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Category:

Music Interviews

Where are you currently based? I’m currently based down in Cape Paterson which is a tiny town on the Bass Coast in Victoria. I’m back making music in my little hometown which is an interesting turn of events. But it’s quiet and scenic and beautiful and was actually a huge reason I was able to finish the album! How did Kids At Midnight form? I’d been playing as a folk artist around the traps for a little while in the 2010s but I was really curious about the electro scene popping up! I met a lovely guy who was producing electro pop style and we started working together, just mucking around but going up with awesome stuff. We became best mates, we made a few songs and actually signed to ‘Vulture’ in France Alan Braxe’s label but then he wanted to pursue other things and so I was solo again and I thought, ‘Well Jane, you’d better learn to produce then!’ So I did. I started from square one again and slowly slowly the Kids At Midnight you hear now was born! What's been happening recently? I released my debut album ‘All I Ever Wanted Was Your Love’ on Friday so the last few months has been pretty intense album stuff. Actually physically finishing the songs, working on the artwork with my brother, taking the photos for it with my cousin. And now in iso down the coast watching lots of Jersey Shore! Your track 'Boys Like You' was featured as the finale song on Netflix sync 'Never Have I Ever' seen by 40 million households, how did this come about and how has the response been since? Oh the response has been beyond my wildest dreams! It was such a mind explosion watching my song play in the background of this huge teen moment and it being a Mindy Kaling show was it for me. I am a huge fan of her work on The Office and The Mindy Project, she’s an hilarious comedic writer. How did it come about? Nobody believes me when I tell them but I literally woke up to two urgent emails from music supervisors for NBC Universal in the US saying they loved ‘Boys Like You’ and could they use it in Mindy Kaling’s new ‘coming of age’ tv series and I was like ‘this is a hoax… when are they going to ask me to put my credit card details in’ lol But it was for real and I immediately said ‘100% YES!’ What influenced the sound and songwriting for 'Boys Like You’? I’m hugely influenced by the 80s pop sound. So I really wanted a dreamy but upbeat song reminiscent of Whitney Houstons ‘How Will I Know?’ that sort of thing. And lyric wise it is all directly from my experiences in high school. Crushes, embarrassing moments, the boy who told me to shut up in maths class because I was answering all the questions and they couldn’t get a look in. All that really can make you run home from the bus crying. But then you look back and realise, I’ll never hide myself waiting for a boy like you again. And that embarrassingly personal teen angst and self discovery connected with people which is really lovely. How do you usually go about writing and recording? Sometimes I’ll be playing some chords on my guitar and just mumble along a melody in gibberish and then I’ll translate that to Ableton and build the track from there. Sometimes I start inside Ableton but it’s usually the same way, chords first, mumble a melody in gibberish, clear away the gibberish and start to tell a story and see what happens! What programs/instruments do you use? My basic set up is Ableton Live on my Mac and a midi keyboard, with my mic and any analogue instruments running through my UA Apollo Twin Duo. Sometimes I’ll add my electric guitar for an 80s guitar solo, sometimes there’s a tambourine in the background, sometimes I’ll bang a drum pad, sometimes my acoustic guitar…whatever is lying around! Boys Like You has hit over one million streams this week, massive! What's been happening as a result? I’m so thankful for ‘Never Have I Ever’ for sharing my music with the world, it’s meant that in the week I released my album one of its tracks hit a million streams on Spotify, which means that all these gorgeous new fans can hear a bunch of other songs just like ‘Boys Like You’. It’s been a crazy ride! I’ve gained so many new fans from Latin America which is so cool. My biggest city of fans is actually New York and I just had my album on a billboard about the Time Square Subway station… that is the biggest thing ever! Please tell us about what it's like writing, recording and producing a whole album as a solo artist and how you learnt the skills to complete such an incredible feat: It is a hard slog lol but it is so incredibly rewarding! I won’t lie and say it’s this serene experience, there are times you run across problems and you can’t get anyone to fix them because YOU have to fix them. Or there are times you have to comp your vocals but you just can’t get a take where you’re pronouncing a word the right way so you take your Producer hat off and put your Singer hat back on and it’s like off, on, off, on, off, on… it can really mess with your head! But in the end you have a body of work you have entirely created yourself and it represents you in the truest sense possible, and that’s worth all the times you want to throw your computer off the balcony. Who are you listening to at the moment? I’m listening to Chromatica because Gaga is god and I’m also listening to Folklore because the excitement and the pedigree behind the album was spellbinding. I like to balance mad choreography with some forrest introspection.  In the bath I listen to the Garden State soundtrack! What do you like to do away from music? I love to dance. I teach and choreograph (but obviously I’m not doing that at the moment) and I DJ and run parties too (but obviously I’m not doing that at the moment either) But during this time I’ve been loving going back to writing, I’ve been a bit obsessed with rom coms and sitcoms so I’m writing a rom com screenplay. What's planned for the remainder of 2020? I’ve just ordered some fancy new cables (wow) to clean up my system (I had a crackle I couldn’t find towards the end of making ‘All I Ever Wanted Was Your Love’) So when they arrive (hooray how exciting is waiting for your post at the moment! I check the Australia Post app more than Twitter) I’ll actually start working on my next releases! I’m hoping I’ll be writing for other artists too so that’s exciting!  Favourite food and place to hangout?  My favourite food is… uh, everything! But who can go past their Mums Spag Bol lol  But I’m really missing the eggplant chips and a nice crisp wine in the beer garden at The EC in Brunswick, a rose with ice in it spinning Katy Perry at The Carlon, or a Hendricks on ice spinning my party night at The Stone Hotel in Fitzroy. ALBUM BUY LINK / ALBUM ON SPOTIFY INSTAGRAM / FACEBOOK / TWITTER
Music InterviewsMusic News

Kids At Midnight

by the partae August 12, 2020
written by the partae

Where are you currently based?

I’m currently based down in Cape Paterson which is a tiny town on the Bass Coast in Victoria. I’m back making music in my little hometown which is an interesting turn of events. But it’s quiet and scenic and beautiful and was actually a huge reason I was able to finish the album!

How did Kids At Midnight form?

I’d been playing as a folk artist around the traps for a little while in the 2010s but I was really curious about the electro scene popping up! I met a lovely guy who was producing electro pop style and we started working together, just mucking around but going up with awesome stuff. We became best mates, we made a few songs and actually signed to ‘Vulture’ in France Alan Braxe’s label but then he wanted to pursue other things and so I was solo again and I thought, ‘Well Jane, you’d better learn to produce then!’ So I did. I started from square one again and slowly slowly the Kids At Midnight you hear now was born!

What’s been happening recently?

I released my debut album ‘All I Ever Wanted Was Your Love’ on Friday so the last few months has been pretty intense album stuff. Actually physically finishing the songs, working on the artwork with my brother, taking the photos for it with my cousin. And now in iso down the coast watching lots of Jersey Shore!

Your track ‘Boys Like You’ was featured as the finale song on Netflix sync ‘Never Have I Ever’ seen by 40 million households, how did this come about and how has the response been since?

Oh the response has been beyond my wildest dreams! It was such a mind explosion watching my song play in the background of this huge teen moment and it being a Mindy Kaling show was it for me. I am a huge fan of her work on The Office and The Mindy Project, she’s an hilarious comedic writer. How did it come about? Nobody believes me when I tell them but I literally woke up to two urgent emails from music supervisors for NBC Universal in the US saying they loved ‘Boys Like You’ and could they use it in Mindy Kaling’s new ‘coming of age’ tv series and I was like ‘this is a hoax… when are they going to ask me to put my credit card details in’ lol But it was for real and I immediately said ‘100% YES!’

What influenced the sound and songwriting for ‘Boys Like You’?

I’m hugely influenced by the 80s pop sound. So I really wanted a dreamy but upbeat song reminiscent of Whitney Houstons ‘How Will I Know?’ that sort of thing. And lyric wise it is all directly from my experiences in high school. Crushes, embarrassing moments, the boy who told me to shut up in maths class because I was answering all the questions and they couldn’t get a look in. All that really can make you run home from the bus crying. But then you look back and realise, I’ll never hide myself waiting for a boy like you again. And that embarrassingly personal teen angst and self discovery connected with people which is really lovely.

How do you usually go about writing and recording?

Sometimes I’ll be playing some chords on my guitar and just mumble along a melody in gibberish and then I’ll translate that to Ableton and build the track from there. Sometimes I start inside Ableton but it’s usually the same way, chords first, mumble a melody in gibberish, clear away the gibberish and start to tell a story and see what happens!

What programs/instruments do you use?

My basic set up is Ableton Live on my Mac and a midi keyboard, with my mic and any analogue instruments running through my UA Apollo Twin Duo. Sometimes I’ll add my electric guitar for an 80s guitar solo, sometimes there’s a tambourine in the background, sometimes I’ll bang a drum pad, sometimes my acoustic guitar…whatever is lying around!

Boys Like You has hit over one million streams this week, massive! What’s been happening as a result?

I’m so thankful for ‘Never Have I Ever’ for sharing my music with the world, it’s meant that in the week I released my album one of its tracks hit a million streams on Spotify, which means that all these gorgeous new fans can hear a bunch of other songs just like ‘Boys Like You’. It’s been a crazy ride! I’ve gained so many new fans from Latin America which is so cool. My biggest city of fans is actually New York and I just had my album on a billboard about the Time Square Subway station… that is the biggest thing ever!

Please tell us about what it’s like writing, recording and producing a whole album as a solo artist and how you learnt the skills to complete such an incredible feat:

It is a hard slog lol but it is so incredibly rewarding! I won’t lie and say it’s this serene experience, there are times you run across problems and you can’t get anyone to fix them because YOU have to fix them. Or there are times you have to comp your vocals but you just can’t get a take where you’re pronouncing a word the right way so you take your Producer hat off and put your Singer hat back on and it’s like off, on, off, on, off, on… it can really mess with your head! But in the end you have a body of work you have entirely created yourself and it represents you in the truest sense possible, and that’s worth all the times you want to throw your computer off the balcony.

Who are you listening to at the moment?

I’m listening to Chromatica because Gaga is god and I’m also listening to Folklore because the excitement and the pedigree behind the album was spellbinding. I like to balance mad choreography with some forrest introspection.  In the bath I listen to the Garden State soundtrack!

What do you like to do away from music?

I love to dance. I teach and choreograph (but obviously I’m not doing that at the moment) and I DJ and run parties too (but obviously I’m not doing that at the moment either) But during this time I’ve been loving going back to writing, I’ve been a bit obsessed with rom coms and sitcoms so I’m writing a rom com screenplay.

What’s planned for the remainder of 2020?

I’ve just ordered some fancy new cables (wow) to clean up my system (I had a crackle I couldn’t find towards the end of making ‘All I Ever Wanted Was Your Love’) So when they arrive (hooray how exciting is waiting for your post at the moment! I check the Australia Post app more than Twitter) I’ll actually start working on my next releases! I’m hoping I’ll be writing for other artists too so that’s exciting! 

Favourite food and place to hangout? 

My favourite food is… uh, everything! But who can go past their Mums Spag Bol lol  But I’m really missing the eggplant chips and a nice crisp wine in the beer garden at The EC in Brunswick, a rose with ice in it spinning Katy Perry at The Carlon, or a Hendricks on ice spinning my party night at The Stone Hotel in Fitzroy.

ALBUM BUY LINK / ALBUM ON SPOTIFY

INSTAGRAM / FACEBOOK / TWITTER

August 12, 2020 0 comments
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Hey Lee, how are things with you? How have you found your lockdown experience overall? The lockdown experience has been something I’ve tried to deliberately take in my stride and stay as positive as I could. From about March until May I moved from NYC to my house in the Hamptons and kept the music and positivity flowing and focused a ton on my masterclass company, FaderPro.com and how we were pivoting during these times. In May I rented a house in Portland, Oregon where my family is as there was very little Covid there. I'm now doing my best to stay 2 steps ahead of this Covid thing.  What is life like under Trump? Does he represent you as a president? Trump doesn’t affect me any differently then any other president in the USA. When you spend the majority your life touring in international waters, you’re more of a nomad living on everyone else’s soil but your own. I am a proud New Yorker & American though. Should dance music be more social and political as it was in the early days? Music for me regardless of where I’ve been even at times of war (post 9/11) has been the universal sign for peace & love and when I’m touring, they don't care where I'm from, they care about the music I'm playing for them and they respect my hard work at giving them the best show I can. I love how music brings us together, all of us and never divides us, at least in my experience.  Did the Black Lives Matter movement impact you, your thoughts and feelings in anyway?  I have big hopes that with time and change, we will get back to a much greater place in the world. I'm a firm believer in all my personal & business relationships that adversity strengthens us and builds a true love for each other. I hope that with Black Lives Matter the results will be the same with our nation and throughout the world. As a life-long athlete playing sports in every part of the US and now in Music, I’ve had the great opportunity to call ALL my teammates brothers (and sisters) no matter what ethnicity they were.  Tell us about your new Mayday EP with Funkerman for Flamingo - how did you link? Yeah it’s my debut on Funkerman’s label. We are from the same camp and are teammates on the same management squad and Jorn my manager has linked us up as well as other teammates like Marco Lys who I have an EP finished with as well as Yvan Genkins as too so it was great to work with Funkerman and even have him add a remix to the package as well. I played Funkerman’s Boat Part at ADE and dropped MayDay there and he loved it and chased it since then.  What made you want to work with that Sunday Shouting sample? Yes, Sunday Shouting was the 1st time I heard the usage of that sample back in my days at Strictly Rhythm and then I started playing the, "B Boys Shoutin Dub” almost every set and it would really translate well on the floors BUT it lacked the energy that I love to play with. I needed those strings and all that energy to be wrapped up nicely into a peak hour version so I cleared the sample which we have to pay respect to as its the same sample that Johnny Corporate cleared too which is BRICK-Living from My Mind and signed it off to Flamingo & Funkerman!  Are there rules to what you must and must not do to a sample to make it original? Yes, there’s definitely rules but luckily in my career as Lee Cabrera & Just Us I’ve been fortunate with those rules and great managers like Jorn from Adapt and Dave Lambert for Just Us that know all those rules. I was managed by THE DON of House Music, Mark Finkelstein who gave me my hard knocks PHD in the music business too so I know the game quite well. Every territory & society has it’s own set of rules but if you play your cards right, clearing samples & publishing aren’t extremely difficult and then if you can’t, there’s some killer replay companies out there right now.  What else have you got coming up? Yeah lots of new music forthcoming:  I love getting something out every month. I have a new single with my boy, the legendary Richard F and I’ve convinced him to come out of retirement and our new single is forthcoming on Glasgow Underground where I signed my “Gimme Gimme” single too. I have a 2 track EP with Marco Lys too that we just started shopping as well as another with Yvan Genkins. Most recently I released a 3 track EP with one of the baddest dudes on planet earth, Steve Lawler on his Viva Music imprint and prior to that I redid, “Shake It” with Mike Vale and then added a brand new top-line vocal which is now titled, “Everybody” (Shake It) in which I added 2 new Lee Cabrera versions on which is out on CR2 Records. More Just Us Music forthcoming as well and another new alias, TalkBack with my friend singer/songwriter, Matt Hartke (Avicii, Tiesto, Cash Cash) and our new singles, “Astronaut” & “Feels” are debuting on the newest Cash Cash album.  Lee Cabrera and Funkerman’s Mayday is out 15th August via Flamingo Recordings. Check out the release on Beatport here and keep up with Lee on Facebook and Instagram. 
Music InterviewsMusic News

Lee Cabrera

by the partae August 11, 2020
written by the partae

Hey Lee, how are things with you? How have you found your lockdown experience overall?

The lockdown experience has been something I’ve tried to deliberately take in my stride and stay as positive as I could. From about March until May I moved from NYC to my house in the Hamptons and kept the music and positivity flowing and focused a ton on my masterclass company, FaderPro.com and how we were pivoting during these times. In May I rented a house in Portland, Oregon where my family is as there was very little Covid there. I’m now doing my best to stay 2 steps ahead of this Covid thing. 

What is life like under Trump? Does he represent you as a president?

Trump doesn’t affect me any differently then any other president in the USA. When you spend the majority your life touring in international waters, you’re more of a nomad living on everyone else’s soil but your own. I am a proud New Yorker & American though.

Should dance music be more social and political as it was in the early days?

Music for me regardless of where I’ve been even at times of war (post 9/11) has been the universal sign for peace & love and when I’m touring, they don’t care where I’m from, they care about the music I’m playing for them and they respect my hard work at giving them the best show I can. I love how music brings us together, all of us and never divides us, at least in my experience. 

Did the Black Lives Matter movement impact you, your thoughts and feelings in anyway? 

I have big hopes that with time and change, we will get back to a much greater place in the world. I’m a firm believer in all my personal & business relationships that adversity strengthens us and builds a true love for each other. I hope that with Black Lives Matter the results will be the same with our nation and throughout the world. As a life-long athlete playing sports in every part of the US and now in Music, I’ve had the great opportunity to call ALL my teammates brothers (and sisters) no matter what ethnicity they were. 

Tell us about your new Mayday EP with Funkerman for Flamingo – how did you link?

Yeah it’s my debut on Funkerman’s label. We are from the same camp and are teammates on the same management squad and Jorn my manager has linked us up as well as other teammates like Marco Lys who I have an EP finished with as well as Yvan Genkins as too so it was great to work with Funkerman and even have him add a remix to the package as well. I played Funkerman’s Boat Part at ADE and dropped MayDay there and he loved it and chased it since then. 

What made you want to work with that Sunday Shouting sample?

Yes, Sunday Shouting was the 1st time I heard the usage of that sample back in my days at Strictly Rhythm and then I started playing the, “B Boys Shoutin Dub” almost every set and it would really translate well on the floors BUT it lacked the energy that I love to play with. I needed those strings and all that energy to be wrapped up nicely into a peak hour version so I cleared the sample which we have to pay respect to as its the same sample that Johnny Corporate cleared too which is BRICK-Living from My Mind and signed it off to Flamingo & Funkerman! 

Are there rules to what you must and must not do to a sample to make it original?

Yes, there’s definitely rules but luckily in my career as Lee Cabrera & Just Us I’ve been fortunate with those rules and great managers like Jorn from Adapt and Dave Lambert for Just Us that know all those rules. I was managed by THE DON of House Music, Mark Finkelstein who gave me my hard knocks PHD in the music business too so I know the game quite well. Every territory & society has it’s own set of rules but if you play your cards right, clearing samples & publishing aren’t extremely difficult and then if you can’t, there’s some killer replay companies out there right now. 

What else have you got coming up?

Yeah lots of new music forthcoming:  I love getting something out every month. I have a new single with my boy, the legendary Richard F and I’ve convinced him to come out of retirement and our new single is forthcoming on Glasgow Underground where I signed my “Gimme Gimme” single too. I have a 2 track EP with Marco Lys too that we just started shopping as well as another with Yvan Genkins. Most recently I released a 3 track EP with one of the baddest dudes on planet earth, Steve Lawler on his Viva Music imprint and prior to that I redid, “Shake It” with Mike Vale and then added a brand new top-line vocal which is now titled, “Everybody” (Shake It) in which I added 2 new Lee Cabrera versions on which is out on CR2 Records. More Just Us Music forthcoming as well and another new alias, TalkBack with my friend singer/songwriter, Matt Hartke (Avicii, Tiesto, Cash Cash) and our new singles, “Astronaut” & “Feels” are debuting on the newest Cash Cash album. 

Lee Cabrera and Funkerman’s Mayday is out 15th August via Flamingo Recordings. Check out the release on Beatport here and keep up with Lee on Facebook and Instagram. 

August 11, 2020 0 comments
0 FacebookTwitterPinterestEmail
Mattia Saviolo is one of techno’s most talked about young talents following a recent two-part release on UMEK’s label 1605 which has been dominating the top of sales charts on leading music download websites. Hyped to learn more about Mattia Saviolo, we caught up with him to discover more about his background and releases on 1605… Where are you currently based? I am currently based in Berlin, which I think is on planet earth, but sometimes it seems a bit out of this world lol. How did you first start playing music? Well, I started DJ’ing when I was fifteen. I was already in love with electronic music and started DJ’ing at home with CDJ-1000’s and basic two channel mixer. This got me deeper into music, and my passion continued to grow, until I eventually decided I also wanted to make my own music. What has been happening recently? A lot things man, and it has been difficult to handle the balance between bad things like Covid, and more positive things like my new releases, so it has been a crazy few months. My goal is to stay positive, and bring positivity to the other people… especially with my music! You have just released a new EP via UMEK's label 1605, what influenced the sound and song-writing for the EP? Well, I would say that for me it’s like an introspective trip inside myself, and my main mission is to communicate/express what I feel like to the other people, as sharing my emotions and mental images through music often creates connections with others. What is your process for writing the music? Basically, it took me almost a year to create these four tracks, working hard in the studio and trying to experiment with new things and techniques. I was really inspired about the idea of these big hangars, warehouses and festivals… I was imagining how these tracks would sound, as I wanted to create something that would really fill the space and make an amazing dance floor experience. Where and when did you record/produce? Almost every day, I try to be very regular with a routine of work, as every second I spend focusing on music makes me feel so happy. What programs/instruments did you use to record/produce? Mainly I use Ableton Live and produce 80% of my sounds using that software program. I also have some hardware that I share with two friends Nico Cabeza and Luis Arboleda who also use my studio. We have a Moog Sub 37, Roland 909 and an 808... for processing a mix and mastering I use some internal plugins. Please tell us what this EP means to you, and was the end result as you imagined it to be when first making a start? This is a great question… I like all the music I create, but some tracks will never be released! It is part of the game, as although I have a strong connection with all my works, it is only the tracks that also connect with others that get signed. Having the feedback from UMEK to keep making improvements, made me go a bit deeper with my thought process on these EP’s for 1605, and that allowed me to really express myself with the final versions. How did you come to release with 1605, and how has the experience been so far? UMEK contacted me on Facebook and was interested in my music after hearing my releases on other labels. He was curious to listen my unsigned tracks and when I sent to him a playlist with some tracks, he replied saying “man I have a problem, I’ve never had so many good demos before lol”. I was really excited to hear that, and from there we decided to sign these two EP’s. 1605 is highly organised and solid with a good PR agency (Mainline PR) and a talent mixing and mastering engineer (Gregor) who can make things stand out. So, I am extremely happy to be working with them. Who are you listening to at the moment? There are too many great DJ’s and producers out there, I always dig a lot in genres outside of the techno capsule...so its impossible to choose just few artists, as it would be unfair on all the others I didn’t mention. What do you like to do away from music? I love playing soccer! I recently moved to a new flat here in Berlin, and I’m lucky to have a little football field in front of where I live, so on sunny days I’m often spending a lot of time playing and running with a football. I also like to eat… I’m always up for having dinner and drinks outside with friends :) What is planned for the remainder of 2020? Honestly, I’m not 100% sure I will release much other music during the lockdown period, but I’ve collected and finished around eight new tracks, so we will have to see once I’ve set them out to a couple of labels. Favourite food, and place to hang out? Some of my favourite spots to eat in Berlin include Adana Grillhouse, Brlo Brwhouse, La lupa, Donna Drancesca, and loads of others… https://soundcloud.com/mattiasaviolo https://www.facebook.com/officialmattiasaviolo https://www.instagram.com/mattia_saviolo/?hl=en
Music InterviewsMusic News

Mattia Saviolo

by the partae August 10, 2020
written by the partae

Mattia Saviolo is one of techno’s most talked about young talents following a recent two-part release on UMEK’s label 1605 which has been dominating the top of sales charts on leading music download websites.

Hyped to learn more about Mattia Saviolo, we caught up with him to discover more about his background and releases on 1605…

Where are you currently based?

I am currently based in Berlin, which I think is on planet earth, but sometimes it seems a bit out of this world lol.

How did you first start playing music?

Well, I started DJ’ing when I was fifteen. I was already in love with electronic music and started DJ’ing at home with CDJ-1000’s and basic two channel mixer. This got me deeper into music, and my passion continued to grow, until I eventually decided I also wanted to make my own music.

What has been happening recently?

A lot things man, and it has been difficult to handle the balance between bad things like Covid, and more positive things like my new releases, so it has been a crazy few months. My goal is to stay positive, and bring positivity to the other people… especially with my music!

You have just released a new EP via UMEK’s label 1605, what influenced the sound and song-writing for the EP?

Well, I would say that for me it’s like an introspective trip inside myself, and my main mission is to communicate/express what I feel like to the other people, as sharing my emotions and mental images through music often creates connections with others.

What is your process for writing the music?

Basically, it took me almost a year to create these four tracks, working hard in the studio and trying to experiment with new things and techniques. I was really inspired about the idea of these big hangars, warehouses and festivals… I was imagining how these tracks would sound, as I wanted to create something that would really fill the space and make an amazing dance floor experience.

Where and when did you record/produce?

Almost every day, I try to be very regular with a routine of work, as every second I spend focusing on music makes me feel so happy.

What programs/instruments did you use to record/produce?

Mainly I use Ableton Live and produce 80% of my sounds using that software program. I also have some hardware that I share with two friends Nico Cabeza and Luis Arboleda who also use my studio. We have a Moog Sub 37, Roland 909 and an 808… for processing a mix and mastering I use some internal plugins.

Please tell us what this EP means to you, and was the end result as you imagined it to be when first making a start?

This is a great question… I like all the music I create, but some tracks will never be released! It is part of the game, as although I have a strong connection with all my works, it is only the tracks that also connect with others that get signed. Having the feedback from UMEK to keep making improvements, made me go a bit deeper with my thought process on these EP’s for 1605, and that allowed me to really express myself with the final versions.

How did you come to release with 1605, and how has the experience been so far?

UMEK contacted me on Facebook and was interested in my music after hearing my releases on other labels. He was curious to listen my unsigned tracks and when I sent to him a playlist with some tracks, he replied saying “man I have a problem, I’ve never had so many good demos before lol”. I was really excited to hear that, and from there we decided to sign these two EP’s. 1605 is highly organised and solid with a good PR agency (Mainline PR) and a talent mixing and mastering engineer (Gregor) who can make things stand out. So, I am extremely happy to be working with them.

Who are you listening to at the moment?

There are too many great DJ’s and producers out there, I always dig a lot in genres outside of the techno capsule…so its impossible to choose just few artists, as it would be unfair on all the others I didn’t mention.

What do you like to do away from music?

I love playing soccer! I recently moved to a new flat here in Berlin, and I’m lucky to have a little football field in front of where I live, so on sunny days I’m often spending a lot of time playing and running with a football. I also like to eat… I’m always up for having dinner and drinks outside with friends 🙂

What is planned for the remainder of 2020?

Honestly, I’m not 100% sure I will release much other music during the lockdown period, but I’ve collected and finished around eight new tracks, so we will have to see once I’ve set them out to a couple of labels.

Favourite food, and place to hang out?

Some of my favourite spots to eat in Berlin include Adana Grillhouse, Brlo Brwhouse, La lupa, Donna Drancesca, and loads of others…

 

https://soundcloud.com/mattiasaviolo

https://www.facebook.com/officialmattiasaviolo

https://www.instagram.com/mattia_saviolo/?hl=en

August 10, 2020 0 comments
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Music InterviewsMusic News

Emily Laing

by the partae August 7, 2020
written by the partae
Where are you currently based?

London!

 

How did you first start playing music?

I started playing music mainly because I was gagging for a creative outlet! I spent a lot of time waiting to be given permission to use my voice. I find that energy can often manifest into something quite negative if it goes untapped. So it was a way of helping my mental health. Plus, singing always terrified me and I kinda relish doing something that frightens me!

 

What’s been happening recently?

I’ve been writing and listening and experimenting. Also doing a lot of online gigs but now I’m back to doing it IRL! (Socially distanced of course)

 

Your new track ‘I Feel Fine’ is out now, what influenced the sound and songwriting for this track?
I wanted to write a song that I could dance to. I went through a tough break up recently so I wanted to create something that felt like one massive smile!

It’s a song about how brave decisions (which are terrifying and so hard to make) can lead to something great.

 

How did you go about writing ‘I Feel Fine’?

I wrote it in about half an hour one very warm, sunny evening. I was accompanied by a vodka elderflower and my very fat and messy notebook. Usually when I hit on something I like I write very quickly before it leaves my brain!

 

How did you approach the recording/production process?

Luckily I have a very patient team behind me. I like a super chill atmosphere. Usually I’m sat on the floor with a marmite sandwich waiting to be told what to do!

 

What do you like to do away from music?

Currently hooked on Call Of Duty, reading and evening bike rides. I also find cooking so relaxing and fun. I made my first pie the other day. I was more proud of that than any song release.

 

Who are you listening to at the moment?

Lots of Edith Piaf, Beatles, Matt Maeson and my lovely friend Grace Grundy.

 

What’s planned for the remainder of 2020?

Lots more writing and growing. I’m excited to see where it takes me.

 

Favourite food and place to hangout?

Too many to choose just one!

 

 
Workers Cafe on Upper Street for the baked potatoes and cannoli’s.  The Flask in Highgate for a Sunday roast.  Garlic and Shots on Frith Street for the nostalgia. And shots.  Oka for sushi. Enough said.  The Vault on Greek Street for the whiskey and ambience.

August 7, 2020 0 comments
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The Heavy Hours
Music InterviewsMusic News

The Heavy Hours

by the partae August 6, 2020
written by the partae

Where are you currently based?

Cincinnati, OH. Born & bred.

What’s your name and role within band?

Michael – Vox / Rhythm Guitar

AJ – Lead guitar

Jon – Bass / Harmonies

Ian – Drums

How did The Heavy Hours form?

We’ve been friends since high school, but didn’t start playing music together until a couple years ago. The band formed when we came into possession of an abandoned house. We moved some instruments and amps in, threw up some blankets to trap in the heat and started writing songs together.

What’s been happening recently?

We just wrapped up recording our full album in the Catskills, NY with Simone Felice and David Baron. Now we’re trying to figure out how to launch a band in the midst of a global pandemic, ha!

Your debut single ‘Don’t Walk Away’ co-written with Black Keys frontman Dan Auerbach is out now, how did you come to work with Dan?

It was sort of stars aligning type of moment. We had recently met our agent and he sent some demos we had made around to some friends. They ended up in the hands of Dan and he invited us down to hang and write. That Ohio connection runs deep.

What influenced the sound and songwriting?

Our influences are all over the place to be honest & we kind of like it that way. We try to take inspiration from a bunch of disparate places and mold them into something new and unique. Being in Woodstock had a huge effect on us. We were listening to a lot of the Band and Van Morrison records that were made there in the early 70’s. It definitely found its way into this tune.

How did Dan and the band go about writing Don’t Walk Away and what did you find most challenging and rewarding about the writing process?

We were used to creating songs over the course of several months. To be thrown into the writing room with Dan, where he was used to writing songs over the course of a couple hours was an interesting experience. It helped us stretch some creative muscles we didn’t even know we had. Dan also had such an ear for melody and arrangement. His process really informs the way we are writing now. 

Simone Felice (The Lumineers, Jade Bird, Matt Maeson) produced the track, how did you come to work with Simone and how was the experience?

In the same way our demos made it to Dan, they found their way to Simone. He invited us up to the Catskills and drove us around the mountains. We talked for hours about music we loved, shared some song ideas and the vision he had for our sound. We continued that same energy through the recording experience as well.

What programs/instruments did you use to record/produce?

So much credit has to go to our co-producer David Baron here. David is a musical mad-man. Pure genius. He has so much eclectic gear and instruments in his studio, it’s unreal. When we needed strings or sax, David called up one of his buddies to track it live. We wanted to keep the song as live as possible. to keep the feel of those great records that were made in Woodstock back in the day.

What do you like doing away from music?

When we aren’t in the practice space we’re normally eating bbq or getting too competitive in a game of cornhole.

Who are you listening to at the moment?

Sitting here in the basement… the consensus is My Morning Jacket – Waterfall II.

What’s planned for the remainder of 2020?

We wish we knew! The state of affairs in the US at the moment makes it tough to see past a couple weeks out. So we’re just going to keep doing what we’ve always done, writing songs and making jokes in our little practice space together.

Favourite food and place to hangout?

We consider ourselves to be chicken tender connoisseurs. The cheaper the better.

August 6, 2020 0 comments
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Anthony Huttley
Music InterviewsMusic News

Anthony Huttley

by the partae August 5, 2020
written by the partae

Where are you currently based and what’s the music scene like there?

I’m currently based in Matsumoto, a town in Nagano, about 200km North West of Tokyo, Japan. The music scene here is small, but but the parties are somewhat similar to what you can find in many other places in Japan. Usually tucked away in a building that is hard to find, with a crew that plays an eclectic selection of whatever is going at that particular party. Many of the people here aren’t exclusive to one genre or crew. Cliques exist, but they are loose, and due to the relatively small size of our city, you often find the same people at various different events, regardless of genre or style. It’s a great little scene we have here.

How did you wind up there and how has it been starting fresh in a new country?

Long story short, I ended up moving here to be closer to my wife’s family.  Moving here for me was one of the hardest things i’ve ever had to endure. Culture shock is real, and the language barrier is just the beginning. Loads of little cultural nuances like how to act around certain people, and what to do when. Getting into the music scene here was the same as anywhere in terms of going to events and meeting the right people, but learning Japanese has certainly helped me to network a lot more easily.  My Japanese isn’t great, but it’s communicative on a basic level, so it gets me by.

How did you first start playing music and how did you evolve into electronic music?

I guess my journey into music isn’t too dissimilar to the way a lot of people got into it. Started piano when I was 7, then the trumpet when I was 9. I picked up a guitar in my teens, started jamming in a garage with mates and all that. I was in a punk band when i was younger. Our claim to fame was opening for Aussie punk-rock legends “Frenzal Rhomb”. That was a rad gig. Electronic music was always a love of mine though, ever since I heard some breaks back in high school. Artists like Sonic Animation and the Resin Dogs were at the start of my journey, but then i really got into trance after hearing an old Gatecrasher compilation – Global Sound System. A little later, I found progressive house, and that was the gateway too all the kinds of house music (and sometimes techno) that I’m into these days. I started producing sometime around 2004 when a friend of mine introduced me to FL Studio. Of course, I downloaded a cracked version and went from there. I only started taking it seriously around 2011 though, and didn’t release my first single until 2014. You can find it on Spotify if you search “musicbyhux”. I still dig the tunes, but thankfully, I’ve since changed my alias.

How would you describe your sound/the music that you play?

The music that I play sits somewhere between minimal house and progressive. My favourite music to play is driving progressive, but the people that I DJ to get right into that 909 High hat drive that comes with minimal house, so I find myself playing a lot of that during my sets, even though I like prog more. As far as my own productions, mostly deep, progressive house, with the exception of my latest tune, but more on that in a bit.

What’s been happening recently?

Recently, very little on the gigs front due to a certain pandemic that happens to be kind of a big deal, but also, i recently broke my leg pretty badly, so actually i’ve been laid up at home for the last 6 weeks or so. I’ve been limited to my bed and my living room, so i’ve been playing video games, and doing music related stuff in all my spare time (which happens to be most of my time atm) So yeah, I can’t walk, but i can’t complain too much, because it’s been nice to catch up on some stuff, including rest.

Your new track ‘Standing on the Shoulders of Giants’ is out now, what influenced the sound and songwriting?

Great question. I know that i’ve been wanting to write a peak time tune for a while, but usually everything I write turns out deep, so this one came as a bit of a surprise to me. My inspiration came from all of my friends, family and supporters who have got me this far in my musical journey, hence the title. There are no such things as self-made people. We all stand on the shoulders of giants, and I really wanted to give something back, which is why anyone can pick up this tune for free from my Bandcamp page.

How did you go about writing/recording/producing/mastering the single?

All of it (bar mastering) was done on my laptop, using software, an Apogee duet, some headphones, and some old Behringers, which i used when the neighbours were out.

Where and when did you record?

For this track, most of it was midi-based using software synths. So no actual recording, and I did all of it from my own home. The whole process happened slowly, over the course of about 8 weeks. In the end, I put about 75 hours into it.

What programs/instruments did you use?

I use Logic pro X, and a whole stack of softsynths. My favourites are Spectrasonics’ Trilian, Uhe’s Hive, and one I discovered recently by Waves, called Codex. Apart from that, a lot of one-shot samples for the drums, claps, hats, percussion etc.

Where can we listen?

You can listen on Spotify, iTunes, Amazon, Google… all the major online streaming platforms, and of course Bandcamp, which I mentioned earlier.

What do you like to do away from music?

Of course I love to chill with family and/or friends, but apart from that, I really love all things to do with coffee. I was a barista in Australia for about 8 years before I came to Japan, and since I’ve been here, i’ve  taken up roasting. It’s a whole new challenge, but i love it, and I’ve been starting to roast some really tasty coffee.

Who are you listening to at the moment?

Quivver, Ezequiel Arias, Matan Caspi, Deep Active Sound, Dave Pad, Somersault, Toman, Ben Rau, Dirty Culture…heaps of people!

What’s planned for the remainder of 2020?

First on my list is to walk again, second is to make more music. Gig-wise, who knows?! Of course I’d love to get out and about again, but nothing is certain at the moment, so we’ll wait and see.

Favourite food and place to hangout?

My favourite food is home-made curry. Can’t beat it. Favourite place to hang out is anywhere with the right people, although there is a whisky bar down town called Kadokko. It’s a very small bar, with room for about 8 people, but it has loads of delicious whisky, and it’s cheap, like the budgie! (10 points if you got that movie reference!)

SPOTIFY: https://open.spotify.com/artist/0MEtEw3AmLtNBPzD2MrjZK?si=B90_sRKLQEecweoLpi7BlA

INSTAGRAM: https://www.instagram.com/anthonyhuttley
FACEBOOK: https://www.facebook.com/anthonyhuttley/
TWITTER: https://twitter.com/anthonyhuttley
BANDCAMP: https://anthonyhuttley.bandcamp.com/releases
BEATPORT: http://beatport.com/artist/anthony-huttley/529950
SOUNDCLOUD: https://soundcloud.com/anthonyhuttley
August 5, 2020 0 comments
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Where are you currently based? Melbourne, Australia  What's been happening recently? I have been spending most of my time working tirelessly on developing multiple elements and sounds for my music. Having spent all my time in Isolation lately, it has been a great opportunity to sharpen the knife and polish off tracks. Feeling like I've found a great formula.  Your new single 'Run' is out now, what influenced the sound and songwriting for this track? The idea for the soundscapes and messaging behind the track came shortly after a psychedelic experience that provided me with a refreshed insight and look at how I could approach my music moving forward. A lot of the lyrics were inspired by more personal events that bleed perfectly into the structure of the song.  How did you go about writing Run? After a solid session in the studio, I got the majority of the song down in a few hours. A few weeks following this I premeditated a lot of the other elements like lyrics, structure and messaging. Once I got in the studio I was able to knock out the vocals in 1 take.  Where and when did you record/produce? I produced, wrote and recorded RUN all in the comfort on my own home studio in Melbourne about a month ago.  What programs/instruments did you use? I use Ableton to produce my beats and a lot of the main synth sounds came from Sylenth. Sylenth is my favourite plugin to use and a lot of the OG kuren sounds came from it.   Run is a part of a new EP that will be released later in 2020, what can we expect from this new EP? Yes, I'm so excited to release this collection of tracks. You can definitely expect more of those Kuren sounds, as well as a blend of garage and hip hop elements too. I spent the last 2 years working tirelessly on my songwriting/lyricism. Being able to blend those into my music has been a really fun process. I think I've put together some great songs for this project.  Who are you listening to at the moment? Right this moment, I'm listening to 'move on up by Curtis Mayfield'. but as of recently, I've been sinking my ears into punk rock, artists like blind 182, rage against the machine.  What do you like to do away from music? I like to paint and sketch. its been a good side hobby to break up the music work.  Please tell us about your approach to releasing more music - more often: I personally think more artists should take this approach. Improving your chances of getting heard and getting better come down to one thing: Output. The more music you make the better you get at making it. the more apparent your sound and formula comes. Now, the more music you put out the more you're feeding the beast. Your fans want more, more, more. For example, I released my second album back in May and now I'm about to drop another EP. Most listeners are over the songs within a week unless it's so good that they have it on repeat.  I plan to put out even more music in 2021 because I don't reply on 1 song doing well. I rely on making 4 songs and planet those as seeds to hopefully grow into something more over time.  What's planned for 2020? Other than the current situation of the world not much else is planned in terms of touring/music. For me, it's all about working further on myself and connecting with my fans.  Favourite food and place to hangout? My favourite thing to eat would be a spag bowl. can't go wrong with it. and you can always catch me hanging out in a cafe or something. Love good coffee. https://www.facebook.com/Kurenmusic https://www.instagram.com/kurenmusic/ https://soundcloud.com/kurenmusic https://twitter.com/Kurenmusic
Music InterviewsMusic News

Kuren

by the partae August 3, 2020
written by the partae
Where are you currently based?
Melbourne, Australia
 
What’s been happening recently?
I have been spending most of my time working tirelessly on developing multiple elements and sounds for my music. Having spent all my time in Isolation lately, it has been a great opportunity to sharpen the knife and polish off tracks. Feeling like I’ve found a great formula.
 
Your new single ‘Run’ is out now, what influenced the sound and songwriting for this track?
The idea for the soundscapes and messaging behind the track came shortly after a psychedelic experience that provided me with a refreshed insight and look at how I could approach my music moving forward. A lot of the lyrics were inspired by more personal events that bleed perfectly into the structure of the song.
 
How did you go about writing Run?
After a solid session in the studio, I got the majority of the song down in a few hours. A few weeks following this I premeditated a lot of the other elements like lyrics, structure and messaging. Once I got in the studio I was able to knock out the vocals in 1 take.
Where and when did you record/produce?
I produced, wrote and recorded RUN all in the comfort on my own home studio in Melbourne about a month ago.
 
What programs/instruments did you use?
I use Ableton to produce my beats and a lot of the main synth sounds came from Sylenth. Sylenth is my favourite plugin to use and a lot of the OG kuren sounds came from it.
 
Run is a part of a new EP that will be released later in 2020, what can we expect from this new EP?
Yes, I’m so excited to release this collection of tracks. You can definitely expect more of those Kuren sounds, as well as a blend of garage and hip hop elements too. I spent the last 2 years working tirelessly on my songwriting/lyricism. Being able to blend those into my music has been a really fun process. I think I’ve put together some great songs for this project.
 
Who are you listening to at the moment?
Right this moment, I’m listening to ‘move on up by Curtis Mayfield’. but as of recently, I’ve been sinking my ears into punk rock, artists like blind 182, rage against the machine.
 
What do you like to do away from music?
I like to paint and sketch. its been a good side hobby to break up the music work.
 
Please tell us about your approach to releasing more music – more often:
I personally think more artists should take this approach. Improving your chances of getting heard and getting better come down to one thing: Output. The more music you make the better you get at making it. the more apparent your sound and formula comes. Now, the more music you put out the more you’re feeding the beast. Your fans want more, more, more. For example, I released my second album back in May and now I’m about to drop another EP. Most listeners are over the songs within a week unless it’s so good that they have it on repeat.
I plan to put out even more music in 2021 because I don’t reply on 1 song doing well. I rely on making 4 songs and planet those as seeds to hopefully grow into something more over time.
 
What’s planned for 2020?
Other than the current situation of the world not much else is planned in terms of touring/music. For me, it’s all about working further on myself and connecting with my fans.
 
Favourite food and place to hangout?
My favourite thing to eat would be a spag bowl. can’t go wrong with it. and you can always catch me hanging out in a cafe or something. Love good coffee.

https://www.facebook.com/Kurenmusic
https://www.instagram.com/kurenmusic/
https://soundcloud.com/kurenmusic
https://twitter.com/Kurenmusic
August 3, 2020 0 comments
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THE VIOLET WHISPERS
Music InterviewsMusic News

The Violet Whispers

by the partae July 31, 2020
written by the partae
Where are you currently based?
Newtown, Sydney. The Best Place.

How did you first start playing music?
Well I started as a teenage heavy metal/punk guitarist. Thrash Metal, Nu Metal, Roadrunner, Fat Wreckords/Epitaph Records and not to mention Classic Rock of the 70s. Then I got into electronica/house and my tastes just go majorly diversified from there (Jazz, Soul, Funk, Electronica, Hip Hop, Kraurock, Noise, Drum and Bass etc).

Your new single ‘Roads In Paris is out now, what influenced the sound and songwriting?
I wanted to do something that was layered & rich in its production but also functioned as my version of a fun rock and roll song. Influences would include from the Electronic/Hip Hop camp, Run THe Jewels & Four Tet, the rock & roll vibes are informed by both my love for Primal Scream & Isis (especially the end portion) and the round of the the vocal harmonies which are definitely influenced by Stax, Motown & even The Beach Boys.

Where and when did you record?
This was recorded last year at the The Brain Recording Studios (https://www.instagram.com/thebrainstudios/?hl=en in St Peters in Sydney. Great Studio check them out!

What’s planned for 2020?
Alot actually. In addition to this single. Preparing the release of the next single which will be a change of pace/sound for The Violet Whispers which I find exciting. Me and my engineer friend Angie Watson (https://www.instagram.com/theangineer_/) are finalising demos and rehearsing vocals for two newer songs at The Brain Recording Studios (https://www.instagram.com/thebrainstudios/?hl=en). So definitely no foot on the brake pedal!

How have you been dealing with COVID19?
Luckily I have been busy on the music front. Also was lucky to still be employable which was really lucky considering the layoffs around the country. My friends and I really talked a lot through social media to get us through the insanity of it. But I also caught up on alot of TV Shows that i didn’t have time for before (Bojack Horseman, Fleabag, Killing Eve, Angels in America) and docos. So I did Ok during this period.

Who are you listening to at the moment?
I have been obsessed with the following:
Dj Garth – The Cisco System
Dj Garth – Revolutions in Sound
Yves Tumor – Heaven to a Tortured Mind
Fiona Apple – Fetch The Bolt Cutters
Arca – Kick 1
Fennesz – Venice
Fennesz – Agora
Fennesz – Black Sea

What do you like to do away from music?
I am an enthusiastic Yoga Practitioner, Hikes, Big Cinephile (Foreign, Cult, Comedy, Arthouse, Indie, Documentaries). Checking out Art Galleries, bars and Cafes with  friends. Also quite an enthusiastic podcast/comedy fan (which go hand in hand).

Favourite food and place to hangout?
I really love these places:
Definitely Fried anything (Fried Rice, Fried Chicken (Vegan) Burgers, Waffle Fries etc. All The fun stuff)

Cuckoo Callay (https://www.instagram.com/cuckoocallay/)
The Sweet Chick (https://www.instagram.com/sweetchickau/)
The Lansdowne (https://www.instagram.com/thelansdowne/?hl=en)
Golden Age Cinema (https://www.instagram.com/ourgoldenage/?hl=en)
July 31, 2020 0 comments
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Photo: Renee Oliver/Nae Oliver Creative We caught up with her to find out what's been happening in her world, her new single 'Disaster' and how she's faring in Melbourne's lockdown.. You are from Auckland New Zealand where are you based these days?  I have been based in Melbourne for several years now.   You lived in Asia for 5 years, tell us more about that and how it is influenced you:  Yes, I moved to Bangkok, Thailand when I was 12 years old as my dad was working for the United Nations and I stayed there till I was 17. It had a profound impact on me in more ways than I could ever vocalise. Thailand is a Buddhist country and the teachings have stayed with me and shaped the person I am. It has helped me over the years to stay centred, calm, focused on the present and be my most authentic self, even if I am standing alone (which is hugely helpful in this industry). It is also behind my choice to be a pescatarian and to be kind to all living things. In Buddhism the lotus flower symbolises spiritual awakening, purity of the body, speech and mind, as if floating above the murky waters of material attachment and physical desire, so my high school best friend Fleur and I got matching lotus flower tattoos on our hips when we were 17 and leaving Thailand. We did this so the memories and philosophy would stick with us.    While in Bangkok I attended an international school and was introduced to people of all nationalities, cultures and walks of life and that has continued into adulthood. I like to be around a mix of people, or I get bored. It was a privileged existence, living in a gated community with a live-in maid. Suffice to say reality hit hard (understatement) when I moved back to NZ into a share house and had to clean, cook, and pay my own bills. Bangkok is also where I learnt meditation, kickboxing, Shaolin kung fu and Tai Chi. My dad used to shave his head and disappear off to a temple to live as a Monk now and then. He still meditates morning and night. I do still miss many aspects of Thai life, including the food/tropical fruit and Songkran festival, in which everyone basically goes onto the streets and has a huge water fight, symbolising the washing away of one's sins and bad luck. I was also very naughty and started clubbing as young teenager, but we will leave those stories for another time… ONE NIGHT IN BANGKOK AND THE WORLD’S YOUR OYSTER… need I say more!   How did you first get into music? In primary school I was chosen to be in a special choir of a select few and my grandparents would fly down to Christchurch to watch me, which was special. Mum was always singing and playing guitar round the house too, there was always music playing in the background and at every family gathering all the Aunties would be up dancing to the likes of Abba or UB40, so I’ve always been listening. I was also a choir soloist at the International school, the other soloist is now one of Thailand's biggest pop stars. After school I studied jazz at university, and I have done it on the side ever since. I have lived a transient life in many respects (living in many different places since I was young, going to 6 different schools, 3 tertiary institutions, working many jobs), which has often lead to feelings of loneliness and being misunderstood (that few know and understand me on a deeper level or know my past), but music has been a constant in my life since I was young. No matter where I go it is always there for me. I feel that I have life experience well beyond my years.    Melbourne has pretty much been in lockdown since mid-March, how have you been faring? You know sometimes I’m good at accepting it for what it is and channel my energy into my music and being productive but I have times where I feel trapped and isolated missing my family back in NZ. I typically head back to NZ 4 times a year to see friends, family and be there for milestones, so clearly that has not been the case this year. My siblings are a lot younger than me (my youngest sister is 15 years younger than me and was 2 years old when I moved out of home), so I try to go back regularly so I feel connected to them and know them as people. I have also used this time to declutter and sell things I no longer want or need.It is a bit difficult watching family and friends’ lives returning to normality back in NZ, whilst we are back in lockdown with no no end in sight.    You worked corporate for a number of years, why the move to music?  Music has always been my #1 love, but I got into sales and broking to make a living but always felt I was in the wrong place, that it was no more than a pay cheque. Writing, creating, and releasing music can be a very personal and emotional yet rewarding experience and a great outlet. I believe I have both creative and business sides, which allows me to push forward when things do not go my way and see things from a business perspective not an emotional one. Most of all I love the process and know that this is what I am born to do.   What do you like to do outside of music? I love the beach... it's a Kiwi thing I think. If a week goes by where I have not seen the ocean I do not feel right. I like to go to the gym or do some form of exercise first thing in the morning (after a coffee of course). Exercise helps to put things in perspective and overcome obstacles and just makes me a happier person. I used to be a fitness fanatic, but these days I'm less particular about diet and exercise. Other than that, I like reading (self-help books and biographies) and baking (although only occasionally as I do not trust myself around sweets). Other than that, I like spending time with my cat and partner, going out for a meal or drinks with friends. Oh, and Netflix (limited to an hour each night – haha). My parents have a property on Great Barrier island off the coast of NZ (mum is the island doctor on weekends), which has the most beautiful beaches, so I try and get out there at least once a year. I always come away feeling more in tune with my spirituality and connected to the earth. Putting photographs in albums is also something I enjoy. I have always got a kick out of looking back through albums. Oh, and travelling… when that was a thing!   What are your plans for the remainder of 2020 and future goals? Happiness is always the goal (In saying that heart break is what produces the best songs so there is a silver lining). Career wise I would of course love to win an Aria or a Grammy (go hard or go home). There are tonnes of amazing artists and producers I would love to work with including Joel Little, Skrillex, and Diplo (to name a few). A collab with Gwen Stefani, Rihanna or Charli XCX would be the ultimate for me though I think. This year I am dropping 3 singles and an EP. I had plans to do shows but for obvious reasons that is not happening, but I will be doing some live performances from home.   You have some new music on the way, what can we expect? You can expect some edgy, sultry pop with powerful vocals on a bed of synths. As well as a tongue in cheek dance single thrust in there.   Who are some of your Influences: I love world music, Ragga Music, Ravi Shankar (I love plucking instruments, they always sound ethereal and are used a lot in Thailand), African music (Johnny Clegg), Kate Bush, Billie Holiday, Sarah Vaughan, Dinah Washington, Rihanna, Bjork, Imogen Heap, Flume, Hermitude and Charli XCX.    What are you listening to now? I listen to such a range. A lot of Jazz (often without a vocal haha). I have been loving Charli XCX’s new Iso album ‘How I’m feeling now’ as she combines a lot of interesting sounds, Kita Alexander, Major Lazer, Hermitude and Ava Max. You can check out my ‘JoannaBop’ Spotify Playlist to hear what I am currently listening too…    What did you find most challenging and rewarding throughout the creative process?  I am very much an innate writer so it usually just comes out without too much thought, however I often sing a melody and then come up with words to it or alter the words in order to create a story that makes sense and or give it meaning/depth. The challenge for most creatives is to silence the inner critic and just be present and not pay too much attention to whether or not the song will be successful or not as that kills the creative process and energy flow.  Your new single ‘Disaster’ is available worldwide today, what influenced the song and how did it come about? Disaster started off as a remix of one of my unreleased tracks, but I liked it so much that I gave it a new melody and wrote new lyrics. Disaster is part 1 of a 2-part narrative. This song is very much ‘fifty Shades of Grey’ sonically, however the narrative conveys the range of emotions that are felt when a person decides to end a relationship with their significant other. The loss of connection and loneliness that is felt when you realise you are no longer happy and you want different things to your other half, that there is no way forward. Then feeling responsible for tearing something that meant so much apart. Disaster is an anthem for the most difficult time for couples.   If your house were on fire, what would you grab on the way out: I would grab my cat, photo albums, laptop, and hard drive (because all my music creations are on it). I (like most) enjoy the finer things in life but do not value or get attached to them. These are my only prized possessions.   Favourite food and place to hang out?  My favourite cuisines are definitely Thai …go figure haha (’Blossom Thai’ in South Yarra is the most authentic Thai I’ve found in Melbourne) and Mexican (‘Hecho en Mexico’ in Fitzroy do the best fish tacos, but I do make a mean home-made Guac). On a (rare) sunny Melbourne day you’ll find me walking bayside and popping in to Elwood Bathers for a coffee. Spotify: https://spoti.fi/316tMsz Music channels: https://ffm.to/disasterjoannajones Facebook: https://www.facebook.com/joannajonesmusic Instagram: https://www.instagram.com/joannajonesmusic/
Music InterviewsMusic News

Joanna Jones

by the partae July 31, 2020
written by the partae

Photo: Renee Oliver/Nae Oliver Creative

 

We caught up with her to find out what’s been happening in her world, her new single ‘Disaster’ and how she’s faring in Melbourne’s lockdown..

 

You are from Auckland New Zealand where are you based these days? 

I have been based in Melbourne for several years now.

You lived in Asia for 5 years, tell us more about that and how it is influenced you: 

Yes, I moved to Bangkok, Thailand when I was 12 years old as my dad was working for the United Nations and I stayed there till I was 17. It had a profound impact on me in more ways than I could ever vocalise. Thailand is a Buddhist country and the teachings have stayed with me and shaped the person I am. It has helped me over the years to stay centred, calm, focused on the present and be my most authentic self, even if I am standing alone (which is hugely helpful in this industry). It is also behind my choice to be a pescatarian and to be kind to all living things. In Buddhism the lotus flower symbolises spiritual awakening, purity of the body, speech and mind, as if floating above the murky waters of material attachment and physical desire, so my high school best friend Fleur and I got matching lotus flower tattoos on our hips when we were 17 and leaving Thailand. We did this so the memories and philosophy would stick with us. 

While in Bangkok I attended an international school and was introduced to people of all nationalities, cultures and walks of life and that has continued into adulthood. I like to be around a mix of people, or I get bored. It was a privileged existence, living in a gated community with a live-in maid. Suffice to say reality hit hard (understatement) when I moved back to NZ into a share house and had to clean, cook, and pay my own bills. Bangkok is also where I learnt meditation, kickboxing, Shaolin kung fu and Tai Chi. My dad used to shave his head and disappear off to a temple to live as a Monk now and then. He still meditates morning and night. I do still miss many aspects of Thai life, including the food/tropical fruit and Songkran festival, in which everyone basically goes onto the streets and has a huge water fight, symbolising the washing away of one’s sins and bad luck. I was also very naughty and started clubbing as young teenager, but we will leave those stories for another time… ONE NIGHT IN BANGKOK AND THE WORLD’S YOUR OYSTER… need I say more!

How did you first get into music?

In primary school I was chosen to be in a special choir of a select few and my grandparents would fly down to Christchurch to watch me, which was special. Mum was always singing and playing guitar round the house too, there was always music playing in the background and at every family gathering all the Aunties would be up dancing to the likes of Abba or UB40, so I’ve always been listening. I was also a choir soloist at the International school, the other soloist is now one of Thailand’s biggest pop stars. After school I studied jazz at university, and I have done it on the side ever since. I have lived a transient life in many respects (living in many different places since I was young, going to 6 different schools, 3 tertiary institutions, working many jobs), which has often lead to feelings of loneliness and being misunderstood (that few know and understand me on a deeper level or know my past), but music has been a constant in my life since I was young. No matter where I go it is always there for me. I feel that I have life experience well beyond my years. 

Melbourne has pretty much been in lockdown since mid-March, how have you been faring?

You know sometimes I’m good at accepting it for what it is and channel my energy into my music and being productive but I have times where I feel trapped and isolated missing my family back in NZ. I typically head back to NZ 4 times a year to see friends, family and be there for milestones, so clearly that has not been the case this year. My siblings are a lot younger than me (my youngest sister is 15 years younger than me and was 2 years old when I moved out of home), so I try to go back regularly so I feel connected to them and know them as people. I have also used this time to declutter and sell things I no longer want or need.It is a bit difficult watching family and friends’ lives returning to normality back in NZ, whilst we are back in lockdown with no no end in sight.

You worked corporate for a number of years, why the move to music? 

Music has always been my #1 love, but I got into sales and broking to make a living but always felt I was in the wrong place, that it was no more than a pay cheque. Writing, creating, and releasing music can be a very personal and emotional yet rewarding experience and a great outlet. I believe I have both creative and business sides, which allows me to push forward when things do not go my way and see things from a business perspective not an emotional one. Most of all I love the process and know that this is what I am born to do.

What do you like to do outside of music?

I love the beach… it’s a Kiwi thing I think. If a week goes by where I have not seen the ocean I do not feel right. I like to go to the gym or do some form of exercise first thing in the morning (after a coffee of course). Exercise helps to put things in perspective and overcome obstacles and just makes me a happier person. I used to be a fitness fanatic, but these days I’m less particular about diet and exercise. Other than that, I like reading (self-help books and biographies) and baking (although only occasionally as I do not trust myself around sweets). Other than that, I like spending time with my cat and partner, going out for a meal or drinks with friends. Oh, and Netflix (limited to an hour each night – haha). My parents have a property on Great Barrier island off the coast of NZ (mum is the island doctor on weekends), which has the most beautiful beaches, so I try and get out there at least once a year. I always come away feeling more in tune with my spirituality and connected to the earth. Putting photographs in albums is also something I enjoy. I have always got a kick out of looking back through albums. Oh, and travelling… when that was a thing!

What are your plans for the remainder of 2020 and future goals?

Happiness is always the goal (In saying that heart break is what produces the best songs so there is a silver lining). Career wise I would of course love to win an Aria or a Grammy (go hard or go home). There are tonnes of amazing artists and producers I would love to work with including Joel Little, Skrillex, and Diplo (to name a few). A collab with Gwen Stefani, Rihanna or Charli XCX would be the ultimate for me though I think. This year I am dropping 3 singles and an EP. I had plans to do shows but for obvious reasons that is not happening, but I will be doing some live performances from home.

You have some new music on the way, what can we expect?

You can expect some edgy, sultry pop with powerful vocals on a bed of synths. As well as a tongue in cheek dance single thrust in there.

Who are some of your Influences:

I love world music, Ragga Music, Ravi Shankar (I love plucking instruments, they always sound ethereal and are used a lot in Thailand), African music (Johnny Clegg), Kate Bush, Billie Holiday, Sarah Vaughan, Dinah Washington, Rihanna, Bjork, Imogen Heap, Flume, Hermitude and Charli XCX. 

What are you listening to now?

I listen to such a range. A lot of Jazz (often without a vocal haha). I have been loving Charli XCX’s new Iso album ‘How I’m feeling now’ as she combines a lot of interesting sounds, Kita Alexander, Major Lazer, Hermitude and Ava Max. You can check out my ‘JoannaBop’ Spotify Playlist to hear what I am currently listening too… 

What did you find most challenging and rewarding throughout the creative process? 

I am very much an innate writer so it usually just comes out without too much thought, however I often sing a melody and then come up with words to it or alter the words in order to create a story that makes sense and or give it meaning/depth. The challenge for most creatives is to silence the inner critic and just be present and not pay too much attention to whether or not the song will be successful or not as that kills the creative process and energy flow.

 Your new single ‘Disaster’ is available worldwide today, what influenced the song and how did it come about?

Disaster started off as a remix of one of my unreleased tracks, but I liked it so much that I gave it a new melody and wrote new lyrics. Disaster is part 1 of a 2-part narrative. This song is very much ‘fifty Shades of Grey’ sonically, however the narrative conveys the range of emotions that are felt when a person decides to end a relationship with their significant other. The loss of connection and loneliness that is felt when you realise you are no longer happy and you want different things to your other half, that there is no way forward. Then feeling responsible for tearing something that meant so much apart. Disaster is an anthem for the most difficult time for couples.

If your house were on fire, what would you grab on the way out:

I would grab my cat, photo albums, laptop, and hard drive (because all my music creations are on it). I (like most) enjoy the finer things in life but do not value or get attached to them. These are my only prized possessions.

Favourite food and place to hang out? 

My favourite cuisines are definitely Thai …go figure haha (’Blossom Thai’ in South Yarra is the most authentic Thai I’ve found in Melbourne) and Mexican (‘Hecho en Mexico’ in Fitzroy do the best fish tacos, but I do make a mean home-made Guac). On a (rare) sunny Melbourne day you’ll find me walking bayside and popping in to Elwood Bathers for a coffee.

 

Spotify: https://spoti.fi/316tMsz
Music channels: https://ffm.to/disasterjoannajones
Facebook: https://www.facebook.com/joannajonesmusic
Instagram: https://www.instagram.com/joannajonesmusic/
July 31, 2020 0 comments
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Where are you currently based and what is the music scene like there?   I was born and raised in Peterborough, Ontario but I’m currently based in the Toronto area. There's a wide range of music that comes through this area. It's not necessarily the hub for country music but country is definitely building a name in the Toronto music scene. Being surrounded by so many genres of music has definitely influenced my current sound!     How did you first start playing music?   I've been singing and writing songs since I was very young and I always knew I wanted to be a performing artist. The way I started on the stage was through singing contests and open mics. I didn't have access to singing on stage in any other way, so this became a good way for me to learn and develop. From that, it turned into showcases and then bookings. My stage experience has come a long way – there's nothing else like it! I love being an entertainer!     What's been happening recently?   Well, I released my new summer song "Free" and it's been getting an amazing response so far! Apple Music has really gotten behind it and it's been so cool to see how much people are really into it. I wanted this song to be something that would pump people up and remind them of those moments when they've felt most free.   Also, I haven't released a song to Canadian radio in a while and I'm proud to say that this song has gone to radio... so that's really exciting for me! I also just finished in the studio to record more songs and will have an official music video for "Free" later this month. Oh, and did I mention that I have a Youtube video series? It's been an interesting experience so far. I've been filming and editing like crazy but I love being able to stay connected with my fans in a more personal way.    Your new single 'Free' is out now, what influenced the sound and songwriting?   I wanted to create a summer anthem and knew that the tempo and energy would be really important to capture that. I love that country music is all about telling the story and giving the listener a real experience through song. Country has definitely influenced my way of storytelling and how I emote it through my voice. As I've grown in this industry and grown in my experiences, I also really like bringing in other inspirations like catchy pop melodies and structures to bring a unique sound to my songwriting. This song was inspired by some of the electronic pop styles of music happening right now and I thought it would be fun to experiment and bring it into my brand of country music.    How did you go about writing Free?   It started with a title and the hook. I knew that I wanted to write an upbeat, feel good song and started playing around with melody and hook ideas. The words "We were young and wild and free" was definitely the first inspiration that started the direction of the song. I recorded a voice note in my phone with me tapping my leg for a feel of the tempo and then sent it to my co-writer Shawn Moore. We got together to work on this idea and it came pretty easily for us. I wanted to share some of my own personal memories growing up in my hometown and give the listener some painted pictures through the lyrics. I love that it captures a fun summertime feel, while being nostalgic.    Where and when did you record and who with?   This was recorded in Vancouver, BC with Dan Swinimer from Manicdown Productions. Dan had been prepping this song a couple of months before we got together in his studio to record my vocals in January. He's a great person and a tremendous talent. He really drove the production home!   You're working with multiple producers at the moment (Dan Swinimer, Paul Shatto & David Wills) how did this come about and how are you keeping the production cohesive whilst working with 3 different producers?   I had the fortune of being introduced to Paul Shatto & David Wills through my publicist Jasper Anson. I met them for the first time during a tour when I was performing at Sunfest on Vancouver Island. Paul & David are a great duo that I connected with right away and knew we'd work well together. We're like-minded people and I really like how invested they are in getting to know the unique attributes of an artist. They're able to take that information and personify the productions in a very honest way.   I met Dan Swinimer on the same trip to BC after a last minute opportunity to write together. I've obviously heard Dan's work before and was super impressed by his talent. I really enjoyed getting to write with him as well! Dan comes from the background of being on stage in a band as well as developing artists, and I knew that he'd be able to bring all of those years of experience to my music. Not only that but It makes a big difference for me when I get to know someone through songwriting, so that I can see if we have the right creative chemistry and if the vision is there to make a song the best it can be. It's been an honor and a lot of fun to work with Dan so far... I mean, listen to my song "Free" - he blew that one out of the water!   Both production teams are slightly different in their approaches, but very much the same in that they want the best for the artist. I love that! I've never had multi-producers on a project before, but I really like the freedom of being able to show slightly different sides to me. These producers are going to do that in an amazing way and because I'm at the center of it all – my songs, my vision and my style are what's going to make it all connect.    Please tell us about the challenges that you've come across whilst recording virtually:   Fortunately I haven't had to do too much of that. I've been listening to the tracks in my headphones and recording vocals in my voice notes. Surprisingly, that's worked well enough for everyone to start building worktapes and get the song directions figured out.   Other than that, the difficulty has come from not being able to connect in person. In person is always better for creating. You vibe off of each other's thoughts and energy! The good thing is that I had my song "Free" ready for release a few months early, so it's given enough time for everything to open back up, so that we can finish our project together.   Please tell us about your experience with releasing music during this unique COVID19 period:   It's been a lot different than what I've been used to and forced me to change my mould of how I do things. My team and I had to put our heads together to come up with ways that we could make this happen in a changing world. It happened in the middle of my own momentum and once that happened, I had no idea what to do next and how to make it happen. By working on these new ways of doing things it's definitely shined a light on new ways I can connect even more with my fans. It's been amazing to see how connected I've become with them and how excited they are about my musical journey.    You have a YouTube vlog series, how did this come about and what is the vlog about?   It happened through these discussions about releasing music during covid-19. Since I couldn't be out on the road connecting with fans and the industry, we thought what better way to do that than create a video series? I've never done something like this before so each week is a new experience. My song "Free" is the centerpiece to the series, with all of the topics being related to the themes of the song, either through self-help inspired videos or behind the scenes vlogs. The behind the scenes look at my life is as an artist and the different developments of “Free” during my life right now.    Who are you listening to at the moment?   That definitely changes week to week, but I've been really into Danielle Bradberry's music. I'm a big fan of a growing artist named Kelleigh Bannen, I also love Tenille Townes’ stuff and been listening lost to Morgan Wallen, Travis Denning, and Thomas Rhett, too.    What do you like to do away from music?   I love the outdoors. Any of my free time is usually spent doing something outdoors. I love being by the lake, by a bonfire. I've been trying to soak in those moments when I can. I also love family time. My family means so much to me. So nothing too exciting – haha - family time and outdoors time. And since this Covid-19 thing, I've been getting into cooking too!   What's planned for the remainder of 2020?   Depending on what life is like for the remainder of this year, I hope to be out performing again, for sure. But either way, I'll be recording the rest of my project, putting out full-on music videos, creating more YouTube episodes, releasing more music and writing more music! Music is my life.    Favourite food and place to hangout?   Favourite food.. can I saw two? A great pizza or pasta. I love my carbs haha. Favourite place to hang out... anywhere outdoors with some sunshine and good company!
Music InterviewsMusic News

Elyse Saunders

by the partae July 29, 2020
written by the partae

Where are you currently based and what is the music scene like there?

 

I was born and raised in Peterborough, Ontario but I’m currently based in the Toronto area. There’s a wide range of music that comes through this area. It’s not necessarily the hub for country music but country is definitely building a name in the Toronto music scene. Being surrounded by so many genres of music has definitely influenced my current sound!

 

 How did you first start playing music?

 

I’ve been singing and writing songs since I was very young and I always knew I wanted to be a performing artist. The way I started on the stage was through singing contests and open mics. I didn’t have access to singing on stage in any other way, so this became a good way for me to learn and develop. From that, it turned into showcases and then bookings. My stage experience has come a long way – there’s nothing else like it! I love being an entertainer!

 

 What’s been happening recently?

 

Well, I released my new summer song “Free” and it’s been getting an amazing response so far! Apple Music has really gotten behind it and it’s been so cool to see how much people are really into it. I wanted this song to be something that would pump people up and remind them of those moments when they’ve felt most free.

 

Also, I haven’t released a song to Canadian radio in a while and I’m proud to say that this song has gone to radio… so that’s really exciting for me! I also just finished in the studio to record more songs and will have an official music video for “Free” later this month. Oh, and did I mention that I have a Youtube video series? It’s been an interesting experience so far. I’ve been filming and editing like crazy but I love being able to stay connected with my fans in a more personal way. 

 

Your new single ‘Free’ is out now, what influenced the sound and songwriting?

 

I wanted to create a summer anthem and knew that the tempo and energy would be really important to capture that. I love that country music is all about telling the story and giving the listener a real experience through song. Country has definitely influenced my way of storytelling and how I emote it through my voice. As I’ve grown in this industry and grown in my experiences, I also really like bringing in other inspirations like catchy pop melodies and structures to bring a unique sound to my songwriting. This song was inspired by some of the electronic pop styles of music happening right now and I thought it would be fun to experiment and bring it into my brand of country music. 

 

How did you go about writing Free?

 

It started with a title and the hook. I knew that I wanted to write an upbeat, feel good song and started playing around with melody and hook ideas. The words “We were young and wild and free” was definitely the first inspiration that started the direction of the song. I recorded a voice note in my phone with me tapping my leg for a feel of the tempo and then sent it to my co-writer Shawn Moore. We got together to work on this idea and it came pretty easily for us. I wanted to share some of my own personal memories growing up in my hometown and give the listener some painted pictures through the lyrics. I love that it captures a fun summertime feel, while being nostalgic. 

 

Where and when did you record and who with?

 

This was recorded in Vancouver, BC with Dan Swinimer from Manicdown Productions. Dan had been prepping this song a couple of months before we got together in his studio to record my vocals in January. He’s a great person and a tremendous talent. He really drove the production home!

 

You’re working with multiple producers at the moment (Dan Swinimer, Paul Shatto & David Wills) how did this come about and how are you keeping the production cohesive whilst working with 3 different producers?

 

I had the fortune of being introduced to Paul Shatto & David Wills through my publicist Jasper Anson. I met them for the first time during a tour when I was performing at Sunfest on Vancouver Island. Paul & David are a great duo that I connected with right away and knew we’d work well together. We’re like-minded people and I really like how invested they are in getting to know the unique attributes of an artist. They’re able to take that information and personify the productions in a very honest way.

 

I met Dan Swinimer on the same trip to BC after a last minute opportunity to write together. I’ve obviously heard Dan’s work before and was super impressed by his talent. I really enjoyed getting to write with him as well! Dan comes from the background of being on stage in a band as well as developing artists, and I knew that he’d be able to bring all of those years of experience to my music. Not only that but It makes a big difference for me when I get to know someone through songwriting, so that I can see if we have the right creative chemistry and if the vision is there to make a song the best it can be. It’s been an honor and a lot of fun to work with Dan so far… I mean, listen to my song “Free” – he blew that one out of the water!

 

Both production teams are slightly different in their approaches, but very much the same in that they want the best for the artist. I love that! I’ve never had multi-producers on a project before, but I really like the freedom of being able to show slightly different sides to me. These producers are going to do that in an amazing way and because I’m at the center of it all – my songs, my vision and my style are what’s going to make it all connect. 

 

Please tell us about the challenges that you’ve come across whilst recording virtually:

 

Fortunately I haven’t had to do too much of that. I’ve been listening to the tracks in my headphones and recording vocals in my voice notes. Surprisingly, that’s worked well enough for everyone to start building worktapes and get the song directions figured out.

 

Other than that, the difficulty has come from not being able to connect in person. In person is always better for creating. You vibe off of each other’s thoughts and energy! The good thing is that I had my song “Free” ready for release a few months early, so it’s given enough time for everything to open back up, so that we can finish our project together.

 

Please tell us about your experience with releasing music during this unique COVID19 period:

 

It’s been a lot different than what I’ve been used to and forced me to change my mould of how I do things. My team and I had to put our heads together to come up with ways that we could make this happen in a changing world. It happened in the middle of my own momentum and once that happened, I had no idea what to do next and how to make it happen. By working on these new ways of doing things it’s definitely shined a light on new ways I can connect even more with my fans. It’s been amazing to see how connected I’ve become with them and how excited they are about my musical journey. 

 

You have a YouTube vlog series, how did this come about and what is the vlog about?

 

It happened through these discussions about releasing music during covid-19. Since I couldn’t be out on the road connecting with fans and the industry, we thought what better way to do that than create a video series? I’ve never done something like this before so each week is a new experience. My song “Free” is the centerpiece to the series, with all of the topics being related to the themes of the song, either through self-help inspired videos or behind the scenes vlogs. The behind the scenes look at my life is as an artist and the different developments of “Free” during my life right now. 

 

Who are you listening to at the moment?

 

That definitely changes week to week, but I’ve been really into Danielle Bradberry’s music. I’m a big fan of a growing artist named Kelleigh Bannen, I also love Tenille Townes’ stuff and been listening lost to Morgan Wallen, Travis Denning, and Thomas Rhett, too. 

 

What do you like to do away from music?

 

I love the outdoors. Any of my free time is usually spent doing something outdoors. I love being by the lake, by a bonfire. I’ve been trying to soak in those moments when I can. I also love family time. My family means so much to me. So nothing too exciting – haha – family time and outdoors time. And since this Covid-19 thing, I’ve been getting into cooking too!

 

What’s planned for the remainder of 2020?

 

Depending on what life is like for the remainder of this year, I hope to be out performing again, for sure. But either way, I’ll be recording the rest of my project, putting out full-on music videos, creating more YouTube episodes, releasing more music and writing more music! Music is my life. 

 

Favourite food and place to hangout?

 

Favourite food.. can I saw two? A great pizza or pasta. I love my carbs haha. Favourite place to hang out… anywhere outdoors with some sunshine and good company!

Facebook: @ElyseSaundersOnline  |  Twitter: @Elyse_Saunders  | Instagram: @Elyse_Saunders_Music |  YouTube: @ElyseSaunders  | Spotify: smarturl.it/ElyseSaundersSpotify

July 29, 2020 0 comments
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Where are you currently based and what is the music scene like there? I currently live in Saskatoon, Canada where I’ve been for about 4 years now. I am still getting to know the music scene in this city. So far, it has been welcoming and I have met some amazing musicians. I spent about 13 years in Regina and really loved the music scene and my music family out there. How did you first start playing music? I always dreamed of performing on a big stage and used to sing in my basement and pretend it was to a big crowd. I don’t know why I did it, I just did. I would also make up songs on my walks to school, which I think is kind of a unique thing to do. Through high school, I was in a pop-rock band called N.O.B. (Name of Band) – haha – and I learned to play guitar through those years and started writing music with that band. I was kicked out because my voice wasn’t “rock” enough and the band found a replacement. Back in those days, that sure hurt my feelings, but it was the right move for them and for me. I took some time off from music and then decided to go at it alone and back to my country roots. I started writing, making connections, and surrounding myself with the best in the industry and never looked back. What's been happening recently? Musically, the focus has been on my new single, “Take It Out On Me”, and getting it out to the public. I’ve also been focusing on writing for my next single. I’ve been writing with other artists as well and have 3 cuts for singles that have been released. This track was written by three top Nashville writers being -  John Ozier (Lee Brice), John King (Randy Houser), and Brad Tursi (Old Dominion), you worked with Bart Mckay who is very highly regarded in Canada, how was this experience and how did you come to be chose to record 'Take It Out On Me'? With regard to the song choice; my manager, Leslie Mitchell (Nashville, TN) sent a call out to her contacts looking for outside songs for me to record, which was a new experience for me since I had written all of my own singles prior to this. After about 4 years of back and forth with the publishing companies, they finally signed off on it. John Ozier and I have known one another for a few years and I was thankful he sent the song our way. I immediately fell in love with the lyric and melody. To me, it fit with all of the other songs I wrote in the past. I connected with this song right away. How and where did you go about recording 'Take It Out On Me'? I recorded my first 3-song EP with Bart McKay, back in 2005 and then a full-length album with him in 2009. He is a great guy, producer and friend. I love going to his studio and spending time bringing the songs to life. It’s one of my absolute favourite things to do. Bart is great at getting a performance from an artist, guiding them through a song and coming up with ideas. What did you find most challenging and rewarding throughout the process? I’d actually given up on ever recording “Take It Out On Me”. One of the publishing companies did not sign off on me recording it, initially. That was heartbreaking. When I decided I wanted to release a new single, I got Leslie to check on it again and sure enough, they said yes! That was the most challenging part about it. The reward comes from being able to finally record this song after chasing it for 4 years, and seeing the positive response to it so far. You've had recent nominations for Male Vocalist of the year and Fans' Choice Entertainer of the Year at the Saskatchewan Country Music Association Awards, what does this mean to you? It always is nice to be recognized by your peers at the awards. I feel grateful and humbled to even be nominated at all. What do you like to do away from music? I spend a lot of time with my fiancée, Erin and our two dogs (and the cat when he feels like it). We spend a lot of time in our backyard, working on the garden. We take our dogs out as much as we can and go for hikes with them. We also spend a lot of time trying new recipes. It’s pretty simple everyday stuff but I love it. Who are you listening to at the moment? Currently, in this moment, Tenille Townes’ “Come as You Are”. What's planned for the remainder of 2020? This year’s focus has shifted from performing shows and doing a radio tour to performing online shows and planning for a tour in 2021. Favourite food and place to hangout? I am a big homebody and I love Erin’s cooking, especially this chicken and rice dish she makes, so truthfully, home and that dish are my favourites. If I had to pick a place in town, I would say Bon Tempes in Saskatoon makes some dang good spicy Cajun dishes that I love. Chicken and biscuits is my favourite on the menu there. Great atmosphere! Facebook: @AlexRunionsMusic   |   Twitter: @AlexRunions   |   Instagram: @AlexRunions   |   YouTube: @AlexRunions   |   Spotify: smarturl.it/AlexRunionsSpotify
Music InterviewsMusic News

Alex Runions

by the partae July 29, 2020
written by the partae

Where are you currently based and what is the music scene like there?

I currently live in Saskatoon, Canada where I’ve been for about 4 years now. I am still getting to know the music scene in this city. So far, it has been welcoming and I have met some amazing musicians. I spent about 13 years in Regina and really loved the music scene and my music family out there.

How did you first start playing music?

I always dreamed of performing on a big stage and used to sing in my basement and pretend it was to a big crowd. I don’t know why I did it, I just did. I would also make up songs on my walks to school, which I think is kind of a unique thing to do.

Through high school, I was in a pop-rock band called N.O.B. (Name of Band) – haha – and I learned to play guitar through those years and started writing music with that band. I was kicked out because my voice wasn’t “rock” enough and the band found a replacement. Back in those days, that sure hurt my feelings, but it was the right move for them and for me. I took some time off from music and then decided to go at it alone and back to my country roots. I started writing, making connections, and surrounding myself with the best in the industry and never looked back.

What’s been happening recently?

Musically, the focus has been on my new single, “Take It Out On Me”, and getting it out to the public. I’ve also been focusing on writing for my next single. I’ve been writing with other artists as well and have 3 cuts for singles that have been released.

This track was written by three top Nashville writers being –  John Ozier (Lee Brice), John King (Randy Houser), and Brad Tursi (Old Dominion), you worked with Bart Mckay who is very highly regarded in Canada, how was this experience and how did you come to be chose to record ‘Take It Out On Me’?

With regard to the song choice; my manager, Leslie Mitchell (Nashville, TN) sent a call out to her contacts looking for outside songs for me to record, which was a new experience for me since I had written all of my own singles prior to this.

After about 4 years of back and forth with the publishing companies, they finally signed off on it. John Ozier and I have known one another for a few years and I was thankful he sent the song our way. I immediately fell in love with the lyric and melody. To me, it fit with all of the other songs I wrote in the past. I connected with this song right away.

How and where did you go about recording ‘Take It Out On Me’?

I recorded my first 3-song EP with Bart McKay, back in 2005 and then a full-length album with him in 2009. He is a great guy, producer and friend. I love going to his studio and spending time bringing the songs to life. It’s one of my absolute favourite things to do. Bart is great at getting a performance from an artist, guiding them through a song and coming up with ideas.

What did you find most challenging and rewarding throughout the process?

I’d actually given up on ever recording “Take It Out On Me”. One of the publishing companies did not sign off on me recording it, initially. That was heartbreaking. When I decided I wanted to release a new single, I got Leslie to check on it again and sure enough, they said yes! That was the most challenging part about it.

The reward comes from being able to finally record this song after chasing it for 4 years, and seeing the positive response to it so far.

You’ve had recent nominations for Male Vocalist of the year and Fans’ Choice Entertainer of the Year at the Saskatchewan Country Music Association Awards, what does this mean to you?

It always is nice to be recognized by your peers at the awards. I feel grateful and humbled to even be nominated at all.

What do you like to do away from music?

I spend a lot of time with my fiancée, Erin and our two dogs (and the cat when he feels like it). We spend a lot of time in our backyard, working on the garden. We take our dogs out as much as we can and go for hikes with them. We also spend a lot of time trying new recipes. It’s pretty simple everyday stuff but I love it.

Who are you listening to at the moment?

Currently, in this moment, Tenille Townes’ “Come as You Are”.

What’s planned for the remainder of 2020?

This year’s focus has shifted from performing shows and doing a radio tour to performing online shows and planning for a tour in 2021.

Favourite food and place to hangout?

I am a big homebody and I love Erin’s cooking, especially this chicken and rice dish she makes, so truthfully, home and that dish are my favourites. If I had to pick a place in town, I would say Bon Tempes in Saskatoon makes some dang good spicy Cajun dishes that I love. Chicken and biscuits is my favourite on the menu there. Great atmosphere!

Facebook: @AlexRunionsMusic   |   Twitter: @AlexRunions   |   Instagram: @AlexRunions   |   YouTube: @AlexRunions   |   Spotify: smarturl.it/AlexRunionsSpotify

July 29, 2020 0 comments
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Music InterviewsMusic News

Nuno

by the partae July 28, 2020
written by the partae

Where are you currently based?

I’m living in my hometown, Loures, right next to Lisbon. For now, I feel this is the best place for me to be at, I’ve lived in London some time ago, let’s see what the future holds.

How did you first start playing music?

Fortunately, my school provided us music lessons since we were 3 years old. It wasn’t much, but it was enough for me to have the curiosity to learn more. So, when I was 8 years old, I joined a local music school to learn how to play the drums. That place was amazing, I’ve learned a lot. The teachers formed bands made up of students learning different instruments, and we played covers together. We were all kids, playing mostly rock covers, and we even played concerts. Amazing, we were quite good to be honest. After some years there, I began to learn how to play bass guitar as well.

Then, when I was 11, I joined a Symphonic Band, which gave me many opportunities to learn. I began as trumpet player, but soon became a percussionist. Learned percussion in a conservatory, played a lot of concerts, was part of some Orchestras, and so on. I’ve even been able to play with one of the best Orchestras in Portugal, as an intern. My favorite instrument is the timpani, as a percussionist you need to play every instrument, but most of the time I was playing the timpani, a beautiful instrument. To share a stage with more than 20 people, all contributing to the same purpose, is an amazing experience, it gave my ears a taste that I’m most thankful for.

What’s been happening recently?

Recent times haven’t been easy for anyone. I’ve been promoting Drowning the best I can, reading a lot, and laying the ground for upcoming songs.

How did you come to start producing and creating music?

Since a kid that I dreamed about having my own songs, but I never really knew how to make them, neither felt the need to. When I was 21, I’d grown up in a way that I felt I had to share my story with others, at least I had to put it out. As a musician, I felt that there was no better way to express my feelings and thoughts than music. I’m a very sensitive person, attaching meanings to almost everything, so I had some harsh experiences through the years. My purpose was to share those experiences with others going through the same.

As a result, I started learning music production in London, an introductory course that took only 3 months. During those times I explored a lot, watched documentaries, and searched the internet for every bit of information I could find. I studied the production behind every song I listened to, all the effects and techniques. After that, I began producing my songs.

Please tell us about the third track on the EP ‘Drowning’ what influenced the sound and songwriting for this track?

Every song tells a specific part of the story I’m trying to tell. “Drowning” is the moment after I realized I was not being myself. I’d been too many years pretending to be someone I was not, which led me to a state of disbelief and numbness. I had no idea who I was, what I was doing with my life, who I was close to, what was my purpose. Drowning tells the story of facing those challenges and moving forward.

How did you go about writing Drowning

For me, lyrics play an essential role in passing a message on a song. I wrote lyrics for every song of the album after the production was completed. Then, when I contacted Verbz to collaborate on “Drowning”, we agreed that he would write his lyrics, including parts from the ones I wrote, in order to express a shared outlook on the topic.

 Where and when did you record/produce?

“Drowning” was entirely produced on my computer, in July 2019. Nowadays you have access to everything you need to produce your songs without a professional studio (although I wish I had access to one, the feeling is different). Then, in December, because I was in Lisbon at the time, Verbz recorded his vocals in London, in a place of his choice, and sent them to me. As you might have guessed already, me and Verbz have never met each other personally, we always find that a bit odd given the fact that “Drowning” worked so well.

What programs/instruments did you use?

I only use Logic Pro X. My songs are combinations of instruments from Logic’s library, samples I get online, and, sometimes, I record some basslines and guitars with a small interface I have at home.

Please tell us about the concept behind your upcoming album ‘The First Chapter’:

“The First Chapter” tells my life’s story until this moment. It was produced as a soundtrack to my life. Whenever I think of a song, images come to my head, almost like a movie. For me, when you combine both things, you get the perfect mix to express something.

The album tells the story from the moment I realized I was not being myself, to the point I began to accept me as I am, with all the consequent ups and downs. I tried to create 1 big track, that has 14 parts, or 1 play that has 14 acts, so all the songs are connected between them.

What is it about Hip-Hop that you relate to most?

When I was growing up, I didn’t listen to hip hop that much. I knew Dr. Dre and Eminem, but that was it. Then, one day a friend of mine told me that I had to listen to a song called “King Kunta”, by Kendrick Lamar. This was 2015, I fell in love with Kendrick’s instrumentals at first, then paid attention to the lyrics and I was blown away. Kendrick made me realize that it is possible to put out deep messages through music, with a vibe that is unique to hip hop.

I see hip hop as a reporter of what’s going on in the world. It has a powerful voice to tell a meaningful story and to get attention to some important matters that none of the other music genres talks about. I love the freedom that hip hop provides to create, to put out deep messages, plus, as a drummer and bass player, I got to love the instrumentals.

How has classical music influenced your sound?

Classical music enabled me to listen to a lot of new sounds. I was only familiar with drums, guitars, and bass guitars. So, to play with a lot of different instruments, in a lot of different circumstances, provided me with opportunities that I could never imagine. It opened another door for me, a huge one.

There is no feeling like playing live with an orchestra. As a percussionist, I was behind everyone on stage, so I could see every instrument at all times. I loved to see the trombones and the trumpets right in front of me, playing their parts. I loved to see the conductor moving his arms while looking at me when my part was coming, then “hit” the timpani’s skin in harmony with everyone.

It gave me more tools to work with.

What does music mean to you?

Music is the best way for me to express myself. I’m a very quiet guy, an introspective. However, although I don’t say much, I think and feel a lot. I’m the kind of person that pays attention to everything that is happening around me. I have this kind of unquenchable thirst that makes me think about everything, to find every meaning beyond what the eyes can reach. In one word, I’m hypersensitive. I’m not saying I cry if you scratch my arm, it’s not like that. It’s more like I am a sponge absorbing all the things that are happening.

As a hypersensitive, I tend to see and to feel things way beyond what others do. When I was younger, it was a bit of a curse, but now, I feel like it is a blessing. Music enables me to put my head in order, because while I’m creating songs, I’m giving those experiences a final meaning, arranging my past and making space for the present.

Who or what influences your music?

I listen to a bit of everything. If you went digging my phone right now you would see Fado, Classical, Opera, Hip-Hop, Rock, and so on. I enjoy music, so if I feel there is something to pay attention to or to dance to (I love Kaytranada as well), I will listen to it, and I’ve always been like that, so I’m a bit of a blend.

What do you like to do away from music?

I’m taking an MsC in Business Management, it is another part of me that I am gradually learning to combine with music. I like the perspective Business Management gives me, besides the classic Wolf of Wall Street, the idea that a suit makes your opinions worthier, or pimps trying to sell the next golden eggs’ chicken, Management is all about people and strategy, I like that.

I love to hang with my friends at home and to be with my family. Besides that, I’m very connected to nature. Absolutely love trail running in the middle of nowhere, it is like meditation. That and keeping fruit trees.

What’s planned for 2020?

2020 will hopefully be the year when “The First Chapter” comes out. As a producer, it is hard to get rappers and singers to collaborate, especially at the position I am at. I’m hoping that “Drowning” opens some doors which enable me to finish the album.

Favorite food and place to hangout?

I love to be at home, so if you give me a backyard, friends, speakers, hamburgers and some drinks, I’m a happy guy.

 

https://www.instagram.com/nunomlsimoes/

July 28, 2020 0 comments
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Where are you currently based? I am currently based in the South East Suburbs of Melbourne, so unfortunately that means I am in lockdown at the moment haha How did you first start playing music? I started playing guitar when I was about 8 years old, I hated it at first, was kind of a chore for me, but when I started listening to artists like Jimi Hendrix and John Frusciante and how they played the guitar, I kind of just wanted to be like them and found a love for it. I’ve worked really hard on being able to play all the instruments I play to a good standard , but I think Songwriting, Structure and Melody are the components I probably work on the most when it comes to music. I find them to be the most important, and a lot of that learning comes from just listening to as many different styles of music as possible. What's been happening recently? I am in the process of finishing off my debut EP. The Songs have been done for a while but I just have to finish off some recording. Melbourne has just gone back to Stage 3 Lockdown which has delayed the last couple of sessions, but would much rather everyone be safe than sick. Gives me some extra time to make sure things are perfect. Your new single 'Feels' will be out August 14, what influenced the sound and songwriting? I was listening to a D’Angelo record when I wrote the opening riff, so I often think that inspired the sound of the intro section, however when I hear the song, I hear a lot of Jamiroquai and some of my more funk/soul influences coming through. Lyrically I was inspired by the situation I was in at the time where I was scared to be vulnerable with someone and fall in love. I think it’s something a lot of people can relate to. There is a lot of inner turmoil that goes on with those feelings and I tried to convey that while also touching on the beauty that also comes with love. How did you go about writing Feels? Like a lot of the songs I write, I often take bits and pieces from other songs I have written and trial them with new ideas. For example, ‘Feels’ started off as an intro riff and a Chorus idea and nothing much else. So I grabbed the verse of a song I’d be working on that wasn’t really going anywhere and made it fit to the overall vibe of ‘Feels’, it ended up working super well so I left it. The only other thing I added was the Pre-Chorus, which had been a stand-alone melodic idea sitting in my phone voice memos for months. From here I just had to work on the structure and production, which flowed really well once I had all the sections written. Where and when did you record/produce and who with? I recorded all the songs for the upcoming EP including ‘Feels’ at Debasement Studios in Ferntree Gully. One of my Uni Teachers owns it so I just book it out for the day and get everything done. It’s a really sweet set up and just a great place to record! I do all the recording and production by myself, which sounds super stressful, but really I prefer it that way. I have worked with recording engineers in the past and learnt a lot of great things, but eventually I felt in order to get the sound I wanted, I had to do it myself. It does often mean very lonely days in the studio starting at 8am and leaving at like 11pm at night, but once it all works out, and thankfully it always does, it’s so worth it. You also have an EP titled 'Feels' coming out in November 2020, what can we expect? ‘Feels’ the EP is something I am really excited to share with the world. It is a collection of stories of my experiences with love, attraction, sexuality and the inner conflicts that come with feelings of that nature. There’s a bit of a pink Floyd thing going on in that it plays as a whole piece of art, rather than a collection of songs that don’t really relate to each other. There is a good mixture of Funk, Rock and Soul in their too, depending on what the song is trying to convey. Overall I am really proud of how it sounds and just can’t wait for people to hear it. What did you find most challenging and rewarding during the creation of the EP? I think there are always challenges when you are creating something for release. There is a lot of pressure you tend to put on yourself, trying to make things perfect. Engineering the whole thing by myself definitely took it’s toll a few times, especially when I was by myself in the studio after days in a row tracking. But at the end of the day I think once it’s out there, that’s reward in itself. I know I’m proud of it and that is enough for me. What do you like to do away from music? I am big into my sport and fitness, so I usually try and fit a run or a gym session into my daily routine as it allows me to remove myself from music for a while. I’m also a big Richmond supporter so I love kicking the footy or watching it at home. Besides that I spend a lot of time watching films or writing poetry. Movies give me a lot of musical inspo, not even from the scores themselves, but general imagery in a scene can spark some really cool ideas for me. Who are you listening to at the moment? I’ve been listening to a lot of stuff from the 70s lately, mainly The Isley Brothers and Prince’s first few albums. But I have also been digging The Goods new abums ‘II’ which is sick! I usually listen to a bit of everything though. What's planned for the remainder of 2020? 2020 has been a very unpredictable year! The EP and it’s release is my main focus at the moment, and I’m trying not to write any new material until it’s all been recorded. But I think once the EP is out I want to get back into the studio as I have a few plans for next year that I want to get underway. I am also hoping we can get back to playing gigs soon as well because I am really missing being on stage. Favourite food and place to hangout? Favourite food – Chicken Parma, nothing compares!! Favourite Place to Hangout – I love going to live music and Melbourne has so many amazing live music venues. So really any chance I get to go to a gig with friends and listen to music, that’s my favourite place to be.
Music InterviewsMusic News

Zachary Leo

by the partae July 27, 2020
written by the partae

Where are you currently based?

I am currently based in the South East Suburbs of Melbourne, so unfortunately that means I am in lockdown at the moment haha

How did you first start playing music?

I started playing guitar when I was about 8 years old, I hated it at first, was kind of a chore for me, but when I started listening to artists like Jimi Hendrix and John Frusciante and how they played the guitar, I kind of just wanted to be like them and found a love for it. I’ve worked really hard on being able to play all the instruments I play to a good standard , but I think Songwriting, Structure and Melody are the components I probably work on the most when it comes to music. I find them to be the most important, and a lot of that learning comes from just listening to as many different styles of music as possible.

What’s been happening recently?

I am in the process of finishing off my debut EP. The Songs have been done for a while but I just have to finish off some recording. Melbourne has just gone back to Stage 3 Lockdown which has delayed the last couple of sessions, but would much rather everyone be safe than sick. Gives me some extra time to make sure things are perfect.

Your new single ‘Feels’ will be out August 14, what influenced the sound and songwriting?

I was listening to a D’Angelo record when I wrote the opening riff, so I often think that inspired the sound of the intro section, however when I hear the song, I hear a lot of Jamiroquai and some of my more funk/soul influences coming through. Lyrically I was inspired by the situation I was in at the time where I was scared to be vulnerable with someone and fall in love. I think it’s something a lot of people can relate to. There is a lot of inner turmoil that goes on with those feelings and I tried to convey that while also touching on the beauty that also comes with love.

How did you go about writing Feels?

Like a lot of the songs I write, I often take bits and pieces from other songs I have written and trial them with new ideas. For example, ‘Feels’ started off as an intro riff and a Chorus idea and nothing much else. So I grabbed the verse of a song I’d be working on that wasn’t really going anywhere and made it fit to the overall vibe of ‘Feels’, it ended up working super well so I left it. The only other thing I added was the Pre-Chorus, which had been a stand-alone melodic idea sitting in my phone voice memos for months. From here I just had to work on the structure and production, which flowed really well once I had all the sections written.

Where and when did you record/produce and who with?

I recorded all the songs for the upcoming EP including ‘Feels’ at Debasement Studios in Ferntree Gully. One of my Uni Teachers owns it so I just book it out for the day and get everything done. It’s a really sweet set up and just a great place to record! I do all the recording and production by myself, which sounds super stressful, but really I prefer it that way. I have worked with recording engineers in the past and learnt a lot of great things, but eventually I felt in order to get the sound I wanted, I had to do it myself. It does often mean very lonely days in the studio starting at 8am and leaving at like 11pm at night, but once it all works out, and thankfully it always does, it’s so worth it.

You also have an EP titled ‘Feels’ coming out in November 2020, what can we expect?

‘Feels’ the EP is something I am really excited to share with the world. It is a collection of stories of my experiences with love, attraction, sexuality and the inner conflicts that come with feelings of that nature. There’s a bit of a pink Floyd thing going on in that it plays as a whole piece of art, rather than a collection of songs that don’t really relate to each other. There is a good mixture of Funk, Rock and Soul in their too, depending on what the song is trying to convey. Overall I am really proud of how it sounds and just can’t wait for people to hear it.

What did you find most challenging and rewarding during the creation of the EP?

I think there are always challenges when you are creating something for release. There is a lot of pressure you tend to put on yourself, trying to make things perfect. Engineering the whole thing by myself definitely took it’s toll a few times, especially when I was by myself in the studio after days in a row tracking. But at the end of the day I think once it’s out there, that’s reward in itself. I know I’m proud of it and that is enough for me.

What do you like to do away from music?

I am big into my sport and fitness, so I usually try and fit a run or a gym session into my daily routine as it allows me to remove myself from music for a while. I’m also a big Richmond supporter so I love kicking the footy or watching it at home. Besides that I spend a lot of time watching films or writing poetry. Movies give me a lot of musical inspo, not even from the scores themselves, but general imagery in a scene can spark some really cool ideas for me.

Who are you listening to at the moment?

I’ve been listening to a lot of stuff from the 70s lately, mainly The Isley Brothers and Prince’s first few albums. But I have also been digging The Goods new abums ‘II’ which is sick! I usually listen to a bit of everything though.

What’s planned for the remainder of 2020?

2020 has been a very unpredictable year! The EP and it’s release is my main focus at the moment, and I’m trying not to write any new material until it’s all been recorded. But I think once the EP is out I want to get back into the studio as I have a few plans for next year that I want to get underway. I am also hoping we can get back to playing gigs soon as well because I am really missing being on stage.

Favourite food and place to hangout?

Favourite food – Chicken Parma, nothing compares!!  Favourite Place to Hangout – I love going to live music and Melbourne has so many amazing live music venues. So really any chance I get to go to a gig with friends and listen to music, that’s my favourite place to be.

 

https://www.facebook.com/zacharyleomusic/

July 27, 2020 0 comments
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Adelaide's JOSH KROEHN makes his mark with the revealing new single, 'NEVER FOUND'
Music InterviewsMusic News

Josh Kroehn

by the partae July 17, 2020
written by the partae

Where are you currently based?

I’m based in my hometown of Adelaide.

How did you first start playing music?

I got into music at a very young age thanks to my parents record collection that I was able to explore. I started playing guitar at age 9 and haven’t put it down since.

What’s been happening recently?

I think like most people just adjusting to this new way of life we all find ourselves in with these crazy times. 

Your new single ‘Never Found’ is out now, what influenced the sound and songwriting for this track?

I’ve always enjoyed the sound of nylon string classical guitars coupled with open tunings, mainly due to being a huge fan of Nick Drake and Sun Kil Moon. A lot of my songs come about through experimenting with different guitar tunings and are built around riffs rather than chord progressions.

How did you go about writing Never Found?

I like the music to speak for itself first and foremost, and then I will write lyrics accordingly. The subject matter will reflect how the music makes me feel or what it makes me think of.

Where and when did you record?

It was recorded earlier this year at Island Studios here in Adelaide, just before the pandemic related restrictions kicked off. 

How did you approach the recording process?

It was a stripped back approach, just a mic’d up nylon string guitar and my voice.

Who are you listening to at the moment?

I’m listening to a lot of different stuff at the moment. For more recent releases I’ve been listening to ‘Punisher’ from Phoebe Bridgers as well as the new singles from Keaton Henson and A Blaze Of Feather. I’ve also been revisiting the fusion albums from Miles Davis (particularly ‘Bitches Brew’ and ‘Get Up With It’) which are old favourites, as well as heavier music from bands like Deafheaven and Rolo Tomassi. 

What do you like to do away from music?

When I’m not listening to or playing music I like to ride my motorcycle, work out at the park, walk my dog and watch Football (Soccer), Moto GP and Formula One. 

Please tell us music that you on the way:

I’m currently putting the finishing touches on my debut album, with the release date to be announced soon. It will feature ‘Never Found’ and there will be another single in the lead up.

What’s planned for 2020?

Continuing to appreciate how lucky I am to live in Australia and being grateful for everything I have, as well as releasing this debut album.

Favourite food and place to hangout?

I don’t really have any particular favourite food really, I just value good quality whole foods that give me the nutrition to be at my best. Favourite place to hangout is tough, we have so many cool places here in Adelaide, I frequent lots of cool coffee joints like Oar, La Crema, Please Say Please and the Loose Caboose who have all kept me caffeinated over the years. In terms of nightlife you can’t go past the Wheaty, the Gilbert Street Hotel and all the bars on Peel Street. 

 

https://www.facebook.com/jkroehnmusic/

July 17, 2020 0 comments
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Where are you currently based? I am currently based in Melbourne (having moved from Geelong as of a few months ago). How did you first start playing music? I always enjoyed singing as a child; if anyone has seen the movie 'Three Amigos' my family used to call me 'the singing bush' as a joke. I didn't pick up a guitar until I was about 13 or 14. The reason I started playing guitar is actually kind of embarrassing, at the time I was watching an anime called 'K-On!' (a play on the Japanese term for 'light music') and it's basically a cute show about a group of high school girl's who join their school's light music club and make a band. As a teen I just thought the idea of girls jamming and making music together was the coolest, so I picked up an old guitar my dad had lying around and the rest is history. Since then I have also been learning more piano to help me write songs. What's been happening recently? Pre-COVID I had been playing a bunch of shows with my band (including Queenscliff Music Festival and supporting Cousin Tony's Brand New Firebird), live music opportunities have obviously dried up recently but I have enjoyed participating in the new live stream projects that people have been creating. As an introvert being in isolation has honestly been a great time for me to recharge, write new songs and reassess what I want to do going forward with clarity (although I am missing playing and seeing live music). Your single 'Humans Weep' will be out in August, what influenced the sound and songwriting for this track? Sonically, this is a pretty new direction for me. When I started writing this song in 2018 I had begun to listen to more alternative R&B, which was a stark contrast to the folk/jazz influences on my EP (strange combo, I know). From the beginning, I wanted to convey a sense of monotony in the song due to its themes of apathy towards life and I tried to do this by using fewer chords and focusing on the arrangement to drive the song. This purposeful choice was honestly pretty restraining for me as I normally try to embellish songs with chord/key/rhythm changes, so to keep it interesting was a challenge. However, this lets the lyrics shine through which I believe are the strongest part of the song. The monotony of the verse also allows the chorus to really open up. Even then, the main melody in the chorus is sung in a low key, vulnerable and intimate way, which I wanted to keep fairly dry. Aesthetically, I pictured dusk/dawn landscapes that I wanted to somehow convey through sound. The tension between light and dark. To me the warm yet mellow guitar and electric keys contrasting with the cold sounding violin illustrates this tension. Whether you can hear that imagery or not I can’t say, but I love the result regardless. Additionally, the effects on the second guitar in the background add those spacey-dreamy vibes. The cricket sounds towards the end of the song are the final touch in creating this “dusky aesthetic”. As we all know, cricket sounds are often used to emphasise silence in media (often for comic effect), which I felt further teased at the sarcasm of ‘Humans Weep’ while also implying silence in an intimate way. Overall, the sonic vision for this song is an audible departure from the acoustic nature and intensity on my debut EP. How did you go about writing Humans Weep? 'Humans Weep' is written from the perspective of being overwhelmed to the point of apathy. I wrote this song in what was the aftermath of a pivotal point in my life: I had basically been excommunicated from my immediate family and from this conflict I had begun to reconnect with my mum (who had been diagnosed with cancer in our years apart) as well as my extended family whom I had been estranged from for most - if not all - of my life. I’ve always been an introvert and grew up somewhat isolated, so at the time I truly believed that I could not feel or lose any more than I already had. But the point of the song wasn’t to recount those specific events; they simply put the song into context. I had very little belongings, no money and no home. My sense of normalcy was totally removed from me and I was trying to rebuild my life while simultaneously feeling like everything could fall out from beneath from my feet (since it had).  I was constantly questioning everything, asking myself things like: Why, after all of the pain I've been through, do I feel so numb? Why am I working such long and strange hours to not even have the time to properly live in this new home I've created for myself? The love I received from my family was not unconditional, 'what if I wake up and all my friends are gone'? Where and when did you record and who with? I recorded 'Humans Weep' late last year in the home studio of Isaac Barter (Didirri, BATTS). It was so relaxing and wholesome to record with such a great listener and well-rounded musician. Working with Isaac was the best recording experience I've had to date and I look forward to getting back into the studio with him soon! What programs/instruments did you use? The song started out on vocals and guitar, which I brought to the band to add bass and drums. We then slowly started adding keys, violin, extra guitar effects and backing vocals. The song was recorded on Pro Tools. Who are you listening to at the moment? Recently I've been listening to Cleo Sol, Jorja Smith and Rina Sawayama. Aurora's new single 'Exist For Love' is also super cute, I just ordered the limited edition pink vinyl for it which is in the shape of a clamshell *cries*. Though at the end of the day, I'm always revisiting albums by Bjork, Joanna Newsom and Sufjan Stevens. What do you like to do away from music? I'm usually torn between being an Internet girl/gaming/reading manga and being out in nature. Before I became a musician I used to paint a lot, so I also do that from time to time. Please tell about the Queenscliff Music Festival Emerging Artist Grant that allowed you to record Humans Weep, how did it all come about for you? I'd known about the grant for a little while but I had never applied for one, so when the opportunity came up as I was planning to record a single I decided to go for it (very last minute). I basically smashed out my application in a weekend, getting quotes from all sorts of people, and they ended up telling me the budget I put together was one of the best they'd seen. When I first got that call I held my breath until I'd been told that I got the grant, then played it cool until I got off the phone. I was absolutely over the moon and still am to this day. Your new album 'Anticlimatic Girl' will be out in 2021, what can we expect? I've written and decided on 6 tracks to be recorded as an EP. Expect what you probably wouldn't expect from me, likely experimenting with electronic beats, sarcasm with softness and more genre-bending madness. What's planned for the remainder 2020? Once I've released the single (and we can go out again), my main priority is to finish the long-delayed music video for 'Humans Weep'. So keep an eye out for that. Favourite food and place to hangout? Wow that is a hard question, but I am definitely a sweet tooth. Does bubble tea count? When Stage 3 restrictions were lifted I mostly met up with my friends at different botanical gardens (I love to picnic), so I think that's my answer! https://www.momokorose.com/ https://ditto.fm/humans-weep https://www.instagram.com/momokorose/ https://www.facebook.com/MomokoRoseMusicArt/ https://www.youtube.com/channel/UC-DIM3wi3ZQgczUY6aUClpQ
Music InterviewsMusic News

Momoko Rose

by the partae July 16, 2020
written by the partae

Where are you currently based?

I am currently based in Melbourne (having moved from Geelong as of a few months ago).

How did you first start playing music?

I always enjoyed singing as a child; if anyone has seen the movie ‘Three Amigos’ my family used to call me ‘the singing bush’ as a joke. I didn’t pick up a guitar until I was about 13 or 14. The reason I started playing guitar is actually kind of embarrassing, at the time I was watching an anime called ‘K-On!’ (a play on the Japanese term for ‘light music’) and it’s basically a cute show about a group of high school girl’s who join their school’s light music club and make a band. As a teen I just thought the idea of girls jamming and making music together was the coolest, so I picked up an old guitar my dad had lying around and the rest is history. Since then I have also been learning more piano to help me write songs.

What’s been happening recently?

Pre-COVID I had been playing a bunch of shows with my band (including Queenscliff Music Festival and supporting Cousin Tony’s Brand New Firebird), live music opportunities have obviously dried up recently but I have enjoyed participating in the new live stream projects that people have been creating. As an introvert being in isolation has honestly been a great time for me to recharge, write new songs and reassess what I want to do going forward with clarity (although I am missing playing and seeing live music).

Your single ‘Humans Weep’ will be out in August, what influenced the sound and songwriting for this track?

Sonically, this is a pretty new direction for me. When I started writing this song in 2018 I had begun to listen to more alternative R&B, which was a stark contrast to the folk/jazz influences on my EP (strange combo, I know). From the beginning, I wanted to convey a sense of monotony in the song due to its themes of apathy towards life and I tried to do this by using fewer chords and focusing on the arrangement to drive the song. This purposeful choice was honestly pretty restraining for me as I normally try to embellish songs with chord/key/rhythm changes, so to keep it interesting was a challenge. However, this lets the lyrics shine through which I believe are the strongest part of the song. The monotony of the verse also allows the chorus to really open up. Even then, the main melody in the chorus is sung in a low key, vulnerable and intimate way, which I wanted to keep fairly dry.

Aesthetically, I pictured dusk/dawn landscapes that I wanted to somehow convey through sound. The tension between light and dark. To me the warm yet mellow guitar and electric keys contrasting with the cold sounding violin illustrates this tension. Whether you can hear that imagery or not I can’t say, but I love the result regardless. Additionally, the effects on the second guitar in the background add those spacey-dreamy vibes. The cricket sounds towards the end of the song are the final touch in creating this “dusky aesthetic”. As we all know, cricket sounds are often used to emphasise silence in media (often for comic effect), which I felt further teased at the sarcasm of ‘Humans Weep’ while also implying silence in an intimate way. Overall, the sonic vision for this song is an audible departure from the acoustic nature and intensity on my debut EP.

How did you go about writing Humans Weep?

‘Humans Weep’ is written from the perspective of being overwhelmed to the point of apathy. I wrote this song in what was the aftermath of a pivotal point in my life: I had basically been excommunicated from my immediate family and from this conflict I had begun to reconnect with my mum (who had been diagnosed with cancer in our years apart) as well as my extended family whom I had been estranged from for most – if not all – of my life. I’ve always been an introvert and grew up somewhat isolated, so at the time I truly believed that I could not feel or lose any more than I already had. But the point of the song wasn’t to recount those specific events; they simply put the song into context.

I had very little belongings, no money and no home. My sense of normalcy was totally removed from me and I was trying to rebuild my life while simultaneously feeling like everything could fall out from beneath from my feet (since it had). 

I was constantly questioning everything, asking myself things like:

Why, after all of the pain I’ve been through, do I feel so numb?

Why am I working such long and strange hours to not even have the time to properly live in this new home I’ve created for myself?

The love I received from my family was not unconditional, ‘what if I wake up and all my friends are gone’?

Where and when did you record and who with?

I recorded ‘Humans Weep’ late last year in the home studio of Isaac Barter (Didirri, BATTS). It was so relaxing and wholesome to record with such a great listener and well-rounded musician. Working with Isaac was the best recording experience I’ve had to date and I look forward to getting back into the studio with him soon!

What programs/instruments did you use?

The song started out on vocals and guitar, which I brought to the band to add bass and drums. We then slowly started adding keys, violin, extra guitar effects and backing vocals. The song was recorded on Pro Tools.

Who are you listening to at the moment?

Recently I’ve been listening to Cleo Sol, Jorja Smith and Rina Sawayama. Aurora’s new single ‘Exist For Love’ is also super cute, I just ordered the limited edition pink vinyl for it which is in the shape of a clamshell *cries*. Though at the end of the day, I’m always revisiting albums by Bjork, Joanna Newsom and Sufjan Stevens.

What do you like to do away from music?

I’m usually torn between being an Internet girl/gaming/reading manga and being out in nature. Before I became a musician I used to paint a lot, so I also do that from time to time.

Please tell about the Queenscliff Music Festival Emerging Artist Grant that allowed you to record Humans Weep, how did it all come about for you?

I’d known about the grant for a little while but I had never applied for one, so when the opportunity came up as I was planning to record a single I decided to go for it (very last minute). I basically smashed out my application in a weekend, getting quotes from all sorts of people, and they ended up telling me the budget I put together was one of the best they’d seen. When I first got that call I held my breath until I’d been told that I got the grant, then played it cool until I got off the phone. I was absolutely over the moon and still am to this day.

Your new album ‘Anticlimatic Girl’ will be out in 2021, what can we expect?

I’ve written and decided on 6 tracks to be recorded as an EP. Expect what you probably wouldn’t expect from me, likely experimenting with electronic beats, sarcasm with softness and more genre-bending madness.

What’s planned for the remainder 2020?

Once I’ve released the single (and we can go out again), my main priority is to finish the long-delayed music video for ‘Humans Weep’. So keep an eye out for that.

Favourite food and place to hangout?

Wow that is a hard question, but I am definitely a sweet tooth. Does bubble tea count?

When Stage 3 restrictions were lifted I mostly met up with my friends at different botanical gardens (I love to picnic), so I think that’s my answer!

https://www.momokorose.com/

https://ditto.fm/humans-weep

https://www.instagram.com/momokorose/

https://www.facebook.com/MomokoRoseMusicArt/

https://www.youtube.com/channel/UC-DIM3wi3ZQgczUY6aUClpQ

July 16, 2020 0 comments
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