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Peach PRC At Hordern Pavilion – 15 March 2026

March 16, 2026

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Category:

Music News

Festival NewsMusic News

MALUGI ANNOUNCES HEADLINE MELBOURNE SHOW 14th November – The Timber Yard

by the partae July 30, 2025
written by the partae

Berlin-based DJ and producer MALUGI is set to bring his high-energy club sounds to Melbourne, announcing a headline show at The Timber Yard on Friday, 14th November, presented by Untitled Group.

Known for his fast-paced, UK-influenced house sets and infectious presence behind the decks, MALUGI has quickly become a household name among dance music’s tastemakers. His signature style, driven by pumping club productions with just the right amount of mass appeal has seen him awarded BBC Radio 1’s Future Star of 2025.

MALUGI’s high-impact sets have taken him to some of the most prestigious stages in club music, including Panorama Bar, Warehouse Project, Amnesia Ibiza and Awakenings. His two viral Boiler Room performances in 2024 and millions of streams on his original productions have solidified his reputation as a relentless creative force.

This year, he’s played a stacked run of festival shows including Glastonbury and Tomorrowland, alongside his own ‘Happy Hour’ event series that continues to grow in scale.

On his last visit to Australia, he delivered a standout set at Beyond The Valley’s iconic Dance Dome, alongside performances at Wildlands in Brisbane and Perth, and a surprise support performance at PICA.

Untitled Group, Australia’s largest independent promoter, is celebrating 10 years of redefining the live music scene with festivals like Beyond the Valley, Pitch Music & Arts, Wildlands, and Ability Fest.

For his Melbourne return, fans can expect an unrelenting, feel-good dance floor experience, one that has earned him the nickname “The Happiest Man in Dance Music.”

Presale tickets will be available from Thursday 31st July 10AM AEST, with general on-sale commencing Friday 1st August 12PM AEST.

Signup for presale access HERE

Presale begins on Thursday 31st July 10AM AEST

General on sale begins: Friday 1st August 12PM AEST

Get connected:

https://www.instagram.com/untitledgroupau/

https://www.facebook.com/untitledgroupau/

https://www.untitledgroup.com.au/

https://www.tiktok.com/@untitledgroup?lang=en

 

July 30, 2025 0 comments
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Festival NewsMusic News

THE SMITH STREET BAND RELEASE NEW SINGLE & ANNOUNCE HUGE NATIONAL TOUR

by the partae July 30, 2025
written by the partae

Australian punk stalwarts The Smith Street Band today share new single ‘Star Child’. Out on Pool House Records this is the second single from the Naarm / Melbourne band’s forthcoming seventh album.

Of the latest release the band’s lead singer Wil Wagner says, “Star Child is a song about how all life’s twists and turns have led me to a really happy place with a daughter who I love more than anything! It’s about how important things used to feel and how lost I used to be and the perspective gained with age and experiences. The song took on a lot of different directions and formations but I kept coming back to the opening line which is “I’ve seen so many highways” and thinking about how after all of life’s journeys I’ve found myself exactly where I need to be!”

The upcoming new album is the third to be recorded at the band’s off grid studio in regional Victoria and follows critically acclaimed albums Life After Football (triple j Feature Album, 2022) and Don’t Waste Your Anger (ARIA #1, 2020).

Having just completed a month of touring throughout July to capital cities across six states, The Smith Street Band today also announce a mammoth 24 date East Coast regional tour. With shows from Traralgon to Cairns and nearly everywhere in between, the tour will include their first ever shows in Mildura and Tamworth, and a long awaited return to the likes of Port Macquarie, Coffs Harbour, Rockhampton and Mackay after nearly a decade.

POOL HOUSE RECORDS PRESENTS 
THE SMITH STREET BAND

Thursday September 18 – Sooki, Belgrave
Friday September 19 – The Deck, Traralgon
Saturday September 20 – Singing Bird Studios, Frankston
Thursday September 25 – Torquay Hotel, Torquay
Friday September 26 – The Espy, St Kilda
Thursday October 2 – Volta,  Ballarat
Friday October 3 – All Seasons, Bendigo
Saturday October 4 – Setts Tavern, Mildura
Thursday October 9 – Beer Deluxe, Albury
Friday October 10 – Tilly’s, Wagga Wagga
Saturday October 11 – Waves, Wollongong
Sunday October 12 – Drifter’s Wharf, Central Coast
Wednesday October 15 – Finnian’s Tavern, Port Macquarie
Thursday October 16 – Jetty Beach House, Coffs Harbour
Friday October 17 – Moonshiner’s Tavern, Tamworth
Saturday October 18 – King Street, Newcastle
Sunday October 19 – The Basement, Canberra
Thursday October 23  – Coolangatta Hotel, Gold Coast
Friday October 24 – The Northern, Byron Bay
Saturday October 25 – The Station, Sunshine Coast
Wednesday October 29 – The Great Western, Rockhampton
Thursday October 30 – McGuires Hotel, Mackay
Friday October 31 – The Warehouse, Townsville
Saturday November 1 – Tanks Art Center, Cairns

Tickets on sale Thursday July 31 from 9am

www.thesmithstreetband.com

 

CONNECT WITH THE SMITH STREET BAND
Website
Facebook
Instagram
Spotify

 

July 30, 2025 0 comments
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Festival NewsMusic News

GOOD THINGS FESTIVAL 2025 REVEALS DATES & VENUES INCLUDING A NEW HOME IN SYDNEY!

by the partae July 30, 2025
written by the partae

Are you ready for some extremely good things ahead? Good Things come to those who wait and Good Things Festival, Australia’s largest and favourite travelling music festival is set to make its way up the East Coast once again in December 2025.

A stalwart highlight on the Australian musical calendar, today we’re thrilled to reveal our Good Things Festival dates and venues for 2025 in Melbourne, Sydney and Brisbane, with a new home locked in for Sydney this year.

Opening on Friday 5 December at Flemington Racecourse in Melbourne, the Good Things Festival party will then head to its new Sydney stomping ground at Sydney Showground on Saturday 6 December, before closing out on Sunday 7 December at the Brisbane Showgrounds.

For Sydney, 2025 will see the Good Things experience levelled up across the board, with the Sydney Showground venue boasting a bigger capacity, more shelter and existing facilities, and is a much more accessible-friendly venue for patrons. The venue will also mean better transport options and integrated transport, making your journey to and from Good Things Festival way easier so you can focus on the important things: the bands, the vibes and all the good things that come with this annual extravaganza.

We’re so excited to share with you the line-up coming to you soon. In the meantime save the date and join us making Good Things Festival 2025 one for the ages!

GOOD THINGS FESTIVAL 2025
DATES & VENUES:

FRIDAY 5 DECEMBER – FLEMINGTON RACECOURSE, MELBOURNE
SATURDAY 6 DECEMBER – SYDNEY SHOWGROUND, SYDNEY
SUNDAY 7 DECEMBER – BRISBANE SHOWGROUNDS, BRISBANE

Sign up via the Good Things Festival website to hear the line up first.

Stay connected with us across all social platforms for all of your Good Things news.

GOOD THINGS FESTIVAL | FACEBOOK | X | INSTAGRAM | TIKTOK

July 30, 2025 0 comments
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Festival NewsMusic News

Everclear announce ‘Sparkle and Fade’ 30th Anniversary Aus Tour Australia Nov/Dec 2025

by the partae July 30, 2025
written by the partae

Everclear, one of the leading alternative rock bands to emerge from the ‘90s led by vocalist, guitarist and founder Art Alexakis, have announced November / December Australian dates for their Sparkle and Fade 30th Anniversary Tour.

Everclear’s platinum-selling, major-label debut album, had a massive impact in 1995 with its chart-topping hit “Santa Monica,” making Everclear a household name and catapulting the band into the masses. The acclaimed collection – also featuring the singles “Heroin Girl” and “Heartspark Dollarsign” – has been hailed as “a must have for any fan of pop-punk” (Punknews) and “a tough, melodic set of gnarled post-punk hard rock” (AllMusic), with The Rolling Stone Album Guide declaring, “Sparkle and Fade was everything a radio-ready rock record should be: explosive, soul-searching, belligerent.”

Everclear’s 16-date Australian tour will kick off Friday November 21 in Newcastle and travel across the country, with the band performing shows in capital cities and regional areas including Melbourne, Sydney, Brisbane, Perth, Canberra, Townsville and Duncraig before wrapping up on Saturday December 13 in Adelaide.

“Sparkle and Fade was not the first album I had made, but it was the album I had wanted to make my whole life. It changed everything for me and Everclear,” shares Alexakis. “Because of its success and lasting impact, this band has survived and prospered for three decades, and this tour celebrating Sparkle and Fade is another way of us saying ‘thank you’ to all of the incredible fans – old and new. We’re excited to bring this tour to Australia. In addition to all the hits and fan favorites, we’re going to pretty much play the whole album through the course of the show to commemorate this 30th anniversary. If you are a fan of this record, you do not want to miss this tour!”

Everclear is: Art Alexakis (vocals, guitar), Davey French (guitar), Freddy Herrera (bass), Brian Nolan (drums)

Don’t miss Everclear on their Sparkle and Fade 30th Anniversary Australian National Tour:

Friday November 21 – Bar on the Hill | Newcastle NSW
Saturday November 22 – Manning Bar | Sydney NSW
Sunday November 23 – Caringbah Hotel | Caringbah NSW
Monday November 24 – Drifters Wharf | Gosford NSW
Thursday November 27 – The Baso | Canberra ACT
Friday November 28 – Chelsea Heights Hotel | Chelsea Heights VIC
Saturday November 29 – Prince Bandroom | St Kilda VIC
Sunday November 30 – Barwon Heads Hotel | Barwon Heads VIC
Tuesday December 2 – The Warehouse | Townsville QLD
Thursday December 4 – Kings Beach Tavern |  Caloundra QLD
Friday December 5 – The Back Room, Chardons Corner |  Brisbane QLD
Saturday December 6 – Miami Marketta | Gold Coast QLD
Wednesday December 10 – Freo Social | Fremantle WA
Thursday December 11 – The Carine |  Duncraig WA
Friday December 12 – Magnet House | Perth WA
Saturday December 13 – The Gov | Adelade SA

TICKETS

Spotify Presale: Wednesday, July 30 @ 9am AEST
(Password: SPARKLE)

Bandsintown Presale: Wednesday, July 30 @ 9am AEST
(Password: FADE30)

Public On Sale: Thursday, July 31 @ 9am AEST

For tickets & more info, head to www.everclearmusic.com/tour

ABOUT EVERCLEAR

Since forming in 1992, Everclear has enjoyed a lengthy career by any measure, spanning 11 studio releases, including four that have been certified Gold or Platinum in the US, selling over 6 million records, and achieving 12 Top 40 Hit Singles on Mainstream Rock, Alternative, and Adult Top 40 radio, including “Santa Monica,” “Father of Mine,” “I Will Buy You A New Life,” “Wonderful” and“Everything To Everyone,” as well as numerous videos, thousands of shows, and various other accolades, including a 1998 Grammy nomination.

 The band’s 1993 debut album, World Of Noise, released on the Portland independent label Tim/Kerr Records, paired with their significant efforts to break into college radio and the buzz they’d created within the Portland music scene, attracted the attention of major labels, including Capitol Records, which signed the group soon after and released Sparkle and Fade. To celebrate the band’s 30th anniversary in 2022, Everclear reissued World Of Noise as a special remastered, deluxe edition, making the album available for the first time on digital streaming platforms with 6 bonus songs in addition to its original 12 tracks. Adding to the celebrations that year, Everclear released a commemorative anniversary video “Everclear – 30 Years Gone: A Retrospective,” hosted by former MTV VJ, current radio host and longtime friend Matt Pinfield – PRESS HERE to watch.

 In 2023, Everclear released their first official live album, Live at The Whisky a Go Go, showcasing the band’s acclaimed and energetic live performance. The 17-track collection, available via Sunset Blvd Records, features the live recording of the Los Angeles show on Everclear’s 30th Anniversary Tour, showcasing the hits and hidden treasures from throughout the band’s extraordinary catalog as well as two new bonus studio tracks: “Sing Away,” a powerful single addressing teen suicide, and their 2022 politically-charged single “Year Of The Tiger.” Continuing to celebrate their acclaimed decades-long career and provide the band’s dedicated fanbase with long-awaited content, Everclear released their platinum-selling album Songs From An American Movie Vol. One on vinyl for the first time ever in 2024 via Intervention Records.

 In addition to his thousands of Everclear performances over the band’s lengthy career, Alexakis released his first solo album, Sun Songs, in 2019. That same year, Alexakis revealed his diagnosis with multiple sclerosis (MS) at the age of 54 and has since donated one dollar from every ticket purchased for his performances to charities such as Sweet Relief Musicians Fund and National MS Society. The now 62-year-old currently appears on the cover of PEOPLE Health (Winter/Spring 2025 issue), where he shares his positive outlook and health routine to keep his symptoms at bay, expressing, “I have a lot of gratitude.” In the story, he also references a deep cut off Sparkle and Fade, originally written for those battling addiction and sobriety, saying, “There’s a song we do called ‘Strawberry’—and the repeating line is ‘Don’t fall down, you’ll never get up.’ It’s a song of hope, really. For me it’s about surrendering to the fact that I have MS and being able to talk about and understand it.” Alexakis shows no signs of slowing down and, more than three decades later, Everclear’s enduring legacy and ongoing appeal as a live band continues.

Follow Everclear:

Website // Facebook // Instagram // Twitter // YouTube // Spotify // Apple Music

 

 

 

 

 

July 30, 2025 0 comments
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Festival NewsMusic News

Oasis release brand new live track ‘Cigarettes & Alcohol (Live from Manchester, 11 July 25)’

by the partae July 25, 2025
written by the partae

Ahead of taking over London’s Wembley Stadium for seven sold out nights, Oasis release ‘Cigarettes & Alcohol (Live from Manchester, 11 July ‘25)’. Listen HERE.

On Friday 11th July, Oasis mania hit Manchester as the band made a triumphant homecoming on the first of five historic nights in front of a total of 340,000 fans at Heaton Park. The sixth song in the setlist on the night, the new live version of ‘Cigarettes & Alcohol’ immortalises the moment that Oasis returned home. Fans travelled from as far as Japan, Costa Rica, North America, Canada, Mexico, Argentina, Ireland, Italy and Australia to witness the history-making night.

‘Cigarettes & Alcohol (Live from Manchester, 11 July ‘25)’ arrives ahead of Oasis’ opening show at London’s Wembley Stadium this Friday 25th July – the first of seven sold-out gigs. Following epic shows in Cardiff and Manchester, the Oasis Live ‘25 tour has received a rapturous response from fans and media alike – and is already widely regarded as the “biggest rock comeback in history” (The Sunday Times).

Beyond the Live ‘25 tour, Oasis fever continues to grip the nation as the band dominate the UK Official Charts. The singles compilation album ‘Time Flies… 1994-2009’ recently returned to Number 1 with seminal studio albums ‘(What’s The Story) Morning Glory?’ and ‘Definitely Maybe’ in the Top 5 Album Chart.

The release of ‘Cigarettes & Alcohol (Live from Manchester, 11 July ‘25)’ follows ‘Slide Away (Live from Cardiff, 4 July ‘25)’.

‘(What’s The Story) Morning Glory? Deluxe 30th Anniversary Edition’ will be released on October 3rd. The ‘Complete Studio Album Collection’ box set will be released on August 22nd. Both releases are available to pre-order HERE.

The Sunday Times “The biggest rock comeback in history. This is the start of Oasis summer.”

The Guardian ★★★★★ “A triumph.”

The Times ★★★★★ “Fantastic.”

NME ★★★★★ “This is all you ever would have wanted from Oasis in 2025.”

BBC News “The best they’ve been since 1995.”

Rolling Stone UK ★★★★★ “The cultural moment of the year – possibly even the decade.”

Uncut ★★★★★ “Impossibly euphoric.”

Pitchfork “The biggest reunion in our lifetime.”

Variety “Oasis is miraculously, thrillingly back.”

Billboard “Triumphant.”

CLASH 10/10 “The best they’ve ever been.”

The Sun ★★★★★ “The gig of a lifetime.”

Manchester Evening News ★★★★★ “A moment in history”

Daily Mail ★★★★★ “Swagger, edge and attitude… simply electric.”

Daily Star ★★★★★ “A Supersonic celebration of their legacy”

Daily Mirror “The greatest rock n’ roll reunion of the decade.”

Daily Telegraph ★★★★★ “The second coming of Britpop’s biggest stars was magical.”

The i Paper ★★★★★ “The best band in the UK.”

Independent ★★★★★ “The rock reunion to end them all.”

The London Standard ★★★★★ “Biblical.”

Wales Online ★★★★★ “Intense and immense”

MOJO “Joyous”

The Observer “The emotional reality of their long awaited reunion dawns. It’s like a dam breaking.”

The Sunday Mirror “Best Night Ever.”

The New Cue “So beautiful, so joyous.”

OASIS LIVE ’25: AUSTRALIAN DATES
With special guests Ball Park Music
Fri 31 Oct – Marvel Stadium, Melbourne*
Sat 1 Nov – Marvel Stadium, Melbourne*
Tue 4 Nov – Marvel Stadium, Melbourne*
Fri 7 Nov – Accor Stadium, Sydney*
Sat 8 Nov – Accor Stadium, Sydney*
*LIMITED PRODUCTION HOLD TICKETSTICKETS AVAILABLE HERE!
July 25, 2025 0 comments
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Festival NewsMusic News

Excuse For An Exit share rage-fuelled new single “SNAP”

by the partae July 25, 2025
written by the partae

Melbourne dark pop group Excuse For An Exit share a rallying cry of feminine rage and protest with new single “SNAP“.

Fuelled by the rise of fascism in the West, atrocities in Gaza and the Congo, and the suppression of dissenting voices, “SNAP” channels vocalist Edelle Merson’s political frustrations into a powerful alt rock belter. “What began as political frustration quickly intertwined with personal experiences of being pushed too far, until something broke,” says Edelle. “The opening line, ‘It starts slow, I never even felt it, hit low, and I was so above it,’ reflects my own blind spots, how easy it is to miss the signs until they become impossible to ignore.”

Sonically, “SNAP” is a turning point. The single is produced, mixed and mastered by Chris Lalic (Windwaker, RinRin) and marks the first time Excuse for an Exit have incorporated screamed vocals. The band deliver a sound that’s dark and heavy, yet punchy and unapologetically pop, for fans of Grandson, PENI PARKER, Pussy Riot, and MUDRAT. Though the lyrics aren’t overtly political, the emotional core is inseparable from activism. “Emotion is often dismissed as irrational, but to us, it’s part of being fully human. This song is for those who’ve questioned their anger. Sometimes, snapping isn’t losing control, it’s taking it back.”

Excuse for an Exit have fostered an inclusive and alternative community within their local scene since their beginning in 2020. The unwavering support of their dedicated fanbase, as featured in the music video for “ur villain“, remains steadfast as they embark on a transformative sonic journey. Seamlessly blending electronic elements with their signature emo-rock repertoire, the four-piece continue to push boundaries and embrace their evolution.

The band will launch their new track live at Melbourne’s Stay Gold on Saturday 9th August when they play Cordiform‘s 2 Pizza 2 Planet mini-festival, joining Cordiform, A Swift Farewell, Darcy Baker and more. Tickets on sale now.

Excuse for an Exit have steadily built a name for themselves through a string of impressive achievements across the past few years. Earlier this year they performed at the inaugural Siren Sounds, an all femme-fronted and LGBTQI+ mini-festival raising funds for The Red Heart Campaign, and took the reins on their own Lifeline fundraiser, managing, running, and performing two shows that raised $1500 for charity. Their music has amassed over 185,000 streams on Spotify with national airplay on Double J Short.Fast.Loud and triple j Home & Hosed. They’ve cemented themselves as a rising force in Australia’s alternative scene, headlining sold-out BONEZ events in both 2023 and 2024, and headlining and selling out hometown shows across Victoria.

“SNAP” is out now and streaming everywhere.

TICKETS

July 25, 2025 0 comments
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Music InterviewsMusic News

INTERVIEW: Lauren Tatyana: Late Nights, Honest Lyrics & Arcade Dreams – Inside the Creative World of a Rising Star

by the partae July 25, 2025
written by the partae

You’ve worked with incredible producers like Kyle McCammon and the team at Evoke Sounds. How do you approach collaboration in the studio — are you more of a vision-first artist, or do you like to build the concept together from scratch?

Yes, they’re the best  Every song and producer I work with is different, but I love starting from whatever I’m feeling or is top of mind at that moment and building the song from there. Sometimes with a melody or a musical hook, other times it’s just a lyric I jotted down in a note on my phone. I’ve been lucky to work with producers who are open to following the creative process wherever it takes us, even when it leads us somewhere totally unexpected. In collaborations, I try to stay open and curious. The best work happens when there’s trust and no ego in the room.
There’s a cinematic quality to your music — especially in “Stone Cold.” How intentional is that storytelling lens when you’re writing or producing? Are you visualizing scenes as you create?

I wouldn’t say I necessarily set out with that intention, but I come from a background in acting and before pursuing music, studied Acting at the Victorian College of the Arts so storytelling feels second nature to me. I write music from my own lived experience, so naturally there’s always some sort of a narrative- a character, a moment, a shift. Whether intentional or not, it’s all storytelling and I think that’s what brings the songs to life.

The official video for “Stone Cold,” shot at Archie Brothers, is vibrant and unexpected. What drew you to that location, and how did that playful aesthetic contrast or complement the song’s deeper message?

I had many long brainstorming sessions with the Director Frederick McHenry before we came up with the idea for the “Stone Cold” music video. We kept coming back to this idea of “playing games” and loved the idea of shooting it in an arcade or something similar.

Once we found Archie Brothers it was perfect- we even used one of their escape rooms that was Rubik’s Cube-themed, which felt symbolic in all the right ways. We knew we wanted it set at night, but we were drawn to the contrast of bright colours, slow-motion action shots and something a little dreamlike, almost intoxicating.

My good friend Ed McCullough, who studied with me at VCA, kindly stepped in to play the “love interest,” which added a whole new layer. Amid all the chaos and neon beauty, it’s the quiet looks between us that hint at something shifting… like things could change in an instant… could turn stone cold.

You’ve already achieved impressive chart success with tracks like “Beautiful Liar” and “Hold Me.” How do you mentally and creatively handle the pressure of following up high-performing singles?

That’s a great question and honestly I think I’ll always feel that pressure- but I put it on myself! However, I’ve been incredibly lucky and proud that so far each release has outperformed the last…phew! Hopefully I can keep it that way.

While I’d be lying if I said things like streams or chart success don’t matter, I’ve learned not to let the numbers define the work. At the end of the day, they’re out of my control. What is in my control is the quality of the music. So I try to focus on creating songs I’m proud of, music that feels honest and intentional. I’ve learned so much in the relatively short time I’ve been releasing music and with each track, I try to offer something fresh and meaningful. Especially in an industry that’s as fast-moving as this one.

Your sound blends R&B, soul, and pop with an international polish. How do you stay grounded in your Australian roots while building a global identity as an artist?

Australia, and Melbourne in particular, has such a rich live music culture and I love testing out new music there and watching how people respond in real time. There’s a special magic in live music which always reminds me why I love doing it.

In Australia, we are influenced by so many different cultures and music genres which is amazing. While I think my sound is global, there’s something inherently “Aussie” about music that is straight to the point, real and a little rough around the edges…I don’t know if I’ll ever stray too far from that.

There’s a noticeable thread of emotional honesty in your work — even when the production is sleek and upbeat. How do you balance vulnerability with musical confidence in your songwriting?

For me, vulnerability is the foundation. I can’t create without it. It’s the honesty in the lyrics that gives me the confidence to share the music with the world. If I’ve lived it, felt it, and can articulate it in a way that feels true then I trust that someone else will connect to it, too.

Having been endorsed by tastemakers like Hernán Cattáneo and featured on major platforms, how do you decide which aspects of your artistry to evolve and which to protect as core to your identity?
Yes that support was amazing and a huge confirmation that I was heading in the right direction. I think as artists (and as people) we’re always evolving but I try to stay rooted in what made me start in the first place: real lyrics, emotive melodies, and a connection to story. That core doesn’t change, even if the sound around it does.

Your upcoming EP is titled Reasons I Can’t Sleep — a striking concept. Can you share some insight into the overarching themes of the EP and how “Stone Cold” fits into that emotional landscape?
I love that you asked that. The title came out of a conversation with my manager almost a year ago- we were talking about how so many of the songs on the EP were quite different in their vibe, but the themes were all things that kept me up at night. If you know me well, you’d know I’ve struggled with sleep my whole life- whether it’s from jet lag, being out too late, overthinking, disappointment, or hope. Reasons I Can’t Sleep is a collection of the things that have kept my mind racing at 2AM (the title of my previous release). “Stone Cold” is one of those reasons I couldn’t sleep for a while- you only have to listen to the lyrics to figure out why.

Looking ahead, what does “success” mean to you now — especially after seeing early international traction? Are there new markers of growth you’re chasing, creatively or personally?

Honestly, seeing “Stone Cold” land on playlists and charts around the world has been surreal. It’s one thing to make music that you love, but it’s another to know that people in places I’ve never been to are connecting with it. That kind of reach has definitely shifted my idea of success and I’d really love to tour my music. I’ve done original shows in Melbourne, but now I’m dreaming about how audiences might respond in other countries. That’s the next chapter I’m chasing.

Creatively and personally, I feel like I’ve found my stride and I just want to keep that momentum going. Keep releasing music, stay inspired by other artists, places, and people, and build something that lasts.


INSTAGRAM

 WEBSITE

July 25, 2025 0 comments
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Music News

TAME IMPALA RETURNS WITH ‘END OF SUMMER’

by the partae July 25, 2025
written by the partae

FIRST RELEASE ON NEW LABEL HOME COLUMBIA RECORDS

Photo Credit:  Julian Klincewicz

Today, Tame Impala (Kevin Parker) returns with the release of “End of Summer,” his first recording for new label Columbia Records. The song marks a new dawn for Tame Impala, as Parker once again expands the parameters of the project further into realms unexplored. Drawing from the deep, rich history of dance music, “End Of Summer” recasts Tame Impala as a kind of future primitive rave act. The track harkens back to the acid house summer of ’89, to free parties of the mid-90s, to bush doofs in outback paddocks – to an imagined history, transmuted into something simultaneously present and eternal, still unmistakably Tame Impala. The thrill of spontaneous studio experimentation that has marked Tame Impala recordings since the beginning is more evident than ever, Parker’s mastery of his craft imprinting the track with an array of brain-bending, subtly manipulative sparkle. Listen HERE.

Kevin Parker has emerged as one of the most influential voices of the last decade. A singular artist renowned for carving out a distinct sound all of his own, Parker crafts transcendent genre-bending sonic landscapes playing every instrument and acting as writer, producer, mixer and engineer on his projects. He has been nominated for four GRAMMY awards with one win for his collaboration with Justice on 2024’s “Neverender.” In his home country of Australia, he’s racked up an impressive 13 ARIA Awards and 27 Nominations. He’s won the BRIT Award for Best International Band and scored nominations for two Billboard Music Awards and an American Music Award. Tame Impala has had numerous US Alternative Radio Top 10 songs including two #1’s for “Lost In Yesterday” and “Is It True.” Tame Impala’s “The Less I Know The Better” is part of the Billionaires Club with over 2 billion streams and the project has racked up numerous gold and platinum certifications globally.

Tame Impala has headlined festivals and arenas around the world and released four full length albums – InnerSpeaker, Lonerism, Currents and his most recent album The Slow Rush. The Slow Rush landed at #1 in multiple territories and was his highest charting album to date in both the US and UK, with 14 top 10 chart positions around the world.  As a writer and producer Parker has collaborated with Dua Lipa, The Weeknd, SZA, Lady Gaga, Travis Scott, Mark Ronson, Gorillaz, Thundercat, Kali Uchis, 070 Shake, Rhianna, Miguel, A$AP Rocky and many more.

Follow Tame Impala:

Website | Instagram | YouTube

 

July 25, 2025 0 comments
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Festival NewsMusic News

First Look at Ministry of Sound’s brand new £500k VIP Area – The new space is officially open following extensive renovations.

by the partae July 24, 2025
written by the partae

The sounds of construction have been echoing through Elephant and Castle recently, as Ministry of Sound undergoes a major transformation of its VIP area. Welcome to No Velvet Rope Society – an inclusive new experience designed for true music lovers, with a focus on elevated sound and a new mezzanine overlooking the infamous Box.

Ministry of Sound has unveiled a forward-facing new chapter with its £500,000 transformation – the venue’s first major renovation in 15 years. Guests now enter through a gritty back-alley entrance, a deliberate nod to its raw 90s roots. Inside, a newly built mezzanine offers a high-spec sound experience with direct views into it’s main arena The Box, immersing guests in the iconic Martin Audio sound system that helped make Ministry a global name.

Says Caitlin McAllister, Group Managing Director, Ministry of Sound, “The launch of our new VIP space marks a bold new chapter for Ministry of Sound. This transformation has been a personal passion project of mine for years, and seeing it finally come to life is incredibly special. We’ve literally knocked down walls to open up the space and connect it directly to The Box, creating a seamless, elevated experience that brings guests and artists even closer to the music, the energy, and the atmosphere that define our club. This isn’t just a refurbishment; it’s a reimagining of what a night out should feel like — captivating, electric, and unmistakably Ministry”

No Velvet Rope Society is Ministry of Sound’s fresh take on VIP culture—stripping away the exclusivity in favour of something more meaningful. It’s built for music lovers who want deeper, more connected experiences.

A limited number of founding memberships are available for just £150 a year and include VIP access at all events bar student-only nights, queue jump, birthday Moët with table bookings, 15% off first table spend, and priority access for future reservations.

The new VIP area is now open for reservations Book Here

July 

25.07
Future x We Rave You: Blastoyz, Simon Patterson and Eddie Bitar

26.07
The Foundation – Open Air Courtyard Day & Night

26.07
House Cat: Lovra, Detleft & Sian Owen

27.07
Release Day Party Summer Edition

August 

01.08
Omnya (Afterlife) – UK Debut

02.08
Urge Day Party (Open Air)

02.08
Urge 003: Hector Couto b2b Sante Sansone, Brisotti + more

08.08
Future Citizens Vol.2 – P.O.U, Sam Supplier + more

09.08
Courtyard Day Party: Grooverider, Brockie + more

09.08
Room Service: Dunmore Brothers, Ella Knight + more

15.08
Krewella (UK Exclusive)

16.08
Pressure: Bullet Tooth + Capo Lee

22.08
Smoove: Masterstepz, Maximum, Rampage, Donch + more

23.08
LoveJuice Summer – Bank Holiday

24.98
Trance Sanctuary – Courtyard Party

29.08
Future x Wh0 Plays – Wh0, David Penn, Marco Lys + more

Website

July 24, 2025 0 comments
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Music InterviewsMusic News

Interview: Kevin Keller on Arcadia: A Journey Through Death, Light, and the Universal Consciousness

by the partae July 24, 2025
written by the partae

Arcadia feels like a deeply personal journey through light and darkness. What inspired you to explore themes of the afterlife and transformation in this album?

Not to be morbid, but we are all going to die. It’s a reality that we all live with each day, and we see ourselves aging as those close to us are doing the same. I think it’s important to acknowledge this reality, and to make your peace with it in the here-and-now. I believe that there is a universal consciousness that we are all a part of—a consciousness that exists outside of space and time. Each of us is a unique expression of that universal consciousness, and we each have our own mind and consciousness that is unique to us. When we die, we shed our physical bodies and minds, and we return to the current of universal consciousness that we all came from. For me, that is the “afterlife”.

You blend plainchant melodies with ambient electronics in a really unique way. How do you approach balancing ancient musical traditions with modern sound design?

I guess I don’t really think of it that way when I’m writing. To me, it’s all part of a greater continuum, whether it’s from the 12th century or the 21st century. I’m always searching for the right combination, and this was the one that spoke to me as I was creating “Arcadia”.

The vocal performances by Sofía Campoamor are hauntingly beautiful. How did you come to collaborate with her, and what did she bring to the emotional core of the album?

Sofía Campoamor and I met in 2023 just after “Evensong” was released. I had recently performed at a monthly music salon in Brooklyn called Soundshop, and Sofía performed at the following month’s salon. I fell in love with her voice and her spirit, and she and I became friends over the following year, attending each other’s shows and getting to know each other. At the end of 2024, I asked Sofía if she would be interested in working with me on a new album called “Arcadia”, and she was all-in on both singing and collaborating. This album was the first time that I collaborated with another composer, and together we developed 3 of the 8 tracks on the album. Sofía also helped me with the other tracks by coming into my studio and recording demos as I was writing. The resulting sound is unique because it’s a combination of our two musical voices.

Several tracks feature Latin texts—some original, some traditional. What drew you to Latin as a language for expressing the ideas in Arcadia?

I started with texts from Revelations, and from the traditional Requiem mass, and these are used in the first 2 tracks and on “Et lux perpetua”. For the bulk of the album, I wrote original texts and had them translated into Latin. Since “Evensong” was all in Latin, I wanted to maintain that narrative consistency, as I feel like Latin gives the music a sense of timelessness.

The album moves through a clear narrative arc from darkness to light. Did you have a story in mind as you composed, or did the journey reveal itself as you worked?

It’s funny—the narrative arc of “Arcadia” didn’t fully materialize until the album was done. Before that, I had an idea of what the album was about, but this changed once I heard the whole thing together. Originally, I had thought that the whole story takes place in Arcadia, a mythical paradise where everything is perfect and peaceful. I thought that the album would be about this idyllic paradise, but somewhere along the way, the story developed and became quite dark and dramatic, and I realized that the album is about the journey from death to Arcadia. We don’t actually arrive in paradise until the very last track. Everything leading up to that moment is more like the medieval concept of Purgatory, where the soul goes through a final test and a cleansing before entering Heaven.

Can you share a specific moment during the recording or production of Arcadia that was particularly meaningful or challenging for you?

My favorite part was getting to work with everyone again, in the same studio (Reservoir Studio in NYC), and with the same engineer (Robert L. Smith). We had such a great time making “Evensong” in that environment, and it was a real thrill to be back there 2 years later to make the follow-up album. We’ve become a well-oiled machine at this point!

The instrumentation blends strings, piano, synths, and layered vocals. How did you decide on this particular sonic palette, and how did it evolve during the creative process?

Over the 30+ years that I’ve been releasing music, I’ve always tried to innovate with each new album. I’m always looking for new sonic combinations, and new ways of expressing these big ideas of life and death and existence. Each album builds on the previous one, while also adding something new. Piano, synthesizer, and keyboards have always played a major role in my sound, along with live strings. On “Evensong”, I took the big step of incorporating live vocals in the sound, and “Arcadia” takes this a step further.

Arcadia is described as a sequel to Evensong. How does this album build on or differ from that earlier work, both musically and thematically?

“Arcadia” was written 2 years after the completion of “Evensong”. The music of “Evensong” expressed the journey from conception to death, and it had an open ending that could either return to the beginning of the life cycle or to some other place beyond death. After its release, “Evensong” also became the score for a full-length ballet by choreographer Maria Caruso. Maria’s choreography added a new level of depth to the music, and when I saw the ballet premier in late 2024, I was inspired to create a follow-up. Maria’s dance piece ended with the main dancer disappearing into the wings as the lights faded to black, and I found myself asking “Where did she go?” So, “Arcadia” answers this question.

Ambient music often invites listeners into a contemplative space. What do you hope listeners feel or take away from experiencing Arcadia?

I’m always aiming to take people on a journey. It’s my hope that they are inspired by “Arcadia”, and that it conjures up images and emotions for them.

Finally, as an artist who has worked across many styles and projects, how does Arcadia reflect your growth or shift in creative direction at this point in your career?

“Arcadia” really feels like a pinnacle for me. It feels like the culmination of everything I’ve done since 1994, while also being the start of something brand new. I have a feeling that there will be more music coming in the future from me and Sofia, since this album was such a joy to make.

https://www.kevinkeller.com/

July 24, 2025 0 comments
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Festival NewsMusic News

Into The Wild Festival unveils the first artists as part of its electronic music lineup for 2025

by the partae July 23, 2025
written by the partae

Making an anticipated return this August 22nd-25th, Into The Wild Festival unveils the first names as part of the lineup for its electronic music stage. The festival, which blends a beloved sense of community, creativity, connection, and nature, will welcome artists and selectors across house, progressive, techno, alternative electronica, and many more.

Celebrated for its diverse programming, inclusive ethos, and annual charity initiatives, the family-friendly festival’s electronic music programming will see a host of names perform at Chiddingly Estate in Sussex, including Woody Cook, SuperCLAUD, Ellie Talebian, DJ Estavia, Heiko, Miss Lightbeam, Eloise Minton, DJ Kristiaan, Nik Valentine, Ross Harper, Temple Hedz, and more, set to be announced.

Renowned for its vibrant mix of live music, workshops, wild crafts, food, and inspiring speakers, Into The Wild is cherished not just as a festival but as a thriving community. What began as a small annual gathering has grown into a space for 5,000 attendees, where friendships are forged, collaborations bloom, marriages are celebrated, and even a birth has taken place.

Wild crafts and workshops remain at the beating heart of the festival experience, and 2025 promises one of the most exciting and expansive offerings to date. With over 200 workshops included in the ticket price, attendees can explore everything from traditional crafts and foraging to fire, den, and chocolate making to flint knapping with Will Lord, medicinal plant walks, yoga sessions, wild spas, and ceramic sessions. All experiences are designed to inspire deep reconnection with nature and self.

Alongside its vibrant cabaret offerings, Into The Wild has confirmed a diverse lineup of global artists, like Daraa Tribe with nomad tunes from North Africa, Ant Bahar Di, Ustad Noor Bakhsh from Rajasthan, UK rapper Viktus, Mongolian Odyssey’s throat singing, the Magic Tree collective, and Welsh folk artist Bethan Lloyd, plus many more.

Environmental and social responsibility remain at the heart of Into The Wild. This year, the festival will welcome leading organisations and charities such as the Captain Paul Watson Foundation, WWF, Greenpeace, The Twelve Step Fellowship, and the Sussex Wildlife Trust, further strengthening its long-standing commitment to conservation, activism, and ecological awareness.

Originally founded in 2014, the festival has grown to create its own CIC Wilderlands, helping to Rewild, support wildlife, and create habitat for nature. The festival continues to champion a family-friendly, inclusive, and nature-focused ethos, making it a standout experience in the UK festival landscape year after year.

Electronic Lineup

Woody Cook | SuperCLAUD | Ellie Talebian | DJ Estavia | Heiko | Miss Lightbeam | Eloise Minton | DJ Kristiaan | Nik Valentine | Ross Harper | Temple Hedz

 

Tickets Here

Find Out More & Follow 

Into The Wild Instagram | Website

July 23, 2025 0 comments
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Music News

GREATER GOOD RETURNS IN FIFTH YEAR WITH $30K PACKAGE FOR INDEPENDENT ARTISTS

by the partae July 23, 2025
written by the partae

Good Intent – Announce Fifth Year of Greater Good

Application Link

Returning in it’s fifth year, Good Intent are proud to announce applications are open for their independent artist initiative ‘Greater Good‘. The package has helped guide and support the next generation of exceptional musical talents by providing one lucky artist in-kind services and a cash grant totalling over $30,000 AUD. In addition to this, there are twenty shortlisted applicant packs available.

In 2025, the package boasts partners APRA AMCOS, Forbes Street Studios, Jungle Merchandise, PHILTER, Zenith Records, Media Arts Lawyers, Billy Zammit, PLAKKIT, Louder Accounting, and this year includes a 1:1 Creative Consultation Session with TikTok‘s Ollie Wards. The pack includes a $4,000 AUD cash grant to further develop their career. Any unsigned artists (recording/publishing), from all walks of life and at all levels are encouraged to enter.

Rick Bridgman of Good Intent notes, “We’re very privileged to be able to help grow our industry through this initiative, in collaboration with our incredible collection of partners. We’ve discovered so many exceptional artists over the years (some established, many brand-new), with over 600 applicants alone last year. We’re honoured to provide this package, guidance and skill development to the winner, plus the 20 shortlisted applicants and more to help shape their futures. Can’t wait to get stuck in again!”.

This year’s Industry Assessment Panel hosts key figures across the wider music landscape to help assess applications and guide decision-making, with Caitlin McGregor (MusicNSW), Glenn Dickie (Sounds Australia), Jannah Beth (Offbeat Collective), Daniel Morgan (Astral People), Emmy Mack (RedHook / triple j), Jess Wust (Cult Artists), Brittany Green (Campbelltown Arts Centre) and Rick Bridgman (Good Intent), collaborating on the initiative. Greater Good is proudly supported by organisations Music Victoria, QMusic, MusicACT, Music SA, and WAM.

Photo Credit: Billy Zammit

Previous winners include ixaras (2024), LAZY GHOST (2023), PENI PARKER (2022) and Jelly Oshen (2021). Last year’s shortlist was stacked with outstanding talent from across the country including Belle Haven, Civic Video, DoloRRes, Elle Shimada, Empress, Erica Tucceri, Good Pash, Holly Hebe, isaac puerile, LATE 90s, Mannequin Death Squad, Oscar the Wild, PA777IENCE, RISSA, Ruby Jackson, Selfish Sons, THOM, Thunder Fox and Velvet Bloom.

Good Intent offers a range of services across PR & Digital Marketing, boast a management roster of Bootleg Rascal, Close Counters, FANGZ, Fool Nelson, handling venue bookings for The Lansdowne Hotel, Kelly’s On King / Bootleggers and The Troc, plus run a photography/videography studio Good Loco out of their Bulanaming/Marrickville-based office.

Current clients include Akon, Aloe Blacc, BMG, Bootleg Rascal, Bryan Ferry, Chromeo, Close Counters, COTERIE, Crowded House, Daily J, Destroy All Lines, Everything Everything, FANGZ, Fool Nelson, Future Static, Klangkarussell, La Roux, Pacific Avenue, RedHook, SOFT PLAY and The Terrys. Over the years, Good Intent has also worked with the likes of A.GIRL, Adam Port, Anjunadeep, American Hi-Fi, Astral People, Bas, Chugg Music, DOPE LEMON, Freddie Gibbs, Handsome Tours, La Roux, LUUDE, Sony Music, TMRW Music and Universal Music Group.

GREATER GOOD INITIATIVE
The winning recipient will receive the below:

Grant For Release Promotion & Career Development
• A cash grant of $4,000 AUD to kickstart Artist’s career.
• Funds to be used for but not limited to: Release Promotion, Touring Expenses and Marketing.

Artist Services Supported Release Package
• 1 x 1:1 Songwriting Rights Management Consultation Session with APRA AMCOS Representative
• 1 x  1:1 Creative Consultation Session with TikTok’s Ollie Wards (Director of Music, Australia / New Zealand)
• 1 x Single Campaign project managed by the Good Intent senior management team (Rob Carroll, Rick Bridgman and Nick Moran).
• PR and Label Services provided by Good Intent, which includes PR, Radio Plugging, DSP Servicing and Digital Marketing Service.
• Artist Management Consultation Meetings.

Recording & Production Package – Forbes Street Studios
• 2 days Recording in Studio 1 with Lewis Mitchell (The Kid Laroi, Gang Of Youths, Ziggy Ramo)
• Mix and Master (including engineer + studio fees).
• Dolby Atmos Mix (including engineer + studio fees).

Vinyl Package – Zenith Records
• 150 x 7” Black Records, packing in white inner paper sleeves / full Colour Printed Glued pocket / outer plastic sleeve.

EPK Development – Billy Zammit
• Photography Shoot with Billy Zammit (Ninajirachi, Paris Texas, Peach PRC, Genesis Owusu, Peking Duk and Matt Corby).
•  2 x Days Photography Studio Hire and Lighting Package at Good Loco in Marrickville, Sydney.
• EPK Development in collaboration with Billy Zammit and the Good Intent team.

Merchandise Package – Jungle Merchandise
• 51 x Screen Printed Artist Logo Tees (AS Colour Basic Tees).
• 20 x Embroidered Caps.
• 100 x Stickers.

Sponsorship Package – PHILTER BEER
• Rider contribution for 2 x National Tours in 2025/26.

Poster Print & Distribution Package – PLAKKIT
• 50 x B0 Full Colour Print + Distribution in Eora/Sydney.
• 50 x B0 Full Colour Print + Distribution in Naarm/Melbourne.

Accounting Consultation – Louder Accounting
• Artist Consultancy and Business Advice meeting with Matthew Tan (Business Manager).
• Business Health Check, Structure, Insurance, Tax, Banking and Business Set Up Advice.

Legal Consultation – Media Arts Lawyers
• One hour consultation and strategy session with Music and Entertainment Lawyer, Rob Glass (Partner).

–––––––––––––––––––––––––––––––––––––––––––––

GREATER GOOD INITIATIVE
20 x Shortlisted Applicants will receive:

GOOD INTENT

• Artist Consultation with the Good Intent senior management team (Rob Carroll, Rick Bridgman and Nick Moran).
• 20% Discounts on future services via Good Intent (to be used within 6 months).

GOOD LOCO

• 25% Discount on Weekday Dry Hire and Lighting Package services at Good Loco, and studio hire at Good Loco (to be used within 6 months).

PLAKKIT

• 15% discount on future postering (new clients only).Artist Applications Open now via goodintent.com.au/greater-good

 

FOLLOW GOOD INTENT
FACEBOOK | TWITTER | INSTAGRAM | SPOTIFY | WEBSITE

FOLLOW GOOD LOCO
FACEBOOK | INSTAGRAM | WEBSITE

July 23, 2025 0 comments
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Festival NewsMusic News

LIVE NATION’S ONES TO WATCH sets its sights on Byron Bay featuring talented artists DOBBY, LOREN RYAN, DEM MOB and ROX LAVI

by the partae July 23, 2025
written by the partae

Fresh off the back of staging its debut event on the West Coast in Fremantle, Live Nation’s ONES TO WATCH returns to New South Wales, this time posting up in the lush coastal surrounds of Byron Bay. Coming to the iconic Backroom at THE NORTHERN on THURSDAY 24 JULY, this edition of ONES TO WATCH celebrates and amplifies Indigenous Australian excellence, putting the spotlight on four of the country’s most striking names: DOBBY, LOREN RYAN, DEM MOB and ROX LAVI.

A proud Filipino/Murrawurri musician, producer and composer, DOBBY’s musical journey is intrinsically tied with his own journey through young adulthood, into a space where he carries the stories and lessons of his people forward in a way where he is able to impart knowledge onto a new generation of creatives. DOBBY’s sound has seamlessly blended rap with expansive and contemporary arrangements – a fusion that has brought DOBBY Australian and international acclaim. The release of his 2024 album Warrangu: River Story re-established DOBBY as an Australian talent to watch; his personal brand of storytelling breaking open new dialogue around how fascinating and exciting the work of our First Nations artists currently is, and continues to be.

Next on the line-up comes young Gamillaraay woman Loren Ryan, a quickly-rising star in Australia’s country music scene. Winner of the 2023 Toyota Star Maker award, and a nominee of last year’s prestigious Golden Guitar Award for New Talent of the Year, Loren’s journey has seen her performing with the likes of Troy Cassar-Daley, Jessica Mauboy, and harmonising with pop legend Kelly Rowland on The Voice AU. Known for incorporating her mother tongue into her original music as well as renditions of well-known beloved pop songs – with her breathtaking cover of Cold Chisel’s ‘Flame Trees’ having amassed over 707K streams – Loren weaves culture into her art at every turn.

Hailing from the APY lands in the community of Pukatja, DEM MOB are hip hop trailblazers in their own right – they are not only the first hip hop group from their region, but they are the first MCs to rap in Pitjantjajara language. Born out of a desire to empower youth and their community through a powerful connection of culture and music, DEM MOB has become more than just a music group: they are a movement. Their work as musicians has seen them perform internationally – to date, they are the first and only Indigenous Australian artists to have performed at Barcelona’s Primavera Sound – while constant music releases have landed them praise from tastemakers around Australia, including triple j and triple j Unearthed. 

22 year old Gomeroi man ROX LAVI has emerged as a fiercely talented young artist in only the last two years. Ipswich born and raised, Rox Lavi (in his words) was raised by rap music, and gravitated to wordplay and poetry at an early age. While hip hop remains within the core of his music’s DNA, Rox Lavi’s music today thrives on an expanded palette of influences that incorporate indie and alt-rock influences, and that fans of artists including BROCKHAMPTON and Dominic Fike would love.

Returning to host this year’s ONES TO WATCH event will be the Gen Z voice of Australian music media, Tait McGregor. A multi-platform content creator, the presenter specializes in music, from TV, radio & podcasts, to sweaty mosh pits. Having written for the likes of MTV Australia, Tone Deaf & The AU Review, she has also worked on productions for Netflix, STAN, VEVO & more.

 

ABOUT ONES TO WATCH

The ONES TO WATCH series has made a solid impact within the Australian music community. In Australia since 2021, the series has been serving industry and fans exclusive opportunities to see some of the country’s best talent perform in intimate environments across Melbourne, Sydney, Darwin and Brisbane, highlighting the talent of the current wave of Australian talent primed to make their impact in other markets.

Since its establishment in North America, the ONES TO WATCH series has been able to support and promote artists such as Dua Lipa, Olivia Rodrigo and Halsey early in their careers. So far in Australia, ONES TO WATCH has platformed artists including Mariae Cassandra, Ghost Care, Ullah, Salty, Lotte Gallagher, Fletcher Kent, Chanel Loren, J-MILLA, Georgia Lines, Ishan, Adrian Dzvuke, Phebe Starr, J.Tajor, Yung Milla, Juran, Blake Rose, Sophisticated Dingo, STUMPS, Forest Claudette, Teenage Joans, Carla Wehbe, ZPLUTO, WIIGZ, Hoodzy, East AV3, Colourblind and Saint Lane at events around the country. 

LIVE NATION AUSTRALIA

 Official Website | Facebook | Twitter | Instagram  

July 23, 2025 0 comments
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Festival NewsMusic News

ED SHEERAN RETURNS TO AUSTRALIA + NEW ZEALAND THIS SUMMER WITH HIS ALL-NEW LOOP TOUR – JANUARY, FEBRUARY & MARCH 2026

by the partae July 22, 2025
written by the partae

Frontier Touring and MG Live are thrilled to announce the hotly anticipated return of global superstar Ed Sheeran, who is heading back to Australia and New Zealand next January, February and March with his all-new Loop Tour for a massive run of stadium shows.

Having already sold over 2.5 million tickets across Australia and New Zealand to date, Ed Sheeran’s Loop Tour sees the beloved singer returning to our shores with a brand-new live show that’ll follow the release of his new album, Play (pre-order here) – out Friday 12 September. Performing at stadiums in Auckland, Wellington, and Christchurch (his first show there in 11 years), before heading to Perth, Brisbane, Sydney, Melbourne and Adelaide, Ed’s new live show promises to be filled with surprises, new music, as well as his biggest hits.

Watch: Ed Sheeran – Sapphire

Sheeran is an era-defining artist who has sold nearly 200 million records globally. Recently he was celebrated as a 12-time member of Spotify’s Billions Club, while Apple Music revealed his 2017 hit ‘Shape Of You’ was their most-streamed song of the last decade. Moreover, Ed recently surpassed 100 million monthly listeners on Spotify, seeing him become the platform’s 4th most-listened to artist in the world. Last on our shores in 2023 – when he played to a record-breaking 200,000 fans across two nights at Melbourne’s iconic MCG – Sheeran’s mammoth Mathematics Tour spanned countless shows across the globe, continuing his streak of breaking records and making history.

Telstra Plus Members (AU shows) can access presale tickets from Friday 25 July (times staggered) via telstra.com/presale, while Frontier Members can access presale tickets from Monday 28 July (times staggered). Tickets go on sale to the general public from Tuesday 29 July (times staggered). For full tour and ticket information visit frontiertouring.com/edsheeran.

To protect fans, strict anti-scalping measures will be in place. All tickets will be digitally delivered and accessible via official ticketing apps only. For full FAQs and ticketing details, visit edsheeran.com or frontiertouring.com/edsheeran. Fans are strongly advised to only purchase tickets from official ticketing partners. 

Watch: Ed Sheeran – Azizam

Led by lead singles ‘Azizam’ (certified Gold and #1 at radio in AU), ‘Sapphire’ and ‘Old Phone’,​ Play marks the beginning of a fresh new chapter for Sheeran. The singer-songwriter’s latest work is an explorative, technicolour pop album that captures the fun, chaos, and heart of an artist reinvigorated by life and travel. Promising all-new stage production centred around the joyful, expansive sound of Play, the upcoming stadium shows will incorporate new visuals, intimate acoustic moments alongside his renowned loop pedal performances, and the full stadium singalongs only Ed Sheeran can deliver.

Inspired by musical cultures from around the globe – particularly Indian and Persian cultures and their surprising melodic connections to the Irish folk tradition he grew up with through shared scales, rhythms and melodies – Play encompasses an eclectic and borderless sound. On the album Sheeran has teamed up with producers and musicians from across the globe, showcasing his limitless musicianship.

With a brand-new album, a renewed creative spirit and a catalogue of global hits, Ed Sheeran’s 2026 stadium tour is set to be one of the most anticipated live events of the year. Don’t miss the return of one of the world’s most loved live performers!


ED SHEERAN – THE LOOP TOUR 
​AUSTRALIA + NEW ZEALAND 
​JANUARY, FEBRUARY & MARCH 2026
​Presented by Frontier Touring and MG Live


TELSTRA PLUS MEMBER PRESALE (AU SHOWS)
​via telstra.com/presale
​Runs 48 hours from: Friday 25 July 
​or until presale allocation exhausted
​Presale timings staggered per show, visit website for more details

FRONTIER MEMBER PRESALE 
​via frontiertouring.com/edsheeran
​Runs 24 hours from: Monday 28 July 
​or until presale allocation exhausted
​Presale timings staggered per show, visit website for more details ​

TICKETS ON SALE
​Begins: Tuesday 29 July (times staggered, see below)


ALL SHOWS ALL AGES*
​* Children 14 and under must be accompanied by a parent/legal guardian
​This event is recommended for patrons aged 6+


Friday 16 January
​GO Media Stadium | Auckland, NZ
​Lic. All Ages
​On sale: Tuesday 29 July (2pm NZST)
​axs.com/nz

Wednesday 21 January
​Sky Stadium | Wellington, NZ
​Lic. All Ages
​On sale: Tuesday 29 July (1pm NZST)
​ticketek.co.nz

Saturday 24 January
​Apollo Projects Stadium | Christchurch, NZ
​Lic. All Ages
​On sale: Tuesday 29 July (4pm NZST)
​axs.com/nz

Saturday 31 January
​Optus Stadium | Perth, WA
​Lic. All Ages ​
​On sale: Tuesday 29 July (3pm AWST)
​ticketmaster.com.au

Friday 13 February
​Accor Stadium | Sydney, NSW
​Lic. All Ages ​
​On sale: Tuesday 29 July (1pm AEST)
​ticketek.com.au

Saturday 14 February
​Accor Stadium | Sydney, NSW
​Lic. All Ages ​
​On sale: Tuesday 29 July (1pm AEST)
​ticketek.com.au

Friday 20 February
​Suncorp Stadium | Brisbane, QLD
​Lic. All Ages ​
​On sale: Tuesday 29 July (4pm AEST)
​axs.com/au

 Saturday 21 February
​Suncorp Stadium | Brisbane, QLD
​Lic. All Ages ​
​On sale: Tuesday 29 July (4pm AEST)
​axs.com/au

Thursday 26 February
​Marvel Stadium | Melbourne, VIC
​Lic. All Ages ​
​On sale: Tuesday 29 July (3pm AEST)
​ticketmaster.com.au 

Friday 27 February
​Marvel Stadium | Melbourne, VIC
​Lic. All Ages ​
​On sale: Tuesday 29 July (3pm AEST)
​ticketmaster.com.au

Thursday 5 March
​Adelaide Oval | Adelaide, SA
​Lic. All Ages ​
​On sale: Tuesday 29 July (11.30am ACST)
​ticketek.com.au


Patrons are advised to purchase tickets only through authorised ticket sellers. 

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

FOLLOW ED SHEERAN:
​Website | Facebook | Instagram | X | TikTok | YouTube | Spotify | Apple Music 

July 22, 2025 0 comments
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Festival NewsMusic News

The Grogans Stagger LP AUS/NZ Tour

by the partae July 22, 2025
written by the partae

The Grogans are kicking off their Stagger album tour this August at iconic venues across Australia including Metro Theatre, The Tivoli, 170 Russell and more with a hometown U18s show at Naarm’s Northcote Social Club, before they jet over to the states for an East Coast US Tour in October. Joined by Caitlin Harnett & The Pony Boys for the whole tour, the shows will feature local supports across different cities from indie-pop rock outfit Jet City Sports Club, alt-rockers Platonic Sex, and South Australian garage band Ethanol Blend. 

Capturing the magnetic energy of their live shows, Stagger touches on themes of mental health, taking care of yourself and your loved ones, the occasional love song, and more. As the catchy chorus first single and album opener ‘Oh Boy’ leads into sonic powerhouse of a tune ‘Come Up (Goes Down)’, ‘In My Heart’ slows it down to a new easy listening direction, followed by ‘Have a Little Dream’ – as dreamy as the title suggests – and the big open echoed instrumentation of ‘Once In A While’. Adding new textural effects in ‘Roll Back’ and last single ‘Roundabout’, ‘Happier Man’ dips into a heavier psych realm with a reminder that “striving to be a better and happier person should be a goal for everyone.” ‘Worry About Everything’ is an upbeat tune sure to have you worrying about nothing, and feel good album closer ‘All My Days’ ends on a more serious note that outlines the beauty and the beast of live music and the personal struggles that come with the lifestyle and touring.

Stagger out now CW Records

Stagger Album Tour Dates: 
Friday 1 August

Metro Theatre – Eora (Sydney), NSW

Saturday 2 August 
The Tivoli – Meanjin (Brisbane), QLD

Friday 8 August
The Rechabite – Boorloo (Perth), WA

Saturday 9 August 
The Gov – Kaurna (Adelaide), SA

Friday 15 August 
170 Russell – Naarm (Melbourne), VIC

Friday 22 August 
Republic Bar – Nipaluna (Hobart), TAS

Saturday 30 August 
Northcote Social Club (U18) – Naarm (Melbourne), VIC

Wednesday 3 September 
Loons – Ōtautahi (Christchurch), NZ

Thursday 4 September 
Yonder – Tāhuna (Queenstown), NZ

Friday 5 September
San Fran – Te Whanganui-a-Tara (Wellington), NZ

Saturday 6 September 
Double Whammy – Tāmaki Makaurau (Auckland), NZ

Tickets: On sale Wednesday 28 May @ 10 am AEST
Via: www.thegrogansband.com

 

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July 22, 2025 0 comments
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