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Music Interviews

Bep Kororoti & Akin - Love is the only way
Music Interviews

Bep Kororoti & Akin – Love is the only way

by the partae January 14, 2020
written by the partae

Bep Kororoti & Akin debut on Modern Obscure Music with four Afro influenced tracks. Bep Kororoti released a self-titled mini album on Hivern Discs’ more experimental HVNX sub-label in 2016, but he is better known for making music as Kresy. Here, Kororoti is joined by Akin, who provides vocals and saxophone on this EP. Epomuyeñ is dancefloor cut with striking percussion and strong vocals, whilst Eruobodo is a sax dominated track. Ijotiya channels the spirit of Fela and Afrobeat over a spinning bassline, whilst Love is the only way has a deep spiritual vibe and a powerful vocal. The EP will be out late February, preorder is available from our Bandcamp page.

 


Tracklist
A1 Bep Kororoti & Akin – Epomuyeñ
A2 Bep Kororoti & Akin – Eruobodo
B1 Bep Kororoti & Akin – Ijotiya
B2 Bep Kororoti & Akin – Love is the only way
January 14, 2020 0 comments
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Where are you currently based and what is the music scene like there? I currently live in the college town of Auburn, AL, where we have a small but dedicated community of electronic music fans. There are several local DJ’s, including myself, who hold residencies and throw events for the EDM community, while also hosting a slew of new and established artists. How did you first start playing music? With both my parents being musicians, I started playing at an early age; first learning how to drum, then learning guitar, and finally piano. I participated in the music programs at my school for several years playing percussion, and once I even got to perform at Carnegie Hall. What's been happening recently? Things have been pretty crazy lately. Getting my EP picked up by none other than Gramatik has definitely helped expose my music to a lot of people, and I’ve been steadily booking shows for 2020 as a result. Between performing and visiting family for the holidays, I’ve been trying to find time to sit down and work on some new material. Your new EP 'Manufactured Moments' is out now via Lowtemp, what influenced the sound and songwriting for this EP? With this EP I really wanted to explore the sounds of 60’s-70’s psychedelia and create something that instilled a feeling of antiquated grooviness, presented in the form of modern nuero-hop beats. I take a lot of influence from the bass music community (obviously), but also from older psychedelic soul records and bands. I tried to bridge the gap between the two. How did you go about writing the music? I spent a little over a month preparing for this album by digging through old records and cutting samples that would serve as the building blocks of the tracks. During this time I also created a plethora of sounds using synthesis and cut samples of those as well. Once I felt I had all the building blocks, I spent a month straight working in the studio 9-5, creating ideas for beats. I generated around 10 initial rough ideas and then chose my favorite four to complete, and these four are what you hear on the EP. Where and when did you record/produce? I produced the entirety of the record in my home studio in Auburn. I prefer to begin working as early as possible so I can have all day to complete an idea. A good session often went into the early hours of the next morning. What programs/instruments did you use? I produce my music in Ableton and self-recorded the majority of the guitar heard in the EP. The electronic sounds were created using Serum and Operator (both are software synthesizers in Ableton) and a handful of analogue synthesizers. How did you approach the recording/production process? For this EP, I really wanted to take an organized and planned approach to the writing process with a lot of self-imposed deadlines. I find that when I just work based on how I’m feeling, a lot of tracks tend to get stuck in limbo and are never finished. For this EP I made a pretty meticulous plan for how I would go about writing, with deadlines for each phase of the process so I wouldn’t get bogged down with indecision. I think the results really speak volumes. As to me, this definitely feels like my best and most cohesive work to date. How did you come to release Manufactured Moments via Lowtemp? I have been working with Adam Stehr (Gramatik’s touring guitarist) for the past few years on guitar and music in general. Adam is extremely talented and knowledgeable. I’m very grateful to be able to learn from him. When I asked him to help me with the mixes for a few of my tracks, he ended up forwarding them to Denis (Gramatik). Apparently Denis dug the tunes, and he offered me to release on Lowtemp shortly after hearing the EP. It’s a huge honor to be featured on the label of someone I have listened to and looked up to for so long, and I’m extremely grateful to Adam for making it happen. He was even kind enough to lay down some guitar which can be heard on “Candlelight." What do you like to do away from music? My biggest hobby away from music is probably reading, I love books. Additionally I love film and video games. Anything with a story. Beyond that I enjoy creating digital art, either for my music or just for fun, and being outside with my dog. Who are you listening to at the moment? Electronic music wise i’ve really been enjoying the latest from Charlesthefirst, Of The Trees, and Jade Cicada. These guys all push the envelope when it comes to sound design but they present it in such a chill, laid-back way that I identify with heavily. Beyond electronic beats I really stay listening to albums from my favorite bands like Radiohead, Washed Out, and Tame Impala. I’m also always digging for groovy classic records and rare gems to add to my productions. What's planned for 2020? I’ve got another upcoming release this month with Wavecraft Collective (date tba) and I’m really excited to start the year off with this one because it’s an especially hard tune. I’ve also got a handful of collaborations i’ve been working on with some really talented people and I’m really excited to share them. Performance wise I think this will be my biggest year yet. I am working with the team at Electric Hawk to spread my wings as much as possible this year (pun intended) and have already booked a slew of show in new cities. Hoping for big things and a few festivals this year. Favourite food and place to hangout? Definitely Kung-Pao Chicken, especially if I made it myself. Favorite place to hangout is definitely my porch. I live on the second story and have a massive porch that overlooks downtown. Perfect place to read or work on music.
Music InterviewsMusic News

Common Creation

by the partae January 9, 2020
written by the partae

Where are you currently based and what is the music scene like there?

I currently live in the college town of Auburn, AL, where we have a small but dedicated community of electronic music fans. There are several local DJ’s, including myself, who hold residencies and throw events for the EDM community, while also hosting a slew of new and established artists.

How did you first start playing music?

With both my parents being musicians, I started playing at an early age; first learning how to drum, then learning guitar, and finally piano. I participated in the music programs at my school for several years playing percussion, and once I even got to perform at Carnegie Hall.

What’s been happening recently?

Things have been pretty crazy lately. Getting my EP picked up by none other than Gramatik has definitely helped expose my music to a lot of people, and I’ve been steadily booking shows for 2020 as a result. Between performing and visiting family for the holidays, I’ve been trying to find time to sit down and work on some new material.

Your new EP ‘Manufactured Moments’ is out now via Lowtemp, what influenced the sound and songwriting for this EP?

With this EP I really wanted to explore the sounds of 60’s-70’s psychedelia and create something that instilled a feeling of antiquated grooviness, presented in the form of modern nuero-hop beats. I take a lot of influence from the bass music community (obviously), but also from older psychedelic soul records and bands. I tried to bridge the gap between the two.

How did you go about writing the music?

I spent a little over a month preparing for this album by digging through old records and cutting samples that would serve as the building blocks of the tracks. During this time I also created a plethora of sounds using synthesis and cut samples of those as well. Once I felt I had all the building blocks, I spent a month straight working in the studio 9-5, creating ideas for beats. I generated around 10 initial rough ideas and then chose my favorite four to complete, and these four are what you hear on the EP.

Where and when did you record/produce?

I produced the entirety of the record in my home studio in Auburn. I prefer to begin working as early as possible so I can have all day to complete an idea. A good session often went into the early hours of the next morning.

What programs/instruments did you use?

I produce my music in Ableton and self-recorded the majority of the guitar heard in the EP. The electronic sounds were created using Serum and Operator (both are software synthesizers in Ableton) and a handful of analogue synthesizers.

How did you approach the recording/production process?

For this EP, I really wanted to take an organized and planned approach to the writing process with a lot of self-imposed deadlines. I find that when I just work based on how I’m feeling, a lot of tracks tend to get stuck in limbo and are never finished. For this EP I made a pretty meticulous plan for how I would go about writing, with deadlines for each phase of the process so I wouldn’t get bogged down with indecision. I think the results really speak volumes. As to me, this definitely feels like my best and most cohesive work to date.

How did you come to release Manufactured Moments via Lowtemp?

I have been working with Adam Stehr (Gramatik’s touring guitarist) for the past few years on guitar and music in general. Adam is extremely talented and knowledgeable. I’m very grateful to be able to learn from him. When I asked him to help me with the mixes for a few of my tracks, he ended up forwarding them to Denis (Gramatik). Apparently Denis dug the tunes, and he offered me to release on Lowtemp shortly after hearing the EP. It’s a huge honor to be featured on the label of someone I have listened to and looked up to for so long, and I’m extremely grateful to Adam for making it happen. He was even kind enough to lay down some guitar which can be heard on “Candlelight.”

What do you like to do away from music?

My biggest hobby away from music is probably reading, I love books. Additionally I love film and video games. Anything with a story. Beyond that I enjoy creating digital art, either for my music or just for fun, and being outside with my dog.

Who are you listening to at the moment?

Electronic music wise i’ve really been enjoying the latest from Charlesthefirst, Of The Trees, and Jade Cicada. These guys all push the envelope when it comes to sound design but they present it in such a chill, laid-back way that I identify with heavily. Beyond electronic beats I really stay listening to albums from my favorite bands like Radiohead, Washed Out, and Tame Impala. I’m also always digging for groovy classic records and rare gems to add to my productions.

What’s planned for 2020?

I’ve got another upcoming release this month with Wavecraft Collective (date tba) and I’m really excited to start the year off with this one because it’s an especially hard tune. I’ve also got a handful of collaborations i’ve been working on with some really talented people and I’m really excited to share them. Performance wise I think this will be my biggest year yet. I am working with the team at Electric Hawk to spread my wings as much as possible this year (pun intended) and have already booked a slew of show in new cities. Hoping for big things and a few festivals this year.

Favourite food and place to hangout?

Definitely Kung-Pao Chicken, especially if I made it myself. Favorite place to hangout is definitely my porch. I live on the second story and have a massive porch that overlooks downtown. Perfect place to read or work on music.

Common Creations socials:
IG: https://www.instagram.com/common_creation/
FB: https://www.facebook.com/CommonCreation/

 

January 9, 2020 0 comments
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Music InterviewsMusic News

Reno

by the partae January 9, 2020
written by the partae

Where are you currently based and what is the music scene like there?

I’m currently based in Bali. There’s so many different music scenes in Bali from traditional music to the underground scene.

How did you first start singing and playing music?

I was interested in music from a young age and played my first instrument at 6years old. As a young teenager I explored all types of instruments and listened to all kinds of different music that inspired me to start writing, make music and learn how to sing.

You’ve recently landed in Australia, how’s it been so far?

Melbourne has been amazing, I’ve seen a lot of great bands, underground culture, street art and skateboarding scene. The city is so inspiring.

You’ve just released your debut 14 track album ‘The Time Is Now’ what influenced the sound and songwriting?

The influence mostly comes from the 50’s era to the 70s punk and rock and roll. My songwriting is mostly influenced from my own life experiences.

How did you go about writing the music and over what time period were the songs written?

There are both English and Indonesian songs on my album which I have written over the past few years. Some songs came to me effortlessly but others took a little longer.

Where and when did you record and who with?

I recorded my album between Jakarta and Bali with a lot of talented musicians. I finished the album with my producer Cipta Gun at his studio in Bali.

How did you approach the recording process?

Some songs were recorded live and other songs were recorded track by track between Jakarta and Bali.

What programs/instruments did you use to record/produce/master?

We used all live recorded instruments and protools to master.

What did you find most challenging and rewarding during the songwriting and recording process?

The most challenging thing was probably scheduling everyone’s time to record. The most rewarding thing was being able to compose my music with so many talented people.

Where can we buy/listen to ‘The Time Is Now’?

The album is out now on all digital music platforms. The CD and merchandise is available through my website www.reno.co.id

You are from the beautiful country of Indonesia, what is the live music scene like there at the moment?

Indonesia is huge and we have more than 17,000 islands so we definitely have a broad mix of all types of live music. From traditional, electronic, punk and pop culture.

Who are you listening to at the moment?

I’m not listening to anything in particular at the moment but I’m always looking for all types of new music and bands to inspire me.

What’s planned for 2020?

Touring to promote my album ‘The Time is now’ and a lot of skateboarding.

Favourite food and place to hangout?

In Bali you can always catch me hanging at ‘Gimme Shelter’, ‘Twice’ bar or the skatepark. My favourite food is Babi guling, google it 🙂

Socials

https://www.instagram.com/renpratsren

Spotify: https://open.spotify.com/album/21OqFSuqTVYM2bkRBF3wH9?si=x1hmwPiwRau6fD4jLZzxQQ
January 9, 2020 0 comments
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Where are you currently based and what is the music scene like there? I’ve lived in Melbourne since 1991.  It has a huge and diverse music ( and art for that matter ) scene that brings in more revenue than sport and yet, as everywhere else, the people making the art aren’t making any of the money. How did you first start playing music? I started playing music when I was 15 and I persuaded my parents to get me guitar lessons after I’d saved up and procured a $14 ‘Audition’ guitar (I saw Marc Ribot playing one of these a couple of years ago!) from Kmart. I’d been inspired by a lot of the music I was hearing on the radio – T rex, Deep Purple, The Stones, basically electrified Rock ‘n’ Roll. Your latest single is out now, what influences your sound and songwriting? A mixture of the prior mentioned ‘electrified rock n roll’, experimenting with  strange beats, unusual ways for generating sound ,weird harmonies, wordplay and stuff going on around me. You have an Australian tour kicking off at the end of January, are there any shows that you are particularly looking forward to playing, if so why? I’m looking forward to the Hobart, Brisbane and Beechworth shows because they’ll be just me and no band and those shows are always more rambling and story  telling, going places I can’t take a band. I’m looking forward to all of the other shows because I’ll have a different combo of local musos and musos that I’m taking with me in each place. How do you prepare for live shows? I put together a repertoire based on what musical configuration I’m working with and what I want to present for that show. I write all he songs I might want to choose from all down over 2 spread pages of and open book – about A3 size when opened out, so that I can look down on the floor and pick any song that takes my mood. I call this ‘The Book Of Swamp’. This is what I do instead of a set list. All of the musos I work with know this and know not to expect a formalised setlist. I then think about what I’m gonna wear. If I’m on my own it stops there but if I have a combo it depends on the people. Some people just can’t be tamed and others are good sports and want to help present a show of some sort. The challenge is to make it look like we didn’t all just meet at a bust stop…ha ha maybe that could be a look in itself. I always go on ‘cold’, don’t meditate or do vocal exercises. Actually that’s a white lie, I have been having a shot or 2 of tequila in recent times to get into ‘the vibe’ but am getting over(or bored with) the taste of tequila.  Your book 'Nine Parts Water, One Part Sand: Kim Salmon and the Formula for Grunge' is out now, how did this book come about and what inspired Douglas to write it? Doug and I hit it off straight away and he’d ask me about some aspect of my past before, after or during a lesson and that would just set me off into some ‘rock story’. I think after a while that got him interested to know if any of these stories had been compiled anywhere and of course they hadn’t. He plucked up the courage and asked me one night if he could write my biography and given the absence of such a thing, and given that I’d attempted it but never had the time, I said yes! You worked along side your guitar student/biographer 'Douglas Galbrath' how did the idea/concept come about to work together? You mean in my band? Obviously Doug is a fairly enterprising fellow. I knew he was already a drummer. He’d taken it on himself to try and be the booker at the local pub and booked some of me and my friends bands in there as well as his own. I saw he was a good drummer and even worked with him playing at his daughter’s schools bazaar, which he also booked bands for.  How did the story telling, story writing between the both of you take place and over what period? He’d invite me to brunch start recording and do what he did at the lessons. He got me talking. Basically he prompted me with a question and off I’d go. What did you find most rewarding and challenging through out the process? For me the most rewarding thing has been to see the threads that I’ve given Doug, get woven into a story. It seems something quite apart from me even though I recognise it all. The most challenging part was to know where the line between being a bit circumspect and censoring oneself was. Obviously I don’t want to fall out with people but there’s also a need for honesty. This is however just a story and not an exposé so there’s a balance to be struck. Any advice for anyone wanting to writing a book? Don’t know if I’m the person to give that advice yet. Maybe wait till I’ve written MY book. Where can we buy/read 'Nine Parts Water, One Part Sand: Kim Salmon and the Formula for Grunge' ? Ha Ha! In all discerning bookstores….but more importantly….and also in the highly likely event that all discerning bookstores don’t have my book in stock (because they’ve sold out ha ha),  at my upcoming shows where I’ll be selling the book and my 2 new singles and more… Who are you listening to at the moment? Bonzo Dog Doodah Band It was Neil Innes’s tragic death that dragged me into yet another You Tube vortex. What do you like to do away from music and writing? Painting and other things Please tell us about any new music that's on the way: I’m going into the studio with Tony Thewlis in 3 days to put the finishing touches on a brand new Scientists album. What's planned for 2020? Touring said Scientists album in the USA  Favourite food and place to hangout? Well right now it’s the roast that I’m about to cook and my fave place will be here when I’m eating it, because I’m HUNGRY.
Music InterviewsMusic News

Kim Salmon

by the partae January 7, 2020
written by the partae

Where are you currently based and what is the music scene like there?

I’ve lived in Melbourne since 1991. 

It has a huge and diverse music ( and art for that matter ) scene that brings in more revenue than sport and yet, as everywhere else, the people making the art aren’t making any of the money.

How did you first start playing music?

I started playing music when I was 15 and I persuaded my parents to get me guitar lessons after I’d saved up and procured a $14 ‘Audition’ guitar (I saw Marc Ribot playing one of these a couple of years ago!) from Kmart. I’d been inspired by a lot of the music I was hearing on the radio – T rex, Deep Purple, The Stones, basically electrified Rock ‘n’ Roll.

Your latest single is out now, what influences your sound and songwriting?

A mixture of the prior mentioned ‘electrified rock n roll’, experimenting with  strange beats, unusual ways for generating sound ,weird harmonies, wordplay and stuff going on around me.

You have an Australian tour kicking off at the end of January, are there any shows that you are particularly looking forward to playing, if so why?

I’m looking forward to the Hobart, Brisbane and Beechworth shows because they’ll be just me and no band and those shows are always more rambling and story  telling, going places I can’t take a band. I’m looking forward to all of the other shows because I’ll have a different combo of local musos and musos that I’m taking with me in each place.

How do you prepare for live shows?

I put together a repertoire based on what musical configuration I’m working with and what I want to present for that show. I write all he songs I might want to choose from all down over 2 spread pages of and open book – about A3 size when opened out, so that I can look down on the floor and pick any song that takes my mood. I call this ‘The Book Of Swamp’. This is what I do instead of a set list. All of the musos I work with know this and know not to expect a formalised setlist.

I then think about what I’m gonna wear. If I’m on my own it stops there but if I have a combo it depends on the people. Some people just can’t be tamed and others are good sports and want to help present a show of some sort. The challenge is to make it look like we didn’t all just meet at a bust stop…ha ha maybe that could be a look in itself.

I always go on ‘cold’, don’t meditate or do vocal exercises. Actually that’s a white lie, I have been having a shot or 2 of tequila in recent times to get into ‘the vibe’ but am getting over(or bored with) the taste of tequila. 

Your book ‘Nine Parts Water, One Part Sand: Kim Salmon and the Formula for Grunge’ is out now, how did this book come about and what inspired Douglas to write it?

Doug and I hit it off straight away and he’d ask me about some aspect of my past before, after or during a lesson and that would just set me off into some ‘rock story’. I think after a while that got him interested to know if any of these stories had been compiled anywhere and of course they hadn’t. He plucked up the courage and asked me one night if he could write my biography and given the absence of such a thing, and given that I’d attempted it but never had the time, I said yes!

You worked along side your guitar student/biographer ‘Douglas Galbrath’ how did the idea/concept come about to work together?

You mean in my band? Obviously Doug is a fairly enterprising fellow. I knew he was already a drummer. He’d taken it on himself to try and be the booker at the local pub and booked some of me and my friends bands in there as well as his own. I saw he was a good drummer and even worked with him playing at his daughter’s schools bazaar, which he also booked bands for.

How did the story telling, story writing between the both of you take place and over what period?

He’d invite me to brunch start recording and do what he did at the lessons. He got me talking. Basically he prompted me with a question and off I’d go.

What did you find most rewarding and challenging through out the process?

For me the most rewarding thing has been to see the threads that I’ve given Doug, get woven into a story. It seems something quite apart from me even though I recognise it all.

The most challenging part was to know where the line between being a bit circumspect and censoring oneself was. Obviously I don’t want to fall out with people but there’s also a need for honesty. This is however just a story and not an exposé so there’s a balance to be struck.

Any advice for anyone wanting to writing a book?

Don’t know if I’m the person to give that advice yet. Maybe wait till I’ve written MY book.

Where can we buy/read ‘Nine Parts Water, One Part Sand: Kim Salmon and the Formula for Grunge’ ?

Ha Ha! In all discerning bookstores….but more importantly….and also in the highly likely event that all discerning bookstores don’t have my book in stock (because they’ve sold out ha ha), 

at my upcoming shows where I’ll be selling the book and my 2 new singles and more…

Who are you listening to at the moment?

Bonzo Dog Doodah Band

It was Neil Innes’s tragic death that dragged me into yet another You Tube vortex.

What do you like to do away from music and writing?

Painting and other things

Please tell us about any new music that’s on the way:

I’m going into the studio with Tony Thewlis in 3 days to put the finishing touches on a brand new Scientists album.

What’s planned for 2020?

Touring said Scientists album in the USA 

Favourite food and place to hangout?

Well right now it’s the roast that I’m about to cook and my fave place will be here when I’m eating it, because I’m HUNGRY.

TOUR DATES:

Friday 31st January 2020 – Mona, Hobart (Arvo Show) / Republic, Hobart TAS 
Saturday 1st February 2020 – Mona, Hobart TAS  
Friday 7th February 2020 – Crown & Anchor, Adelaide SA  
Saturday 8th February 2020 – Bassandean Hotel, Bassandean WA
Sunday 9th February 2020 – Grumpy’s Music Bar, Perth WA  
Friday 14th February 2020 – The Tote, Melbourne VIC  
Thursday 20th February 2020 – Smith’s, Canberra ACT 
Friday 21st February 2020 – Union, Sydney NSW
Saturday 22nd February 2020 – Junk Bar, Brisbane QLD 
Saturday 29th February 2020 – Tanswells Commercial Hotel, Beechworth VIC   

https://www.facebook.com/kim.salmon.549

January 7, 2020 0 comments
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Manovski
Music InterviewsMusic News

Manovski

by the partae December 27, 2018
written by the partae

Where are you currently based and what is the music scene like there?

Im based in London and work out of Tileyard studios. I love it here, its one of the main music hubs in the world so there’s always a steady flow of talented people to collaborate with.

How did you first start playing music?

I first started out as a drummer in Sydney, my father and twin brother are both musicians so there was always lots of music around me growing up. The first time I was in a professional studio was when I was about 7 , my father let me to record a song with his band and that definitely left me wanting to spend more time in the studio. I was so fascinated with all the gear in the control room and the funny thing was that the engineer was running an old school analogue studio completely blind!

You have worked with many artists, what do you most enjoy about the process of working with other musicians?

Ive been lucky enough to work with a range of different artists, I think what I like most is everyday is different and everyone has their own vibe so it never gets boring. Also I feel that I’m constantly learning new things or seeing things from a different perspective and almost everyone introduces me to a new amazing artist I’ve never heard of!

How do your collaborations usually come about?

These days sessions usually come about via my management or publisher, from there I just keep working with the people I click with.

How did you come to move to London and how did you go about embedding yourself within the London music scene?

Im originally from Sydney Australia where I was friends with a fellow producer/writer by the name of Tonino Speciale for a long time. Most years at Christmas he’d come back to Australia from the UK and we would play shows together and he would tell me about how different the UK scene is compared to Sydney. So I decided to take a trip to check it out and haven’t really left. Tonino definitely played a major role in introducing me to the network of people I have around me today.

How do you approach your solo music as compared to working with others?

When I’m working with other people its usually a mixture of all our visions for the song so theres usually lots of inspiration to draw from whereas when I work on the Manovski stuff I have so much freedom to create whatever I want I usually spend a lot of time trying out different versions of the song until one really resonates with me…. This often takes a lot more time lol.

How do you usually go about writing music?

As a producer I’m usually in charge of the music side of things however I do get involved with melody and lyrics where needed. I definitely prefer writing from scratch with people in a room as apposed to making a beat for someone to write on top of. This way all elements guide each other and were not confined by a set of chords or rules.

Who are you listening to at the moment?

Loud Luxury ‘Body’ has been on repeat for a while!

What or who influences your sound and songwriting?

I definitely get influenced by whats hot at the moment , especially when it comes to production. When I hear something new and fresh it pushes me to try new approaches to getting sounds.

What do you enjoy about music?

The fact that it crosses all boundaries and is something that brings us all together … doesn’t matter where you are in the world if theres a good song playing on the radio people react to it!

What have you been working on in 2018?

Ive had an amazing 2018, have done lots of writing for other artists a few of which I’m not allowed to talk about yet but am very excited about!

What do you have planned for 2019?

Theres quite a few Manovski records in the works… some very cool collaborations both in the UK and USA happening in 2019!

What do you like to do away from music?

Usually the simple things in life that don’t require much thought…. Walking the dog, cooking, Netflix!

Favourite food and place to hangout?

For food it’s a tossup between Bombay burrito and Honest burger in Islington… to hang out its at home with my wife and newborn son ‘Sonny’.

December 27, 2018 0 comments
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Duendita
Music InterviewsMusic News

Duendita

by the partae December 20, 2018
written by the partae
Where are you currently based and what is the music scene like there?

i’m currently in Berlin. there is music from all over the world here and lots of physical spaces to occupy and share art. there are many different artists here busking, working with artificial intelligence, throwing 20 hour long house concerts… it’s a beautiful place.

 

You’ve just completed your European tour as support for JMSN, how was this experience?

very special, sacred… and affirming. i feel fed.

 

What did you find most challenging and rewarding about the tour?

the most challenging aspect of tour was learning how to depend on myself and trust in my art. sometimes i felt like i didn’t belong, but now i want to move with more conviction.

 

Your EP ‘direct line to My Creator’ is out now, where and when did you record?

direct line to My Creator was recorded over the past two years in New York City.

 

What influenced the sound and songwriting for this EP?
the project started off as demos i wrote and produced. my friend Ezra O.S.T. and i began to edit the ideas more, over a long period of time. 

i was dealing with a lot of pain from when i was younger and i think that innocent sorrow is the spirit holding the tracks together. the lyrics refer to both specific lived experiences and things i would learn in time.

 

Who did you release with?

it was independently released 🙂

 

How do you usually go about writing music?

the idea comes, teases me and i go after it. i may be practicing or setting time aside to be creative. or doing the complete opposite… on my bike, birdwatching or eating falafel. it’s a surprise.

 

How did you first start playing music?

i’ve sung since i was a child and studied choral music for a long time. sometime in middle school, i started writing poetry and songs.

 

Please tell us about the meaning behind your single ‘blue hands’ :

blue hands is about the paranoia police violence has given me.

 

You’ve just been named Soundcloud’s ‘Artist to Watch’ how did this come about and how has it affected your musical career?

Soundcloud was my first outlet for releasing music, it’s also where i’ve met most of my collaborators. i love them for that. i’m happy to be an artist to watch 🙂

 

You have also been selected in the first fifty for the UK’s biggest tastemaker festival The Great Escape, what does this mean to you?

it means… another opportunity to share and grow!

 

What do you have planned for 2019?

birdwatching, therapy, smoothies, good bud, long hikes, small gigs and studio time until festival season.

 

Besides certain religious references I hear that you write everything in lowercase, why is this the case?

hmmm… not sure. it kind of is a religious thing. just how i’d like to express myself.

 

What do you like to do away from music?

birdwatch and go dancing!

 

Favourite food and place to hangout?
i love to eat doubles when i’m in nyc… they’re a Trinidadian street food, chickpea chana between two pieces of dough, with peppers and sweet tamarind sauce … go to Jen’s Roti Shop on Flatbush Ave.
i love to hang out at Baketown 🙂
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December 20, 2018 0 comments
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The Gooch Palms
Music InterviewsMusic News

The Gooch Palms

by the partae December 19, 2018
written by the partae

What is your name and role within The Gooch Palms?

Hey I’m Kat, I play drums and do some singing

You’re originally from Newcastle and now based in LA, what’s the music scene like in LA at the moment?

We moved back from LA around a year ago, it was awesome but we felt we were neglecting Australia a bit so decided to move back. We haven’t been back to the US this year but before we left the LA scene was awesome, so many great bands, there was always a local show to go to. But we’ll be heading back early next year for a big US tour around SXSW.

Who are your favourite acts from Newcastle?

Raave Tapes of course! Also loving some of the young bands right now like Milky Threads, Fritz and Surf Trash. It’s a great scene in Newcastle, all the bands are great!

How and why did you end up moving to LA?

We just decided one day to do it. We always enjoyed touring the US so we decided to sell everything we owned except our instruments and move to America. We didn’t know where we’d live, we planned on just heading over for a tour and settling where ever we found a place that we liked. But about a month before we left our friend posted about a room in his house for rent in Los Angeles and we asked if we could take it and he said yes and that was how we ended up there. It worked out great though, LA has such a welcoming scene and we had so many musician friends living there so it was a pretty smooth and super fun transition. We’ll definitely spend more time in Los Angeles in the future, might end up living back there again! Who knows!

How did the Gooch Palms form and how did you come up with the band name?

We started the band in preschool when we were about one and a half years old. The only word Leroy could say was “gooch” and the only word I could say was “palms” so that’s how we decided on the band name. All our first songs were also called Gooch Palms and we just sang about ourselves!

You’ve just finished an Australian tour with RAAVE TAPES, what did you most enjoy and also find most challenging with this tour?

It’s great touring with a support band, especially when you’re friends. It’s nice to see the same faces when you get to the venue each day. And they are so fun live. The only challenging thing was not playing more shows. That tour was only a few shows and we love playing so it would have been sweet to play a bunch more shows with them.

Your latest single Summertime dropped a few weeks ago, where and when did you record it?

We’ve recorded a new album and have released three tracks so far, Busy Bleeding, Marfa Lights and most recently Summertime. We recorded some at our house in LA last year, some at The Grove on the Central Coast with Dylan Adams and then finished it all up at Dylan’s studio in Coogee a few months ago. Now we’re just releasing singles and waiting for the perfect time to drop the album!

What influenced the sound and songwriting for this track?

Summertime was written a few days before we went into the studio at The Grove and didn’t have lyrics at the time. I went into a small office and wrote some lyrics after Leroy and I had a chat about the vibe of the song, we decided we wanted to call it Summertime and give it a summery vibe. So I just plopped down some lyrics and ran them by Leroy and we were like “yeah that will do”. Leroy was going to sing it but was struggling with the phrasing so I quickly grabbed a mic and went back to the small office and quietly sang it straight into the computer as a guide track. When I took it back Leroy and Dylan really liked the way it sounded and they thought I should sing it. We all agreed it sounded completely different to the original way we intended and almost sounded a bit French so I changed some of the lyrics to French (thanks Google Translate!!!) and learnt how to say them, I had to write it all out frenetically, and laid down the vocal. We used a really old accordion organ (don’t know if that’s what it’s called) to bring the end of the song home. Leroy played it and it was starting to heat up so he only had one opportunity to get it right. By the end of the first take the organ was smoking! But we got the take and it really added to the french vibe of the song. It was only supposed to be an album track but it turned out great so we released it as a single.

How do you usually go about writing music and lyrics and then turn them into songs?

Leroy generally writes the guitar part and then we work on a melody and then get a vibe for the song and talk about what subject matter or lyric content might go with the song and then jot down some ideas. The ideas usually change a few times but we settle on some solid lyrics and then build the music section with guitars and drums and then record it as a demo. Some demos don’t ever see the light of day but the ones that do end up being recorded properly and being released!

Who are you listening to at the moment?

We’re currently listening to a band from Sweden called Viagra Boys on repeat!

What do you like to do outside of music?

Leroy surfs, I like to go to the beach too. We like seeing other bands play and hanging out with friends. Love a cold beer down the pub and do karaoke when ever possible.

You’ll be playing at the Best Night Ever on the 29th of December on the Gold Coast along with RAAVE TAPES, DZ Deathrays, Dune Rats and a heap of other rad bands, any idea of what can we expect on the night from this killer line up?

It will be one epic show. All the bands are awesome and we’re also all friends so it will be one giant party on and off stage! We may just get a few of our pals from the other bands up for a song as well!!! But I expect it to be a very fun night!

What do you have planned for the remainder of 2018 going into 2019?

Apart from playing Best Night Ever the rest of the year is going to be pretty chill for us. We usually play NYE but have taken this year off so just planning on partying our way into 2019! We are heading back to the US early in the new year and will be hitting up Europe and of course a big Aussie tour. And dropping the new album some time in the near future!

Favourite food and place to hangout?

Pizza in bed!!!

 

 

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December 19, 2018 0 comments
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Super Drama
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Super Drama

by the partae December 19, 2018
written by the partae
What is your name and role within Super Drama?

There’s two of us, Jon and Jerome and we both produce and dj as Super Drama.

Where are you currently based and what is the music like there?

We are based in London. East London to be precise. The music round here is very varied and there’s always people pushing the newest sounds around.

How did you first start playing music?

We both have been djing for a very long time now though started as Super Drama in August 2016. It’s been a great two years so far.

How did Super Drama form?

We had been talking about making music together for a very long time, decided to finally make a tune together and it ended up being our first track “Drama Theme” which set the tone for the beginning of Super Drama.

What have your highlights been of 2018?

There’s been a few so far, playing in different countries has been really fun, getting all of our music heard by lots of different people and then all of our mates being super into it has been the best part I reckon.

What have you been working on recently?

We have been finishing an e.p that we are really hyped for everyone to hear. Also have a new single on our label Super Drama Records really soon with a real exciting remix but it’s top secret for now.

Who are you listening to at the moment?

Josh Caffé “The Adventures of Mr Freek”.

What programs/instruments do you use?

Logic Pro and a whole load of drum machines.

Who or what influences your style?

Everything and anything. Our friends definitely influence us for sure and their opinion means a lot to us.

How would you describe your music?

Techno that can go anywhere. From Italo to Ballroom to whatever.

What do you like to do away from music?

Just make the most of London and see our friends. Also world domination.

What do you have planned for 2019?

Just to keep the momentum going, play more gigs and meet new people.

When and where are you playing next?

Our next sets are New Years eve where we’re playing Little Gay Brother and then New Years day at Adonis.

Favourite food and place to hangout?

We love to go down to Chinatown and eat our body weight in rice and noodles.

 

December 19, 2018 0 comments
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Iris Gold
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Iris Gold

by the partae December 19, 2018
written by the partae

Where are you currently based and what is the music scene like there?

In Copenhagen. The live Music scene is pretty diverse. So many different styles and types of Artists to check out.
Overall i would say the danes are very into anything 90’s. 90’s r&b and fashion are a Big thing, just Like the rest of the World i guess.

Please tell us about your upbringing and how it has effected your life and music:

I grew up in hippy communes and was always around a quite diverse mix of people. I gravitated towards the more 70’s phychedelic vibes and OL School hip hop, so when i started doing Music it seemed pretty logical to fuse the Two.

How did you first start playing music?

I started reciting poems and little raps from the Time i could talk.
I had a very vivid imagination and i would tell alot of funky stories about other planets i visited in my mind, and these stories later became songs.
My favorite hashtag is #planetcool which is Where i spent most my time in my stories. Its a wonderful World of loveliness Never loneliness.

Who are you listening to at the moment?

kelela, Benji flow, The Internet, kendrick lamar, afrikan boy, kojey radical, The Confect

What or who influences your sound and songwriting?

Probably my uncle who is a fantastic rapper and Who taught me How to flow nicer.
Also the Beatles, childish gambino, lauryn Hill, Anderson paak, Beck and On my latest track “keep the light On” Anita baker.

What have your highlights been of 2018?

So many! But performing at Roskilde festival was dope! So many people Going crazy and vibing together was amazing.
Doing my first ever Tour in Denmark, which was my first Tour anywhere tbh haha.
Going to Ghana and shooting my video with my homeboy manifest for “Roll it out” was life changing. I had the Best time ever!
Meeting my idol lauryn Hill and learning How to cook dal properly.

What do you have planned for 2019?

Ooh i got another single release beginning of the year and then my debut album in the middle of the year.
Alot of live shows.

What do you like to do away from music?

I looove tea. I have so much tea. Im gonna drink alot of tea over Christmas.
I even have an “iris gold – Color trip” tea, made especially for me by this very fancy tea Maker in Denmark.

What programs/instruments do you use?

Erm garage band and my pen and paper. Not very exciting boooh

When and where are you playing next?

Im doing a few tv things now towards Christmas, which i guess Will be online.
Then in january eurosonic festival in the netherlands and a mini Tour in austria and Hungary.
End of February i should have a gig i London actually.

Favourite food and place to hangout?

Haaaas to be my Aunty kates restaurant “kates joint” in Copenhagen. Best food ever. From all over the World. Jamaican, Indian, thai, South african, lebaneese…

https://www.youtube.com/watch?v=l1pYLvwQnAA
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December 19, 2018 0 comments
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Luminous
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People Luminous

by the partae December 19, 2018
written by the partae

What is your name and role within People Luminous?

Hey, I’m Nicky Swamp and I handle the creative direction in PL

You’re apart of a growing underground Hip Hop culture on the Gold Coast, please tell us about this music scene and all the goings on:

Apart from us and the ever growing dance community the GC has no hip hop scene. It was killed by wannabe gangsters, ice junkies, Eminem idolising bogans and cultural appropriation to a level where small town white kids were, maybe still are freely saying the N word to each other with zero understanding of anything let alone culture. We’re a new movement of love and positivity. Gold Coast is paradise, act like it. People Luminous is the community.

How did People Luminous form?

It never formed, it’s always been. We just put the PL label on it in 2017.

What have you been working on lately?

We’re seriously sitting on so much content. We’re waiting for the right time to release and we’re still trying to crack the playlist game. Seems like unless you know the people putting putting them together you don’t stand a chance and radio will only play you if you’re already popular. We might just go against all advice and put everything out in December/January just because we’re told not to.

You’re gaining a reputation for throwing wild  warehouse parties, please tell us how these came about and what the whole experience is like:

It’s real life. We don’t advertise. If you know you know. You gotta know us or someone we move with to be there. If we can fill a warehouse without a mention on social media then we’re happy. You wanna invite?

What do you have planned for the remainder of 2018 going into 2019?

Maybe back to back tacks ever tuesday arvo at 2.15 or maybe nothing until
February, we’ll see… Next warehouse party is December 21st tho.

Who are you listening to at the moment?

Right now I hear Chronixx from my lounge room. Hot Wax will get played at some point, I.E., Manu Crook$ but apart from that we aint trying to hear anything outside of the circle. It messes with your energy.

Your single and music video ‘Garms’ is out now, what influenced the sound and songwriting for this track?

Mainly me spending too much money or clothes and shoes. the mindset has changed since we made this earlier this year. I actually got a book on minimalism the other day. It’s hard to be content when you’re crowded with unnecessary stuff.

Where and when did you record?

it’s all in house at the PL compound. Matt Gray on production and LGHTYR at the controls. We’ve been recording togther since the end of 2017, it never ends.

How did the music video come about?

Our guy ACE Cubes is always on sight with the camera. We just get it done and move on.

What do you like to do away from music?

Pray and give thanks for all we have and the blessed life we live.

Favourite food and place to hangout?

My kitchen. Ask anyone in PL, I’m the head chef around hear.

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December 19, 2018 0 comments
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Jurek Riegler
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Jurek Riegler

by the partae December 18, 2018
written by the partae

Where are you currently based and what is the music scene like there?

I`m based in Berlin. Mhm, what can I say.. I mean its huge…

How did you first start playing music?

When I was six years old, I wanted to be a drummer. So I grabbed cooking spoons and all cooking pots and let off steam. I always wanted to have a real drum set, but that wasn’t financially feasible for my mother. But she had noticed that I had a very good sense of tact and so she sent me to drum lessons. The teacher at the time was a strange guy. Somehow a mixture of conservative rocker and bourgeois jazzer – I found him rather uncool and when he started to teach me notes in the second lesson, the fun was already over. I just wanted to play the beats that came to mind…  I had a very strong will of my own quite early on.

What programs/instruments do you use live and to record?

Until about 2 years ago I worked purely with hardware and it was more a jam than a real producing. My setup at that time consisted of a Micro Korg XL, two Kaoss Pads, a Mackie 16 channel mixer and a SM 58. At that time I used to beatbox regularly and produced all percussive sounds with my mouth. Today it looks quite different. The central point is the computer on which Logic runs. I mainly work with plug-ins. But I still have my Kaoss pads and the Micro Korg – and recently I got the Subsequent 37 from Moog.

Who are you listening to at the moment?

Right now I hear a lot of Radiohead and Djrum probably because of the cold season.

Who or what influences your sound and songwriting?

When I was a child, my mom’s record cabinet was the most important thing to me. Radiohead, Smashing Pumpkins, Nirvana, Keith Jarret, Moby, Air, Kruder and Dorfmeister and many other pioneers were represented in it. When I was 12-13 years old and was looking for new artists myself, I found mostly American rap on my shelf. Artists like Dilated Peoples, Afu- Ra, Jedi Mind Tricks, M.O.P, Cypress Hill, Jurassic 5, The Roots and what they are all called. German rap was actually only present later. But things like Kreuzfeld Jakob, Stieber Twins, Absolute Beginner, Team Eimsbush etc. are an integral part of my youth.

How do you usually go about writing music?

I don’t really have a plan when I start making music. Most of the time I start jamming and watch what happens. Recently I try to play the melody or groove I have in my head and it works surprisingly well. I don’t lose the focus so much and can hold on to the first idea which is often really the best one. It’s also kind of satisfying to let the thoughts sound.

Please tell us about how you came to work with ursl:

In fact, I had finished my EP for a while. But I didn’t know exactly which label would fit. I had known URSL for a while, but strangely enough it wasn’t on my screen when it came to my own music – even though I had seen many of those released on the label at the Garbicz or at the Fusion festival and had celebrated most of all. Anyway, a buddy of mine made me aware of URSL again. And promptly it worked out. I think they just happened to have their mails open when I sent this 😉 Fortunately a positive answer came very quickly.

What is important to you when making music?

The most important thing for me is always to express a clear feeling, that can be a certain sound or a melody. Functionality in the physical sense is only second. I always find it disappointing how often Djs are tempted to play the proven functional track at an early stage. For many, the arms sticking out into the air are simply too tempting. The environment plays another important role for me. I recently put my workplace by the window. Now I can look into the trees during production, which I find very inspiring.

What have you been working on in 2018 and what do you have planned for 2019?

At the moment I’m working on many different tracks in parallel. Let’s see what will come out of it – I think it will be the next EP. Next year I definitely want to venture into the DJ booth again.  I recently played again for the first time in a long time. And it gives me great pleasure to send people on their journey.

Please tell us about your interest of food and cooking:

At the age of eleven, my Italian stepfather, who is an excellent chef, was a member of our family. When he joined our family, I was just happy to get some delicious food on the table and didn’t really want to learn how to make the perfect risotto.  But since he also makes music himself, he was able to show parallels between music and cooking in an entertaining way. At the beginning, of course, my typical anti teacher attitude came to light. -But little by little I understood what he meant by that that every ingredient and every spice in its quantity, timing, duration is crucial for a good arrangement and mix.

Favourite food and place to hangout?

I’m always very curious about food or probably more aptly put, I’m pretty greedy. I could spend hours in market halls and go from stand to stand. Berlin already offers a great variety. However, I regularly ask myself how the gastronomy can survive here. The prices were cut close, the leases are getting higher and the competition is huge! I think that’s a pity because I regularly notice that one good restaurant after another is closing. It bothers me totally. There should finally be a rethink regarding the quality and appreciation of food. We should not perceive ourselves as running garbage cans ;)!

https://soundcloud.com/jurekriegler

https://www.jurekriegler.com/

https://www.beatport.com/release/offshore/2437315

 

December 18, 2018 0 comments
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Music InterviewsMusic News

Arran

by the partae December 16, 2018
written by the partae

Where are you currently based and what is the music scene like there?

I’m living in London at the minute. I don’t really know, I’ve spent most of the time writing and recording at home. 

How did you first start playing music?

I had a few lessons and then learned everything else from messing about and the internet. 

Who are you listening to at the moment?

Astroworld – Travis Scott I listen to it everywhere. 

Who or what influences your sound and songwriting?

Bob Dylan, Bob Marley, David Bowie, The Bee Gee’s, Karen O, The La’s, Cat Stevens, Black Sabbath, The Fall

How would you describe your music?

Bedroom tunes

What have you been up to in 2018?

Been touring Europe and UK with Cloves, and released my EP What I See on Daytime TV

What do you have planned for 2019?

More music, more gigs, more everything 

What do you like to do away from music?

Long walks on the beach straight into the tide 

Favourite food and place to hang out

Five guys/my studio

 

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December 16, 2018 0 comments
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Concrete Surfers
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Concrete Surfers

by the partae December 14, 2018
written by the partae
What is your name and role within Concrete Surfers?
 
Hey! I’m Jovi and I sing and play guitar. 
 
Where are you currently based and what is the music scene like there?
We are currently based in Brisbane and we wouldn’t wanna be anywhere else! Brisbane has such a close knit music community where it’s so easy to make friends and be around nice, likeminded people. We are pretty lucky in this little city that everyone in the music industry here is so supportive of each other and get really psyched when they sell out a show, or go on a big tour and it’s just really really nice.
 
How did the band start?
 
Back in high school Trent, Jamie and I used to play in another band just playing covers, but it didn’t really work out with our singer at the time so we parted ways but decided that we still wanted to play music together so the three of us formed as a 3-piece and I thought that I would just give singing a go haha. Now Sean is in the band too as a guitar player and it just feels nice and complete! We wouldn’t want to have it any other way. 
 
You’ve had a rad two years with shows playing bands like Good Doogs, White Blanks, Pist Idiots, Royal Blood, Ruby Fields, The Pretty Littles, how has your live show progressed since you started out?
 
When we fist started we were playing pretty small clubs and bars in the out-skirts of Fortitude valley and I guess we just got added to better lineups as time moved on! Releasing music definitely helped keep the ball rolling too. I guess just playing together a lot live has helped us progress and now we don’t even really have to think about what we are doing on stage. We can just have fun and make the most of it! 
 
You’ve also featured on awesome lineups; the Bigsound Pre Party and Against the Grain festival with bands City Calm Down, Horror My Friend, Good Boy, Tiny Little Houses and Sweater Curse to name a few! How do your shows usually come about and what do you most enjoy about playing live?
 
Thanks! We are so lucky in Brisbane that everyone knows each other pretty well, so with lineups like Against the Grain it’s pretty much playing with bands we have played with before so it’s super friendly and fun. I think the best part about playing live is being able to look at the four of us on stage and see that we are all just having so much fun and it’s probably the best feeling for me personally. What makes that even better is looking out to the crowd and seeing everyone smiling and singing along with us; It feels pretty good knowing that our music can make so many people happy. 
 
I hear that you are currently finalising your 2nd EP for Release in February/March with an accompanying tour, what has influenced the sound and songwriting for the EP?
 
The biggest thing sound wise for this EP is the songs have turned out to be quite a bit heavier both sonically and from a lyrical point of view from our previous releases. I think shedding light on issues like mental illness and politics has been a big focal point of my writing in the past year or so and that can definitely be heard in these songs. 
 
Where have you been recording?
 
We recorded the EP at swan pond studios on a farm in Boonah which is about an hour away from Brisbane. Our friend Ali Richardson engineered the whole thing over 3 days. The best part about being out there was that if things were becoming tense in the Studio we could just take a walk around the paddocks or kick a footy around and I think this helped us produce a better end product. 
 
What programs/equipment have you been using throughout the recording process?
 
Um in terms of instrumentation we tried to use as much of the gear we use live so it’s easier to recapture the sound when we play the songs live. Pretty much just fender guitars and amps and a whole bunch of overdrive and fuzz pedals. Trent actually used a Hofner violin bass which was different but really worked within the mix. We recorded using Protools and tried to keep it fairly simple. 
 

Your Single Miscommunication just hit 70,000 plays on Spotify 1 year after its release! What do you attribute to the success of this track?

Yeah we are all really stoked on that! I think that song has been so successful because it has lyrics that everyone can relate to and combined with a few catchy chord progressions it turned out to be a song that we love playing too. 

What do you like to do away from music?

Lately I’ve been getting back into skating which has been really good as a physical outlet and a way of clearing my head, other than that we just like hanging out really hahaha, I sometimes like to shoot film photography when I have the time which is also another good creative outlet. Trent’s pretty passionate about reptiles so he finds himself catching and releasing different lizards in his backyard. 

Who are you listening to at the moment?

Lately I’ve been really digging bands like Shame, Beach Fossils, IDLES, some old hip-hop, and doom bands Conan and Bong-Ripper. 

What’s planned for 2019?

Lots and lots of touring next year! Hoping to head down the east coast as much as we can next year and write some more music. 

Favourite food and place to hangout?

My personal favourite food would have to either be pasta, ramen or pizza! And as far as hanging out, our favourite place is the Warehouse where we rehearse and write our music. 

https://www.facebook.com/consurfers/

 

December 14, 2018 0 comments
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Lanisa Dawn
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Lanisa Dawn

by the partae December 13, 2018
written by the partae

Where are you currently based and what is the music scene like there?

I live in Montreal and we definitely have a vibrant music scene here! We are the home to many poets, artists, dreamers that’s for sure :). There’s a plethora of restaurants, bars, and clubs that host open mics & live bands, big underground music scene, as well as festivals in practically every genre: the iconic jazz festival, Osheaga, Heavy Montreal for all the metalheads, POP Montreal celebrates many emerging acts from all over the world, the Montreal Symphony Orchestra for classical music. Party goers may get enjoy Piknic Electronik in the summer and Igloofest in the winter if they love electronic techno music. We have a massive french music festival called Les FrancoFolies. The list could go on and on – SO much happening here!

When and how did you first get involved in acting?

My first experience acting was at the age of 11 when I was given the lead role as a rabbit in the school’s theatre production of The Velveteen Rabbit. I got that role either out of pure talent, or most likely was type-cast since at the time my two front teeth stuck way out & I just looked perfect for the part 😉 (yay for braces in my future!). After high school, I studied acting at the DOME – Professional Theatre Program at Dawson College here in Montreal. I completed two out of the three years, then left to study something else because at the time I felt societal pressure to pursue a “normal” career. I only got back into acting years later when I attended the Summer Conservatory Program at the American Academy of Dramatic Arts in New York. Training in NYC for a summer was one of the most enriching artistic experiences of my life! Fast forward, after being involved in the musical theatre scene in Montreal, I was then selected for a one year contract as a “Resident Actress” for a theatre company based in Hong Kong. Right after the contract was complete, I was cast in my first feature film which shot on location for a little over a month in Kuala Lumpur, Malaysia. Haven’t stopped since and it’s been quite the adventure…the journey continues and never stops!

How has your acting career developed since you first started?

Unfortunately the film I did in Malaysia never saw the light of day due to post production issues and an investor had pulled out of the project. However, it was a great experience because it was my first time on a film set and it’s what got me my agent when I returned back home. Since having representation in the last couple years, I booked a national commercial which got me into the actor’s union ACTRA (equivalent to SAG-AFTRA in the states, but the Canadian version). I was also fortunate to work on a short film that was selected for screening at TIFF, an actor role in the CBC TV series The Detectives, recurring principal roles on two award nominated french web-series. I also had a major role in a horror film which is supposed to come out eventually. The investor was a new media digital platform called Blackpills…James Franco is also making content for this media space, so pretty cool! The last project I worked on was a feature film called Gut Instinct starring Josh Hartnett (my crush when I was a teen)! I had gone in to audition for a major role for that one, but didn’t get the part. I ended up being offered a small role in the production & it’s always amazing to be on a set and inspired by the whole cast and crew surrounding you:). I’ve been having a great time, and continue to develop myself as an artist!

How and why did you first start playing music?  

Singing was a natural talent for me as a kid. My mom is a singer and we used to sing together by the piano when I was really young, so those memories are very dear to me. Adults would always tell me that I had a unique voice, and they would be surprised when this little girl would open her mouth to sing, and a deep full voice would come out. My vocal range for a woman is quite deep and was pretty much the same tone when I was a kid (you could say I grew into my voice haha) so it made even more of an impact coming from a small human LOL. When I started acting, I combined the two and was heavily into musical theatre, but then I found myself writing lyrics and humming melodies in the last few years, so I thought hey why not bring these words off paper and just create create create! So that’s what I’ve been doing. 🙂

Your single ‘Witness’ is out now, what influenced the sound and songwriting for this track?

Witness was the first song I ever wrote so it was a completely new artistic process for me. The bottom line was that I wanted to tell a story, and a story that people could relate to. The songwriting for this track was influenced by the feeling of inspiration, motivation and conquering your insecurities and fears. It’s not always easy, even for me, because I overthink a lot and feel things very deeply… but that is what WITNESS stands for – aim to be a witness to those negative times, reflect on it, but don‘t allow it to consume you. The human mind is complex and much stronger than we think and we have the power to control it. Life is beautiful! For sound, we went for a melodic tone, piano, lots of harmonies on the chorus, electronic pop elements, and of course because the song starts off as more of a slow ballad, we went for that uptempo pop chorus with a hook so it can get stuck in your head;).

Where and when did you record?

I recorded this song about a year ago or maybe more at a studio in Montreal, with a production team called “The Lost Boys”. I’ve been working on music with them since then. Witness was put aside for a little while after we recorded it, because I wasn’t sure what I’d release first. I was happy just going through the process of creating material, until finally I got antsy and wanted to make my debut. I’m happy I went with this track as the first. The reaction and feedback has been very humbling and positive!

How do you usually go about writing music?

I prefer collaborating with people because I believe as a team you can be way stronger. So far, anything I’ve written myself came to me in a few different ways: either I just get a jolt of inspiration out of nowhere and get myself into a state of conscious flow where I’m writing down whatever is in my head. Usually have a melody in mind as well, so that after I can structure it accordingly. Or a lot of times, I’m walking down the street and a phrase with a melody will pop into my head, so I’ll record it into my phone really quickly and develop it later. The easiest for me, is when an instrumental track is already made. I can easily get inspired through the music alone and then create lyrics and melody over that. I think a process which is very organic and probably the most fun though, is when you’re jamming with a bunch of your musical friends in a dark room, just singing absolute nonsense until you come up with something awesome:). I need to do more of that!

Please tell us how the concept for the ‘Witness’ video came about?

It took some time with the production team to come up with the concept, but we absolutely knew we wanted the video to bring the song to life and tell a story that could affect people. We ended up using the concept of a young girl losing her parents and then growing up and finding peace. As a child we are at our most innocent and purest state, not yet jaded by the outside world, and so we wanted to show that even when the most negative things happen to any of us (no matter what it may be), as we grow we must move forward and be resilient, find our inner peace and happiness. You meet people who have gone through so much, and yet they are extraordinary! It’s truly inspiring. So we wanted to touch on that and felt that concept would make the biggest impact. 

Where and when did the filming take place?


The filming for the video took place last winter! Fun Fact: The video was shot in a vintage home in Old Montreal that used to belong to the Papineau family who are big part of Quebec’s history. Although previously inhabited by citizens in the last few years, it’s now been repossessed by the City of Montreal to preserve its heritage, and this happened shortly after the owner let us shoot there!

Who did you work with?

For the video I worked with a production team called Rubicon Pictures & Media, who have collaborated with many of Montreal’s artists & they are such a fantastic team. Extremely professional and vibrant! I also worked with director Alberto D’Onofrio, who cast Florence (the little girl in the video), and I can honestly say the performances from both myself and Florence would not have been the same without him. The whole team was undeniably passionate. It was a great shoot! 

What do you like to do away from music?

It’s pretty ironic that I’m saying this, because I have a huge fear of planes and yet I love traveling ha! One day I’d love to be able to take off for a good few months and travel all over. Go on adventures and discover more of the world. I’m fortunate to have been able to travel a lot already… but that’s what makes me crave seeing even more!:) 

I’m also into hitting the slopes skiing in winter, I enjoy hiking and being outdoors in the summer, boating, waterskiing. I like going out, social events, networking with my peers, eating at good restaurants, delicious food, wine, etc. 

Who are you listening to at the moment?

Ohhh boy, that is probably the toughest question for me of this entire interview because I listen to Spotify and my playlists are a mashup of so many different artists and styles. I can tell you recently I was introduced to Khalid and Post Malone, and I’m into that. Through listening to their music I also discovered H.E.R, love her deep vocals and music production is on fire. For the less mainstream stuff, I listen to Banks, FKA Twigs (her voice & style is crazy good), Howling, Bob Moses, Joy Williams – she’s an amazing folky singer, LOVE Labrinth he was my favourite for a while. As for the mainstream popular stuff: I’ve always loved the Weeknd, Bruno Mars (great performer!), Adele, Ed Sheeran, Sam Smith, Lana Del Rey… been into a few of Dua Lipa’s songs for fun easy listening recently, Alessia Cara, Daniel Caesar. I also listen to artists of deep house, techno, jazz, classical, rock & roll, old school tunes….. it really just depends on my mood, but everyday I’m listening to something different. 

Plans for 2019?

Lots of plans! I finally have enough material for a solid acting demo reel, so I’ll be putting that together for the new year and aiming at getting more auditions and roles. I’ve also continued to work on new music, so there will be a lot more singles rolling out throughout the year. I’ve started conceptualizing my own short film ideas and I’d like to write those scripts and get into creating my own work. I think the best thing an artist can do for themselves is create their own opportunities, instead of sitting around and waiting for the phone to ring. 

Favourite food and place to hangout?

Favourite food is sushi…but has to be good sushi, not like the fast food kind. Fave hangout spot…hmm… recently went for a Jam Night at Rosewood (it’s a restaurant/bar in the old port of Montreal that hosts different music nights, open mics for singers and bands first Tuesday of every month). My friends own the place, so I always know people there and it’s a good time! Other favourite place would have to be at home in bed, with my cats…haha. I can’t deny that! 😉 

 

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December 13, 2018 0 comments
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Sarah DeBorre (Music Victoria)
Music InterviewsMusic News

Sarah DeBorre (Music Victoria)

by the partae December 13, 2018
written by the partae

Please tell us how you became involved in Music Victoria and what you find most challenging and rewarding about your role:

I was employed by Music Victoria in November 2016 to run, what was then a newly created program called Live Music Professionals. Live Music Professionals is coming into its third year in 2019 and basically, it’s a free business coaching program for live music venues (band bookers, venue owners, venue managers) and independent promoters. Cultivate is a brand new program which is running in 2019 for the first time ever and I’m really excited about it! It’s somewhat similar to Live Music Professionals however it’s specifically aimed at those who identify as women and who are in leadership or management roles in the Victorian music industry. To be honest I can’t say I find anything really challenging in my project management role at Music Victoria but there’s so much that I find rewarding. I certainly don’t take working in music, and for an amazing organisation like Music Victoria, for granted; and then to be able to run programs that upskill people and help them realise their full potential while also helping them build support networks is definitely a highlight. Being in a position where I can help people on their business or leadership journey is just the best thing ever!


Music Victoria in partnership with the Vic Government has announced a new leadership program ‘Cultivate’ that is aimed at mid-career and established women in the Vic music industry who wish to wish to further their leadership and management skills, how and why was the Cultivate program created?

 

In April 2015 Music Victoria conducted a survey titled ‘Women in the Victorian Contemporary Music Industry’. There were over 300 respondents and many key themes were identified as barriers for women working in the contemporary Victorian music industry. Even though it’s taken a few years to get a project like Cultivate in action,  it’s a great a result and massive step in the right direction of having a positive impact on some of the key issues addressed in that survey.

A quote from the report that’s quite relevant to the roll-out of this project is: “A brief examination of the number of men and women in senior positions (i.e. executive roles or board members) of selected industry organisations supports the perception that the music industry is a ‘boys club’ (see Appendix B). Only half of the organisations have 50% or more females in senior positions and several organisations have no females in senior roles. Of all the senior positions available across these organisations, only 28% are held by women. However, women are overrepresented in non-senior positions holding 58% of staff positions. These crude statistics show that like many other industries, women in the music industry do not have equal representation in the key decision making roles and face a ‘glass ceiling’.”

You can read the full report here: http://www.musicvictoria.com.au/assets/Women%20in%20the%20Victorian%20Contemporary%20Music%20Industry.pdf

Music Victoria would like to see more women within the music industry progressing on their leadership journey and we hope that a program like Cultivate will promote this.


Will this be an ongoing program?

At this stage, we only have funding through for one year but hopefully, we’ll be able to demonstrate the need for future funding and be able to run it more than just once!


Why have you chosen to target women only for the Cultivate program?

The program is funded by the Office for Women which is why we’re targeting women and those who identify as women on this project.


How many participants will be selected for the Cultivate program?

Spots are super limited for the program and we’ll only be accepting five people into the program as it’s a pilot program.


What do you hope to be achieved in the Cultivate program?  

I hope that we can connect a group of women to amazing mentors who will be able to provide the support our participants need to aid them in progressing on a successful journey into higher leadership and management roles. I’d love to see more women in senior management roles in the music industry and I believe that we can do this!


What does 2019 hold for the Cultivate program?

2019 is when everything will roll out for the program. Once participants have been selected by our reference group we’ll launch the program with a full day of mentoring activities followed by masterclasses and then our participants will be involved in tailored leadership coaching or programs.

 

Music Victoria’s Cultivate Pilot Program 2019
Applications open now and close Monday 14 January 2019
Apply now at: www.musicvictoria.com.au/cultivate
Shortlisted applicants will be contacted by the Cultivate Project Manager to arrange a short phone interview.  The Cultivate reference group will decide on the successful applicants.

December 13, 2018 0 comments
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