RELEASE ALBUM TITLE TRACK
TAKEN FROM IN ORDER TO KNOW YOU
OUT DECEMBER 3 ON BELLA UNION
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TRACKLIST
hey
church
peas
dio
amphetamine
bummy
lush 2
superpretty
lush
hoon
baddreams
goldeye
Having released their internationally acclaimed debut album, ‘Daydream‘, rising Australian music stars, The Buckleys, return with ‘Woodstock69’ — an ode to one of the most monumental moments in music history. It features a beautifully curated music video that was directed by the youngest band member, Molly Buckley who shot the video at Chris Murphy’s beloved Ballina property, Sugar Beach Ranch. Woodstock69 delivers one of the many highlights from their full-length album.
Listen to Woodstock69
‘Woodstock69’ perfectly captures the Byron Bay siblings’ exquisite song-writing and feel-good foundations. Written by Sarah Buckley, Phil Barton (Nashville’s Music Row Breakthrough Songwriter of the Year) and Dave Thomson (co-writer #1 hit ‘Champagne Night’ by Lady A) and scheduled for release on Petrol Records / UMe, ‘Woodstock69’ is a nostalgic love letter to live music and the impact it has had on their lives and fellow performers.
With the band’s signature authenticity and aura of liberation, Sarah’s alluring vocal palette, paired with both the charming instrumentals and finely crafted videography results in a stunning audio-visual aesthetic that sways between snippets of the sibling trio and original footage from the famous 1969 Woodstock festival.
“Beyond Woodstock, this song is reminiscent of the times we all stood in packed crowds, singing songs, holding the hands of strangers, and dancing together. It’s a song that embodies the excitement we have for when we all get to do this again. This is our love letter to live music and the impact Live Music has had on all of our lives.” The Buckleys
Whilst Australia is currently unable to host live events, the band has not lost their creative spirit and recently launched the Soulfood Sessions – performing all their favourite cover songs from their home studio, Soulfood Studios which can be viewed through their YouTube channel. The performances are reminiscent of their virtual live tour with Live Nation last year that exposed the band to over 5 million viewers globally.
For media enquiries, including interviews and all things press-related, please contact:
“The holy grail of modern surf guitar albums” – Ride The Wave Magazine
“A high water mark of the late 90s surf guitar genre” – Surf Or Bust Digest
Surf-N-Burn – the bodacious 1997 debut album by the classic surf trio Blue Stingrays – has rocked, rattled and rolled since its original release on Epitone Records. Twenty-four years later and long out of print, Epitone is re-releasing the album on vinyl today.
Upon its original release, the members of Blue Stingrays were touted as iconic yet anonymous surf rock pioneers. Now, after decades of whispers and speculation, the identities of these mysterious musicians have been officially confirmed as guitarist Mike Campbell (Tom Petty and The Heartbreakers/Fleetwood Mac/The Dirty Knobs), bassist Ron Blair (Tom Petty and The Heartbreakers) and drummer Randall Marsh (Mudcrutch).
Two outtakes from the original ‘Surf-N-Burn’ recording sessions were recently unearthed and are being released digitally alongside the vinyl re-release. “Grits and Eggs” keeps a steady, low key vibe while “Dawn Patrol” will inspire you to boogie to the beach with your board.
Like those who roamed the globe and found the perfect wave, Blue Stingrays nailed the perfect sound when their first twang rang ‘round the world on their now legendary debut. To quote the original Surf-N-Burn vinyl jacket sleeve: “The most profound expression of the human condition ever communicated through art, the passion in man’s soul expressed through surf guitar and captured on record!”
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https://www.facebook.com/altJ.band/
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MOSSY – ‘Shade (kmoe remix)’
Out now through I OH YOU
Listen/watch here
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“lands somewhere between the sonic extremes of her previous work, marrying heavy distortion with sticky pop hooks.” – NEW YORK TIMES
“nine tight, hook-focused songs that favour front-to-back consistency over constant mayhem — drawing on uptempo grunge (‘Lessen the Damage’), pop-punk (‘Mean’), new wave (‘Hysteria’) and shoegaze-y dream-pop (‘As Strange As It Seems’) in satisfying bursts.” – SPIN
“Poppy has well and truly earned her spot amongst the greats of the alternative scene” – Wall Of Sound
Poppy has just released her new album Flux via Sumerian Records. The album is another ambitious leap for the ever-evolving musician, putting a renewed focus on a stream-lined songwriting approach that puts her indelible vocal melodies at the foreground of a kaleidoscopic mosaic of overdriven guitars.
To help bring her vision to life Poppy brought in acclaimed producer Justin Meldal-Johnsen (M83, Deafheaven, Jimmy Eat World) who had the band record live to tape, accentuating the warmth of the arrangements and lending a decidedly personal touch to the new set of material. The album was preceded by self-directed videos for “So Mean,” “Flux” (which featured a pastel dream world constructed by Australian visual/sculpture artist Pip & Pop), and a video by accomplished stop motion animator/director Chris Ullens (Rex Orange County, Lee Ann Womack) for “Her.” With each visual she has deepened the world of the album, revealing a world brimming with blisteringly sunny vocal melodies and saturated sonics.
2021 has proven to be a landmark year for Poppy, kicking off with a stunning GRAMMY performance in March (celebrating her nomination for Best Metal Performance, the first solo female artist ever nominated in the category), her global livestream event The Last Disagreement in April, the May release of her cover of Jack Off Jill’s “Fear of Dying,” and multiple appearances on WWE NXT, the most recent of which culminated with her announcing the surprise drop of a five song EP, EAT – NXT SOUNDTRACK.
On top of it all she was just announced as the cover artist for the latest issue of Kerrang & launched a collaboration with acclaimed Harajuku Japanese accessories company Q-pot, in addition to her recently announced collaborative line of shoes with Koi Footwear and her ongoing role as the face of Viktor and Rolf’s blockbuster fragrance Flowerbomb with L’Oreal.
Stream / Purchase Flux
impoppy.com
Watch the video for “Flux”
https://youtu.be/C68Okt3Qg8M
Watch the video for “Her”
https://youtu.be/x_KB4KFPxss
Watch the video for “So Mean”
https://youtu.be/CT40JmmtnY4
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TRACKLIST
Montana
Separate Ways
Audrey
Sapphire
Truman
The Reds
Melt Clocks
Stay connected with Nox Holloway:
Official Website | Instagram
Sabo and his label Sol Selectas welcome Ayala (IT) for an EP with three original tracks along with solo remixes by Sifa, Chambord and Animal Trainer.
Ayala (IT) previously featured on the Sol Selectas Summer Sol compilation with his track “Levante” that showcased his afro house style that blends upbeat tribal percussion with melodic synths and traditional instruments from around the world.
Each of the three originals take influence from aboriginal culture and fuses it with modern electronic sounds to create a sonic tapestry that tells ancient stories with a contemporary twist. Based in Italy, Ayala (IT) has also featured tracks on other imprints such as MoBlack Records, Sirin Music and Sony Music.
Joining the originals are three stunning remixes, the first of which comes from Belgium’s Sifa whose previously featured tracks on labels ranging from Kompakt to Global Underground. French duo Chambord have also featured on Summer Sol compilations, and make their return with a mystic remix in the style they have featured on the likes of Akbal Music and Kindisch. Last of the remixes comes from Swiss duo Animal Trainer who make their debut on Sol Selectas following many high-profile outings on the likes of Katermukke, Stil Vor Talent and Einmusika Recordings.
“Sacred Steels” opens the release with gamelan melodies and ethereal vocals that fuse with the building tension of a swelling synth. Augmented with dramatic vocal textures, it’s a tropical sapphire filled with adventure that teleports the dance floor too far away exotic locations.
Second of the originals, “Sacred Piano” has heavy percussion and distant trumpets that surround bass heavy piano chords. Loose and free-flowing, this ever-evolving slice of tribal house is tailor made for club sound systems, while also telling the story of jungle life.
“Panther” is last of the originals with a low-slung groove full of psychedelic textures and a mystic atmosphere that create a ceremonial vibe. Rich with percussive textures and enchanting melodies, the track feels like a lucid dream come to life.
Sifa’s remix of Sacred Steels lifts the tempo, and chunks up the track to raise the intensity while also adding a hypnotic acid bassline.
Chambord refines Sacred Piano with a version that strips back some of the original’s elements and brings the trumpets into focus to create a Balearic vibe perfect for bringing in the sunset.
Animal Trainer closes out the release with a melodic remix of Panther, which steadily builds momentum and draws focus to the melody until the drums take control in the latter stages of the rework.
The artwork by Helia Jamali is a sacred hypnotic sunset that awakens your deepest senses.
Where are you currently based?
How did you first start playing music?
What’s been happening recently?
Your new single ‘Ripe’ is out now, what influenced the sound and songwriting?
How did you go about writing Ripe?
Where and when did you record/produce/master and who with?
How did you approach the recording process?
What do you like to do away from music?
Who are you listening to at the moment?
What’s planned for the remainder of 2021 going into 2022?
Favourite food and place to hangout?
Australia’s very own Tbish links up with 410’s Jay Slapit for their latest drill banger ” Temple “.
The two artists featured in a powerfully delivered crossover seen as Businessman and Tweeko’s second production between the two nations.
Jay Slapit wastes no time reminding people of his reputation and lyrical presence he asserts as part of the Brixton crew. While Tbish continues to integrate his Birmingham background and Oz articulation to creep swiftly between recognizable flows.
The release is an example of the timeless pieces we can see from international collaborations.
Tawanda returns with his second single (‘TRYING’ prod. by Tawanda X RUCKER COLLECTIVE). Coming off the back of feature track ( ‘All on the line’ by Zyad ft Fin, Tawanda) set to release on Friday 17 September. Tawanda aims to solidify his mark as an artist and producer. The Zimbabwean – Australian artist is set to release the track Friday 24 September.
With a handful of production credits ranging from Szn’s, Yawdoesitall, Bale, Makalita, Michelle and Ruu, Tawanda spent the early days of his music career as a prolific songwriter and producer. His penchant for pretty and flowery chords with a build of hard drums is evident in his previous works with these artist. Tawanda aims to raise awareness to the importance of mental health with his second single. He shares multiple mental health services with the cover art, sharing multiple numbers and website. Tawanda looks forward to making his imprint across the Sydney rising scene and also branch out for future international opportunities. This is also a performance track which makes a future show something to look forward to.