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Category:

Music News

Nicky Romero Releases "Nights With You" EP, Featuring Festival Mix and Remix by Harrison
Music News

Nicky Romero Releases “Nights With You” EP, Featuring Festival Mix and Remix by Harrison

by the partae November 21, 2020
written by the partae

Artists: Nicky Romero
Title: Nights With You EP (Festival Mix + Harrison Remix)
Label: Universal Music

Download / Stream

Following Nicky Romero‘s debut on Universal Music with “Nights With You,” the dance music mogul has released additional versions of the milestone single – his own festival mix as well as a special remix by UK producer Harrison. The alternative interpretations explore Nicky‘s famous progressive house sound and Harrison’s deep and cinematic style. The festival mix incorporates an energetic, bouncy bassline that begs to be played at the mainstage, evoking fond memories of live events for every dance music fan. In Harrison‘s rendition, deep undulating sounds add an element of darkness to “Nights With You,” while dreamy instrumentals give it an emotive feel. Nicky Romero and Universal Music come together again to enhance and increase reach on Nicky Romero‘s sound around the globe.

After taking the world by storm with early hits such as ‘Legacy‘ (with Krewella) and #1 single ‘I Could Be The One‘ (with Avicii), Nicky Romero quickly proved that his talent is ever-evolving and here to stay. After launching his Protocol Recordings imprint in 2012, the renowned performer, producer, and label head continued his personal successes with a string of high-profile releases, ranging from collaborations with David Guetta, Mike Williams & Amba Shepherd, Dimitri Vegas & Like Mike, W&W, DallasK & XYLØ, Timmy Trumpet and Steve Aoki & Kiiara to remixes for the likes of Kygo, Rita Ora, Steve Aoki, Martin Garrix, Jess Glynne and more. While showcasing his label’s roster via his weekly Protocol Radio show, Nicky Romero continues to innovate and evolve during these unprecedented times in the music industry. He recently debuted his ultra-modern “Another World” live stream concept this summer and now has proved again his ability to turn into gold everything he touches.

UK talent Harrison had his breakthrough in 2013 when he worked with David Guetta and Glowinthedark on “Ain’t a Party” single and has been going full speed ahead ever since. His dynamic style has earned him support from the biggest names in dance music, such as Martin Garrix, Steve Aoki, and Avicii. With over 2M monthly streams on Spotify alone, Harrison is ready to join the ranks of electronic music’s finest. Keep an eye out for more new music from both Nicky Romero and Harrison.

More info on Nicky Romero / Harrison / Protocol Recordings:

Nicky Romero: Facebook | Instagram | Twitter | Spotify
Harrison: Facebook
 | Instagram | Twitter | Spotify
Protocol Recordings: Facebook
 | Instagram | Twitter | YouTube

 

November 21, 2020 0 comments
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Canadian Duo 401 WST Blends Hip-Hop and House on Their Debut "Our House" EP
Music News

Canadian Duo 401 WST Blends Hip-Hop and House on Their Debut “Our House” EP

by the partae November 21, 2020
written by the partae

Artist: 401 WST
Title: Our House EP
Label: Kyngdom Records
 

Canadian duo 401 WST throws it back to the ’80s with the epic debut of their 3-track “Our House” EP, composed of recently released “Do The Damn Thang” and 2 brand new songs that fuse hip-hop sounds and house music. The DJ/producer partners create a seamless fusion of genres on “Real Quick” and its accompanying music video; classic hip-hop rhythms are complemented by a deep rolling bassline and kickdrums to add an electronic flair. “Alive” follows suit of “Do The Damn Thang” and is perhaps the more house-influenced of the two new tracks, melding a tech-house bassline and deeply reverberating synths with hedonistic lyrics about partying and hitting the dance floor – a novel concept in the global pandemic. The “Our House” EP evokes memories of Chicago in the ’80s when hip-hop and house were at their heyday in the underground. As Black musicians, the duo places very high importance on taking it back to the essence of where house music began and paying homage to the originators of it all. 401 WST‘s sound is raw and unfiltered, providing a breath of fresh air in the age of autotune, and we can’t wait to see what they come up with next.

International DJ 4Korners and emerging producer Ashton Adams come together to form 401 WST, which is named after the highway that connects their Canadian hometowns of Toronto and Cambridge. Prior to the project, 4Korners experienced global success and has performed at the Cannes Film Festival, London Fashion Week, Formula 1 in Abu Dhabi, and the Olympic Games, among others. He has also been awarded the prestigious titles of Canadian DJ Of The Year and an NBA Championship as Official DJ of the Toronto Raptors. Ashton Adams‘ production versatility stems from his exposure to a wide variety of genres. From the classic hip hop sound of 50 Cent and Lil Wayne, all the way to heavy metal bands such as August Burns Red and Under Oath. As 401 WST, the two artists have set out to create music that focuses less on commercialization and more on the old school values of bringing people together and having a good time. With such a unique sound and feel-good approach, “Our House” is the beginning of an exciting journey for 401 WST.

More info on 401 WST / 4Korners / Ashton Adams / Kyngdom Records:

401 WST: Facebook | Instagram | Twitter | Spotify
4Korners: Facebook
 | Instagram | Twitter | Spotify
Ashton Adams: Facebook
 | Instagram | Twitter | Spotify
Kyngdom Records: Instagram
 | Website

 

November 21, 2020 0 comments
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Goldfinger announce December 4 release of album 'Never Look Back' through Big Noise
Music News

Goldfinger announce December 4 release of album ‘Never Look Back’ through Big Noise

by the partae November 21, 2020
written by the partae

DUE OUT DECEMBER 4 VIA BIG NOISE

Punk-rock icons Goldfinger have announced their highly anticipated album Never Look Back will be released December 4, 2020 via Big Noise. This release marks the official return of original guitarist Charlie Paulson to the band, joining John Feldmann, Mike Herrera, Philip Sneed and Nick Gross.

It can be pre-ordered/pre-saved at http://ffm.to/gfneverlookback.

Fans got an early taste of this forthcoming album with last month’s release of “Wallflower”, which can be streamed today here: https://ffm.to/gfwallflower.

“’Wallflower’ was the last song I wrote for our upcoming album,” Feldmann shared in an exclusive interview with Alternative Press. “It’s coming out later this year on my own label (Big Noise) and that just is a very full circle moment that I am so proud of.”

Goldfinger formed in 1994 and has since been regarded as a contributor to the revitalization of ska music’s popularity in the mid-1990s before leading the charge on the 2000’s pop-punk movement. Outside of their music, Goldfinger has always been active and outspoken about a variety of political and social issues, especially animal rights.

Fans can stay tuned to Goldfinger’s socials for more information very soon.

Follow Goldfinger:
https://www.goldfingermusic.com/
https://twitter.com/goldfingermusic
https://www.facebook.com/goldfingermusic
https://instagram.com/goldfingermusic/
https://www.youtube.com/user/goldfingershows
November 21, 2020 0 comments
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On April 24 and October 16th, 2021 there will be simultaneous youth-led global climate concerts in over 40 countries, led by members of Fridays For Future youth climate groups who organise the school strikes, with artists, activists and scientists taking to the global stage to fight for climate justice. 7.6 million in 7,500 cities across the world took to the streets to demand climate action in September 2019, yet leaders still fail to act with the necessary urgency. Music has the power to unite people. Climate Live will harness the universal language of music to: ENGAGE: enlarge the global movement by engaging a new audience through music. EDUCATE: raise awareness of the challenges faced today by people on the frontlines of ecological breakdown, as well as those forecast by scientists for the future. EMPOWER: pressure world leaders to take action to combat the climate crisis with a focus on COP26. Each concert is being planned with sustainability as a top priority, working with events professionals, venues, artists and local authorities to strive to make the events as sustainable as possible. Mirroring the strikes, events will be on both large and small scales. The race to safeguard the future of this planet has begun, so now we must come together. As Greta Thunberg, 17, from Sweden declares, “To change everything, we need everyone.” Founder, Frances Fox, 19, from the UK said, “I started Climate Live in Spring 2019, after being inspired by an interview in which Brian May said there should be a Live Aid for the climate crisis. I thought this was a brilliant idea to engage more young people in the movement, with our own spin, so immediately started messaging activists from all over the world!” Audiences attending Climate Live will come away with a feeling of empowerment and the tools to engage in the climate movement. 2021 is a key year for climate action. We have exactly one year until the UN COP26 conference, when governments will have to renew their Paris Agreement pledges. Climate Live calls for these to be more ambitious to meet the necessary 1.5°C targets. Their question to world leaders is - “Can you hear us yet?" Christiana Figueres, former Executive Secretary of the UNFCCC who played a key role in the 2015 Paris Agreement, states, “there is no doubt that young people, informed by science, have brought the climate crisis to the attention of leaders from all sectors. It is now our generation’s responsibility to protect what we love from the damages of climate change by following up on promises with the necessary actions in this decade, to fulfil the goals of the Paris Agreement. I applaud our brilliant young people for stepping up again to hold leaders to account in the lead up to COP26 in 2021, when countries must come together to show we are on track for a resilient future. Our young people have asked whether we can hear them. It is time to demonstrate that we are truly listening.” Glass Animals’ Joe Seaward urges, “time is running out for the planet as we know it. We must act now if we’re going to save it. The youth activists who are standing up need help and those with a voice have a responsibility to use it” Climate Live is an opportunity for young people across the world to make their voices heard. Mitzi Jonelle Tan, 23, from the Philippines (Convener of Youth Advocates For Climate Action Philippines) says, “we have just experienced four typhoons in the span of a month. I had to sit in the dark without electricity, not able to go home because the roads to our house were flooded up to the second floor of houses. This is the climate crisis, this is why we need action. We are the second most vulnerable country to the impacts of the climate crisis in the world. It's a scary thing and we desperately need more people out on the streets if we want to see change. Climate Live is the perfect way to do that.” “Climate Live is beyond just music. The climate crisis isn’t just an issue of the far-off future, it is today and we are experiencing the impacts right now. We need to act now.” Kevin Mtai, 24, Kenya, Founder of Kenya Environmental Activists Network. “Climate Live will give a voice to those most affected by climate change and to the millions of young people concerned about the future of our planet.” Timi Barabas, 17, New Zealand. “Climate Live is critical at a time when the climate crisis has become less prominent in the public eye.” - Andrea Manning, 22, USA. “Hope is in the people, in the movement, which is getting bigger and bigger, but we need more people, and Climate Live is the opportunity for this to happen.” Nicole Becker, 19, Argentina, Co-Founder of Jóvenes Por El Clima Argentina. Climate Live is supported by NGOs including Music Declares Emergency, REVERB, Greenpeace (UK, Brazil and New Zealand), Friends of the Earth (UK and Australia), Oxfam International, 350 International, Extinction Rebellion (UK and Brazil), My Eco Resolution, Stop Ecocide, YOUNGO (youth constituency of the UNFCCC), Client Earth, The Climate Coalition, Earth Rise, Bye Bye Plastic Foundation, Vision 2025, Green Music Australia and Ecolibrium. Stay tuned for more exciting announcements coming soon including the lineup! As climate activists we listen to the science and treat every crisis as a crisis, so each country is planning concerts adhering to social distancing guidelines and we have contingency plans.
Festival NewsMusic News

Greta Thunberg, Declan McKenna, Groove Armada, BLOND:ISH, Scuba, Sam Fender, Rebuke, Ida Engberg, Glass Animals, Everything Everything, AY Young, Ash, Sally C a.m.m join Climate Live to announce Global Concerts for Climate. Youth-led, 40+ Countries, on April 24th and October 16th 2021

by the partae November 20, 2020
written by the partae

On April 24 and October 16th, 2021 there will be simultaneous youth-led global climate concerts in over 40 countries, led by members of Fridays For Future youth climate groups who organise the school strikes, with artists, activists and scientists taking to the global stage to fight for climate justice.

7.6 million in 7,500 cities across the world took to the streets to demand climate action in September 2019, yet leaders still fail to act with the necessary urgency. Music has the power to unite people. Climate Live will harness the universal language of music to:

ENGAGE: enlarge the global movement by engaging a new audience through music.

EDUCATE: raise awareness of the challenges faced today by people on the frontlines of ecological breakdown, as well as those forecast by scientists for the future.

EMPOWER: pressure world leaders to take action to combat the climate crisis with a focus on COP26.

Each concert is being planned with sustainability as a top priority, working with events professionals, venues, artists and local authorities to strive to make the events as sustainable as possible. Mirroring the strikes, events will be on both large and small scales.

The race to safeguard the future of this planet has begun, so now we must come together. As Greta Thunberg, 17, from Sweden declares, “To change everything, we need everyone.”

Founder, Frances Fox, 19, from the UK said, “I started Climate Live in Spring 2019, after being inspired by an interview in which Brian May said there should be a Live Aid for the climate crisis. I thought this was a brilliant idea to engage more young people in the movement, with our own spin, so immediately started messaging activists from all over the world!”

Audiences attending Climate Live will come away with a feeling of empowerment and the tools to engage in the climate movement. 2021 is a key year for climate action. We have exactly one year until the UN COP26 conference, when governments will have to renew their Paris Agreement pledges. Climate Live calls for these to be more ambitious to meet the necessary 1.5°C targets.

Their question to world leaders is – “Can you hear us yet?”

Christiana Figueres, former Executive Secretary of the UNFCCC who played a key role in the 2015 Paris Agreement, states, “there is no doubt that young people, informed by science, have brought the climate crisis to the attention of leaders from all sectors. It is now our generation’s responsibility to protect what we love from the damages of climate change by following up on promises with the necessary actions in this decade, to fulfil the goals of the Paris Agreement. I applaud our brilliant young people for stepping up again to hold leaders to account in the lead up to COP26 in 2021, when countries must come together to show we are on track for a resilient future. Our young people have asked whether we can hear them. It is time to demonstrate that we are truly listening.”   

Glass Animals’ Joe Seaward urges, “time is running out for the planet as we know it. We must act now if we’re going to save it. The youth activists who are standing up need help and those with a voice have a responsibility to use it”

Climate Live is an opportunity for young people across the world to make their voices heard.

Mitzi Jonelle Tan, 23, from the Philippines (Convener of Youth Advocates For Climate Action Philippines) says, “we have just experienced four typhoons in the span of a month. I had to sit in the dark without electricity, not able to go home because the roads to our house were flooded up to the second floor of houses. This is the climate crisis, this is why we need action. We are the second most vulnerable country to the impacts of the climate crisis in the world. It’s a scary thing and we desperately need more people out on the streets if we want to see change. Climate Live is the perfect way to do that.”

“Climate Live is beyond just music. The climate crisis isn’t just an issue of the far-off future, it is today and we are experiencing the impacts right now. We need to act now.” Kevin Mtai, 24, Kenya, Founder of Kenya Environmental Activists Network.

“Climate Live will give a voice to those most affected by climate change and to the millions of young people concerned about the future of our planet.” Timi Barabas, 17, New Zealand.

“Climate Live is critical at a time when the climate crisis has become less prominent in the public eye.” – Andrea Manning, 22, USA.

“Hope is in the people, in the movement, which is getting bigger and bigger, but we need more people, and Climate Live is the opportunity for this to happen.” Nicole Becker, 19, Argentina, Co-Founder of Jóvenes Por El Clima Argentina.

Climate Live is supported by NGOs including Music Declares Emergency, REVERB, Greenpeace (UK, Brazil and New Zealand), Friends of the Earth (UK and Australia), Oxfam International, 350 International, Extinction Rebellion (UK and Brazil), My Eco Resolution, Stop Ecocide, YOUNGO (youth constituency of the UNFCCC), Client Earth, The Climate Coalition, Earth Rise, Bye Bye Plastic Foundation, Vision 2025, Green Music Australia and Ecolibrium.

Stay tuned for more exciting announcements coming soon including the lineup!

As climate activists we listen to the science and treat every crisis as a crisis, so each country is planning concerts adhering to social distancing guidelines and we have contingency plans.

November 20, 2020 0 comments
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FRANK IERO AND THE FUTURE VIOLENTS ANNOUNCE NEW EP 'HEAVEN IS A PLACE, THIS IS A PLACE' + STREAM COVER OF 'LOSING MY RELIGION' NOW + FULL EP OUT JANUARY 15 VIA UNFD
Music News

FRANK IERO AND THE FUTURE VIOLENTS ANNOUNCE NEW EP ‘HEAVEN IS A PLACE, THIS IS A PLACE’ + STREAM COVER OF ‘LOSING MY RELIGION’ NOW + FULL EP OUT JANUARY 15 VIA UNFD

by the partae November 20, 2020
written by the partae
Image: Mitchell Wojcik
Frank Iero and the Future Violence aka The Future Violents have announced that their new Heaven is a Place, This is a Place EP will be released on Friday January 15, 2021 via UNFD. Serving as a companion piece to 2019’s critically acclaimed full length, Barriers, the EP is split into two distinct movements.

Side A reveals the true meaning of “Violence”, a song title Iero has teased on bass drums in all his Future Violents music videos. Indeed, it’s opening gambit of “You got so sick, I thought I’d die, you got so down, I couldn’t get high” before the chorus refrain of “Your violence feels like kisses to me, your silence makes it harder to breathe, your distance feels like I’m not enough…I need your touch” sees Iero at his most scathing and damaged. Never have these words felt more relevant as they do now. This ferocity and redemptive anger continues into “Sewer Wolf “ where in the chorus Iero professes, “I come alive forged in fire, My love will break these chains built from pain, they can’t hold me down.”

In total contrast to side A, side B finds the band more delicate and thoughtful, complete with soaring soundscapes before the final crescendo of ‘Record Ender’. All while paying beautiful tribute to Iero’s journey with The Future Violents and its members musical fortitude.

In 2016, Iero and his guitar-playing brother in law, Evan Nestor, were involved in a brutal motor vehicle accident in Australia – one they barely survived. During the process of recovery, the REM song, ‘Losing My Religion‘ started making pivotal appearances in unusual places / weird circumstance and the mantra repeated itself as time went on.

STREAM ‘LOSING MY RELIGION’ NOW:
https://unfd.lnk.to/HIAPTIAP

PRE-SAVE ‘HEAVEN IS A PLACE, THIS IS A PLACE’ EP:
https://unfd.lnk.to/PresaveHIAPTIAP

When Iero resumed touring, post accident in 2017, one of the members of the support band, Kayleigh Goldsworthy, struck a chord both literally and proverbially.

Iero notes: “From the first show I was completely impressed with her musicianship and by touring together I realised she was also a rad human being who I desperately wanted to write and play music with. In my mind she was already in my next band, I just had to write the music, name the band, find the other musicians, oh and of course ask her. But during that first tour together we got to talking about how she played the mandolin and how we shared a love for R.E.M., and more specifically ‘Losing my Religion’. So, on the last night of tour in San Francisco we found an empty room/hallway/stairwell type place and made an iPhone voice memo demo of the song. It felt like magic and that was the moment I was convinced this couldn’t be the only thing we did together.”

Goldsworthy’s band was subsequently invited to tour the UK & Europe and in London, a BBC session at the legendary Maida Vale studios culminated in Iero, Nestor, and Goldsworthy recording their unique take on ‘Losing’ amidst analogue history and English rain. The magic in the air was palpable and despite being on a sold out tour for an existing album (Parachutes) everyone in the room knew that this was the starting point of something new and truly great.

Iero has always employed a new band name for each stage of his solo career (The Cellabration / The Patience / The Patients / The Future Violents / The Future Violence) and there surely can be no doubt that as ‘Losing My Religion’ is the start of the band then ‘Record Ender’, the closing track, is the bookmark conclusion as Iero sings “Maybe we fooled them all, at least I hope we did.”

Originally tracked at the same time as Barriers by Steve Albini, Heaven was finished and mixed by long-term friend and collaborator Steve Evetts in late 2020. Describing the Steve ‘squared’ sound as sonic perfection for these songs, Iero is quick to point out that this is not merely leftovers from Barriers but very much a main course.

“The Future Violents was the perfect band at the perfect time for me. The creativity flowed through us like rapids and we didn’t stop writing because we ran out of inspiration…it was just time to go to the studio. In fact I was still writing at the studio, but I allowed myself the luxury of 14 songs on the record leaving 3 to survive in the shadows. Lying in wait. I knew I wanted them to see the light, it was just a matter of how and when.”

Elaborating on the origins of the EP, Iero comments, “The title of the EP actually comes from the night before we started recording Barriers at Electrical Audio in Chicago. The band went out to eat and get drinks at a local Tiki bar called, Lost Lake. On the menu that night there was a drink called Heaven is a place/This is the place.” shares Iero on the meaning behind the EP title. “I love when the universe gives you gifts like that. You just have to be in tune to your surroundings. The name struck me as clever and I started to think about how changing one word in that title meant something way more profound to me. Heaven is a place, if you believe in that sort of thing…It is the reward at the end of a long hard journey of fighting the good fight and living your life to whatever standards you hold dear. But it’s just a place. And so is this…This is a place, the earthly realm, miraculous on so many levels but also just a place. The difference is you and your perception.”

‘HEAVEN IS A PLACE, THIS IS A PLACE’
EP TRACKLISTING:

1. Violence
2. Sewer Wolf
3. Losing My Religion
4. Record Ender
Heaven features Evan Nestor on guitar and backing vocals, Murder By Death’s Matt Armstrong on bass, Thursday’s Tucker Rule behind the drum kit and Kayleigh Goldsworthy on keys, mandolin, and violin.

Heaven Is A Place, This Is A Place is out in full Friday January 15, 2021 via UNFD.

LATEST ALBUM ‘BARRIERS’ OUT NOW:
https://unfd.lnk.to/barriers

CONNECT WITH FRANK IERO:

Facebook
https://www.instagram.com/frankieromustdie/
Website
Spotify
November 20, 2020 0 comments
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TASMAN KEITH SHARES NEW SINGLE 'CONFIDENT' ANNOUNCES FORTHCOMING DEBUT MIXTAPE 'TO WHOM IT MAY CONCERN' OUT DEC 11 WINS 2020 J AWARD FOR AUSTRALIAN MUSIC VIDEO OF THE YEAR
Music News

TASMAN KEITH SHARES NEW SINGLE ‘CONFIDENT’ ANNOUNCES FORTHCOMING DEBUT MIXTAPE ‘TO WHOM IT MAY CONCERN’ OUT DEC 11 WINS 2020 J AWARD FOR AUSTRALIAN MUSIC VIDEO OF THE YEAR

by the partae November 20, 2020
written by the partae

PRAISE FOR TASMAN KEITH

“A man on a mission”
triple j

“One of the best examples of pure Australian hip-hop we’ve been treated to”
Complex

“Tasman’s razor-sharp lyrics tackle family, identity and race with potency.
His talent has been obvious from the get-go.” 

Red Bull Music

21 Top Indigenous Acts To Tune Into
Peter Garrett (Midnight Oil)

“Determined to use his platform to give a voice to the voiceless”
Acclaim Magazine

“Tasman Keith is taking control of the narrative”
FBi Radio

“One of the most exciting voices in hip hop in Australia right now”
Purple Sneakers

“Leading Australia’s hip-hop and soul future”
Pilerats

Off the back of two sold-out shows in Sydney and the 2020 J Award for Best Australian Music Video Of The Year overnight, ascendant Bowraville-born rapper Tasman Keith today shares his latest single, ‘CONFIDENT’, and announces the forthcoming release of his debut mixtape To Whom It May Concern due this year. Listen HERE.

Muscular and minimal, ‘CONFIDENT’ leans into the trunk-rattling, bare-bones style of previous single ‘BILLY BAD AGAIN’. With twisted, nocturnal synths, skittish percussion, and a late beat switch leading to a raucous, half-time climax, ‘CONFIDENT’ is not the first time Keith’s music can compare to Kendrick Lamar’s. What makes the comparison all the more apparent is Tasman’s finely-tuned craft; a flow that moves between leisurely, unapologetic aplomb and razor-sharp lucidity, oozing tenacity, perseverance, and an elemental self-assuredness no matter which gear he’s operating in. The result is goosebump inducing furore.

“Over the three verses in this song, I’m speaking to three different things,” Tasman shares. “In the first verse, I’m speaking on the confidence within myself. The second is me showing my confidence to the suits in the industry, and the third is showing it to racists/bigots. The third verse is also a moment where all three things are addressed in one verse.”

2020 has seen Tasman’s profile continue to rise through collaborations and guest features, appearing on Jimmy Nice’s ‘Same Water’, Northern Territory producer Kuya James’ powerful single ‘No Country’, including its own stripped-back version ‘No Country (Piano In F Minor)‘, and alongside Jessica Mauboy on ‘First Nation’, the second single lifted from The Makarrata Project, Midnight Oil’s first studio album in over 18 years. Tasman capped yet another banner year with his debut TV performance twice on the second season of The ABC‘s live music series, The Sound.

Despite ‘CONFIDENT‘ being only his second solo release of the year this far, Tasman Keith continues to live up to its title – and then some. 

‘CONFIDENT’ by Tasman Keith is out now, buy/stream it here.
To Whom It May Concern Mixtape out Dec 11.

TO WHOM IT MAY CONCERN TRACKLIST
1. 10SPEED
2. 65 ft. Wire MC & Gamirez
3. CONFIDENT
4. THESE DEVILS
5. ANSWER ft. Parissa Tosif

Stay connected with Tasman Keith:
Facebook | Twitter | YouTube | Instagram | Soundcloud

November 20, 2020 0 comments
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EPIZODE Festival launches EPIZODE RECORDS, invites artists to send demos
Music News

EPIZODE Festival launches EPIZODE RECORDS, invites artists to send demos

by the partae November 20, 2020
written by the partae

World’s most immersive festival – EPIZODE has just launched a record label EPIZODE RECORDS. The imprint will be releasing music on both digital and vinyl formats, featuring emerging artists from around the world. EPIZODE RECORDS will correspond with the festival’s eclectic concept that brings a wide range of electronic music genres, from groovy techno and micro house to atmospheric and experimental sound. The first release is planned for early 2021 with three more releases and collaborations to follow in the same year. All releases will be featuring the sound that matches four Epizode stages: Main Stage, Frisbee, Eggs, and Shell.

EPIZODE RECORDS now invites all artists to send their demos to the email: demo@epizode.asia.

“We started Epizode festival with a vision to unite people from around the world through quality music. Now, five years later, we’re happy that our initial idea got materialized as a label as well. We’re proud to present our brand new platform which will be showcasing various talents and bringing the special sound and vibe Epizode is well known for. We’re looking forward to listening to all your demos and to feature the best ones”, said Epizode team.

EPIZODE5 will be held on Vietnam’s blissful Phu Quoc island, from December 29th 2021 to January 9th 2022. The 11-day cutting-edge festival will be featuring electronic music legends such as RICARDO VILLALOBOS, JAMIE JONES, LOCO DICE, DEBORAH DE LUCA, DUBFIRE, [A:RPIA:R], APOLLONIA, NASTIA, SONJA MOONEAR and MR.C, to name a few. They will be playing alongside the greatest Europe and Asia’s talents including FIDELES, VLADA, MICKEY ZHANG, LOUISE CHEN, OUISSAM, ROUSTAM, SUNJU HARGUN and YAYA. All these artists will bring their grooves to Epizode’s iconic beach dotted by mind-blowing stages and art installations, for an unforgettable NYE extravaganza. Additionally, Epizode’s 24hr program will present exciting wellness experiences and plethora of day activities, all wrapped into colorful sunsets and tropical landscapes.

In a short span of four years, EPIZODE has made an impressive mark internationally by pushing the Asia-Pacific music scene forward. With the vision to unite people from around the globe, the festival has become a top destination to ring in the New Year, gathering music enthusiasts, art lovers, experiential seekers and music industry professionals together. Sunset Sanato beach in Phú Quốc offers an immersive festival experience, surrounded by lush jungles, heavenly food, and awesome people.

 

More information on the following links.

Epizode Website (www.epizode.asia)

Epizode Facebook (@epizode.official)

Epizode Facebook (@epizode.festival)

Epizode Instagram (@epizode_official)

Epizode Instagram (@epizode.festival)

November 20, 2020 0 comments
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JEROME FARAH SHARES SAUCY THIRD SINGLE 'VIBRATE'
Music News

JEROME FARAH SHARES SAUCY THIRD SINGLE ‘VIBRATE’

by the partae November 20, 2020
written by the partae

PRAISE FOR JEROME FARAH

“A powerful debut”
NME Australia

“I Can’t Breathe threads attitude with artistry”
triple j

“Jerome Farah pulls no punches”
Acclaim Magazine

“Chilling”
Sniffers

“Farah is wasting no time proving he is one to watch with another total home run”
Purple Sneakers

Melbourne singer-songwriter and producer Jerome Farah today shares his latest single, ‘Vibrate‘. Listen and watch HERE.

After his electrifying, politically-charged and compelling debut, ‘I Can’t Breathe‘, and surveying the hurt of racial stereotypes on the contemplative second single, ‘Mikey Might‘, Jerome takes his dexterous, genre-melding sound to comparatively lighter and poppier ends on just his third solo single to date. Self-assured and justified in its own saltiness, ‘Vibrate’ addresses an ex-lover, reveling in the satisfaction that comes from having moved onto something better while the other has stayed in the same place. On ‘Vibrate‘, as always, Farah is chasing honesty both through and within his music, whether that’s speaking to police brutality, the hurt of racial stereotypes or a spurned ex.

Mixing looped, chanting vocals with his free-ranging flow and an insistent instrumental, ‘Vibrate‘ demonstrates that Jerome plans to approach his career with the same boundaryless attitude with which he produces and writes his own music, having covered more artistic ground and taken more surprising-but-profitable risks in this opening stanza than most artists his age. Completing the release is the music video, shot during Stage 4 lockdown in Melbourne with the help of just one other person – watch BELOW.

Prior to stepping into the spotlight as one of Australian music’s breakout stars of 2020, the 27-year-old Jerome Farah was an APRA-Award winning, ARIA nominated songwriter and a much-sought-after collaborator, having previously worked with Tash Sultana on ‘Willow Tree‘, Baker Boy (‘Marryuna‘, ‘Mr La-Di-Da-Di‘, ‘Meditjin‘), KIAN on ‘Waiting‘, Tkay Maidza‘s ‘You Sad‘, plus Adrian Eagle and Dallas Woods. A stylistic polymath, Jerome’s fusion of neo-soul, R&B and alternative rap threads together styles and influences informed by his multicultural upbringing.

His first two solo singles landed like dynamite across the Australian music landscape, receiving full rotation on triple j, as well as garnering praise from NME Australia, Acclaim, Pilerats, Purple Sneakers and more, Jerome Farah’s debut singles have so far amassed a combined over one million streams worldwide and featured on playlists ranging from RADAR AU & NZ to Alt Rap, Breaking R&B, Fresh Finds and more. 

‘Vibrate‘ by Jerome Farah is out now, buy/stream it here.

Stay connected with Jerome Farah:
Website | Instagram | Facebook | Soundcloud | Twitter | TikTok

November 20, 2020 0 comments
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Thick as Thieves assemble 140 music industry creatives to complete marathon for charity
Music News

Thick as Thieves assemble 140 music industry creatives to complete marathon for charity

by the partae November 20, 2020
written by the partae

The team at Thick as Thieves is synonymous with dance music events in Melbourne. Still, over the past decade, they added another page to their portfolio: organising charity drives for The Fred Hollows Foundation. Despite their efforts raising over $800,000 for the foundation, their current Quick As Thieves campaign might be their most ambitious drive to date. On Saturday, 5 December, a team of 140 music industry creatives will run a half or full marathon (42,2 km) spanning the coastal loop. (Six of those contestants will complete an ultra-marathon which is 63,3 km). Not only has everyone involved pledged to fundraise $1000, but for many, it will be their first time competing in an endurance race.

Since 2015, we’ve had a small team doing an annual charity drive by entering various fitness events like Coastrek,’ explains Mike Toner, the Thick as Thieves Director. ‘We’ve probably run, cycled and swam over 1,500km so far – all in the name of charity.’ This year, when Toner cast the net to assemble a team, he was blown away by the interest. One hundred and forty willing participants came forward, eager to take on the challenge of fundraise $1k each by completing a half or full marathon. ‘It was an incredible response, and a lot of the interest came from the music industry sector’. Marathon fit DJs? Prepare yourself for early morning DJs training for a marathon instead of leaving Revolver. ‘Ha, all the team members are very excited. We started a wholesome WhatsApp group where everyone is highly supportive of each other’s efforts.’  

The interest has indeed come from very surprising quarters. Included in this year’s race is Benson, Melbourne’s festival conquering and the self-confessed bad boy who ‘your parents love to hate’, global club chart-topping producer Torren Foot, and Thick as Thieves family members Jacob Malmo and Mike Callander. Information about the campaign even reached Sydney, bolstering local creatives to join the cause. This lead to many early morning runs amongst industry insiders Ming Gan, Scott Robertson, Paul Stix, Graham Cordery and Ben Ashton.

However, due to COVID uncertainty, the Sydney chapter completed their marathon on 22 September. ‘None of us had ever done a full marathon before,’ recalls Fuzzy Director Ming Gan.‘ When we first started training for this, I had rarely run more than 5km in the past, so the aim for me was a half marathon.’ In the end, the whole team’s determination paid off, with Cordery finishing a half marathon and the rest a full marathon. And for their efforts, they raised $15,000 for the Fred Hollows Foundation.

However, as Mike explains, the charity drive’s most famous supporter hails from Frankston. ‘I started jogging with a good friend Chris Coe who happens to be a studio engineer working with Carl Cox. When he told Carl about the project, the legend was immediately interested in helping out. So we asked Carl if he would be up for delivering the prizes on the day which he agreed to.’ Further fundraising motivation comes in the form of technology brand Pioneer. The DJ industry global leader will award the biggest fundraiser with a brand new V10 mixer valued at $6,000.

Current estimates have this year’s event set to raise over $250,000 of which 100% of proceeds will go to the Fred Hollows Foundation. Aside from raising money for such a great cause, Mike notes that a by-product of past runs has been the significant benefits to mental health and physical well being for participants. ‘Especially during COVID, this run has given many participants something to focus on.’

  www.thickasthieves.com.au/

November 20, 2020 0 comments
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RAJ MAHAL RELEASES FRENETIC RAW DAWG EP
Music News

RAJ MAHAL RELEASES FRENETIC RAW DAWG EP

by the partae November 20, 2020
written by the partae
Photograph by Jordan Munns

PRAISE FOR RAJ MAHAL

“About to ascend to a whole new level”
Red Bull Music

“Dominating our rap world”
Pilerats

“No matter what mood you’re in, Raj will find a way to scream, spit, or
sing you right into the middle of the mosh pit”

Acclaim

“Fuses bars with elements of punk and electronic, making for
a sound that’s perfectly suited for mosh pits.”

Complex

“Uncompromising and unlike anything else coming out of the country right now”
Life Without Andy

Sydney-via-Boston rapper Raj Mahal today releases the dark and frenetic EP, RAW DAWG. With the release comes with visual for ‘KAPPA‘. Listen HERE and watch HERE. 

With this release, Raj Mahal is staunch, firm and intense, traversing an array of sonic bounds. Joining the hard-edged ‘GLIMPSE‘ and minimalist ‘GET ME FROM‘ includes the gothic driven ‘GUARANTEE‘ and hymnal backed ‘2DOECOO‘, before shifting to the electronica laden ‘BREAKS‘ contrasted with the trap heavy ‘PASTRANAK‘ and ‘EZAQLEE‘. ‘DUCHOVY‘ rallies the RAW DAWG journey together, with a sample of Raj reflecting, “When you’re down you’ll never be able to compare yourself to when you’re up, but later you’ll completely forget about that shit and move onto the next.” Earnest in its entirety, RAW DAWG is a display of the stark mental state that birthed it. Throughout, Mahal’s message is clear – the long time hustler for his craft is on a mission for stardom.

For the Boston born rapper, relocating to Australia was a decision made to find himself both emotionally and musically. Inspired by his uncles, key members of Boston’s small hip hop scene, Raj Mahal began rapping as a teenager, but his primary focus was on pursuing a career in football. Before long, with his family’s influence and an unsuspecting introduction to a producer several oceans away, Mahal put football on the backburner and took the plunge. No longer holding back with his drone laced blows, Mahal hopes to craft a lane for hip hop’s formidable storytelling origins to return to the local spotlight.

Reflecting on his journey with the release of this EP, Raj Mahal shares: “RAW DAWG was a self care mechanism that helped get me out of a dark place this year. It made me remember who I am and what I’m about to do and I don’t plan on forgetting that ever again.”

RAW DAWG is Raj’s first major release since 2017’s, Neva Safe, following on from a string of standalone singles that has seen his stock skyrocket in his adopted country’s hip-hop scene. In between then releases Mahal has collaborated with Triple One, Nerve, Dro Carey, Yibby and more, has performed as one quarter of Savour the Rations, his group with Gibrillah and Domba, and has opened for Wiley, YG and Smokepurpp on their Australian tours. Now with RAW DAWG, Mahal arrives with guts and soul-baring faith, in an exercise of zero restraint.

RAW DAWG EP is out now, buy/stream it here.

TRACKLIST
GET THAT
GUARANTEE
2DOECOO
CARTRIDGE
KAPPA (FT. DANTÉ KNOWS)
BRAKES
GLIMPSE (FT. DANTÉ KNOWS)
GET ME FROM
PASTRANAK
EZAQLEE
DUCHOVNY

Stay connected with Raj Mahal:
Facebook | Instagram | Spotify | Youtube | Soundcloud

November 20, 2020 0 comments
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RELEASE DEBUT ALBUM FIRST CONTACT, REVEAL INCREDIBLE LIVE PERFORMANCE FILM FOR 'OUT OF TOUCH' + PERFORMING SOLD-OUT SHOWS IN QLD
Music News

RELEASE DEBUT ALBUM FIRST CONTACT, REVEAL INCREDIBLE LIVE PERFORMANCE FILM FOR ‘OUT OF TOUCH’ + PERFORMING SOLD-OUT SHOWS IN QLD

by the partae November 20, 2020
written by the partae

Lastlings today reveal their lush twelve track debut album First Contact (out now via Liberation Records). With anticipation heightening from one single to the next over the past year, siblings Josh and Amy Dowdle have finally revealed the LP in its entirety. First Contact explores the senses and emotions that arise when encountering experiences for the first time.

Coinciding with the release of the album, the duo also unveil the epic live performance film for their latest single ‘Out Of Touch’. Shot on location at a series of stunning landscapes throughout South Australia and Queensland, and working alongside Sydney-based director and creative Dylan Duclos, the video sees Josh and Amy exploring an otherworldly realm.

A first brush with love, an introduction to the darkness of disappointment, one’s inaugural feeling of hope amidst a world devoid of meaning – these are the experiential lenses through which First Contact is best heard and felt. It is this sense of narrative immersion that stands at the center of the project, always connecting back to life’s milestones from one’s first breath to last.
“First Contact is all the moments we experience for the first time, how special they are and how important they are in shaping us as people. It is about those beautiful moments when we feel love for the first time, a child taking its first steps or travelling to a new destination. It’s also about the sombre moments in our life where we have lost something or someone for the first time and how we grow and change from these. We hope that this album sparks all the beautiful and important memories, feelings and emotions that you felt when you experienced something for the first time.” – Lastlings on the meaning behind First Contact

The album opens with the love-swept vocals of ‘Deja Vu’, cascading into ‘Take My Hand’ which presents a chase scene energy as fit for dancefloors as it is for science fiction’s past. ‘Out of Touch’ showcases the organic production that primes the album for mainstages worldwide, with delicate guitar licks proclaiming the duo’s destiny for live-electronic stardom. ‘False Reactions’, with its building melodic potency, ushers the listener through the precipice of the album where the intricacies of ‘Last Breath’ and ‘No Time’ demonstrate just why this band has truly arrived. It is at the record’s finale that its meaning truly takes form, with ‘I’ve Got You’ offering a timely look into the artists’ urgency to check in on those they love.Partially written at a remote snow-capped house in tranquil Aomori, a small fishing village on the northern side of Japan and their grandparents’ hometown, Lastlings weave elements of Japanese landscapes and cultural touch points throughout First Contact. The album also has clear recalls to their cinematic, science fiction muses: Blade Runner, Akira, Ghost in the Shell and Studio Ghibli films.

Lastlings’ deep sense of artistry and determination have set them apart across today’s musical landscape. Championed by Grammy-nominated trio RÜFÜS DU SOL, Lastlings has been warmly welcomed to the band’s own label, Rose Avenue Records. Since then, they’ve worked with producers like SG Lewis, remixed by Totally Enormous Extinct Dinosaurs, and toured with industry giants like Two Door Cinema Club, Bob Moses, and Glass Animals. Together with their three piece live setup featuring Josh on keys and guitar, a live drummer, and Amy on vocals, they have played career-defining sold-out shows alongside RÜFÜS DU SOL at Colorado’s Red Rocks, Los Angeles State Historic Park and many other renowned venues. Their latest single ‘Out Of Touch’ can currently be heard on the airwaves of triple j or found across a myriad of Apple Music and Spotify playlists globally.

It is with an inquisitive and open mind that listeners can find meaning at every turn as they experience Lastlings’ ever growing universe through the emotive soundscapes of First Contact.

LASTLINGS – FIRST CONTACT ALBUM LAUNCH SHOWS
Saturday 21 November | The Triffid, Brisbane (early show) |  SOLD OUT
Saturday 21 November | The Triffid, Brisbane (late show) | SOLD OUT
Friday 4 December | Miami Marketta, Gold Coast (early show) | SOLD OUT
Friday 4 December | Miami Marketta, Gold Coast (late show) | SOLD OUT
Saturday 5 December | Miami Marketta, Gold Coast (early show) | SOLD OUT
Saturday 5 December | Miami Marketta, Gold Coast (late show) | SOLD OUT
First Contact
Lastlings

Album out now through Liberation Records
Available to buy/stream hereFirst Contact tracklisting: 
1. Deja Vu
2. Take My Hand
3. Out Of Touch
4. False Reactions
5. 9400
6. Last Breath
7. No Time
8. Visions
9. AI
10. Held Under
11. First Light
12. I’ve Got You
November 20, 2020 0 comments
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WOLF & CUB New album NIL is out today!
Music News

WOLF & CUB New album NIL is out today!

by the partae November 20, 2020
written by the partae

Photo credit: Jos Eastwood

Praise for NIL

“Plays like a highlight reel of what they do best: brooding guitar riffs, agile rhythm section, palpable mood swings and effects-shrouded vocals from leader Joel Byrne.” – NME, ★★★★

 “A mighty return to form.” – Rolling Stone

“A solid, pulsing slice of noisy rock that makes us feel like they’d never left.” – Double J

“The bearded boys are back, sounding darker and heavier than ever” – Grass FIres

Today, Wolf & Cub release their fourth album NIL via Part Time Records / Remote Control.  

Featuring the dark and abrasive first single ‘Blue State’ & searing second single ‘Close to the Edge’, NIL is Wolf & Cub‘s first long-form release since 2013’s Heavy Weight. Where Heavy Weight hinted at the band’s ability to traverse tougher terrain, NIL sees the band gravitate away from previous psych-rock offerings in favour of a masterful and revelatory heaviness.

Produced by the band and released on bandleader Joel Byrne’s own label Part Time Records, NIL was recorded in Sydney at a variety of locations across a protracted timeframe. The album is crushing in its intensity as Wolf & Cub embrace the freedom that comes with starting again and the confidence that comes from experience. “My measurement for Wolf & Cub’s success in my late-thirties is significantly different from what it was at the beginning of our career,” says Byrne. “There’s no burden of expectation here.”

Byrne makes it clear that Wolf & Cub in 2020 is entirely comfortable with their place in the musical landscape: “I think we all saw Heavy Weight as something that had more commercial potential than anything we’d done. When it didn’t live up to those expectations it kind of derailed us. NIL is the result of us going against every instinct that was behind Heavy Weight. It’s liberating: this time it feels like we’re only answering to each other.”

Listen / Download / Buy Wolf & Cub – NIL: https://wolfandcub.lnk.to/NIL

Wolf & Cub – NIL1. Blue State
2. Level
3. Close to the Edge
4. Witch Trials
5. Nil Desperandum
6. Losing Touch
7. Desperate
8. Light of The Morning
9. Undone
10. Bleed Generation

Wolf & Cub – NIL is out now via Part Time Records / Remote Control
Wolf & Cub
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November 20, 2020 0 comments
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Where are you currently based? I currently live in the Gold Coast.   How did you first start playing music? I’ve literally been playing for my whole life. My family was really involved in Country music competitions when I was growing up, and I started competing when I was 3. My mum is a music teacher, so I was pretty lucky that I got to grow up learning how to play different instruments and always being surrounded by music.   What's been happening recently and how has your Covid experience been so far? Honestly Covid has been pretty lonely! I was definitely lucky because I never lost my job and I wasn’t as hugely impacted as I know a lot of other people have been so I am grateful for that, but I had only just moved to the Gold Coast about 2 months before everywhere started to shut down. I didn’t know anyone here before I moved, so when the restrictions started being implemented I spent a lot of time by myself, which was pretty tough. Recently though, things have been going really well! I’ve started gigging more which has been awesome, and I’ve been able to spend a lot more time working on my music as well which I’m loving. And with more restrictions being lifted all the time, it’s been really great finally being able to see more of the Gold Coast.   Your latest single 'Cut My Nails' is out now, what influenced the sound and songwriting? I feel like the emotion behind the song is what influenced the sound. I was writing about a really dark and heavy period of my life, and I think the track is very reflective of that; it gives off this kind of sinister and unstable vibe, which is definitely how I was feeling during the time that I was writing about.   How did you go about writing Cut My Nails? It was actually kind of a hard song to start. My co-writer/producer (Parker Rose)  and I were playing around with a couple of different ideas when I randomly said that I needed to cut my nails, and we kind of just decided it would be a cool lyric and then sat on it for a while before we decided to run with it. It was such a fun song to write though - super experimental which is always exciting, and it was also just really therapeutic. I feel like once we got in the zone, the whole song came together really easily as far as writing it goes.   Where and when did you record/produce? Cut My Nails was Written and Produced at Parkers old studio on the Gold Coast   Please tell us about your connection to the LGBTQI community: After I came out and had to move out of home, I didn’t feel like there were a lot of people in my life that I could really connect with about what I was going through, which was really isolating. Being apart of the LGBTQI community and meeting people with similar experiences to me and being able to celebrate who I am and my sexuality instead of wishing I could change it was so important. Going to Pride festivals and drag shows and meeting people who knew what I was going through and had come out the other side played such a huge role in me accepting myself and getting myself through one of the darkest periods of my life. I really feel so lucky to be apart of such an amazing community that celebrates love and individuality and self expression so intensely. What's planned for the remainder of 2020 going into 2021? I just finished my third single as Cut My Nails was being released so that will be coming out soon! I’m also working on releasing an EP in 2021 so that’s something pretty exciting to look forward to!   Who are you listening to at the moment? I have a few of my all time favourites like Billie Eilish, Benee and Jessie Reyez. Right now though, I really love Alexander 23, FLETCHER and G Flip.   What do you like to do away from music? I love dancing (although I’m really not very good at it, but I don’t mind). I also really like cooking, and I love hanging out with my friends.   What's planned for the remainder of 2020 going into 2021? I just finished my third single as Cut My Nails was being released so that will be coming out soon! I’m also working on releasing an EP in 2021 so that’s something pretty exciting to look forward to!   Favourite food and place to hangout? I absolutely love sushi, it’s easily one of my favourite foods. Either that or strawberry pierogi. My stepmum used to make them for me when I was younger, I’m obsessed with them! As for my favourite place to hangout, I love taking my dog to the beach or going out somewhere with live music. Instagram https://www.instagram.com/its.talia.rose/ Facebook https://www.facebook.com/its.talia.rose
Music InterviewsMusic News

Talia Rose

by the partae November 20, 2020
written by the partae

Where are you currently based?

I currently live in the Gold Coast.

How did you first start playing music?

I’ve literally been playing for my whole life. My family was really involved in Country music competitions when I was growing up, and I started competing when I was 3. My mum is a music teacher, so I was pretty lucky that I got to grow up learning how to play different instruments and always being surrounded by music.

What’s been happening recently and how has your Covid experience been so far?

Honestly Covid has been pretty lonely! I was definitely lucky because I never lost my job and I wasn’t as hugely impacted as I know a lot of other people have been so I am grateful for that, but I had only just moved to the Gold Coast about 2 months before everywhere started to shut down. I didn’t know anyone here before I moved, so when the restrictions started being implemented I spent a lot of time by myself, which was pretty tough. Recently though, things have been going really well! I’ve started gigging more which has been awesome, and I’ve been able to spend a lot more time working on my music as well which I’m loving. And with more restrictions being lifted all the time, it’s been really great finally being able to see more of the Gold Coast.

Your latest single ‘Cut My Nails’ is out now, what influenced the sound and songwriting?

I feel like the emotion behind the song is what influenced the sound. I was writing about a really dark and heavy period of my life, and I think the track is very reflective of that; it gives off this kind of sinister and unstable vibe, which is definitely how I was feeling during the time that I was writing about.

How did you go about writing Cut My Nails?

It was actually kind of a hard song to start. My co-writer/producer (Parker Rose)  and I were playing around with a couple of different ideas when I randomly said that I needed to cut my nails, and we kind of just decided it would be a cool lyric and then sat on it for a while before we decided to run with it. It was such a fun song to write though – super experimental which is always exciting, and it was also just really therapeutic. I feel like once we got in the zone, the whole song came together really easily as far as writing it goes.

Where and when did you record/produce?

Cut My Nails was Written and Produced at Parkers old studio on the Gold Coast.

Please tell us about your connection to the LGBTQI community:

After I came out and had to move out of home, I didn’t feel like there were a lot of people in my life that I could really connect with about what I was going through, which was really isolating. Being apart of the LGBTQI community and meeting people with similar experiences to me and being able to celebrate who I am and my sexuality instead of wishing I could change it was so important. Going to Pride festivals and drag shows and meeting people who knew what I was going through and had come out the other side played such a huge role in me accepting myself and getting myself through one of the darkest periods of my life. I really feel so lucky to be apart of such an amazing community that celebrates love and individuality and self expression so intensely. What’s planned for the remainder of 2020 going into 2021? I just finished my third single as Cut My Nails was being released so that will be coming out soon! I’m also working on releasing an EP in 2021 so that’s something pretty exciting to look forward to!

Who are you listening to at the moment?

I have a few of my all time favourites like Billie Eilish, Benee and Jessie Reyez. Right now though, I really love Alexander 23, FLETCHER and G Flip.

What do you like to do away from music?

I love dancing (although I’m really not very good at it, but I don’t mind). I also really like cooking, and I love hanging out with my friends.

What’s planned for the remainder of 2020 going into 2021?

I just finished my third single as Cut My Nails was being released so that will be coming out soon! I’m also working on releasing an EP in 2021 so that’s something pretty exciting to look forward to!

Favourite food and place to hangout?

I absolutely love sushi, it’s easily one of my favourite foods. Either that or strawberry pierogi. My stepmum used to make them for me when I was younger, I’m obsessed with them! As for my favourite place to hangout, I love taking my dog to the beach or going out somewhere with live music.

 

Tiktok
www.tiktok.com/@its.talia.rose

Instagram

https://www.instagram.com/its.talia.rose/
Facebook
https://www.facebook.com/its.talia.rose
November 20, 2020 0 comments
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DRY CLEANING Release new single 'Scratchcard Lanyard' Official video by Rottingdean Bazaar Watch KEXP live performance
Music News

DRY CLEANING Release new single ‘Scratchcard Lanyard’ Official video by Rottingdean Bazaar Watch KEXP live performance

by the partae November 20, 2020
written by the partae
Photo Credit Pooneh Ghana

Today, Dry Cleaning share the song ‘Scratchcard Lanyard’, the group’s first release on 4AD / Remote Control Records.

‘Scratchcard Lanyard’ is a treatise on the joy of life’s little pleasures, where air fresheners become mighty oaks and Instagram filters are glamourous holiday destinations. The South London band explain further – “In the search for your true calling in life, it’s easy to try so many things that you end up confused. It can lead to an enormous build-up of frustration. You may fantasise about exacting revenge upon your real or imagined enemies. Ephemeral things and small-scale escapist experiences can provide some relief!”

The companion video for ‘Scratchcard Lanyard’ is the directorial debut of artist duo Rottingdean Bazaar, whose concept and set design – riffing on the song’s celebration of the humdrum – inserts vocalist Florence Shaw into her own miniature night club. Rottingdean Bazaar are artists James Theseus Buck and Luke Brooks. Their work includes design, creative direction and fine art practices, and the duo live and work in Rottingdean, East Sussex in the UK.

Dry Cleaning is Nick Buxton (drums), Tom Dowse (guitar), Lewis Maynard (bass) and Florence Shaw (vocals). Firm friends for years, they only started making music after a karaoke party in 2017 inspired a collaboration. They wrote instrumentally to begin with and six months later Shaw, a university lecturer and picture researcher by day, joined on vocals with no prior musical experience.

Dry Cleaning’s music is simple – direct and uncomplicated. The Feelies, the Necessaries, the B52s and Pylon all served as inspirations when the band first came together. The small and intimate garage / rehearsal space had a huge influence on the sound; both of last year’s EPs Boundary Road Snacks and Drinks and Sweet Princess were written here. The quartet have finished work on their debut album, with details to follow soon.

Back in March, Dry Cleaning recorded a live session for KEXP in their Seattle studio – the last in-person session recorded before COVID-19 hit. Check out the full performance including ‘Scratchcard Lanyard’ and previous singles ‘Magic Of Meghan’, ‘Viking Hair’, & ‘Conversation’ here.

Dry Cleaning – Scratchcard Lanyard
Listen / Save / Download: 
https://drycleaning.ffm.to/scratchcardlanyard

Dry Cleaning – ‘Scratchcard Lanyard’ is out now via 4AD / Remote Control Records

Dry Cleaning
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November 20, 2020 0 comments
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TATYANA Releases new single 'Back In My Head'
Music News

TATYANA Releases new single ‘Back In My Head’

by the partae November 20, 2020
written by the partae

Select Praise for TATYANA’s Shadow On The Wall EP

“Hovering and delicate vocals make it feel like a bittersweet hallucination.” – NYLON 

“A lushly produced pop single.”  – The FADER

“Tatyana and her harp have always been a package deal and for good reason – together, they are magical.” – Office Magazine

“Weightless pop vocals underpinned by her harp and lush, soupy synths.” – Crack Magazine

“The ethereal quality of’“Shadow On The Wall’ contrasts with the song’s rather ordinary subject matter.” – The Line Of Best Fit 

“A celestial combination of Lorde and Christine and the Queens” – tmrw Magazine

“New & Notable” – Bandcamp 

“Smooth pop gem.” – Dork  

“Rising Artist” – Vinyl Me Please

“Between Kate Bush, Bjork, and Tears For Fears … there’s also something vividly original at work.” – CLASH

“An astral surprise sculpting her musical dreamland – a vivid wonder that will consume your consciousness” – Cultr

Early this year, emerging U.K.-based singer, producer and harpist TATYANA, released her thrilling debut EP Shadow On The Wall via Sinderlyn, that was praised by tastemaker outlets including NYLON, FADER, office, Line of Best Fit, Crack, and more. Today she releases ‘Back In My Head’ a new single off an evolving mixtape called MELT. Like many of TATYANA’s songs, ‘Back In My Head’ is about the digitisation of romance that is accompanied by soothing, Charli XCX like, auto tune fem vocals.

From TATYANA – “’Back In My Head’ is the first track for a project I have called MELT, which will be a sort of evolving mixtape. I’ll be adding songs to it that fit a certain kind of mood I write from sometimes – darker, minimalist, more experimental. I like to try on different hats so to speak when it comes to making music and not be tethered to a linear approach.

The song itself is quite personal – I was on YouTube late one night and the algorithm posted up a video of someone I used to be involved with. A rush of memories came flooding back, and I realised how much had changed since I had stopped thinking about him. It was such an intense feeling that I just hit record in the studio at 2am, and a stream-of-consciousness lyric came out. It turned a painful moment into something beautiful.”

The Shadow On The Wall EP is a culmination of TATYANA’s impressive first steps. TATYANA lived in Holland, Russia, Singapore, and Boston – where she attended Berklee College of Music on a full scholarship – before settling back in her hometown of London in 2017; the transient nature of her upbringing has certainly informed her music. TATYANA enjoyed a huge swell of praise since releasing her stunning debut single ‘Wild Card’ in March – drawing instant acclaim from The FADER “a lushly produced pop single”, Dork “smooth pop gem” and CLASH “between Kate Bush and Bjork, and Tears For Fears… there’s also something vividly original at work”. From underground raves to viral YouTube covers to playing harp on tour with Neneh Cherry, there seems to be no scene that she doesn’t thrive in. Her new music is a multi-faceted product of all of that experience, the kind of precisely produced, impossibly catchy pop that takes other artists their entire careers to nail.

Listen to ‘Back In My Head‘ https://tatyana.ffm.to/backinmyhead.opr

TATYANA – ‘Back In My Head’ is out now via Sinderlyn / Remote Control
sinderlyn.com
November 20, 2020 0 comments
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