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Beloved rock band The Murlocs have unveiled the second track from their upcoming new album Bittersweet Demons, out June 25th on Flightless Records. ‘Eating At You’ is an instantly charming, bluesy sing-a-long with plaintive harmonies and lush pedal steel. Displaying a more languid, melancholy side than the album’s first single – last month’s rocking ‘Francesca‘ – ‘Eating At You’ is an ode to troubled friends. |
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Says frontman Ambrose Kenny-Smith, “It’s an ode to all the loveable train wrecks out there that have gone off the rails and keep going back for more. The never-ending vortex cycle. Some seem to never learn their lesson even when it smacks them right in the face constantly. It’s important to address these issues before disaster strikes and it’s too late. Never give up on your loved ones when they’re in need of a helping hand.” The song comes with an impressively off-kilter video, directed, edited, and shot by John Angus Stewart. |
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The theme of celebrating their nearest and dearest continues on the upcoming album, which is equal parts character study and adoring homage. The album, Bittersweet Demons out June 25th via Flightless Records, shares a collection of songs reflecting on the people who leave a profound imprint on their lives, the saviours and hell raisers and assorted other mystifying characters. The most personal and boldly confident work yet, the album sets that storytelling to 11 infectious tracks written mostly on piano, lending a greater emotional intensity to the band’s restless and radiant brand of garage-rock. What emerges is a beautifully complex body of work, one that shines a light on the fragilities of human nature while inducing the glorious head rush that accompanies any Murlocs outing. |
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With their lineup including two members of the globally beloved King Gizzard & The Lizard Wizard (Kenny-Smith and bassist Cook Craig), The Murlocs recorded at Button Pushers Studio in Melbourne with producer Tim Dunn, dreaming up a prismatic sound that pinballs from sunshine-pop to blues-punk to wide-eyed psychedelia. Naming John Lennon/Plastic Ono Band and Harry Nilsson’s Lennon-produced Pussy Cats among their key reference points, the band adorned their songs with many unexpected details: woozy Wurlitzer melodies, Brian May-esque guitar harmonies, playful atmospheric elements like the whoosh of summer rain, caught by a microphone dragged into the street mid-storm. The result is an album both exuberant and heavy-hearted, a dynamic that wholly fulfills Kenny-Smith’s mission of “always aspiring to write songs that have a bit of twisted positivity to them.” |
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The Murlocs hope to have some touring plans to share sooner rather than later. In the meantime, we can promise that Bittersweet Demons is a dizzying delight of cracking songs, all set to provide some superior sonic sparkle for each listener. |
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The Murlocs are: Matt Blach (drums, vocals), Cook Craig (bass guitar), Tim Karmouche (keyboards, guitar, vocals), Ambrose Kenny-Smith (vocals, harmonica, guitar) and Cal Shortal (guitar). |
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Keep up with The Murlocs: |
Music News
Where are you currently based?
I’m in Perth at the moment.
How did you first get into playing electronic music?
Back in high school I used to take music as a class, it basically meant I’d get an hour everyday to play guitar and chat shit with my mates. We were shown Logic Pro by our teacher and were pretty intrigued. The next day I transferred logic onto my Mac and was just amazed by how everything worked. If always been a fan of electronic music and now the possibility of making my own was at my fingertips.
What’s the Perth music scene like at the moment?
It’s doing very well compared to the rest of the world. There’s gigs left and right. Besides the capacity limits its almost back to normal in venues and clubs. Pretty shit that the government won’t let festivals come back though, everyone here is definitely hanging for them.
What’s been happening recently?
I had my summer uni break so I knuckled down to write some tunes over the summer months. Over this time Solsta was a little quiet but sometimes you just need to take a step back from putting music out and just focus on learning. My last release before together started to gain me a bit of momentum so I wanted to keep the ball rolling and come back even bigger.
Your latest release ‘Together’ Ft. Bexx is out now, what influenced the sound and song writing for this track?
I really wanted to write a track that sounded organic and mellow but still had a tint of grit to it. The writing process of together was me sitting their trying to build this huge atmosphere that constantly built tension. I’d combine like 30 different elements and then when I was happy if strip it back into a instrumental that a vocalist could work with
How did you come to work with Bexx?
So there’s this music production school in Perth called LabSix. I got a few mixing lessons there and went to a few presentations where past students would show off some music and get some feedback. During my big writing stint over the uni break I went in to catch up with Jeremy (one of the instructors I’d worked with) and we just chatted about how to further the Solsta project. After this chat he linked me up with BEXX and a few days later she sent me the vocals you hear. It was that quick.
Where and when did you record/produce/master and who with?
I created the skeleton of the track in my bedroom studio before I got linked up with BEXX. Perth was in lockdown at the time so we weren’t able to get some studio time. She recorded the vocals at her place sent me them. Over the next few weeks I polished the track off in one of the lab six studios Jeremy gave me permission to use. This was huge by the way, big ups to Jeremy and LabSix for giving me the opportunity’s they have.
What programs equipment did you use to record and what do you use live?
I haven’t developed a live show beyond mixing on decks, but it’s definitely something I’ll be doing in the future. In terms of recording, I use a wide range of instruments. I have a couple of guitars, a mono synth and this wierd sequencer called a subharmonicon. I run em through an appollo arrow into logic and then muck around with plug ins as well.
How did you approach the recording/production process?
When I have a writing session for new ideas I’ll set a timer for 40 minutes and just create something. After that 40 mins is up I’ll start again. I’ll do this like 3 or 4 times then take a break, come back and pick an idea to pursue. In my opinion this kinda eliminates writers block because your forced to just make something and eventually one of those somethings will sound decent.
Any idea who you’ll be collaborating with in the future?
I got another huge song coming out with BEXX very soon. I’ve also been working on a couple of other tracks with local Perth producers that are huge. Can not wait to get them out!
Do you have any shows coming up?
Not yet. I’m really trying to nail my production the first half of this year. I’m planning on dropping my Debut ep later in the year so will definitely try and get some shows going with that. Should be huge.
What do you like to do away from music?
I’m at uni at the moment so when I’m not cooking up some music I’m studying. Whenever I get the chance I love to get in the water for a surf to.
Who are you listening to at the moment?
Atm I’m pumping crooked colours, choomba and Kream. Kream and Choomba just get me going and crooked colours mellows me out. Perfectly diversified portfolio.
What’s planned for the remainder of 2021?
I just want to keep grinding music. I’m not to worried about trying to play shows every weekend. I want my music to be perfect. If I can just keep putting good tunes out there and generate a following of people who enjoy it I’ll be stoked. That’s the plan for 2021.
Favourite food and place to hangout?
I love KFC. Absolutely froth it. To be honest my favourite place to hang out is definitely in the studio. I spend a bit of time in the studios at Labsix in Perth and it’s definitely my happy place. Just chilling and chatting to other producers who come through.
Orbital’s Paul Hartnoll & Poet Murray Lachlan Young Parody ‘Home Schooling’ On Forthcoming Single Taken From Their Lockdown-Inspired Album ‘The Virus Diaries’
Hartnoll & Young – ‘Home Schooling’
Out Now
Listen To ‘Home Schooling’ Here
“Home schooling was one of the great lockdown levellers. Families were thrown into an instant paradigm shift. Homes became schools, parents became agitated classroom assistants and children generally refused to put any clothes on” – Murray Lachlan Young
Following the government’s decision to announce a new lockdown in England and to close schools to most pupils, parents have been faced with the realisation of juggling working and homeschooling. As if the lockdown wasn’t stressful enough, parents suddenly had to become instant teaching assistants, alongside juggling their full-time roles, with the savior of the occasional qualified teacher led zoom lesson. The nation morphed into an army of amateur Geography, Maths and English teachers all struggling to remember their GCSE’s or formative qualifications.
Hartnoll & Young perfectly parody the experience in their second release from new forthcoming lockdown album ‘The Virus Diaries’. After originally releasing ‘I Need A Haircut’ earlier this year just as the country was beginning to unlock, they now bring us their next experience ‘Home Schooling’. An ode to 80s electro and early hip hop, with flashes of inspiration from Breakdance, Boogaloo, Planet Rock, Grandmaster Flash, Herbie Hancock and of course Paul Hardcastle’s NNNNNN19.
Released 25th June
Tracklisting
- Intro
- Working From Home
- Baking & Jogging
- I’m Meditating
- I’m Going Shopping
- Smile
- Bedtime Again
- Coffeeshop Coffee
- I’ve got a Delivery Coming
- Garden Centre (Push The Trolly)
- Home Schooling
- I Need A Haircut
- I’ve Been a Little Bit Up and Down
- Are We Nearly There Yet
- Secret Hairdresser
CREATURE FEAR SHARE VIBRANT DEBUT EP ‘17 MINUTES OF CREATURE FEAR’ VIA DAILY NIGHTLY RECORDS
Praise for Creature Fear
“Creature Fear are such a force to watch in the year ahead” – Pilerats
“Another example of the really talented artists coming out from Down Under” – The Alternative Mixtape
“Creature Fear are a band that are bound to make you sing, spin and grin along to their incredible, energy-ridden sound.” – The AU Review
“it’s got swagger and vibrancy by the truckload and kept me hooked from go to whoa” – Declan Byrne, triple j
Today, Melbourne based five-piece Creature Fear release their long-teased debut EP, ‘17 Minutes of Creature Fear’, featuring singles ‘Barely Alive’, ‘Little Fishes’ & ‘Big Summer Eyes’.
The band’s knack for carrying a vibe is clear on this EP, transporting the listener through constantly shifting moods in just seventeen minutes, whether it be frantic, intimate or plain old fun.
Recorded sporadically in between Melbourne’s 2020 lockdowns, with no more than two members at a time, the band showcase what they do best on their debut EP, an endearing absurdity that remains at the heart of Creature Fear.
“The EP is very diverse in genre over its 6 tracks, which is very us. It’s a collection of songs we’ve been playing live and wanted to give the listeners a showcase of who we are, introduce ourselves and all the different territory we cover (hence the title!) – Cameron Graham (Creature Fear)
The two opening tracks on the EP lean towards classic throwback rock, while the verses of ‘Barely Alive’ feel borderline goofy, allowing the band to jig on stage to it in a way Adriano Celentano does in his bizarre music videos. ‘Tweedledum’ encapsulates big, 60s, folk rock mono-harmonies whilst ‘Big Summer Eyes’ resembles a blanket of sadness for the listener to lean into. The last three tracks have more modern influences to capture a weirder slightly unnerving sound which reflects the lyrics, delving into a bit of dark absurdity.
On recording the EP during a pandemic the band detail, “the recording process took a lot longer than we anticipated because of Covid. We started in February 2020, but with multiple lockdowns happening recording sessions were very spread out and a bit unpredictable, and there couldn’t really be more than two members of the band in the studio at once, so I’d go in with whoever was recording their part. But when we were actually in the studio it was fantastic and a dream.”
You can catch Creature Fear around Victoria & New South Wales in the next few months for their energetic live show.
BIO
What do you get when you take five ambitious and manic musicians from far-flung suburbs and country towns and lock them in an inner-city Melbourne rehearsal room? You get Creature Fear – a compelling mix of 60’s garage rock and modern atmospherics rolled into a full-bore, shoes-off sound that can still whisper sweet nothings in your ear.
After a string of high-profile supports with the likes of BOO SEEKA, Ball Park Music and Kingswood, Creature Fear have done things the old-fashioned way – earning their live stripes first.
With their theatrical, leg-spasming live show turning heads, Creature Fear are not just an energetic live act but have something interesting and startlingly original to say.
With their mix of character based songs (Ranging from seedy crime scenes to sci-fi epics) and more raw personal tunes covering impressively diverse genres, the music works along their most striking asset: the dual lead vocals of Graham’s garbled menace and singer Jacqui Lumsden’s Joni-meets-Janis pristine shrieks.
TOUR DATES
Fri 18 June ‘Melbourne Launch’ @ The Gasometer
Sat 26 June ‘Lost Lanes Festival’ Wagga Wagga
Sat 7 August @ Barwon Club, Geelong
Where are you currently based?
Sydney, Australia
How did you first start playing music?
My father is a Bass player and Singer so Music has always been in my blood and in the house since I was little
What’s been happening recently?
I have been perfecting my ALIASOUND haha and creating tracks and a whole new image for my new era of Artistry
Your debut self titled EP is out May 14 2021, what influenced the sound and songwriting?
Yes so exciting….The sound was influenced by a whole range of musical talent I have been exposed to throughout my life. From Rnb and Funk to Pop and Rock. The lyrics were inspired by my self discovery and evolution in which I like to share.
How did you go about writing the music?
The very talented Phil Anquetil and I had a brainstorming session in which we discovered a combination of different feels, from Artists for eg: Prince, Pink, Evanescence and Paramore, that influenced me throughout my musical history, to create a whole new style for me as an Artist.
Where and when did you record/produce/master and who with?
Phil Anquetil and I worked together in Phil’s own studio. We created this EP in the midst of the restrictions and lockdowns of 2020, which turned the year in to a positive experience.
How did you approach the recording/production process?
It varied from track to track, some I approached with ideas lyrics and melody already written and some were written from scratch.
What did you find most challenging and rewarding during the creation of the EP?
A challenge was finding time in Phil’s busy schedule haha…..Rewards was definitely the finished EP, when you see a completed body of work it is very fulfilling.
Who are you listening to at the moment?
Spotify everything, haha. I really like to keep up to date with new Artists and Music that is coming out. The Kid LAROI and Olivia Rodrigo come to mind as they have been quite ground breaking and have a fresh sound, which I appreciate. I also have a love for Deep House and Techno so usually have a kick a* local or international Dj’s mix or release on the burn.
What do you like to do away from music?
I love dancing, hanging out with family and friends and going away on holiday.
What’s planned for the remainder of 2021?
Werk Werk Werk haha. Promoting, my new material and writing/recording more for the next releases.
Favourite food and place to hangout?
Love Pancakes on the Rocks but faves are hard for me as there is so much to experience.
Follow ALIA:
SWEDISH POP DUO JUBËL RELEASE ‘DUMB’ FROM FORTHCOMING EP; COMBINING PERFECT POP & FEEL-GOOD DANCE
JUBËL- DUMB
OUT NOW
Continuing the staggering success from their unstoppable rendition of the 1970’s classic ‘Dancing In The Moonlight’ which clocked 350 Million audio streams and hit t #11 in the UK national charts. Not stopping there it hit #1 on the UK radio play charts and went on to become a sure fire worldwide hit. It has become clear that Jubël have quickly mastered their craft of delivering universally friendly dance-pop.
Following their most recent release ‘Weekend Vibe’ which set the standard for their new sound, ‘Dumb’ follows suit as another beautifully constructed perfect pop song. Containing all the elements you would expect, infectious chorus, breezy summer vibes, bags of energy and a melody that just makes you feel good.
The latest release ‘Dumb’ forms part of a new forthcoming long player and firmly putting the electronic duo at the forefront of chart-topping artists, leaving no doubt that they have a bright future ahead of them. ‘
‘Dumb’ is set to become a feature across national airwaves as well as leading steaming playlists and soon to be heard on a dancefloor near you.
JUBËL’S ‘DUMB’ is out now on Warner Music / Atlantic Records
On May 14, Rachelle Van Zanten will release her blues infused folk-rock gem – “Kelli Likes To Ride” – a ripping slide guitar tune that pays tribute to one of her favourite sports and mountain bike riders, BCs legendary Kelli Sherbinin. Accompanied by a lively and cinematically lush music video featuring an interplay between the two women is set to release the same day – we’d love to premiere with you!
Canadian roots-blues-rocker van Zanten
LISTEN/WATCH ‘KELLI LIKES TO RIDE’
Stay Awake are an international punk rock band based in Bangkok. With influences ranging from Propagandi, Rise Against and Boy Sets Fire, several Asian tours and two hard hitting EPs, Stay Awake has developed a reputation for their professionalism and energetic live performances.
Where are you currently based?
Currently based in Bangkok, Thailand
What is your name and role within Stay Awake?
My name is John and I play rhythm guitar and sing
How did you first start playing music?
My mum bought me a guitar when I was 11 years old. Began doing stuff like ‘Smoke on the Water’ but from an early age would write my own songs. I was born in the 1980s, rock music was the most popular thing then and I always wanted to be part of it.
How did Stay Awake form and how did you all end up in Bangkok?
We all came from different areas in the world. I guess we all seek adventure and like what Bangkok offers, it’s an amazingly dynamic city. Andy formed the band with two other guys in 2018, but they quit when the band became more serious. I brought in Uly, the drummer from our old band ‘The Sangsom Massacre’, and he brought Paul along on bass. The current lineup works so well.
What’s been happening recently?
Bangkok is all locked down again due to a spike in covid19 infections. No tour, no shows. Bad time for live music…
Your latest EP ‘Portraits’ that was released in March 2021, What influenced the sound and songwriting?
We have lots of influences, but I think the main vibe is punk music from late 1990s and early 2000s. Was quite a nostalgic journey joining this band and writing stuff that inspired us in our youth with our own styles.
How did you go about writing Portraits?
The theme of Portraits is about looking at yourself and society. We had a lot of time to write because of 2020’s lockdowns and we feel the music is a snapshot of the year that was; internet interactions becoming the norm, increased government control, fear, division and a time to reflect on ourselves and who we want to become. We have all had to question things, accept changes, been influenced by the media and maybe even delved into conspiracies… Portraits is a record about this.
Where and when did you record, produce, master and who with?
We recorded in Bangkok at Vintage Studios Nov/Dec 2020, mixed by a super talented Thai mixer called Nin and mastered by US producer Shordeli.
How did you approach the recording process?
It was much easier than the first EP as we knew the process better and the studio. Each of us has been in studios previously so we also brought our combined experiences. In Thailand, the engineers aren’t very vocal or opinionated, you’re left to your own devices so you need to be clear on what you want. We hired the help of our friend Yotam Ben Horin from veteran Israli punk band Useless ID – he really helped us lift our game, improve our melodies and cut every song down to about 3 minutes.
Did Covid impact the creative/recording process?
Not so much, in November/December 2020 we weren’t locked down in Bangkok. Maybe we had more time to spend in the studio as there were less obligations and no travel.
You’ve been on some epic tours, please tell us about what you most enjoy and what you find most challenging when on the road:
The awesome parts of touring are meeting new people, showing our music to others and being inspired by new bands. But the most fun is being with ‘the guys’ in a new place, having a laugh, being super pumped after a show and talking about it in the hotel after. In the Philippines the crowds are super receptive, you feel like rockstars. Sometimes performing in outer-city punk shows, things can be a bit DIY. In Japan the sound teams and equipment is top notch so you’re always happy with your sound on stage. We have seen both sides of the spectrum in Asia. Most challenging part of touring? Dealing with hangovers from free local beer
Who are you listening to at the moment?
I have been listening to some heavier stuff, Defeater, Killing the Dream and Gideon, but also punk bands Like Pacific and newer Propaghandi albums. I found a 2004 Melbourne band called ‘Away from Now’ on Spotify last month and have been playing a bunch of their stuff.
What do you like to do away from music?
I like reading, working out, yoga and building my businesses (I am currently working in the cannabis industry developing consumer products and doing music events)
What’s planned for the remainder of 2021?
We are filming our music video as soon as lockdowns are over. Maybe we can do a domestic tour to north Thailand. Hopefully another band bonding trip to the beach to write new songs later this year. The band is hugely supportive of each other even without shows to play.
Favourite food and place to hangout?
Bangkok has so many places to eat, so much variety, it’s hard to choose a favourite… but one I always bring friends is Barcelona Gaudi, a delicious Spanish tapas restaurant in Asoke built in Gaudi style. Best Thai food? Nearly every street has someplace new to try.
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(P O R T R A I T S on Apple Music)
https://stayawakeofficial.
THE JENSENS RETURN WITH NEW SINGLE ‘AUTOMATIC’ STUDIO ALBUM ‘HAMMER & BLUSH’ SET TO RELEASE IN LATE MAY
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Photo credit: Maclay Heriot
“Psych-pop constructed with a painterly touch, Babe Rainbow seem to thrive on feeling, unhooking themselves from logical realms and embarking on lengthy journeys across turbulent inner oceans.” – CLASH
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Wing Defence has dropped their new music video for ‘Greener Pastures’
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Big Boss takes center stage with this infectiously ‘Melbourne’ Tech House banger ‘Just Like That’
Melbourne producer Big Boss (AKA Rafael Chavez) has come out swinging with the punchy tech-house ditty ‘Just Like That’. Someone who’s not afraid of mixing up the tempo of his productions, Big Boss has clearly designed ‘Just Like That’ to fit squarely in the main room. Pitch-warping bass, swinging around a rock solid house beat make this track both unusual and accessible to bass music and house music crowds. A definite change of pace from his recent collaboration with Watermelon Boy, this jam will no doubt be saved for peak time in the grittiest nightclubs. Landing a couple of Spotify Editorial playlists on release day (Today) this song is clearly going to be pumped on home stereos, car systems and Club PAs alike. Give this one a spin and keep an ear out for Big Boss, because his 2021 is about to go ballistic.
The infectious Vocal hook ‘Just Like That’ plays a total 177 times throughout the song, with a vocal call and response primed perfectly for TikTok. Clever use of the classic ‘House Organ’ and driving Techy Bass delivers something primed for Festivals and clubs alike. A remix EP with Melbourne’s electricshady & NAMA is scheduled for June to capture those primed for the basement clubs that Melbourne has become a hub for.
Instagram: https://www.instagram.com/
CAROLINE Share new single and video ‘Skydiving onto the library roof’
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caroline – Skydiving onto the library roof 12″ is out Friday 25 June
via Rough Trade Records / Remote Control Records
PREMIERE – We Sat Down With Adelaide’s Pop Punk Gods – Wing Defence And Talk About Their Latest Single ‘Green Pastures’
Following the release of their debut EP ‘Friends’ in 2020, Adelaide’s pop-punk outfit Wing Defence is back on the court with the video for their latest single ‘Greener Pastures‘ (watch HERE).
‘Greener Pastures’ is the spicy comeback from South Australia’s ‘Best Group’ (as awarded at the 2020 SAM Awards) accompanied with fierce and honest lyrics. The incredibly catchy new number is a powerful nod to anyone that’s ever felt trapped in a job where you’re overworked, rarely appreciated and under-paid.
Since its release only a few weeks back, the track has been played on Triple J’s Home & Hosed, Triple J Unearthed’s ‘Tops’ and has received love from Pilerats, Dave Ruby Howe – as well as being added to playlists including Spotify’s Local Noise, Domestic La La’s Tuna Tuesday, Home & Hosed on Spotify + more!
“You’d be pretty lucky if you’ve avoided a situation where you’ve been treated unfairly by your boss or a colleague… It’s incredibly frustrating and upsetting when this happens and you just want to tell them where to go, which most of the time, you can’t! That’s what this song is all about — a way of releasing all the frustration around the things you can really never say.” states guitarist Benny Tamblyn.
Formed in 2018 by Skye Walter and Paige Court, the indie act has been quick to generate hype around their punchy bubblegum-punk melodies and distinctive Australian sound. Since their debut release, ‘Stuck’ in 2018, Wing Defence rapidly positioned itself as one of South Australia’s most exciting new exports. Within twelve months they received national praise after performances at BIGSOUND, Groovin’ The Moo and Laneway Festival (Triple J Unearthed Winner, 2018) and toured the country with Polish Club and The VANNS.
Recorded at Depict Studios & mixed by Wade Keighran (Wolf & Cub and Polish Club) at Rolodex Studios, ‘Greener Pastures’ is the beginning of a new direction from the band, who are using their latest single to formally introduce touring musicians, Benny Tamblyn, Anthony Costanzo and Miles Sly to the Wing Defence line-up. Lead vocalist Skye Walter elaborates, “They’ve always been WD’s at heart and we’ve been through a lot together, so we figured now was the perfect time to bring them along for the ride with us”.
With big plans for 2021 and beyond, Wing Defence have recently signed a distribution deal with Korean music distribution company Sound Republica and are on the Dock 7 Records label in Germany.
‘Greener Pastures’ is the band’s first release of 2021, with a sophomore EP teased for 2022
(answers by Skye Walter)
Where are you currently based?
Adelaide, South Australia.
How did you first start playing music?
I knew how to sing but needed an instrument to help me write music. So I picked up a guitar and started playing it. And then, a bunch of awesome friends and musicians came into my life and we began to make magic together… this is called Wing Defence.
What’s been happening recently?
We signed to a great record label in South Korea called Sound Republica. That was very exciting. Other than that, writing new tunes, going to work, eating, sleeping, repeating.
Your new single ‘Greener Pastures’ is out now, what influenced the sound and songwriting?
Benny (our guitarist and producer) wrote this one. He’s fed up with his job, if you can’t tell! Haha.
How did you go about writing Greener Pastures?
Benny wrote it in a moment of pure frustration and anger… great time to write a bloody banger of a tune! Thanks Benny’s shit job, you’re the best!
Where and when did you record/produce/master and who with?
Recorded most of it in Benny’s bedroom studio, then we headed to Depict Studios with the legend that is Lachy to record the live drums and bass. We then sent it over to Wade Keighran (Wolf and Cub & Polish Club bassist) to mix and master. What a team!
Who are you listening to at the moment?
Dream Wife, The Grates, Avalanches new album, Yo La Tengo, Jeff Buckley… so many!
What do you like to do away from music?
Vanlife, Yoga teaching, playing with my beautiful one year old & eating delicious foods.
Any gigs coming up?
-Tonight at Jawbreaker with our great mates Bitchspawn and Yorke Heath.
-A regional show in Paigy’s home town, Port Pirie on May 28th.
-And then a really exciting one coming up that I’m not allowed to tell you about.
What’s planned for the remainder of 2021?
Release another single and hopefully play some more rad shows.
Favourite food and place to hangout?
My favourite food used to be pickled octopus but then I watched My Octopus Teacher and I can never eat it again… I have now replaced this with marinated asparagus spears (the crisp ones not the soft ones) and truck loads of spicy sauerkraut.
I like hanging out at home with my baby Billy, my partner Stevie and my mates. I also enjoy travelling in my Campervan.
ERIKA DE CASIER Shares new single & video ‘Busy’ New album Sensational out May 21
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