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Category:

Music News

Where are you from and where are you currently based? Born and raised Australian, from Western Sydney. Sacrificed the sun and moved to East London, 8 years ago! How did you first start playing music? From a young age I was given a “thing” by my parents, something to keep me preoccupied and out of trouble. Some get sports, others dancing, it was singing for me.  What's been happening recently for you and how has your Covid experience been so far? I  managed to put out a record through the pandemic, so most of 2020 was based around that. Kinda think it was a good thing, kept me busy in what was a really difficult year. Always trying to see the silver lining, I learnt a lot last year and was forced to think outside the box creatively.  Your new single 'Revolution' is out now, what influenced the sound and songwriting? Revolution was written in 2019 about the person who brings out the best in you, encourages a change within. I love the Woodstock era, empowered female singer-songwriters like Joni Mitchell and Janis Joplin. I suppose they inspired the sound in many ways. Some songs go on to have more depth as they exist in the world, the more I lived with Revolution the more meaning it had. In light of 2020 and the shift in global conversation about equality across race, gender, environmental justice - Revolution was that song I put out to help face the days with.  How did you go about writing Revolution? I took in the concept, I’d seen a street sign in capitals saying “Revolution” on the way to write. Small things sometimes funnily inspire songs. I wrote it with Paro Westerlund and Professor P in Sweden. Professor P specialises in lyrics predominantly, I was working on my storytelling at the time and it really helped to have those two to bounce ideas off. To take such a grand concept and make it into something relatable and close to home - that was tough. So happy with how we managed to make it work though!  Where and when did you record/produce/master and who with? Revolution was written in Sweden, but produced over in LA. I’ve always been really lucky to have people believe in my songs and get on board because they’re excited by it and wanna see me win. Onree Gill produced the track and got the gospel choir Ella + Q to record over it. Onree’s worked with Alicia Keys, John Mayer, Gwen Stefani and Ella + Q with Prince and Whitney. I mean, I’m just a small town girl from Western Sydney so pretty mind blowing! We then had additional production done by a Maestro The Baker, a Grammy award winning producer here in the UK. How did you approach the recording process and what did you find most challenging and rewarding? I executive produced my album “Hunger” alongside Joe Garrett and my managers, I think getting 12 songs and bringing them into the same sonic world proved to be our biggest challenge. Even now there are a few different sounds across the album, but we managed to get them all sounding like they lived in the same world. No one ever prepared me for listening to 7+ mixes per song, but it was so important for me to be a part of that process.  Who are you listening to at the moment? I’ve started to rehash some 2000’s power pop women Robyn, Gossip, Florence. Also I’m always listening to Bon Iver, James Blake, Ólafur Arnalds.  What do you like to do away from music? I spend a lot of time away from music walking in nature, which helps me to clear my mind.  What's planned for 2021, what other projects / releases do you currently have in the pipeline? I’m taking this new found down time to focus on writing songs for other artists, I have a few features I’m excited about coming up! I’m also working on a side project in the dance world which is nothing like anyone’s heard from me before called AR/CO, so watch this space. 
Music InterviewsMusic News

Mali Koa

by the partae February 12, 2021
written by the partae

Where are you from and where are you currently based? Born and raised Australian, from Western Sydney. Sacrificed the sun and moved to East London, 8 years ago!

How did you first start playing music?

From a young age I was given a “thing” by my parents, something to keep me preoccupied and out of trouble. Some get sports, others dancing, it was singing for me.

What’s been happening recently for you and how has your Covid experience been so far? I  managed to put out a record through the pandemic, so most of 2020 was based around that. Kinda think it was a good thing, kept me busy in what was a really difficult year. Always trying to see the silver lining, I learnt a lot last year and was forced to think outside the box creatively.

Your new single ‘Revolution’ is out now, what influenced the sound and songwriting?

Revolution was written in 2019 about the person who brings out the best in you, encourages a change within. I love the Woodstock era, empowered female singer-songwriters like Joni Mitchell and Janis Joplin. I suppose they inspired the sound in many ways. Some songs go on to have more depth as they exist in the world, the more I lived with Revolution the more meaning it had. In light of 2020 and the shift in global conversation about equality across race, gender, environmental justice – Revolution was that song I put out to help face the days with.

How did you go about writing Revolution?

I took in the concept, I’d seen a street sign in capitals saying “Revolution” on the way to write. Small things sometimes funnily inspire songs. I wrote it with Paro Westerlund and Professor P in Sweden. Professor P specialises in lyrics predominantly, I was working on my storytelling at the time and it really helped to have those two to bounce ideas off. To take such a grand concept and make it into something relatable and close to home – that was tough. So happy with how we managed to make it work though!

Where and when did you record/produce/master and who with?

Revolution was written in Sweden, but produced over in LA. I’ve always been really lucky to have people believe in my songs and get on board because they’re excited by it and wanna see me win. Onree Gill produced the track and got the gospel choir Ella + Q to record over it. Onree’s worked with Alicia Keys, John Mayer, Gwen Stefani and Ella + Q with Prince and Whitney. I mean, I’m just a small town girl from Western Sydney so pretty mind blowing! We then had additional production done by a Maestro The Baker, a Grammy award winning producer here in the UK.

How did you approach the recording process and what did you find most challenging and rewarding?

I executive produced my album “Hunger” alongside Joe Garrett and my managers, I think getting 12 songs and bringing them into the same sonic world proved to be our biggest challenge. Even now there are a few different sounds across the album, but we managed to get them all sounding like they lived in the same world. No one ever prepared me for listening to 7+ mixes per song, but it was so important for me to be a part of that process.

Who are you listening to at the moment?

I’ve started to rehash some 2000’s power pop women Robyn, Gossip, Florence. Also I’m always listening to Bon Iver, James Blake, Ólafur Arnalds.

What do you like to do away from music?

I spend a lot of time away from music walking in nature, which helps me to clear my mind.

What’s planned for 2021, what other projects / releases do you currently have in the pipeline?

I’m taking this new found down time to focus on writing songs for other artists, I have a few features I’m excited about coming up! I’m also working on a side project in the dance world which is nothing like anyone’s heard from me before called AR/CO, so watch this space.

 

Instagram.com/Malikoa

@Malikoa

February 12, 2021 0 comments
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THE RUBENS' NEW ALBUM '0202' - OUT NOW!
Festival NewsMusic News

THE RUBENS’ NEW ALBUM ‘0202’ – OUT NOW!

by the partae February 12, 2021
written by the partae
  • 0202 – a forward thinking album for a backwards year is the band’s first self-engineered and produced album
  • The album features singles ‘Live In Life’, ‘Heavy Weather’, ‘Time of My Life’ and current single ‘Masterpiece’
  • First single ‘Live In Life’ was nominated for ARIA Song of the Year, was the 4th biggest Australian song of 2020 & is now certified Double Platinum with over 40 million streams
  • Their 0202 album tour through April-Jul this year will be their biggest Australian headline tour to date
  • Over their career to date The Rubens have 7 singles that have surpassed Gold status + a Gold and Platinum album
Ivy League Records are thrilled to release 0202 – the exceptional fourth album by local legends, The Rubens! Loaded with effortless jams like ‘Live In Life’ (double Platinum, ARIA Song of the Year nominee & the fourth biggest Australian song of 2020 (ARIA)), ‘Time Of My Life’, ‘Heavy Weather’ & current single ‘Masterpiece’, with 0202 the band have fully transformed into an alt-rock/pop powerhouse and, for the first time, have self-produced an album that will have people re-evaluating what they thought they knew about The Rubens.

By the time album opener and absolute belter ‘Masterpiece’ comes to an end, it becomes very clear that The Rubens have emerged inspired from all the twists and turns thrown at them in 2020 and injected a new energy into this incredible record. 0202, a forward-thinking album for a backward year, sees The Rubens creating a sound that effortlessly dances across genres – alt-rock, rnb, pop and hip hop all collide into something uniquely their own.

The band unexpectedly found themselves self-producing what would become their most “pop” sounding album so far, recording everything together in their friend’s Camden-based studio, a converted WWII communications building, simply known as The Bunker, with bass player Will Zeglis taking on the role of engineer. Together they built each track up, starting with drummer Scott Baldwin’s beats, piecing the whole thing together part by part. When they felt like they’d taken a song as far as they could on their own, they would send it on to one of three producers – Kon Kersting, Rob Amoruso or Eric J – depending on what the song needed and who they thought would be best suited to the track, to add extra production and mix the track.

While the recording process might have been a love-in, the album itself isn’t all rainbows and sunshine. With song titles like ‘Muddy Evil Pain’, tunes about retrospectively realising you lost The One (‘Masterpiece’) and lyrics like, “All this heavy weather in my chest again, will I ever see a change?” (‘Heavy Weather’) there’s a melancholic undercurrent to 0202. “It’s a little darker than the last album,” Elliott agrees. “Thematically darker and sonically too. Even though it’s pretty and hi-fi, there’s a lot of darkness there.” If you saw the title of album closer ‘Party’ and were expecting a good time, summer jam, think again. “With anything we do, we can’t help but throw a bit of pessimism in there,” smiles Sam. “We can’t write a song that’s just purely happy and uplifting. I guess it’s just a realistic view, y’know?”

It’s this clash of light and dark that makes 0202, the band’s fourth studio album, such a compelling listen. After four albums and almost ten years together, The Rubens show no sign of slowing down. By being true to their creative instincts, the band have delivered an album brimming with big ideas, clever production and bucket loads of excitement. Or as Elliott simply puts it, “I think it’s our best yet.”

0202 follows third album LO LA RU, which featured hits ‘Never Ever (feat Sarah)’ (Double Platinum), ‘Million Man’ (Certified Gold), ‘God Forgot’ (Certified Gold) and lead to sold out shows and a 42-date Arena tour supporting megastar P!NK. Their second album Hoops saw the band sell out headline shows at Hordern Pavilion and Margaret Court Arena and included hits ‘Hallelujah’, ‘Cut Me Loose’ and of course the 4 x Platinum the hit title track, which topped the 2015 triple j Hottest 100, while their debut self-titled LP was home to ‘My Gun’ (Certified Platinum), ‘Lay It Down’ (Certified Gold), ‘The Best We Got’ and more fan-favourites.

The Rubens are currently half way through their regional NSW album launch shows, and will  kick off their official 0202 album tour from April – July, playing metro cities as well as regional venues across their biggest headline tour to date.

The Rubens – 0202
Out now through Ivy League Records
Buy/stream here
0202 tracklisting:
1. Masterpiece
2. Heavy Weather
3. Live In Life
4. Time Of My Life
5. Thank You
6. Muddy Evil Pain
7. Holiday
8. Explosions
9. State Of My Mind
10. Apple
11. Back To Back
12. Party
THE RUBENS
0202 ALBUM LAUNCH SHOWS 2021

For more details head to therubensmusic.com

Fri-Feb-12-21 – Dubbo, NSW – Dubbo Convention Centre
Sat-Feb-13-21 – Port Macquarie, NSW – Port Macquarie Glasshouse
Sat-Feb-20-21 – Thirroul, NSW – Anita’s Theatre

THE RUBENS
0202 ALBUM TOUR 2021

Supported by Alice Ivy

Sat-Apr-03-21 – Crooked River Winery – Gerringong, NSW
Thu-Apr-08-21 – Fortitude Music Hall – Brisbane, QLD
Fri-Apr-09-21- Moncrieff Entertainment – Bundaberg, QLD
Sat-Apr-10-21 – Highfields Tavern – Toowoomba, QLD
Fri-Apr-16-21 – Enmore Theatre – Sydney, NSW
Sat-Apr-17-21 – Bar On The Hill – Newcastle, NSW
Wed-Apr-28-21 – Riverlinks Westside – Shepparton, VIC
Fri-Apr-30-21 – Forum – Melbourne, VIC
Wed-May-05-21 – Whitestar Hotel – Albany, WA
Thu-May-06-21 – The River – Margaret River, WA
Fri-May-07-21 – Freo Social – Fremantle, WA
Sun-May-09-21 – Wintersun Hotel – Bluff Point, WA
Fri-May-14-21 – The Gap View Hotel – Alice Springs, NT
Thu-May-20-21 – Altar Bar – Hobart, TAS
Fri-May-21-21 – Altar Bar – Hobart, TAS
Sat-May-22-21 – Saloon Bar – Launceston, TAS
Sun-May-23-21 – Forth Pub – Forth, TAS
Wed-May-26-21 – The Leichardt Hotel – Rockhampton, QLD
Thu-May-27-21 – Seabreeze – Mackay, QLD
Fri-May-28-21 – Otherwise Bar – Townsville, QLD
Sat-May-29-21 – Tanks Arts Centre – Cairns, QLD
Wed-Jun-09-21 – Beer Deluxe – Albury, NSW
Thu-Jun-10-21 – The Whalers Hotel – Warrnambool, VIC
Fri-Jun-11-21 – Torquay Hotel – Torquay, VIC
Thu-June-24-21 – Canberra Theatre, ACT
Sat-Jul-3-21 – Shadows, Mount Gambier, VIC
Sat-Jul-24-21 – The Gov – Adelaide, SA

THE RUBENS
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DANNY ELFMAN SHARES NEW SONG “LOVE IN THE TIME OF COVID”
Music News

DANNY ELFMAN SHARES NEW SONG “LOVE IN THE TIME OF COVID”

by the partae February 12, 2021
written by the partae

“There’s certainly nothing light-hearted or funny about Covid, but I can still poke a little fun
at the crazy way social isolation has changed our lives in every way shape and form…”
  – Danny Elfman on “Love In The Time of Covid”

Just in time for Valentine’s Day, composer, singer and songwriter Danny Elfman is sharing his new song “Love In The Time Of Covid”. The short film accompanying the track is directed by German filmmaker and photographer Sven Gutjahr and Elfman’s creative director Berit Gilma. It tells a somewhat bizarre story of longing for intimacy in today’s socially isolated world in a very unique way.

Filmed in Berlin, the video’s main character is played by Scottish transgender performer Shrek 666 who wears extensive makeup and prosthetics. The non-human form echoes the universal surrealism of life during lockdown. Elfman also appears in a few surprise cameos in the video.

Listen and watch it HERE.

“There’s certainly nothing light-hearted or funny about Covid, but I can still poke a little fun at the crazy way social isolation has changed our lives in every way shape and form, and that’s what “Love In The Time of Covid” is about,” Elfman explains. “An expression of the borderline madness that so many of us have been experiencing. Lord knows I have. I wrote it from the view point of a young man going crazy in his apartment. Creators Gutjahr and Gilma had the idea to turn the lead character into a green skinned animal-like creature. As many us feel completely alienated in this insane new world we live in, and I thought it was an interesting idea.”

“Love In The Time Of Covid” features vocals, guitars and synths by Elfman, drums by Josh Freese, guitars by Nili Brosh, bass by Stu Brooks, percussion by Sidney Hopson and strings by the Lyris Quartet. It was executive produced by Laura Engel and the project producer was Melisa McGregor. Throughout this year Elfman will continue to release songs on the eleventh day of the month. The number 11 has always had significance to Elfman, with his name Elf meaning “eleven” in German.

Last month Elfman released “Sorry”. “The anger-fueled track pulls from industrial and prog-rock influences to create an uneasy atmosphere that’s made even more unnerving with a jarring video animated by Jesse Kanda,” said SPIN. Kanda (Arca, FKA Twigs, Bjork) originally created the video’s intricate animation as a visual backdrop for Elfman’s live performance of the song for the now postponed Coachella 2020.

Watch it HERE.

A four-time Oscar nominee and Grammy winner, Elfman has scored over 100 films including: Milk (Oscar nominated), Good Will Hunting (Oscar nominated), Big Fish (Oscar nominated), Men in Black (Oscar nominated), Edward Scissorhands, Batman, The Nightmare Before Christmas, Spider-Man, Silver Lining’s Playbook and many more.

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GORDI & ALEX LAHEY TEAM UP TO RELEASE 'DINO'S' IN TIME FOR VALENTINE'S DAY, WITH VIDEO
Music News

GORDI & ALEX LAHEY TEAM UP TO RELEASE ‘DINO’S’ IN TIME FOR VALENTINE’S DAY, WITH VIDEO

by the partae February 12, 2021
written by the partae
  • Dino’s (pronounced Dean – o’s) song and video out today
  • First joint single release from Gordi and Alex Lahey
  • Inspired by Nashville dive-bar of same name
  • Gordi’s show at The Forum in Melbourne next week has now sold out, with a new show added for Friday March 12
Gordi and Alex Lahey team up to release ‘Dino’s’ – a big, open-hearted song – just in time for Valentine’s Day. Many moons in the making, ‘Dino’s’ was inspired by the much-loved Nashville dive-bar of the same name from the pair’s time there in 2018. It arrives with an accompanying video from Melbourne based director and creative, Nick Mckk. Mimicking the look and feel of the dive-bar, the video spotlights the evocative and playful nature of the song and features cameos from both artists as a cast of affable local oddities.

VIDEO: ‘Dino’s’ by Gordi x Alex Lahey
“This song has been two and a half years in the making. We wrote it on a very humid summer’s day in Nashville before breaking for late night pasta and beer.”
Premiered yesterday on triple j Breakfast, much of the original recording of ‘Dino’s’ still exists from that humid Summer’s day in another world, although the song did later go through a series of final revisions in Sydney, Eau Claire and Melbourne.
“The song is inspired by the East Nashville dive bar institution ‘Dino’s’, which we both frequent on our visits to the city. The eccentricity of Dino’s makes it a place where it feels like anything could happen and anyone could walk through the door. The song captures the feeling of being totally captivated by the person sitting across from you while the world spins madly on. Anyone who has been to Dino’s knows that there is genuinely a Dolly Parton cardboard cut-out that lives in the bar and she is Nashville icon.”
Both artists have enjoyed prolific, successful careers globally. Gordi’s second record Our Two Skins was released in June last year and crowned a triple j feature album; making its debut into the Top 20 of the ARIA Albums Chart. It was also nominated for an ARIA Award and two J Awards – recognition of its depth, intricacy and beauty.

In addition to releasing her second record last year, Gordi also balanced work as a doctor, donning the scrubs to assist with under-staffed local hospitals in Melbourne during the height of the COVID-19 pandemic. She performed a debut, globally broadcast show at the Sydney Opera House, launched her very own VR immersive album experience titled Buried City and even managed to sneak in some shows at year’s end for fans in NSW. She is currently touring Australia for Our Two Skins and has just added a second show for Melbourne fans after selling out her forthcoming February date at The Forum. The new show will take place on March 12.

Alex Lahey broke through in 2016 with her hit song “You Don’t Think You Like People Like Me”, which earned her a slew of positive press including best new track on Pitchfork. Her debut record I Love You Like A Brother and follow up The Best Of Luck Club earnt her similar acclaim locally and internationally along with a performance on Late Night with Seth Meyers and main stage slots at festivals including Lollapalooza, Bonnaroo and Splendour In The Grass. With over 50 million streams to her name, three ARIA nominations, four Hottest 100 tracks and a gold-certified single for ‘Every Day’s The Weekend’ Lahey is one of Australia’s finest singer-songwriters.

Together, the pair have collaborated on a number of tracks for other artists – including co-writing a track for US pop-punk artist Maggie Lindemann and a forthcoming track for Annie Hamilton. ‘Dino’s’ highlights their natural prowess as singer-songwriters and sees their vocals coalesce in and around each other to create a delectable pop gem.

Gordi x Alex Lahey – ‘Dino’s’

Out now through Liberation Records

Buy/stream here

GORDI
OUR TWO SKINS TOUR DATES

Tickets via gordimusic.com
Saturday Feb 13 | Cowra Civic Theatre, Cowra
Thursday Feb 18 | The Forum, Melbourne | SOLD OUT
Friday Feb 19 | The Bridge Hotel, Castlemaine
Friday Feb 26 | Wonderland Spiegeltent, Adelaide
Saturday Feb 27 | Wonderland Spiegeltent, Adelaide
Friday March 12 | The Forum, Melbourne | NEW SHOW
Saturday March 13 | Altar, Hobart – early show | NEW SHOW
Saturday March 13 | Altar, Hobart – late show | SOLD OUT
GORDI
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Mysteryland has high hopes for the second half of the Dutch festival summer and announces the 2021 edition with exclusive pre-sale The festival takes place on August 27 - 29 at Haarlemmermeer
Festival NewsMusic News

Mysteryland has high hopes for the second half of the Dutch festival summer and announces the 2021 edition with exclusive pre-sale The festival takes place on August 27 – 29 at Haarlemmermeer

by the partae February 12, 2021
written by the partae
Mysteryland has high hopes that they will be able to transform the former Floriade site in Haarlemmermeer into a magical festival site again from 27 to 29 August and is announcing the start of its ticket sales. The longest-running electronic music festival in the world expects to sell out quickly.

Over 95% of Mysteryland’s loyal visitors have chosen to keep last year’s ticket for the 2021 edition. Mysteryland therefore wants to give its fans a chance to be the first to get a hand on the remaining tickets via an exclusive pre-sale. The fans can register via Mysteryland’s website until 21 February 12PM CET.

The largest dance festival in leading festival country the Netherlands, where headliners such as Armin van Buuren, Martin Garrix, Nora En Pure, Sven Väth, and Carl Cox previously performed, is hopeful that it will be able to organise an edition this year, despite the rescheduling of last year’s edition.

Milan Raven, Managing Director of ID&T Events: “We are very much looking forward to the moment we can celebrate life together with our visitors. We realize that it’s still uncertain if we can go ahead, but with all the tools that the Dutch government has at its disposal, we are looking at a brighter future than last year. We notice that many people yearn for some form of being together again and are looking for an escape from reality. There’s no place you can do this better than at Mysteryland.”

Mysteryland is known as the perfect end to the festival summer. Every year more than 300 artists from all kinds of different genres perform, from house, deep-house, big room, bass, techno, trap, trance, and minimal to hardstyle, hardcore, R&B, and hip hop. With more than 20 stages, there is something for everyone’s taste. Artistic stages range from open-air dance floors to huge tents with stellar laser shows and state of the art sound. As it’s their tradition to end with a bang on the Saturday and Sunday evenings, Mysteryland has their legendary end-shows full of fireworks on The Main Stage and Q-dance stage.

In addition to the many music stages, there is always much more to discover on the festival site. Many artfully lit paths lead you through forests and fields to hidden places to chill. There are also various art installations, food courts, and unexpected encounters with like-minded people and artists who can surprise you. In addition, there is also lots to explore for spiritual visitors, from cocoa ceremonies and meditation sessions to massages and yoga.

The real diehards can complete their festival weekend by staying at the campsite. Mysteryland camping visitors get an extra festival day on Friday and get a new dimension to their festival experience during the after-parties. There is also a late-night silent disco that goes on for anyone who can’t get enough. For the early birds, there is morning yoga on the camping plaza and at the market, you can have your festival outfit pimped and your hair styled in the latest trends.

Registration for the exclusive pre-sale starts today via mysteryland.nl/register. Fans can register until 21 February 12PM. If Mysteryland 2021 can’t take place this year, visitors have the option for a refund of the ticket.

INFO

Date: 27 t/m 29 augustus 2021

Location: Haarlemmermeer

Tickets via: www.mysteryland.nl/register

Line-up: stay tuned

About Mysteryland
Mysteryland is the leading electronic dance music festival in the Netherlands, organized by ID&T. The first edition of Mysteryland took place in 1993, making it the longest running electronic music festival in the world. Each year the festival attracts more than 100.000 visitors from over 100 nationalities, who’ll get to see 300 artists perform on 20 stages.

The festival has hosted performances by big artists such as Tiësto, Martin Garrix, Armin van Buuren, Carl Cox and Avicii, covering all genres within the spectrum of electronic music: from House, Big Room, Bass, Techno, Deep-House, Trance, Trap, and Minimal to Hardstyle, Hardcore, RnB, and Hip Hop.

About ID&T
ID&T was founded in 1992 and organizes approximately 80 events a year. The ID&T group includes the companies b2s, ID&T Events, Q-dance, Monumental (Awakenings), Air Events, Art of Dance and VD Events and events such as Mysteryland, Amsterdam Open Air, Milkshake, Vunzige Deuntjes, Thunderdome, Defqon.1 Weekend Festival, Awakenings, Decibel Outdoor and Masters of Hardcore. Their events attract more than one million visitors a year. The ID&T group also encompasses Platinum Agency and Most Wanted DJ, two of the world’s largest hard dance booking agencies, as well as management agency Headliner Entertainment.

CONNECT W/ MYSTERYLAND
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INTRODUCING CANBERRA’S BRAND NEW CBD ROOFTOP NIGHTCLUB: MILE HIGH CLUB @ ZOO BAR Launching: Saturday 27th February - featuring: Sneaky Sound System
Festival NewsMusic News

INTRODUCING CANBERRA’S BRAND NEW CBD ROOFTOP NIGHTCLUB: MILE HIGH CLUB @ ZOO BAR Launching: Saturday 27th February – featuring: Sneaky Sound System

by the partae February 12, 2021
written by the partae

Zoo Bar are proud to announce their new rooftop venue and Saturday night resident event: Mile High Nightclub launching Saturday 27th February and every Saturday night thereafter. Celebrating their 2nd Anniversary, Zoo Bar also welcome special guests: Sneaky Sound System, performing on the night!

Zoo Bar was created to promote an exclusive and luxury upper class experience in the heart of the city, whilst keeping the urban culture and lifestyle vibe with panoramic views of the City skyline.  There is simply no other venue in Canberra quite like Zoo Bar.  Their entertainment precinct is spread out over four levels, casual, stylish and luxe dining options with an expansive drink’s menu.  The multi-level bar has a range of offerings.  Starting at the ground level, indulge in a meal at the bar and grill, then move on up to the hustle lounge, with pool tables and arcade games.  The next two floors will boast recently renovated private function rooms and a Nightclub, with Mile High being your new Saturday night destination.

Sneaky Sound System will perform at the launch of Mile High Club, one of Australia’s most popular electropop music groups.  Having played live shows, club gigs and festivals around the world, the group are known for their energetic, sing-a-long vibes.  In 2004 Miss Connie and producer/DJ Angus McDonald started making beautiful music together.  A series of singles at first then, in 2006, their self-titled, 3 x platinum debut album: ‘Sneaky Sound System.’ Spearheaded by a spectacular salvo of chart-topping hits, including: ‘UFO,’ ‘Pictures’ and ‘I Love It’ – Sneaky Sound System won ARIA Awards for ‘Breakthrough Artist’ and ‘Best Dance Release,’ the first of 14 nominations to-date.  Sneaky Sound System have supported the likes of: Robbie Williams, Jamiroquai, Lady Gaga and have payed sets at Big Day Out, Good Vibrations Festival, V Festival among others.  We are delighted to welcome them to the MILE HIGH CLUB Launch Party! For more info, click here!

What: Mile High Club @ Zoo Bar

When: Saturday 27th February 2021

Time: 10pm – 4am

Where: Level 4, 17 London Cct, Canberra ACT 2601

Ticket price: $50 (for launch event) – Buy Tickets HERE!!

All tickets are strictly non-refundable

Headliner: Sneaky Sound System

 

*Please note: Due to COVID capacity is strictly limited.  This event is being held in line with ACT Health and COVID-19 restrictions.  MILE HIGH CLUB is a COVIDSafe venue with social distancing practices in place for all patrons, performers & staff.  If for any reason this event can not go ahead, by forced closure due to COVID-19, this show will be rescheduled to a later date and tickets will be re-issued for the new show.

www.zoobar.com.au

Follow on Socials: @zoobarandgrill #zoobarandgrill

Email: info@zoobar.com.au

February 12, 2021 0 comments
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OZZY OSBOURNE RELEASES ANIMATED VIDEO FOR IT’S A RAID FEAT. POST MALONE SONG IS THE FINAL RELEASE FROM ORDINARY MAN
Music News

OZZY OSBOURNE RELEASES ANIMATED VIDEO FOR IT’S A RAID FEAT. POST MALONE SONG IS THE FINAL RELEASE FROM ORDINARY MAN

by the partae February 12, 2021
written by the partae

OZZY OSBOURNE has premiered a new animated video for It’s A Raid from his #4 ARIA debut record, ORDINARY MAN released in 2020.

At a SiriusXM listening party last year to celebrate the release of ORDINARY MAN (Epic Records / Sony Music Australia) OZZY recounted the song’s inspiration. While recording Black Sabbath’s VOL. 4 in Bel Air, California, OSBOURNE triggered the home’s security alarm and police surrounded the home, which he says had “piles of marijuana and cocaine.” OSBOURNE adds, “I’m shouting, ‘IT’S A FUCKIN’ RAIIIIID,” before hiding the drugs and ingesting cocaine while hiding in one of the home’s bathrooms.”

In the video, directed by Tomas Lenert, OZZY and Post Malone team up for a truly wild ride. The clip begins with OSBOURNE and Malone at the infamous Bel Air, CA house (which served as the inspiration for the song) before they lead police through the streets of the city and passing iconic Los Angeles landmarks on their journey.

“A couple of years ago I didn’t even know who Post Malone was,” OZZY says. “Since then we’ve worked together on two studio tracks and have performed together twice. Understandably Covid-19 made it difficult to get together to shoot a music video for ‘It’s a Raid’ so we opted for this wildly imagined animated video for the final single from the ORDINARY MAN album.” OZZY, who’s been in the studio working on a new album with producer Andrew Watt, adds that he “can’t wait to for everyone to hear my new music.”

This marks the second duet with Malone. The two previously teamed on Take What You Want from his Hollywood’s Bleeding album (which they also performed at last year’s American Music Awards).  The track was produced by Watt, who collaborated with OSBOURNE for ORDINARY MAN as both producer and co-writer.

Here’s some critical feedback on It’s A Raid:

“is a blitz of screaming metal that finds Osbourne in classic spooky grandpa mode, wailing about voices breathing through the phone, never feeling alone and the horrifying revelation that God is actually Satan, and he’s waiting right here for you. ‘Out in Hollywood, I’ve been locked up for seven days/ I’m never coming out/ Why do i feel my life accelerate/ I’m never coming down,’ Osbourne sings on the chorus over raging, double-kick drums and a wall of high-speed guitars. Leaving behind his hip-hop cadence, Posty straight up sings in his best Ozzy bellow, lamenting, ‘Outside my window, there’s a silhouette/ My rifle’s right beside my bed/ Hold on, I’m runnin’ out of cigarettes/ F–k!’  The thundering track ends with a final raging chorus featuring both singers and some flat-out shouting of the title over a light speed guitar solo.” – Billboard
“the thrashy new track, Osbourne takes the lead with Malone serving as Osbourne’s backup singer and hype man for the rest of the track.” – Rolling Stone
“the high-energy number ‘It’s a Raid.’ The blistering rocker lands among the eleven tracks on Osbourne’s twelfth solo album Ordinary Man…A punky but catchy burst of audio, it’s perhaps the most adrenaline-fueled of the growing collaborations between the “Prince of Darkness” and the rock-indebted rapper.” – Loudwire

“The explicit track is set at a breakneck tempo and features Ozzy and Malone trading lines before unfolding into a half-time crawl in the bridge.” – IHeart

“The song is a banger…” – Spin

In its first week of release, the critically acclaimed ORDINARY MAN—OSBOURNE’s first new solo album in ten years–was the #1 rock album in the world, topping multiple charts in its triumphant first week of release.  Worldwide, ORDINARY MAN entered the charts in the Top Ten in seven countries (including America and the U.K.) and #4 on the ARIA chart, making it the highest charting album of OZZY’s career.ORDINARY MAN marks OSBOURNE’s first new solo music in almost 10 years.  Recorded in Los Angeles, the album features producer Andrew Watt on guitars, Duff McKagan (Guns N’ Roses) on bass and Chad Smith (Red Hot Chili Peppers) on drums.  Beyond the core band, ORDINARY MAN, features a who’s-who of OZZY friends and collaborators including Elton John, Slash, Post Malone and Tom Morello.

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February 12, 2021 0 comments
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Imagine FIIN's Perfect Sunday Afternoon With New Single 'A Better Way.' Out Now on Ultra Records
Music News

Imagine FIIN’s Perfect Sunday Afternoon With New Single ‘A Better Way.’ Out Now on Ultra Records

by the partae February 12, 2021
written by the partae

Artists: FIIN
Title: A Better Way
Label: Ultra Records

Download / Stream

Miami-based talent FIIN makes a triumphant 2021 debut with a new single “A Better Way,” which sees him exploring a new sound with its mellow and minimalistic vibe. The track opens with ethereal melodies and instrumental synths, building slowly into a dreamy and groovy vibe that the producer describes as evoking a relaxed Sunday afternoon. Tribal vocals add a touch of jungle-like mysticism to it, taking listeners to a chill day relaxing on a beach. The single follows FIIN‘s 2020 streak of singles, including “Days Like This,” “Everything,” featuring Nathan Nicholson, “Le Crocodile” and “Still In The Storm” with Brigado Crew and Jinadu. “A Better Way” is the perfect example of simplicity being the key to success.

“A very simple track, but every sound is where it needs to be. For me it’s the perfect Sunday afternoon track, my favorite day of the week.” – FIIN

FIIN earned his stripes as the youngest resident of Heart Nightclub and played alongside the best world-class DJs. Since then, he has impromptu b2b sets with Paco Osuna, Marco Faraone, Hot Since 82, Technasia, Butch, Bontan, and Sis. FIIN‘s music combines a sexy, smooth, and groovy style with an upbeat techy rhythm. He takes risks and succeeds with originality. Tropical rhythms, warm synth lines, melodic grooves, and funky textures come together in masterful style. FIIN‘s hunger and drive are outmatched only by his love for the scene. It’s all or nothing, and nothing was never an option.

More info on FIIN / Ultra Records:
 

FIIN: Facebook | Instagram | Twitter | Spotify
Ultra Records: Facebook
 | Instagram | Twitter | Spotify

 

February 12, 2021 0 comments
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Hello Satellites summons big energy on new electro-pop number ‘No Delivery’ lifted from her forthcoming album There Is A Field
Music News

Hello Satellites summons big energy on new electro-pop number ‘No Delivery’ lifted from her forthcoming album There Is A Field

by the partae February 11, 2021
written by the partae

Melbourne artist Eva Popov has been writing, producing and performing adventurous inimitable indie pop as Hello Satellites for over a decade now. Eva’s expansive and genre bending sound has traversed many realms of the music landscape, undulating seamlessly through folk, pop, neoclassical and experimental tropes across three studio albums, each navigating the world with the sure-footedness of a true exploratory artist. Now, the sonic nomad is excited to reveal her latest offering ‘No Delivery’ lifted from her forthcoming 2021 album There Is A Field.

Out today, ‘No Delivery’ is a cold plunge into the addictive nature of excessive screen time and a danceable reminder about looking beyond palm-sized validation. Beckoning horns signpost snappy wake-up calls and self-help mantras before breaking into a cruisey rhythm you can’t help but succumb to. Recorded with long-time collaborator Nick Huggins (Seagull; Dirty Three) and featuring drums by Heath Robertson and sax by Flora Carbo, the self-produced disco confessional is the second taste of Hello Satellites’ anticipated fourth studio album There Is a Field, following from last year’s moody folk narrative, ‘Thief’.

“No Delivery is a 2.38 minute electronic pop experiment about being addicted to my phone, dopamine hits and magical thinking. I have watched other people do amazing things and live amazing lives whilst I waited for some sort of love hit to come through the screen and solve everything. This song was written as a guitar song to remind myself that nothing was going to be given to me and that I was just going to have to go out into the world and do stuff as my own imperfect self and fail and feel things. I had a lot of fun remaking this song as an obnoxious disco track.”
– Eva Popov, Hello Satellites

Set to be released independently this autumn, There Is A Field sees Hello Satellites harnessing the magic within the mundane. Shaped by the limitations of a long Melbourne lockdown, the record explores vast expansive moments hidden in the nooks and crannies of Popov’s own home and mind. “Each song was a joyous, wide open space to occupy, whilst the outside world felt so closed and restricted under lockdown” Popov explains, noting walk-in robe vocal takes, internet virtual choir collaborations and guitar and piano recordings snatched up in the quiet, stolen moments of working motherhood. The result is a wondrously vibrant world of imagination and awe, candidly unearthed from the most uninspiring of circumstances.

‘No Delivery’ is out now via Ditto
iTunes / Apple Music / Spotify / Bandcamp

‘No Delivery’ Credits
Produced by Eva Popov
Recorded by Eva Popov and Nick Huggins
Mixed by Nick Huggins
Mastered by Lachlan McCarrick
Special Guests:
Heath Robertson – Drums
Flora Carbo – Saxophone

‘No Delivery’ Lyrics
It cannot be brought to me
It cannot be brought to me
There is no delivery
It won’t be brought to me

Tried to make it come to good
Tried to give it all I could
But this isn’t Hollywood
Hollywood

See what I want walking right on by
See what I want down a different street, someone else’s life
But I look, pictures on a screen
Scrolling on and on and on what I could have been

It cannot be brought to me
It cannot be brought to me
No one’s gonna give it for free
It won’t be brought to me

Tried to say the magic words
So the hurting wouldn’t hurt
So it wouldn’t hurt
But the magic didn’t work

See what I want . . .

Come on, Come on Come on (etc)
And stop observing
Come on Come on Come on,
And start to live
Come on Come on Come on
It may be damaged
Come on Come on Come on
It’s what you’ve got to give

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Hello Satellites Bandcamp
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February 11, 2021 0 comments
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Photo Credit: Kovi Konowiecki PRAISE FOR HAND HABITS "placeholder is an impressive piece of craftsmanship, not only in its lyrics but in its sparkling production and masterly sense of melody-for such wistful songs, they have an uncanny ability to get stuck in your head." - New Yorker "An album full of songs that showcase Duffy's gifts front and center... Peaceful, calming, with a hint of something else underneath the surface." - Rolling Stone "Meg Duffy is your favorite indie rocker's favorite guitarist... Duffy plumbs new depths of intimacy when it comes to the topics of anxiety, loss, and forgiveness." - Pitchfork "Duffy pays scrupulous attention to detail in songs that function like intricate dioramas... On placeholder, the singer contemplates the fragility of human relationships and the hard-to-stomach reality that many of the people, experiences and places we've loved are only stepping stones on a journey of self-discovery." - NPR "Remarkable and inquisitive...recalls the piercing lucidity of Angel Olsen, the confidence of Sharon Van Etten." -Stereogum "Lulling, frank revelations on the complexities of desire." - The FADER "placeholder is more atmospheric than show-offy, in which Duffy's tasteful, restrained playing supports the delicate melodies and reflective lyrics. " - UPROXX "A vessel of complex, ever-evolving emotion, warm vocals and dexterous guitar shrieks." - Paste "Achingly beautiful and poignant... profoundly articulated and relatable." - Gorilla vs Bear Hand Habits, the project of Meg Duffy (they/them), has shared a cover of Neil Young's 'i believe in you,' the latest from their upcoming dirt EP. dirt finds the songwriter exploring themes of growth and finding ways to let go of the parts of their past that no longer serve them. It illuminates Duffy's attempts to evolve beyond the confines of their past. Last month Hand Habits shared a video for the EP's A-Side, '4th of july,' which NPR's Bob Boilen called "their best song ever," and Stereogum named the best song of the week upon its release saying "Meg Duffy has leveled up with every Hand Habits album and it looks as though they're about to do it again." The EP, which was co-produced by Duffy and Sasami Ashworth and Kyle Thomas (King Tuff), is available for pre-order now and due February 19th via Milk! Records / Remote Control. While their most recent album placeholder saw them working with producer Brad Cook at Justin Vernon's April Base Studios and garnering praise from such outlets as NPR which called the work "their most fully realized statement" and the Los Angeles Times which praised the work as a "virtually seamless country rock album, with verses moving fluidly into choruses that travel unimpeded across sparkling, architecturally sophisticated bridges." dirt showcases an artist returning to the fertile creative ground of their home.   However, this time around home-recording didn't necessarily mean working in isolation. Duffy had relocated to a shared living situation in Los Angeles with musicians Sasami Ashworth and Kyle Thomas (King Tuff), which also housed Thomas' studio. The resulting songs showcase this creatively collaborative environment, with Ashworth co-producing the lead single and Thomas co-producing 'i believe in you'. Such is the strength of this relationship, in fact, that this new single just may serve as a bridge toward a greater body of work the three will ultimately create together. The sonic texture of '4th of july' complements its lyrical journey, with a simple and sparse introduction marked by a slow burn crescendo hinting at the rupture to come, followed by an ecstatic wail of transcendent emotion. Fittingly, it concludes with a reprise of the beginning but this time altered by new sounds, suggesting a new perspective. Similarly, Duffy breathes new life into the Young staple, 'i believe in you,' adding a foreboding weight and impact to the long-familiar words. For Duffy, the process of recording and the song's themes of growth through trust dovetailed perfectly. As they note, "There's a foundation, and when there's a foundation there's opportunity to reimagine structures; physical and otherwise." Pre-order / Pre-save Hand Habits - dirt EP: https://handhabits.ffm.to/dirt Hand Habits - dirt EP is out February 19  via Milk! Records / Remote Control Records Hand Habits Website | Facebook | Twitter | Instagram
Music News

HAND HABITS Shares cover of Neil Young’s ‘i believe in you’ dirt EP out February 19

by the partae February 11, 2021
written by the partae
Photo Credit: Kovi Konowiecki

PRAISE FOR HAND HABITS

“placeholder is an impressive piece of craftsmanship, not only in its lyrics but in its sparkling production and masterly sense of melody-for such wistful songs, they have an uncanny ability to get stuck in your head.” – New Yorker

“An album full of songs that showcase Duffy’s gifts front and center… Peaceful, calming, with a hint of something else underneath the surface.” – Rolling Stone

“Meg Duffy is your favorite indie rocker’s favorite guitarist… Duffy plumbs new depths of intimacy when it comes to the topics of anxiety, loss, and forgiveness.” – Pitchfork

“Duffy pays scrupulous attention to detail in songs that function like intricate dioramas… On placeholder, the singer contemplates the fragility of human relationships and the hard-to-stomach reality that many of the people, experiences and places we’ve loved are only stepping stones on a journey of self-discovery.” – NPR

“Remarkable and inquisitive…recalls the piercing lucidity of Angel Olsen, the confidence of Sharon Van Etten.” -Stereogum

“Lulling, frank revelations on the complexities of desire.” – The FADER

“placeholder is more atmospheric than show-offy, in which Duffy’s tasteful, restrained playing supports the delicate melodies and reflective lyrics. “ – UPROXX

“A vessel of complex, ever-evolving emotion, warm vocals and dexterous guitar shrieks.” – Paste

“Achingly beautiful and poignant… profoundly articulated and relatable.” – Gorilla vs Bear

Hand Habits, the project of Meg Duffy (they/them), has shared a cover of Neil Young‘s ‘i believe in you,’ the latest from their upcoming dirt EP. dirt finds the songwriter exploring themes of growth and finding ways to let go of the parts of their past that no longer serve them. It illuminates Duffy‘s attempts to evolve beyond the confines of their past.

Last month Hand Habits shared a video for the EP’s A-Side, ‘4th of july,’ which NPR’s Bob Boilen called “their best song ever,” and Stereogum named the best song of the week upon its release saying “Meg Duffy has leveled up with every Hand Habits album and it looks as though they’re about to do it again.”

The EP, which was co-produced by Duffy and Sasami Ashworth and Kyle Thomas (King Tuff), is available for pre-order now and due February 19th via Milk! Records / Remote Control.

While their most recent album placeholder saw them working with producer Brad Cook at Justin Vernon’s April Base Studios and garnering praise from such outlets as NPR which called the work “their most fully realized statement” and the Los Angeles Times which praised the work as a “virtually seamless country rock album, with verses moving fluidly into choruses that travel unimpeded across sparkling, architecturally sophisticated bridges.” dirt showcases an artist returning to the fertile creative ground of their home.

However, this time around home-recording didn’t necessarily mean working in isolation. Duffy had relocated to a shared living situation in Los Angeles with musicians Sasami Ashworth and Kyle Thomas (King Tuff), which also housed Thomas‘ studio. The resulting songs showcase this creatively collaborative environment, with Ashworth co-producing the lead single and Thomas co-producing ‘i believe in you’. Such is the strength of this relationship, in fact, that this new single just may serve as a bridge toward a greater body of work the three will ultimately create together.

The sonic texture of ‘4th of july’ complements its lyrical journey, with a simple and sparse introduction marked by a slow burn crescendo hinting at the rupture to come, followed by an ecstatic wail of transcendent emotion. Fittingly, it concludes with a reprise of the beginning but this time altered by new sounds, suggesting a new perspective.

Similarly, Duffy breathes new life into the Young staple, ‘i believe in you,’ adding a foreboding weight and impact to the long-familiar words.

For Duffy, the process of recording and the song’s themes of growth through trust dovetailed perfectly. As they note, “There’s a foundation, and when there’s a foundation there’s opportunity to reimagine structures; physical and otherwise.”

Pre-order / Pre-save Hand Habits – dirt EP: https://handhabits.ffm.to/dirt

Hand Habits – dirt EP is out February 19  via Milk! Records / Remote Control Records

Hand Habits
Website | Facebook | Twitter | Instagram

February 11, 2021 0 comments
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Mia Wray Releases Video For 'Never Gonna Be The Same' + Melbourne Show Announced
Festival NewsMusic News

Mia Wray Releases Video For ‘Never Gonna Be The Same’ + Melbourne Show Announced

by the partae February 11, 2021
written by the partae
“Mia Wray’s knocked it out the park with ‘Never Gonna Be The Same’; leaning heavy into cathartic pop territory on a jam that further establishes her spot as a local star in the making”– triple j

“Melbourne musician Mia Wray is back with another mesmerising tune, proving that she’s only just getting started” – Rolling Stone AU

“It’s a cathartic pop cut that swerves between brooding verses and high-energy refrains, all anchored by Wray’s commanding vocals” – NME

Today Melbourne’s Mia Wray releases the explosive video for her latest single, ‘Never Gonna Be The Same’.  Matching the track’s commanding tone, the clip sees Mia and her Walkman striding down the streets of Melbourne, lost in the moment while Mia dances in an almost exorcistic release. The clip not only captures the free-spirited power of the track, but also gives fans a glimpse of the Mia’s captivating live energy.

In further exciting news, Melbourne fans have the chance to see Mia perform at the Sidney Myer Music Bowl as part of the mammoth Summer Sounds Festival on Sat 27 Feb alongside Bernard Fanning, Something For Kate and Didirri.

The arrival of the ‘Never Gonna Be The Same’ video comes off the back of a stunning response for the track, added straight to full triple j rotation and triple j unearthed, with praise from the likes of Music Feeds, Rolling Stone, NME, Ash London (HIT) & named as one of triple j Unearthed’s 10 artists to watch in 2021. Mia’s performance of the song on the recent Channel 9 broadcast of the Sounds Better Together concert series also saw the song shoot straight to #5 on the iTunes Charts.

Mia Wray – ‘Never Gonna Be The Same’

Out now through Ivy League Records

Buy/stream here

SUMMER SOUNDS FESTIVAL

Sat 27 Feb | Sidney Myer Music Bowl, Melbourne VIC
Bernard Fanning, Something For Kate, Didirri and Mia Wray
Ticket information HERE

MIA WRAY
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Facebook
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YouTube
Spotify

 

February 11, 2021 0 comments
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BRIJEAN Share new single & video 'Hey Boy' New album Feelings out February 26
Music News

BRIJEAN Share new single & video ‘Hey Boy’ New album Feelings out February 26

by the partae February 11, 2021
written by the partae
Photo Credit: Jack Bool

Brijean – the Oakland-based duo of Brijean Murphy and Doug Stuart – presents the new single/video, ‘Hey Boy‘ from their forthcoming album, Feelings, out February 26th on Ghostly International. Following ‘Ocean,’ ‘Day Dreaming,’ and ‘Moody,’ ‘Hey Boy‘ radiates with a percussive, atmospheric energy. Murphy calls the charming track a “psychedelic guide — the exploration of finding what feels good — through sorrow, anxiety, apathy.” This mentality applies to Feelings on the whole: in these nebulous and verdant worlds of hazy melodies, feathery hooks, and percussive details, the songs simply want us to feel alive. Murphy, also an accomplished visual artist, illustrated and directed the video in collaboration with motion graphics artist Rose Biehl and producer Samantha Sartor. Throughout, Murphy’s vibrant animations of the duo dance and play across the screen.

Murphy explains the video process: “My visual art style really developed when I began making hand-drawn flyers for a nightclub in Oakland, California. I hosted a recurring jazz night every Tuesday for a few years. The bands were always amorphous and always centered around percussion. That left a lot of elasticity in the genre — the musicians were often rooted in different cultural and musical backgrounds (Salsa, Gospel, Blues, Hip Hop, etc.) — and in turn, that attracted a wide range of dancers and drinkers to fill the space. This music video is a homage to that club and its people, infused with some psychedelic and cheeky moments.

The idea of shared experience, though a virtual reality, had shifted my perspective of shared space, which informs the visuals. Seemingly isolated dancers move within the compartmentalized windows and grids of a surreal technicolor world. We’ve all found ourselves here in this time, sorting through complicated information and synthesizing our inherited and undulating present. For me, I’ve found comfort and inspiration in tethering to the playful stuff.”

Watch “Hey Boy” Video

Murphy – one of indie’s most in-demand percussionists (Poolside, Toro Y Moi, U.S. Girls) – and Stuart, who share backgrounds in jazz, Latin and soul music and were both fixtures in Oakland’s diverse music scene, began collaborating in 2018. Following the duo’s first sessions, which resulted in the mini-album Walkie Talkie (released in 2019 on Native Cat Recordings), Brijean continued collaborating in Oakland, inviting friends Chaz Bear, Tony Peppers, and Hamir Atwal, who all would end up contributing to the album. “We improvised on different feels for hours,” says Murphy. “Nothing quite developed at first but we had seeds. We re-opened the sessions a couple months later, after returning from tours, and spent a month developing the songs in a little 400 square foot cottage.” 

The leap from 2019’s Walkie Talkie to Feelings is marked by a notable expanse in range and energy. Brijean’s signature sound — a golden-hued dream pop tropicalia of dazzling beats and honeyed vocals — elevates with the addition of live drummers, strings, and synths. The album also finds Murphy fully trusting in her strengths, not just as a percussionist, but as a songwriter and collaborator. “Valuing myself as elemental instead of an ‘aux’ percussionist, and the undoubted support and talents of Doug, encouraged me to both make this project and collaborate with many different people.” 

Brijean wants you to move, physically, mentally, dimensionally; this is dance music for the mind, body, and soul. With Feelings, they’ve manifested a gentle collective space for respite, for self-reflection, for self-care, for uninhibited imagination and new possibilities.

Brijean – Feelings is out Friday 26 February
via Ghostly International

Brijean
Website | Bandcamp | Facebook | Instagram | Spotify

February 11, 2021 0 comments
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Mia Dyson announces date changes for Parking Lots 15th Anniversary Australian East Coast 2021 tour
Festival NewsMusic News

Mia Dyson announces date changes for Parking Lots 15th Anniversary Australian East Coast 2021 tour!

by the partae February 11, 2021
written by the partae

Off the back of the recent 15-year anniversary reissue of her ARIA Award-winning 2005 album Parking Lots Australian icon Mia Dyson was penned to perform a run of East Coast Australian dates this March. Due to COVID restrictions, Mia has had to postpone all of her upcoming shows but is thrilled to still be able to celebrate the milestone with her VIC and NSW fans, albeit a little further down the road, at her newly rescheduled November dates.

The seasoned Australian artist will take to the road this November for shows across Newcastle, Sydney, Melbourne and regional Victoria for her first live shows in well over a year. Tickets are on sale now and in limited COVID capacities, so be sure to get in quick. For those who already snagged tickets, these will be valid for the rescheduled dates.

“I’m so sad to say that due to forces beyond my control, I am having to postpone my Parking Lots tour to November. All your tickets will be valid for the new shows except Brisbane where we couldn’t make the routing work and ticket holders will be issued refunds. We’ll get you next time around.

Unfortunately, this also means I won’t be performing at Bluesfest.  

I can’t wait to see you all when these shows finally do happen. Thanks for your support and patience.” – Mia Dyson

In her two-decade long career, Mia Dyson has been nominated for five ARIA Awards with Parking Lots taking out ‘Best Blues and Roots Album’ in 2005. She was the inaugural recipient of Double J’s Artist Of The Year at the 2014 J Awards following the release of her Australian classic LP Idyllwild and has had four albums up for AIR Awards with The Moment earning her a nomination for ‘Song Of The Year’ at the 2013 APRA Awards. Mia Dyson’s extensive career has seen her support the likes of Stevie Nicks, Eric Clapton, Bonnie Raitt and Joe Cocker, and most recently touring extensively with her supergroups Dyson Stringer Cloher. 

Heading back into the studio in 2020 to revisit five songs from the album, Mia’s Parking Lots (Revisited) EP sheds new light on a selection of her favourite cuts from the record. From beloved single ‘Roll Me Out’ to the stunning homage of motherly love on ‘Rivers Wide’, and the simple yet captivating title track to the empowering ‘Choose’ and heartbreaking ‘I Meant Something To You Once’, the EP captures the sheer musical mastery of an artist who continues to redefine the blues and roots genre, 15 years on, with the rest of her expansive career still to come.

STREAM / EMBED PARKING LOTS (REVISITED) EP 
STREAM // EMBED ORIGINAL PARKING LOTS ALBUM ON SPOTIFY

Parking Lots (Revisited) EP Track Listing
1. Roll Me Out
2. Rivers Wide
3. Parking Lots
4. Choose
5. I Meant Something To You Once

Parking Lots LP vinyl reissue & (Revisited) EP is out now via MGM
Spotify / iTunes / Apple Music

Parking Lots 15th Anniversary Tour 2021 Tour Dates
Friday 12 November – Howler – Melbourne, VIC

Saturday 13 November – Sandy Point Music Club – Sandy Point, VIC
Sunday 14 November – Macedon Railway Hotel – Macedon Ranges,  VIC
Friday 19 November – Theatre Royal – Castlemaine, VIC
Saturday 20 November – Surf Coast TBC, Surf Coast, VIC

Sunday 21 November – Sooki Lounge – Belgrave, VIC
Friday 26 November – Lizotte’s – Newcastle, NSW
Saturday 27 November – The Lansdowne – Sydney, NSW

Tickets on sale now via miadyson.com

CREDITS
Produced By Daniel Wright And Erin “Syd” Sidney
Recorded At Echo Magic In Ojai, Ca
All Songs Engineered And Mixed By Scott Hirsch
Mastered By Ian Sefchick
All Songs By Mia Dyson (APRA / BMI)
Mia Dyson – Piano, Guitar, Vocals
Matt Aronoff – Double Bass
Lee Pardini – Additional Piano
Daniel Wright – Electric Bass, Backing Vocals
Erin “Syd” Sidney – Drums
Artwork By Jim Grimwade

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Introducing Madi Diaz
Music News

Introducing Madi Diaz

by the partae February 11, 2021
written by the partae

Nashville-based Madi Diaz marks a full restart of her artistic career with “Man In Me,” her poignant debut single/video for ANTI-. It’s a first taste of how Diaz has worked at perfecting the craft of delivering a full spectrum of emotions via songs stripped to their most confrontational and raw form. This song is produced by Diaz with additional production by Andrew Sarlo (Big Thief, Bon Iver).

Across reverberating guitar strums and light piano, Diaz’s voice is evocative as she makes frank observations about a past relationship: “Do you imagine me differently // Cause when I met you swore that you saw me // When you think I might be someone else // Does it turn you on.” As the track continues, Diaz’s vocals swell exponentially, only to be drawn back to a fading note.

’Man In Me’ was the first song I sat down to record for myself in about six years, which is the reason I thought it was so important to release first. It’s a very intimately visceral moment, a sort of play-by-play inner monologue, taking my first steps through a really hard time.” The accompanying video, directed by Stephen Kinigopoulos, “emphasises the intensity of a moment held and held and held. For me, this video is like holding a stare for so long that it hurts. It’s like knowing you should let go, but you keep holding on cause you can’t say ‘when,’ and playing with that tension lying right beneath the surface. You know something’s up, but you just can’t put your finger on it.”

Diaz was originally raised in Lancaster, Pennsylvania surrounded by a family deeply immersed in music: her grandfather was a tenor in the Greenwich City Opera, both of her parents taught music lessons (piano, guitar and ukulele), her father played in a Zappa tribute band and her brother plays in a metal band. She moved to Philadelphia in her teens to have closer access to broader music education, before eventually enrolling in (and dropping out of) Berklee College of Music and moving to Nashville to more seriously pursue a career as a songwriter.

After cutting her teeth in writers rooms in Nashville, Diaz moved to Los Angeles honing her songwriting skills and playing in numerous projects. After a very tumultuous relationship and break up, she bought a truck and moved back to Nashville where she became a go-to songwriter. As things slowed down, Diaz felt she had the time and space to fully confront everything in her life with a newfound sense of clarity. Over the next two years, she wrote over 100 songs, one of which is “Man In Me.” The songwriting expertise she had developed over the years is now championed in her own strikingly original and emotional music.

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THE LAZY EYES ANNOUNCE THEIR OWN UNDER 18'S FESTIVAL 'LAZYFEST' + MORE 'WHERE'S MY BRAIN???' TOUR DATES ADDED
Festival NewsMusic News

THE LAZY EYES ANNOUNCE THEIR OWN UNDER 18’S FESTIVAL ‘LAZYFEST’ + MORE ‘WHERE’S MY BRAIN???’ TOUR DATES ADDED

by the partae February 11, 2021
written by the partae

PRAISE FOR THE LAZY EYES

“Feeding from the same trough as King Gizz and The Babe Rainbow,
this track is simply a magic mushroom spinning top”

Richard Kingsmill (triple j, ‘Where’s My Brain???‘)

“A phenomenal blend of modern sensibilities and classic experimental pop”
American Songwriter

“The makings of a psych giant”
NME Magazine (4 Stars)

“If Brian Wilson joined Tame Impala for a day”
DIY Magazine

“Their music retains a youthful freshness that, rather than recycling,
reinvigorates the ingredients they have taken from their heroes”

Monster Children

“The hype is real. Believe it.”
Life Without Andy

Today The Lazy Eyes are thrilled to present their debut festival, Lazyfest, consisting of an under 18’s show during the day, followed by an 18+ later in the evening. Tickets available HERE.

Programmed by the band with a lineup featuring Stevan and MAY-A, the festival is built on a foundation of giving younger fans a chance to see live music in real venues, and The Lazy Eyes are bringing their friends along for the ride. 

The band has this to say: “Lazyfest is our vision for something we would’ve loved to have when we were younger. When we were growing up around the music scene, there never seemed to be any opportunities for the underage crowd to watch, let alone play music in “real venues”. We would find lot’s of workarounds to be able to play, some of them which will remain undisclosed ;). Shoutout to MCA Genext who put on such an amazing youths only event that really helped shape our band as well as so many others. That was a real diamond in the rough. When we were given the opportunity to make Lazyfest, we tried to satisfy every bit of our younger selves imaginations.

We met Stevan and his crew at Bigsound 2019 and it was an instant connection. We just bonded over the same music and we had mutual friends. He’s such a funny dude and we are always amazed by how much energy he has on and off stage. Stoked to have him on board. We went to highschool with MAY-A, so we had loads of run-ins with her on our long journey through school. Back then it was all about collaborating and joining everyone’s band and project to help people finish music assessments and stuff. It’s such a full circle moment playing with her again for the first ever Lazyfest!”

Lazyfest is made possible by funding from Create NSW‘s Play the City (Sydney) grant.

The Lazy Eyes, Lunatic Entertainment & Village Sounds Present:
LAZYFEST
Featuring The Lazy Eyes, Stevan & MAY-A
Sat 27 Mar – Mary’s Underground
U18 matinee & 18+ evening session
Tickets available HERE.

THE LAZY EYES TOUR DATES
Sat 20 Feb – The Workers Club – Melbourne
Fri 26 Feb – Black Bear Lodge – Brisbane
Thu 4 Mar – La La La’s – Wollongong
Fri 5 Mar – The Stag & Hunter – Newcastle
Sat 27 Mar – Lazyfest, Mary’s Underground  – Sydney

Tickets and more tour info at thelazyeyes.com

Stay connected with The Lazy Eyes:
Instagram | Facebook | Twitter | triple j Unearthed

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