM HERE
WATCH ‘THE CENTRELINE’ MUSIC VIDEO HERE
DOWNLOAD PRESS ASSETS HERE

PHIL STACK | COLOURFUL, NOISY ALBUM LAUNCH CONCERTS

With Special Guest Abby Dobson

Information at marysunderground.com

SYDNEY
Thursday 15 October – Mary’s Underground
Early show – 6pm
Late show – 8:45pm
Tickets from Moshtix.com.au

Instagram | Facebook | YouTube | Spotify | Apple Music | Bandcamp

September 9, 2020 0 comments
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SLUM SOCIABLE RETURN WITH EUPHORIC NEW SINGLE 'EXPLAIN MYSELF'
Music News

Slum Sociable Return With Euphoric New Single ‘Explain Myself’

by the partae September 9, 2020
written by the partae
Liberation Records are elated to share, ‘Explain Myself’, the new track from much-loved Melbourne based duo, Slum Sociable.

‘Explain Myself’ is the first taste of the band’s newest EP, due for release later this year, and arrives teeming with infectious bass, wholesome house keys and an immense guitar riff. These elements are united by Miller Upchurch’s distinct vocals, delivering an anthemic melody with astute lyrics. The release saw the duo recording in Sydney, where they paired up with Xavier Dunn (Jack River, CXLOE, Graace) for a track as effortless to listen to as it was to create.

“It came together really quickly. Hooky lyrics. Phat riff. What more could ya want?” 
– Ed, Slum Sociable
Premiered on triple j last night, ‘Explain Myself’ follows the release of EP L.I.F late 2019, featuring ‘Afterthought’, ‘Déjà Vu’ and ‘Life Is Free’. Slum Sociable have accumulated career streams of over 30 million across Apple Music and Spotify. Throughout the course of their musical journey, the band have also clocked radio spins on BBC Radio 1, Beats 1 and KCRW, and online love from Billboard, NYLON, CLASH, Earmilk, Indie Shuffle, Pilerats, Purple Sneakers and more.

Slum Sociable continue to evolve their sound organically on ‘Explain Myself’, a standout moment from the duo. In a time where shows are inaccessible, the jubilant song leaves little to the imagination, conjuring images of hands high in the air and chant-along choruses in a festival crowd.

SLUM SOCIABLE

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One of Australia’s most prolific and exciting producers Ukiyo has today released his hypnotic new single The Middle featuring Panama.  This is a lowkey, pulsing bed of a track, with bubbling energy permeating throughout and is perfectly complemented by a gorgeous, glowing video that will transport the viewer on a journey to a mellow, rose-pink, levitating otherworld.  The Middle is the latest single to be shared from Ukiyo’s forthcoming self-titled debut LP Ukiyo LP, set for release on November 13 – Vinyl/CD available for pre-order and pre-save the album from today.    Influenced by the ambient electronic of Tourist and the dancefloor vibes of Jon Hopkins, The Middle is a stunning, moving track, one which washes over the listener in a way that will have them pressing replay again and again.  Wistful and delicate, Panama’s gentle, raw vocal sings lyrics that speak to the compromises and sacrifices that we make to keep our relationships alive.  Mixed by Tim Watt (Golden Features, MUTO, Hermitude, Crooked Colours) and mastered by Wayne Sutherland (What So Not, Motez, Willaris K), The Middle is a beautiful addition to Ukiyo’s stunning discography.  Speaking on the inspiration behind the track, Ukiyo says, “The Middle is all about meeting in ‘the middle.’  The original demo when I sent it to Panama was called “stay” which I thought was a funny little response to my previous track “Go” with Chymes.  They both discuss similar themes of dysfunctional relationships & the fight within when you’re trying to leave them….working with Panama was a dream come true.  His ‘Always’ EP way back in 2013 with all the amazing remixes on it was one of the things that got me absolutely hooked on electronic music & learning how to make it so this song is a bit of a full circle moment.”   The video for The Middle is thoughtful and surreal, as objects levitate off the ground in a fantasy, rose-tinted world.  It’s abandoned, but peaceful.  Working once again with the production company Black Lake who have made clips for OTR, Shallou, Martin Garrix and more, Ukiyo explains how the video for The Middle came about, saying, “‘Ukiyo’ translates literally as ‘floating world’, so this video is a little homage to that. It also continues the themes of the Good Enough music video, comparing human relationships to our relationship with the Earth.”   With his long list of career accolades including playlist additions from Pharrell Williams and Martin Garrix, brand syncs with American Eagle, Ripcurl, Microsoft, Volkswagon, HBO and Netflix, not to mention a casual 30 million collective streams, it’s safe to say that anticipation for Ukiyo’s debut LP is at an all time high.  And fans don’t need to wait for too much longer, for Ukiyo’s self-titled debut LP is completed and set for release November 13, full track listing below.  The album is a celebration of the Australian music scene, with some of the country's best contributing to the record and an all-star line up of features including Panama, Maribelle, Janeva, Sammi Constantine, Bajilionaire and more. “I’m absolutely in love with the Australian music scene so in the unique position I’m in as a producer, I knew I wanted my album to be a showcase of some of the incredible talent we’ve got here.” Ukiyo explains.  Pre order vinyl/CD and pre-save the album now.     Follow Ukiyo  
Music News

UKIYO ANNOUNCES NEW SINGLE AND VIDEO ‘THE MIDDLE’ FEAT. PANAMA + SELF-TITLED DEBUT LP ‘UKIYO LP’ OUT NOVEMBER 13

by the partae September 9, 2020
written by the partae

One of Australia’s most prolific and exciting producers Ukiyo has today released his hypnotic new single The Middle featuring Panama.  This is a lowkey, pulsing bed of a track, with bubbling energy permeating throughout and is perfectly complemented by a gorgeous, glowing video that will transport the viewer on a journey to a mellow, rose-pink, levitating otherworld.  The Middle is the latest single to be shared from Ukiyo’s forthcoming self-titled debut LP Ukiyo LP, set for release on November 13 – Vinyl/CD available for pre-order and pre-save the album from today.

Influenced by the ambient electronic of Tourist and the dancefloor vibes of Jon Hopkins, The Middle is a stunning, moving track, one which washes over the listener in a way that will have them pressing replay again and again.  Wistful and delicate, Panama’s gentle, raw vocal sings lyrics that speak to the compromises and sacrifices that we make to keep our relationships alive.  Mixed by Tim Watt (Golden Features, MUTO, Hermitude, Crooked Colours) and mastered by Wayne Sutherland (What So Not, Motez, Willaris K), The Middle is a beautiful addition to Ukiyo’s stunning discography.  Speaking on the inspiration behind the track, Ukiyo says, “The Middle is all about meeting in ‘the middle.’  The original demo when I sent it to Panama was called “stay” which I thought was a funny little response to my previous track “Go” with Chymes.  They both discuss similar themes of dysfunctional relationships & the fight within when you’re trying to leave them….working with Panama was a dream come true.  His ‘Always’ EP way back in 2013 with all the amazing remixes on it was one of the things that got me absolutely hooked on electronic music & learning how to make it so this song is a bit of a full circle moment.”

The video for The Middle is thoughtful and surreal, as objects levitate off the ground in a fantasy, rose-tinted world.  It’s abandoned, but peaceful.  Working once again with the production company Black Lake who have made clips for OTR, Shallou, Martin Garrix and more, Ukiyo explains how the video for The Middle came about, saying, “‘Ukiyo’ translates literally as ‘floating world’, so this video is a little homage to that. It also continues the themes of the Good Enough music video, comparing human relationships to our relationship with the Earth.”

With his long list of career accolades including playlist additions from Pharrell Williams and Martin Garrix, brand syncs with American Eagle, Ripcurl, Microsoft, Volkswagon, HBO and Netflix, not to mention a casual 30 million collective streams, it’s safe to say that anticipation for Ukiyo’s debut LP is at an all time high.  And fans don’t need to wait for too much longer, for Ukiyo’s self-titled debut LP is completed and set for release November 13, full track listing below.  The album is a celebration of the Australian music scene, with some of the country’s best contributing to the record and an all-star line up of features including Panama, Maribelle, Janeva, Sammi Constantine, Bajilionaire and more. “I’m absolutely in love with the Australian music scene so in the unique position I’m in as a producer, I knew I wanted my album to be a showcase of some of the incredible talent we’ve got here.” Ukiyo explains.  Pre order vinyl/CD and pre-save the album now.

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September 9, 2020 0 comments
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https://www.youtube.com/watch?v=_iS7zOcRKNQ
Music News

Violent Soho – Watch The Official Video For ‘Slow Down Sonic’

by the partae September 9, 2020
written by the partae

“Filmed deep in South West Queensland, we wanted the video for ‘Slow Down Sonic’ to illustrate the feel and mood of the song and how we connect with specifically Australian spaces and the daily lived experience.” – Violent Soho

 

VIOLENT SOHO

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September 9, 2020 0 comments
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BIGSOUND 2020 MOVES TO FREE, VIRTUAL EVENT DOUBLING DOWN ON COMMUNITY, SURVIVAL AND RE-FUTURING
Festival NewsMusic News

BIGSOUND moves to a free virtual event for 2020!

by the partae September 9, 2020
written by the partae
DOUBLING DOWN ON COMMUNITY, SURVIVAL AND RE-FUTURING
With ongoing COVID-19 restrictions and domestic border closures, BIGSOUND 2020 will now move to be a free virtual event, allowing and creating new opportunities for Australian artists and industry to connect with each other and the international music community from their own homes and workspaces.
Connecting digitally on Wednesday 21 and Thursday 22 October, BIGSOUND 2020 will focus on three pillars of community, survival, and re-futuring, building on its 18-year history of bringing music, art and business together in a new conference program custom-built for the challenges and awakenings that 2020 has delivered.
“BIGSOUND has always been about bringing our business and arts community together and while we were hopeful of being in our spiritual home in the Fortitude Valley live music precinct, 2020 has made other arrangements,” said QMusic CEO Angela Samut.

“It has never been more important for the Australian industry to come together to focus on survival and re-futuring with a program that offers a mainstream conference program, professional development and mental health activities as well as the introduction of The BIGSOUND 50.”
Despite the unfortunate suspension of live showcases, BIGSOUND Festival co-programmers Dom Miller and Ruby-Jean McCabe, alongside First Nations Programmer Alethea Beetson, will still select the best artist applications to spotlight the next crop of emerging Australian music talent to become The BIGSOUND50. The event will double down on its role in shining a global spotlight on the artists of tomorrow and sharing them with the wider music industry to further expand audiences and connect them with potential business relationships.
As well as significant coverage across BIGSOUND and its official online media and playlists, the artists will receive one-on-ones with industry mentors, online meetings with industry professionals, and opportunities to connect with relevant delegates both during and after BIGSOUND in a unique program to help assist their artist growth, career goals, and potential future pathways. The BIGSOUND50 artists will also get first priority application access for BIGSOUND 2021, giving special consideration for attendance and live performing at next year’s event as the industry moves towards a new normal.
The full BIGSOUND program will be released in late September, under the care of Creative Director Janne Scott, Conference Programmer Tom Larkin, and First Nations Producer and Programmer Alethea Beetson.
The innovative BIGSOUND 2020 virtual program of keynote addresses, online workshops, panels and discussions will explore the serious industrial needs of the business of music, bringing together key players to plot our immediate survival, while taking this unique opportunity in history to have the necessary discussions about re-futuring the building blocks on which we operate.
BIGSOUND will have big conversations, from the new commercial realities through to the mental and physical health of industry participants. From equity of revenue to equity of opportunity, from respect for business through to respect for the community on which it’s built, BIGSOUND will ask the questions and prompt the discussions that need to be had to build a strong industry that will walk us forward into the next decade.
BIGSOUND will again feature First Nations House in partnership with Spotify (this year virtually) providing a poignant and important program of domestic and international delegates discussing the future of the music industry, creating virtual performance opportunities and offering valuable connections to those across the music industry from a First Nations perspective.
“BIGSOUND 2019 saw the largest cohort of Aboriginal and Torres Strait Islander artists showcasing at BIGSOUND,” said First Nations programmer Alethea Beetson.

“With the move to a virtual platform, we have the potential to showcase First Nations artists throughout the whole year; have the long-term Indigenous led conversations required to dismantle and change the music industry; and continue the work of those who have gone before us in building the sovereign music sector.”


“Working with Spotify, we are able to give more space to First Nations artists from these lands, and also continue our collaborations with our First Nations relatives across the oceans – in particular Aotearoa (New Zealand) and Turtle Island (Canada).”
Delegates who purchased a ticket to the BIGSOUND physical event will receive a full refund with free digital registrations open from today at www.bigsound.org.au. The full BIGSOUND delegate portal will be open for registrants from the end of September for networking and exclusive content.
BIGSOUND thanks the ongoing support of our partners: Australia Council for the Arts, Queensland Government through Arts Queensland, Tourism and Events Queensland, triple j, Spotify, Oztix, APRA AMCOS and Levi’s®.
BIGSOUND 2020 won’t have a physical presence this year, but it will deliver on the promise it has made to the music community for 18 years. This was not the year anyone expected, but BIGSOUND will continue to deliver for artists, be the place of the big discussions for industry, and this year be front and centre in bringing the community together at a time that has never been more important.

Free virtual delegate passes are available now from BIGSOUND.org.au

WEBSITE  | FACEBOOK  |  INSTAGRAM |  TWITTER

September 9, 2020 0 comments
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https://www.weare500.com We Are FSTVL is delighted to announce it’s brand new COVID safe event series We Are 500, taking place over 5 weeks at Damnys Hall Aerodrome from September 5th - October 4th 2020. 500 guests ✔️ 5 weeks ✔️ Massive outdoor main stage ✔️ The world's biggest DJs ✔️ Pods of 2, 3, 4, 5 or 6 people on spacious tables with umbrellas ✔️ Only 500 tickets per show!  ✔️ VIP table bookings available. _____________________________________________________________________________ LINEUPS: WEEK 1 OPENING PARTY  (SAT SEP 5TH) GW HARRISON  / JESS BAYS / LOW STEPPA / SAM DIVINE WEEK 1 (SUN SEP 6TH) LOCO DICE / WAFF WEEK 2 (SAT SEP 12TH) CHASE & STATUS (DJ SET) / RAGE / SAMMY VIRGI & GUESTS WEEK 2 SUN SEP 13TH) PATRICK TOPPING & GUESTS  WEEK 3 (SAT SEP 19TH) ANDY C / HARRIET JAXXON WEEK 3 (SAT SEP 20TH) SOLARDO / BEN HEMSLEY WEEK 4  Coming soon... WEEK 5 Coming soon... ______________________________________________________________________________ Kicking off week 1 in style the opening party see’s sets from WAF favourites GW Harrison, Jess Bays, Low Steppa and Sam Divine on the Saturday whilst the Sunday sees a techno take over from Loco Dice and wAFF.  Week 2 opens up with Chase & Status, Rage and Sammy Virgi with Patrick Topping & guests taking over the Sunday. Week 3 continues on the d’n b vibe with festival favourite Andy c and Harriet Jaxxon whilst the Solardo boys will be tearing it up on Sunday. More lineup coming soon.  Full details can be found here: https://www.weare500.com 
Festival NewsMusic News

We Are FSTVL announce new socially distanced events We Are 500 – DATES: SEPTEMBER 5TH – OCTOBER 4TH 2020 VENUE: DAMNYS HALL AERODROME, UPMINSTER FROM £24.50 PER PERSON

by the partae September 9, 2020
written by the partae
https://www.weare500.com
We Are FSTVL is delighted to announce it’s brand new COVID safe event series We Are 500, taking place over 5 weeks at Damnys Hall Aerodrome from September 5th – October 4th 2020.
500 guests ✔️ 5 weeks ✔️ Massive outdoor main stage ✔️ The world’s biggest DJs ✔️ Pods of 2, 3, 4, 5 or 6 people on spacious tables with umbrellas ✔️ Only 500 tickets per show!  ✔️ VIP table bookings available.
_____________________________________________________________________________
LINEUPS:
WEEK 1 OPENING PARTY  (SAT SEP 5TH)
GW HARRISON  / JESS BAYS / LOW STEPPA / SAM DIVINE
WEEK 1 (SUN SEP 6TH)
LOCO DICE / WAFF
WEEK 2 (SAT SEP 12TH)
CHASE & STATUS (DJ SET) / RAGE / SAMMY VIRGI & GUESTS
WEEK 2 SUN SEP 13TH)
PATRICK TOPPING & GUESTS
WEEK 3 (SAT SEP 19TH)
ANDY C / HARRIET JAXXON
WEEK 3 (SAT SEP 20TH)
SOLARDO / BEN HEMSLEY
WEEK 4
Coming soon…
WEEK 5
Coming soon…
______________________________________________________________________________
Kicking off week 1 in style the opening party see’s sets from WAF favourites GW Harrison, Jess Bays, Low Steppa and Sam Divine on the Saturday whilst the Sunday sees a techno take over from Loco Dice and wAFF.
Week 2 opens up with Chase & Status, Rage and Sammy Virgi with Patrick Topping & guests taking over the Sunday. Week 3 continues on the d’n b vibe with festival favourite Andy c and Harriet Jaxxon whilst the Solardo boys will be tearing it up on Sunday. More lineup coming soon.
Full details can be found here: https://www.weare500.com
September 9, 2020 0 comments
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TRIPLE ONE SHARE SECOND SINGLE 'SALINA' FROM FORTHCOMING DEBUT ALBUM PANIC FORCE LP AVAILABLE NOW FOR PRE-ORDER
Music News

TRIPLE ONE SHARE SECOND SINGLE ‘SALINA’ FROM FORTHCOMING DEBUT ALBUM PANIC FORCE LP AVAILABLE NOW FOR PRE-ORDER

by the partae September 9, 2020
written by the partae

PRAISE FOR TRIPLE ONE

“The next-gen of voices in Aussie hip-hop who aren’t afraid to broaden the definition of the scene they run in”
GQ Australia

“Triple One have been redefining the sound of Australian hip-hop”
Redbull Music

“They have this Brockhampton-style energy in the sense of free will and creativity”
Zane Lowe (Beats Radio 1)

“A versatile and creative force you can’t take your eyes off”
Life Without Andy

“Unexpected – and groundbreaking”
Pilerats

Butter
ARIA Gold

Sydney’s Triple One today share their latest single ‘Salina’, the second glimpse of their feverishly-anticipated debut album Panic Force, due for release this October. Watch and listen HERE.

With crunching guitars, skittering trap drums, emo-inflected vocals, and a falling, crystal-clear melody, ‘Salina’ recalls the group’s earliest experiments in genre and texture. Boasting sharp production and a wealth of hooks, ‘Salina’ blows the Triple One sound up to the most refined degree of pop prowess yet, as they ready their debut album for release. Touching on themes of feeling lost and aimless underneath the weight of life’s difficult choices, the single paints an evocative portrait of long, lonely nights spent with indecision, regret, and overthinking swirling around in the head; a devil on one shoulder, an angel on the other. In doing so, it demonstrates once more why the group’s emotional acuity cuts so deep: formidable bars delivered with venom and open-hearted honesty.

Vocalist Marty Bugatti shares that “Salina is about heartbreak and how it often leads to self-destructive behaviour. It’s also about trying really hard but never quite reaching your own expectations and then taking it out on other people because you can’t admit your own wrongs”, while Lil Dijon describes the track as being about “a battle of choices, and in the consequences when the choices are made.”

The release of Triple One’s long-awaited debut LP follows three EPs and a torrent of standalone singles that have catapulted the foursome from underground buzz act to garnering national and international acclaim, including lead single ‘Loverose‘, their ARIA Gold-certified mental health anthem ‘Butter‘ and radio favourites ‘So Easy‘ and ‘Handyman‘. Triple One‘s notoriously chaotic live gigs include a sold-out national tour in 2019, and show-stealing sets at Listen Out, Hidden, and Falls Festival. Along the way, they’ve impressed and surprised with their insatiable, all-consuming appetite to continuously venture into uncharted artistic terrain, and a rebellious desire to constantly fold new sounds and textures into their brand of unbounded, unclassifiable hip-hop.

Panic Force pushes that sonic envelope even further, offering the chance to watch one of Australian hip hop’s most versatile outfits apply themselves to a full-length project. Traversing thrilling peaks and pitch-black lows, Panic Force is a triumph of raw reflection, acknowledging our flaws and all the things that ultimately make us human. Set against the backdrop of a planet in physical and moral decay, Triple One’s debut sees the foursome deliver 12 tracks that highlight their signature diversity while also pushing them, lyrically, conceptually, and sonically, into new territory, exploring themes of relationships and escape, temptation, the hubris of man and much more.

Stay connected with Triple One:
Website | Facebook | Twitter | Instagram | Youtube

September 9, 2020 0 comments
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“A poignant one from Ben that gives itself to you” Declan Byrne, triple j Home n’ Hosed Today, Melbourne songwriter and producer Ben Alpine returns with his second single ‘Wendouree’. Arriving on the cusp of springtime, ‘Wendouree’ sees the artist lean into sun-drenched alt-pop, brimming with jangly guitars, effervescent synth bursts and organic electronica samples. Immediately setting the tone with its kaleidoscopic sonic palette, ‘Wendouree’ is an exploration in capturing the momentary joy of the present. With its sound tinged in blissful psychedelia, the undulating nature of the track flows effortlessly between placid verses, cascading instrumental layers and infectious harmonies. Allowing the track to build and unfurl with rippling vibrancy, the track shifts gears towards a sparkling finale before receding into an ambient outro submersed in airy tones and soft textures. Speaking of the track, Ben shares: "The main idea is in the line ‘one moment never meant a thing’, referring to those relationships, experiences or situations in your life that, at one point, meant everything to you and you never wanted to lose them. But times have inevitably changed since then and you hold on to different experiences now, and perhaps you will go through that cycle with the stage of your life you're currently in. I think that can be both sobering and comforting in a way, that nothing in your life is ever going to be the way it is right now, and how our perception of our own memories shifts and changes." Following his well-received debut single ‘All In Your Stride’, ‘Wendouree’ is the next exciting chapter in Ben Alpine’s discography. While sharing the sunshine-laced DNA of its predecessor, the single sees Ben broaden his eclectic range, drawing from an array of inspirations from The Japanese House to Hippo Campus. While synthesising these influences, Ben’s experience in former indie electronica act Echo Mono and numerous SoundCloud production aliases sees him maintain an inward focus in his songwriting approach. With a creative output so far showcasing his colourful alt-pop sensibility through an introspective lens, Ben continues to affirm himself as one to watch closely in 2020. https://www.facebook.com/benalpine.au https://www.instagram.com/benalpine/
Music News

BEN ALPINE RETURNS WITH SECOND SINGLE ‘WENDOUREE’

by the partae September 9, 2020
written by the partae

“A poignant one from Ben that gives itself to you”
Declan Byrne, triple j Home n’ Hosed

Today, Melbourne songwriter and producer Ben Alpine returns with his second single ‘Wendouree’. Arriving on the cusp of springtime, ‘Wendouree’ sees the artist lean into sun-drenched alt-pop, brimming with jangly guitars, effervescent synth bursts and organic electronica samples.

Immediately setting the tone with its kaleidoscopic sonic palette, ‘Wendouree’ is an exploration in capturing the momentary joy of the present. With its sound tinged in blissful psychedelia, the undulating nature of the track flows effortlessly between placid verses, cascading instrumental layers and infectious harmonies. Allowing the track to build and unfurl with rippling vibrancy, the track shifts gears towards a sparkling finale before receding into an ambient outro submersed in airy tones and soft textures.

Speaking of the track, Ben shares: “The main idea is in the line ‘one moment never meant a thing’, referring to those relationships, experiences or situations in your life that, at one point, meant everything to you and you never wanted to lose them. But times have inevitably changed since then and you hold on to different experiences now, and perhaps you will go through that cycle with the stage of your life you’re currently in. I think that can be both sobering and comforting in a way, that nothing in your life is ever going to be the way it is right now, and how our perception of our own memories shifts and changes.”

Following his well-received debut single ‘All In Your Stride’, ‘Wendouree’ is the next exciting chapter in Ben Alpine’s discography. While sharing the sunshine-laced DNA of its predecessor, the single sees Ben broaden his eclectic range, drawing from an array of inspirations from The Japanese House to Hippo Campus. While synthesising these influences, Ben’s experience in former indie electronica act Echo Mono and numerous SoundCloud production aliases sees him maintain an inward focus in his songwriting approach. With a creative output so far showcasing his colourful alt-pop sensibility through an introspective lens, Ben continues to affirm himself as one to watch closely in 2020.

https://www.facebook.com/benalpine.au

https://www.instagram.com/benalpine/

 

September 9, 2020 0 comments
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Where are you currently based? West Leederville in Perth. I have a small home studio where I write and record and the band rehearse there.  What's been happening recently and how has your Covid experience been so far? Well we’ve just started to rehearse more because shows are happening again over here so we’ve just been dusting off the saddles. The covid thing didn’t really affect me that much because I don’t really have a life anyway. I’m always in my music room. Business as usual really.  Your new single 'The Reason' is out now, what influenced the sound and songwriting? The funny thing is when you release a song it takes ages to get to that point and was usually written years ago. So I don’t recall what influenced that particular song. I don’t think it would have been anything specific.  How did you go about writing the track? I think I had the main synth hook and chord progression laying around for a little while and then I kinda had a breakthrough with the vocal delivery and then it all just flowed after that. I don’t remember it being a hard song to work out.  Where and when did you record and who with? It was recorded at the start of the year at Blackbird Studios with Dave Parkin. I also recorded some parts at my place.  What programs/equipment did you use? I use Logic. So I will usually have a demo done and then we go into the studio and redo some, or all of it again. I programmed the drum beat you hear at the start in Logic. Then Jamie came in and laid down the live drums. I think the synths were combination of soft synths and a Roland Juno. I used my Telecaster guitar but I can’t remember the amp we used. We use all sorts of equipment I can’t keep track.  Who are you listening to at the moment? Bob Dylan  What do you like to do away from music? I like to play tennis  What's planned for 2020?  More live shows. We will have a video for The Reason coming out soon that we’ve been recording at my place also. I think we might go back into the studio before the end of the year to record more songs that will probably come out in two years time where I get asked questions about them that I can’t remember the answers for. I have a Christmas song that I’ve had around for a long time that I wanna record. Maybe get around to doing that.  Favourite food and place to hangout? Probably Mexican food. The Bird which is a small live music venue where Emma works.  https://open.spotify.com/artist/06dE3zZujjtXjLRhXEVYsx?si=3FLbRV9WQxyN46xegPy56g https://www.instagram.com/bigorangetheband/ https://www.facebook.com/bigorangeband.perth/ https://bigorange.bandcamp.com/ https://twitter.com/wearebigorange
Music InterviewsMusic News

Daniel Davis of Big Orange

by the partae September 9, 2020
written by the partae

Where are you currently based?

West Leederville in Perth. I have a small home studio where I write and record and the band rehearse there. 

What’s been happening recently and how has your Covid experience been so far?

Well we’ve just started to rehearse more because shows are happening again over here so we’ve just been dusting off the saddles. The covid thing didn’t really affect me that much because I don’t really have a life anyway. I’m always in my music room. Business as usual really. 

Your new single ‘The Reason’ is out now, what influenced the sound and songwriting?

The funny thing is when you release a song it takes ages to get to that point and was usually written years ago. So I don’t recall what influenced that particular song. I don’t think it would have been anything specific. 

How did you go about writing the track?

I think I had the main synth hook and chord progression laying around for a little while and then I kinda had a breakthrough with the vocal delivery and then it all just flowed after that. I don’t remember it being a hard song to work out. 

Where and when did you record and who with?

It was recorded at the start of the year at Blackbird Studios with Dave Parkin. I also recorded some parts at my place. 

What programs/equipment did you use?

I use Logic. So I will usually have a demo done and then we go into the studio and redo some, or all of it again. I programmed the drum beat you hear at the start in Logic. Then Jamie came in and laid down the live drums. I think the synths were combination of soft synths and a Roland Juno. I used my Telecaster guitar but I can’t remember the amp we used. We use all sorts of equipment I can’t keep track. 

Who are you listening to at the moment?

Bob Dylan 

What do you like to do away from music?

I like to play tennis 

What’s planned for 2020? 

More live shows. We will have a video for The Reason coming out soon that we’ve been recording at my place also. I think we might go back into the studio before the end of the year to record more songs that will probably come out in two years time where I get asked questions about them that I can’t remember the answers for. I have a Christmas song that I’ve had around for a long time that I wanna record. Maybe get around to doing that. 

Favourite food and place to hangout?

Probably Mexican food. The Bird which is a small live music venue where Emma works. 

https://open.spotify.com/artist/06dE3zZujjtXjLRhXEVYsx?si=3FLbRV9WQxyN46xegPy56g

https://www.instagram.com/bigorangetheband/

https://www.facebook.com/bigorangeband.perth/

https://bigorange.bandcamp.com/

https://twitter.com/wearebigorange

September 9, 2020 0 comments
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MICRA RETURN WITH NEW SINGLE & VIDEO 'UNDER MY SKIN' + ANNOUNCE SHOWS FOR NSW
Festival NewsMusic News

MICRA RETURN WITH NEW SINGLE & VIDEO ‘UNDER MY SKIN’ + ANNOUNCE SHOWS FOR NSW

by the partae September 8, 2020
written by the partae
“It’s got depth, it’s got drive, it’s got some magic dust sprinkled on top”
– Richard Kingsmill on ‘Fuzz Captain’, triple j 

“Shimmering swathes of synth and lush guitar tones bring to mind the psychedelic tendencies of fellow Aussies Tame Impala, whilst the hushed vocal of Kafedjiyska conjures a dreamily lucid air that is wholly entrancing” – The Line of Best Fit

“Gorgeous noise pop that isn’t afraid to bleed into the red,” – Clash Magazine

“Ariel Pink and Tame Impala thrown in for a mish-mash of psych- and dream-pop you’ll get lost in” – Pilerats

Micra, Sydney’s spellbinding dream-pop outfit, today release their exciting new single ‘Under My Skin’ via Liberation Records. Premiering via Clash Magazine as their Track of the Day, ‘Under My Skin’ comes with the announcement of upcoming shows in Sydney and Wollongong.

Their first release since supporting Lime Cordiale on the band’s recent national tour, ‘Under My Skin’ boasts diverse influences, marrying the underwater psych grooves of Unknown Mortal Orchestra with the dreamy vocals of Beach House. Weaving dark lyrics and melodies with looping synths and production techniques, ‘Under My Skin’ proves Micra are more than the sum of their parts as it explores the idea of “learning to be comfortable with being uncomfortable.”

“It’s the realisation that everything that you feel happens under the skin (and) the fixation of time passing, which I tend to focus on a little too much” explains the band’s singer Ivana Kafedjiyska. “All these discomforts and thoughts are intimate sensations under the skin. Sometimes you have to sit in a feeling and let go only by letting it in.” 

The track arrives complete with a beguiling music video by Jessica Long and features serene imagery of the band surrounded by vast desert landscapes and the setting sun. As the clip unfurls, the psychedelic undertones of the track surface and what was once tranquil becomes obscured.

‘Under My Skin’ follows the release of previous singles ‘Chemical Freedom’ and ‘Fuzz Captain’. The dreamy ‘Fuzz Captain’ received adds to triple j unearthed and FBi Radio as well as profiling by tastemakers The Line of Best Fit and Clash Magazine.

Micra are a sonic experiment from Bulgarian born and raised singer/guitarist Ivana Kafedjiyska and Australian guitarist/producer Robbie Cain, who met by serendipitous fortune at an Unknown Mortal Orchestra show after the ticketing Gods coincidentally sat them next to each other. That chance meeting blossomed into a musical kinship which, after months of jamming in a friend’s Sydney basement, led to the formation of Micra. After wooing industry at last year’s BIGSOUND, Micra went on to perform alongside Tyler, The Creator and RÜFÜS DU SOL at Beyond The Valley as well as recently supporting Lime Cordiale on six sold out shows across Australia.

With much more music to come, 2020 is sure to be an exciting year for the duo.

MICRA ‘UNDER MY SKIN’ TOUR

Wednesday 28th October
La La La’s, Wollongong

Saturday 31st October
Oxford Arts Factory, Sydney

‘Under My Skin’
Micra

Single out now through Liberation Records

Available to buy/stream here

MICRA

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September 8, 2020 0 comments
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Miss Emilia
Music InterviewsMusic News

Miss Emilia

by the partae September 8, 2020
written by the partae
Where are you currently based? 
I am currently based in Naarm (Melbourne), Australia, but I have Russian/Polish/Jewish roots.
 
How did you first start playing music?
I was lucky enough to come from an extremely musical family, my mother studied music in the Russian Conservatory of Music, and I grew up surrounded by a music school. My first piano lesson was when I was three – and I now teach piano myself, and I was apparently singing and making up little songs from the moment I could speak!
 
How has your COVID experience been? 
My days have mostly been filled with online teaching, cooking new plant-based recipes, online doing emails, marketing and PR or composing new music! There has been a small positive amongst the the trying COVID time, I’ve had time to slow down a bit. Before I was doing 2 – 5 gigs a week, amongst teaching and managing multiple music businesses, so I’ve been appreciating the slower pace recently.
 
What’s been happening recently? 
This is a very trying time for everyone around the world, and I’m very lucky to have a secure day job as a music teacher and a studio space I can lose myself in writing and producing new music. Along with this new release, there are a few already on the back-burner ready to be released soon as well.

You’ve just released your new single ‘Woman With Needs’ what influenced the sound and songwriting? 
I would say the largest influence for this track’s sound was going for that ‘old-school soul’ sound that I adore, in particular Etta James and Aretha Franklin. My songwriting is in a constant state of change, recently I’ve been writing more nostalgic soul music, since that’s the music that really speaks to me and is infectious to sing.
 
Where and when did you record/produce and who with? 
This track, alongside a catalogue of yet-to-be-released music, has been through a mix of production engineers and locations from the start of this year! Primarily I worked on this track with long-time colleagues and friends in the local music community, ‘Woman With Needs’ was recorded with producer Jake Amy (of Attaboi magazine) and mixed by Toby Peterson-Stewart (of The Omnific) who are just incredible at what they do.
 
How was it making the music video during COVID? 
Making the music video for ‘Woman With Needs’ during COVID was definitely a challenge. I ended up giving up any hope in filming and creating it with a seperate director and film crew, and ended up conceptualising, filming and editing the whole thing myself. Many hours were put into putting together a story board, repositioning the camera, doing my own set design, getting the lighting right, editing, and basically trying to figure out how I could create something that looked semi-professional by myself in my home setting.
 
What is it like being a female creator in a male dominated industry? 
Recently it feels like the balance of female creators in lineups, conversations and creations have been levelling out, slowly. We’re seeing more womxn and non-binary creators getting important recognition and celebration for their work, which is wonderful to see. It’s still hard sometimes to feel like your voice is being heard in this male-dominated environment, but I’ve luckily worked very hard to get the respect from my male peers in this industry, and nowadays don’t tolerate any oppressive behaviour. Right now we’re stepping into the right side of history, and I love feeling more empowered and comfortable being a female creator.
 
You’ve rebranded from Emilia to Miss Emilia, how and why did this come about? 
It didn’t come to my attention before I started my journey as ‘Emilia’, that there were many, many Emilia’s releasing music in the world – you really couldn’t find me! Miss Emilia felt more powerful, more of a statement and entity, and with the re-brand I wanted to have a fresh start and release music that was important to me, and spoke of topics that would uplift and empower. I needed a change to be seen, and heard as the artist I am.
 
What direction are you taking your music with this single and future music? 
The music that I will release from here on out will be music that is true to me. True to my roots and upbringing, true to my story and experience, true to the person that I strive to be. My music is music for the soul, feel good, and powerful.
 
Who are you listening to at the moment? 
I’m so, so lucky to be surrounded by incredible local musicians that are churning out incredible music. I’m all about that local sound! There are too many fantastic artists at the moment to even list, so I’d say check out one of my favourite ‘home’ venues The Night Cat, who have been putting a spotlight in their spotify playlists of local music coming out of Melb. Anything with a good groove and a good feel I’m all about.
 
What do you like to do away from music? 
Music is my central passion, work and love of my life; but outside of it and especially during COVID I love to experiment with vintage fashion looks and taken an interest in sustainable beauty, cook plant-based food, experiment with graphic design, self-timed photoshoots and visual art creation. I also love lying outside in the garden in the sunshine with my big lassie dog Chester and growing my ever-expanding plant and local handmade art collection.
 
What’s planned for the remainder of 2020 going into 2021? 
Who knows what this year will bring really, when restrictions will be lifted, and what that even means for now is quite blurry. I’m just trying to focus on the now, taking care of myself and checking in with loved ones, trying out new creations and honing into my values and trying to shape and grow into the person I want to be. I hope to have the privilege, space and time to release more music, that speaks to me and can maybe speak and bring joy to others.
 
Favourite food and place to hangout? 
I’d have to say I’m a sucker for pasta and potatoes, anything that involves those two food groups, I’m happy! I’ve also, pre-covid, and as much as possible nowadays, been trying to make or find the perfect plant-based burger, or any plant-based soul food really! Right now, my favourite place to hang out is in the sunshine in my garden, or in my reading chair by the window in my room.
Website: www.missemiliamusic.com
Facebook: https://www.facebook.com/missemiliamusic/
Instagram: https://www.instagram.com/missemiliamusic/
Youtube: https://www.youtube.com/channel/UCl1AmPy7UXbH5k0uw5K3Ofw
Soundcloud: https://soundcloud.com/missemiliamusic
Bandcamp: https://missemiliamusic.bandcamp.com/releases
Spotify: https://open.spotify.com/artist/3ZHAHnV43xA7jn00zqv2sq
September 8, 2020 0 comments
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THE BOUNCING SOULS
Music News

THE BOUNCING SOULS ANNOUNCE VOLUME 2 OUT OCTOBER 23 ALBUM OF REIMAGINED SONGS PRODUCED BY WILL YIP

by the partae September 7, 2020
written by the partae
New Jersey punk legends, The Bouncing Souls, have announced Volume 2, a cheekily titled album of reimagined songs from across their catalog. Due out October 23 from Pure Noise Records / Sony Music Australia, Volume 2 was produced by Will Yip (The Menzingers, Title Fight, Tigers Jaw) and offers a new take on the timeless songwriting at the heart of the band’s three decade career. The album features different versions of ten classic Souls songs as well as one brand new track, World On Fire. To mark the announcement the band have shared their update on Ghosts On The Boardwalk a perfect example of the fresh light that Volume 2 shines on The Bouncing Souls‘ music. The song opens with sparse guitar and vocals before slowly blooming into a soaring arrangement that peels back the distortion while maintaining the heart-lifting elements that make The Bouncing Souls so enduring.
Listen to Ghosts On The Boardwalk: YouTube | Spotify
The initial spark for Volume 2 came from the acoustic sets The Bouncing Souls were playing before the shows on their 30th anniversary tour in 2019, but the idea quickly expanded once they got in the studio with Yip. “We initially wanted to recreate some of the stripped-down vibe of the acoustic sets, but if anything, these versions are much more involved than the original versions,” guitarist Pete Steinkopf says. “The first day we got to the studio Will said something like ‘we’re not gonna just make an acoustic record, right guys?’ We were like ‘hell no’ and then we were off to the races.” The process provided a unique opportunity for the band to recast some of their most cherished music. “Many of the songs we recorded have been around for twenty years or more and we’ve played them thousands of times,” vocalist Greg Attonito says, “It was really satisfying to bring 30 years of experience to these recordings. We knew the songs inside and out so it was fun to stretch them out a bit and see what happened.”
PRE-ORDER VOLUME 2 HERE

VOLUME 2 TRACKLISTING:
01. Argyle
02. Gone
03. Late Bloomer
04. Simple Man
05. Hopeless Romantic
06. Kids and Heroes
07. Favorite Thing
08. Highway Kings
09. World On Fire
10. Say Anything
11. Ghosts On The Boardwalk
Biography:
The Bouncing Souls have always been able to walk a line between looking towards the future and appreciating the past—never resting on their laurels, but proudly carrying their decades long story with them as they continue to grow. Now, the beloved New Jersey punks have brought that perspective to Volume 2: a cheekily titled album of reimagined songs from across their catalog that offers a new take on the timeless songwriting at the heart of their lengthy career.

In 2019, The Bouncing Souls—vocalist Greg Attonito, guitarist Pete Steinkopf, and bassist Bryan Kienlen, who started the band in 1989, along with drummer George Rebelo who joined in 2013—celebrated 30 years as a band, but they remain excited to seek out new experiences in the studio and on the stage. They teamed with acclaimed producer/engineer Will Yip (The Menzingers, Title Fight, Turnstile) to mark the milestone, recording an EP of new songs, Crucial Moments, and then embarking on a year long run of shows across the globe. Yip brought an invigorating spark to The Souls’ hook-filled punk sound, and the band pushed themselves out of their live comfort zones as well. “We decided to do something we hadn’t done before by playing these acoustic sets before the shows,” Attonito explains. “We had a lot of fun winging it and people started asking us if we were thinking about doing an acoustic record…so we started to think about it.”

The band recruited Yip once again, and their early idea quickly grew beyond the initial stripped-down conceit. “We went into making this record with no plan or pretense at all,” says Steinkopf. “The first day we got to the studio Will said something like ‘we’re not gonna just make an acoustic record, right guys?’ We were like ‘hell no’ and then we were off to the races.” The sessions were intentionally loose and spontaneous, with Yip encouraging a try-anything approach, and resulted in 10 drastically different versions of Bouncing Souls classics, as well as a brand new song. The process provided a unique opportunity for the band to cast some of their most cherished music in a fresh light. “Many of the songs we recorded have been around for twenty years or more and we’ve played them thousands of times,” Attonito says, “It was really satisfying to bring 30 years of experience to these recordings. We knew the songs inside and out so it was fun to stretch them out a bit and see what happened.”

On Volume 2, songs like Simple Man and Ghosts On The Boardwalk feature sweeping arrangements and shimmering, Cure-esque guitars, while upbeat crowd-pleasers like Argyle and Kids and Heroes peel back the distorted guitars without losing The Souls’ undeniable energy. “It felt great to shine a new light on some of the older punk songs and allow the lyrics to be heard more clearly,” Kienlen points out. Elsewhere, Volume 2’s version of Hopeless Romantic utilizes a drum machine and keyboards, while the soaring chorus of Gone now includes swelling strings. “We initially wanted to recreate some of the stripped-down vibe of the acoustic sets, but if anything, these versions are much more involved than the original versions,” Steinkopf says. And for Rebelo, Volume 2 was a chance to bring something personal to songs recorded before he joined the band. “As a fan, I’ve cherished these songs, and now as a member I got to put my own stamp on them. These versions show how broad The Souls can take things.”

Volume 2 shows just how enduring The Bouncing Souls’ songwriting can be, but it also highlights the band’s incredible ability to capture a moment. Written near the end of the sessions, the brand new song “World On Fire” grapples with the uncertainty gripping the planet. “Our last day in the studio marked the first day of Covid lockdown, and to me this session will always be the period at the end of the huge sentence that was our way of life before Covid,” Attonito says. That context shapes the way he looks back on making Volume 2: “We enjoyed the time spent together in a very spontaneous creative environment without any negativity slowing us down, but on a deeper level it feels like that kind of environment is sorely missing from our world today. It’s something that actually feels so natural and life-giving, and it’s really sad that we have to fight for it. Everyone deserves that kind of space in their lives. I hope this little collection of songs is fuel for that fight.”

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September 7, 2020 0 comments
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