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Category:

Music Interviews

Bill Jr. Jr.
Music InterviewsMusic News

Bill Jr. Jr.

by the partae March 14, 2021
written by the partae

Where are you currently based?

Vancouver, Canada.

How did you first start playing music?

Around the house as a lad, borrowing my stepdad’s guitar (much to his chagrin).

What’s been happening recently and how has your Covid experience been?

Right now, I’m on a little west coast island trying to get into a songwriting headspace. I noticed that I wasn’t sitting down to play or write much at home this past year. For whatever reason, I’m sure Covid has something to do with it, I haven’t felt that inspired to write any music. One thing that is missing as a result of the pandemic is getting to play with other people, which can be a major source of inspiration for me.

Your new album ‘Homebody’ came out recently, what influenced the sound and songwriting?

The sound of the record had a lot to do with my other collaborators, namely the producer and bassist Daniel McNamara. I compose on guitar and write the lyrics and sing so we built around that foundation but he did a lot of the heavy lifting. The Athens crew of musicians and Daniel really helped give ‘Homebody’ it’s flare and colour.

I tried to write songs about my home (Vancouver) and about the people and places I was connected to there.

 How did you go about writing the album?

I started by setting up a schedule to practice regularly and just stuck to it. I try not to really worry about each day’s productivity but rather trust that as long as I keep showing up, things will come to completion in time. That’s how I approached ‘Homebody’.

Where and when did you record/produce/master and who with?

Chase Park Transduction Studios in Athens, Georgia is where we recorded and the record was mastered by CPS Mastering in Vancouver.

How did you approach the recording process?

We scheduled everything really well because recording studios cost lots of money each day that you rent them. We went into tracking pretty well rehearsed so that was helpful. After the beds were down, we brought in other musicians for keys, back up vocals, etc. At this point we were happy to express what we wanted them to do but were also open to their unique style and interpretation of a part. I think that this approach helped ‘Homebody’ sound so full.

What did you find most rewarding and challenging during the creation of ‘Homebody’?

Geez…all these people coming together around an idea that I had for an album was very rewarding. Them being onboard felt great and was so so necessary. Challenges arose for me when I had to let go of being in control of something.

How has the reaction been from fans?

Pretty good I think. Everyone I chat with about it has nice things to say. It’s certainly my biggest effort to date and I think fans felt that leap from the previous two records. Although, any song or album you put out, no matter the budget or effort or scale, has its own magic.

Your new single ‘Blue’ is out now, what did this single mean to you?

I like this song because musically speaking, it’s a good example of an “off” take on a traditional style. The weird twangs and the bridge and the chords kind of make it strange enough to feel interesting to listen to I think. Plus it’s personally interesting to me because it’s about wandering around my neighbourhood, thinking thoughts and feeling feelings, two things I do quite often. So, it felt great to write a tune that captured my own subjective experience of something that is wholly regular and benign.

How did the concept for the ‘Blue’ music video come about?

I wanted to make a video that looked and felt different than the other videos I was seeing. Parameters can help me focus so I applied this logic to the location of where we would play: my van. In the van we could only do so much, which felt comforting and I think we all felt pretty loose as a result. And, any musician will tell you that the best music comes when you’re feeling loose.

Where and when did you film and who did you work with?

November 2019. It was kind of cold actually, we may have run the vehicle for heat in between takes. Matt Sawatzky made the video, he did a great job.

Who are you listening to at the moment?

Aofie Nessa Frances, John Fahey, Cian Nugent, Rex Orange County.

What do you like to do away from music?

Body movement stuff, cooking, chit chatting the day away.

What’s planned for 2021?

We’ve got three more tunes from that same recording session in Athens that couldn’t fit on the record. So expect some more videos in unique settings.

Favourite food and place to hangout?

Chips, my couch.

Website | Spotify | Facebook | Instagram 

March 14, 2021 0 comments
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Where are you currently based? Toronto, Ontario, Canada How did you first start playing music? I come from an incredibly musical family and in a way, music was a part of my life right from the beginning. I still have vivid memories of my mom singing in 5-part harmony with her brothers and sisters and father around campfires when I was very young and my parents singing to and with me even long before then. Music was a big part of my life until I started royal conservatory piano lessons, which honestly turned me away from it for a while, haha.  After a bit of time away from the rigidness of the lessons, I started to fall in love with playing songs by ear again and making things up on guitar and piano. This led to me eventually write my first songs. I loved the process and the outlet so much that I never stopped and haven’t looked back since. What's been happening recently and how has your Covid experience been? If Covid had to hit, it happened at the perfect time for me. I absolutely love performing live and miss it like crazy, but because of how often I was playing for people before Covid, I never took the time to finish a recording project. In the forced solitude and open time that the pandemic gave me, I finally finished my first EP. My days consist now of everything that’s involved with sharing the music I made and it’s an incredible feeling that I didn’t know I was missing.  Your debut EP 'Only Pieces of The Truth' will be released on March 12, what influenced the sound and songwriting? The songs on this EP were written over the past 6 years of my life as a performing artist. They explore a desire to deepen my relationships with the people in my life and with myself. Sonically, I was influenced by all of the music that has inspired me most throughout my life as a musician. I think listeners will be able to hear everything from my love of roots, electronic, orchestral and experimental music. I think all of those influences thrown into a mixing pot with who I am as a live performer, and tossed around within the boundaries of my simple home studio set up created the unique and eclectic sound of this EP. How did you go about writing Only Pieces of The Truth? Only Pieces of the Truth was lyrically inspired by a couple in my life who really love each other but are fighting through a distance that came with a build-up of little unresolved tensions over a significant period of time. While I can say what it is about with confidence now, this inspiration happened subconsciously, as almost all of the melodies and lyrics in this song came from an improvisation. I find that my favourite lyrics and melodies that I write come when I am able to get my brain out of the way and flow in an improvisation.  Where and when did you record/produce/master and who with? I recorded and played all of the instruments myself in my home studio in Toronto, as well as a bit in Alberta while I was visiting family using my portable studio set up. The EP was then mixed by my friend Jason Dufour and mastered by Joao Carvalho. How did you approach the recording process? Each song on this EP came with a different approach. For example, Docks (the opening track), came together as a collage of improvised ideas. Nothing was pre-envisioned; it was all just done by playing with interesting delays and sounds, massaging them together and then improvising over the result. In contrast, I Don’t Want to Let You Go and Freedom (both of which I had been performing for quite a while before I brought them into the studio), were put together very intentionally with a clear vision in mind before laying down the first tracks. Only Pieces of the Truth was probably the most difficult. I must have produced more than 10 distinctly different versions of that song before I found one that felt right. What programs/instruments did you use? I primarily use Logic as my DAW and use software from UAD, Fabfilter and Soundtoys daily. In terms of instruments on this EP, I played a variety of guitars, percussion instruments and keys as well as many different software instruments ranging from pianos to synths that I created myself.  What does the EP mean to you? This one means a lot to me! It’s the first body of work that I created fully on my own. I am planning to explore collaboration with many different writers and producers in the future, but it will always be special to be able to look back and know that I started with something that was just me. With all of its flaws and imperfections, it’s a snapshot of who I am at this time in my life. I really hope that this music helps people find peace and vulnerability in themselves as they listen to it and that the songs become theirs now as much as they are mine. Who are you listening to at the moment? Right now, I can’t seem to turn off Leif Vollebekk’s music! His vibe is just perfectly complimenting the way I’ve been feeling lately. Other than that, I always love to hear songs from Matt Corby, Frank Ocean, Bon Iver, Labrinth, Jacob Collier and Novo Amor, just to name a few.  What do you like to do away from music? I love playing basketball! It’s been tough now that it’s winter and the gyms are closed for the pandemic. I’m itching to get back out when it all clears up. Other than that and music, my favourite thing to do is to be in beautiful places with people I love. Give me a campfire by a mountain lake, a guitar and my friends and family and I will die a happy man.  What's planned for 2021? I am actually just putting the finishing touches on another EP that I am planning to release soon after my first! After that, I hope the pandemic clears up so that I can sing with and for people again. I have so much pent-up performance energy. Feels like I could tour for a couple years straight now and not take it for granted. I hope that’s in the cards for this year or next! Favourite food and place to hangout? My favourite food right now is sushi and I love hanging out in this secluded spot by the water in Toronto where my friends and I go to have driftwood fires in the summer. I don’t want to say exactly where it is because for now, we seem to be some of the only people that know about it but if you ever come this way, we’d love to take you there!  https://www.jordanhartsound.com https://twitter.com/jordanhartsound https://www.instagram.com/jordanhartsound/ https://www.facebook.com/jordanhartsound
Music InterviewsMusic News

Jordan Hart

by the partae March 12, 2021
written by the partae

Where are you currently based?

 

Toronto, Ontario, Canada

 

How did you first start playing music?

 

I come from an incredibly musical family and in a way, music was a part of my life right from the beginning. I still have vivid memories of my mom singing in 5-part harmony with her brothers and sisters and father around campfires when I was very young and my parents singing to and with me even long before then. Music was a big part of my life until I started royal conservatory piano lessons, which honestly turned me away from it for a while, haha. 

 

After a bit of time away from the rigidness of the lessons, I started to fall in love with playing songs by ear again and making things up on guitar and piano. This led to me eventually write my first songs. I loved the process and the outlet so much that I never stopped and haven’t looked back since.

 

What’s been happening recently and how has your Covid experience been?

 

If Covid had to hit, it happened at the perfect time for me. I absolutely love performing live and miss it like crazy, but because of how often I was playing for people before Covid, I never took the time to finish a recording project. In the forced solitude and open time that the pandemic gave me, I finally finished my first EP. My days consist now of everything that’s involved with sharing the music I made and it’s an incredible feeling that I didn’t know I was missing. 

 

Your debut EP ‘Only Pieces of The Truth’ will be released on March 12, what influenced the sound and songwriting?

 

The songs on this EP were written over the past 6 years of my life as a performing artist. They explore a desire to deepen my relationships with the people in my life and with myself. Sonically, I was influenced by all of the music that has inspired me most throughout my life as a musician. I think listeners will be able to hear everything from my love of roots, electronic, orchestral and experimental music. I think all of those influences thrown into a mixing pot with who I am as a live performer, and tossed around within the boundaries of my simple home studio set up created the unique and eclectic sound of this EP.

 

How did you go about writing Only Pieces of The Truth?

 

Only Pieces of the Truth was lyrically inspired by a couple in my life who really love each other but are fighting through a distance that came with a build-up of little unresolved tensions over a significant period of time. While I can say what it is about with confidence now, this inspiration happened subconsciously, as almost all of the melodies and lyrics in this song came from an improvisation. I find that my favourite lyrics and melodies that I write come when I am able to get my brain out of the way and flow in an improvisation. 

 

Where and when did you record/produce/master and who with?

 

I recorded and played all of the instruments myself in my home studio in Toronto, as well as a bit in Alberta while I was visiting family using my portable studio set up. The EP was then mixed by my friend Jason Dufour and mastered by Joao Carvalho.

 

How did you approach the recording process?


Each song on this EP came with a different approach. For example, Docks (the opening track), came together as a collage of improvised ideas. Nothing was pre-envisioned; it was all just done by playing with interesting delays and sounds, massaging them together and then improvising over the result. In contrast, I Don’t Want to Let You Go and Freedom (both of which I had been performing for quite a while before I brought them into the studio), were put together very intentionally with a clear vision in mind before laying down the first tracks. Only Pieces of the Truth was probably the most difficult. I must have produced more than 10 distinctly different versions of that song before I found one that felt right.

 

What programs/instruments did you use?

 

I primarily use Logic as my DAW and use software from UAD, Fabfilter and Soundtoys daily. In terms of instruments on this EP, I played a variety of guitars, percussion instruments and keys as well as many different software instruments ranging from pianos to synths that I created myself. 

 

What does the EP mean to you?

 

This one means a lot to me! It’s the first body of work that I created fully on my own. I am planning to explore collaboration with many different writers and producers in the future, but it will always be special to be able to look back and know that I started with something that was just me. With all of its flaws and imperfections, it’s a snapshot of who I am at this time in my life. I really hope that this music helps people find peace and vulnerability in themselves as they listen to it and that the songs become theirs now as much as they are mine.

 

Who are you listening to at the moment?

 

Right now, I can’t seem to turn off Leif Vollebekk’s music! His vibe is just perfectly complimenting the way I’ve been feeling lately. Other than that, I always love to hear songs from Matt Corby, Frank Ocean, Bon Iver, Labrinth, Jacob Collier and Novo Amor, just to name a few. 

 

What do you like to do away from music?

 

I love playing basketball! It’s been tough now that it’s winter and the gyms are closed for the pandemic. I’m itching to get back out when it all clears up. Other than that and music, my favourite thing to do is to be in beautiful places with people I love. Give me a campfire by a mountain lake, a guitar and my friends and family and I will die a happy man. 

 

What’s planned for 2021?

 

I am actually just putting the finishing touches on another EP that I am planning to release soon after my first! After that, I hope the pandemic clears up so that I can sing with and for people again. I have so much pent-up performance energy. Feels like I could tour for a couple years straight now and not take it for granted. I hope that’s in the cards for this year or next!

 

Favourite food and place to hangout?

 

My favourite food right now is sushi and I love hanging out in this secluded spot by the water in Toronto where my friends and I go to have driftwood fires in the summer. I don’t want to say exactly where it is because for now, we seem to be some of the only people that know about it but if you ever come this way, we’d love to take you there! 

 

https://www.jordanhartsound.com

https://twitter.com/jordanhartsound

https://www.instagram.com/jordanhartsound/

https://www.facebook.com/jordanhartsound

 

March 12, 2021 0 comments
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jofi
Music InterviewsMusic News

Jofi

by the partae March 12, 2021
written by the partae

Where are you currently based?

I live in Sydney, Australia

How did you first start playing music?

I started piano lessons when I was 7 or 8. I first realised I could sing in year 6 of primary school when I auditioned for the school musical and got a lead role. I wrote my first songs on piano and self-taught guitar when I was 13 (I recorded me playing them on my webcam at the time- humorous content which I may leak someday)

What’s been happening recently and how has your Covid experience been?

Recently I’ve been doing a residency program at Church Street Studios and have been busy creating music there. I’m also working on songwriting and producing collaborations with a few international artists which I’m excited about!

I found myself making the most of quarantine- I wrote songs (I’ve got a quarantine-themed track called ‘All My Friends Have Boyfriends’), I became a better producer, I drank wine, and had plenty of time with my family and my dogs (one is sitting on my lap as I write this).

Your new single ‘Catastrophe’ is out now, what influenced the sound and songwriting?

I was listening to a lot of contemporary rnb around the time I made Catastrophe, artists like Snoh Aalegra, Lolo Zouai, H.E.R. I can definitely hear a combination of the genres of music that I love: pop, indie, rnb. I think my production style of including lots of vocal harmony is a defining factor to my music. I have a degree in classical composition which has influenced the way that I arrange vocal harmony in all my tracks, and especially in catastrophe.

How did Catastrophe come about?

Catastrophe was an assortment of different ideas that came together. I first had the ‘ah’ melody (which is heard behind the verse melody at the start of the song, and in the ‘breakdown’ sections).

I developed the main melody off of a few samples – I’ve never done production before melody before but that’s kind of how it turned out. I had the words ‘lean on me’ but I quickly realised the song was destined for a different meaning and it became ‘catastrophe’. The rest of the lyrics rolled out after that.

I’ve spoken a lot about the creation process on my Instagram (@jofimusic) if you’re interested to know more.

What does the single mean to you?

It was pretty cathartic to write about my character flaws and lay them all on the table for me to reflect on (and for everybody who hears it, whoops). Making the track was healing, to reflect on the times I did things I regret, learn from it and move forward with the hope of not being much of a catastrophe in the future.

Where and when did you record/produce/master and who did you work with?

Most of it I recorded and produced at home. I had mixing done by Jerome Blazé and a final mix + tightening of production ideas with David Muratore. The track was mastered by Becki Whitton (Aphir). I worked with Robbie Walcott on producing the retro-90s music video which you can find on my YouTube channel.

How did you approach the recording process and what programs/equipment did you use?

I lay down all the vocals at home, and I had the opportunity to redo some using a great mic at Noodle Music Studio. I originally took a can opening sample off the internet, but David and I recorded it live by opening a beer can next to a mic in the studio. Everything else heard in the track is midi! The DAW I use is Logic Pro X.

Please tell us about any new music on the way:

Catastrophe is the first single from an EP of tracks I made last year! Very excited to get more music out this year.

What do you like to do away from music?

Listen to true crime podcasts, read, go running.

Who are you listening to at the moment?

Becky and the Birds, Kelsey Lu, Sevdaliza.

What’s planned for 2021?

I’m currently working on a live show so definitely some shows plus more music!

Favourite food and place to hang out?

I’m too indecisive a person to know what my favourite food is. Favourite place to hang out is wherever live music is happening.

Official Website | Facebook | Twitter | YouTube | Instagram | Triple J Unearthed

March 12, 2021 0 comments
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Where are you currently based?  Locked down in Liverpool, baby.  How did Generation form?  We just fell into it, really. Music presented itself to us and we took to it like  fishes to water. We’re constantly changing.  What's been happening recently and how has your Covid  experience been?  We’ve just released a retrospective album with Tri-Tone - Full of teenage  angst and fast guitars. The whole covid thing has kind of put us on pause.  Gigs are looking *fingers crossed* like they may be happening again this  Summer, so we have that to look forward to, at least. Other than that  we’ve been writing. The sound has completely changed - we’re more  electronic now. Distorted saw synths, massive drum machines - that sort  of thing.   Your new mini album 'Suicidal Champagne' is out now,  what influenced the sound and songwriting?  It’s literally an album about us being dead young. We didn’t really think  about what it was about whilst we were making it, we probably didn’t even  know what music was back then. I guess it’s just about things we were  feeling at that time and the things every 17/18 year old goes through  (coping with becoming an adult by excessively drinking and partying). It’s  one big, self-indulgent party - and everyones invited.   How did the concept for the mini album come about? Drinking.  How did you go about writing the album? We write most days, so we just had loads of songs knocking about  with nothing to do but play them live (circa 2016), then Simon - who  we recently released the album with - approached us and threw us in  the studio. From there the songs just developed and became what  they are now.  Where and when did you record/produce/master and who  with?  It was in this lovely converted barn house in the countryside of Leeds  or something. There were two new foundland dogs (massive) that  would walk around the studio while you were tracking. Was a stay  over experience in the barn. I don’t think it’s there anymore. It was  with James Kenosha, who is a great producer and musician (he  played drums on the album also).   What programs/equipment did you use?  For all our demos we use Logic Pro X, but James probably used  Pro Tools, I can’t remember to be honest. In terms of gear, we  used all kinds. I remember putting my guitar through a vintage  Selmer bass cab, but that’s about it. The rest is clouded by red  wine and beer.   What did you find most challenging and rewarding during  the creation of Suicidal Champagne?  It’s always the vocals at the end. Trying to find the right tone for  deans voice. The most rewarding thing will probably happen  when we’re 40 and we listen back and go “ah remember that  time, we had a good time making that”.   Who are you listening to at the moment?  Loads of stuff. Our music taste has no range like. A lot of 90s rave  stuff, hip-hop, bit of industrial, bit of reggae/dancehall. A musical  cocktail of debauchery, really.   What do you like to do away from music? Tough question that one. All we really do is music. Feels like the  hobbies section on your CV this question. Should I put ‘Reading,  exercising…’  Urm, we do all kinds really. Mostly mad Sh** no one would believe or  even understand the reasons why. I guess we don’t either. Recently  got back into skating, which is a blast from the past.   What's planned for 2021?  HOPEFULLY, lots of gigs (toward the second half of the year). We’ve  been hard at work recording new songs as well, so there should be  some new music soon(ish).   Favourite food and place to hangout?  Tough one this ‘cos we’ve been in lockdown for like a year. I’d say Elif on  Lark lane provides the best scran. It’s a Turkish grill joint and it’s so good.  Favourite place to hang out right now is our mums conservatory aka the  beat laboratory.   wholovesthisgeneration.com  IG: @wholovesthisgeneration
Music InterviewsMusic News

Generation

by the partae March 9, 2021
written by the partae

Where are you currently based? 

Locked down in Liverpool, baby. 

How did Generation form? 

We just fell into it, really. Music presented itself to us and we took to it like  fishes to water. We’re constantly changing. 

What’s been happening recently and how has your Covid  experience been? 

We’ve just released a retrospective album with Tri-Tone – Full of teenage  angst and fast guitars. The whole covid thing has kind of put us on pause.  Gigs are looking *fingers crossed* like they may be happening again this  Summer, so we have that to look forward to, at least. Other than that  we’ve been writing. The sound has completely changed – we’re more  electronic now. Distorted saw synths, massive drum machines – that sort  of thing.  

Your new mini album ‘Suicidal Champagne’ is out now,  what influenced the sound and songwriting? 

It’s literally an album about us being dead young. We didn’t really think  about what it was about whilst we were making it, we probably didn’t even  know what music was back then. I guess it’s just about things we were  feeling at that time and the things every 17/18 year old goes through  (coping with becoming an adult by excessively drinking and partying). It’s  one big, self-indulgent party – and everyones invited.  

How did the concept for the mini album come about?

Drinking. 

How did you go about writing the album?

We write most days, so we just had loads of songs knocking about  with nothing to do but play them live (circa 2016), then Simon – who  we recently released the album with – approached us and threw us in  the studio. From there the songs just developed and became what  they are now. 

Where and when did you record/produce/master and who  with? 

It was in this lovely converted barn house in the countryside of Leeds  or something. There were two new foundland dogs (massive) that  would walk around the studio while you were tracking. Was a stay  over experience in the barn. I don’t think it’s there anymore. It was  with James Kenosha, who is a great producer and musician (he  played drums on the album also).  

What programs/equipment did you use? 

For all our demos we use Logic Pro X, but James probably used  Pro Tools, I can’t remember to be honest. In terms of gear, we  used all kinds. I remember putting my guitar through a vintage  Selmer bass cab, but that’s about it. The rest is clouded by red  wine and beer.  

What did you find most challenging and rewarding during  the creation of Suicidal Champagne? 

It’s always the vocals at the end. Trying to find the right tone for  deans voice. The most rewarding thing will probably happen  when we’re 40 and we listen back and go “ah remember that  time, we had a good time making that”.  

Who are you listening to at the moment? 

Loads of stuff. Our music taste has no range like. A lot of 90s rave  stuff, hip-hop, bit of industrial, bit of reggae/dancehall. A musical  cocktail of debauchery, really.  

What do you like to do away from music?

Tough question that one. All we really do is music. Feels like the  hobbies section on your CV this question. Should I put ‘Reading,  exercising…’ 

Urm, we do all kinds really. Mostly mad Sh** no one would believe or  even understand the reasons why. I guess we don’t either. Recently  got back into skating, which is a blast from the past.  

What’s planned for 2021? 

HOPEFULLY, lots of gigs (toward the second half of the year). We’ve  been hard at work recording new songs as well, so there should be  some new music soon(ish).  

Favourite food and place to hangout? 

Tough one this ‘cos we’ve been in lockdown for like a year. I’d say Elif on  Lark lane provides the best scran. It’s a Turkish grill joint and it’s so good.  Favourite place to hang out right now is our mums conservatory aka the  beat laboratory.  

wholovesthisgeneration.com 

IG: @wholovesthisgeneration

March 9, 2021 0 comments
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Where are you currently based? Currently my kitchen table; I haven’t moved for a while. How did you first start playing music? I first started playing as an 8 year old because my brother was learning guitar and I wanted to do everything he did. I actually learnt the trumpet as my first instrument. I’m pretty crap now but it’s a cool party trick (and I really respect anyone who’s actually good at it). Where are you currently based and how has your Covid experience been?  I’m super lucky to be quite sheltered from the virus over here in WA but the few months we were locked down were definitely instrumental (haha) in getting this song to a happy place. Obviously covid sucks, but in a strange way I appreciate it for the time it gave me. Your debut single 'Full Grown' was released March 5, what influenced the sound and songwriting? The song itself was written a couple years ago though it has come a long way since then. Because I started it yonks ago the production is super influenced by the artists I was pumping at the time, mainly Panama and Roosevelt. The lyrics are based on a struggle of mine at the time, as I felt ill-equipped to enter a relationship.  How did you go about writing Full Grown? I actually started producing the beat on a family holiday in a hotel room, but as with most things I make I just went through a stupidly long loop of producing, taking it away and listening, writing down notes then coming back and making changes. The lyrics were the complete opposite and finished in one sitting though. Where and when did you record/produce/master and who with? All recording and producing by myself, in a number of places actually but none of them being a proper studio. Then the legend James Newhouse fattened it up with his master. What does Full Grown mean to you? It means having it all together. Bit of a myth really. I feel like a kid a lot and I’m okay to admit it; sometimes it’s great thing and it sometimes it kinda sucks. Who are you listening to at the moment? At the literal moment I am listening to Candid by Sevier; some cool Perth dudes who happen to also share my release date. I’ve been listening to a bunch of Perth folk lately, such as Michael Day, Jacob Wylde, Grievous Bodily Calm and Kyle Charles Hall, among others. What do you like to do away from music? Mainly eating, reading, date nights and walks with my dog. Also love a good game of bananagrams, though I wouldn’t say I’m good at it.  What's planned for 2021? More releases, more eating, reading, date nights, walkies and defs more bananagrams so I can actually get good. Also very very keen to start playing live real soon around Perth! Favourite food and place to hangout? Always big on Mexican food. There’s a taco joint literally 2mins walk from our front door called Hermanos En Cantina which is kinda the go-to hangout for us. Big recommend. https://soundcloud.com/rhyanlj/full-grown/s-YZKjGTQkXsN Instagram: https://www.instagram.com/rhyan_lj/ Facebook: https://www.facebook.com/musicbyRHY/
Music InterviewsMusic News

RHY

by the partae March 9, 2021
written by the partae

Where are you currently based?

Currently my kitchen table; I haven’t moved for a while.

How did you first start playing music?

I first started playing as an 8 year old because my brother was learning guitar and I wanted to do everything he did. I actually learnt the trumpet as my first instrument. I’m pretty crap now but it’s a cool party trick (and I really respect anyone who’s actually good at it).

Where are you currently based and how has your Covid experience been?

I’m super lucky to be quite sheltered from the virus over here in WA but the few months we were locked down were definitely instrumental (haha) in getting this song to a happy place. Obviously covid sucks, but in a strange way I appreciate it for the time it gave me.

Your debut single ‘Full Grown’ was released March 5, what influenced the sound and songwriting?

The song itself was written a couple years ago though it has come a long way since then. Because I started it yonks ago the production is super influenced by the artists I was pumping at the time, mainly Panama and Roosevelt. The lyrics are based on a struggle of mine at the time, as I felt ill-equipped to enter a relationship.

How did you go about writing Full Grown?

I actually started producing the beat on a family holiday in a hotel room, but as with most things I make I just went through a stupidly long loop of producing, taking it away and listening, writing down notes then coming back and making changes. The lyrics were the complete opposite and finished in one sitting though.

Where and when did you record/produce/master and who with?

All recording and producing by myself, in a number of places actually but none of them being a proper studio. Then the legend James Newhouse fattened it up with his master.

What does Full Grown mean to you?

It means having it all together. Bit of a myth really. I feel like a kid a lot and I’m okay to admit it; sometimes it’s great thing and it sometimes it kinda sucks.

Who are you listening to at the moment?

At the literal moment I am listening to Candid by Sevier; some cool Perth dudes who happen to also share my release date. I’ve been listening to a bunch of Perth folk lately, such as Michael Day, Jacob Wylde, Grievous Bodily Calm and Kyle Charles Hall, among others.

What do you like to do away from music?

Mainly eating, reading, date nights and walks with my dog. Also love a good game of bananagrams, though I wouldn’t say I’m good at it.

What’s planned for 2021?

More releases, more eating, reading, date nights, walkies and defs more bananagrams so I can actually get good. Also very very keen to start playing live real soon around Perth!

Favourite food and place to hangout?

Always big on Mexican food. There’s a taco joint literally 2mins walk from our front door called Hermanos En Cantina which is kinda the go-to hangout for us. Big recommend.

https://soundcloud.com/rhyanlj/full-grown/s-YZKjGTQkXsN

Instagram: https://www.instagram.com/rhyan_lj/

Facebook: https://www.facebook.com/musicbyRHY/
March 9, 2021 0 comments
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Bridget Allan
Music InterviewsMusic News

Bridget Allan

by the partae March 8, 2021
written by the partae

Where are you currently based?

In the Mornington Peninsula. By the beach.

How did you first start playing music?

Thanks to my musical family and always enjoying listening to music in the car driving around.

What’s been happening recently and how has your Covid experience been so far?

It’s been ok! I’ve been picking up recording, so now I am doing it all on my own. Mixing and all the instruments. And also I got into Uni for music!

Your new single ‘Treading Water’ is out March 8, what influenced the sound and songwriting?

It’s very inspired by Julien Baker’s song ‘Funeral Pyre’ and it’s inspired by motion of water and the beach.

How did you go about writing Treading Water?

It is very literally inspired by swimming at the pool and beach, then it has the double meaning of treading water in your mental health.

How did you approach the recording process?

All done by me in my bedroom, I did it quickly just in the one day. I’m not really a perfectionist, I’m good at knowing when to let things go.

Where and when did you record/produce/master and who with?

I recorded it solo, then it is mixed by Calvin Lauber, we have worked together before on my solo song ‘Asphyxiation’ from my album Nihilism, and I just loved how it came out. So I reached out to him again.

What programs/instruments did you use?

I used my fender telecaster and recorded into GarageBand and Calvin mixed it in protools.

What does Treading Water mean to you?

It is a time capsule of my summer and metaphor for my mental health.

Who are you listening to at the moment?

Sooo much Montaigne, saw her at Summer Salt and it was awesome. Montaigne has such a magnificent voice and explosive songs.

What do you like to do away from music?

Lots of walks on the beach and animal crossing.

What’s planned for 2021?

After this song, I will be really focusing on my Composition course in Melbourne.

Favourite food and place to hangout?

Nandos!! I love the music they play, the food is 10/10. Also Belles Hot Chicken in Melbourne has most amazing vibe and best food.

https://Instagram.com/bridgetamusic 
https://Facebook.com/bridgetamusic 
https://bridgetallanmusic.bandcamp.com
March 8, 2021 0 comments
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Where are you currently based? Perth, Western Australia How did you first start playing music? I started making it after years of story writing and eventually poetry, but my first opportunity to really play live was thanks to GOAT 6K at The Bird. What's been happening recently and how has your Covid experience been? Covid slowed down the release of many visual stuff like the OUTLAW! Music Video for one, but gave me time to create heaps of innovative music and really experiment. I made heaps of music and watched a lot of movies too, which are usually my biggest inspiration for music Your single and video 'Outlaw' are out now, what influenced the sound and songwriting? The whole track and visuals were inspired by a short story I wrote ages ago called You Can’t Run From The Outlaw! where Wesley Black was a character who had to overcome vices and a bad conscience to become the best version of himself. The visual themes include a masked gang, a masquerade mask and a passenger seated Wesley, all working towards his journey in becoming the Outlaw- the alpha male, the best version of me How did you go about writing Outlaw? Inspired heavily by my short story, I wrote OUTLAW! as something positive and aggressive. It’s a track that reflects my un-anxious side, to say the least, which in a sense is the polar opposite to RED! This song is about achieving your highest heights and challenging yourself to the fullest. Where and when did you record/produce/master and who with? As I do with most of my tracks, I scout beats from a collection of Soundcloud trap producers. Once leased, I take my stems down to Shake Down Studios and record it, and then take it down to Boy Banks who co-produced and mixed and mastered this one. He is going to be mixing my entire EP, he really knows my sound. How did you approach the recording process? A lot of tea and a lot of energy. I rewatched Eyes Wide Shut before I recorded it, because that was such a big influence on this track, and helped me get into the whole Wesley Black character- I brought a lot of rage and energy to the session, and went hard on the ad-libs What influenced the video concept? The video was mainly inspired by my short story I wrote in my late teens about Wesley Black and the Outlaw, a neo-Western, where Wesley Black succumbs to his vices before turning around and standing on his own two feet. It’s just a cool revenge story I wrote, and a lot of visuals were also inspired by Eyes Wide Shut Where did you film and who did you work with? Justplay Media shot this one, and I directed and edited it myself using my storyboard I created a while back. We went all over the place, the red room scenes were shot in a sea container in Rockingham, the tea party were shot at a friends parents house and the horse scenes were shot at Sandeli Park. Everyone was super helpful. How has the creation of the video differed from your previous video's? In a lot of ways, it’s tied together. OUTLAW! features a lot of references to previous music videos, but it feels like a whole new level. I tried a lot of guerilla effects like crashing a car and using car mounts, but the lighting and camera movements feel much more cinematic, and the storyline works really well. Who are you listening to at the moment? A lot of Dominic Fike, Smino and Travis Scott. A strange mix, but they all offer something I’m really liking at the moment. What do you like to do away from music? Write stories, watch films and watch wrestling. All of these things inspire my music in the long run anyway. What's planned for 2021? A project I’m super proud of. The hardest tracks I can possibly do- it’s a whole new sound and i’m aiming to make a new subgenre off the backend of it. After that, I wanna try releasing something acoustic and raw. A whole variety this year. Favourite food and place to hangout? Haloumi cheese is the best. I love Asian and European food, Formosa Garden is sick too. Wesley is playing has a show this Friday 5th at Milk Bar in Perth FB - https://www.facebook.com/wesleyblacktv/ IG - https://www.instagram.com/wesleyblacktv/ TWITTER - https://twitter.com/wesleyblacktv
Music InterviewsMusic News

Wesley Black

by the partae March 4, 2021
written by the partae
Where are you currently based?
 
Perth, Western Australia
 
How did you first start playing music?
 
I started making it after years of story writing and eventually poetry, but my first opportunity to really play live was thanks to GOAT 6K at The Bird.
 
What’s been happening recently and how has your Covid experience been?
 
Covid slowed down the release of many visual stuff like the OUTLAW! Music Video for one, but gave me time to create heaps of innovative music and really experiment. I made heaps of music and watched a lot of movies too, which are usually my biggest inspiration for music
 
Your single and video ‘Outlaw’ are out now, what influenced the sound and songwriting?
 
The whole track and visuals were inspired by a short story I wrote ages ago called You Can’t Run From The Outlaw! where Wesley Black was a character who had to overcome vices and a bad conscience to become the best version of himself. The visual themes include a masked gang, a masquerade mask and a passenger seated Wesley, all working towards his journey in becoming the Outlaw- the alpha male, the best version of me
 
How did you go about writing Outlaw?
 
Inspired heavily by my short story, I wrote OUTLAW! as something positive and aggressive. It’s a track that reflects my un-anxious side, to say the least, which in a sense is the polar opposite to RED! This song is about achieving your highest heights and challenging yourself to the fullest.
 
Where and when did you record/produce/master and who with?
 
As I do with most of my tracks, I scout beats from a collection of Soundcloud trap producers. Once leased, I take my stems down to Shake Down Studios and record it, and then take it down to Boy Banks who co-produced and mixed and mastered this one. He is going to be mixing my entire EP, he really knows my sound.
 
How did you approach the recording process?
 
A lot of tea and a lot of energy. I rewatched Eyes Wide Shut before I recorded it, because that was such a big influence on this track, and helped me get into the whole Wesley Black character- I brought a lot of rage and energy to the session, and went hard on the ad-libs
 
What influenced the video concept?
 
The video was mainly inspired by my short story I wrote in my late teens about Wesley Black and the Outlaw, a neo-Western, where Wesley Black succumbs to his vices before turning around and standing on his own two feet. It’s just a cool revenge story I wrote, and a lot of visuals were also inspired by Eyes Wide Shut
 
Where did you film and who did you work with?
Justplay Media shot this one, and I directed and edited it myself using my storyboard I created a while back. We went all over the place, the red room scenes were shot in a sea container in Rockingham, the tea party were shot at a friends parents house and the horse scenes were shot at Sandeli Park. Everyone was super helpful.
How has the creation of the video differed from your previous video’s?
 
In a lot of ways, it’s tied together. OUTLAW! features a lot of references to previous music videos, but it feels like a whole new level. I tried a lot of guerilla effects like crashing a car and using car mounts, but the lighting and camera movements feel much more cinematic, and the storyline works really well.
 
Who are you listening to at the moment?
 
A lot of Dominic Fike, Smino and Travis Scott. A strange mix, but they all offer something I’m really liking at the moment.
 
What do you like to do away from music?
 
Write stories, watch films and watch wrestling. All of these things inspire my music in the long run anyway.
 
What’s planned for 2021?
 
A project I’m super proud of. The hardest tracks I can possibly do- it’s a whole new sound and i’m aiming to make a new subgenre off the backend of it. After that, I wanna try releasing something acoustic and raw. A whole variety this year.
 
Favourite food and place to hangout?
 

Haloumi cheese is the best. I love Asian and European food, Formosa Garden is sick too.

 

 

Wesley is playing has a show this Friday 5th at Milk Bar in Perth

FB – https://www.facebook.com/wesleyblacktv/

IG – https://www.instagram.com/wesleyblacktv/

TWITTER – https://twitter.com/wesleyblacktv

March 4, 2021 0 comments
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David M. Western
Music InterviewsMusic News

David M. Western

by the partae March 3, 2021
written by the partae

Where are you currently based?

Hi I’m based in Melbourne where are you? Can you see me? I’m the one in the blue t shirt waving

How did you first start playing music?

I first picked up a guitar in primary school but started playing real music and writing songs later in high school. I had some friends that could play Elliott Smith songs and I knew that I needed to be able to do that. 

What’s been happening recently and how has your Covid experience been?

My experience has been okay. I’ve been investing a lot of myself in getting the album together, and making sure these songs sound as good as they can. Lots of gardening and staying in touch with family and friends as much as I can. I was also lucky enough to work throughout the lockdowns here in Melbourne so I was able to get out of the house and hone my gardening chops more.

You’ve recently released your latest two singles ‘Instant Life’ and new one ‘Take Your Opportunities’ off your forthcoming debut album, what influenced the sound and songwriting?

I think the sound was influenced by the songwriting if that makes any sense. With this latest track, because the words just roll along, we needed the production to just tick along underneath the stream of consciousness style prose. I would say the songwriting was influenced by this want I had at the time to write a song that had a fun melody and a rollicking, rhythmic pentameter, at no point was I like ‘I need this to sound like The Beatles’ or whatever. 

How did you go about writing these singles and the album?

It’s all some form of self exploration I guess. I dive into some feeling I have or some world I feel like creating. Take Your Opportunities has a feeling to me. I wanted to write about being a weird, sorry weirdo looking for love.

Where and when did you record/produce/master and who with?

Recorded in Collingwood Melbourne. Engineered & mixed by Alex O’Gorman, and produced by Joe Orton. We all also did bits and bobs from our homes. We recorded the foundations of the track (drums, bass) in December 2019 but I went back to the studio in 2020 in between lockdowns to touch up vocals and guitar. 

How did you approach the recording process?

We recorded it live with us all playing together quietly. It used to be this barnstormer of a song but when it came to recording it there was a soul in the song that wasn’t fully being brought to light. Normally if something isn’t working we just try the complete opposite and see what happens and I think here it worked so well to go from hectic and in your face to more patient and charming. 

Who are you listening to at the moment?

Willie Nelson, Aretha Franklin, Bill Evans, Mary Littlemore, Mia Dyson and Neil Young

What do you like to do away from music?

I enjoy gardening and being a cowboy yeehaw 

What’s planned for 2021?

Two more singles and an album. And gardening. I wanna learn more about plants and dirt and shit 

Favourite food and place to hangout?

Fave food is tacos ! Little Hop on Brunswick Street I hope you’re ready.

 

LISTEN/WATCH
https://backl.ink/144210990

Bandcamp:

https://davidmwestern.bandcamp.com/

Apple Music:
https://music.apple.com/au/album/gallery-single/1464646925?app=itunes&ign-mpt=uo%3D4 

Spotify:

https://open.spotify.com/album/5hg9fUgDqYQrH2zTKWNdzP 

Insta:

http://instagram.com/davidmwestern 

FB:

http://fb.com/davidmwestern 

March 3, 2021 0 comments
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Where are you based?  I’m from a small town of Pravdinsk (Kaliningrad region, Russia). At the moment I live in one of the districts of Kaliningrad.   What influenced the sound behind your debut EP on Soma Records, titled Rave Is Dead? I started working on the release in the first wave of covid, when we were all at home, it was spring, I remember it like it was yesterday. It was warm enough and the windows of the house were constantly opened. A public warning system was often triggered on the street, where police told everyone through the loud speakers to stay at home and follow the rules. At that time only food stores and pharmacies worked. Everything was not clear, what's next?! This made me angry. But at the same time I had a lot of free time and was locked in 4 walls. It all pressed psychologically, I wanted to destroy these walls. So I began to write this EP.   What inspired the title of the EP? Rave Is Dead is a kind of "scream of despair". We're all locked up, the rave is out of breath and needs a new impulse. Hope it happens soon. Very soon ...   What is your creative process like and how much did lockdown influence this? At that time, nothing distracted me. I devoted most of my time to music, so I could distract myself from everything that was happening around. Only occasionally I watched TV series or my brother and I went into the woods to the old broken bridge so that the police would not catch us and issue a fine, then it was impossible to leave the house, and there we listened to new demos through small speakers. Then we discussed them. Sounds weird, but it was also a weird time.   How did you approach the recording and production process for the Rave Is Dead EP? When I sit down to work, I immerse myself in it. Sometimes I don't even hear when my family members call me from the next room. I have a laptop, sound card, microphone and headphones at my disposal. I record a lot of live sounds; how the car brakes outside the window or for example, the metallic sound of a pan, a lot of things. Then you process it all and choose the best moments. I experiment a lot.   Have you always been a fan of Soma Records? Yes, I've been following the label for a long time. And to be honest, I couldn’t even imagine that my tracks someday will be released on this label. I am very happy.   When did you first start playing music and how did this evolve into electronic music? It was about 2006, I don't remember exactly. I was in high school and began to make the first steps in creativity. I was listening to drum'n'bass and started to write it. Over time tastes and quality changed and in the end I came to the music that I make now.   Who would you say are your biggest musical influences? This is my brother. It was he who "hooked" me on music: The Prodigy, The Chemical Brothers, etc. I fell in love with this music.   Once the world can dance again, where are you most excited to play? Let me dream a little. I haven't traveled outside the country for a long time. Now it has become much more difficult, but I really hope that this is all temporary. I would like to visit and perform in cities such as London, Berlin, Amsterdam and many others.   What does the rest of 2021 hold for Namesis? New releases, new collaborations, preparing a live performance and that's not all. Soon you will definitely hear and see everything yourself!
Music InterviewsMusic News

Namesis

by the partae March 2, 2021
written by the partae
The dark & brooding sound of Russian producer Namesis debuts on Soma Records with the Rave Is Dead EP on 8th March. Taking inspiration from various electronic disciplines such as new beat, EBM and even industrial, Namesis has created a solid release consisting of superbly crafted dark, synth driven music.
He started working on the 5 track EP during the first wave of Covid when he was at home in Kaliningrad, the westernmost city in Russia. A public warning system was often triggered on the street with the police using loudspeakers, warning them to stay home and follow the rules. Experimenting with lots of live sounds from car brakes to the metallic sounds of a pan became a form of escape from the confines of home.

Where are you based? 

I’m from a small town of Pravdinsk (Kaliningrad region, Russia). At the moment I live in one of the districts of Kaliningrad.

 

What influenced the sound behind your debut EP on Soma Records, titled Rave Is Dead?

I started working on the release in the first wave of covid, when we were all at home, it was spring, I remember it like it was yesterday. It was warm enough and the windows of the house were constantly opened. A public warning system was often triggered on the street, where police told everyone through the loud speakers to stay at home and follow the rules. At that time only food stores and pharmacies worked. Everything was not clear, what’s next?! This made me angry. But at the same time I had a lot of free time and was locked in 4 walls. It all pressed psychologically, I wanted to destroy these walls. So I began to write this EP.

 

What inspired the title of the EP?

Rave Is Dead is a kind of “scream of despair”. We’re all locked up, the rave is out of breath and needs a new impulse. Hope it happens soon. Very soon …

 

What is your creative process like and how much did lockdown influence this?

At that time, nothing distracted me. I devoted most of my time to music, so I could distract myself from everything that was happening around. Only occasionally I watched TV series or my brother and I went into the woods to the old broken bridge so that the police would not catch us and issue a fine, then it was impossible to leave the house, and there we listened to new demos through small speakers. Then we discussed them. Sounds weird, but it was also a weird time.

 

How did you approach the recording and production process for the Rave Is Dead EP?

When I sit down to work, I immerse myself in it. Sometimes I don’t even hear when my family members call me from the next room. I have a laptop, sound card, microphone and headphones at my disposal. I record a lot of live sounds; how the car brakes outside the window or for example, the metallic sound of a pan, a lot of things. Then you process it all and choose the best moments. I experiment a lot.

 

Have you always been a fan of Soma Records?

Yes, I’ve been following the label for a long time. And to be honest, I couldn’t even imagine that my tracks someday will be released on this label. I am very happy.

 

When did you first start playing music and how did this evolve into electronic music?

It was about 2006, I don’t remember exactly. I was in high school and began to make the first steps in creativity. I was listening to drum’n’bass and started to write it. Over time tastes and quality changed and in the end I came to the music that I make now.

 

Who would you say are your biggest musical influences?

This is my brother. It was he who “hooked” me on music: The Prodigy, The Chemical Brothers, etc. I fell in love with this music.

 

Once the world can dance again, where are you most excited to play?

Let me dream a little. I haven’t traveled outside the country for a long time. Now it has become much more difficult, but I really hope that this is all temporary. I would like to visit and perform in cities such as London, Berlin, Amsterdam and many others.

 

What does the rest of 2021 hold for Namesis?

New releases, new collaborations, preparing a live performance and that’s not all. Soon you will definitely hear and see everything yourself!

 

Connect with Namesis:

Instagram

Facebook

Soundcloud

Connect with Soma Records:

Instagram

Facebook

Soundcloud

March 2, 2021 0 comments
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Sarah Jane is a prolific Alt-Rock, Indie singer, songwriter from Sydney, Australia who has amassed a huge online following. ‘Lately’ is the first single from her new EP and is out now.  With over 290,000 subscribers and 30 million views on YouTube it would be accurate to call the young musician a viral sensation.  The new EP follows two solo albums “Absence’, an acoustic album released in 2019, and the album ‘Tainted Timeline” released late in 2020. Sarah Jane has released two full-length records with her band ‘The Violet Stones’ over the same period. Sarah Jane has over 80,000 streams on her single ‘Backwards’, over 10,000 streams on both ‘Sleepwalking’ and ‘Control’ on Spotify and has been played on Home & Hosed on Triple J. Sarah Jane – ‘‘Lately’ is about the anxiety felt when you feel like you’re not needed anymore in a relationship. Even when you know it’s in your head, it’s hard to bring yourself out of it. Tying in with the video, it shows the emptiness and the dark emotions that come with anxiety.” Sarah played and recorded all the instruments on Lately. The track was mixed/mastered by George Pauley. Where are you currently based?  I’m currently based in the Inner West of Sydney! I just moved to this area in January  How did you first start playing music?  I’ve always had an interest in music but it wasn’t until my dad pushed me to learn piano and over the years I slowly moved over to singing, guitar & drums.  What's been happening recently and how has your Covid experience been?  This past year has really given me some time to just buckle down and record as much as I can. Sometimes it’s hard to balance playing shows & recording so I’m not sure if I would have released an album and be able to work on another EP if Covid didn’t happen. I did miss out on playing some really cool shows mid 2020 which is such a shame as I love playing live but there was a silver lining.  Your new single 'Lately' is out now, what influenced the sound and songwriting?  I wrote the song in March of 2020 and I had been listening to a lot of PJ Harvey and Hum at the time & what I love a lot about those bands are the dynamics and production. I guess I have been trying to match the vibe of PJ Harvey’s ‘Rid of Me’ & Hum’s ‘You’d prefer an Astronaut’.  Where and when did you record/produce/master?  I recorded everything myself in my (my dad’s) small home studio around September 2020. My dad’s a drummer so he has all the equipment which I’m super lucky to have access to as well as a bunch of recording gear. I also played all the instruments myself as it’s so much easier to come up with parts as I know what my vision is & there’s no messy communication.  I also got really into different recording techniques & I originally wanted to mix it myself but I decided I shouldn’t put too much pressure on myself. George Pauley ended up mixing and mastering it!  Please tell us about how the concept for the video came about:  The song is mainly about unreasonable anxiety and feeling as though you’re not needed anymore in a relationship. The way I see it connect to the video is that is a representation and visualisation of anxiety. Being in one room, just indulging in the feeling and then walking out like nothing ever happened can just visualise some anxieties. You know it’s unreasonable but you’re still anxious!  We just wanted to portray a certain set of emotions that were connected to the songs meaning.  Where and when did you film and who did you work with?  The whole of the video (direction, concept, editing, filming etc.) was done by Jack Barratt. I wanted to have one less thing to worry about when it came to the release of the song so he basically come up with everything haha We filmed it in around 4 hours at a budget hotel in the Inner West. It was a tiny room and even smaller bathroom, but we made it work!  What did you find most challenging and rewarding during the creation on the video?  100% the shower scene. It was so uncomfortable getting wet in clothes and it was even worse in the last scene where I had to walk out whilst I was still wet. It was so cold! But the shower shot is definitely my favourite so it was worth it! Please tell us about any upcoming shows:  I have a show this Sunday (28th Feb) at The Factory Theatre with our friends Monstahouse and Jerranis supporting. This will be my first live show where I have a band backing me. I’m so excited to finally play my songs live and loud! How did you prepare for live shows?  I’m definitely a stress head when it comes to playing shows. I’m always scared of running late or forgetting how to play the songs so I definitely prepare by getting there early and just having some time to chill beforehand & making sure my voice is warmed up & drinking plenty of water.  You have an EP on the way, what can you tell us?  I’ve been nonstop working on new music! This EP will be a little bit different from my last album. It’s less full-on grunge, more light, a little post-rock, think Mogwai meets Failure...  Who are you listening to at the moment?  I’m listening to a lot of Failure, OH and Hayley Williams just released a new album and it’s been on repeat ever since. Some Queens of the Stone Age, A LOT of Radiohead (as usual) & Porcupine Tree. What do you like to do away from music?  This is sort of lame but I love planning things & cleaning (super lame I know but it’s therapeutic!). I also just like to chill and watch TV shows, play games with friends or go thrift shopping.  Favourite food and place to hangout?  I love going to Newtown, so many yummy vegan restaurants to choose from. Gotta love Gigi’s Pizza!  Lately Video https://www.youtube.com/watch?v=vl0-5IrBVTY Linktree https://linktr.ee/sarahmusicjane
Music InterviewsMusic News

Sarah Jane

by the partae March 2, 2021
written by the partae

Sarah Jane is a prolific Alt-Rock, Indie singer, songwriter from Sydney, Australia who has amassed a huge online following. ‘Lately’ is the first single from her new EP and is out now.

With over 290,000 subscribers and 30 million views on YouTube it would be accurate to call the young musician a viral sensation.

The new EP follows two solo albums “Absence’, an acoustic album released in 2019, and the album ‘Tainted Timeline” released late in 2020. Sarah Jane has released two full-length records with her band ‘The Violet Stones’ over the same period.

Sarah Jane has over 80,000 streams on her single ‘Backwards’, over 10,000 streams on both ‘Sleepwalking’ and ‘Control’ on Spotify and has been played on Home & Hosed on Triple J.

Sarah Jane – ‘‘Lately’ is about the anxiety felt when you feel like you’re not needed anymore in a relationship. Even when you know it’s in your head, it’s hard to bring yourself out of it. Tying in with the video, it shows the emptiness and the dark emotions that come with anxiety.”

Sarah played and recorded all the instruments on Lately. The track was mixed/mastered by George Pauley.

Where are you currently based?

I’m currently based in the Inner West of Sydney! I just moved to this area in January

How did you first start playing music?

I’ve always had an interest in music but it wasn’t until my dad pushed me to learn piano and over the years I slowly moved over to singing, guitar & drums.

What’s been happening recently and how has your Covid experience been?

This past year has really given me some time to just buckle down and record as much as I can. Sometimes it’s hard to balance playing shows & recording so I’m not sure if I would have released an album and be able to work on another EP if Covid didn’t happen. I did miss out on playing some really cool shows mid 2020 which is such a shame as I love playing live but there was a silver lining.

Your new single ‘Lately’ is out now, what influenced the sound and songwriting?

I wrote the song in March of 2020 and I had been listening to a lot of PJ Harvey and Hum at the time & what I love a lot about those bands are the dynamics and production. I guess I have been trying to match the vibe of PJ Harvey’s ‘Rid of Me’ & Hum’s ‘You’d prefer an Astronaut’.

Where and when did you record/produce/master?

I recorded everything myself in my (my dad’s) small home studio around September 2020. My dad’s a drummer so he has all the equipment which I’m super lucky to have access to as well as a bunch of recording gear. I also played all the instruments myself as it’s so much easier to come up with parts as I know what my vision is & there’s no messy communication.

I also got really into different recording techniques & I originally wanted to mix it myself but I decided I shouldn’t put too much pressure on myself. George Pauley ended up mixing and mastering it!

Please tell us about how the concept for the video came about:

The song is mainly about unreasonable anxiety and feeling as though you’re not needed anymore in a relationship. The way I see it connect to the video is that is a representation and visualisation of anxiety. Being in one room, just indulging in the feeling and then walking out like nothing ever happened can just visualise some anxieties. You know it’s unreasonable but you’re still anxious!  We just wanted to portray a certain set of emotions that were connected to the songs meaning.

Where and when did you film and who did you work with?

The whole of the video (direction, concept, editing, filming etc.) was done by Jack Barratt. I wanted to have one less thing to worry about when it came to the release of the song so he basically come up with everything haha We filmed it in around 4 hours at a budget hotel in the Inner West. It was a tiny room and even smaller bathroom, but we made it work!

What did you find most challenging and rewarding during the creation on the video?

100% the shower scene. It was so uncomfortable getting wet in clothes and it was even worse in the last scene where I had to walk out whilst I was still wet. It was so cold! But the shower shot is definitely my favourite so it was worth it!

How did you prepare for live shows?

I’m definitely a stress head when it comes to playing shows. I’m always scared of running late or forgetting how to play the songs so I definitely prepare by getting there early and just having some time to chill beforehand & making sure my voice is warmed up & drinking plenty of water.

You have an EP on the way, what can you tell us?

I’ve been nonstop working on new music! This EP will be a little bit different from my last album. It’s less full-on grunge, more light, a little post-rock, think Mogwai meets Failure…

Who are you listening to at the moment?

I’m listening to a lot of Failure, OH and Hayley Williams just released a new album and it’s been on repeat ever since. Some Queens of the Stone Age, A LOT of Radiohead (as usual) & Porcupine Tree.

What do you like to do away from music?

This is sort of lame but I love planning things & cleaning (super lame I know but it’s therapeutic!). I also just like to chill and watch TV shows, play games with friends or go thrift shopping.

Favourite food and place to hangout?

I love going to Newtown, so many yummy vegan restaurants to choose from. Gotta love Gigi’s Pizza!

Lately Video

https://www.youtube.com/watch?v=vl0-5IrBVTY

Linktree

https://linktr.ee/sarahmusicjane

March 2, 2021 0 comments
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I live in Thornbury, Melbourne/Naarm. My mum used to play in bands. She was a huge rock chick so she inspired me big time. I listened to all the music that she listened to so Norah Jones was actually my idol when I was super young. I loved to dance when I was younger too so I ended up doing musical theatre classes to get my music hit. COVID was a particularly grounding time for me. I had been writing for over a year before I released by debut single in April 2020. In terms of music, the stillness of last year enabled me to focus intently on each release. I held a lot of space for growth. Vigor is all about life force and energy. I wrote a poem last year and it was about unlocking that potential, reaching that high whether it be through your own doing or by being around someone that has that affect on you. I wanted to write a song that encapsulated that feeling.  I caught up with my producer and he had put down some nice chords. We played around with this drum beat and slowed it down until it almost flickered like energy itself. That’s when I remembered the poem I wrote and it was pretty wild how seamlessly it fit into the track. I recorded the song towards the end of last year in Melbourne/Naarm. It was actually recorded in my producer Jahn Rae’s home studio. It was mastered by Becki Whitton. This whole process felt effortless. The vocals you hear in the track are the very first vocals I ever put down for it. I grew up doing musical theatre and have gigged across Melbourne for years so I love singing live. I always think my best work happens in my first few takes. Of course sometimes it can take a little longer but I love hearing the emotion and authenticity in vocals so once I’m trying too hard – I can hear it and I don’t like it. Vigor however, came together very quickly.  Music changes depending on my mood. If I’m cooking I listen to Four Tet, when I’m relaxing I listen to Rhye, when I want to move I listen to Kllo. If I’m feeling reminiscent, I will listen to Bon Iver or Augie March. Away from music, I’m quite a Nonna! I love to cook, cuddle my dog Bentley, knit and do all kinds of arts and crafts. My partner Lochlan is an artist so we spend a lot of time manifesting, thinking and creating. I’ve got a fig tree in my back yard so spending my weekends making jam at the moment. I also love being outdoors, going for long bush walks or going away in our van.  I have lots of fun things coming up. Planning an EP release at the moment for this year, I’ll share some more info on that soon but at the moment it is still a work in progress. Other than that, writing and gigs. It has been really hard during COVID to go out and sing live and forward plan for that kind of thing, but I am super hopeful for this year. Favourite food: I’m Italian so I can’t go past pizza or pasta. Luckily we’re spoiled for choice close to home but nothing beats a home-made meal at Nonna’s house. Favourite place to hang out: Nonna’s house. Instagram: https://www.instagram.com/_jiordy/Jiordy Spotify: https://open.spotify.com/artist/5jkxZg4bKJM4PEUW29fy7f Facebook: https://www.facebook.com/jiordy.music Twitter: https://twitter.com/_jiordy
Music InterviewsMusic News

Jiordy

by the partae March 1, 2021
written by the partae

Where are you currently based?

I live in Thornbury, Melbourne/Naarm.

How did you first start playing music?

My mum used to play in bands. She was a huge rock chick so she inspired me big time. I listened to all the music that she listened to so Norah Jones was actually my idol when I was super young. I loved to dance when I was younger too so I ended up doing musical theatre classes to get my music hit.

What’s been happening recently and how has your Covid experience been so far?

COVID was a particularly grounding time for me. I had been writing for over a year before I released by debut single in April 2020. In terms of music, the stillness of last year enabled me to focus intently on each release. I held a lot of space for growth.

Please tell us what influenced the sound and songwriting for your upcoming single ‘Vigor’?

Vigor is all about life force and energy. I wrote a poem last year and it was about unlocking that potential, reaching that high whether it be through your own doing or by being around someone that has that affect on you. I wanted to write a song that encapsulated that feeling. 

How did you go about writing Vigor?

I caught up with my producer and he had put down some nice chords. We played around with this drum beat and slowed it down until it almost flickered like energy itself. That’s when I remembered the poem I wrote and it was pretty wild how seamlessly it fit into the track.

Where and when did you record/produce/master and who with?

I recorded the song towards the end of last year in Melbourne/Naarm. It was actually recorded in my producer Jahn Rae’s home studio. It was mastered by Becki Whitton.

How did you approach the recording process and what did you find most challenging and rewarding?

This whole process felt effortless. The vocals you hear in the track are the very first vocals I ever put down for it. I grew up doing musical theatre and have gigged across Melbourne for years so I love singing live. I always think my best work happens in my first few takes. Of course sometimes it can take a little longer but I love hearing the emotion and authenticity in vocals so once I’m trying too hard – I can hear it and I don’t like it. Vigor however, came together very quickly.

Who are you listening to at the moment?

Music changes depending on my mood. If I’m cooking I listen to Four Tet, when I’m relaxing I listen to Rhye, when I want to move I listen to Kllo. If I’m feeling reminiscent, I will listen to Bon Iver or Augie March.

What do you like to do away from music?

Away from music, I’m quite a Nonna! I love to cook, cuddle my dog Bentley, knit and do all kinds of arts and crafts. My partner Lochlan is an artist so we spend a lot of time manifesting, thinking and creating. I’ve got a fig tree in my back yard so spending my weekends making jam at the moment. I also love being outdoors, going for long bush walks or going away in our van. 

What’s planned for the remainder of 2020 going into 2021?

I have lots of fun things coming up. Planning an EP release at the moment for this year, I’ll share some more info on that soon but at the moment it is still a work in progress. Other than that, writing and gigs. It has been really hard during COVID to go out and sing live and forward plan for that kind of thing, but I am super hopeful for this year.

Favourite food and place to hangout?

I’m Italian so I can’t go past pizza or pasta. Luckily we’re spoiled for choice close to home but nothing beats a home-made meal at Nonna’s house. Favourite place to hang out is Nonna’s house.

Instagram: https://www.instagram.com/_jiordy/
Spotify: https://open.spotify.com/artist/5jkxZg4bKJM4PEUW29fy7f
Facebook: https://www.facebook.com/jiordy.music
Twitter: https://twitter.com/_jiordy

 

March 1, 2021 0 comments
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Where are you currently based? I'm based in London (UK) How did you first start playing music? I used to play the guitar when I was 12, I was in love with that instrument and after few years I start recording myself and then I put all myself into the electronic music world. What's been happening recently and how has your Covid experience been so far? This year was so hard! Nobody was expecting something like this, I feel so sorry for all those people who have lost someone ; For me was a great great year about my music,  cause I had a lot of time for give a shape to all my ideas, I finished my album and I'm really proud for this.  About my personal life as well, I had a lot more time for listen music, enjoy my time with my girlfriend and more, but of course I want to come back to a normal life. Your latest album 'Plastika | Music for a Film ' is out now, what influenced the sound and songwriting? Yes, the album was released the 9th of January, there is a lot of different influences inside, I took a lot of inspiration from the album 'Anima' by Thom Yorke, from the first time I heard it I felt in love with that album, then clearly I am very influenced by all the music I listen to,  But when I work on a record I try to listen to new things as little as possible so as not to be influenced to much and always be original. How did you go about writing Plastika? I started writing it before the lockdown and the pandemic, I had may ideas but I didn't have the material time to finish it, then as we all know there was this bad period and I found the time to immerse myself in the production of the album, I had 3 songs already done, and I started from those songs to build the mood of the work, it was easy, I had all the ideas in my mind, I just gave them shape, I really like the final result. Where and when did you record/produce/master and who did you work with? I produce all the album in my flat in London, I start around February 2020 and I finished it in December 2020, I did everything by myself, production and mixing, the master was made by a really friend of mine in his studio in London, I also worked with the artist Alex Kuznetsov for the artwork of the album, I wanted to give to the album a surrealistic mood, and with Alex's paint is absolutely perfect. What programs/equipment did you use? For 'Plastika | Music for a film ' I used Mixcraft 9 pro studio, A great software! My computer, audio Interface and headphones, then synthetisers, sampler, midi controller and a lot of VST and field recordings. How did you come to release with American label Cleopatra Records? It was a coincidence, I was working for a song with the great artist ' Prison Escapee ' and we start chatting, after few months he signed for Cleopatra Records, so I decided to send to them the demo of the album, they loved it, and here we are! Is a great honour for me to be part of this great label!  Please tell us about the sadness around your music: There is no greater sorrow than to recall in misery the time when we were happy . The sadness for me is the purest and real feeling, there is no lies in the sadness, I think happiness can be fake sometimes, the sadness no, is real!  Then after all the world where we live is a bit sad most of the time, for this reason I want my music as a mirror, a mirror for reflect this life seen with my eyes. Who are you listening to at the moment? I would need more then an hour for write all the music I listen to hahah. Radiohead, Tim Hecker, Eartheather, Caterina Barbieri, Alessandro Cortini, Saffronkeira, Sigur Ros, Nils Frahm, Deru, Four tet and in the last months I felt in love with Pluhm, an Italian artist, unbelievably good. What do you like to do away from music? I would like to be a painter! I paint sometimes, but I'm not so good hahaha, I love art and I love litterateur and movies, I would lo to work as a director as well. What's planned for 2021? Hope this pandemic is going to finish, I really want to go somewhere around, maybe Japan or USA, but even some nice place in Europe will be ok, and of course I'm already
Music InterviewsMusic News

Michael it’z

by the partae March 1, 2021
written by the partae
Where are you currently based?

I’m based in London (UK)

How did you first start playing music?

I used to play the guitar when I was 12, I was in love with that instrument and after few years I start recording myself and then I put all myself into the electronic music world.

What’s been happening recently and how has your Covid experience been so far?

This year was so hard! Nobody was expecting something like this, I feel so sorry for all those people who have lost someone ; For me was a great great year about my music,  cause I had a lot of time for give a shape to all my ideas, I finished my album and I’m really proud for this.

About my personal life as well, I had a lot more time for listen music, enjoy my time with my girlfriend and more, but of course I want to come back to a normal life.

Your latest album ‘Plastika | Music for a Film ‘ is out now, what influenced the sound and songwriting?

Yes, the album was released the 9th of January, there is a lot of different influences inside, I took a lot of inspiration from the album ‘Anima’ by Thom Yorke, from the first time I heard it I felt in love with that album, then clearly I am very influenced by all the music I listen to, but when I work on a record I try to listen to new things as little as possible so as not to be influenced to much and always be original.

How did you go about writing Plastika?

I started writing it before the lockdown and the pandemic, I had may ideas but I didn’t have the material time to finish it, then as we all know there was this bad period and I found the time to immerse myself in the production of the album, I had 3 songs already done, and I started from those songs to build the mood of the work, it was easy, I had all the ideas in my mind, I just gave them shape, I really like the final result.

Where and when did you record/produce/master and who did you work with?

I produce all the album in my flat in London, I start around February 2020 and I finished it in December 2020, I did everything by myself, production and mixing, the master was made by a really friend of mine in his studio in London, I also worked with the artist Alex Kuznetsov for the artwork of the album, I wanted to give to the album a surrealistic mood, and with Alex’s paint is absolutely perfect.

What programs/equipment did you use?

For ‘Plastika | Music for a film ‘ I used Mixcraft 9 pro studio, A great software! My computer, audio Interface and headphones, then synthetisers, sampler, midi controller and a lot of VST and field recordings.

How did you come to release with American label Cleopatra Records?

It was a coincidence, I was working for a song with the great artist ‘ Prison Escapee ‘ and we start chatting, after few months he signed for Cleopatra Records, so I decided to send to them the demo of the album, they loved it, and here we are! Is a great honour for me to be part of this great label!

Please tell us about the sadness around your music:

There is no greater sorrow than to recall in misery the time when we were happy .

The sadness for me is the purest and real feeling, there is no lies in the sadness, I think happiness can be fake sometimes, the sadness no, is real!

Then after all the world where we live is a bit sad most of the time, for this reason I want my music as a mirror, a mirror for reflect this life seen with my eyes.

Who are you listening to at the moment?

I would need more then an hour for write all the music I listen to hahah.

Radiohead, Tim Hecker, Eartheather, Caterina Barbieri, Alessandro Cortini, Saffronkeira, Sigur Ros, Nils Frahm, Deru, Four tet and in the last months I felt in love with Pluhm, an Italian artist, unbelievably good.

What do you like to do away from music?

I would like to be a painter! I paint sometimes, but I’m not so good hahaha, I love art and I love litterateur and movies, I would lo to work as a director as well.

What’s planned for 2021?

Hope this pandemic is going to finish, I really want to go somewhere around, maybe Japan or USA, but even some nice place in Europe will be ok, and of course I’m already working on my next album.

Favourite food and place to hangout?

I’m Italian, love pasta! More then anything else hahaha but I love sushi as well! My favourite place here in London is Sushi Samba, I go there often for eat.

https://open.spotify.com/album/1iamIgoNTJ4drlbxRAUBpm?si=mb-Q8ZaLTmCbsbCX8P7jCQ&utm_source=copy-link&nd=1

https://songwhip.com/michael–itz
Instagram : __michaelitz__
Facebook : michaelitzmusic
Twitter : michaelitz
March 1, 2021 0 comments
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Ameli Paul
Music InterviewsMusic News

Ameli Paul

by the partae February 28, 2021
written by the partae

When Ameli and Paul’s paths crossed in 2016, they immediately felt the urge to fuse their approaches of making music – the succinct productions of Paul, with Ameli’s inherent songlike musicality and sentimental voice. Constantly evolving their live performance over the last few years, the duo stands for a stirring electronic sound that ranges from cinematic excursions to pop-like song structures.

Synthesizers, field recordings, vocals and guitars join forces across their musical playground as the pair creates thrilling dance tunes to dive into and get lost in. Playing live in renowned clubs and festivals, Ameli Paul are increasingly known for casting a spell on their audience. It’s this unique, multifaceted sound that is effortlessly melting genre boundaries and listeners’ hearts around the world.

Now Ameli Paul conjures up a full-spectrum EP that showcases their distinct musical variety, with the brand new three-part package Beyond Reason on MEIOSIS. We had a chance to sit down with the guys from their home city of Cologne to find out more.

Hi guys, great to have you with us for the first time. How are you both doing?

Nice to meet you! We are doing great, hope you too!

Where are you each based at the moment and how has the past twelve months been?

Paul: We are both based in Cologne, Germany. The last twelve months have been quite a rollercoaster. First I was psyched to spend more time in the studio, then I missed touring and meeting new people a lot. But at the end I think we made the best out of it and created a lot of stuff that will see the light of day soon.

Your latest EP ‘Beyond Reason’ has just dropped on MEIOSIS. What are the main influences and creative inspirations behind this record?

Ameli: First of all, our ups and downs of the last year have been the main source of inspiration. So it’s a mixture of melancholia and hope, regression and now-more-than-ever. Besides that, in these times we didn’t think so much about producing music for the dancefloor and felt more freedom in our creative process.

How did the remix from Aera come about?

Paul: We love Aera’s sound for quite some time, for instance his track ‘Terra’ he did with TERR or ‘Running hot’ are amazing. When he joined the same agency the idea occurred to have him on the EP. The remix is a real banger!

When did you two start making records together?

Paul: It was in 2016 that we met for the first time at a festival and arranged a session in the studio which turned into a four hours jam, two months later we uploaded our first track on Soundcloud.

Do you have similar approaches to the way you produce music? 

Ameli: We have quite similar taste in music, but our approaches are totally different. That’s maybe one reason why we feel inspired when playing together. I just love jamming together with synthesizers, effects and my voice in an intuitive way. Paul can sit for hours dealing with Ableton, creating beats. We constantly find new ways to fuse our different ways of creating music.

Can you talk to us about your production set up? What instruments and bits of kits were used in the creation of the new release?

Ameli: I used the Prophet Rev2 for chords and melodic elements. My vocals go through a Line6 Delay, DD3 and a Polara Reverb. Paul operates Ableton Live, a Model D, there is a tiny bit of guitar in Beyond Reason and both tracks have pieces of his field-recordings for beat elements and atmo.

How do you spend your time when you’re not making music?

Paul: Besides music, I am working as a psychologist. Since quite some time I have been interested in connecting these two things.

Ameli: At the moment I spend a lot of time hanging out with my flatmates and cooking delicious food, for example with our new pasta machine.

Who are you listening to at the moment?

We very much enjoy listening to Men I Trust and Lous and the Yakuza at the moment.

Once the world can dance together again, where are you most excited to play?

Ameli: Oh I can’t wait to play in little sweaty clubs, people dancing full of joy. But I am also super eager to play on an open air festival stage with great lights.

Paul: I couldn’t agree more!

 

February 28, 2021 0 comments
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CORDUROY SPACESHIP returns for 2021 with new single 'I DON'T CRY'
Music InterviewsMusic News

CORDUROY SPACESHIP

by the partae February 26, 2021
written by the partae

Where did ‘I Don’t Cry’ first start for you – how does the song resonate with you now?

The first part i wrote was the opening guitar line. Usually I fall out of love with stuff i’ve written shortly after releasing it, but this track has stayed in a pretty positive light with me which is unusual.

Your sound is super intricate and developed; can you remember your early sonic influences and do you think those influences have stayed the same now?

I was really into a weird mixture of Neil Young and hip hop as a kid and still am. I think you can see those influences in my song structures and drum sounds.

Who is inspiring you now (think of this as a bit of a recommendation question for readers)? 

Dan Auerbach’s ‘Waiting on A Song’ and Lewis Coleman’s ‘Method of Places’

Can you tell us a bit about where you recorded ‘I Don’t Cry’ and who you worked with? 

I Don’t Cry was recorded entirely by myself in three different bedrooms I have lived in over the last 12 months, one of which was a shed in Brunswick. The only other hands and ears to touch it were those of Mastering Engineer George Georgiadis @ Little Wing Sound

Were there any particular highlights of the creation process for you?

I didn’t plan on having any drums in the bridge but on the day I recorded the drums I kind stumbled upon a drum part while i was setting up the kit and fell in love with it. It the drums you now hear in the bridge!

The pandemic hit a lot of artists, and hit them differently – how has lockdown affected the way you approach music?

Lockdown hasn’t so much changed the way i approach music, but it definitely threw out most of my plans for 2020. I moved to Melbourne in hopes of finding band members so I could play live, but instead we were told not to leave our homes or socialise for 10 months 

Do you think you work better – as in songwriting – alone or with others?

I find myself making quicker decisions when im working with others. Instead of debating with yourself for sometimes months, you can just ask for their opinion. I feel more confident when writing with other artists.

What are you looking forward to the most about music – yours and others – moving forward into 2021?

Every year Australian music is getting stronger and stronger and i can’t wait for Australian artists to receive more of the recognition they deserve. Australian artists are definitely making the best music in the world right now.

‘I Don’t Cry’ is out now.
Official Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed

February 26, 2021 0 comments
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Gardens of God
Music InterviewsMusic News

Gardens of God

by the partae February 26, 2021
written by the partae

Where are you currently based?

 

Vilnius, Lithuania


How did you first start playing music?

 

I produce since 2002. After some time spent ghost producing and writing music for others, took a part as an artist as Downtown Party Network with my friend Saulty back in 2008. Tracks went viral in a disco scene so there was nothing else to do but start touring and dj’ing around the World.

https://youtu.be/D8SAuM4GOQo

Then, 2014 was the year when I started my solo career as Gardens of God on Maceo Plex’s Ellum Audio.


What’s been happening recently and how did you first start playing music?

 

Last year wasn’t good gig wise at all. Pandemic situation locked me as most of the artists in the studio. And that came out quite a good thing after all. Being stuck for such a long time gave opportunity to rethink of what’s important and where to go music wise. Can’t say I made something I don’t like, but since the first track the Idea of Gardens of God was I’m gonna do what I want and how I see it with no compromise. And after some time traveling I got lost a bit in the influences and trends of what happened around the scene. So no gig year took me back to where I should be.

Your 10 track debut is out now, what influenced the sound and songwriting?

 

I’m trying not to be influenced , but it’s impossible. Everything you see, everything you go through in your life, everything you hear builds the context which influence you want it or not. I was studying piano for 8 years and you can definitely hear it in this record.

 

How did you go about writing the record?

 

I always wanted to make a long play. EP’s are standard in electronic music scene today, but an album is like a full story not a chapter for me. Fear of being misunderstood stopped me from making it as I dreamed of kinda different one, the one to listen to, not to dance to. But as I told, the pandemic time brought me to discussion with myself and I found I don’t wanna compromise in any ways.

 

Where and when did you record/produce?

 

Some tracks where started in my old studio few years back. I recorded vocals of Aparde also the song with VAARWELL back then but something happened and I got scared of releasing it. Few more demos came into my secret folder since last year when I realised I need it to be heard. I need the world to know about my feelings and the point of view music wise. After that it went super smooth and fast, I finished those songs and tracks in my new room and put them in one final piece on autumn of 2020.

 

What programs and equipment did you use?

 

I use Logic Pro, also quite a lot of outboard gear (photo attached). Vintage Korg, Roland, Access synths, tube compressors and some classic stuff like GML equaliser, SSL buss compressor and Zener LImiter by Chandler Limited.

 

Why did you decide to create and release a record now?

 

It’s not the best time to release music at all, I know. But for me, it’s important to publish it now, cause it represents the end of the period I came through searching and trying to find myself.

 

The record is quite different to your last, how did the change in sound/songwriting come about?

 

As I worked with a lot of pop music and music for movies / tv shows, the melodic part of me was little bit overshadowed. That is bad, because I graduated as a musician and I always loved harmony – rich music, so I think that part of me took over finally and said enough with just only electronic tracks.

What’s the meaning behind the name of the album?

 

I feel sometimes, like I live in a movie. Things happen, dramas and experiences I go through, makes me think it’s not real. But when it ends and I feel alive again, I wanna save it and remember that all bad things has the END.

I still work with soundtracks and background music sometimes, so that would be a shame not to do a soundtrack for the movie I live in, for the end I experience.

Who are you listening to at the moment?

 

Lots of piano music – Bugge Wesseltoft, Nils Frahm, Ryuichi Sakamoto. Indie rock is one of my top picks all the life also. I really never stuck on one genre or style. But I never listen techno or house music at home or in a car, that might be strange to hear from a dj, but I leave dance music for parties and stages I perform.

 

What do you like to do away from music?

 

I love cooking and baking. One of my dreams is to open the bakery when I’m retired. Also family took big part of my free time which is absolutely blessing.

 

What’s planned for the remainder of 2021?

 

Some remixes of the album tracks are already done by the artists I love, so it’s planned them to come out later this year. Also original music from me is already in a schedule so it seems like it’s gonna be a great year release wise.

Favourite food and place to hangout?

 

Everything is in a lockdown at the moment in Lithuania, so the favourite place to hang out is my home. This winter was amazing, we had so much snow and the nature looked like in a postcard. So we discovered a great activity on the lake make an ice hole and dip inside for few minutes with friends.

Gardens of God

WATCH/LISTEN

 

https://www.youtube.com/watch?v=D8SAuM4GOQo

www.gardensofgod.com

https://www.facebook.com/gardensofgodmusic/
https://soundcloud.com/gardensofgod
https://open.spotify.com/artist/5BuzgxcEyA7d2V9R9AnRyM?si=4bUbqKAvQTmiRpypbrzlug
https://www.instagram.com/gardensofgod/
February 26, 2021 0 comments
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