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Peach PRC At Hordern Pavilion – 15 March 2026

March 16, 2026

A Perfect Circle Return to Australia in 2026 With Special Guest Puscifer

March 16, 2026

ICONIC MELBOURNE DJ MARK PELLEGRINI – CELEBRATES 40 YEARS BEHIND THE DECKS

March 16, 2026

Interview: LAMOUR on KARMA, Crooner Energy and Life After Touring with Peter...

March 16, 2026

Interview: Julia Sound Explores Emotion, Politics and Hope on New Album midlife

March 16, 2026

The Lemon Twigs (USA) announce new album Look For Your Mind! out...

March 16, 2026

INTERVIEW: Nautical Mile Return With ‘Daydreamer’ After Four Years Away

March 16, 2026

Clay Hazey Finds Hope in the Frost on ‘Tulips’

March 14, 2026

Interview: Crooked Colours on the Story Behind ‘Pink Limo’

March 12, 2026

Midnight Pool Party Share New Single ‘NOTICE ME’

March 12, 2026
Category:

Music News

Festival NewsMusic News

KILLING HEIDI HIT THE ROAD WITH WILD TURKEY MUSIC 101

by the partae August 13, 2025
written by the partae

Wild Turkey Music 101 offers five artists the chance to join Killing Heidi on national tour with the ultimate pub gig prize

Wild Turkey’s five winning emerging artists will join Killing Heidi on a national pub tour to discover the top 101 Greatest Pub Songs of all time, from all over the world, as voted by the fans.

Wild Turkey has announced the five winning emerging artists from its acclaimed Wild Turkey Music 101 mentorship programme, who will now join iconic Aussie rockers Killing Heidi on their national pub tour later this month celebrating the top 101 Greatest Pub Songs of all time.

The five winners Serendipiti, Norwood Band, Jamie Lamont, Piper Butcher and one more to be announced in Sydney, have earned the chance of a lifetime to support Killing Heidi on tour, where they’ll reimagine iconic pub anthems whilst connecting with industry professionals and getting closer to the band that soundtracked your youth with hits like “Weir” and “I Am.”

The band, who have recently topped the ARIA charts again after 25 years with their iconic album ‘Reflector’ and recently landed their hit “Weir” at #77 in Triple J’s Hottest 100 of Australian songs, are going on the road for an intimate tour alongside the brand with five pub sets across three states.

The winners will join Killing Heidi as they hit the road to discover fan favourite pub songs, following in the footsteps of legendary acts like INXS, Jet, Screaming Jets, The Angels, Cold Chisel and Midnight Oil – all artists who got their big breaks performing in pubs across the country. From intimate venues to iconic stages, the winners will experience the authentic pub circuit that has shaped the music industry for decades.

These emerging artists won’t just be opening acts. They’ll be learning from Ella and Jesse Hooper as they hit classic pubs across the country. This year’s mentorship programme continued the brand’s commitment to nurturing rising talent, providing a platform for artists to trust their spirit and share their boldest stories. The programme selected five ambitious artists to work with industry professionals, with one hero emerging artist and four runners-up earning coveted prize packages.

The hero emerging artist will receive two days at Forbes Street Studios to help complete a single, plus the opportunity to support Killing Heidi and perform a cover song with them live on stage. They’ll also receive mentorship sessions with Killing Heidi, an introduction to a Universal Music A&R representative, and a Wild Turkey merchandise prize pack.

The four runner-up artists will each receive the opportunity to support Killing Heidi and perform a cover song with them live on stage, mentorship sessions with Killing Heidi, an introduction to a Universal Music A&R representative, and a Wild Turkey merchandise prize pack.

Ella Hooper, lead vocalist of Killing Heidi, said: “There’s something magical about the connection between artist and audience in a pub setting. It’s raw, honest, and utterly authentic. Some of Australia’s greatest musical legends cut their teeth in pubs, and we’re thrilled to be part of giving the next generation that same opportunity. Wild Turkey Music 101 represents everything we believe in – trusting your instincts, backing your talent and having the courage to get up there and perform.”

Wild Turkey Music 101 will partner with Forbes Street Studios, providing the hero emerging artist with tools designed to equip emerging artists with the skills and insights needed to navigate the music industry successfully.

Wild Turkey Marketing Director, Mark Watson said: “Wild Turkey’s heritage is built on unwavering belief and conviction, the same qualities that drive Australia’s pub music scene. Just as Jimmy Russell mentored generations of Master Distillers to perfect our signature bold flavour, we’re committed to mentoring the next generation of Australian musicians. Why 101? Because one more song makes all the difference. And timeless ones? They only get better with age.

The connection between pub culture and breakthrough musical moments is undeniable. Killing Heidi themselves proved that pub stages can launch careers that resonate across generations. Our mentorship program embodies the ‘Trust Your Spirit’ ethos, giving artists the platform and confidence to take that crucial next step.”

For the national tour, Killing Heidi will be celebrating the Greatest Pub Songs of All Time – covering some of the greatest pub songs of all time as voted by music lovers nationwide. Killing Heidi will also perform their own iconic tracks, ensuring fans can enjoy both beloved classics and the band’s signature hits.

The tour represents Wild Turkey’s commitment to honouring the best of pub music heritage whilst championing emerging talent as the heartbeat of pub anthems from all over the world, and the launching pad for musical careers. Beyond this tour, Wild Turkey continues to position itself as the definitive voice in Australian pub culture, with plans to expand its music initiatives and deepen its connection with the local music community.

 

Tour Dates & Locations:

Commercial Hotel, South Morang, VIC – Friday 22nd August

Hound & Stag, Arundel, QLD – Saturday 23rd August

Ettamogah Hotel, Kellyville Ridge, NSW – Thursday 28th August

Racehorse Hotel, Ipswich, QLD – Friday 29th August

Toronto Hotel, Lake Macquarie, NSW – Saturday 30th August

Tickets are available here.

 

Music fans can vote for their favourite pub anthems here.

The program reinforces Wild Turkey’s position as a champion of Australian music culture, continuing the brand’s tradition of supporting artists who embody the courage to trust their spirit and pursue their musical ambitions. With the Greatest Pub Songs voting still open and the tour creating nationwide buzz, Wild Turkey maintains its central role in celebrating and shaping Australia’s pub music heritage.

August 13, 2025 0 comments
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Festival NewsMusic News

Good Things Festival 2025 Unveils Jaw-Dropping Lineup Featuring Tool, Weezer & More

by the partae August 12, 2025
written by the partae

Good Things Festival has gone and done it again, dropping a 2025 lineup that’s bound to wreck calendars and bank accounts across the country. Rolling into Melbourne, Sydney, and Brisbane this December, the travelling alt-rock circus is stacking some serious firepower at the top, with Tool returning to Australian stages to twist minds and melt faces, and Weezer ready to hand out a decade-spanning setlist of singalongs.

Garbage are along for the ride, still as cool as they were in the ‘90s, and Machine Head will be there to make sure the pit is working overtime. Pop-punk fans get their fix with All Time Low and The All-American Rejects, while the heavier brigade can warm up their neck muscles for Knocked Loose, Lorna Shore, and Kublai Khan TX. There’s even a bit of history on the bill, with Refused tipped to be making their last Australian appearances.

The rest of the lineup jumps genres without apology: New Found Glory, Make Them Suffer, Dayseeker, James Reyne, Cobra Starship, Goldfinger, Tonight Alive… and that’s before you even touch the undercard, which runs from Bad Nerves and Civic through to the chaos of Stage 666, with Gwar, Scene Queen, Wargasm, Palaye Royale, Yours Truly and plenty more in between.

It all kicks off Friday 5 December in Melbourne at Flemington Racecourse, hits Sydney Showground the next day, and wraps up at Brisbane Showgrounds on Sunday 7 December. If you’ve been before, you already know the deal: it’s loud, it’s sweaty, it’s a whole lot of fun, and it’s probably going to ruin your Monday in the best possible way.

https://goodthingsfestival.com.au/

August 12, 2025 0 comments
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Music InterviewsMusic News

Interview: Excuse For An Exit -“SNAP” – Channelling Personal Betrayal and Global Injustice into Pure Rage

by the partae August 12, 2025
written by the partae

“SNAP” is a release of rage. How do you navigate the balance between speaking to global injustice and channeling your own experiences without one overshadowing the other?

I came to these lyrics through empathy. When I see people suffering through global atrocities, I think – that could happen to any of us. I’ve fallen into other people’s narratives or traps in my own life, so I relate deeply to that vulnerability in others. Every line of SNAP had to speak to both the intimate betrayals that have shaped me and the collective injustices I’ve witnessed. I wanted to humanise those experiences as much as I could.

You’ve mentioned the line “It starts slow, I never even felt it…” came from real moments of being pushed too far. Was there a specific personal experience that crystallised the emotional turning point of the song?

In danger, I don’t go straight to fight or flight. I freeze, fawn, or dissociate, and then it flips into a burst of fight. Even outside of danger, I’ll stay patient until the last straw, and then I erupt. When I wrote SNAP, I was coming out of a period where I’d been burned over and over. I’d been hit financially, forced to work myself into exhaustion, and it wrecked my health. Eventually I thought “this is bullshit!”. I needed to make changes. Rage can be healthy when it’s protective and that’s the energy at the core of this track.

This track marks your first time incorporating screamed vocals. What led you to that creative choice and was it more about emotional necessity, or musical evolution?

The song demanded it. I’ve wanted to scream on a track for years, but SNAP was what finally brought it out of me. I love that raw, unhinged kind of scream that sounds like you’re losing it. The challenge was finding a way to do it without wrecking my vocals. This is the first time I’ve truly encapsulated my rage in a song, and that makes it feel special.

The world you wrote “SNAP” in feels increasingly hostile to dissent, especially for femme and queer voices. Did you ever second guess being so raw or political in this song, or did the urgency demand full honesty?

While there has been real progress for women and queer people, we’ve also seen fascist thinking creep back into the West. The studio is my safe space, and once the music takes over, I don’t second guess what comes from my soul. Art is my God, and if my honesty is political, so be it.

There’s a juxtaposition in the song between control and chaos, was that something you and producer Chris Lalic worked toward consciously in the studio?

Excuse has been experimenting with light and shade for a while, so with SNAP the contrasting ideas came together naturally. The verses are sweet, but then the choruses let loose, and the outro has the energy of a full-on bar fight. Chris leaned into that tension-and-release energy immaculately, and we’re so thankful to him for it.

Excuse For An Exit have always created a space for outsiders, but this track feels like a call to arms. What kind of community are you hoping “SNAP” helps galvanise or strengthen?

There’s a real tenderness within Excuse and among our fans, and that’s something worth protecting. I hope SNAP strengthens that bond and gives people permission to stand their ground. I’m proud of what we bring to the Australian heavy music scene, and I want our community to feel a part of that.

Pop, punk, emo, electronic — your sound refuses to sit in a single box. Do you see genre as something political in itself, especially as a band pushing against mainstream expectations of how rage should sound?

We honestly can’t stop ourselves from experimenting. All art is political, so if our genre-skipping and bending feels liberating for others, I’m glad. It means a lot to bring an unrepresented voice of anger to the front, because so many feel this way and deserve to be heard.

You’ve said this track isn’t ‘overtly political,’ but the emotion is inseparable from activism. Do you think the music industry still struggles to take emotional expression seriously? Especially when it comes from women or femme artists?

Much of the music industry values sex, money and power over vulnerability and truth, and that’s where femininity and emotional expression get pushed aside. But there’s a huge community of people who crave unique honesty, raw emotion, and new ideas. That’s where I put my energy.

The response from your fans, especially around “ur villain” and your live shows, has been deeply supportive. Have you performed “SNAP” live yet? If so, what’s it like performing “SNAP” in front of people who see themselves in your anger?

We’ve only played it live once, at 2 Pizza 2 Planet Fest. I was nervous as hell! I was sick, it was the end of the set, and I didn’t know if I’d make it through. But when my voice started to crack, all I could hear was the fans at the front screaming with me. So I screamed right back. It turned into this unhinged, beautiful, chaotic moment, and I loved every second of it.

You’ve played grassroots festivals, raised money for Lifeline, and headlined sold-out shows — all while evolving sonically. What’s grounding you right now as you move into this next, more aggressive chapter?

My sister, my girlfriend, and my friends have always had my back, but getting stable again, with housing and finances, has been massive!  Aggression in this chapter isn’t chaos for me. It’s focus. It’s me drawing a line and protecting what matters.

INTERVIEW

August 12, 2025 0 comments
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Festival NewsMusic News

WANDERER FESTIVAL and triple j Unearthed deliver tremendous opportunity Set times released as ANY YOUNG MECHANIC, CHEEKY LEASH and THE VASCO ERA complete the WANDERER program

by the partae August 11, 2025
written by the partae

The stars are aligning for remarkable musicians of South East NSW poised for a career defining moment, as triple j Unearthed opens up a competition for the region to secure a spot on the Wanderer Festival line-up. Festival headliners include Missy Higgins, whose career was kick started when she won triple j Unearthed aged just 17 and was catapulted into fame, a record deal and an enduring career that sees her recently crowned #1 in triple j Unearthed’s 100 Best Discoveries of all time. 

The Wanderer Festival triple j Unearthed competition is open now until 11:59 pm AEST, Sunday 31 August, 2025. The competition is open to musicians from South East NSW and can be entered by uploading up to 3 songs. Information on the competition will be  live at www.abc.net.au/triplejunearthed/competitions.

Recent additions to the lineup include exciting alt-folk outfit Any Young Mechanic who are also on the brink of stardom as the young Adelaide outfit get set to grace Europe’s mighty festival stages at Reading, Leeds, Rock en Seine and more this month. Cheeky Leash brings the fun with their energetic indie rock, punchy hooks and good vibes. The Vasco Era will rattle your very soul awake – shaking you alive with their raw wild energy juxtaposed in an instant with tender and beautiful tones.   

Adding to the Arts program, Wanderer welcomes back La Petite Grande – a Tardis of ohhs, ahhs and belly laughs. A gorgeous little pop-up theatre, La petite Grande presents classy sideshows designed for multi-generational audiences. Expect mind blowing acrobatics, side splitting comedy, gravity defying juggling, record- breaking hula hoops and anything else your mind can dream up. Hosts Kiki and Pascal take you on a short, sharp, silly and hilarious ride through 20 minute shows.

A word about tickets – they’re selling twice as fast as the last event. Don’t miss out! 

With the line-up now complete, map out your festival weekend with the Wanderer Festival program schedule and Festival App out now.

A genuine festival of culture, Wanderer is a world-class production of music and art that expertly weaves the unique and creative spirit of the region through the vast and diverse program of national and international artists. As always, the cuisine will be heavenly. 

Music Program – Saturday

Missy Higgins, Saint Motel (USA), Hockey Dad, Magic Dirt, Lavern (NL), Pierce Brothers, Grace Cummings, Folk Bitch Trio, Johnny Cash Recordings w Henry Wagons, O And The Mo (NZ), Jack Botts, The Tullamarines, Cheeky Leash, Dust, MAD.DAY, Groove Society, Jimi The Kween, Bec Sandridge, Prodikal – 1, Sixten b2b Benjamin, Sunday Lemonade, Bega Sound Collective.

Music Program – Sunday

The Living End, Boy & Bear, Jacob Banks (UK), Petit Biscuit (FR), Nikki Lane (USA), Cut Copy (DJ Set), The Vanns, Dug (IRL), Emma Donovan, The Vasco Era, Sylvie (USA), The Bures Band, Any Young Mechanic, MAD.DAY, Groove Society, Jimi The Kween, Bega Sound Collective, Lotte Gallagher, Mika James, Radium Dolls, Val Moogz, Lillian Mcveity.

Also bringing down the house in Wanderhaus we give you Chicka b2b Rangz, Darcy M. & Carlo T., Jai Cole b2b Kurtis Markwort, Just Andrew, Swell Records DJs, Usual Suspects DJs

Arts Program – Sat & Sun

La Petite Grand, Circus Trick Tease, Hannah Cryle – Giant Wheel, Josh Philips – Giant Ladder, Hobby Horse Gymkhana, Sam’s Caravan, The Swell – Festival Zeen, I Wear Wanderer, Big Lost Band, Fling Physical Theatre, We Shaped Up Like This, Morning Dance Party, Hair Dressing Salon, Social Dancing, Welcome To Country and Smoking Ceremony with Duurunu Miru Dancers. 

October 4th-5th Wanderer Festival Pambula Beach, NSW

3rd-5th Oct Onsite Campground 

Tickets are selling fast, get yours now from www.wanderer.com.au

Wanderer is biennial so it would just be too long of a wait until the next one in 2027 if you miss out! 

Subscribe to www.wanderer.com.au and follow us on socials to stay up to date.   

Wanderer Festival is supported proudly by the NSW Government through its tourism and major events agency, Destination NSW

Program Schedule - Wanderer Festival

Reconnect. Explore. Discover. Be a Wanderer.

Wanderer: Official Website | Facebook | Instagram

August 11, 2025 0 comments
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Music News

AUSTRALIA’S OWN ‘KING OF SWING’ WILLIAM LE BRUN RELEASES DEBUT SINGLE DROWNING IN A DIAMOND ON EVE OF SOLD-OUT SHOW AT AMPHORA – MARVEL STADIUM

by the partae August 11, 2025
written by the partae

William Le Brun emerged as a standout artist on Australian Idol this year, influenced by legends like Elvis Presley, Frank Sinatra, and Michael Bublé his passion for swing music brought a unique flair to the competition.

Reviving the timeless charm of swing and captivating the judges and audiences with his versatile and stand out performances, the vocally diverse artist who can sing in multiple languages quickly became known as Australia’s very own ‘King of Swing’.

William’s debut single is titled, Drowning in a Diamond it is bold, dramatic, and cinematic, capturing the intensity of an emotional moment. The track blends the old and the new. A pop foundation layered and mixed in with the energy of swing, jazz, and the power of big band horns. 

“With the combination of the horns and all these other incredible instruments, I wanted the song to be balanced with a modern pop production that creates a fresh and accessible sound. I wanted it to re-imagine classic sounds but in a contemporary context.” Said, William Le Brun.

Written by William along with Phil Turcio and Judd Field, Drowning in a Diamond is a song about a heart stopping moment when you see someone who just takes your breath away and suddenly your mind runs wild with the possibilities of what life could be if only you had the courage to go up to them and speak. It’s about love at first sight, but it’s told from the perspective of someone stuck in their imagination, dreaming up a whole world before they’ve even said hello.

“The title Drowning in a Diamond reflects the overwhelming beauty of that moment. It’s about being just mesmerised by someone so radiant and so dazzling, that it feels like you’re submerged in something untouchable. It’s the feeling that they’re simply too beautiful and too good for you and the fear that you’ll be rejected almost,” adds, Le Brun.

The single is the first offering from Le Brun who has plans to continue to release original music that reflects timeless genres like swing and jazz into today’s world, creating music that feels both nostalgic and new. It’s playful, it’s emotional, and it’s larger than life.


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August 11, 2025 0 comments
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Festival NewsMusic News

CORE UNVEILS GLOBAL FESTIVAL TOUR – ARRIVING IN AUSTRALIA IN 2026

by the partae August 11, 2025
written by the partae

CORE is travelling to all corners of the world in 2026  with festivals in Colombia, USA, and Australia 

From the forests of Tomorrowland to the world: CORE unveils global festival tour – arriving in Melbourne in November 2026

After two successful editions in Medellín, Colombia, CORE is now ready to expand and make its debut in the United States and Australia. In 2026, CORE is going global and is confirmed to arrive in Melbourne on Saturday, November 28, 2026.

For the first time ever, the iconic CORE stage will host standalone festivals on three different continents, set to transcend borders and awaken the senses of music lovers around the world. Initially born in the lush green surroundings of Tomorrowland as one of its most iconic and beloved stages, CORE now represents its own universe and musical DNA within Tomorrowland.

Teaming up with agencies Framed and Pitch Control, CORE Melbourne will capture the essence of the brand: a unique festival that blends the finest music in a natural, enchanting setting. Line-up and ticket details for CORE Melbourne will be revealed in early 2026.

Deeply rooted in nature and guided by a mission to bring people together through the finest alternative house & techno music, CORE unveils a global festival tour with three world-spanning destinations for 2026, bringing the mythical and beautifully crafted stage alongside a spectacular audiovisual experience to all corners of the globe. Pre-register and more info at core.world.

Entirely designed and crafted in-house by Tomorrowland’s creative team, the CORE stage with its stunning face design is a real artistic masterpiece that turned in no time into a true crowd favorite and has become a symbol of deep, alternative sounds. The CORE stage is known for its unique, immersive audiovisual experience and storytelling, taking festivalgoers on a multi-sensory journey with lights, dynamic videos, and enchanting scents. The sonic focus of CORE remains alternative house and techno music, branching off to different subgenres with both internationally renowned acts, as well as new talents and local artists.

“We are thrilled to bring the iconic CORE stage to Australia. As one of the signature experiences of Tomorrowland, CORE represents the essence of our music, art, and stage design. We look forward to sharing this unique atmosphere with fans in Australia and around the world.” Said Debby Wilmsen – Spokesperson for WEAREONE.world

 

The CORE universe

 Besides the three shows in Medellín, Los Angeles, and Melbourne, CORE continues to showcase a curation of alternative house and techno acts at the iconic CORE stage at festivals like Tomorrowland Belgium, Tomorrowland Winter, and Tomorrowland Brazil. The CORE universe also lives beyond the stage through cutting-edge releases on its boutique label CORE Records and the monthly CORE Radio Show on One World Radio, spotlighting the most exciting emerging talent from around the world. Blending internationally renowned acts with boundary-pushing new voices across a range of subgenres, CORE delivers the energy of a full-fledged party while inviting audiences into a world of unexpected musical discoveries.

CORE in 2026 – pre-register and more info at core.world.

CORE Medellín – February 20 & 21, 2026 – Colombia

CORE Los Angeles – May 2 & 3, 2026 – USA

CORE Melbourne – November 28, 2026 – Australia

Line-up and ticket details for CORE Melbourne will be revealed in early 2026.

August 11, 2025 0 comments
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Music News

Frank Mighty Drops ‘Been Done’ – A Sunny Indie Anthem with a Sharp Edge

by the partae August 11, 2025
written by the partae

Frank Mighty is back—and he’s not here to dwell on the past. The Syrian-Canadian indie rocker, known for his shimmering psych-pop textures and sly lyrical wit, returns this August with Been Done, the infectious first single from his forthcoming debut album.

“I was sick of so many songs singing about the same thing,” Frank says. “Every song for a while had the word ‘nostalgia’ in the title—I just wanted to make a fun, upbeat tune that gripes about how nothing feels original anymore. It’s all been done.”  And that’s exactly what Been Done delivers: a punchy, hook-laced track that calls out the copy-paste cycles of culture—both in music and beyond. It’s sonically sunny, but underneath the groove is a sharp edge. The second verse was born after Frank was abruptly let go from his job. “The cold, corporate way they handled it—it was so cut-copy-paste. That inspired a lot of the lyricism.”

Musically, it’s a confident leap forward from his earlier work. His debut EP Whispersongs (2021) turned heads with production from Grammy winner Jacquire King and earned placements on Netflix’s Ginny & Georgia. His 2023 EP Never Homesick channeled life on the road and sold-out shows into indie anthems like “Unattainable.” Then came Nexterday in 2024, landing him playlist love and a spot opening for Quinn XCII. But with Been Done, Frank is setting the tone for a whole new chapter. “It’s lyrically the song I’m most proud of—I even mention the Rockies, which is a nod to my Alberta roots.”

The single will be accompanied by a full visual rollout including a music video directed by Kyle Berger (MorMor, Geese, Casey Neistat), plus 60 days’ worth of compelling short-form content: DIY iPhone edits, behind-the-scenes from the shoot, GRWM clips, live performance footage, and more. It’s a layered, self-aware campaign that builds a world around the song while staying authentically Frank.

www.frankmightyshotline.com

August 11, 2025 0 comments
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Festival NewsMusic News

Gordi Shares Awaited Third Album ‘Like Plasticine’

by the partae August 8, 2025
written by the partae

Australian indie-pop singer, songwriter and producer Gordi, today releases her exquisite third album, Like Plasticine. She also shares news of a special Sydney Opera House show in October to commemorate the album launch.

Many moons in the making, the arrival of Like Plasticine comes off the back of a whirlwind few weeks for Gordi, including tour dates with Foster The People in Europe, shows in the US for Lollapalooza, Hinterland Festival and a number of momentous appearances on US TV including The Kelly Clarkson Show, CBS Mornings as well as a KEXP session. Now back for a short stay in Australia ahead of further touring overseas, Gordi shares her excitement for the release:

“Today, as I finally set this album free, I am reminded of its beginning. Deep in the middle of the pandemic I began writing the songs that would make up ‘Like Plasticine’, wondering what the purpose of music was at all. I tried to stop thinking and just feel. When I look back on that time now, sitting in Phoenix Central Park surrounded by things I could make music with, I see ‘Like Plasticine’ arriving as though it was a fire hydrant erupting. Everything we try to contain comes out one way or another. So when you listen to this record, un-contain yourself, stop thinking, and just feel.”

– Gordi

Alongside Like Plasticine’s release, Gordi shares a video for key track ‘Your Consolation Prize’. Co-produced by Brad Cook (Snail Mail, Jensen McRae, Bon Iver), the song recalls the best of synth-pop savants The Postal Service – and, over drum machines backed by a soft choir of voices, represents Gordi at her full power. It grapples with the reality that, for all the acceptance and closeness she has found since coming out, there will always be young queer people whose lives will have qualifications or asterisks hanging over them because they don’t fit neatly into the mould.

Like Plasticine chronicles the last few transformative years of Gordi’s life. From coming out and having to adjust the vision of her future, to working as a doctor on the frontline during the pandemic, Gordi explores the beauty, heartbreak and finite nature of human experience across 12 new songs. Co-produced by Gordi, the album includes the cuts ‘Peripheral Lover’, ‘Cutting Room Floor’, ‘PVC Divide’ (feat. Anaïs Mitchell) and ‘Lunch At Dune’.

Songs from Like Plasticine has solidified Gordi’s global footprint, drawing acclaim from Grammy.com, The Guardian, NPR, Stereogum, Rolling Stone, Dork and more, with radio love from BBC Radio 1, BBC 6, Radio X, and major AAA stations in the US including KEXP, KCRW, and Sirius XM. In addition, two billboards in Times Square have seen Gordi front and centre representing Spotify’s GLOW and Amazon Music’s PROUD.

In celebration of the album’s release this weekend, Gordi will perform under a full moon at MCA’s Full Bloom event in Sydney – the stunning Sydney Opera House and Harbour Bridge her backdrop. She will also appear at Hum Music in Newtown on Saturday afternoon, playing a handful of songs from the album and signing records, and at Oh! Jean Records in Melbourne on Tuesday evening.

Next month, Gordi will return to the UK and Europe for the Bryce Dessner curated Sounds From A Safe Harbour Festival and Residency in Cork, Ireland, along with Reeperbahn Festival in Germany and a run of headline dates. She will then make her way back to Australia for a special intimate show at the Sydney Opera House (Playhouse Theatre) in October, with further dates to be announced soon. That will be followed by tour dates with revered British singer-songwriter David Gray in November.

GORDI TOUR DATES

AUSTRALIA

Saturday 9 August – Full Bloom at MCA, Sydney NSW (Evening)

Saturday 9 August – Hum Music, Newtown NSW (1PM – FREE IN-STORE PERFORMANCE)

Tuesday 12 August – Oh! Jean Records, Fitzroy VIC (5:30PM – FREE IN-STORE PERFORMANCE)

Saturday 23 August – Darwin Festival, Darwin NT

EUROPE

11-14 September – Sounds From A Safe Harbour Festival, Cork IRE

Wednesday 17 September – Jaki, Cologne DE

Thursday 18 September – Lark, Berlin DE

Friday 19 September – Reeperbahn Festival, Hamburg DE

Sunday 21 September – TivoliVrendenburg (Club Nine), Utrecht NL

Monday 22 September – Rust, Copenhagen DK

Wednesday 24 September – Trix Bar, Antwerp BE

AUSTRALIA

Friday 17 October – Sydney Opera House (Playhouse), Sydney NSW

AUSTRALIA (WITH DAVID GRAY)

Tuesday 4 November – Riverside Theatre, PCEC, Perth WA

Wednesday 5 November – Riverside Theatre, PCEC, Perth WA

Friday 7 November – Thebarton Theatre, Adelaide SA SOLD OUT

Sunday 9 November – Palais Theatre, Melbourne VIC SOLD OUT

Monday 10 November – Palais Theatre, Melbourne VIC

Wednesday 12 November – State Theatre, Sydney NSW SOLD OUT

Thursday 13 November – State Theatre, Sydney NSW SOLD OUT

Saturday 15 November – QPAC Concert Hall, Brisbane QLD SOLD OUT

Sunday 16 November (Matinee) – QPAC Concert Hall, Brisbane QLD SOLD OUT

Sunday 16 November (Evening) – QPAC Concert Hall, Brisbane QLD SOLD OUT

August 8, 2025 0 comments
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Festival NewsMusic News

Ministry of Sound turns 34 with Armand Van Helden after another landmark year for the vital London institution

by the partae August 8, 2025
written by the partae

This October, Ministry of Sound celebrates 34 years of club culture in London with New York house pioneer Armand Van Helden. The four-room celebration will feature rising stars Olive F, Paisley Jensen, with more names to be announced.

Already one of the most recognisable institutions in electronic music, the South London club remains a leader in nightlife with continued dedication to the many clubbers who have walked through its doors over the last 30 years.

“We’re excited to welcome house music legend Armand Van Helden to the helm, alongside Olive F and Paisley, as we celebrate 34 years of the Club. It’s been a pivotal year for us,  collaborating with incredible brands and launching our No Velvet Rope Society, a fresh take on the VIP experience. And we’re just getting started. Big plans are already in motion for 2026: we’ll be raising the bar for dance floors across the UK with a refurbishment of the iconic Box room and expanding our global presence.” – Matt Long, Club Director.

2025 began with the launch of three new in-house brands: Smoove, which is all about UKG, funky and R&B, URGE, a stripped-back tech house night featuring the likes of Matthias Tanzmann, Cuartero, Blondi, Brisotti, and Disco Daddy, which has welcomed the likes of Derrick Carter, Dimitri From Paris more.

Over the summer, Ministry tackled a major renovation of its new NVR  space, the first of its kind in over a decade, transforming the space into an open mezzanine overlooking the iconic Box and its renowned Martin Audio sound system. The new membership concept No Velvet Rope, aims to reimagine VIP for a new generation of music lovers at the club.

Building on this, the Ministry introduced a sober raving concept in response to evolving nightlife habits, featuring a curated mocktail menu, low-alcohol beers, and CBD serves.  Andrijauskaitė

The momentum continued in April, with the now-infamous Toilet takeover in partnership with Lab54, an unannounced rave in the women’s toilets that went viral, amassing over 20 million views on socials.

With more than three decades already behind them, Ministry of Sound is gearing up for a monumental 35th anniversary in 2026. It’s a rare milestone these days with so many pressures on all fronts, so big plans are already in motion, so keep your eyes peeled.

Pre-sale sold out in record time with over 70% selling out in advance. Ministry of Sound is now down to the last remaining tickets for the 34th Birthday, and they can be purchased here.

Ministry of Sound

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Southern River Band Announce New Album + Australian Tour

by the partae August 7, 2025
written by the partae

Fresh from igniting mainstages at Europe’s biggest festivals, WA’s rip-roaring rock’n’rollers the Southern River Band announce their new album, Easier Said Than Done, out October 17 via Civilians. To celebrate, the band will play a string of record release shows around the country.

Along with the news comes the band’s new single “No Such Time”. Penned by their mate Bernard Fanning (Powderfinger) – one of the country’s most revered songwriters who recently had the biggest number of entries in the Hottest 100 of Australian Songs – “No Such Time” is full of groove and swagger, complete with a hearty belt-along chorus that won’t be pried from out of your head. Not a bad score from a bloke who casually slipped into the band’s DMs to tell them he loved what they were doing.

“It’s not every day you get a message from Bernard Fanning saying ‘G’day boys, got a song for ya’, but we were lucky enough to have that day. We SRB’d it good and proper and we’re absolutely stoked with how it’s turned out (so is he, thank f**k!) and hope you dig it as much as we do!” Says vocalist-guitarist Cal Kramer.

WATCH: SOUTHERN RIVER BAND – “NO SUCH TIME”

Southern River Band’s new album, Easier Said Than Done, was recorded with Grammy-winning producer Nick DiDia (Pearl Jam, Bruce Springsteen) in Byron Bay earlier this year. Having seen their live show – and they possess one of the best in the game – the legendary producer knew the best way to capture their serious musical chops and sweat-fuelled intensity was to record the group playing together in the same room.

The result: Easier Said Than Done is a 12-song arse-kicking rock’n’roll odyssey cruising through Thin Lizzy-styled guitar harmonies, AC/DC boogie and vintage Aerosmith swagger. You’ve already heard catchy AF payday anthem “F**k You, Pay Me” and the pub rock bravado of “Don’t Take It To Heart”, it’s easy to see why SRB are your favourite band’s favourite band.

Ever since Justin Hawkins (The Darkness) proclaimed the four-piece “a proper f**king rock band” after hearing their 2023 single, “Stan Qualen”, SRB has amassed a huge global fanbase with an insatiable appetite for Thornlie’s finest. Their previous record, 2024’s D.I.Y, rocketed up the Aus ARIA Chart, landing at #6 with the vinyl selling out so quickly it needed to be repressed before the album was even released. Most recently, fans flocked en masse to the group’s second run of UK and European dates, which included sweltering, full-throttle sets on some of the most revered festival mainstages.

Next up, SRB will be in full flight at BIGSOUND 2025. After that, they’ll take Easier Said Than Done for a spin around the country in October.

Tickets on sale now at thesouthernriverband.com

SOUTHERN RIVER BAND
EASIER SAID THAN DONE
AUSTRALIA 2025

Tickets On sale now via thesouthernriverband.com

Thursday 16 October
Howler, Melbourne
Buy Tix

Friday 17 October
The Espy, Melbourne
Buy Tix

Saturday 18 October
Uni Bar, Adelaide
Buy Tix

Thursday 23 October
Crowbar, Sydney
Buy Tix

Friday 24 October
Brightside, Brisbane
Buy Tix

Friday 31 October
Port Beach Brewery, Fremantle
Buy Tix

SOUTHERN RIVER BAND – EASIER SAID THAN DONE

Out 17 October Via Civilians
PRE-ORDER | PRE-SAVE

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THE DILLINGER ESCAPE PLAN Kick Off Their Highly Anticipated Australian Tour This Weekend!

by the partae August 7, 2025
written by the partae

When REVOLVER, which is by every metric the world’s top heavy rock magazine, ran a comprehensive survey of music fans and critics, in search of the 5 Greatest Live Band Of All Time, the results were decisive, clear and overwhelming. Beating the likes of: Metallica, Iron Maiden, Tool and Pantera to the summit was THE DILLINGER ESCAPE PLAN at Number One!

‘’1. THE DILLINGER ESCAPE PLAN: When it comes to irreverent, no-holds-barred onstage antics, none did it better, or more boldly, than spazzcore innovators The Dillinger Escape Plan. Throwing sanity, restraint, common sense and the band members’ own personal safety to the wind, the quintet approached each show as its own unique, arcane ritual, baptizing audiences with blood, sweat and chaos. No one ever left a Dillinger show without a memory — and possibly even a scar — to treasure for life, and a story to shock, astound and horrify disbelieving friends and family with. DEP bid fans farewell at the end of 2017, as possibly the world’s last truly dangerous rock band.”

Following an 8-year hiatus, THE DILLINGER ESCAPE PLAN returns for a very limited number of live shows to commemorate their groundbreaking album Calculating Infinity and so much more.

For those who have before witnessed THE DILLINGER ESCAPE PLAN live, we already know that you will be there. For those who have not, life has given you a second chance. Grasp it with gratitude!

Joining them are U.S. Industrial Hardcore Meets Punk Rap Sonic Disruptors, H09909

When Calculating Infinity was released via Relapse Records, it didn’t just shake up the underground—it rewrote the rulebook. Its songs were short but densely packed, like punk songs played with conservatory-level chops. Tracks like ‘43% Burnt’ and ‘Sugar Coated Sour’ didn’t follow traditional verse-chorus structures—they erupted, recoiled, and exploded again without warning.

The album was hailed immediately for its technical prowess, intensity, and innovation. Rolling Stone later named it one of the “100 Greatest Metal Albums of All Time,” while Pitchfork credited it with pushing the boundaries of what extreme music could be. At a time when nu-metal was dominating the mainstream, Dillinger offered a complex, confrontational alternative that influenced bands from Between the Buried and Me, Code Orange, Rolo Tomassi, Converge, Every Time I Die, Architects to The Callous Daoboys.

Calculating Infinity was the only full-length release to feature original frontman Dimitri Minakakis. His performance on the album was raw, visceral, and unhinged—a perfect match for the band’s frenzied instrumentation.

Minakakis left the band in 2001, pivoting to a successful career in design. But in 2024, he rejoined the fold for a sold-out run of Calculating Infinity anniversary shows in Brooklyn, marking the first time the album had been performed in full by the original voice. The chemistry, according to fans and the band alike, was electric.

“This is something we never thought would happen,” guitarist and founding member Ben Weinman said. “But it’s not about a comeback or a cash grab. It’s about reconnecting with something that still means everything to us—and to our fans.”

The Dillinger Escape Plan are not just a band—they are a movement. They challenged what heavy music could be and inspired others to push boundaries instead of follow formulas. That’s why they’re considered one of the most influential bands in modern extreme music.

Calculating Infinity remains a benchmark of technical ferocity and emotional urgency—an album that not only birthed a genre but also tested its boundaries. The 2025 Australian shows, with Minakakis front and centre, aren’t just concerts—they’re historical punctuations: proof that 25 years later, this music still devastates, inspires and unites.

THE DILLINGER ESCAPE PLAN August 2025 Australian Tour Dates

Sunday 10th August PERTH, Metropolis Fremantle

Tuesday 12th August ADELAIDE, The Gov

Wednesday 13th August MELBOURNE, Northcote Theatre – SOLD OUT

Thursday 14th August MELBOURNE, Northcote Theatre – New Show

Saturday 16th August SYDNEY, The Enmore

Sunday 17th August BRISBANE, The Tivoli

TICKETS ON SALE NOW FROM: https://thephoenix.au/the-dillinger-escape-plan/

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THE HILLS ARE ALIVE GROUP ARTIST MANAGERS AIDAN MCLAREN, JOE MILES AND RHETT MCLAREN LAUNCH ‘WEIRD FISHES’

by the partae August 7, 2025
written by the partae
WEIRD FISHES L-R: Rhett McLaren, Joe Miles, Aidan McLaren

After more than a decade of managing artists in a strategic partnership with UNIFIED Music Group, Aidan McLaren, Joe Miles and Rhett McLaren have launched a new independent artist management company, Weird Fishes.

The Weird Fishes management team kicks off with an impressive roster, including Australian staples; Boy & Bear, The Dreggs, Pete Murray, Steph Strings and Tim Hart, all of whom are currently experiencing significant periods of growth in their careers.

Boy & Bear are one of Australia’s premiere alt/indie acts. With multiple number 1 albums, 5 consecutive top 10 albums, the band are selling more headline tickets in their career than ever before.

The Dreggs are one of the fastest rising acts in the country. Snagging the coveted triple j feature album this week, the most played Like a Version of any Australian act this year,  playing the upcoming Spilt Milk and Strumming Bird touring festivals, as well as embarking on their own debut North American headline  tour along with returning to the UK/EU for headline shows in September and October.

Pete Murray is a national icon. He’s sold over 1.2 million albums and is currently in the middle of a 57-date Australian tour that has already sold 35,000 tickets.

Steph Strings has amassed over 1 million social followers and is selling out headline shows and playing festivals all over the world. Stay tuned for her debut album that is coming soon.

Tim Hart is a singer-songwriter-producer (and a founding member of Boy & Bear). His stunning ‘Parasol’ EP was released last week and he continues his reputation as one of the country’s best indie/folk creators.

Mike Waters is a Grammy award winning singer songwriter whose own releases  and co-writes have amassed over half a billion streams.

In a joint statement the Weird Fishes founders expressed excitement for the new venture, “We are incredibly excited to launch Weird Fishes and for this next chapter in our journey. We wholeheartedly believe in the unique talent, audience-connection and growth-potential of each of the acts we represent, both locally and internationally, and are excited for what the future holds.”

In addition to Artist Management, the McLaren brothers and Joe Miles are the driving-force behind The Hills Are Alive Group and much-loved music festivals, NYE on the Hill and Ocean Sounds. Now in their 12th and 7th years running, these festivals have become known for putting world class Australian acts on their stages, including The Teskey Brothers, Ocean Alley, Dope Lemon, Courtney Barnet, Royel Otis, Genesis Owusu, Tkay Maidza, Ball Park Music, Tash Sultana, Vance Joy, Dean Lewis, Tones & I, Angie McMahon, Amy Shark and more.

Through their partnership with Jaddan Comerford, and as co-founders in Red Hill Entertainment, Rhett and Aidan were also instrumental in the creation and running of the iconic UNIFY Gathering Festival as well as Gippsland Country Music Festival.

Showing gratitude for their time with Unified Music Group, the Weird Fishes collective share, “Partnering with UNIFIED over the past decade has been nothing short of inspirational, and allowed us to take this step on our own. The friendships and memories we have created there will last a lifetime and we look forward to further collaborating together as our artists continue to work across many different parts of the group.

And on their future, “we’re hyped for our  new adventures and challenges, and are so thrilled to be stepping out on our own. We cannot wait to see what the future holds – we’re here to continue to work hard and rep our artists with heart, passion and experience”.

For more information, visit weirdfishesmusic.com

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Ginevra Ramos Unleashes “Energy” — A Bold, High-Voltage Statement from Ibiza’s Rising Star

by the partae August 7, 2025
written by the partae

At just 19, Ginevra Ramos is already proving herself as one of the most electrifying names in the new wave of European electronic artists. Her latest single, “Energy”, released August 1 via fan-powered label Fankee, is a confident and infectious track that reflects her evolution from child performer to a fully-fledged artist with a sound and vision all her own.

Born in Milan and raised in Ibiza, Ramos channels the island’s kinetic spirit into her music, blending slick production with dynamic vocal work and DJ instincts. “Energy” lives up to its name—it’s high-octane, polished, and unmistakably club-ready. It’s not just a song, but a statement: bold, modern, and bursting with youthful urgency.

The release also underscores Ramos’s partnership with Fankee, a community-driven label that redefines what it means to be a fan. Here, listeners aren’t passive consumers—they’re collaborators, promoters, and stakeholders. It’s a fresh approach to music distribution that mirrors Ginevra’s boundary-pushing ethos.

While “Energy” is rooted in Ramos’s love for electronic music, it’s her hybrid identity—as both a powerhouse vocalist and genre-fluid producer—that gives the track its edge. It’s a track designed not only for dancefloors, but also for driving change in how artists connect with their audiences.

With performances already under her belt at major festivals like the Ibiza Global Festival and the International Music Summit, Ginevra Ramos is clearly not here to play it safe. “Energy” is her most confident release yet—and a promise of even bigger things to come.

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Mortal Prophets – French Summer (LP Review)

by the partae August 7, 2025
written by the partae

New York’s John Beckmann isn’t one to play it safe, and on French Summer, his latest as The Mortal Prophets, he doesn’t just bend genre—he melts it. Spanning eighteen tracks, this LP is less an album and more a lucid dream built from analog whispers, vintage European cinema, and slow-burning electronica.

The presence of Anais de Nerval is key to the album’s allure. Her voice drifts in and out like memory—sensual, ghostlike, and just out of reach. It’s less about lyrics and more about atmosphere. Every phrase she utters feels like it’s been lifted from a Godard film and filtered through cigarette smoke and static. She doesn’t anchor these tracks—she haunts them.

Beckmann, meanwhile, shows a rare kind of restraint. Known for his boundary-pushing sound collages, he’s pared things back here. Gone is the chaotic density of some of his earlier work. In its place: minimal yet lush arrangements, delicate strings, and synths that shimmer like sunlight on a wine glass. There’s a tactile quality to it all—beats that thump like a distant nightclub, textures that wrap around you like silk sheets in a coastal hotel room.

There’s a cinematic flow to French Summer, and it’s easy to imagine it as a film in itself. One without a plot, but heavy on mood—think long drives through Provence, empty streets at dawn, and lovers speaking in hushed tones. There are nods to Gainsbourg, whispers of disco noir, and even ambient soundscapes that feel ripped from some alternate universe. But despite the references, French Summer never dips into imitation. It’s evocative rather than referential.

Still, this is not a record for passive listening. It doesn’t beg for your attention—it seduces it. The pacing is deliberate, the textures subtle, and the emotional payoff requires patience. But for those willing to sit still and let it wash over them, there’s something genuinely transportive here.

French Summer feels like it was made for twilight hours and private moments. It’s luxurious but not loud, nostalgic but not kitsch, romantic but never obvious. In an era of instant gratification, The Mortal Prophets ask you to slow down, and for that alone, Beckmann and de Nerval deserve your time.

If you’re after something intimate, immersive, and just a little strange—French Summer might be your next obsession.

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Festival NewsMusic News

THE CROXTON ANNOUNCES TWO DAY FESTIVAL – THE CROXTON BLOCK PARTY FOR NOV 1 & 2

by the partae August 6, 2025
written by the partae

MARKING 10 YEARS OF LEGENDARY LIVE SHOWS AT ICONIC MELBOURNE VENUE

FEAT. TROPICAL FUCK STORM, SPIDERBAIT, CASH SAVAGE AND THE LAST DRINKS, RATCAT, AND MORE

BUY TICKETS FROM WEDNESDAY 6 AUG 10AM

Celebrating a decade of live music, Melbourne’s beloved venue The Croxton Bandroom has today unveiled The Croxton Block Party – a huge two-day festival taking over the carpark across from the venue on November 1 and 2. The stacked lineup includes Tropical Fuck Storm, Cash Savage and the Last Drinks, Spiderbait, Ratcat, Floodlights, Party Dozen, Grace Cummings, and more.

Tickets go on sale to the general public on Wednesday 6 August at 10am from thecroxton.com.au. Limited pre-sale tickets are now live from Oztix.

If the walls of The Croxton Bandroom could talk, the stories would endlessly recall its journey from a quiet and largely empty space into a vibrant and enduring fixture on Australia’s music scene when it relaunched as a contemporary live music venue 10 years ago. A space that has shaped the cultural landscape over the years, hosting everyone from Eagles of Death Metal, Suicidal Tendencies and L7 through to homegrown stars in their formative years, including DZ Deathrays, G Flip and The Chats, a celebration of a jam-packed decade demands a party worthy of The Croxton’s legacy.

As its name suggests, The Croxton Block Party will feature a massive two-day outdoor festival over the first weekend of November, with the event taking over the carpark opposite the venue, complete with a huge stage that will host some of the best live acts Australia has to offer. Headlining the Saturday line-up will be Tropical Fuck Storm, joined by Cash Savage and the Last Drinks, Grace Cummings, Party Dozen, EXEK and Npcede, and members of The Chats and The Prize will get the party started with their brand new band, Loose Lips. Meanwhile, headlining the Sunday lineup will be Spiderbait, along with the legendary Ratcat celebrating the 35th anniversary of their beloved Tingles EP, and Floodlights rounding out the headline acts, backed by two sensational young guitar bands, Sex Mask and Girl and Girl. And kicking off the Sunday vibes will be the sixties-inspired Frankston four-piece getting buzz all over town, The Gnomes.

Synonymous with whipping crowds into a frenzy with their howling brand of rock’n’roll that spawned from The Drones bandmates Gareth Liddiard and Fiona Kitschin, Tropical Fuck Storm are as much a Melbourne institution as The Croxton itself. Punctuated by a genre-defiant fusion of art punk, noise rock and experimental rock, Tropical Fuck Storm most recently released their fifth studio album Fairyland Codex in June, have previously released a joint EP with King Gizzard & The Lizard Wizard, and won Best Hard Rock or Heavy Metal Album in 2021 for their #7 charting masterpiece Deep States. Throw in millions of streams, performing across the world both as headliners and alongside the likes of Modest Mouse, Kurt Vile and many more and you have a recipe for a show-stopping time this November when Tropical Fuck Storm take the stage; and it’s little wonder Beat Magazine declared “their sound is as powerful as ever, indenting your head into a sonic stupor” after a 2024 headline outing.

“We opened the Croxton 10 years ago with a Drones gig when that part of town still felt miles away from the inner city,” shares Tropical Fuck Storm frontman Gareth Liddiard. “Now it is the inner city which is why it’s wild that we’re going to be playing outside. The stage will be in that big carpark across from the pub.  It’s the first time Simone and Andrew have been able to do that.  Like a mini weekend festival with super cool bands smack bang in the middle of Thornbury and Northcote. Though it’s technically Croxton. It’s going to be huge.”

Also featuring on the Saturday event will be Melbourne act Cash Savage and the Last Drinks, an alternative rock-meets-post-punk and folk blues collective, helmed by singer and guitarist Cash Savage. Earlier this year the band ticked off a huge European run, including their first ever shows in Europe, and for their most recent full-length album, 2023’s So This Is Love, the group were nominated for the ARIA Music Awards’ Best Blues and Roots Album. And there ain’t no party like a Party Dozen party, but luckily you can catch the 2-piece noise band weaving their sonic spells on Saturday 1 November, along with a performance locked in from globally-renowned Melbourne singer-songwriter Grace Cummings.

“I don’t reckon you can have the Melbourne music scene without the Croxton,” says Grace. “I’ve had some of my best musical experiences there both on and off the stage and I can’t wait to say happy anniversary with some of the best bands around.” 

And rounding out the stellar Saturday lineup will be post punk innovators EXEK, as well as the buzzy industrial electro trio Npcede and members from The Chats and The Prize getting the block party vibes started with their brand-new band, Loose Lips.

Headlining on Sunday 2 November will be Australian icons Spiderbait, a band who have ticked off almost every Australian music accolade possible throughout their illustrious career including taking home several ARIA Music Awards, a #1 single in the form of their smash cover of Leadbelly’s Black Betty, taking out the covetous #1 spot on triple j’s Hottest 100 for Buy Me A Pony in 1996, amassing millions of streams, and releasing multiple albums that have garnered gold, platinum or double platinum status along the way. But the achievements don’t end there for Spiderbait, with the group also an enduring live drawcard, from sharing stadiums with Guns N’ Roses and Pink through to performing at Splendour In The Grass and Big Day Out – and pretty much every single thing in between. In 2025 alone, the band have toured Europe and the UK, and most recently had two appearances on triple j’s Hottest 100 Australian songs via their fan-fave tracks Black Betty at #90 and Calypso at #95.

“Congrats to the super team at the Croxton on 10 years and thanks for all you’ve brought to the Melbourne music scene,” shares Spiderbait’s Kram. “We’re stoked to be part of the celebration!”

Also heading up Sunday’s block party will be Melbourne rockers Floodlights, who will also arrive armed with their recent 2025 third full-length album Underneath. Wielding an irresistible mix of nostalgic pop and alternative elements into their infectious rock, Floodlights also know exactly how to hit you in right the feels, and that goes double for a live performance.

“The Croxton is an iconic venue that has been a staple in the Naarm music community since we started,” says Floodlights. “We always held it as a dream to play the Croxton and have been lucky enough to have some of our funnest gigs there as a band. We’ve also all been to epic shows as punters, seeing bands like Amyl, The Drones and heaps more, made even better due to the fact we all live in walking distance. Can’t wait to celebrate the 10th birthday, it’s gonna be lit!”

And during the 10th birthday celebrations for The Croxton, Sydney rockers Ratcat will be having a double whammy anniversary, with the group celebrating the 35th anniversary of their hit 1990 EP Tingles; a release which took out #1 position on the Australian charts, and also cracked the US Billboard Modern Rock Tracks via That Ain’t Bad. And Spiderbait, Floodlights and Ratcat will be joined by enigmatic Melbourne post punk trio Sex Mask, Brisbane four-piece indie darlings Girl and Girl, and Frankston’s sixties rock-inspired four piece The Gnomes, with the latter kicking off the Sunday event in unforgettable fashion.

“More than a decade since our last show in Melbourne, we’re absolutely stoked to finally be heading back to join the 10th anniversary
celebrations at one of the city’s most important live mainstays, The Croxton,” says Ratcat’s Simon Day.

Alongside the stellar live entertainment throughout both days this November, punters can also look forward to food trucks, bars, merch. Throw in some of the country’s most beloved acts and you’ve got a recipe for everything you need for an exceptional day out in the neighbourhood, with this special anniversary event set to bring the community together in classic Croxton fashion.

“As a music venue with four walls and a stage, The Croxton has been there for decades,” says The Croxton booker Andrew Parisi. “But when we took it on ten years ago, it had fallen into disuse. It was basically empty, except for a faded  Over 28s club that would shuffle in on a Friday night. It was incredible to me that this amazing space, in the heart of one of the best neighbourhoods in the inner north, was just languishing. And I knew that if we set it up right, built the right culture around it, it would be an awesome live music venue.”

“We had to start fresh and build it from the ground up, and make people feel at home,” Andrew continues. “The Croxton has always felt like a community to us, from the staff who have been with us for a decade, to the artists who keep coming back to play, to the audiences who come through our doors for shows. We take a lot of pride in what we have built here – it’s more than just four walls and a stage. We are part of the essential DNA of this city, which is a thriving music scene. It’s important to Melbourne and it’s important to us.”

“Over the last ten years, we’ve had multiple shows from amazing international acts like Sleater-Kinney, The Hold Steady, Osees and Eagles of Death Metal,” adds fellow Croxton booker Simone Ubaldi. “We hosted the first-ever Australian gigs for artists like UK rap superstar Dave, Idles, Future Islands, Black Midi, Khruangbin, Sleaford Mods, Faye Webster and Phoebe Bridgers, and incredible reunion shows from bands like Pixies, Gang of Four, Swervedriver, Teenage Fanclub, Radio Birdman, Suicidal Tendencies, Helmet, L7, They Might Be Giants, and so many more.”

“We’re proud to have hosted Australian artists whose careers were just starting to blossom, like DZ Deathrays, G Flip, Confidence Man, The Chats, King Stingray, The Teskey Brothers, Skegss and Angie McMahon,” Simone adds. “But more than anything else, we’re proud to have been a home to local heroes like The Murlocs, Floodlights, Cash Savage and The Last Drinks, Tropical Fuck Storm, Cosmic Psychos, Civic, RVG and The Smith Street Band. King Gizzard and the Lizard Wizard – the greatest live band in the world – has played The Croxton eight times in the last ten years. Amyl and The Sniffers – the other greatest live band in the world – has played at the venue six times.”

“The fact that The Croxton has had a place in their globe-conquering journeys is mind-blowing,” Simone concludes. “It reminds us that being part of a local music scene really means something. We’re part of an ecosystem that connects local artists to the world.”

The Croxton Block Party will storm the Croxton carpark on Saturday 1 November and Sunday 2 November.
Tickets for The Croxton Block Party go onsale to the general public on Wednesday 6 August at 10am from thecroxton.com.au.

THE CROXTON BLOCK PARTY:
Tickets available from thecroxton.com.au

SAT 1 NOV | THE CROXTON BANDROOM, THORNBURY VIC | 18+
Tropical Fuck Storm
Cash Savage and the Last Drinks
Party Dozen
Grace Cummings
EXEK + Npcede
Loose Lips

SUN 2 NOV | THE CROXTON BANDROOM, THORNBURY VIC | 18+
Spiderbait
Floodlights
Ratcat *Tingles 35th Anniversary Set
Sex Mask
Girl and Girl
The Gnomes

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