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Music Interviews

Manovski
Music InterviewsMusic News

Manovski

by the partae December 27, 2018
written by the partae

Where are you currently based and what is the music scene like there?

Im based in London and work out of Tileyard studios. I love it here, its one of the main music hubs in the world so there’s always a steady flow of talented people to collaborate with.

How did you first start playing music?

I first started out as a drummer in Sydney, my father and twin brother are both musicians so there was always lots of music around me growing up. The first time I was in a professional studio was when I was about 7 , my father let me to record a song with his band and that definitely left me wanting to spend more time in the studio. I was so fascinated with all the gear in the control room and the funny thing was that the engineer was running an old school analogue studio completely blind!

You have worked with many artists, what do you most enjoy about the process of working with other musicians?

Ive been lucky enough to work with a range of different artists, I think what I like most is everyday is different and everyone has their own vibe so it never gets boring. Also I feel that I’m constantly learning new things or seeing things from a different perspective and almost everyone introduces me to a new amazing artist I’ve never heard of!

How do your collaborations usually come about?

These days sessions usually come about via my management or publisher, from there I just keep working with the people I click with.

How did you come to move to London and how did you go about embedding yourself within the London music scene?

Im originally from Sydney Australia where I was friends with a fellow producer/writer by the name of Tonino Speciale for a long time. Most years at Christmas he’d come back to Australia from the UK and we would play shows together and he would tell me about how different the UK scene is compared to Sydney. So I decided to take a trip to check it out and haven’t really left. Tonino definitely played a major role in introducing me to the network of people I have around me today.

How do you approach your solo music as compared to working with others?

When I’m working with other people its usually a mixture of all our visions for the song so theres usually lots of inspiration to draw from whereas when I work on the Manovski stuff I have so much freedom to create whatever I want I usually spend a lot of time trying out different versions of the song until one really resonates with me…. This often takes a lot more time lol.

How do you usually go about writing music?

As a producer I’m usually in charge of the music side of things however I do get involved with melody and lyrics where needed. I definitely prefer writing from scratch with people in a room as apposed to making a beat for someone to write on top of. This way all elements guide each other and were not confined by a set of chords or rules.

Who are you listening to at the moment?

Loud Luxury ‘Body’ has been on repeat for a while!

What or who influences your sound and songwriting?

I definitely get influenced by whats hot at the moment , especially when it comes to production. When I hear something new and fresh it pushes me to try new approaches to getting sounds.

What do you enjoy about music?

The fact that it crosses all boundaries and is something that brings us all together … doesn’t matter where you are in the world if theres a good song playing on the radio people react to it!

What have you been working on in 2018?

Ive had an amazing 2018, have done lots of writing for other artists a few of which I’m not allowed to talk about yet but am very excited about!

What do you have planned for 2019?

Theres quite a few Manovski records in the works… some very cool collaborations both in the UK and USA happening in 2019!

What do you like to do away from music?

Usually the simple things in life that don’t require much thought…. Walking the dog, cooking, Netflix!

Favourite food and place to hangout?

For food it’s a tossup between Bombay burrito and Honest burger in Islington… to hang out its at home with my wife and newborn son ‘Sonny’.

December 27, 2018 0 comments
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Duendita
Music InterviewsMusic News

Duendita

by the partae December 20, 2018
written by the partae
Where are you currently based and what is the music scene like there?

i’m currently in Berlin. there is music from all over the world here and lots of physical spaces to occupy and share art. there are many different artists here busking, working with artificial intelligence, throwing 20 hour long house concerts… it’s a beautiful place.

 

You’ve just completed your European tour as support for JMSN, how was this experience?

very special, sacred… and affirming. i feel fed.

 

What did you find most challenging and rewarding about the tour?

the most challenging aspect of tour was learning how to depend on myself and trust in my art. sometimes i felt like i didn’t belong, but now i want to move with more conviction.

 

Your EP ‘direct line to My Creator’ is out now, where and when did you record?

direct line to My Creator was recorded over the past two years in New York City.

 

What influenced the sound and songwriting for this EP?
the project started off as demos i wrote and produced. my friend Ezra O.S.T. and i began to edit the ideas more, over a long period of time. 

i was dealing with a lot of pain from when i was younger and i think that innocent sorrow is the spirit holding the tracks together. the lyrics refer to both specific lived experiences and things i would learn in time.

 

Who did you release with?

it was independently released 🙂

 

How do you usually go about writing music?

the idea comes, teases me and i go after it. i may be practicing or setting time aside to be creative. or doing the complete opposite… on my bike, birdwatching or eating falafel. it’s a surprise.

 

How did you first start playing music?

i’ve sung since i was a child and studied choral music for a long time. sometime in middle school, i started writing poetry and songs.

 

Please tell us about the meaning behind your single ‘blue hands’ :

blue hands is about the paranoia police violence has given me.

 

You’ve just been named Soundcloud’s ‘Artist to Watch’ how did this come about and how has it affected your musical career?

Soundcloud was my first outlet for releasing music, it’s also where i’ve met most of my collaborators. i love them for that. i’m happy to be an artist to watch 🙂

 

You have also been selected in the first fifty for the UK’s biggest tastemaker festival The Great Escape, what does this mean to you?

it means… another opportunity to share and grow!

 

What do you have planned for 2019?

birdwatching, therapy, smoothies, good bud, long hikes, small gigs and studio time until festival season.

 

Besides certain religious references I hear that you write everything in lowercase, why is this the case?

hmmm… not sure. it kind of is a religious thing. just how i’d like to express myself.

 

What do you like to do away from music?

birdwatch and go dancing!

 

Favourite food and place to hangout?
i love to eat doubles when i’m in nyc… they’re a Trinidadian street food, chickpea chana between two pieces of dough, with peppers and sweet tamarind sauce … go to Jen’s Roti Shop on Flatbush Ave.
i love to hang out at Baketown 🙂
https://www.facebook.com/duendita95/
December 20, 2018 0 comments
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The Gooch Palms
Music InterviewsMusic News

The Gooch Palms

by the partae December 19, 2018
written by the partae

What is your name and role within The Gooch Palms?

Hey I’m Kat, I play drums and do some singing

You’re originally from Newcastle and now based in LA, what’s the music scene like in LA at the moment?

We moved back from LA around a year ago, it was awesome but we felt we were neglecting Australia a bit so decided to move back. We haven’t been back to the US this year but before we left the LA scene was awesome, so many great bands, there was always a local show to go to. But we’ll be heading back early next year for a big US tour around SXSW.

Who are your favourite acts from Newcastle?

Raave Tapes of course! Also loving some of the young bands right now like Milky Threads, Fritz and Surf Trash. It’s a great scene in Newcastle, all the bands are great!

How and why did you end up moving to LA?

We just decided one day to do it. We always enjoyed touring the US so we decided to sell everything we owned except our instruments and move to America. We didn’t know where we’d live, we planned on just heading over for a tour and settling where ever we found a place that we liked. But about a month before we left our friend posted about a room in his house for rent in Los Angeles and we asked if we could take it and he said yes and that was how we ended up there. It worked out great though, LA has such a welcoming scene and we had so many musician friends living there so it was a pretty smooth and super fun transition. We’ll definitely spend more time in Los Angeles in the future, might end up living back there again! Who knows!

How did the Gooch Palms form and how did you come up with the band name?

We started the band in preschool when we were about one and a half years old. The only word Leroy could say was “gooch” and the only word I could say was “palms” so that’s how we decided on the band name. All our first songs were also called Gooch Palms and we just sang about ourselves!

You’ve just finished an Australian tour with RAAVE TAPES, what did you most enjoy and also find most challenging with this tour?

It’s great touring with a support band, especially when you’re friends. It’s nice to see the same faces when you get to the venue each day. And they are so fun live. The only challenging thing was not playing more shows. That tour was only a few shows and we love playing so it would have been sweet to play a bunch more shows with them.

Your latest single Summertime dropped a few weeks ago, where and when did you record it?

We’ve recorded a new album and have released three tracks so far, Busy Bleeding, Marfa Lights and most recently Summertime. We recorded some at our house in LA last year, some at The Grove on the Central Coast with Dylan Adams and then finished it all up at Dylan’s studio in Coogee a few months ago. Now we’re just releasing singles and waiting for the perfect time to drop the album!

What influenced the sound and songwriting for this track?

Summertime was written a few days before we went into the studio at The Grove and didn’t have lyrics at the time. I went into a small office and wrote some lyrics after Leroy and I had a chat about the vibe of the song, we decided we wanted to call it Summertime and give it a summery vibe. So I just plopped down some lyrics and ran them by Leroy and we were like “yeah that will do”. Leroy was going to sing it but was struggling with the phrasing so I quickly grabbed a mic and went back to the small office and quietly sang it straight into the computer as a guide track. When I took it back Leroy and Dylan really liked the way it sounded and they thought I should sing it. We all agreed it sounded completely different to the original way we intended and almost sounded a bit French so I changed some of the lyrics to French (thanks Google Translate!!!) and learnt how to say them, I had to write it all out frenetically, and laid down the vocal. We used a really old accordion organ (don’t know if that’s what it’s called) to bring the end of the song home. Leroy played it and it was starting to heat up so he only had one opportunity to get it right. By the end of the first take the organ was smoking! But we got the take and it really added to the french vibe of the song. It was only supposed to be an album track but it turned out great so we released it as a single.

How do you usually go about writing music and lyrics and then turn them into songs?

Leroy generally writes the guitar part and then we work on a melody and then get a vibe for the song and talk about what subject matter or lyric content might go with the song and then jot down some ideas. The ideas usually change a few times but we settle on some solid lyrics and then build the music section with guitars and drums and then record it as a demo. Some demos don’t ever see the light of day but the ones that do end up being recorded properly and being released!

Who are you listening to at the moment?

We’re currently listening to a band from Sweden called Viagra Boys on repeat!

What do you like to do outside of music?

Leroy surfs, I like to go to the beach too. We like seeing other bands play and hanging out with friends. Love a cold beer down the pub and do karaoke when ever possible.

You’ll be playing at the Best Night Ever on the 29th of December on the Gold Coast along with RAAVE TAPES, DZ Deathrays, Dune Rats and a heap of other rad bands, any idea of what can we expect on the night from this killer line up?

It will be one epic show. All the bands are awesome and we’re also all friends so it will be one giant party on and off stage! We may just get a few of our pals from the other bands up for a song as well!!! But I expect it to be a very fun night!

What do you have planned for the remainder of 2018 going into 2019?

Apart from playing Best Night Ever the rest of the year is going to be pretty chill for us. We usually play NYE but have taken this year off so just planning on partying our way into 2019! We are heading back to the US early in the new year and will be hitting up Europe and of course a big Aussie tour. And dropping the new album some time in the near future!

Favourite food and place to hangout?

Pizza in bed!!!

 

 

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December 19, 2018 0 comments
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Super Drama
Music InterviewsMusic News

Super Drama

by the partae December 19, 2018
written by the partae
What is your name and role within Super Drama?

There’s two of us, Jon and Jerome and we both produce and dj as Super Drama.

Where are you currently based and what is the music like there?

We are based in London. East London to be precise. The music round here is very varied and there’s always people pushing the newest sounds around.

How did you first start playing music?

We both have been djing for a very long time now though started as Super Drama in August 2016. It’s been a great two years so far.

How did Super Drama form?

We had been talking about making music together for a very long time, decided to finally make a tune together and it ended up being our first track “Drama Theme” which set the tone for the beginning of Super Drama.

What have your highlights been of 2018?

There’s been a few so far, playing in different countries has been really fun, getting all of our music heard by lots of different people and then all of our mates being super into it has been the best part I reckon.

What have you been working on recently?

We have been finishing an e.p that we are really hyped for everyone to hear. Also have a new single on our label Super Drama Records really soon with a real exciting remix but it’s top secret for now.

Who are you listening to at the moment?

Josh Caffé “The Adventures of Mr Freek”.

What programs/instruments do you use?

Logic Pro and a whole load of drum machines.

Who or what influences your style?

Everything and anything. Our friends definitely influence us for sure and their opinion means a lot to us.

How would you describe your music?

Techno that can go anywhere. From Italo to Ballroom to whatever.

What do you like to do away from music?

Just make the most of London and see our friends. Also world domination.

What do you have planned for 2019?

Just to keep the momentum going, play more gigs and meet new people.

When and where are you playing next?

Our next sets are New Years eve where we’re playing Little Gay Brother and then New Years day at Adonis.

Favourite food and place to hangout?

We love to go down to Chinatown and eat our body weight in rice and noodles.

 

December 19, 2018 0 comments
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Iris Gold
Music InterviewsMusic News

Iris Gold

by the partae December 19, 2018
written by the partae

Where are you currently based and what is the music scene like there?

In Copenhagen. The live Music scene is pretty diverse. So many different styles and types of Artists to check out.
Overall i would say the danes are very into anything 90’s. 90’s r&b and fashion are a Big thing, just Like the rest of the World i guess.

Please tell us about your upbringing and how it has effected your life and music:

I grew up in hippy communes and was always around a quite diverse mix of people. I gravitated towards the more 70’s phychedelic vibes and OL School hip hop, so when i started doing Music it seemed pretty logical to fuse the Two.

How did you first start playing music?

I started reciting poems and little raps from the Time i could talk.
I had a very vivid imagination and i would tell alot of funky stories about other planets i visited in my mind, and these stories later became songs.
My favorite hashtag is #planetcool which is Where i spent most my time in my stories. Its a wonderful World of loveliness Never loneliness.

Who are you listening to at the moment?

kelela, Benji flow, The Internet, kendrick lamar, afrikan boy, kojey radical, The Confect

What or who influences your sound and songwriting?

Probably my uncle who is a fantastic rapper and Who taught me How to flow nicer.
Also the Beatles, childish gambino, lauryn Hill, Anderson paak, Beck and On my latest track “keep the light On” Anita baker.

What have your highlights been of 2018?

So many! But performing at Roskilde festival was dope! So many people Going crazy and vibing together was amazing.
Doing my first ever Tour in Denmark, which was my first Tour anywhere tbh haha.
Going to Ghana and shooting my video with my homeboy manifest for “Roll it out” was life changing. I had the Best time ever!
Meeting my idol lauryn Hill and learning How to cook dal properly.

What do you have planned for 2019?

Ooh i got another single release beginning of the year and then my debut album in the middle of the year.
Alot of live shows.

What do you like to do away from music?

I looove tea. I have so much tea. Im gonna drink alot of tea over Christmas.
I even have an “iris gold – Color trip” tea, made especially for me by this very fancy tea Maker in Denmark.

What programs/instruments do you use?

Erm garage band and my pen and paper. Not very exciting boooh

When and where are you playing next?

Im doing a few tv things now towards Christmas, which i guess Will be online.
Then in january eurosonic festival in the netherlands and a mini Tour in austria and Hungary.
End of February i should have a gig i London actually.

Favourite food and place to hangout?

Haaaas to be my Aunty kates restaurant “kates joint” in Copenhagen. Best food ever. From all over the World. Jamaican, Indian, thai, South african, lebaneese…

https://www.youtube.com/watch?v=l1pYLvwQnAA
https://twitter.com/irisgoldmusic
https://www.instagram.com/irisgoldmusic/
https://www.facebook.com/irisgoldmusic/
https://soundcloud.com/irisgoldmusic
December 19, 2018 0 comments
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Luminous
Music InterviewsMusic News

People Luminous

by the partae December 19, 2018
written by the partae

What is your name and role within People Luminous?

Hey, I’m Nicky Swamp and I handle the creative direction in PL

You’re apart of a growing underground Hip Hop culture on the Gold Coast, please tell us about this music scene and all the goings on:

Apart from us and the ever growing dance community the GC has no hip hop scene. It was killed by wannabe gangsters, ice junkies, Eminem idolising bogans and cultural appropriation to a level where small town white kids were, maybe still are freely saying the N word to each other with zero understanding of anything let alone culture. We’re a new movement of love and positivity. Gold Coast is paradise, act like it. People Luminous is the community.

How did People Luminous form?

It never formed, it’s always been. We just put the PL label on it in 2017.

What have you been working on lately?

We’re seriously sitting on so much content. We’re waiting for the right time to release and we’re still trying to crack the playlist game. Seems like unless you know the people putting putting them together you don’t stand a chance and radio will only play you if you’re already popular. We might just go against all advice and put everything out in December/January just because we’re told not to.

You’re gaining a reputation for throwing wild  warehouse parties, please tell us how these came about and what the whole experience is like:

It’s real life. We don’t advertise. If you know you know. You gotta know us or someone we move with to be there. If we can fill a warehouse without a mention on social media then we’re happy. You wanna invite?

What do you have planned for the remainder of 2018 going into 2019?

Maybe back to back tacks ever tuesday arvo at 2.15 or maybe nothing until
February, we’ll see… Next warehouse party is December 21st tho.

Who are you listening to at the moment?

Right now I hear Chronixx from my lounge room. Hot Wax will get played at some point, I.E., Manu Crook$ but apart from that we aint trying to hear anything outside of the circle. It messes with your energy.

Your single and music video ‘Garms’ is out now, what influenced the sound and songwriting for this track?

Mainly me spending too much money or clothes and shoes. the mindset has changed since we made this earlier this year. I actually got a book on minimalism the other day. It’s hard to be content when you’re crowded with unnecessary stuff.

Where and when did you record?

it’s all in house at the PL compound. Matt Gray on production and LGHTYR at the controls. We’ve been recording togther since the end of 2017, it never ends.

How did the music video come about?

Our guy ACE Cubes is always on sight with the camera. We just get it done and move on.

What do you like to do away from music?

Pray and give thanks for all we have and the blessed life we live.

Favourite food and place to hangout?

My kitchen. Ask anyone in PL, I’m the head chef around hear.

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December 19, 2018 0 comments
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Jurek Riegler
Music InterviewsMusic News

Jurek Riegler

by the partae December 18, 2018
written by the partae

Where are you currently based and what is the music scene like there?

I`m based in Berlin. Mhm, what can I say.. I mean its huge…

How did you first start playing music?

When I was six years old, I wanted to be a drummer. So I grabbed cooking spoons and all cooking pots and let off steam. I always wanted to have a real drum set, but that wasn’t financially feasible for my mother. But she had noticed that I had a very good sense of tact and so she sent me to drum lessons. The teacher at the time was a strange guy. Somehow a mixture of conservative rocker and bourgeois jazzer – I found him rather uncool and when he started to teach me notes in the second lesson, the fun was already over. I just wanted to play the beats that came to mind…  I had a very strong will of my own quite early on.

What programs/instruments do you use live and to record?

Until about 2 years ago I worked purely with hardware and it was more a jam than a real producing. My setup at that time consisted of a Micro Korg XL, two Kaoss Pads, a Mackie 16 channel mixer and a SM 58. At that time I used to beatbox regularly and produced all percussive sounds with my mouth. Today it looks quite different. The central point is the computer on which Logic runs. I mainly work with plug-ins. But I still have my Kaoss pads and the Micro Korg – and recently I got the Subsequent 37 from Moog.

Who are you listening to at the moment?

Right now I hear a lot of Radiohead and Djrum probably because of the cold season.

Who or what influences your sound and songwriting?

When I was a child, my mom’s record cabinet was the most important thing to me. Radiohead, Smashing Pumpkins, Nirvana, Keith Jarret, Moby, Air, Kruder and Dorfmeister and many other pioneers were represented in it. When I was 12-13 years old and was looking for new artists myself, I found mostly American rap on my shelf. Artists like Dilated Peoples, Afu- Ra, Jedi Mind Tricks, M.O.P, Cypress Hill, Jurassic 5, The Roots and what they are all called. German rap was actually only present later. But things like Kreuzfeld Jakob, Stieber Twins, Absolute Beginner, Team Eimsbush etc. are an integral part of my youth.

How do you usually go about writing music?

I don’t really have a plan when I start making music. Most of the time I start jamming and watch what happens. Recently I try to play the melody or groove I have in my head and it works surprisingly well. I don’t lose the focus so much and can hold on to the first idea which is often really the best one. It’s also kind of satisfying to let the thoughts sound.

Please tell us about how you came to work with ursl:

In fact, I had finished my EP for a while. But I didn’t know exactly which label would fit. I had known URSL for a while, but strangely enough it wasn’t on my screen when it came to my own music – even though I had seen many of those released on the label at the Garbicz or at the Fusion festival and had celebrated most of all. Anyway, a buddy of mine made me aware of URSL again. And promptly it worked out. I think they just happened to have their mails open when I sent this 😉 Fortunately a positive answer came very quickly.

What is important to you when making music?

The most important thing for me is always to express a clear feeling, that can be a certain sound or a melody. Functionality in the physical sense is only second. I always find it disappointing how often Djs are tempted to play the proven functional track at an early stage. For many, the arms sticking out into the air are simply too tempting. The environment plays another important role for me. I recently put my workplace by the window. Now I can look into the trees during production, which I find very inspiring.

What have you been working on in 2018 and what do you have planned for 2019?

At the moment I’m working on many different tracks in parallel. Let’s see what will come out of it – I think it will be the next EP. Next year I definitely want to venture into the DJ booth again.  I recently played again for the first time in a long time. And it gives me great pleasure to send people on their journey.

Please tell us about your interest of food and cooking:

At the age of eleven, my Italian stepfather, who is an excellent chef, was a member of our family. When he joined our family, I was just happy to get some delicious food on the table and didn’t really want to learn how to make the perfect risotto.  But since he also makes music himself, he was able to show parallels between music and cooking in an entertaining way. At the beginning, of course, my typical anti teacher attitude came to light. -But little by little I understood what he meant by that that every ingredient and every spice in its quantity, timing, duration is crucial for a good arrangement and mix.

Favourite food and place to hangout?

I’m always very curious about food or probably more aptly put, I’m pretty greedy. I could spend hours in market halls and go from stand to stand. Berlin already offers a great variety. However, I regularly ask myself how the gastronomy can survive here. The prices were cut close, the leases are getting higher and the competition is huge! I think that’s a pity because I regularly notice that one good restaurant after another is closing. It bothers me totally. There should finally be a rethink regarding the quality and appreciation of food. We should not perceive ourselves as running garbage cans ;)!

https://soundcloud.com/jurekriegler

https://www.jurekriegler.com/

https://www.beatport.com/release/offshore/2437315

 

December 18, 2018 0 comments
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Music InterviewsMusic News

Arran

by the partae December 16, 2018
written by the partae

Where are you currently based and what is the music scene like there?

I’m living in London at the minute. I don’t really know, I’ve spent most of the time writing and recording at home. 

How did you first start playing music?

I had a few lessons and then learned everything else from messing about and the internet. 

Who are you listening to at the moment?

Astroworld – Travis Scott I listen to it everywhere. 

Who or what influences your sound and songwriting?

Bob Dylan, Bob Marley, David Bowie, The Bee Gee’s, Karen O, The La’s, Cat Stevens, Black Sabbath, The Fall

How would you describe your music?

Bedroom tunes

What have you been up to in 2018?

Been touring Europe and UK with Cloves, and released my EP What I See on Daytime TV

What do you have planned for 2019?

More music, more gigs, more everything 

What do you like to do away from music?

Long walks on the beach straight into the tide 

Favourite food and place to hang out

Five guys/my studio

 

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www.instagram/com/Arran_george
December 16, 2018 0 comments
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Concrete Surfers
Music InterviewsMusic News

Concrete Surfers

by the partae December 14, 2018
written by the partae
What is your name and role within Concrete Surfers?
 
Hey! I’m Jovi and I sing and play guitar. 
 
Where are you currently based and what is the music scene like there?
We are currently based in Brisbane and we wouldn’t wanna be anywhere else! Brisbane has such a close knit music community where it’s so easy to make friends and be around nice, likeminded people. We are pretty lucky in this little city that everyone in the music industry here is so supportive of each other and get really psyched when they sell out a show, or go on a big tour and it’s just really really nice.
 
How did the band start?
 
Back in high school Trent, Jamie and I used to play in another band just playing covers, but it didn’t really work out with our singer at the time so we parted ways but decided that we still wanted to play music together so the three of us formed as a 3-piece and I thought that I would just give singing a go haha. Now Sean is in the band too as a guitar player and it just feels nice and complete! We wouldn’t want to have it any other way. 
 
You’ve had a rad two years with shows playing bands like Good Doogs, White Blanks, Pist Idiots, Royal Blood, Ruby Fields, The Pretty Littles, how has your live show progressed since you started out?
 
When we fist started we were playing pretty small clubs and bars in the out-skirts of Fortitude valley and I guess we just got added to better lineups as time moved on! Releasing music definitely helped keep the ball rolling too. I guess just playing together a lot live has helped us progress and now we don’t even really have to think about what we are doing on stage. We can just have fun and make the most of it! 
 
You’ve also featured on awesome lineups; the Bigsound Pre Party and Against the Grain festival with bands City Calm Down, Horror My Friend, Good Boy, Tiny Little Houses and Sweater Curse to name a few! How do your shows usually come about and what do you most enjoy about playing live?
 
Thanks! We are so lucky in Brisbane that everyone knows each other pretty well, so with lineups like Against the Grain it’s pretty much playing with bands we have played with before so it’s super friendly and fun. I think the best part about playing live is being able to look at the four of us on stage and see that we are all just having so much fun and it’s probably the best feeling for me personally. What makes that even better is looking out to the crowd and seeing everyone smiling and singing along with us; It feels pretty good knowing that our music can make so many people happy. 
 
I hear that you are currently finalising your 2nd EP for Release in February/March with an accompanying tour, what has influenced the sound and songwriting for the EP?
 
The biggest thing sound wise for this EP is the songs have turned out to be quite a bit heavier both sonically and from a lyrical point of view from our previous releases. I think shedding light on issues like mental illness and politics has been a big focal point of my writing in the past year or so and that can definitely be heard in these songs. 
 
Where have you been recording?
 
We recorded the EP at swan pond studios on a farm in Boonah which is about an hour away from Brisbane. Our friend Ali Richardson engineered the whole thing over 3 days. The best part about being out there was that if things were becoming tense in the Studio we could just take a walk around the paddocks or kick a footy around and I think this helped us produce a better end product. 
 
What programs/equipment have you been using throughout the recording process?
 
Um in terms of instrumentation we tried to use as much of the gear we use live so it’s easier to recapture the sound when we play the songs live. Pretty much just fender guitars and amps and a whole bunch of overdrive and fuzz pedals. Trent actually used a Hofner violin bass which was different but really worked within the mix. We recorded using Protools and tried to keep it fairly simple. 
 

Your Single Miscommunication just hit 70,000 plays on Spotify 1 year after its release! What do you attribute to the success of this track?

Yeah we are all really stoked on that! I think that song has been so successful because it has lyrics that everyone can relate to and combined with a few catchy chord progressions it turned out to be a song that we love playing too. 

What do you like to do away from music?

Lately I’ve been getting back into skating which has been really good as a physical outlet and a way of clearing my head, other than that we just like hanging out really hahaha, I sometimes like to shoot film photography when I have the time which is also another good creative outlet. Trent’s pretty passionate about reptiles so he finds himself catching and releasing different lizards in his backyard. 

Who are you listening to at the moment?

Lately I’ve been really digging bands like Shame, Beach Fossils, IDLES, some old hip-hop, and doom bands Conan and Bong-Ripper. 

What’s planned for 2019?

Lots and lots of touring next year! Hoping to head down the east coast as much as we can next year and write some more music. 

Favourite food and place to hangout?

My personal favourite food would have to either be pasta, ramen or pizza! And as far as hanging out, our favourite place is the Warehouse where we rehearse and write our music. 

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December 14, 2018 0 comments
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Lanisa Dawn
Music InterviewsMusic News

Lanisa Dawn

by the partae December 13, 2018
written by the partae

Where are you currently based and what is the music scene like there?

I live in Montreal and we definitely have a vibrant music scene here! We are the home to many poets, artists, dreamers that’s for sure :). There’s a plethora of restaurants, bars, and clubs that host open mics & live bands, big underground music scene, as well as festivals in practically every genre: the iconic jazz festival, Osheaga, Heavy Montreal for all the metalheads, POP Montreal celebrates many emerging acts from all over the world, the Montreal Symphony Orchestra for classical music. Party goers may get enjoy Piknic Electronik in the summer and Igloofest in the winter if they love electronic techno music. We have a massive french music festival called Les FrancoFolies. The list could go on and on – SO much happening here!

When and how did you first get involved in acting?

My first experience acting was at the age of 11 when I was given the lead role as a rabbit in the school’s theatre production of The Velveteen Rabbit. I got that role either out of pure talent, or most likely was type-cast since at the time my two front teeth stuck way out & I just looked perfect for the part 😉 (yay for braces in my future!). After high school, I studied acting at the DOME – Professional Theatre Program at Dawson College here in Montreal. I completed two out of the three years, then left to study something else because at the time I felt societal pressure to pursue a “normal” career. I only got back into acting years later when I attended the Summer Conservatory Program at the American Academy of Dramatic Arts in New York. Training in NYC for a summer was one of the most enriching artistic experiences of my life! Fast forward, after being involved in the musical theatre scene in Montreal, I was then selected for a one year contract as a “Resident Actress” for a theatre company based in Hong Kong. Right after the contract was complete, I was cast in my first feature film which shot on location for a little over a month in Kuala Lumpur, Malaysia. Haven’t stopped since and it’s been quite the adventure…the journey continues and never stops!

How has your acting career developed since you first started?

Unfortunately the film I did in Malaysia never saw the light of day due to post production issues and an investor had pulled out of the project. However, it was a great experience because it was my first time on a film set and it’s what got me my agent when I returned back home. Since having representation in the last couple years, I booked a national commercial which got me into the actor’s union ACTRA (equivalent to SAG-AFTRA in the states, but the Canadian version). I was also fortunate to work on a short film that was selected for screening at TIFF, an actor role in the CBC TV series The Detectives, recurring principal roles on two award nominated french web-series. I also had a major role in a horror film which is supposed to come out eventually. The investor was a new media digital platform called Blackpills…James Franco is also making content for this media space, so pretty cool! The last project I worked on was a feature film called Gut Instinct starring Josh Hartnett (my crush when I was a teen)! I had gone in to audition for a major role for that one, but didn’t get the part. I ended up being offered a small role in the production & it’s always amazing to be on a set and inspired by the whole cast and crew surrounding you:). I’ve been having a great time, and continue to develop myself as an artist!

How and why did you first start playing music?  

Singing was a natural talent for me as a kid. My mom is a singer and we used to sing together by the piano when I was really young, so those memories are very dear to me. Adults would always tell me that I had a unique voice, and they would be surprised when this little girl would open her mouth to sing, and a deep full voice would come out. My vocal range for a woman is quite deep and was pretty much the same tone when I was a kid (you could say I grew into my voice haha) so it made even more of an impact coming from a small human LOL. When I started acting, I combined the two and was heavily into musical theatre, but then I found myself writing lyrics and humming melodies in the last few years, so I thought hey why not bring these words off paper and just create create create! So that’s what I’ve been doing. 🙂

Your single ‘Witness’ is out now, what influenced the sound and songwriting for this track?

Witness was the first song I ever wrote so it was a completely new artistic process for me. The bottom line was that I wanted to tell a story, and a story that people could relate to. The songwriting for this track was influenced by the feeling of inspiration, motivation and conquering your insecurities and fears. It’s not always easy, even for me, because I overthink a lot and feel things very deeply… but that is what WITNESS stands for – aim to be a witness to those negative times, reflect on it, but don‘t allow it to consume you. The human mind is complex and much stronger than we think and we have the power to control it. Life is beautiful! For sound, we went for a melodic tone, piano, lots of harmonies on the chorus, electronic pop elements, and of course because the song starts off as more of a slow ballad, we went for that uptempo pop chorus with a hook so it can get stuck in your head;).

Where and when did you record?

I recorded this song about a year ago or maybe more at a studio in Montreal, with a production team called “The Lost Boys”. I’ve been working on music with them since then. Witness was put aside for a little while after we recorded it, because I wasn’t sure what I’d release first. I was happy just going through the process of creating material, until finally I got antsy and wanted to make my debut. I’m happy I went with this track as the first. The reaction and feedback has been very humbling and positive!

How do you usually go about writing music?

I prefer collaborating with people because I believe as a team you can be way stronger. So far, anything I’ve written myself came to me in a few different ways: either I just get a jolt of inspiration out of nowhere and get myself into a state of conscious flow where I’m writing down whatever is in my head. Usually have a melody in mind as well, so that after I can structure it accordingly. Or a lot of times, I’m walking down the street and a phrase with a melody will pop into my head, so I’ll record it into my phone really quickly and develop it later. The easiest for me, is when an instrumental track is already made. I can easily get inspired through the music alone and then create lyrics and melody over that. I think a process which is very organic and probably the most fun though, is when you’re jamming with a bunch of your musical friends in a dark room, just singing absolute nonsense until you come up with something awesome:). I need to do more of that!

Please tell us how the concept for the ‘Witness’ video came about?

It took some time with the production team to come up with the concept, but we absolutely knew we wanted the video to bring the song to life and tell a story that could affect people. We ended up using the concept of a young girl losing her parents and then growing up and finding peace. As a child we are at our most innocent and purest state, not yet jaded by the outside world, and so we wanted to show that even when the most negative things happen to any of us (no matter what it may be), as we grow we must move forward and be resilient, find our inner peace and happiness. You meet people who have gone through so much, and yet they are extraordinary! It’s truly inspiring. So we wanted to touch on that and felt that concept would make the biggest impact. 

Where and when did the filming take place?


The filming for the video took place last winter! Fun Fact: The video was shot in a vintage home in Old Montreal that used to belong to the Papineau family who are big part of Quebec’s history. Although previously inhabited by citizens in the last few years, it’s now been repossessed by the City of Montreal to preserve its heritage, and this happened shortly after the owner let us shoot there!

Who did you work with?

For the video I worked with a production team called Rubicon Pictures & Media, who have collaborated with many of Montreal’s artists & they are such a fantastic team. Extremely professional and vibrant! I also worked with director Alberto D’Onofrio, who cast Florence (the little girl in the video), and I can honestly say the performances from both myself and Florence would not have been the same without him. The whole team was undeniably passionate. It was a great shoot! 

What do you like to do away from music?

It’s pretty ironic that I’m saying this, because I have a huge fear of planes and yet I love traveling ha! One day I’d love to be able to take off for a good few months and travel all over. Go on adventures and discover more of the world. I’m fortunate to have been able to travel a lot already… but that’s what makes me crave seeing even more!:) 

I’m also into hitting the slopes skiing in winter, I enjoy hiking and being outdoors in the summer, boating, waterskiing. I like going out, social events, networking with my peers, eating at good restaurants, delicious food, wine, etc. 

Who are you listening to at the moment?

Ohhh boy, that is probably the toughest question for me of this entire interview because I listen to Spotify and my playlists are a mashup of so many different artists and styles. I can tell you recently I was introduced to Khalid and Post Malone, and I’m into that. Through listening to their music I also discovered H.E.R, love her deep vocals and music production is on fire. For the less mainstream stuff, I listen to Banks, FKA Twigs (her voice & style is crazy good), Howling, Bob Moses, Joy Williams – she’s an amazing folky singer, LOVE Labrinth he was my favourite for a while. As for the mainstream popular stuff: I’ve always loved the Weeknd, Bruno Mars (great performer!), Adele, Ed Sheeran, Sam Smith, Lana Del Rey… been into a few of Dua Lipa’s songs for fun easy listening recently, Alessia Cara, Daniel Caesar. I also listen to artists of deep house, techno, jazz, classical, rock & roll, old school tunes….. it really just depends on my mood, but everyday I’m listening to something different. 

Plans for 2019?

Lots of plans! I finally have enough material for a solid acting demo reel, so I’ll be putting that together for the new year and aiming at getting more auditions and roles. I’ve also continued to work on new music, so there will be a lot more singles rolling out throughout the year. I’ve started conceptualizing my own short film ideas and I’d like to write those scripts and get into creating my own work. I think the best thing an artist can do for themselves is create their own opportunities, instead of sitting around and waiting for the phone to ring. 

Favourite food and place to hangout?

Favourite food is sushi…but has to be good sushi, not like the fast food kind. Fave hangout spot…hmm… recently went for a Jam Night at Rosewood (it’s a restaurant/bar in the old port of Montreal that hosts different music nights, open mics for singers and bands first Tuesday of every month). My friends own the place, so I always know people there and it’s a good time! Other favourite place would have to be at home in bed, with my cats…haha. I can’t deny that! 😉 

 

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December 13, 2018 0 comments
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Sarah DeBorre (Music Victoria)
Music InterviewsMusic News

Sarah DeBorre (Music Victoria)

by the partae December 13, 2018
written by the partae

Please tell us how you became involved in Music Victoria and what you find most challenging and rewarding about your role:

I was employed by Music Victoria in November 2016 to run, what was then a newly created program called Live Music Professionals. Live Music Professionals is coming into its third year in 2019 and basically, it’s a free business coaching program for live music venues (band bookers, venue owners, venue managers) and independent promoters. Cultivate is a brand new program which is running in 2019 for the first time ever and I’m really excited about it! It’s somewhat similar to Live Music Professionals however it’s specifically aimed at those who identify as women and who are in leadership or management roles in the Victorian music industry. To be honest I can’t say I find anything really challenging in my project management role at Music Victoria but there’s so much that I find rewarding. I certainly don’t take working in music, and for an amazing organisation like Music Victoria, for granted; and then to be able to run programs that upskill people and help them realise their full potential while also helping them build support networks is definitely a highlight. Being in a position where I can help people on their business or leadership journey is just the best thing ever!


Music Victoria in partnership with the Vic Government has announced a new leadership program ‘Cultivate’ that is aimed at mid-career and established women in the Vic music industry who wish to wish to further their leadership and management skills, how and why was the Cultivate program created?

 

In April 2015 Music Victoria conducted a survey titled ‘Women in the Victorian Contemporary Music Industry’. There were over 300 respondents and many key themes were identified as barriers for women working in the contemporary Victorian music industry. Even though it’s taken a few years to get a project like Cultivate in action,  it’s a great a result and massive step in the right direction of having a positive impact on some of the key issues addressed in that survey.

A quote from the report that’s quite relevant to the roll-out of this project is: “A brief examination of the number of men and women in senior positions (i.e. executive roles or board members) of selected industry organisations supports the perception that the music industry is a ‘boys club’ (see Appendix B). Only half of the organisations have 50% or more females in senior positions and several organisations have no females in senior roles. Of all the senior positions available across these organisations, only 28% are held by women. However, women are overrepresented in non-senior positions holding 58% of staff positions. These crude statistics show that like many other industries, women in the music industry do not have equal representation in the key decision making roles and face a ‘glass ceiling’.”

You can read the full report here: http://www.musicvictoria.com.au/assets/Women%20in%20the%20Victorian%20Contemporary%20Music%20Industry.pdf

Music Victoria would like to see more women within the music industry progressing on their leadership journey and we hope that a program like Cultivate will promote this.


Will this be an ongoing program?

At this stage, we only have funding through for one year but hopefully, we’ll be able to demonstrate the need for future funding and be able to run it more than just once!


Why have you chosen to target women only for the Cultivate program?

The program is funded by the Office for Women which is why we’re targeting women and those who identify as women on this project.


How many participants will be selected for the Cultivate program?

Spots are super limited for the program and we’ll only be accepting five people into the program as it’s a pilot program.


What do you hope to be achieved in the Cultivate program?  

I hope that we can connect a group of women to amazing mentors who will be able to provide the support our participants need to aid them in progressing on a successful journey into higher leadership and management roles. I’d love to see more women in senior management roles in the music industry and I believe that we can do this!


What does 2019 hold for the Cultivate program?

2019 is when everything will roll out for the program. Once participants have been selected by our reference group we’ll launch the program with a full day of mentoring activities followed by masterclasses and then our participants will be involved in tailored leadership coaching or programs.

 

Music Victoria’s Cultivate Pilot Program 2019
Applications open now and close Monday 14 January 2019
Apply now at: www.musicvictoria.com.au/cultivate
Shortlisted applicants will be contacted by the Cultivate Project Manager to arrange a short phone interview.  The Cultivate reference group will decide on the successful applicants.

December 13, 2018 0 comments
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Marco Resmann
Music InterviewsMusic News

Marco Resmann

by the partae December 13, 2018
written by the partae
Where are you currently based and what is the music scene like there?
 
I’m based in Berlin and the scene here is one of my favorites worldwide. Besides our history as one of the capitals of electronic music we still have an outstanding and unique club scene. The city offers plenty of great record stores and numerous important music companies are based here too.
You have a new 4-tracker EP called “Day & Night” coming out on Upon.You Records label on December 14th, where and when did you record?
 
I have recorded it over the year in my studio in Berlin.
 
Your studio has been located in Berlin at Holtzmarkt, please describe the setting and atmosphere:
 

I moved here in October 2017 and planned + built the studio in cooperation with a professional acoustic company from Berlin. I just wanted it to be perfect, after always having sound issues in my old studio. It’s quite comfy and much more organized than the previous one. I have a lot of analogue gear in the room as well as my minimized record collection. I love to come here as often as possible.

What programs/equipment did you use to demo ideas and also record?

 

Here’s a list of programs and equipment that I use the most in my studio.
Hardware:                             Programs:
Korg Mono/Poly                   Ableton Live 9 Suite
Roland Juno 106                  UAD-2 (pretty much all Plug-Ins)
Moog Voyager                      Soundtoys 5
Elektron Analog Heat        uh-e Diva & Repro-1
Roland Space Echo             Native Instruments Komplete
Roland SH-101                    Spectrasonics Omnisphere
Roland TR-8                         Celemony Melodyne
Tegeler Audio Creme          Fabfilter Pro Q
 
What influenced the sound and songwriting for the EP?
 
My new studio probably has influenced me the most. It is just another level of working. I’m much more productive and confident here. Furthermore every single experience I make has somehow an influence on me. Recently my kids inspire me a lot. Playing or listening to other people’s music influences me too as well as traveling.
 
Who are you listening to at the moment?
 
At the moment I am listening to the recent albums from Nils Frahm and Nu Guinea.
 
How did you first start playing music?
I was 12 years old when the Berlin Wall came down, so I missed these very special years between ‘89 and ‘92 when the music scenes of east and west Berlin hit each other and something new emerged. When I started to discover this new music, legend clubs like Tresor, E-Werk or Bunker already existed, the first hype was over and Techno and events like the Love Parade became more commercial. For me it was still something completely new and the whole Techno virus got me anyway. 1994 I’ve started to buy vinyl and my story began.
 
You’ve been in the music industry for a long time, how have things changed since you started and where do you see the music industry going?
 
The biggest change is obviously the way of how people consume music nowadays. Streaming is the big thing now. In my case as a DJ it’s the way of how we deejay and from a producer’s perspective definitely the way of how we work in the studio these days. I really can’t tell what’s gonna happen in the future. Fingers crossed that the value of music won’t disappear completely. Listening to music became too cheap in my opinion. The process of writing, composing and producing music is completely underrated and not adequately paid these days.
 
You will be touring in china in the first week of December – 2018, what do you have planned for these shows?
 
It’s gonna be my first time ever in China, so I really can’t say what to expect. But I’m super excited and will do my thing as I always do and will be flexible within my range of styles.
 
Following China you will be hitting Bangkok, Sydney and Melbourne afterwards, what do you most enjoy about touring and what do you find most challenging?
 
I love to travel and discover new cultures, enjoying foreign cuisine and meeting new people. The most challenging is definitely to be away from home and my family.
 
What do you have planned for 2019?
 
I will start 2019 with less touring and more studio time.
 
Favourite food and place to hangout?
 
My favorite food is Thai, Lebanese and Italian. My favorite place to hang out is either my couch or my studio and definitely my parents in law’s terrace in Tuscany.
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December 13, 2018 0 comments
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Music InterviewsMusic News

Kids At Midnight

by the partae December 12, 2018
written by the partae

What is your name and role within Kids At Midnight?

My name is Jane Elizabeth Hanley and I am the Singer, Songwriter, Engineer, Producer, Mixer, Record Label, CEO…lol yeah it’s just me.

Where are you currently based and what is the music scene like there?

I’m based between Brunswick and a little country town on the coast Cape Paterson where I grew up. I split my time fairly evenly. I romantically can’t let go. I’m just a small town girl.

How did you first start playing music?

I was always singing and dancing at dance school since I was a little girl. I played saxophone in the high school band in year 7 but you can’t sing with a sax in your mouth so I stopped… I kinda wish I hadn’t! But I knew I wanted to write songs so I bought a cheap second hand guitar when I was 16 and taught myself to play by watching Oasis videos.

You’ve recently released a single ‘By Your Side’ what influenced the sound and songwriting for this track?

It’s pretty unashamedly 80s. I’m someone who wears her musical influences on her sleeve. But the sound of a John Hughes soundtrack…the twinklie-ness of the final scene of an 80s movie, it’s just an unashamed romance that’s not cool anymore… that’s what I dig so that’s what I made.

How has ‘By Your Side’ been received by fans and critics?

I’ve had some really lovely messages from fans about it and Dec Byrne’s Unearthed review was pretty perfect he said, “swaying with my high school crush under the disco ball at the end of the year dance to this…” it’s like he pulled the mood file from my brain! So I think it’s being received well! As much as you can really know.

Who are you listening to at the moment?

Jack Rivers album is too sick for words. Haim and Phoenix will always be on rotation with me. And then my classics on rote. Heart, Tom Petty, Fleetwood Mac, Spandau Ballet… I run a Saturday night called ‘I Wanna Be Adored’ which is basically like a Bluelight Disco for adults, it’s all nerdy pop from all eras but it’s like the most amazing night. So I’m always inadvertently listening to the best songs of all time lol

How do you usually go about writing music?

If I’m at home I’ll jump on Ableton and start playing something on the keys or guitar, sing a long in gibberish until it starts to take form or story. Or if I’m driving (things come to me a lot when I’m driving to the coast) I’ll record little voice memos of lines or melodies.

You have an album coming out in 2019, can you please give us an idea of what to expect?

The album is a dreamy indie synth soundtrack to a movie that you can’t remember seeing but you somehow know. I hope it sounds like driving around the coast road in a thinking of the one you can’t have, LA nights, small town summers and slow motion 80s romance.

Where and when did you record?

It’s all recorded in my spare room. I call it the ‘studio’ but my boyfriend also has his computer in there so we have to call it the ‘Studio/Gaming Room’ but that’s just to be nice. He has a little corner.

I hear that you wrote, produced and engineered / recorded the whole album yourself, why did you choose to do everything yourself?

It’s a combination of things. The fact that I can is one. It gives me time to fit recording in with my everyday life but also money is a big thing for an independent artist. I’m one person so the cost of an engineer, studio time, producer, mixer is a little scary. So I did it all myself.

How and where did you learn the skills to write music and also produce and record?

In terms of songwriting think you learn over your life of listening. I wanted to write pop songs ever since I was little but I couldn’t, I didn’t play, so once I taught myself what chords were I just ferociously went at it. Songwriting is a luxury I don’t take lightly. In terms of recording, my brother and I went halves in a Tascam 4 track tape recorder in 1997. I tried as hard as I could to record little demos on that but really some years went past, I was in an electronic duo and the guy did all the producing. We got really into it and then he decided to not do music anymore and I was kind of like, “nnnoooooooo what am I going to dooooo??!” And then after a week or so of feeling sorry for myself I just thought, “ Well you’d better learn to do it yourself then hey!” And I got Ableton, watched the Tutorial CD over and over and just tried and failed until I was making things that sounded ok. Then the next thing sounded a bit better. And that took about 3 years until the first thing I released sounded really good.

What programs and equipment did you use?

I used Ableton (bless, saved my life) a Mac, Universal Audio Apollo Twin Duo, a Shure sm7b I’ve had for 7 years I bought because it was the mic Michael Jackson recorded Thriller on, midi keyboard, a Squire Strat because I can’t afford a real Strat and my Taylor Semi Acoustic.

Triple J has been showing you a lot of love, what do you think it is about your music the resonates so well with so many people?

I really don’t know. I don’t think you can know why people like your music. I’ve had some people mention similar things that they can immediately picture themselves in my songs like a movie, I write pretty cinematically, and that’s what I want people to feel., I used to exist solely to consume movies. I’ve always been a daydreamer. Pretending I was this character or that character so maybe, hopefully, that has switched to my songwriting.

You’ve had 2 million Spotify streams to date, how has this massive exposure helped to propel your musical career?

Spotify plays have exposed my music to so many more people than I could have myself. And people all over the world. It’s just opened up the net of people that would’ve heard my stuff. It’s helping with the album and the prospect of touring in the future because you can see where people are listening to there’s some cool stuff coming up. It’s also allowed me to do some mentoring to learning Producers with The Art Centres ‘Operator’ Series, which is pretty cool because when I was learning I felt like I didn’t have anyone to ask, so it’s been really awesome to be able to help other female and female identifying producers who are starting out.

Your previous single was synced with MTV’s infamous Jersey Shore, how did this come about?

That was a while ago. It happened from MySpace! That was when Rich (we’re still great mates) was in Kids At Midnight and we wrote these little electro pop gems and we got a message from the MTV Music Licensing Department and we were like, ‘Yeah right…SUUUUUURE you’re from MTV.’ But it turns out she was. And we signed and the track is on Season 3 and it comes up on the screen and I will always think that is so cool.

What do you have planned for 2019?

The album is out early in the year along with the second single so I just can’t wait for that! I’m completely busting! I’ll be doing a little tour for that. I want to go back to LA for a bit and write for other artists too, so I’m constantly writing tracks. I also want to release other artists on my label.

What do you like to do away from music?

Well I work as a DJ and a Dance Teacher so I’m never really away from music. But when I’m away from music I just want to sit near or IN the water and have some bevies with my mates and tell jokes and get up to shenanigans. I write a lot and have just gone back to tinkering with screenplays I’ve written in the past. Apart from 80s movies I also am a bit obsessed with British historical documentaries (I’m so cool)

Favourite food and place to hangout?

My Mums Spag Bol. Obvs. Fave place to hangout…a mates back yard, my sisters balcony, Cape beach, anywhere there’s my mates, my fam, a Bev, tunes.

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December 12, 2018 0 comments
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Cream with a K
Music InterviewsMusic News

Cream with a K

by the partae December 12, 2018
written by the partae
Where are you currently based and what is the music scene like there?
Recently it’s hard to put my finger on where I am most of the time. My life is scattered between Tokyo, London and LA right now. I would say I’m most actively working in Tokyo at the moment thanks to my previous band. The music scenes are all so different. I feel Japan’s scene is more entertainment driven..LA feels much more open and diverse… London…I honestly don’t know that much about the scene yet… I hope to get to know it better in 2019.
You have an upcoming album that will be released in 2019, the first two singles so far have been ‘Terrible Voices’ and ‘5:35’ how has the reaction from fans been so far?
Overall it’s been really positive. But to be honest, a lot of the Japanese fans from my old band were (unpleasantly?) surprised at my new direction…haha but some have stayed with me. My new audience is very different and I have made new fans all around the world since these 2 track releases… it gives me   confidence to see that what I’m doing is being received the way I hoped.
Where and when did you record?
Terrible Voices is a bedroom recording, so to speak. I actually made the track in Starbucks in Tokyo, when I was still in Neko Punch. I generally play and record all the instruments myself but I made 5:35 last summer at Servant Records studio in LA.
What influenced the sound and songwriting for the album?
I’m not sure…I think I have to arrange the track to express things that I feel my voice can’t. I feel like I put a lot more detail into the arrangements than current artists. People say my album is more like a big 90s record. It makes sense because I still listen to a lot of late 80-90s music and I always go back to my childhood favorites like The Pixies and Nirvana when I’m short on motivation to write.
How do you usually go about writing and recording music?
I write for other artists sometimes and there are many ways to skin a cat – depending on the approach, the end-product can be completely different. I usually start with synth, bass, guitar or a beat. I don’t start with lyrics very often. I also tend to write loads of songs and pick out the ones I like the best.
What programs and equipment did you use to record the album?
The Softwares I use are Logic and Protools. Equipment wise – as I’m mostly a traveling DIY artist, to be honest, it’s not practical to use anything too fancy. I use a compact set up that I can travel with. It includes; a MacBook Pro, MOTU ultralite mk3 interface, AKG condenser microphone, Micro Korg, Midi Keyboard, Telecaster guitar and 4 or 5 of my favorite effects pedals. When I have access to a studio I normally re-record or re-amp stuff. I like to double up my fake drums with real drums and always put a real bass line on top of the synth sub bass. I think I probably work in a very weird way but after years of adaptation, I think I’ve developed a good system.
How have your first solo shows been as Cream with a K?
When I’m performing as Cream with a K, I’m so elated! I’ve had more fun playing live then ever before. It was a journey getting here but everything up to now seems to have had a reason and I’m so grateful I’ve made it to this point.
How was the Halloween show that you played in Tokyo?
It was a great turn out. The show was so packed, people couldn’t get in!! When I heard that, I felt so sorry that we didn’t do the show somewhere bigger but also happy that we    completely exceeded our expectations.
Please tell us about your career in Japan: 
I first got signed in Tokyo when I was 19 years old to a management called Oorong-Sha and got to work with my favorite producer of all time; Takeshi Kobayashi. Later, I major debuted in a group called Neko Punch from Universal Japan with a Management called Asobi System which is famous for having Kyary Pamyu Pamyu.
The music and image was a pretty far stretch from what I’m doing now so people don’t even recognize that it was me and I don’t generally advertise the fact either. I am grateful for the opportunities I got though, it really helped me carve out my art and technique as well as taught me professionalism. I’ve jumped a lot of hoops up to now so I can probably write any kind of song if I’m asked… and after singing songs in Japanese most of my life … singing in english is super easy! I’m especially fast at remembering lyrics too. Haha.
What do you like to do away from music?
I love styling and directing photoshoots. I also really enjoy modeling – especially now that I’m able to pick my own jobs. I love clothes so much and somewhere down the line I’d like to make a fashion brand or do a vintage select shop.
Who are you listening to at the moment?
I recently picked up Skateboarding as a hobby and I’m super into it. So, I started               listening to Pavement and Weezer, whilst cruising around. I was never into those bands but I think I wasn’t listening to them in the right context, haha.
What do you have planned for the remainder of 2018 going into 2019?
The remainder of this year is busy. Currently I’m in Tokyo but I have some shows in London in the New Year, so I’m coming back next week to start rehearsals. I’m playing my first London show in January – I’m really excited.
Then, end of January, I’ll be heading out to the US.
Favourite food and place to hangout?

I love Crab! And obviously since last month my new favorite hangout is the Skate Park. My hair and make up artist also skates, so we hang out and skate around together. Sometimes we even go eat Crab too. Haha. It’s a pretty good life.

December 12, 2018 0 comments
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Music InterviewsMusic News

Sugar Jacket

by the partae December 7, 2018
written by the partae

Where are you currently based and what is the music scene like there? I live in South Yarra Melbourne surrounded by yummy mummy’s in range drovers. Inspiring stuff. The music scene in strong in though. I’ve been so lucky to be introduced to some incredibly talented producers and musicians that have helped take my music to a place I would never have dreamed of when I was younger. People have been so supportive with my music down here. I’m currently working on a new track with a friend Alex O’Gorman whose a dream to work with. I’m super excited to show put it out. Alex produces and plays bass with Angie McMahon. He’s also just a true gentleman, the kind of people I’ve met in Melbourne. Truly kind people. Also, I live with two musicians, my girlfriend and brother.

How did you first start playing music? My Dad bought Mum an upright piano for her 40th birthday. She never played it. So I always used to pull up the lid and try knock out some early Coldplay tracks. I just taught myself by ear how to play that now cringe song ‘Clocks’. I started playing music by copying the bands I listened to when I was about 8 or 9. Whatever my family was listening to. My brother was heavily into bands like Interpol, Kings of Leon, The Strokes. So that’s what I was trying to play. That was my first time on a piano. My brother played drums. He was 16, I was 9, and I used to sit against his bedroom door tapping out the drums he was playing. Then when ever he’d let me, or if he was out, I’d go into his room and play the drums. So I was playing drums and trying to learn piano really early.

Who or what influences your sound and songwriting? My Brother and girlfriend definitely have a huge influence on my sound. My girlfriend is also a beautiful musician and has really great taste in music so a lot of stuff passes through her, which I love because she’s such a great songwriter. Also my brother, because, well he’s my big brother. You look up to your older bother and he’s always had such great taste in music which led me to some stuff I wouldn’t have heard at a young age if it wasn’t for him. As for what influences my music, I think that ageing has helped. Having new perspectives on life helps with the lyrical parts and the sound just slowly progresses I think. I hope. I write about the relationships around me. One’s involving me and always ones I see.

How do you usually go about writing music? I almost every time start with a drum beat. I might hear a melody in my head first but I always start with the beat then layer everything over the top. I use Linn Drum samples to program the beats into my pedal then layer synthesisers, then take it into the studio and put live instruments over the top. It usually happens really fast. I’m a master of starting songs and not finishing them, but when the right song comes out I’ll finish it because I know it’s ‘the one’ to finish.

Tell us about how your brother has played a part in your sound and musical taste: Your debut single ‘How Many Times’ is out now, where and when did you record? He’s just that classic older brother who influences the little bother. He tried to push me out of music a little bit because he knew how hard it was/is going to be. He’s been in it for nearly 15 years now so it takes it’s toll I guess. But he’s always taught me to be true to myself and reflect that in my music. He always coaches the best stuff out of me. It comes into the studio and plays drums on my tracks and usually ends up co-producing on the work. He’s got incredible ears and knowledge I completely trust his word. Musically.

How did this track come about? A close friend hurt me, I wrote a song about it. I don’t want to delve into it to much. I’ve made plenty of horrible mistakes myself and we’re good friends now. It’s a revenge track. It definitely helped.

You’ve just released a music video for ‘How Many Times’ please tell us how this video came to be: I really wanted to focus on the colours and camera movement in the video. Editing was always going to play a huge role. We just wanted to create something that enhanced the music. Not focus

on story to much, just try and match the image and audio for an easy watch. I hope that’s what we did. It’s no Childish Gambino, ‘This Is America’, it’s more ‘This a halfway house in Kew’. The director Jack Ralph and I just wanted to have fun with it. Not take it to seriously. The shoot ran from 2 pm till 1 am. We shot it it in my friends house which is quite literally the dankest house through winter, and not in a good dank way. A bad dank way.

What do you like to do away from music? Walk dogs, hang out in drive ways. Lawn bowls in the summer. Kick the footy. Shoot hoops. Golf a lot. Snowboard in the winter.

Who are you listening to at the moment? I’m listening to heaps of Randy Newman, Nick Drake and Brian Jones Town Massacre at the moment. Oh and Twin Peaks. I saw them at the Northcote Social Club a few weeks ago and the general feeling between friends was that it was the best show we think we’d ever seen. I know, big call! But it really was. They were just absolutely shredding and having so much fun. I think everyone in the room could feel it.

What do you have planned for the remainder of 2018 going into 2019? I’m currently finishing off my next single which I’m so so excited to release. It’s very different from ‘How Many Times’ energy wise, slower tempo, more instrumental but it’s still super poppy. This one’s got some real creamy bass, heaps of percussion and hopefully will make you want to dim the lights and swing your partner round on the porch. I actually wrote it the day after I saw Michael Kiwanuka at The Corner Hotel. That was also one of the best shows i’ve ever seen, close second behind Twin Peaks. I’m planning on releasing that with a run of shows early Feb next year.

Favourite food and place to hangout? Chicken Pot Pie, (Mum’s specialty). There are some really great parks and trails around the Yarra River just out of the city. I love going there with my girlfriend and all our friends and a couple of dogs they have. That’s quite simply my perfect afternoon. You forget you’re in the city for a moment which is always nice.

 

https://www.facebook.com/Sugarjacket/

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